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I'm joined by the CEO of PodX, his name is Stefan Rossell, he's over in Sweden.

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Stefan, how are you?

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I'm fine, thank you.

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How are you?

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Very well, very well.

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Now, Stefan, you came onto Pod News' radar about April last year when we wrote about

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the fact that there's a new podcast investment company that's launched in Sweden called the

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PodX Group.

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And your goal was to invest into international podcast IP rights and offer financing business

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development, internationalisation and commercialisation to emerging podcast producers and creators.

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So that was the background to it.

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We were like, oh, that sounds very interesting.

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And subsequent to that, you got very active.

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So you started to get into buying companies in France like Nouvellequests and companies

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in the UK like Gold Hawk Productions.

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But before we get into some of those stories, take us a step back.

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What is your background and how did you come about forming PodX?

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Well, I worked in media for the past 20 years and I've been leading the operations for Viacom,

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Proceedings Ations, Discovery and last before I founded PodX, Bauer Media here in the Nordic

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market.

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Yeah, very big group.

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Yeah.

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And during that time, the last five years, I was really driving the digital and the podcast

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agenda within Bauer internationally and mission, the importance of radio companies embracing

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and developing their digital future.

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So that's sort of my background and my thinking behind PodX.

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Now, who are your co-founders in the business then?

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It's Patrick Svenske, who's been a TV man, you could say he's built Odiak, which is today

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a part of the BannerJ and Nice Entertainment for the Viaplay Group and also Fredrik Said,

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who comes from ACOST and is really the one of us who has the most sort of international

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podcast background.

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So Patrick, he has built, if you like, something like PodX in the TV world and Fredrik has

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been an important part of the international expansion of ACOST.

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And I've been working with audio entertainment for most of my work life.

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So given what I said right at the beginning, that your goal is to help emerging podcast

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producers, creators with finance as well as IP rights, what is your business model then?

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What is PodX's model?

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What we like to do is to build a world leading international podcast collective, if you like,

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a collective or a group of the best, including the best podcast creators in the world.

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We think that by bringing them together, they will become stronger, learn from each other,

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take each other's formats international and really because the background is really that

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we see that many of the podcast businesses are very small, but very talented, but together

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they will become stronger.

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So the business model is really to invest in these companies and to become a majority

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shareholder.

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It's not because we want everyone to become the same.

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Everyone will keep their brands, their podcasts, their culture, their language, their nationality.

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But if we can consolidate this in one group, we think that the sense of belonging to one

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group and the, what you say, the will to actually help each other will be much stronger.

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So we become majority shareholders of the businesses that we invest in and the founders

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of those businesses become minority shareholders of PodX.

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So that's why we believe it's truly a collective.

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I mean, in a few years time, podcast creators from all over the world will together own

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maybe half of PodX.

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In the Web 1.0 world, I used to work for a company called CMGI based out of Boston.

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I was their marketing director and we had a very similar model.

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We had AltaVista, Turome, Navio.

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I mean, we had about 60 companies eventually within the portfolio.

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And the synergy that those companies brought to each other was what raised the value.

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I think CMGI was raised to over a billion dollars.

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I guess what you're saying is the whole is greater than the sum of the parts.

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It's the PodX family together will make a stronger proposition.

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How do you fund and finance it?

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We're financed and funded by a company called Calbo, an investment company.

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So they are the majority shareholder now of PodX and they provide the financing for the

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investments that we do.

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And we're not necessarily looking for an advertising network.

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We are very neutral when it comes to business models.

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I mean, we see that there is an advertising business model.

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There is a subscription business model out there.

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There are commissioners ordering and asking for content from podcast creators.

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There are branded podcasts.

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So there are multiple business models around podcasting at the moment.

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And we don't know and I don't think anyone knows which of those will grow the fastest

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and be more successful.

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I think that many of these models will exist in parallel.

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And if you compare with the television and other medias.

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So it's very important for us to say that we like podcast companies that do great content

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and that have found a business model that works for them.

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And it's not necessarily the same business model as another company that we invest in.

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So that's how we think around that.

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So given that you've got quite a large portfolio now and quite a diverse portfolio, I mean,

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you've got companies in Argentina now and recently you acquired the one in Finland.

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How do you determine which one to go for next?

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Do you just say, right, Italy is a market you want to be in, let's go and find a player

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or do you go and find a company first that just happens to be in another country?

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What's the criteria for acquiring the next company?

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Very relevant question and something that we talk about a lot.

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But we have decided to limit ourselves to Europe primarily and Latin America.

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And we believe for business purposes very much in big languages that could reach many

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people.

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English being the most important one, but also Spanish and French.

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So we believe very much in the greater markets in Europe and Latin America with a lot of

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people and big languages.

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So that's sort of the frame.

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But within that frame, we are looking for very creative and successful companies when

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it comes to content creation, companies that won prizes, but also companies that have proven

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that they can make successful podcasts over and over again and generate revenue around

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those podcasts.

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So content is the core.

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That's the most important part.

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Management is very important, showing that you can actually do something with your content

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business wise.

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And then we also like evergreen content so that you actually can use your content over

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and over again.

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History is a perfect example.

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True crime documentaries where you can actually listen to something today and you can listen

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to the same thing in five or 10 years with the same level of excitement.

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That's the type of content that we like.

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And then last but not least, we like companies that have the ambition to protect and keep

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as much as possible of their content in order to be able to do business with it onwards

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and in the future.

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So that's the main criteria, as I would say.

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Given one of your founders has got a TV background, do you see taking these podcasts and putting

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these to TV and film?

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Is that one of the roads to market?

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It could be, but it's not one of the main roads.

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We say to all the companies that we meet that it's audio first, it's podcast first.

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And if you're successful and you have something fantastic that someone wants to make television

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or film out of, that's great, but that's a bonus.

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It's the icing on the cake.

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We are almost a bit worried about podcast companies that think too much of the possibility

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that everything will become television and film because that's not going to happen.

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That will be, I think, the exception rather than the rule.

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So when it comes to format development and how to make business out of your IP, we much

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more believe in that a great podcast in Finland could be translated to French and English

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and Spanish and be successful as a podcast in other territories.

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Right.

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So Podimo, based out of Denmark, has a very similar model to you, although they acquire

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it to go into the Podimo app.

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And then they look at translating that into multiple other different languages and countries.

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And they've stayed out very much until recently the UK market.

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But what is it with Sweden?

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You've got Spotify, you've got Acast, you've got Podimo, you've got PodX.

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I mean, what's going on in the water over there?

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It's probably not for me to answer because it's a much bigger question.

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But you're right that, you know, starting maybe with Spotify and even earlier, there

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is a business culture here.

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Yeah, absolutely.

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There is a business culture here around technology that is it's just here.

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And it's like I said, I'm humble enough to realize that I'm not the person to explain

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that because it's a much bigger topic, but it's here.

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And yeah, I guess you have to have certain financial resources to be successful in building

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businesses and maybe especially global businesses with the technology.

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And you know, this part of the world is lucky enough to have a high GDP and good schools

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and all the rest of it.

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So social welfare and what have you.

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But it's interesting that many companies come from here.

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But back to your first question there, we do not at all see Podimo as competitors.

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We rather see them as business partners because they are commissioning content from several

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of our companies.

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So they are really clients.

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I mean, they are coming to our companies and asking for content.

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We see them more as a platform and a distribution partner for the content that our businesses

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create.

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So did I miss something in the story of PODX?

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Did you do a funding round because obviously Podimo raised 75 million, which has allowed

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them to go and do what they're doing.

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You've obviously got backers, but you know, is the backer a VC or private equity?

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I mean, how much more can you invest, you know, going forward?

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We don't know exactly how much more we can invest, but the company, Carbo, that found

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us has great backing.

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It's not private equity, but the money comes from private equity originally.

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And now it's a private office.

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And if they like what we're doing, they could invest a lot more.

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So we're not going for any external rounds trying to find money elsewhere.

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We have the financial backing that we need.

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So fast forward six months from now, I mean, more acquisitions in the pipeline?

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Yeah, absolutely.

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I think we will probably do, you know, two to four more acquisitions within that period.

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But we're also now going into a very interesting phase.

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And this is really where the work begins, that we want to deliver the advantages of

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being a products company to the companies that we have invested in the last six months.

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So we're now working hard with the business development, content creation, exchanging

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ideas, exchanging formats, working with IP and the legal side of things in order to not

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give everything away to the commissioners.

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But now it's really when the fun and the real work starts when we actually have six companies

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in the group.

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So what's the exit strategy for products if there is one yet?

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Yeah, I like to say and to think that you should not think too much about the next strategy.

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You should think about building a fantastic business, because if you have a fantastic

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business, you can keep it and live from the dividends.

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You can put it on the stock market or you could sell it.

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So the core of any business exit strategy should be to build a fantastic business.

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And that's what we're trying to do.

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I only mentioned it because Spotify and Acast are both floated on markets right now.

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I just wondered if that's a natural evolution for you guys.

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It could be, but it could be keeping it or it could be selling it as a whole or it could

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be the stock market.

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Definitely.

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But we are really at a very early stage.

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We have just bought the first six businesses in the last six months.

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And we want to build a group to become bigger and more profitable and a leader when it comes

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to content development and IP creation and development of business around IP in the world

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for podcasters.

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And we are not there yet.

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So we have some more work to do.

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Stefan, thank you so much.

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Now before you go, where can content creators and companies go to find out more about products?

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We have a webpage and they could email me or call me or I'm sure they could find us.

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But the webpage is a good start.

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PodXGroup.com.

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Stefan, thank you so much for your time.

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Exciting times for PodX.

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And I look forward to meeting Frederick in London.

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And thank you so much for talking to me Sam.

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It's been great.

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Talk to you again soon.

