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Hi, I'm Pary Bell. I'm the Chief Executive Officer of The Podcast Exchange.

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And later, we're going to be talking about podcasting in Canada.

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The Podcast Exchange is a... I would call it a boutique agency in Canada that specializes in understanding

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the research and the platform of podcasting with a rich history of being a first mover in Canada.

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And it offers services of helping brands and agencies connect with listeners on podcasts

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by representing publishers that are in Canada, both Canadian and international publishers.

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We also offer research and production assistance and other services.

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But the majority of our business really is in, let's call it, evangelizing the benefits of the podcasting platform

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to agencies and brands who are looking to really connect the dots with their audience and their targeted users.

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So that's where we live.

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And you joined from Rogers Sports and Media and transitioning away, I guess, from sort of sports broadcasting

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and sports work into podcasting. What was your initial impression when you joined TPX earlier this year

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in terms of the Canadian market?

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Yeah, I have been working in the Canadian media industry since 2000.

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So I've been a pioneer on the digital space.

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And I've seen the digital evolution from traditional broadcasting and traditional magazines

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and the growing pains that went with it.

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And in stepping into the podcast industry, I've noticed it feels a lot like 2009 or 2010 did digitally

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where there was a race to acquire inventory and scale and learnings from the past.

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And so I find it a very interesting, almost Wild West, where it's finding its footing,

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both in Canada and internationally.

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And there is no doubt that the platform is growing in leaps and bounds.

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Everyone, even my own 79-year-old mother, is listening to podcasts.

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And it's amazing how passionate people are about it.

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But what I would say is lagging is connecting the dots for marketers to understand how rich a platform it is.

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I think there's still a concern over the measurability,

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over the inherently trackable digital behaviour that can be challenging in podcasting.

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And so there is a resistance to putting what I would say is probably the right amount of budget into podcasting.

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But there's still hesitation and there's still a little aversion to that at the moment.

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That's my broad picture.

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And do you think the measurement piece is just a misunderstanding,

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or do we have somewhere to go in terms of the industry?

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I think if you're only comparing it to digital platforms, I think that was where some of the challenges are.

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If you look at media more holistically, you understand that magazines were measured for 100 years

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without actually any tracking or any pixels or any attribution.

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You simply found a sample that you agreed to and you move forward.

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Same thing with television, same thing with outdoor signage.

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You get comfortable with the measurement.

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I would say podcasting is still in that stage of there's a desire for it to be as completely digital as other digital platforms.

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Yet the convenience of it is by being downloaded and being offline, there are certain things you can't actually get.

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And so from a user perspective, it's actually really nice and convenient.

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But from a deeper tracking perspective, it's not there.

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And so I think the industry needs to figure out that balance point where you understand the values of the platform and the limitations and you move forward.

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So I'd say it's more a nascent issue.

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It's still not understood and it hasn't come to a comfortable spot.

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One thing I find incredible having stepped into this industry relatively recently is the notion of collaboration across the whole industry.

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That there are competitors who understand that it's on all of us to increase the awareness of what podcasting can do.

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And that relationship with the listener and how intimate it is.

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We are all, I mean the old saying of all boats rise with the tide.

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We all will benefit if we work together.

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It's been fascinating to read some of the stuff that you've been writing about with regards to ad standardization, about a community.

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I have felt a sense of community even with our competitors.

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So one of the things I've done is I've been meeting with our competition and I haven't worked in any other media industry where it hasn't been knives out.

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This has been incredible.

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There is a genuine interest for everyone to make podcasting successful.

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So I found that really inspiring.

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You have a big neighbor to the south of us.

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What's the difference do you think between the US podcast industry and the Canadian podcast industry?

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It's both a blessing and a challenge at times in terms of the US culture does definitely roll into Canada.

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So in terms of often the biggest shows and the most popular shows are the ones that are in the US.

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Canadian culture in Quebec, the French culture is very similar to Australia where there is this notion of nationalism.

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And your top shows are going to be intrinsically French Canadian and they're going to not be replaced by France.

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But in English Canada, our biggest and most popular shows are generally going to be the US shows.

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The challenge with the Canadian market is that we are a fraction of the scale in terms of population.

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We have a community that tends to be...we're very cautious people.

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I think Canadians historically have taken risks, but we are often very conservative on our approach and we like to wait and see.

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And so it puts us in a situation where there's tremendous growth happening in podcasting in Canada.

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But we are probably four or five years behind the trend line of what it is in the US per capita.

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And so there is still opportunity. I see it as continuing to evolve, but we're behind.

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What podcasts do you represent in terms of ad sales? You're representing Canadian stuff or is it more than that?

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We have a mix. We have some brands that we have helped get up and going.

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We host, we provide nurturing and support with them and they are good Canadian grassroots businesses like the Looney Hour.

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We have brands that we represent in Canada, some exclusive like Chorus, some non-exclusive like the CBC.

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We work with great Canadian publishers, but we also do a lot of our work is with some amazing US content,

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with iHeart Media, with All Things Comedy, Soundrise, with WNYC.

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We've been extending our own networks and we're doing a lot of business development around trying to find appropriate premium publishers to partner with.

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How many podcast ad companies are global in nature? You've got Spotify out there, you've got Acast out there,

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Global's DAX, although that's sort of changed a little bit in this market. What advantages does TPX have in being a Canadian focused on Canada?

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I think it's another - again I step back into the media industry, there is something great about being Canadian,

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about being focused on Canadian people, on Canadian listeners, on Canadian brands. There is always a strong global presence.

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In digital in the past it was, it's been and continues to be Google and Facebook and Instagram and TikTok.

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It was Yahoo in the past, it was, it has been other brands, I guess they're still around.

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But in terms of dominance there was always a look at Canada from the international perspective as, well we'll just open it as a sales territory.

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Without really understanding the culture, without really understanding the problems that marketers in Canada might have that might be different from Sweden,

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or they might be different from the UK, or they might be different from America.

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And so one advantage that we have is we are very Canadian and we're very focused on Canadian solutions.

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So we are 100% Canadian, we are not selling internationally, we are focused on monetizing and helping Canadian marketers connect with Canadian listeners.

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I think that often times global companies look at Canada as a little bit more of a, you're just like the America market.

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And so we are often treated very homogeneously and thought of as very similar to our American cousins.

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Once you step into Canada you realize that there is a nationalism, there is a unique identity and culture.

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And so our approach is very much through that Canadian lens.

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And where do you see the future going in terms of podcast advertising?

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And I guess I'm particularly interested in whether there is something that the industry could be doing to help the industry grow.

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I'm really excited about the opportunity.

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I think as the media world gets more and more challenging to prove the return on ad spend,

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as marketers have more and more challenge in defending their budgets,

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one of the really interesting things is podcasting is one of the platforms where the data shows that if it is good advertising,

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it's contextual and you're leveraging that host listener relationship, people don't mind listening to the ads.

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In fact, they will listen to the ads and they'll act on the ads.

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And so I think that there will be a bit of an awakening as more marketers are actually looking to legitimize where they're spending their money.

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And they will find that they will start to increase.

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So the first step is trying it and then you'll get they'll get good feedback, whether it's through brand attribution, through brand list studies.

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There is a way to show that there is ROI on their spend.

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I think it's getting harder and harder and harder for marketers to defend that.

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And so ultimately, this area of growth is it's fascinating to watch.

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Thank you so much for your time.

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Our pleasure. Thank you.

