WEBVTT

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Hey, I have Michael Haig here today. Michael,

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I'm excited to hear all about this. Would you

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introduce yourself and then tell us about your

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vision? Okay, so my name is Michael Haig and

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my vision is to help people transform other people

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by telling better stories. So my background is,

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my long background is I've been working in Hollywood

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for 40 years, maybe 40 plus. And I've always

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been involved in working with screenwriters,

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filmmakers, producers, studios, all to improve

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their screenplays so that they can either get

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a job or get representation or so the movie that

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they're in production with will be better. And

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better in Hollywood terms, the first thing about

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better is, is it drawing people? Are people drawn

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to the story and are they emotionally involved

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enough that they'll recommend it? And then about

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15 years ago, something like that, I started

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getting approached by entrepreneurs like marketers

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and public speakers. the sort of umbrella category

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of business people and they wanted to know well

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can you guide me with your storytelling methods

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and so on and i said sure because i love talking

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about story and uh one of the first people that

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did that a guy named matt base had called me

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up and he said i'm an internet marketer and i'd

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like you to guide me on this webinar i'm about

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to do and uh he said i'd like to fly to la where

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i live and work with you so we can get the story

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on this webinar to be good and i said well that

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sounds fun because i figured if he's flying into

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la you know he's probably going to pay some money

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to do this and and so he came and he had this

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story about how he had been he never did find

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out why the irs was coming after him they would

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never say why eventually they dropped the thing

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and they never did but his lawyer said you've

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got to cut you've got to disband your business

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and he was already a very successful marketer

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and he wanted to tell the story in his webinar

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and i said well look i don't know what a webinar

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actually is this is a theory i don't know i've

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learned but anyway so he would tell me the story

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and i would say sort of repeatedly well I don't

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know how you do a webinar, but if this were a

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Hollywood movie, here's what I'd suggest. And

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then, well, if this were a movie, you need to

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have a scene at the beginning and we need to

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see the IRS agents come to your home and you

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need to tell me what exactly they said. So we

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could put in some dialogue and where was this

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taking place? Okay, so he liked that and he put

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it together and two things happened. Number one,

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this was a couple of years later. He voluntarily

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did a testimonial because I was going to be on

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somebody else's podcast. And he said something

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like, the story that came out of Michael Haig

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picking my brain, I've been using again and again.

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And I figure so far I've made about $10 million

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on that story. The two things I learned is, number

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one, charge more. Ask for a piece of the action.

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And the second is story, a story, a story. Because

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I haven't branched out beyond storytellers who

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get paid for their stories. I haven't branched

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yet into the realm of people who do not get paid

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for the story. They use the story to then earn

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money, moving the people in the audience to action.

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such as a public speaker who is a coach and they

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want to get people to sign up for their program

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or buy their online course or want to just inspire

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people by getting them to take certain steps

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that will improve their lives. And I started

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doing that. And now that's sort of a heavier

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portion of my work because I love doing that.

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I love doing it all. I just love two things.

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So this is part of my, this is. comes into that

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vision. I love coaching and guiding people with

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their stories. And I love talking about storytelling.

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As you can probably tell, because this one question

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I went on for about 10 minutes, I get excited

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about, you know, saying, this is when I learned

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that if you know Hollywood principles for storytelling,

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and you apply those to even a 60 -second thing

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on Instagram or an eight -minute speech if you're

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on the stage or to your webinar or your origin

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story on your website or whatever it might be.

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You can achieve the primary goal of storytelling

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and that is to elicit emotion, to give people

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an emotional experience. That's how you're going

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to persuade them. And the people who are masters

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at eliciting emotion is Hollywood, is movies

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and TV. So if you can do those principles, which

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I've been working with and developed my own sort

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of approach to, then I can pretty much guarantee

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you're going to get a stronger response from

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more people if you know how to do that. That's

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incredible. I love it. As a writer, I'm all about

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the stories too. So thank you for that contribution

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to the world, getting better stories out there.

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Let me ask you this. I mean, you've had a successful

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career. You've been doing this for a long, long

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time, 40 plus years in Hollywood. Why are you

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still doing this? You could be out playing golf

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or... You know, doing anything you wanted. Well,

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I do play golf. And if you saw me play golf,

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you'd say, yeah, this guy needs to be doing something

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besides golf because I'm pretty bad. I sort of

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answered the question. It's really this simple.

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I just get a great deal of joy guiding people

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to be better storytellers and doing that either

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by making presentations, you know, on stage or

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more now on Zoom or, you know. seminars or webinars

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or things that I offer and so on. And so guiding

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people to tell better stories and teaching it

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or talking about stories. And it's always been

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that. I mean, until after I got to Hollywood

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and discovered the thing that I was best at when

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I went to this little film school and first came

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to Hollywood was... Reading screenplays and then

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being able to synopsize them in a page without

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losing any of the emotional content or the action.

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And I took that and I took other classes. You

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know, I took filmmaking where I made a film my

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own. Didn't want to do that. I didn't like directing

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and mastering. I like the thing that's more on

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your own. So I got good at that. And then I did.

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you know, like 50 cold calls until I found an

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agent who said, well, come on in. I don't care

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what your education is or what you've done. I'll

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give you a script. If you do a good job, I'll

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hire you as the reader. And so. So he did. He

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liked my synopsis. And so he said, okay, you're

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going to be one of my readers. And the job paid

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$10 per script to read a script and write a synopsis.

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And even back in the 70s, it was not possible

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to live in Los Angeles on $10 a day because that's

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how long it took to do one of the things. It

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got me in. And I was so excited because I thought,

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oh, my God, I've been talking about movies because

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I didn't go. It's not like I dreamed of going

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into the movie business and then headed right

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to L .A. I thought that was a stupid dream. That

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vision made no sense because nobody does that.

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So I got a master's degree in education. I taught

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Head Start for three years. And then I got another

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job that, you know, sort of apart from that,

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that a friend gave me just so we could. hang

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out together in Phoenix. And finally, I realized,

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well, if I'm going to do this, this pipe dream

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is going to come more than that. I better just

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go to LA. And so that's what I did. And I think

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my father, when I said, well, I know I've got

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a degree and I could probably make a decent living

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as a teacher the rest of my life, but I want

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to go be in the film business. And when he heard

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I was making $10 a day, just think how proud.

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He must have been. He was cool. He never said

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anything. He was very supportive. But as a result

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of reading a lot of scripts, I kept asking, why

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are these scripts so terrible? I mean, somebody

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went to all the movies and think about what they're

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doing and you have no idea. And so... It was

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asking that question, like, why are these so

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bad? And why are the movies that I see in theaters,

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they're not all good. Some of them are bad, too.

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But the movies I love, what's the difference?

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And so I started saying, what do those stories

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have that the scripts I'm reading don't have?

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And that's what led me to today, really, because

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it's. How do you do the things that great movies

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do instead of the things that the screenwriters

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who weren't able to get sold or represented or

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whatever were doing? And that's really it. I

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mean, most of what I do now when I coach people

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about story is built on what I learned, you know,

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40 years ago when I was a reader. Well, all those

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principles, they don't stop. I mean, it's an

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amazing thing. You were talking about the hero's

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journey. How long has that been around? For a

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long, long time, right? Well, the idea of the

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hero's journey, well, the actual principle is

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for eons. You know, it goes all the way back

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to the Greeks and before. Yeah, Ulysses. The

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phrase, the hero's journey was really coined

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by Joseph Campbell. He was, I think, a cultural

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anthropologist, I think it would be called. But

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he did this study of stories like fairy tales

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and myths and stories worldwide in all cultures.

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And his most famous book is The Hero with a Thousand

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Faces. And he found these beats that are included.

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that are present in almost all stories from all

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cultures. And so he sort of codified that, if

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that's what you'd say, or he laid out these 12

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elements or 12 beats to a story. And that's what's

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known as, that's what people are referring to

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really, whether they know about Joseph Campbell

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or not, is the hero's journey. What I did, there's

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a guy named Christopher Vogler is a consultant

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in Hollywood as well, wrote a great book called

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The Writer's Journey. And he's the one who sort

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of introduced Hollywood to the Joseph Campbell

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Hero's Journey method. And he and I spoke a lot

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of times. We were at conferences together. We

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got to be pals. And I said to him, well, we should

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do something together. And he said, sure. And

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I said, I've got this idea. Why don't we call

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it the hero's two journeys? You talk about the

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mythical journey. And I'm going to talk about

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what I call the inner journey. And that's the

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journey of transformation. Because the hero's

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journey is usually about accomplishing something.

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Slay the dragon, rescue the damsel. or in movie

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terms stop an alien invasion stop a serial killer

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win a contest win the love of someone else and

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what interested and interests me most is not

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the external obstacles but the way we stand in

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our own way the fears that hold us back from

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doing what we dream of doing or wanted to keep

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us from pursuing or achieving our vision really

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And the biggest obstacle usually we will encounter

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is our fear. But we don't really see it that

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way. We just think that we're not wired that

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way. And where does that fear come from? And

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how does one overcome that fear to find the courage

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to not only achieve their goal, but live in what

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I call their essence, to be fulfilled by what

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they do? That's so beautiful. I can see why entrepreneurs

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would be beating your door down because it's

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not only getting their story out, but it seems

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like it kind of ties the loose end, closes the

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loops, ties the loose ends. You know, they can

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see their story from a whole different set of

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eyes, which is really, really true. Well, it's

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it's yeah, it's valuable. It's also scary. because

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that's the thing i mean when i coach someone

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on their on their let's say they have a story

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in a book they're writing or or a story on stage

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or whatever it might be i i always work by asking

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a lot of questions and eventually in most first

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sessions i have somebody who'll say this is like

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therapy and that really wasn't what they were

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paying for and i said yeah because To tell your

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own story, for instance, your origin story, you

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have to make it really emotional and impact people

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and help them transform. You've got to be willing

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to actually look at what that fear was that you

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overcame and where it came from and how did you

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do that. And that's not generally a place we

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want to go. And if we don't want to go there

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at all. we're probably not going to achieve at

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least some element of our own transformation.

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And then to make it public, if you're putting

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it on stage or, you know, online or whatever,

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that's hard. But that is how the story, the storyteller

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gets transformed, as well as the people who are

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their audience or followers or customers or clients.

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That's so great. And, you know, they can draw

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some courage from you as they're going because

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you haven't, you know, it's not the first time

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somebody's been scared to tell their story. You

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can encourage them. They probably won't die.

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Yeah, exactly. Yeah, I know. here's what i say

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they learn about courage from me and i can help

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them get to it to use me as a model of courage

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i would probably i would resist that as much

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as anyone else would it's just like no it's the

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same thing i mean we we always are going to be

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held back by fear it's not like there's no real

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end point real end point to the inner journey

00:15:38.909 --> 00:15:44.679
all we can do is overcome the obstacles we face

00:15:44.679 --> 00:15:47.259
externally and internally at a higher and higher

00:15:47.259 --> 00:15:50.139
level. But the fear is always going to be there.

00:15:50.299 --> 00:15:52.500
It's never a question of are you afraid or not?

00:15:52.919 --> 00:15:57.340
What I usually say is to become a hero, you have

00:15:57.340 --> 00:16:00.740
to stop asking the question, how can I not be

00:16:00.740 --> 00:16:03.860
afraid? And you have to ask yourself the much

00:16:03.860 --> 00:16:06.139
more powerful question, which is, am I willing

00:16:06.139 --> 00:16:12.090
to be afraid? So good. So good. Man, I can't

00:16:12.090 --> 00:16:13.870
wait to have you back. We got to continue this.

00:16:15.129 --> 00:16:18.330
I don't know. If I come back, I'll be out of

00:16:18.330 --> 00:16:21.830
stories of my own. I sort of just went to town.

00:16:21.970 --> 00:16:25.409
I didn't even know. You did great, man. Just

00:16:25.409 --> 00:16:29.590
a meet and greet. But I just, as you can tell,

00:16:29.710 --> 00:16:31.929
and if you're watching this or listening to this,

00:16:31.990 --> 00:16:35.370
you can tell, I just really love talking about

00:16:35.370 --> 00:16:38.250
this stuff. I just, you know, love this. This

00:16:38.250 --> 00:16:41.889
is, this is. you know well that's what i said

00:16:41.889 --> 00:16:45.370
at the beginning this is my vision this is this

00:16:45.370 --> 00:16:49.250
is my happy place even more than the golf course

00:16:49.250 --> 00:16:52.730
even more than the golf course Thank you for

00:16:52.730 --> 00:16:54.710
being here today. I'm really happy that you tuned

00:16:54.710 --> 00:16:57.029
in to Vision Pros Live. I'm looking forward to

00:16:57.029 --> 00:17:00.309
seeing your reactions as these episodes continue

00:17:00.309 --> 00:17:02.090
to move forward. This is going to get more and

00:17:02.090 --> 00:17:04.109
more fun. We'll have more and more engagement

00:17:04.109 --> 00:17:06.210
as well. We'll invite people to participate in

00:17:06.210 --> 00:17:08.390
the show and thank you for giving us your time

00:17:08.390 --> 00:17:10.690
and attention. Have an excellent time building

00:17:10.690 --> 00:17:12.990
out your vision and becoming a vision pro yourself.
