WEBVTT

00:00:00.000 --> 00:00:02.700
I am Brian Conlon. I am president of DAX US.

00:00:03.180 --> 00:00:05.599
I run the day -to -day operations here for our

00:00:05.599 --> 00:00:09.539
US business. I was employee number one of Audio

00:00:09.539 --> 00:00:12.699
HQ 11 years ago when our founders Matt Katera

00:00:12.699 --> 00:00:15.500
and Jeff McCarthy started the business. Now I'm

00:00:15.500 --> 00:00:18.559
overseeing the next phase of DAX and kind of

00:00:18.559 --> 00:00:21.239
taking us into the future of programmatic audio

00:00:21.239 --> 00:00:23.719
and especially podcasting as an area of focus

00:00:23.719 --> 00:00:26.539
for us as we go forward. So you're part of Global,

00:00:26.660 --> 00:00:28.879
which owns radio stations and podcast companies

00:00:28.879 --> 00:00:32.960
and out -of -home advertising and DAX. What's

00:00:32.960 --> 00:00:35.939
the elevator pitch for what DAX is and what DAX

00:00:35.939 --> 00:00:40.979
does? DAX is an audio SSP that connects why with

00:00:40.979 --> 00:00:44.859
brands and makes curation of inventory easy for

00:00:44.859 --> 00:00:47.820
advertisers to activate campaigns and measure

00:00:47.820 --> 00:00:50.509
outcomes, I think would be elevator pitch. The

00:00:50.509 --> 00:00:53.409
challenge we have is DAX US is slightly different

00:00:53.409 --> 00:00:55.969
than DAX UK because they operate with all of

00:00:55.969 --> 00:00:57.810
the owned and operated radio stations that Global

00:00:57.810 --> 00:01:01.350
owns. Here we are a reseller of inventory. So

00:01:01.350 --> 00:01:04.609
right now we partner with 20 different Cure Clay

00:01:04.609 --> 00:01:07.269
partners and about 400 radio stations in the

00:01:07.269 --> 00:01:10.859
US market. that are 100 % exclusive to DAX. So

00:01:10.859 --> 00:01:13.799
the DAX US elevator pitch is, we have access

00:01:13.799 --> 00:01:16.359
to over 40 million monthly uniques that are exclusive

00:01:16.359 --> 00:01:19.420
to the DAX US team. And that makes up about a

00:01:19.420 --> 00:01:21.859
fifth of the streaming audio marketplace. So

00:01:21.859 --> 00:01:24.280
by not buying DAX, you're missing out on a fifth

00:01:24.280 --> 00:01:27.000
of the potential consumers for your brand. Yeah,

00:01:27.040 --> 00:01:29.420
my notes tell me that DAX reaches more listeners

00:01:29.420 --> 00:01:32.700
than Spotify or Pandora or iHeart. So where are

00:01:32.700 --> 00:01:36.400
those listeners? Those are subscribers that pay

00:01:36.400 --> 00:01:39.180
for the... free version without the ads. And

00:01:39.180 --> 00:01:41.620
I think what we try and lean into is that Dax

00:01:41.620 --> 00:01:44.239
is an advertiser first organization, not a subscriber

00:01:44.239 --> 00:01:47.340
first organization. Andorra and Spotify are great

00:01:47.340 --> 00:01:50.060
platforms, right? There's no combating that statement.

00:01:50.239 --> 00:01:52.920
They are where brands want to be. But I think

00:01:52.920 --> 00:01:55.859
in reality, the actual ad supported audience

00:01:55.859 --> 00:01:58.159
is much smaller than brands may perceive the

00:01:58.159 --> 00:02:00.799
platform to be in the overall landscape. One

00:02:00.799 --> 00:02:03.250
thing that we really leaned into is If you look

00:02:03.250 --> 00:02:05.730
at Spotify, Pandora, and iHeart, they only account

00:02:05.730 --> 00:02:08.430
for about 55 % of the digital audio ad spend

00:02:08.430 --> 00:02:11.389
currently. So there is a large portion of consumers

00:02:11.389 --> 00:02:14.289
you are not reaching by only buying those three.

00:02:14.409 --> 00:02:16.310
So those three absolutely have a seat at the

00:02:16.310 --> 00:02:18.840
table. But what DAX looks to do is become that

00:02:18.840 --> 00:02:21.620
reach and efficiency advertiser or audience at

00:02:21.620 --> 00:02:23.680
that scale, essentially, is really what we try

00:02:23.680 --> 00:02:26.300
and do here and be that reach extension and efficiency

00:02:26.300 --> 00:02:28.360
play to bring in the overall buy and help them

00:02:28.360 --> 00:02:31.639
fill that untapped gap of audience. DAX is clearly

00:02:31.639 --> 00:02:35.300
a very big company in terms of the amount of

00:02:35.300 --> 00:02:37.159
audience that you are reaching and everything

00:02:37.159 --> 00:02:41.360
else. I'm wondering why... I've not written an

00:02:41.360 --> 00:02:43.580
awful lot about DAX, and I'm wondering why we

00:02:43.580 --> 00:02:45.560
haven't heard more. You know, it's almost like

00:02:45.560 --> 00:02:49.240
a sleeping giant, isn't it? Why is that? I think

00:02:49.240 --> 00:02:51.259
that's why we're talking today, to be honest.

00:02:51.379 --> 00:02:54.039
Is it my fault, Brian? No. Is it my fault? I

00:02:54.039 --> 00:02:56.139
don't think it's your fault. I think when we

00:02:56.139 --> 00:02:58.520
first started the company at Audio HQ, we tried

00:02:58.520 --> 00:03:00.500
to do a lot of press releases, talking about

00:03:00.500 --> 00:03:03.699
our exclusive partnerships. Post -COVID, we just

00:03:03.699 --> 00:03:06.180
kind of let the business run steady course, right?

00:03:06.240 --> 00:03:08.199
I don't think we did a lot of news flashes post

00:03:08.199 --> 00:03:11.449
-acquisition. But now in my role, I think this

00:03:11.449 --> 00:03:14.069
is a big opportunity for us to lean in now and

00:03:14.069 --> 00:03:15.830
start to get some recognition in the marketplace

00:03:15.830 --> 00:03:18.530
because we do have a tremendous value prop for

00:03:18.530 --> 00:03:20.930
advertisers. We've built a lot of loyal customers

00:03:20.930 --> 00:03:23.430
over 11 years in business. You're not going to

00:03:23.430 --> 00:03:25.150
succeed for 11 years if you're doing something

00:03:25.150 --> 00:03:27.330
wrong, right? I mean, we built these relationships.

00:03:27.430 --> 00:03:30.650
We provide ROI for advertisers. We've got a lot

00:03:30.650 --> 00:03:33.509
of these Fortune 500 brands that have come to

00:03:33.509 --> 00:03:35.389
us. We've gotten verbal approval. And then we

00:03:35.389 --> 00:03:37.960
go to the client phase and they're like... Who

00:03:37.960 --> 00:03:41.139
is Dax, right? To your point, we're a giant that's

00:03:41.139 --> 00:03:45.120
a little bit invisible. So I think what I'm trying

00:03:45.120 --> 00:03:46.960
to do is just get our message out there and let

00:03:46.960 --> 00:03:49.439
people know that we are here to help with monetization

00:03:49.439 --> 00:03:52.379
and then help brands find unique audience that's

00:03:52.379 --> 00:03:54.319
added to their media plan. When we were setting

00:03:54.319 --> 00:03:56.599
up this interview, I was told that you would

00:03:56.599 --> 00:04:00.919
tell us why audio is broken today. And that sounds

00:04:00.919 --> 00:04:04.020
interesting. So Brian, why is audio broken today?

00:04:04.509 --> 00:04:07.030
We don't get a proper seat at the table, right?

00:04:07.110 --> 00:04:10.810
I think there is a lack of measurement to get

00:04:10.810 --> 00:04:13.189
audio. It's proper recognition on a media plan.

00:04:13.590 --> 00:04:15.629
That's why I think it's broken. Something that

00:04:15.629 --> 00:04:18.009
I've spoken about, I think it last time was with

00:04:18.009 --> 00:04:20.829
Brian Barletta, the podcast movement was around.

00:04:21.439 --> 00:04:23.420
If you look at these media plans, it's very easy

00:04:23.420 --> 00:04:25.360
for audio to be the first one that gets thrown

00:04:25.360 --> 00:04:27.160
off the planet because it's just not performing

00:04:27.160 --> 00:04:30.160
in these MMM models within the industry holding

00:04:30.160 --> 00:04:33.879
companies. But for me, we know it provides tremendous

00:04:33.879 --> 00:04:36.160
value for brands. We know it provides reach.

00:04:36.319 --> 00:04:39.199
It's providing an ROI. It's just not being measured

00:04:39.199 --> 00:04:42.959
the same way CTV and display and search are holistically

00:04:42.959 --> 00:04:45.720
on these media plans. So there's no way for these.

00:04:46.439 --> 00:04:48.819
these agencies to kind of talk about the value

00:04:48.819 --> 00:04:51.720
prop and get brands to commit to it. So I think

00:04:51.720 --> 00:04:54.100
we've solved for measurement attribution, but

00:04:54.100 --> 00:04:56.220
it's still within our ecosystem with companies

00:04:56.220 --> 00:04:59.240
like Claritas and PodScribe providing great benefits

00:04:59.240 --> 00:05:01.600
to advertisers, but that's still in a siloed

00:05:01.600 --> 00:05:04.000
fashion, right? We're not talking about it holistically

00:05:04.000 --> 00:05:06.660
across the budgets and how do we take budget

00:05:06.660 --> 00:05:09.339
from social and convert it to audio dollars?

00:05:09.459 --> 00:05:11.040
Like there's no way to really do that easily

00:05:11.040 --> 00:05:13.180
now. And that's why I feel like our industry

00:05:13.180 --> 00:05:17.060
is broken. One of the things that drives me personally,

00:05:17.339 --> 00:05:20.379
frustrates me personally, is the statement that

00:05:20.379 --> 00:05:22.839
we've heard for five or six years now where audio

00:05:22.839 --> 00:05:26.120
is 30 % of a consumer's day, but it's still 5

00:05:26.120 --> 00:05:29.060
% to 6 % of the budgets. We've talked about that

00:05:29.060 --> 00:05:31.180
for many years in a row, and we're still not

00:05:31.180 --> 00:05:34.699
figuring out how to properly change that. So

00:05:34.699 --> 00:05:36.480
I think that's something that we need to holistically

00:05:36.480 --> 00:05:39.980
come together. competitors, frenemies in the

00:05:39.980 --> 00:05:42.459
space and put our heads together about how do

00:05:42.459 --> 00:05:45.519
we actually drive impact and change to allow

00:05:45.519 --> 00:05:47.519
audio to get proper recognition, drive more dollars

00:05:47.519 --> 00:05:49.259
for everyone in the space. Yeah, there was a

00:05:49.259 --> 00:05:51.740
report recently from Oxford Road saying that

00:05:51.740 --> 00:05:54.660
podcasting is missing a billion dollars in ad

00:05:54.660 --> 00:05:57.379
revenue because it doesn't have good enough measurement.

00:05:58.480 --> 00:06:02.959
Do you agree with Dan there? Yeah, I do. I think

00:06:02.959 --> 00:06:05.060
they definitely are onto something there and

00:06:05.060 --> 00:06:07.269
I think... One of the things we have to worry

00:06:07.269 --> 00:06:11.829
about as an industry is YouTube is this big,

00:06:11.850 --> 00:06:14.529
great partner for a lot of people from a podcast

00:06:14.529 --> 00:06:17.230
reach standpoint. But what does that do for the

00:06:17.230 --> 00:06:19.769
audio strategy long term, right? We're leaning

00:06:19.769 --> 00:06:22.269
into video so much. You're seeing Spotify and

00:06:22.269 --> 00:06:24.910
iHeart do these Netflix integrations. And there's

00:06:24.910 --> 00:06:26.769
a place for that from a reach extension standpoint.

00:06:26.850 --> 00:06:29.069
But if they're not providing the backend measurement

00:06:29.069 --> 00:06:31.850
to holistically tell the story of the episode,

00:06:32.149 --> 00:06:35.519
is it really helping your audio budget? grow

00:06:35.519 --> 00:06:37.819
right and the perception of audio it's really

00:06:37.819 --> 00:06:40.759
it's helping the video component of it grow not

00:06:40.759 --> 00:06:43.480
the audio side and i think podcast is such a

00:06:43.480 --> 00:06:46.319
interesting medium because you're getting that

00:06:46.319 --> 00:06:48.540
one -to -one connection in your headphones with

00:06:48.540 --> 00:06:51.660
the host that you trust every single day and

00:06:51.660 --> 00:06:53.879
i think the video component is because that's

00:06:53.879 --> 00:06:55.740
how consumption is shifting in the landscape

00:06:55.740 --> 00:06:59.139
but Again, audio is the core of what a podcast

00:06:59.139 --> 00:07:01.819
really is. I was in Norway about 10 years ago,

00:07:01.860 --> 00:07:05.040
and I remember going to one of the radio stations,

00:07:05.079 --> 00:07:08.019
and they were explaining how their research works.

00:07:08.259 --> 00:07:12.720
And they used exactly the same system, the same

00:07:12.720 --> 00:07:17.250
sort of automatic pager thing as TV. did. So

00:07:17.250 --> 00:07:19.810
the TV numbers and the radio numbers were identical

00:07:19.810 --> 00:07:25.430
and that enabled advertisers to see total impressions

00:07:25.430 --> 00:07:27.970
and all of that stuff right across broadcast

00:07:27.970 --> 00:07:30.129
media, which I thought was an interesting model.

00:07:31.050 --> 00:07:33.970
Are we talking about measurement in terms of

00:07:33.970 --> 00:07:37.350
just measurement of actual audience or are we

00:07:37.350 --> 00:07:40.069
talking about the ROI part of that as well? The

00:07:40.069 --> 00:07:42.870
ROI part of it for sure. I mean, again, I think

00:07:42.870 --> 00:07:46.139
years ago I was talking to some bigger brands

00:07:46.139 --> 00:07:49.439
that said we weren't providing ROAS on the audio

00:07:49.439 --> 00:07:52.300
channel based on DCM reporting. But that measurement

00:07:52.300 --> 00:07:54.959
is holistically tied to display banners, right?

00:07:55.060 --> 00:07:57.519
It's not tracking it off of audio. And I know

00:07:57.519 --> 00:07:59.399
there's been enhancements to that over the years,

00:07:59.439 --> 00:08:02.480
but still, I think just it's holistically looking

00:08:02.480 --> 00:08:04.959
at their media plan and DCM and looking at ROAS

00:08:04.959 --> 00:08:07.720
as the, here's the ROI, but they don't truly

00:08:07.720 --> 00:08:10.579
understand the challenges or limitations with

00:08:10.579 --> 00:08:12.300
those metrics for audio. I think that's maybe

00:08:12.300 --> 00:08:14.220
something that we can be doing better as an industry

00:08:14.220 --> 00:08:16.920
is. socializing what those challenges and limitations

00:08:16.920 --> 00:08:21.000
are so that way people are more educated. Again,

00:08:21.259 --> 00:08:23.300
I don't know if we're going to change agencies

00:08:23.300 --> 00:08:25.620
or advertisers' minds given the scale of the

00:08:25.620 --> 00:08:28.560
budgets on the other channels, but at least if

00:08:28.560 --> 00:08:30.399
they do understand the limitations going into

00:08:30.399 --> 00:08:32.679
it, it can help us a little bit just get a different

00:08:32.679 --> 00:08:35.100
look at the true ROI for audio as a channel.

00:08:35.629 --> 00:08:37.230
Yeah, I mean, it certainly sounds as if working

00:08:37.230 --> 00:08:39.330
together is a good plan and working together

00:08:39.330 --> 00:08:42.970
with competitors right now is a good plan because

00:08:42.970 --> 00:08:44.850
actually, you know, a rising tide gathers all

00:08:44.850 --> 00:08:48.409
boats, as somebody said a long, long time ago.

00:08:48.769 --> 00:08:51.529
It's true, though. Yeah, but that's absolutely

00:08:51.529 --> 00:08:53.590
right. And I think probably calling things the

00:08:53.590 --> 00:08:56.830
same name is also useful. One of the things that

00:08:56.830 --> 00:09:01.399
has... You know, after eight years of writing

00:09:01.399 --> 00:09:04.299
about this industry, it is fascinating seeing

00:09:04.299 --> 00:09:07.100
how different people who sell different bits

00:09:07.100 --> 00:09:10.139
of podcast advertising call what they sell different

00:09:10.139 --> 00:09:13.620
names. It's very frustrating to work out what

00:09:13.620 --> 00:09:17.639
is a sponsorship? What is an ad read? Yeah. So

00:09:17.639 --> 00:09:20.340
all of that is a little bit weird. Are there

00:09:20.340 --> 00:09:23.700
other mechanisms in place to help you work together

00:09:23.700 --> 00:09:26.980
with others? I think the IAB is doing a good

00:09:26.980 --> 00:09:30.039
job of trying to facilitate this. Again, I think

00:09:30.039 --> 00:09:32.259
it's just doing it more frequently and making

00:09:32.259 --> 00:09:34.340
sure you have the right people in the room to

00:09:34.340 --> 00:09:37.500
help facilitate that change. But I know that

00:09:37.500 --> 00:09:40.019
this has been a topic of conversation at some

00:09:40.019 --> 00:09:42.879
of the last few audio days. So I personally am

00:09:42.879 --> 00:09:44.600
going to try and get more involved in some of

00:09:44.600 --> 00:09:47.500
those events to share my thoughts on it. But

00:09:47.500 --> 00:09:50.840
I think that's probably the best way to do it

00:09:50.840 --> 00:09:54.080
right now. And I think trying to lean into...

00:09:54.669 --> 00:09:57.210
what Brian's doing now with podcast movement

00:09:57.210 --> 00:09:58.929
and these new event schedules of just getting

00:09:58.929 --> 00:10:01.029
people in the room for a dinner around these

00:10:01.029 --> 00:10:02.730
events when you have the right decision makers

00:10:02.730 --> 00:10:05.190
there and keep this conversation moving in the

00:10:05.190 --> 00:10:07.830
right direction because it's not going to, one

00:10:07.830 --> 00:10:10.470
day a year is not going to move this thing forward.

00:10:10.509 --> 00:10:13.389
It has to be consistent and a combined effort.

00:10:13.590 --> 00:10:16.509
So what's the one thing that you wish the industry

00:10:16.509 --> 00:10:19.389
could do now that would help grow the industry

00:10:19.389 --> 00:10:22.360
further? collectively figuring out the measurement

00:10:22.360 --> 00:10:25.120
piece is what will grow us to a whole different

00:10:25.120 --> 00:10:28.879
level. I mean, again, the YouTube is the thing

00:10:28.879 --> 00:10:31.159
we talked about earlier today around a lack of

00:10:31.159 --> 00:10:32.940
measurement and attribution on YouTube. And Dan

00:10:32.940 --> 00:10:34.940
said it's a billion dollars sitting out there

00:10:34.940 --> 00:10:37.720
that we really can't measure. But you know that

00:10:37.720 --> 00:10:39.799
that audience is converting. So it's just really

00:10:39.799 --> 00:10:42.159
just happening behind the scenes without any

00:10:42.159 --> 00:10:44.279
recognition for the work that these creators

00:10:44.279 --> 00:10:47.539
are doing. So I think that's really the holistic.

00:10:48.139 --> 00:10:50.100
uh, solution I think would help grow everyone

00:10:50.100 --> 00:10:53.500
right now. And, uh, more events like podcast

00:10:53.500 --> 00:10:56.419
movement and others, um, to, to actually help

00:10:56.419 --> 00:10:59.759
get, uh, industry leaders like you together would

00:10:59.759 --> 00:11:01.679
certainly help as well, I guess. Yeah. And I

00:11:01.679 --> 00:11:04.600
think it's also about how do we get more brands

00:11:04.600 --> 00:11:06.559
into the room? And this is something we've talked

00:11:06.559 --> 00:11:09.139
to Brian about, right? It's like, it's definitely

00:11:09.139 --> 00:11:12.500
a lot of the same supply partners, podcast creators

00:11:12.500 --> 00:11:14.879
that are showing up to these events and it's

00:11:14.879 --> 00:11:18.279
great to do it two, two times a year, but, How

00:11:18.279 --> 00:11:20.379
do we get the decision makers with the dollars

00:11:20.379 --> 00:11:22.580
that are controlling audio budgets to be in that

00:11:22.580 --> 00:11:25.100
room, whether it's comp tickets or having sponsors

00:11:25.100 --> 00:11:28.779
bring certain brands into the room? But we need

00:11:28.779 --> 00:11:31.399
to hear from them what the pain points are, not

00:11:31.399 --> 00:11:33.360
just what we think the pain points are, right?

00:11:33.440 --> 00:11:34.899
Because I think they're on the front lines every

00:11:34.899 --> 00:11:37.350
day. talking to clients, putting together these

00:11:37.350 --> 00:11:40.029
media plans so they know where the challenges

00:11:40.029 --> 00:11:42.730
are and what the opportunities are to scale budgets.

00:11:42.830 --> 00:11:45.690
So having them in the room and up on stage to

00:11:45.690 --> 00:11:48.409
present those findings and learnings is really

00:11:48.409 --> 00:11:50.409
impactful, in my opinion. Brian, it's been great

00:11:50.409 --> 00:11:52.190
to talk. Thank you so much for your time. Yeah,

00:11:52.250 --> 00:11:53.649
nice to speak with you as well, James.
