WEBVTT

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Right, let's go a little bit round the world.

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We'll start in Nigeria, because we've learnt

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things about Nigerian podcasting. For example,

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they are much less likely to podfade. 74 % of

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shows remain active in the country. Spotify for

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Creators is the number one podcast host in the

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country as well. And I thought this is really

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interesting because we hear an awful lot of shows,

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an awful lot from the UK and from the US and

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from Australia. We hear very little coming out

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of Africa. So I thought, well, let's find out

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a little bit more. In a first for this very podcast,

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joining us live from Lagos is the person who

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put this work together, is Tony Doe. Greetings,

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Tony. Hey, James. Thanks for having me. Hi. Hello,

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Sam. Hey, how are you, Tony? I'm great, and you?

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There you go. You see, look, the technology works,

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which is a fantastic thing. Nigeria is massive,

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isn't it? 224 million people who live there.

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And counting. Yeah, and counting. 60 million

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people speaking English. 64 million people speaking

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Hausa. And one of the things that I was interested

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in on this data is that the data which comes

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from the Nigerian Podcast Index, over 90 % of

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shows are in English. And Hauser is, I think,

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from memory, something like 2 .7%. Why aren't

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there more shows in Hauser, Tony? There are lots

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of shows, but not enough shows registered as

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podcasts. Ah. Hauser, yes. When it comes to radio,

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there's a lot of content. There's a lot of outside

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content on radio, live radio, community radio,

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communal radio. But when it comes to podcasting,

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and I'm still searching, so it's not as if the

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journey is over per se, but it comes down to

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platforms. There's a limit to language options

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in terms of primary speech for content creators.

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So we're dealing with major languages, usually

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English, French, maybe Spanish, languages that

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seem to have more global appeal. And only until

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recently... We started having platforms that

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decided to look a little inward and create content

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or rather create a place or a home that would

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allow local language podcasts to thrive. Another

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thing is, you know, education as well. If they

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know that platforms exist, then they can come

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on board and speak their languages with a bit

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more ease. A lot of them don't know that you

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can do that yet. Yeah, and I guess if you were

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to use Spotify for creators, then all of that,

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I'm going to guess, is in English, is it? It

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is. Everything is in English. Even the ones I

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managed to get on the index actually belong to

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a service. A new service, I think RFI or so,

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they're not exactly based in Nigeria, but they

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do cater to local languages and then have podcast

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structures. Tony, hi, it's Sam here. Talking

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of Spotify, the top podcast app in Nigeria is

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Spotify. Yes. But for the benefit of our sponsors,

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Buzzsprout, who is the most popular podcast hosting

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company? There are a lot of... podcasters using

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buzzsprout i have friends who are using buzzsprout

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and not just using the platform but actually

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benefiting from all the features of the platform

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which means they're actually monetizing with

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it which is not which is not exactly as popular

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with other podcasters but i do know a few people

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who who are using buzzsprout but spotify has

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a massive massive gap I think Buzzsprout is next

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or Acast. I'd have to go through again. Excellent.

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Yes, yes. Well, I suppose because it's free,

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right, Tony? I mean, just on the very basis that

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it's free, that people are going to go there

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first. Yes, that. And let's not forget what it

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was before it became Spotify for Creators, which

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was Anchor. Besides the fact that it's free,

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it's the nature in which it was even created.

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people could, from their phones, record their

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content and publish directly. And what Ankur

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was doing at the time was also submitting on

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behalf of the creators to the podcast directories.

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So a lot of people who didn't even know what

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was going on with the RSS feeds ended up in actual

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podcast directories. So there's a lot of content.

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coming from that time and then you know maybe

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now people you know are starting with what they

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see as free but a lot of people actually started

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podcasting when anchor was available and because

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of the nature of ANCO itself. And a lot of them

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have remained on that platform since, even with

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all the transitions. Yeah, you make a really

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good point because, I mean, I remember going

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to, I did some training in Ghana and talking

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about what to put on your radio station website.

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Suddenly realized, of course, that most people

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are accessing the internet through mobile phones,

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not necessarily through a laptop or a desktop.

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And of course, Anchor was brilliant at that because

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Anchor had an app that you could use to record

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stuff straight into Anchor and publish and away

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you go. Yes, exactly. And I think that's what's

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missing in the space now. And I think people

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actually look forward to something like that

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happening again. or a resurgence of that type

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of um that type of availability and it's not

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it's not there anymore yeah there you go sam

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there's another there's another hint and tip

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for how true fans work Yeah, I'll stick that

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on the 2027 roadmap. I don't think we're going

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to get that anytime soon. Sorry. Now, Tony, I

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was looking at the genres of the shows and religion

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and society and culture are the two big genres,

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which are much the same, actually, as in the

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UK or the US or here in Australia. But what's

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the big difference between podcasting in Nigeria?

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and in the UK or the US? I'd say ours is culturally

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driven, really. Our lifestyles, our attitudes

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towards things, our perspectives on issues as

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hope and faith are really what drives what we

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do when we create. We're a very communal... society

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we find excuses to gather at places which is

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one of the reasons remote work was kind of difficult

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to introduce to the workspace in Nigeria because

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people like seeing you people want to see you

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even if you're not doing anything people won't

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see you and then we like having conversations

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loud ones too talking over each other and that's

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why a lot of the shows you find in the index

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are Chat shows, more or less, co -hosted shows,

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hosts bringing in guests, panels, four to five

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hosts sometimes. And then the reason religion

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kind of works is because there's already a system

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that supports it in terms of... It's recording

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and preservation or archiving. Long before podcasting,

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we used to have cassettes. We used to have Bibles

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on tapes. We had preachers who would actually

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put a series of monthly sermons or quarterly

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sermons in cassettes and then have these sold.

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And then when CDs became a thing, it continued

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with that tradition as well. space became available

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for this kind of content as well. It also moved

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into that space as well. I wrote an e -book a

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while ago dedicated to pastors and ministers

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teaching them more or less how to turn their

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sermons into podcasts because the content already

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existed and it just helped with proliferating

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the messages. And helping them understand that

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sometimes, even if the message was preached live

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to a local audience, there could be someone somewhere

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far away who could still benefit from that message

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as well. I was with the church for a while. And

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for the two years I was handling their podcast

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management, there was a difference. There was

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a huge difference. And it also impacted on the

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way. the pastor himself began to preach because

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where he felt, you know, who else would listen

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apart from everybody in here? He was able to

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expand. on his messages and then also bringing

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views that he thought you know would also help

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expand the views of his congregation as well

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and then he you know he testified of um having

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people reach out to him and tell him that they

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had his message from miles away and why was that

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they found it on spotify Tony, very quick question.

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How do people make money in Nigeria with podcasting?

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That is the million dollar question. It is the

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money question itself. The honest truth is...

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They're not making a million dollars, that's

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for certain. No, they're not. And then again,

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it's kind of a guarded situation. I can only

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speak to... What I know for certain, which is

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the fact that the successful podcasts are tied

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to local networks, which means that the creators

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themselves may not even be involved. in the monetization

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process. They probably just get paid fees or

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salaries like they're coming to regular jobs.

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And then all the work is being handled by the

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networks themselves. Now, these networks are

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the ones who then put the shows on platforms

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like Buzzsprout, Acast, RSS .com, and so on,

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and then create the relationships with the podcast

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advertising agencies who place ads on these shows

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and make things work. For the tougher independent

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ones, me, for instance, I don't exactly monetize

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my show, but there are skills that I exhibit

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through my show that enable me to monetize, one

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of which is voiceover work that I do. I also

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produce podcasts. I also produce... radio commercials

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and jingles. So these are like audio adjacent

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things I do. I think Dave Jackson says that you

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don't monetize podcasts, you monetize your audience.

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You monetize the people who you reach through

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the podcast, which I think makes a bunch of sense.

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Stupid question, Tony. The podcasts that are

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in the Nigerian podcast index, are they mostly

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listened to in Nigeria itself? Or is there a

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diaspora that also listen? Or, you know, how

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does that bit work? It's a bit of both. And the

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interesting thing is the index doesn't just concern

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podcasts created in Nigeria. It actually... It

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contains podcasts created by Nigerians abroad.

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I found some very interesting ones. There's a

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high percentage of diaspora listeners, but the

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bulk of listeners are still Nigerians, interestingly.

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And many of them, I wouldn't know what class

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to put them in now because we really don't have...

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the middle class anymore, but many of them are

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predisposed to digital or many of them are digitally

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savvy. So it's kind of easy. You're talking to

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people in universities, you're talking to young

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professionals and corporate society, banking,

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infrastructure, oil and gas. And, you know, these

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are people who are growing up more or less with

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the technology. So they're pretty much exposed

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to it. Many of them eventually travel and, you

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know, The listening is really heavy locally,

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but there's a growing audience of listeners abroad,

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but probably still Nigerian listeners abroad,

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those who miss home and still want a taste of

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home without the limits of radio. Well, if you've

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got 224 million people who live there. you would

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imagine that there are going to be quite a lot

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of people that are currently overseas as well.

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So there is always that. What's the best way

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to get in touch with you? You can obviously find

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out more about the Nigerian Podcast Index by

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searching the PodNews newsletter. But where else

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should people be having a look? The website is

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up, NigerianPodcastIndex .com. My email is Tony.

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at NigerianPodcastIndex .com. You can find me,

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Tony Doe, I'm everywhere. LinkedIn, Instagram,

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Xthreads. And if you search Nigerian Podcast

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Index slash Tony Doe or whatever, you'll probably

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find me lurking somewhere. Tony, thank you so

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much. And congratulations by putting together

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the index. Thank you, Sam. Thank you so much.

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It's been great having our first live guest.

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Thank you. Thank you, Sam. Thank you, James.

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Thank you, Tony. That's super interesting. And

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I do think that there's a bunch of really interesting

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things going on in parts of the rest of the world

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that we don't know too much about. So, yeah,

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always, always fascinating.
