WEBVTT

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we've launched this literally this week so we

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went live with it on wednesday the idea of it

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sort of the initial meetings and stuff were happening

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sort of january time but i i had a big realization

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about this time last year that i've been in the

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podcasting space for a long while but mainly

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in the paid for sort of production realm looks

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like this is the thin end of the wedge when i

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was looking at what the likes of Peter Crouch

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doing and what Gary's doing with Goldhanger and

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what the fellow studios are doing. There's a

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big opportunity here, but the bigger opportunity

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comes with obviously bigger risks and therefore

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bigger rewards. I was just at a point, I was

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like, I can't just keep doing the pay -for -production

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thing as it stands. I wrote a blog about... five

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years ago, which I think James actually published

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in Pod News. And I was like, why doesn't Peter

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Crouch leave the BBC and run his own thing? Because

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if he owned the IP of it, he'd earn loads more

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money. Ironically, I've subsequently found out

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that Peter Crouch actually read that blog. I'm

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not saying that's why he left the BBC and started

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his own thing. Take it, James. Claim it is your

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idea. Don't be shy. Yeah, absolutely. Yeah, so

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that was the rationale around it, essentially.

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There's a massive opportunity in podcasting right

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now. And I think we're very uniquely placed in

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terms of the celebrity talent we can reach, plus

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the experience that we've got, that we can actually

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help people to really maximise the value opportunity

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that there is right now for people to own their

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IP and build platforms rather than just having

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a podcast as a paid for, you know, 500 quid,

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1 ,000 quid session talent sort of thing. So

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why pivot? Because, I mean, obviously, Kara Swisher

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might be coming after you. Yeah, so Pivot Productions

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Group, I very carefully checked. There is nothing

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that is copywritten. It was also for me. So I

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got into this business with who's obviously very

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well known for football. He's very well known

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as playing for England, playing for Tottenham,

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Newcastle. He's also a very well known broadcaster.

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He's very well known that he left that broadcaster

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very swiftly last year when he was unceremoniously

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sacked. So we sat there one day. I was like,

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well, this is a pivot for me because I've been

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in the production space, but it's a different

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direction. He went, well, it's definitely a pivot

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for me. As we all know why. So I was like, do

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you know, I actually like Pivot. And also he

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played. in central midfield which is the pivot

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role i was like this just works so it's got a

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couple of double entendres for us okay cool now

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so jermaine genus yourself um you you say you've

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got access to numerous people so what is the

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goal i mean you know is it just to create a platform

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for celebrities and then monetize it or you know

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you said it's wider than podcasting i think one

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of the things we are seeing now and it'll be

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lovely uh hear your take on it which is you know

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audio only podcasting so i assume you're going

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to be video i assume you're going to be multi

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-platform so so where are you going to start

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what's the first show and what's the format yeah

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so we're calling it visualized because that's

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what the cool kids in shoreditch are calling

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it apparently yes Yeah, OK, fine. Oh, maybe I'll

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retract that then and we'll just go video. So,

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yeah, so it's already up and running literally

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again as of this week. So the first show we've

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launched, Jermaine is one of the co -hosts of

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it. The other co -host is famous international

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heavyweight boxing legend Derek Chisora, who

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is, again, a very interesting character, hence

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the name why it fitted under the Pivot brand.

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And we've launched a show called Let Me Tell

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You Something. And it's really an opportunity

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for Derek and Jermaine are actually really good

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friends, but people don't know about it. So they're

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basically getting on. their celebrity pals to

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have conversations that you wouldn't otherwise

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hear in a podcast format because obviously they

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know stuff about each other that other people

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wouldn't ordinarily so we've already recorded

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the first sort of 10 episodes we've got katherine

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ryan eddie hearn lethal bizzle joe cole michael

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venn and page were some really really cool people

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but to that extent like michael venn and page

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came on and normally i've only ever heard him

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talk about The UFC Cajun fighting, he talked

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about his conversion to Islam, which is a really

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interesting conversation that you wouldn't necessarily

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think you're going to get on a podcast with MVP.

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Definitely not one that's co -hosted by Jermaine

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and Derek as well. But that's what we want to

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do, create content opportunities that surprise

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people. And to your question about what's the

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bigger picture here, as I say, I spotted the

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opportunity in 2021 with celebrity talent. I

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was like, why don't people just own the IP? But

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it has to be bigger. than just the show it's

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a monetized the audio listens via programmatic

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inserted ad sponsorship etc but where i think

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the opportunity is the biggest at the moment

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is building that community And I know community

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has been the buzzword for marketing since 2023.

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I think it was like word of the year, wasn't

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it, in the marketing space. But people who get

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it genuinely right and can have opportunities

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for their listeners and their viewers and their

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watchers to come and see them in a live show,

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but also do watch alongs and have an opportunity

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to come down to recording sessions and where

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we're uniquely placed, because obviously we've

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already got some sort of celebrity quote unquote

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clout in terms of the people behind the business.

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But also I've run lots and lots and lots of podcasts.

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So we know you're going to get a really good

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show. So I think it's going to give us the opportunity

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to show talent in a different way and give them

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the opportunity to be seen in different ways

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as well. Because that's another big thing I've

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done in my career is help people to really communicate

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the brand message that they want to communicate.

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And when you understand what you're trying to

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put out there as the perception, you build content

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around that. So it's definitely not for us the

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case of. Like some sort of big networks of anyone

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who's famous and it was got a bit of a TikTok

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following. Let's get them on and do a podcast

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because we can monetize it for five minutes.

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I don't think everyone should have a podcast

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as a man who's launched 187 for clients around

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the world in the last seven years. Should everyone

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have a podcast? No, absolutely not. You know,

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some people are only interested in 15 second

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short form TikTok videos, and that's absolutely

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fine as a medium. And that's not to disregard

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it. But that doesn't mean that short form, short

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attention audience wants or needs to come across

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for longer term. You know, somebody's dancing

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to TikTok trends. Does anyone care about their

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thoughts on, you know, deep -seated psychology

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and manifestation for 45 minutes? Probably not.

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Just got visions of Derek Chisore doing TikTok

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dances now. I'm sorry. That's going to happen.

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I'm not going to be the person to force him to

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do it. Someone braver and bigger than me is going

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to have to. I was going to say, I wouldn't ask

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him either. So, okay, so we get that. One of

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the interesting trends that James and I are talking

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about, obviously, is more and more content going

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behind paywalls. People are beginning to value

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quality content, finally. You know, podcasting,

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I've always called the second -class digital

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citizen because the expectation is free with

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ads wrapped around it, right, as the way of monetizing

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it. And advertising isn't generating for most

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people the type of return they need in order

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to grow. So we are seeing a lot of money being

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put into Patreon, Memberful, we're seeing Substack,

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we're seeing a lot of, you talked about watch

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-alongs again, people paying, super chats. So

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it's very interesting. Zateo is Mehdi Hassan,

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who I really love, went onto Substack. We had

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a couple of people talk about not putting their

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content onto YouTube because they want to own

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the IP. They don't want to lose control of it.

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So as the IP creator, what platform are you going

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to put your content through as the filter? Is

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it going to be on Substack? Are you going to

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put it to Patreon? Are you going to leave it

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to the open podcasting world? Are you going to

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go to YouTube? Where are you? I think moving

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forward, and it depends on a show -to -show basis,

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I think one thing that we still not cracked in

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the podcasting space, and I've been obsessed

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with podcasts since 2010, and I've never seen

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the discoverability challenge. I know you guys

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talk about it regularly on the show, but the

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person who cracks that discoverability challenge

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is going to do very well for themselves. But

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we're not there yet. So fundamentally, I'm of

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the belief that you need to go and build an audience.

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You need to go and be where people are. If people

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like Apple Podcasts, even though they haven't

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done anything very innovative, in the last 20

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years, apart from making Battersea Powers Apple

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for a night, then so be it. And I'm one of those

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people, by the way. I know that Spotify's got

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a bunch of new shiny bells and whistles and they

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serve me up clips and blah, blah, blah. I just

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don't like it as a user experience. I prefer

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Apple. So we need to be on Apple. We need to

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be on Spotify. We need to be on YouTube. However,

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there will be extensions and brand extensions

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which will be put behind paywalls, which will

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be behind subscriptions. But I think it's also

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got to fit. So something like... Let me tell

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you something, which is a very varied entertainment

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-based podcast. I don't know, because one week

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we've got, you know, Catherine Ryan, who's obviously

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a massive comedian. Then we'll have UFC, then

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we'll have football, then we'll have, you know,

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music with Lethal Bizzle. I don't think you're

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going to get the sort of audience that's going

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to go, right, I'm going to pay for the additional

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content because it's so varied. However, obviously

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with Jermaine's background, we're already sort

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of working on a slate of shows at the moment.

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Next one being football being an obvious place

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for us to go, because again, there's a big sort

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of market, a big market opportunity. With that,

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I do think that there will be a lot of additional.

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revenue streams that could potentially be things

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like you know being behind a paywall would it

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be a patreon would it be if we're going to bring

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in an element of fantasy football would we let

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people join our league would we come and do watch

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alongs we would let people come and do you know

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could we do something with the ballers league

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for example well i think that lends itself more

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towards it one of the big things and you know

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they haven't really the will but i think the

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rest of this football has been very much driven

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the growth of that show via a newsletter i mean

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Again, they haven't reinvented the wheel. Newsletters

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have been a thing, but podcasters haven't traditionally

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used them. Does a show like Let Me Tell You Something

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need a newsletter? No, I don't think it does.

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Does one about football? Yeah, I think it will.

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So we're going to do it on a case -by -case and

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a show -by -show basis. We won't be going one

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-size -fits -all. Right, let's chuck everything

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onto all the platforms for six months and then

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we'll do a half an episode and the other half

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you have to get on Patreon because I just don't

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think it's going to work in that format, really.

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Yeah, you will hear on Pod News Weekly in the

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coming weeks, I'm a very auntie. patreon and

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member for in the way that it's done i think

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you split your audience and i think what you're

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asking your audience to do and the creator to

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do is have an open account then a private account

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and then go left and right it needs to be in

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one place at one time but we'll we'll talk about

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that in the future but so given given that you

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talked about you know goldhanger and the rest

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is is their suite of podcasts are you going to

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go through the moniker of naming all your shows

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in a very similar way to get a brand stable environment

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of them so there's brand recognition or are you

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going to go and individualize your shows but

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the plan is to individualize them because the

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people who are behind them are all individuals

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i think what goal hanger accidentally hit on

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with one show name really working it's been a

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brilliant bit of branding brilliant to be fair

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like our first episode sorry our first show let

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me tell you something like that lends itself

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really nicely let me tell you something about

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football let me tell you something about boxing

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let me tell you something about but we'd already

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sort of And brokered the deal in a way that that

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wasn't going to work for us. So because there's

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actually one of the sponsorship networks who

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were in initial talks with like, that's a brilliant

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brand and brand extension. I was like, yeah,

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it really is annoyingly, but we can't really

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use it in that instance. I also think that I

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think that the rest is as a brand is good because

00:11:00.299 --> 00:11:02.960
all the shows are brilliant. I don't think you

00:11:02.960 --> 00:11:05.519
necessarily, you know, maybe 2 % of that audience

00:11:05.519 --> 00:11:08.460
growth is down to it being part of the rest is

00:11:08.460 --> 00:11:10.639
stable. The rest of it is down to it just being

00:11:10.639 --> 00:11:13.080
really, really good content. So, yeah, we're

00:11:13.080 --> 00:11:15.559
going to go down the individual option. Had I

00:11:15.559 --> 00:11:18.100
have brokered the IP rights agreement, well,

00:11:18.179 --> 00:11:19.840
let me tell you something, that might be a different

00:11:19.840 --> 00:11:23.100
conversation, but hindsight is 20 -20. It is

00:11:23.100 --> 00:11:26.000
indeed. Now, look, going forward then, so...

00:11:26.679 --> 00:11:28.799
How big do you think you want this to be? Are

00:11:28.799 --> 00:11:30.519
you going to be stateside? Are you going to go

00:11:30.519 --> 00:11:34.360
international language? Where's the sky and the

00:11:34.360 --> 00:11:38.620
limit? I can't say it's going international language

00:11:38.620 --> 00:11:40.379
because, to be honest, it's just not a space

00:11:40.379 --> 00:11:41.779
that I've been in. But this is where I have to

00:11:41.779 --> 00:11:44.279
be really careful because I've been making podcasts

00:11:44.279 --> 00:11:47.740
since 2017. As I mentioned, I've launched 187

00:11:47.740 --> 00:11:49.879
shows for clients around the world. I operate

00:11:49.879 --> 00:11:52.620
traditionally in the B2B. paid for production

00:11:52.620 --> 00:11:55.100
space so clients like a ted baker for example

00:11:55.100 --> 00:11:56.500
we've done their show earlier this year they'll

00:11:56.500 --> 00:11:58.259
come to us go we want a podcast and we make it

00:11:58.259 --> 00:12:01.100
based on making really good content but this

00:12:01.100 --> 00:12:03.860
whole new space has got new opportunities so

00:12:03.860 --> 00:12:06.779
i'm being very mindful to bring my you know so

00:12:06.779 --> 00:12:08.460
and i've been around the radio and the branding

00:12:08.460 --> 00:12:10.980
game for over 20 years i'm very mindful to bring

00:12:10.980 --> 00:12:14.000
all that experience but also not bring my uh

00:12:14.000 --> 00:12:17.399
my preconceived ideas to a certain extent but

00:12:17.399 --> 00:12:20.649
i think that the pie of UK and English language

00:12:20.649 --> 00:12:23.509
podcast is big enough in the here and now. Will

00:12:23.509 --> 00:12:25.590
there be offshoots into other countries? Yeah,

00:12:25.610 --> 00:12:28.070
for sure. You know, would we do something around

00:12:28.070 --> 00:12:30.610
a particular sporting example? Again, with Jermaine's

00:12:30.610 --> 00:12:32.129
background in football, it makes sense that we

00:12:32.129 --> 00:12:34.490
would have an offshoot podcast for, you know,

00:12:34.509 --> 00:12:35.690
if we'd have got our act together a bit quicker,

00:12:35.809 --> 00:12:38.129
FIFA World Club Championships, for example. Will

00:12:38.129 --> 00:12:39.570
we do something for the Euros and the World Cup?

00:12:39.649 --> 00:12:42.950
Yes, we'll do that. But I think we will be plenty

00:12:42.950 --> 00:12:47.389
busy enough without needing to venture into sort

00:12:47.389 --> 00:12:49.210
of like... different languages and that kind

00:12:49.210 --> 00:12:51.710
of stuff for me personally and again this is

00:12:51.710 --> 00:12:53.889
you know just a personal choice i don't want

00:12:53.889 --> 00:12:56.049
to have an acast number of shows under our stable

00:12:56.049 --> 00:12:57.970
you know i don't want to be responsible for thousands

00:12:57.970 --> 00:13:01.029
of shows i love the idea of a dozen or a couple

00:13:01.029 --> 00:13:03.350
of dozen really really brilliant shows that are

00:13:03.350 --> 00:13:05.490
very well curated that have got a great team

00:13:05.490 --> 00:13:07.970
around them i've got brilliant producer short

00:13:07.970 --> 00:13:10.789
form editor exec producer that's where i see

00:13:10.789 --> 00:13:13.029
it being i love the for me if i'm looking at

00:13:13.029 --> 00:13:14.429
it now in the next sort of where do we want to

00:13:14.429 --> 00:13:19.000
go in 36 months i'm looking more at goal hanger

00:13:19.000 --> 00:13:23.000
flight studio fellas studios rather than sort

00:13:23.000 --> 00:13:26.700
of tried to become wandry i guess yeah and i

00:13:26.700 --> 00:13:29.179
mean i mean wandry being you know the prime example

00:13:29.179 --> 00:13:32.100
that then sells out to amazon and you know and

00:13:32.100 --> 00:13:37.490
has the 300 podcasts in its stable um What keeps

00:13:37.490 --> 00:13:39.870
you awake at night? What's the thing that worries

00:13:39.870 --> 00:13:42.830
you? Is it market saturation? Are you going into

00:13:42.830 --> 00:13:45.070
a market that's a very congested space? Is it

00:13:45.070 --> 00:13:49.850
a revenue growth? Do you fear that we're plateauing

00:13:49.850 --> 00:13:52.350
or there's much more growth to come from podcasting?

00:13:52.350 --> 00:13:54.190
What keeps you awake at night when you start

00:13:54.190 --> 00:13:58.629
this idea? I don't think anything really keeps

00:13:58.629 --> 00:14:00.230
me up at night other than just literally the

00:14:00.230 --> 00:14:02.549
workload of launching a new show. Anyone who's

00:14:02.549 --> 00:14:04.730
done this before knows how much work goes into

00:14:04.730 --> 00:14:06.330
it when you add into the fact that you've got

00:14:06.830 --> 00:14:08.370
sort of big name talent and you've got lots of

00:14:08.370 --> 00:14:10.169
logistics and there's a team involved in it and

00:14:10.169 --> 00:14:11.570
all that kind of stuff. So logistically, it's

00:14:11.570 --> 00:14:14.350
been a very fraught couple of months. But in

00:14:14.350 --> 00:14:16.909
terms of what keeps me up at night in terms of

00:14:16.909 --> 00:14:19.769
from a fear perspective, I think we've just got

00:14:19.769 --> 00:14:21.750
so much further to go with podcasts. You look

00:14:21.750 --> 00:14:24.309
at all the stats, you know, still under 50 %

00:14:24.309 --> 00:14:27.269
of people are listening on a monthly basis. It's

00:14:27.269 --> 00:14:29.149
just over a quarter of people listening on a

00:14:29.149 --> 00:14:32.730
weekly basis. I still think we're not quite blue

00:14:32.730 --> 00:14:34.629
ocean in the podcasting space, but we're definitely

00:14:34.629 --> 00:14:36.710
not red ocean. We're maybe like a bit of a murky,

00:14:36.710 --> 00:14:40.690
bluey purple, realistically. But I also think

00:14:40.690 --> 00:14:43.929
that the cream will always rise to the top. It

00:14:43.929 --> 00:14:46.830
doesn't matter how busy the space gets. Great

00:14:46.830 --> 00:14:48.970
shows will find an audience and there's a great

00:14:48.970 --> 00:14:50.629
opportunity. And the brilliant thing with how

00:14:50.629 --> 00:14:53.289
we're doing it in terms of shared ownership with

00:14:53.289 --> 00:14:55.470
our talent and shared IP with our talent is that

00:14:55.470 --> 00:14:57.649
everyone's got a vested interest to pull as hard

00:14:57.649 --> 00:14:59.950
as each other in the same direction. And we're

00:14:59.950 --> 00:15:01.889
also in a really fortunate position because we've

00:15:01.889 --> 00:15:04.720
got... you know, a sort of a, we've already had

00:15:04.720 --> 00:15:07.000
three or four people literally the last day go,

00:15:07.100 --> 00:15:08.879
oh, it's amazing what you're doing. Can we work

00:15:08.879 --> 00:15:10.539
for you? Three out of those four are completely

00:15:10.539 --> 00:15:12.940
not right for us as a fit. So we're in a great

00:15:12.940 --> 00:15:14.820
fortunate position because we're bootstrapping

00:15:14.820 --> 00:15:17.159
it and we're not taking on VC money to get this

00:15:17.159 --> 00:15:19.460
up and running. We can decide who and what we

00:15:19.460 --> 00:15:21.840
want to work on really. So it's just the only

00:15:21.840 --> 00:15:23.200
thing that I guess would keep me up at night

00:15:23.200 --> 00:15:25.600
is the excitement around the opportunity and

00:15:25.600 --> 00:15:29.120
how big this can be really. Excellent. So that's

00:15:29.120 --> 00:15:30.940
the way to do it. Stay awake at night thinking

00:15:30.940 --> 00:15:33.360
of big dreams. That's better than, oh my God.

00:15:33.440 --> 00:15:36.519
Than fear. Yeah. James, look, congratulations

00:15:36.519 --> 00:15:39.059
on Pivot. Tell everyone if they want to find

00:15:39.059 --> 00:15:42.259
out more about it, where would they go? Thank

00:15:42.259 --> 00:15:44.679
you, Sam. So they can go to pivotproductionsgroup

00:15:44.679 --> 00:15:47.440
.co .uk for more information. You can go and

00:15:47.440 --> 00:15:50.139
check out our first show on the slate, which

00:15:50.139 --> 00:15:51.879
is Let Me Tell You Something, which is on Apple,

00:15:52.000 --> 00:15:54.620
Spotify and YouTube and not behind any paywalls.

00:15:54.919 --> 00:15:56.960
Excellent. James Burt, thank you so much, mate.

00:15:57.039 --> 00:15:58.100
Good luck and congratulations.
