WEBVTT

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Today, we're privileged to sit down with a performer

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whose career has been woven into the fabric of

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Singapore's entertainment for decades. You may

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have first known her as a television personality,

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a beloved face from the foundational years of

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local comedy, having starred in classic sitcoms

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like Can I Help You? and The Landmark Under One

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Roof. But over the years, she has carved out

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a parallel path in music. captivating audiences

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with her powerful vocals and an undeniable stage

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presence. It's this vibrant energy that earned

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her a powerful moniker, a nickname that has followed

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her throughout her musical journey, Singapore's

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Tina Turner. Tonight, we're going to go behind

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the curtain to chronicle her remarkable journey

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from sitcom pioneer to stage sensation, to uncover

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the story behind the one and only Melissa Siddick.

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Being a real true blue pranakan, my mother, We

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play your shows. My shows. And my mom will watch

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and listen. That's why I know that I realize

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that you're doing this Puanakan performances.

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And it's because of my mom that we play it and

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then I realize that you're on it. And she watches

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you quietly. You're making me cry, you know.

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Before we begin the show, here is an important

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announcement. For 100 years, Shure has set the

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Shure merchandise with your purchases. Now, let's

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start the show. Good job in the city. Working

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for the men every night and day. And I never

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lost one minute of sleep. And I worry about the

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way that things might have been. I say, we keep

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on turning. Brownberry keep on burning. And we're

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rolling, rolling, rolling under the river In

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another place in Memphis Pump a lot of chain

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in New Orleans But I never saw the good side

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of the city until The riverboat quit, I said.

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Big wheels keep on turning. Thanks for watching!

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Singapore's very own Tina Turner. My goodness

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gracious me. Hey, everybody. Welcome back to

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the Chris Hansen Conversation. This is the season

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finale. And as you've seen the performance earlier

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on, what a start to end a super long season.

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We hope you guys have had fun. We certainly have

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had a lot of fun. And this is a milestone season,

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as you can see right in front of me. Yep, that's

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our silver play button award from YouTube. Thank

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you very much, YouTube. Thank you very much,

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especially to all of our 104 ,000, so far, 104

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,000 subscribers across Singapore, Indonesia,

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Philippines, and Malaysia. Thank you so very

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much for supporting the show. Please continue

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to spread the word about this show of ours and

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our channel, CCB TV Podcasts. Yep, we are a silver

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play button. Silver Play Button Award winner,

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and we are so proud that just after two years

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and nine months, we finally made it. Wow. Hey.

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And in studio with me, you heard us sing. She

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did all the heavy lifting, man. I was just a

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kippo in the background. It's Melissa Siddig.

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Welcome to the studio. Hello. And welcome to

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our season finale. What a fitting end. Thank

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you so very much, man. Thank you for inviting.

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This is wonderful. I feel so honored. Hello.

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Our tribute to you, really. I mean, my goodness

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gracious me. I mean, just watching you, singing

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with you. I mean, I didn't really sing. I mean,

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I did sing in the background, but singing with

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you was a joy. Watching you perform, it's always

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been a joy. I've seen you do this. A few times.

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On stage. On stage. I've seen you, of course,

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for the first few times on TV. And you know that

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big concert that you won? Yes, I won the Rolling

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Good Times. Where she won this. It's called the

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Golden Reunion. She's a grand champion. 4, 1995.

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Yeah, 94. The grand champion of Mediacorps. Back

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then it was called TCS, Television Corporation

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Singapore. The Rolling Good Times was a very,

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very popular program on our TV show, on Channel

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5, now Mediacorp, then TCS. And they used to

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have people come on and if you're good at performing

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as Elvis, they have the Elvis one. Then if you're

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good at being Lionel Richie, you're the Lionel

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Richie one. And then all of these people came

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in to compete. And Melissa, all the winners came

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in to compete. And she became the all -time champion

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for rolling good times. She beat all that. How

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many performers were there? There were about

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40 contestants. Oh, boy, oh, boy, oh, boy. So,

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you know, they ran Rolling Good Times since 1993

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into 1994 till the end of 1994. It's like the

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American Idol, that kind of thing. Yeah, yeah.

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But it was so good. It was so Singapore, right?

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Yeah, it is. Like, all us Singaporeans It was

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our own original production, yeah. And we love

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all our songs, like, you know, the oldies. Like,

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we have the Bee Gees. Yeah, yeah. BGs and then

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we had Tom Jones week and then they had Carpenters

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week and then they have every Lionel Richie Elvis

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we will sit down we will go home and chuck a

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bag and sit down in front of the TV and watch

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Rolling Good Times the host Loretta Albon and

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Douglas Olivero and Dougie with their hair their

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hair very big hair And we will watch and watch.

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And then they have Tina Turner. And then my mom

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said, you, you should go on it. I said, yeah,

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man, can we win money? I was thinking about kecing.

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Of course. Then I, you know, I just practice

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in the bathroom, put on somebody's wig and baju,

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my auntie's baju and wig and wear the lipstick

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over my lips. I look like Tina or not, mom? Then

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I say, boleh, boleh. You try. Sekali, I beat

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the... That week, I beat all the other girls.

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There were about six contestants. And, you know,

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they sang really well. And we had to sing with

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the SBC Orchestra. TCS Orchestra. And then we

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only have like guitarists there. And, you know,

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Boom Chacha. You really need to sing. sing it

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well, you know, and follow, you know, follow

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their beat. It's really like raw music. We don't

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have that anymore. No, but you came on, when

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you came on to sing, we don't have that anymore.

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Yeah, you're right. Yeah, we don't have that

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anymore now. We don't have anything. Live music.

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Sorry. No, live music on TV. Sorry, MediaCorp.

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Sorry. MediaCorp, you got nothing like this anymore,

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man. Come on, give me a fucking break. And Malfurdenance

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is on my show. Was it last season or two seasons

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ago, right, Kai? I love him. Mel was on the show.

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Mel was also lamenting about this. And I'm going

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to echo the same sentiments again. I mean, come

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on, Media Corp. Bring back the old talent times.

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Bring back the old rolling good times. And then,

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you know, they made people like you, right? They

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made people like Dick Lee. They made people like

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Clement Chow. It was Jacinta. And along the way,

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so many of you guys have come out from people

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who are just common ordinary folk. Jacinta was

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also in the Talent Time. Talent Time, yeah, yeah,

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yeah, she was. KP, Kopo. Kopo, yeah. There's

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so many. Every one of us had a bit of that. Rudy

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Van Der Ven. oh Rudolph la apa Ruby okay Rudy

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we call him Rudolph the 8 you know when he came

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out as the what masquerade right cute cute cute

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cute we all teenagers we all ran and then go

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and watch hope that he'll win because he's our

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favourite our favourite yeah shout out to you

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Rudolph van de Ven Rudolph you got a big fan

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here But it's true. I mean, back then, there's

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so many things like this happening, right? Yeah,

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yeah. People like you come out, you know, and

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then we would not know who Melissa Siddiq is

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if not for things like that, like the Rolling

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Good Times. Yeah, I wanted my name out there.

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I didn't want to be Tina Turner. I was a lot

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more than just Tina Turner. But you are so Tina.

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I can do so well. I was invited into Hong Kong

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to sing as Tina. Bali, I was invited. to Melbourne

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yeah I sang at the Palladium and I yeah I sang

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in KL and Rampai Sari yeah That time, TCS and

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RTS, the orchestra, they were together, you know.

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We had our orchestra. There were 40 -piece orchestra.

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Wow. So I was flown to Malaysia. And Daryl David

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was the MC with Tiara Jacqueline. And now he

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MP, not MC anymore. Hello, Daryl. MP of Haugang.

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Actually, I work in Haugang also. Is it Haugang

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or Mokyo? No, my workplace is in Haugang, actually.

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Haugang is the other party. The other party.

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Daryl. I don't know. Daryl. You wish party. You

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wish party. Then we had this 40 -piece orchestra

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behind us, okay? And I had to sing all the Tina

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Turner songs. And it was so difficult because,

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you know, they just met these musicians and then

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they were trying to duplicate that song from

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Tina Turner's song, River Deep Mountain High.

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Yeah, yeah, yeah. Then I was standing there and

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then they had their dancers and I had to sing

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my song. You know, during rehearsal, it's like...

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That's all I hear. I cannot hear the melody.

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I don't know how to come in with the song. When

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I was a little girl, I had a rag doll. The only

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doll I ever owned. Behind me. That's all I could

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hear. I was suffering. And the dancers were like

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going. And then they come to me and say, Kakak,

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so hard lah your song. Your song is so hard lah.

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Kakak penat already, penat. I said, just dance

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lah, just dance lah. My song is like that lah.

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Got double beat one. Kedebak, kedebu, kedebak,

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kedebu, kedebak, kedebu. They all kedebak, kedebu

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all the way. Poor guys lah. Malaysian dancer.

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Well lah, they all dance like that. They all

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lingang kangkung, right? Yeah, I had Aisha on

00:15:22.789 --> 00:15:25.309
the same stage, you know, wonderful. I got to

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sing with her. Aisha, Mazura. Yeah, people from,

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you know. Mazura also. Yeah, she was there. I

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sang, one of the songs I sang was my favorite

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song, which I still sing it. With the orchestra,

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a Aneke Gronlo song. Madam Burung Kakak Tua.

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Burung Kakak Tua. I get to meet her because she

00:15:49.320 --> 00:15:52.620
was at the Golden Reunion. She was invited. Yeah,

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yeah. The Golden Reunion, Aneke Gronlo was invited.

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Sakura. Yo, wow. The Blue Diamonds. The Blue

00:16:01.799 --> 00:16:04.899
Diamonds, yeah. And Anita Sarawak. You don't

00:16:04.899 --> 00:16:09.080
play. Hello. How we miss Anita Sarawak. And she

00:16:09.080 --> 00:16:13.779
sang, Sophisticated lady. She's one hell of a

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performer, man. Fantastic. Yeah, she's fantastic.

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She burns the stage. I gotta tell you, Melissa,

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I watched the entire damn concert. Oh, you did?

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I think there was even a CD on sale to some of

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the songs. Yeah, yeah, yeah. I bought that CD

00:16:26.720 --> 00:16:29.600
too, man. Yeah. I love rolling good times, mate.

00:16:29.740 --> 00:16:32.580
I mean, I was at home watching the whole concert.

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I watched you perform and I was freaking rooting

00:16:34.259 --> 00:16:36.740
for you. Because I mean, my goodness, no one

00:16:36.740 --> 00:16:40.980
comes close. No one came close. I had a double

00:16:40.980 --> 00:16:42.879
week. You know, I got another week on top of

00:16:42.879 --> 00:16:44.559
this week. Wait, wait, let me guess. But today

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I cannot wear it. Can you put up that picture

00:16:46.480 --> 00:16:51.980
of Melissa as Tina Turner, please? Kai? Not that

00:16:51.980 --> 00:16:54.779
one. Oh my God. This is a double week. She's

00:16:54.779 --> 00:16:57.500
always having this messy hair. Her hair is always

00:16:57.500 --> 00:17:01.620
messy. But you know, I actually digitally treated

00:17:01.620 --> 00:17:04.619
this picture too. And make sure it looks really,

00:17:04.680 --> 00:17:07.920
really good, you know. Nicely cropped. Nicely

00:17:07.920 --> 00:17:10.920
done. Cool, man. Yeah. And then I get to sing

00:17:10.920 --> 00:17:15.059
a lot of shows on TCS that time. We did the POSB

00:17:15.059 --> 00:17:17.839
show. You know the POSB show? Was it Larry Lai?

00:17:17.880 --> 00:17:23.720
Ah, Larry Lai. Yeah. The host. And then I sang

00:17:23.720 --> 00:17:30.420
the, you know. What's that song with a lot of

00:17:30.420 --> 00:17:33.099
children? I like to teach the world to sing.

00:17:33.180 --> 00:17:40.019
No, not that one. We are the children. Last generation.

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We don't need another hero. Mad Max, Beyond the

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Thunderdome. So I'm standing down there on the

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podium. Wow, they put me on the podium so skinny.

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I'm scared that I will fall. Skyler, all these

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kids, I don't know where these kids come from.

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Can you sing that line again for me? We don't

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need another heat. My goodness, she's a humdinger,

00:18:03.450 --> 00:18:06.789
man. A humdinger for Tina Turner, I swear. Really,

00:18:06.869 --> 00:18:08.630
my goodness gracious me. I'm just listening to

00:18:08.630 --> 00:18:11.470
you. Listening in my cans. Goodness, close your

00:18:11.470 --> 00:18:13.769
eyes and it's Tina. Yeah, I should do it again.

00:18:13.930 --> 00:18:17.109
Thanks. Fantastic. I've done this. It's 1994,

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darling. Now it's like 19 not belum. Eh, not

00:18:21.109 --> 00:18:26.519
19 even. Already 2000. Now it's 2000. 25 going

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to be 26. I don't know. I'm still in a time warp.

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Going to be 26 already. Now, I should be her.

00:18:33.799 --> 00:18:36.640
Because this is her age when she was really big.

00:18:36.759 --> 00:18:41.019
Tina, she became so big after she was 46. And

00:18:41.019 --> 00:18:46.700
then after she got the best album, in her 50s,

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she was hot. Yeah. And then she got a boyfriend

00:18:50.660 --> 00:18:52.960
at that time. And she only got married to the

00:18:52.960 --> 00:18:56.099
boyfriend at 76. Yeah. But it's amazing. I mean,

00:18:56.099 --> 00:18:58.759
even at that age, she was moving around in stiletto

00:18:58.759 --> 00:19:00.980
heels. Are you doing the same thing when you

00:19:00.980 --> 00:19:04.680
go on stage? I should not stop. You know, I mean,

00:19:04.700 --> 00:19:08.740
looking at her, she is my big idol. No, Melissa,

00:19:08.960 --> 00:19:12.019
don't ever stop, man. I mean, look, the reason

00:19:12.019 --> 00:19:15.109
why... I saw you again. It was serendipitous,

00:19:15.109 --> 00:19:17.690
you know, at that place, in Mel's place, in Kato.

00:19:18.150 --> 00:19:20.809
Then I was there as well to also have a good

00:19:20.809 --> 00:19:23.069
time. You went up the jam. I went up the jam.

00:19:23.130 --> 00:19:25.509
You went up the jam. Then I said, my God, wait,

00:19:25.569 --> 00:19:28.369
hang on a second. Hang on. Then I asked around.

00:19:28.630 --> 00:19:32.170
I said, who is this auntie? Wait, no. This auntie

00:19:32.170 --> 00:19:35.230
singing? No, no. I pulled someone. I said, that's

00:19:35.230 --> 00:19:37.450
Melissa Siddig, right? She said, yeah. I said,

00:19:37.490 --> 00:19:40.089
holy crap. Straight away after you were done,

00:19:40.170 --> 00:19:41.589
I went and looked for you. Yeah, yeah, yeah.

00:19:42.449 --> 00:19:45.150
but I was like looking like one auntie right

00:19:45.150 --> 00:19:49.150
Kai we have that footage can you play that footage

00:19:49.150 --> 00:19:53.430
for me please oh my god that's the video I took

00:19:53.430 --> 00:19:59.130
of you and no no no somebody else took of you

00:19:59.130 --> 00:20:01.630
yeah Lawrence took of you then I asked him for

00:20:01.630 --> 00:20:07.130
it this is you not looking like you now but that's

00:20:07.130 --> 00:20:11.710
how I look like normally normal normal This is

00:20:11.710 --> 00:20:20.329
a normal lady. Steven Francis. Reggie. Reggie,

00:20:20.349 --> 00:20:27.829
yeah. And there's me up there. Oh, my God. Look.

00:20:29.109 --> 00:20:41.150
Oh, everybody's out. Oh, wow. Like a big concert

00:20:41.150 --> 00:21:03.059
I don't know where that voice come from Hello.

00:21:03.059 --> 00:21:06.700
What are you talking about, man? I just heard

00:21:06.700 --> 00:21:11.440
you sing. I think he's inside. My credit to Laurence

00:21:11.440 --> 00:21:13.319
Pushpum. Thank you so much, Laurence Pushpum

00:21:13.319 --> 00:21:16.200
and Mel's Place for that footage. You know, frankly,

00:21:16.380 --> 00:21:18.960
I tell you, man, I heard you sing. I saw you

00:21:18.960 --> 00:21:20.819
sing that night. I was sitting seated right in

00:21:20.819 --> 00:21:22.400
front. You can see me just now in the video,

00:21:22.440 --> 00:21:26.500
right? Yeah, man. And I went, I was so smacked.

00:21:26.500 --> 00:21:32.089
I was like, oh, fuck. I saw your eyes. Melissa

00:21:32.089 --> 00:21:37.309
Sine! And I had to come. I had to come and say

00:21:37.309 --> 00:21:39.829
hello. And I had to ask you to come on this show.

00:21:39.990 --> 00:21:42.890
I mean. So sweet. I don't know. I heard you sing

00:21:42.890 --> 00:21:47.809
then. I was singing you here. And I swear there's

00:21:47.809 --> 00:21:52.470
so much vibrance. Now you see me? No, even your

00:21:52.470 --> 00:22:00.160
personality. You see? But you did also have a

00:22:00.160 --> 00:22:05.039
time on TV, on sitcoms. Yes, yes. That's why

00:22:05.039 --> 00:22:08.160
I'm just not doing Tina Turner. Only Tina Turner.

00:22:08.339 --> 00:22:09.559
Yeah, let's talk about the other things then.

00:22:09.680 --> 00:22:13.339
Other parts of me. There's so many things that

00:22:13.339 --> 00:22:15.500
I do in my life. I don't know. I think I've got

00:22:15.500 --> 00:22:20.880
nine lives. I'm a cat. Yeah. Like I do so many

00:22:20.880 --> 00:22:22.440
things, you know. Could have fooled me. Look

00:22:22.440 --> 00:22:27.700
at the outfit, man. So, you know, I was doing

00:22:27.700 --> 00:22:31.140
sitcoms right after I won, you know, I was doing

00:22:31.140 --> 00:22:34.500
theater. Yeah. Glenn Gwee liked me so much. He

00:22:34.500 --> 00:22:38.099
thought I was really crazy. So we did mix. No,

00:22:38.200 --> 00:22:41.660
I did Boeing, Boeing. I was starring with Lynette

00:22:41.660 --> 00:22:45.559
Pang, Daisy Rennie and Coach. Oh, Grandma Daisy.

00:22:45.720 --> 00:22:50.400
All three of us, four of us were doing this.

00:22:51.150 --> 00:22:55.069
And I said, Glenn, you can act? He said, yeah,

00:22:55.190 --> 00:22:59.390
yeah, I like to act. I said, okay. And TheatreWorks

00:22:59.390 --> 00:23:01.210
called me and they said, you do mixed signals,

00:23:01.289 --> 00:23:04.490
okay, for us. Oh, mixed signals. I was Ruby,

00:23:04.769 --> 00:23:08.170
the girl who had the plastic surgery. I'm the

00:23:08.170 --> 00:23:11.309
girl with the TV that fell on my head. I got

00:23:11.309 --> 00:23:17.009
like chip in my head. And then every time that

00:23:17.009 --> 00:23:20.019
I'm talking to someone, I... FAB. Gunakanlah

00:23:20.019 --> 00:23:26.960
FAB. Malboro. Rothman International. In between

00:23:26.960 --> 00:23:30.740
my, I'm going on a date with Benedict Goh. At

00:23:30.740 --> 00:23:32.839
that time, it was my date. He was my doctor.

00:23:33.559 --> 00:23:36.119
Yeah, I was performing with stars. You know,

00:23:36.140 --> 00:23:39.660
I was like, for me, I never believed that I would

00:23:39.660 --> 00:23:41.460
be performing with all these people. And it all

00:23:41.460 --> 00:23:44.619
started from Rolling Good Times. Before that,

00:23:44.759 --> 00:23:50.559
I won. And Tina Turner. Yeah. That time, before

00:23:50.559 --> 00:23:55.920
Rolling Good Times, it was this competition at

00:23:55.920 --> 00:23:59.279
the Boom Boom Room. Oh, my. Yes. For those of

00:23:59.279 --> 00:24:01.220
you who don't know, give me some context. Boom

00:24:01.220 --> 00:24:03.640
Boom Room is this place. It's a fantastic place.

00:24:03.720 --> 00:24:06.140
It's a theater. It's entertainment. It's comedy.

00:24:06.500 --> 00:24:09.059
It's like going to watch SNL, Saturday Night

00:24:09.059 --> 00:24:12.579
Live, you know, in Bugis, in the old Bugis Village

00:24:12.579 --> 00:24:15.880
in Kuma, coming on every night with Norlina.

00:24:16.240 --> 00:24:19.599
Yes. And a whole lot of cast are involved. And

00:24:19.599 --> 00:24:22.539
it's really fun. Really funny shows that happens

00:24:22.539 --> 00:24:24.859
in that stage in Boom Boom Broom. So someone

00:24:24.859 --> 00:24:26.960
said, hey, they're giving out money, you know,

00:24:26.980 --> 00:24:29.759
it's like $5 ,000. And that time I need that

00:24:29.759 --> 00:24:32.839
$5 ,000. Really need that $5 ,000 because I just

00:24:32.839 --> 00:24:35.759
moved into this flat that I bought for my mom.

00:24:35.880 --> 00:24:39.759
And she was not well that time. She had a coma

00:24:39.759 --> 00:24:42.920
and was losing her eyesight. And I needed some

00:24:42.920 --> 00:24:45.400
things in the house, you know, like railings.

00:24:45.519 --> 00:24:49.240
and, you know, hot water. I need more money.

00:24:49.299 --> 00:24:51.680
How to get money, man? They said, okay, okay.

00:24:52.000 --> 00:24:54.819
Try, try. Yeah, I have to pay the APEC because

00:24:54.819 --> 00:24:58.319
to do my flooring for my kitchen, man, the APEC

00:24:58.319 --> 00:25:00.339
asked me for $5 ,000. Where I'm going to get

00:25:00.339 --> 00:25:03.759
the $5 ,000? Okay lah, I try lah. This boom boom

00:25:03.759 --> 00:25:08.079
room, Tina Turner. Okay, I'll do Tina Turner

00:25:08.079 --> 00:25:12.049
there. So, I had my brother. He carried me on

00:25:12.049 --> 00:25:15.490
his shoulder. I was heavier than this. Oh, my

00:25:15.490 --> 00:25:18.390
sister, why are you so heavy? He got me on top

00:25:18.390 --> 00:25:23.630
of the stage. Hi, y 'all. Are there boys in the

00:25:23.630 --> 00:25:26.509
house? Are there girls in the house? And I was

00:25:26.509 --> 00:25:29.730
doing a stand -up, you know, first in Boom Boom

00:25:29.730 --> 00:25:32.970
Room. Wow. Yeah, I was like, oh, my God. And

00:25:32.970 --> 00:25:36.150
I was talking to the people and asked Tina. I

00:25:36.150 --> 00:25:41.079
come. way from usa upper serangoon avenue yeah

00:25:41.079 --> 00:25:44.519
i got all these laughs and stuff like that and

00:25:44.519 --> 00:25:51.200
then i sang my my my song a um what's love got

00:25:51.200 --> 00:26:02.619
to do i got to do what So that song, I got the

00:26:02.619 --> 00:26:04.819
$5 ,000. Even your phrasing, man. My goodness.

00:26:05.140 --> 00:26:08.960
I got the $5 ,000. You got it? Okay. Then I thought

00:26:08.960 --> 00:26:11.279
that's it. Once, Kenneth Liang called me. He

00:26:11.279 --> 00:26:13.440
said, hey, you want to join this rolling good

00:26:13.440 --> 00:26:15.339
time? How did Kenneth Liang get to know you?

00:26:16.119 --> 00:26:18.799
He was the judge. Oh, he was the judge at the

00:26:18.799 --> 00:26:21.660
Boom Boom Room. I think, yeah, yeah. Was he the

00:26:21.660 --> 00:26:26.079
judge who was there? The judge was Lim Sik. Yeah,

00:26:26.099 --> 00:26:30.779
Lim Sik, yeah. There was Ken. Ken Lim. Ken Lim.

00:26:31.539 --> 00:26:35.940
I can't remember, but I think they were all there.

00:26:35.980 --> 00:26:41.380
Alan, you know. Patty from Boom Boom Room. Who

00:26:41.380 --> 00:26:44.920
else? Dick. I'm sure that Dick Lee was there.

00:26:45.039 --> 00:26:46.640
I'm sure he was there. I'd be surprised if he

00:26:46.640 --> 00:26:50.619
wasn't. Yeah. It was all. Then after that, you

00:26:50.619 --> 00:26:53.200
know, music and movement. Yeah, Eminem. They

00:26:53.200 --> 00:26:57.480
used me a lot. They put me on boats. I was performing

00:26:57.480 --> 00:27:01.940
with Kuma. On the boat. Oh, my goodness. That

00:27:01.940 --> 00:27:04.180
was such an experience. It was like a whirlwind.

00:27:04.180 --> 00:27:05.960
So all this was before. No, no, no. We say it

00:27:05.960 --> 00:27:08.480
was all before Rolling Good Times. No, no, no,

00:27:08.500 --> 00:27:12.420
no. Right after that month, when I won, Zoom,

00:27:12.619 --> 00:27:16.420
I went into TV. Yeah. So it's very close. Oh,

00:27:16.420 --> 00:27:18.200
okay. I was discovered. And then after that,

00:27:18.240 --> 00:27:20.599
I went into TV. To do what? You went to TV to

00:27:20.599 --> 00:27:24.400
do what? For the Talent Time. For Talent Time

00:27:24.400 --> 00:27:26.359
or Rolling Good Times? Rolling Good Times. Oh,

00:27:26.359 --> 00:27:30.039
Rolling Good Times. Yeah. Okay. Yeah. So, from

00:27:30.039 --> 00:27:33.599
Boomer Room, I won that. Then, okay, then, when

00:27:33.599 --> 00:27:37.680
I won the Golden Reunion, I got $30 ,000. Wow.

00:27:37.740 --> 00:27:41.039
I can pay so many, I'll pay for so many flooring.

00:27:41.319 --> 00:27:46.640
Major renovation. Yeah, major. So, after Rolling

00:27:46.640 --> 00:27:49.839
Good Times, how did you end up in the sitcoms?

00:27:50.440 --> 00:27:53.759
Okay. And then the producers called me. Rose

00:27:53.759 --> 00:27:56.819
Sivam was very interested in me. Okay. Rose Sivam.

00:27:56.920 --> 00:27:59.099
And she's still a good friend of mine right now

00:27:59.099 --> 00:28:03.799
too. And just did a show with her, DARE Festival,

00:28:04.000 --> 00:28:08.400
just like a few weeks ago for people with disabilities.

00:28:08.420 --> 00:28:13.039
And it was by SG Enable and Mediacorp. So we

00:28:13.039 --> 00:28:16.039
did that big concert with people with disabilities.

00:28:16.079 --> 00:28:19.059
They were singing and dancing and playing music.

00:28:19.609 --> 00:28:22.569
That was so great. Yeah. So, Rose Sivan put me

00:28:22.569 --> 00:28:27.509
in Ghermit's world first. And then, under one

00:28:27.509 --> 00:28:31.690
roof, I was Nolina Salim's sister. You know,

00:28:31.730 --> 00:28:35.809
I was her sister. And then, I was given this

00:28:35.809 --> 00:28:41.150
role as Evita in Donny Lee's show with Hosen

00:28:41.150 --> 00:28:43.089
Leong. Hosen, yeah. I was on the Donny Lee show

00:28:43.089 --> 00:28:47.359
too. Oh, were you? Yeah. Yeah. Yeah. So I was

00:28:47.359 --> 00:28:50.299
like, you know, with Sheik Haikal, Irene Ang,

00:28:50.480 --> 00:28:53.420
Beatrice Chia, us all, you know, we were all

00:28:53.420 --> 00:28:56.839
on the same stage and doing this live. Yeah.

00:28:56.920 --> 00:29:00.839
Live audience lah. Hello. The show was like one

00:29:00.839 --> 00:29:03.200
take and that's it. You have four cameras from

00:29:03.200 --> 00:29:07.119
every angle. And then you just have to do your

00:29:07.119 --> 00:29:12.019
skits. Yeah, like you have to know your skin

00:29:12.019 --> 00:29:15.259
very, very well. You cannot not know it at all.

00:29:15.359 --> 00:29:19.500
And every week is a new dance. So we had to...

00:29:19.500 --> 00:29:22.299
Challenging, challenging. Very challenging. That's

00:29:22.299 --> 00:29:27.440
our training ground. They just put you in the

00:29:27.440 --> 00:29:33.039
deep pool and you have to... Don't drown. Don't

00:29:33.039 --> 00:29:36.180
drown. That's how it is. We were trained that

00:29:36.180 --> 00:29:41.180
way. And that's what Boom Boom Room, all these

00:29:41.180 --> 00:29:45.059
live shows and theatre, it really builds your

00:29:45.059 --> 00:29:52.440
energy, your stamina, skills, improv and everything

00:29:52.440 --> 00:29:57.140
else. So you ended up doing sitcom. And my question

00:29:57.140 --> 00:29:59.259
I'm going to ask you, I'm going to go and rewind

00:29:59.259 --> 00:30:03.430
back. You're obviously a fantastic singer. You're

00:30:03.430 --> 00:30:05.470
not just a fantastic singer, you're a fantastic

00:30:05.470 --> 00:30:09.930
performer. I mean, you're a life wire. How did

00:30:09.930 --> 00:30:14.869
this all start for you? For me? You know, I've

00:30:14.869 --> 00:30:18.150
always loved singing. Loved, loved singing. And

00:30:18.150 --> 00:30:23.819
my father was a band member of the police. He

00:30:23.819 --> 00:30:26.720
can play the trumpet, the bugle, the... Oh, you're

00:30:26.720 --> 00:30:28.099
talking about the police force? Police force.

00:30:28.299 --> 00:30:37.940
My mom likes to sing as well. So he taught all

00:30:37.940 --> 00:30:40.440
the brothers how to play guitar. And then we

00:30:40.440 --> 00:30:44.279
were staying in... Katong at that time. Jalan

00:30:44.279 --> 00:30:46.279
Beringin. See, this is where all the talents

00:30:46.279 --> 00:30:48.240
come from. All the people from Katong. So, the

00:30:48.240 --> 00:30:50.480
people from Katong and Douglas Oliveira actually

00:30:50.480 --> 00:30:55.940
was a friend of my brother's and he used to sing

00:30:55.940 --> 00:30:58.599
at Beer Keller. Beer Keller, yeah. So, they...

00:30:58.779 --> 00:31:01.720
So, the whole family will go and go watch the

00:31:01.720 --> 00:31:04.799
brothers sing. And then, my brother said, Eh,

00:31:04.960 --> 00:31:07.920
Lisa, you want to sing or not? No, no, no. Douglas

00:31:07.920 --> 00:31:09.660
said, Eh, your sister can sing, right? Eh, let

00:31:09.660 --> 00:31:12.500
her sing. Let her. I said, cannot. All these

00:31:12.500 --> 00:31:15.059
girls, they all have to stay upstairs. You know,

00:31:15.119 --> 00:31:17.500
we've got double story house. We stay in the

00:31:17.500 --> 00:31:20.839
black and white terrace that time. Very nice

00:31:20.839 --> 00:31:25.099
area. And then, oh, she can sing. I said, I want

00:31:25.099 --> 00:31:27.619
to sing. I want to sing. Then, you know, they're

00:31:27.619 --> 00:31:29.880
playing country music. Yeah, yeah. So we start

00:31:29.880 --> 00:31:32.400
with country music and then there's just players.

00:31:32.900 --> 00:31:36.880
What's your key? F -R, F -R. F -R, F -R. Then

00:31:36.880 --> 00:31:42.700
they play. Delta don't. What's that? You have

00:31:42.700 --> 00:31:48.279
long. Could it be? A fair world someday somehow.

00:31:48.779 --> 00:31:52.970
Something like that. Sky Lee. Douglas said, hey,

00:31:53.089 --> 00:31:55.349
you should put your sister, you know, as your

00:31:55.349 --> 00:31:58.150
frontliner. No, no, no, no. The boys didn't let

00:31:58.150 --> 00:32:04.190
us sing. But then I had this, you know, burning.

00:32:04.329 --> 00:32:06.809
So no one taught you? No, no, no. I just wanted

00:32:06.809 --> 00:32:10.910
to sing. You mean you discovered all of a sudden,

00:32:10.970 --> 00:32:15.990
hey, I can sing. So you're born with a gift.

00:32:16.880 --> 00:32:19.579
I always wanted to sing, but then I was doing

00:32:19.579 --> 00:32:21.500
other things. No, but you're born with a gift.

00:32:21.640 --> 00:32:24.259
I mean, my question is, is that how did you become

00:32:24.259 --> 00:32:27.460
the singer? How did you become, how did you discover

00:32:27.460 --> 00:32:30.019
that you can sing? Did you have to learn it somehow?

00:32:30.140 --> 00:32:34.000
Did you watch someone else? Did someone mentor

00:32:34.000 --> 00:32:36.920
you? Did someone, you know, teach you, groom

00:32:36.920 --> 00:32:40.920
you? I didn't know. We listened to Radio Fusion

00:32:40.920 --> 00:32:44.460
a lot. I see. Here we go again, Kai. Radio Fusion,

00:32:44.599 --> 00:32:48.319
man. Everyone, practically everyone got the influence

00:32:48.319 --> 00:32:51.220
from where? Really fusion. Really fusion. And

00:32:51.220 --> 00:32:53.859
then we have this, you know, vinyls and we'll

00:32:53.859 --> 00:32:56.640
listen to that. And my sisters, the three of

00:32:56.640 --> 00:33:00.079
us, we like to stand in front of the big fan.

00:33:00.920 --> 00:33:03.859
Last time, no aircon, only fan. Then we'll stand

00:33:03.859 --> 00:33:06.480
there and then the three of us will sing ABBA

00:33:06.480 --> 00:33:08.259
songs. In front of the fan. Yeah, in front of

00:33:08.259 --> 00:33:11.299
the fan. Yeah. Yeah, reverb. Yeah, reverb. We

00:33:11.299 --> 00:33:16.559
get the reverb. Dancing queen, feel the beat

00:33:16.559 --> 00:33:27.849
unattended. That one also can ah. Happy ah. That

00:33:27.849 --> 00:33:30.410
way also okay ah. So okay, I'm taking it then

00:33:30.410 --> 00:33:33.630
that Melissa Siddique actually was born to sing.

00:33:34.390 --> 00:33:38.490
Probably, yeah. I suppose so. I think I get it

00:33:38.490 --> 00:33:41.630
from my parents. Both of them got beautiful voices.

00:33:41.869 --> 00:33:45.170
So it's in the genes basically. Even though I

00:33:45.170 --> 00:33:48.130
wasn't allowed to sing, my mom would let me sing.

00:33:48.650 --> 00:33:51.650
I'm always like in the kitchen and then stirring

00:33:51.650 --> 00:33:54.930
my rendang or I have to, you know the batu giling

00:33:54.930 --> 00:33:57.809
last time? Yeah. six, you know, I have to gileng,

00:33:57.809 --> 00:33:59.910
you know, gerbuk, gerbuk, gerbuk, gerbuk, gerbuk.

00:34:00.390 --> 00:34:02.309
Then my mom said, eh, you sing a song lah, so

00:34:02.309 --> 00:34:04.210
it'll make you happy a bit. Then I will sing

00:34:04.210 --> 00:34:09.789
her favorite songs from Aneke Grono. Oh, bergini

00:34:09.789 --> 00:34:17.789
rasanya, hatiku sensara, mengingat dia hatiku

00:34:17.789 --> 00:34:24.690
loka, kena terkoda oleh cinta. So she'll ask

00:34:24.690 --> 00:34:27.920
me to sing that song. that I'm singing it over

00:34:27.920 --> 00:34:30.599
and over again right now because, you know, it

00:34:30.599 --> 00:34:34.260
really brings a lot of memory. I met Aneke Gruner

00:34:34.260 --> 00:34:36.880
at Golden Reunion. Yeah. Yeah, I met her and

00:34:36.880 --> 00:34:39.900
I sang together with her too. That was really

00:34:39.900 --> 00:34:44.019
special. So I'm still singing her song right

00:34:44.019 --> 00:34:47.739
up till today with my group. I've got my Pranakan

00:34:47.739 --> 00:34:52.809
group. Yeah. What's up with that? What's up with

00:34:52.809 --> 00:34:56.750
the Pranakan? I'm surprised. Because, you know,

00:34:56.769 --> 00:35:01.590
I also like culture and I like to, why I'm doing

00:35:01.590 --> 00:35:04.449
so much of this Pranakan because I'm brought

00:35:04.449 --> 00:35:08.250
up in Katong. That's the heart of Pranakan. Yes,

00:35:08.250 --> 00:35:12.010
yes. My grandma is Chinese. Oh, is she? She can

00:35:12.010 --> 00:35:15.849
speak Cantonese. I can only understand her schooling.

00:35:16.909 --> 00:35:25.280
That's all I know. But, And we live like how

00:35:25.280 --> 00:35:30.320
it was the Pranakans do. We don't call it Pranakan.

00:35:30.320 --> 00:35:33.440
We are a mixture of people. My grandfather is

00:35:33.440 --> 00:35:38.760
from India. He lives in Penang. That's what I

00:35:38.760 --> 00:35:43.860
heard. Cheti Peranakan maybe? Cheti Melayu. So,

00:35:43.860 --> 00:35:48.880
you know, the blood is there. So, I suppose maybe

00:35:48.880 --> 00:35:51.199
I'll go into Peranakan culture and find out.

00:35:51.239 --> 00:35:54.440
And it's so colourful. And so is my life. I grew

00:35:54.440 --> 00:35:57.300
up in a wonderful black and white house and we've

00:35:57.300 --> 00:35:59.739
got a mango tree and then my brothers will make

00:35:59.739 --> 00:36:04.400
the, we have a tree house and then we go, you

00:36:04.400 --> 00:36:07.159
know, we buy the, we go and get the tyres and

00:36:07.159 --> 00:36:10.139
then we... That's our swing and we'll climb up

00:36:10.139 --> 00:36:16.039
the tree house and we play in the rain, play

00:36:16.039 --> 00:36:19.000
in the longgang and everything and, you know,

00:36:19.019 --> 00:36:21.719
all in the dirt, come home with all mud all over

00:36:21.719 --> 00:36:27.840
us and we never get sick. good we are like so

00:36:27.840 --> 00:36:30.559
how to get sick we're outdoors all the time we

00:36:30.559 --> 00:36:34.980
never get sick we were so good you know we really

00:36:34.980 --> 00:36:38.000
live it up but Pratikant culture I mean you're

00:36:38.000 --> 00:36:42.760
not Pratikant right I don't know. Maybe part.

00:36:42.760 --> 00:36:44.920
Maybe the chatty malaccan part from your grandfather's

00:36:44.920 --> 00:36:46.860
side. Grandmother's side. Grandmother's side,

00:36:46.940 --> 00:36:50.059
sorry. Because she wears the kebaya. And my mom,

00:36:50.179 --> 00:36:53.780
she sews all the kebaya for people around. Right,

00:36:53.800 --> 00:36:57.239
right. In Amber Road. Amber Road, yeah. We had

00:36:57.239 --> 00:37:00.800
a house there. So my mom, she takes in orders

00:37:00.800 --> 00:37:05.989
and she makes, usually she makes the... lace

00:37:05.989 --> 00:37:09.210
ones, the lace kebaya. My grandmother, she liked

00:37:09.210 --> 00:37:13.269
the ketuk kebaya. We'll take, yeah, what is it?

00:37:13.610 --> 00:37:17.510
That's the, it has holes, yeah, on the seams.

00:37:17.789 --> 00:37:22.380
And we'll go to Juchat. We take the treasure

00:37:22.380 --> 00:37:25.840
and then we go all the way to Jujia and there's

00:37:25.840 --> 00:37:28.079
this, there's seamstress there and they'll do,

00:37:28.199 --> 00:37:31.039
we'll see it on the spot, you know, the patterns

00:37:31.039 --> 00:37:33.300
that they make and they're so beautiful. So I

00:37:33.300 --> 00:37:35.960
grew up with all these and I see it with my own

00:37:35.960 --> 00:37:39.300
eyes, you know, how things were made at that

00:37:39.300 --> 00:37:42.300
time and how colourful and wonderful and I have

00:37:42.300 --> 00:37:44.260
a picture of my grandmother, I'll show you. Her

00:37:44.260 --> 00:37:47.900
kain so beautiful, tada lagi, no more. And we

00:37:47.900 --> 00:37:51.400
used to cook a lot. We cook at home. It's nine

00:37:51.400 --> 00:37:53.360
brothers and sisters. I'm always in the kitchen.

00:37:53.519 --> 00:37:58.579
We'll make rendang, you know, outside our house.

00:37:58.820 --> 00:38:04.039
And we'll make my mother's chicken buah keluar.

00:38:04.320 --> 00:38:09.320
All these ayam buah keluar. Oh, the achar. My

00:38:09.320 --> 00:38:11.300
mother's achar. We will bottle it. Everybody

00:38:11.300 --> 00:38:14.659
loves my mother's achar. My mother is pure Peranakan.

00:38:14.739 --> 00:38:19.599
She used to jahit kasut banik. kasut I've got

00:38:19.599 --> 00:38:24.079
a lovely song with kasut manik so yeah so all

00:38:24.079 --> 00:38:28.079
this song and baju panjang baju panjang baju

00:38:28.079 --> 00:38:33.599
dulu oh okay why I love singing peranakan songs

00:38:33.599 --> 00:38:37.039
because it's so melodious it's like it's I mean

00:38:37.039 --> 00:38:41.860
it's such a change from the from the pop queen

00:38:43.219 --> 00:38:46.940
Tina Turner songs. Then I see you, and I did

00:38:46.940 --> 00:38:52.019
see you sing Pranakan songs. You're all over.

00:38:52.059 --> 00:38:55.840
You know why I see you all the time? I say, hang

00:38:55.840 --> 00:38:58.000
on. When I saw you the first time on YouTube,

00:38:58.699 --> 00:39:01.960
I mean, hang on. It can't be, but that looks

00:39:01.960 --> 00:39:07.960
like Melissa Siddique. You know why? My mom had

00:39:07.960 --> 00:39:11.760
a stroke. Multiple strokes about two years back.

00:39:12.119 --> 00:39:17.780
i'm so sorry it's all right uh she's kind she's

00:39:17.780 --> 00:39:21.599
very not she's not able anymore i could barely

00:39:21.599 --> 00:39:29.019
speak so being a real true blue pranagan my mother

00:39:29.019 --> 00:39:34.599
we play on the tv for her so we play your shows

00:39:34.599 --> 00:39:40.340
my shows We play... I've got a whole 30 -minute

00:39:40.340 --> 00:39:42.639
show, you know, I did at Armenian Street last...

00:39:42.639 --> 00:39:45.139
Yeah, yeah. Yeah, yeah, I know. All the songs

00:39:45.139 --> 00:39:47.500
that I... I know. Yeah, I bring up all that song.

00:39:47.599 --> 00:39:51.000
I know. And we play. And my mom will watch and

00:39:51.000 --> 00:39:56.559
listen. That's why I know that I realized that

00:39:56.559 --> 00:40:01.079
you're doing this Puranakan performances. And

00:40:01.079 --> 00:40:05.139
it's because of my mom that we play it. And then

00:40:05.139 --> 00:40:07.840
I realized that you're on it. and she watches

00:40:07.840 --> 00:40:11.880
you quietly. You're making me cry, you know.

00:40:12.699 --> 00:40:19.739
So, you know, so it's meaningful. I would tell

00:40:19.739 --> 00:40:23.659
you that because for us, for me, my family, my

00:40:23.659 --> 00:40:28.199
mother, because the resources that we want to

00:40:28.199 --> 00:40:32.440
find on Pranakan performances, songs, or even

00:40:32.440 --> 00:40:37.730
theatre, we can only find very little and most

00:40:37.730 --> 00:40:43.610
of it that we can find has you in it you know

00:40:43.610 --> 00:40:50.030
I'm in it a lot I'm so in love with it I really

00:40:50.030 --> 00:40:52.730
want to do a lot more about the Pranakan culture

00:40:52.730 --> 00:40:57.670
a lot about our culture it's just not about Pranakan

00:40:57.670 --> 00:41:00.489
is Chinese? No, it's not. It's just not Chinese.

00:41:01.449 --> 00:41:04.989
It's like all the elements, all the culture,

00:41:05.309 --> 00:41:10.550
all the people around me. You see, everyone I

00:41:10.550 --> 00:41:13.829
turn, okay, oh, this one is the Indian lady that

00:41:13.829 --> 00:41:16.190
I know her for a long time. She speaks Malay.

00:41:16.289 --> 00:41:20.090
And so I will sing her songs if she wants me

00:41:20.090 --> 00:41:30.610
to sing. Okay, I can. Then I turn here. I've

00:41:30.610 --> 00:41:34.510
got like really lovely Malay friends, wonderful

00:41:34.510 --> 00:41:39.730
ladies that are, you know, who nurture me. Dr.

00:41:40.369 --> 00:41:44.280
Sidiq was my neighbor. Dr. Siddiq, the gynecologist.

00:41:44.820 --> 00:41:47.320
And the mother, I'm still talking to her. And

00:41:47.320 --> 00:41:51.280
I will sing the songs to her also. Burung kakak

00:41:51.280 --> 00:41:57.000
tua di Tanjung Katol. Airnya biru. We stay in

00:41:57.000 --> 00:41:59.159
Tanjung Katol anyway. That's why we know all

00:41:59.159 --> 00:42:05.420
the songs. Di situ tempatnya. Darah jelita. Duduk

00:42:05.420 --> 00:42:17.050
sekampung. Lagikan rindu. Kononlah pulang. And

00:42:17.050 --> 00:42:21.650
we love to watch Piramli also. All the Piramli

00:42:21.650 --> 00:42:24.250
songs also, I would want to sing. I don't care.

00:42:24.309 --> 00:42:26.449
I want to sing it. So that's why I'm in every

00:42:26.449 --> 00:42:31.010
show, you know. Piramli song like, Bila larut

00:42:31.010 --> 00:42:39.329
malam, Suasana sepi, Bori Morantika, Widuri.

00:42:41.949 --> 00:42:45.869
We all grew up with all these, you know, shows,

00:42:45.889 --> 00:42:49.610
you know, on TV. Yeah. Eh, Bori was married to

00:42:49.610 --> 00:42:51.869
Anita at one time. I know, I know. First husband,

00:42:52.070 --> 00:42:55.010
yeah. First, no, actually not. No, the first

00:42:55.010 --> 00:43:01.710
one. Okay. That one I didn't know. You can do

00:43:01.710 --> 00:43:03.889
Piramli. Your voice is very nice. That's what

00:43:03.889 --> 00:43:05.710
everyone has been telling me. You should do.

00:43:07.269 --> 00:43:09.849
My Malay friends have been telling me. But you

00:43:09.849 --> 00:43:14.449
know, I find it so hard to learn these songs,

00:43:14.469 --> 00:43:17.889
really. But I just can't find it so hard to remember

00:43:17.889 --> 00:43:29.260
the words. Malay? Yeah. Lyrics. I must teach

00:43:29.260 --> 00:43:37.860
you Malay is the easiest to learn. Any genres

00:43:37.860 --> 00:43:40.320
when you were growing up, were there any genres

00:43:40.320 --> 00:43:42.840
that caught you, captured you, that you would

00:43:42.840 --> 00:43:45.860
say that influenced you in any way in your singing?

00:43:46.420 --> 00:43:52.650
Definitely the 60s. The 60s, 70s. Like what kind

00:43:52.650 --> 00:43:54.030
of genres are you talking about? Are you talking

00:43:54.030 --> 00:43:56.489
about country? Are you talking about rock, pop,

00:43:56.670 --> 00:44:01.849
jazz? Pop, pop, pop, pop, ABBA at that time and

00:44:01.849 --> 00:44:07.309
all the 1970s songs. Okay, okay, okay. The car

00:44:07.309 --> 00:44:14.429
wash, working at the car wash. Beep, beep. Yeah,

00:44:14.469 --> 00:44:16.070
you know that song, right? Yeah, of course I

00:44:16.070 --> 00:44:22.849
do. At the car wash, yeah. Yeah. So we grew up

00:44:22.849 --> 00:44:25.409
with those songs. Yeah, yeah, yeah, yeah. But

00:44:25.409 --> 00:44:30.030
this, after all that, I mean, you've never stopped

00:44:30.030 --> 00:44:34.550
performing, have you? I did. Okay. What happened?

00:44:34.829 --> 00:44:42.719
I got married. Alamma, always a problem. So,

00:44:42.780 --> 00:44:45.820
this one. See, this one. When I go, when I go

00:44:45.820 --> 00:44:52.039
in, I never stop. I know. So, Picture the husband.

00:44:52.300 --> 00:44:54.960
Picture of my husband. I say Masale. Masale.

00:44:55.320 --> 00:44:59.079
Kiwi guy. So, this is the cricket club. Okay.

00:44:59.179 --> 00:45:01.760
So, that's Chris. His name is also Chris. Good

00:45:01.760 --> 00:45:05.159
name. Christopher. Nice name. Christopher Kilfoyle.

00:45:05.760 --> 00:45:08.559
So, I was Mrs. Kilfoyle for a while. The two

00:45:08.559 --> 00:45:13.369
children came. And, and that's it. My, my focus

00:45:13.369 --> 00:45:19.289
were about the children. Yeah. So, we kind of

00:45:19.289 --> 00:45:22.730
like moved in, moved to Australia, lived in Brisbane,

00:45:23.010 --> 00:45:27.530
lived in Darwin. Wow. It's hot there. All places,

00:45:27.670 --> 00:45:30.650
Darwin. Because my late husband. That's the outback,

00:45:30.710 --> 00:45:34.250
man. My late husband, he's, he's passed on. I'm

00:45:34.250 --> 00:45:41.199
sorry. Yeah. He, he was, he, he does the, conveyor

00:45:41.199 --> 00:45:43.480
belts for airport. So he builds. Right, right,

00:45:43.500 --> 00:45:46.659
right. The carousels. We get to go. to Darwin

00:45:46.659 --> 00:45:49.059
and stay there for a bit and then we lived in

00:45:49.059 --> 00:45:52.920
Melbourne and we ended up in Brisbane for a bit

00:45:52.920 --> 00:45:56.840
but of course you know we go to New Zealand of

00:45:56.840 --> 00:46:01.820
course Vanuatu and Fiji and yeah so my kids are

00:46:01.820 --> 00:46:05.300
there my girl is there she's finished her degree

00:46:05.300 --> 00:46:08.880
in computer science and she's decided to just

00:46:08.880 --> 00:46:12.500
stay there for now and don't blame her yeah she's

00:46:12.500 --> 00:46:18.539
23 and my son is Sean. Nadia is my daughter.

00:46:18.659 --> 00:46:22.380
My son is Sean. He's 24. He wants to join the

00:46:22.380 --> 00:46:24.619
sister. He's going to do marine science. I wouldn't

00:46:24.619 --> 00:46:26.300
be surprised if he wants to join the sister.

00:46:26.440 --> 00:46:30.659
I mean, come on. So what will you be doing then?

00:46:31.280 --> 00:46:35.079
I will just visit them. Because I'm too... I

00:46:35.079 --> 00:46:38.639
love Singapore. Cannot. I'm a singer, true blue

00:46:38.639 --> 00:46:41.400
Singaporean. Okay. Got Chinese background, got

00:46:41.400 --> 00:46:46.579
Indian background. My father is Arab. So my father

00:46:46.579 --> 00:46:52.699
is Muhammad Sireh. Cannot. Cannot. I'm here.

00:46:52.860 --> 00:46:55.619
I'm in the middle here. Don't ask me to go to

00:46:55.619 --> 00:46:58.920
Outback. I cannot. I need my sambal belacan.

00:46:58.920 --> 00:47:02.460
Sambal belacan. So you still tumbuk the sambal

00:47:02.460 --> 00:47:03.719
belacan? Tumbuk. I still tumbuk the sambal belacan.

00:47:03.719 --> 00:47:06.980
Don't bluff lah. You put it in blender lah. Must

00:47:06.980 --> 00:47:10.199
tumbuk you know. Have you tried sambal belacan?

00:47:10.320 --> 00:47:12.239
You tumbuk the sambal belacan and then after

00:47:12.239 --> 00:47:14.059
that you korek the sambal belacan. Then you put

00:47:14.059 --> 00:47:17.880
hot rice in the in the you know in the tumbuk

00:47:17.880 --> 00:47:21.469
you know. And then you put ikan. Hot, hot, hot,

00:47:21.550 --> 00:47:33.119
hot. I can't find it in New Zealand. Yeah, I

00:47:33.119 --> 00:47:35.139
love to cook. No, you're right. I agree with

00:47:35.139 --> 00:47:38.739
you. I mean, sambal belacan, the best form of

00:47:38.739 --> 00:47:41.440
sambal belacan is what you actually put into

00:47:41.440 --> 00:47:43.960
the pestle, right? And then you just tumbuk away

00:47:43.960 --> 00:47:46.420
lah. Yes. You know, you're absolutely right.

00:47:46.539 --> 00:47:49.000
I used to be the one. I also tumbuk belacan before

00:47:49.000 --> 00:47:50.699
at my mother's house, okay? Kena torture lah

00:47:50.699 --> 00:47:57.099
last time. I wear the sunglasses. I have to tumbuk.

00:48:01.690 --> 00:48:08.269
That's it. You must have a good beat to it. I

00:48:08.269 --> 00:48:18.130
just had a performance with him. I was working

00:48:18.130 --> 00:48:21.269
with him in Kuching. We were flown to Kuching

00:48:21.269 --> 00:48:26.110
to do his show about, you know, where he talks

00:48:26.110 --> 00:48:32.119
about the matriarchs. So he was fantastic. actor

00:48:32.119 --> 00:48:35.840
yeah and I was so honored you know I could sing

00:48:35.840 --> 00:48:40.659
for him so I sang I was like the interval you

00:48:40.659 --> 00:48:44.420
know and he told me about the tumbuk thing you

00:48:44.420 --> 00:48:49.480
have to have a rhythm they can the people your

00:48:49.480 --> 00:48:52.599
neighbors can hear you know this one is a very

00:48:52.599 --> 00:48:56.900
cholo the way she tumbuk My mother never told

00:48:56.900 --> 00:48:58.960
me that. My grandmother also never told me that.

00:48:59.059 --> 00:49:01.199
Because you're not anak daerah. You bujang, you

00:49:01.199 --> 00:49:05.940
know. It means girls must tumbuk dentally lah,

00:49:06.039 --> 00:49:11.079
nicely. Boys, never mind lah. We let go ni. Chidi

00:49:11.079 --> 00:49:14.340
will fly everywhere. Everywhere, right. I don't

00:49:14.340 --> 00:49:17.280
know what. Sometimes I put she lah, tumbuk sambal

00:49:17.280 --> 00:49:22.730
belacan. We love letters also. we made love lessons

00:49:22.730 --> 00:49:26.449
everything we do is very lembut very nice and

00:49:26.449 --> 00:49:30.389
gentle you know my mother used to make this kueh

00:49:30.389 --> 00:49:34.909
nengko it's like the green pandan chiffon cake

00:49:34.909 --> 00:49:40.710
is it kueh nengko she call it we have the beater

00:49:40.710 --> 00:49:44.150
she make us use the coil that one and beat the

00:49:44.150 --> 00:49:48.199
six eggs Oh, yeah, yeah, yeah, yeah, yeah. That

00:49:48.199 --> 00:49:49.920
one, that one, that one. That one, you have to

00:49:49.920 --> 00:49:52.460
do that. Like a pogo stick, a spring like spring.

00:49:52.599 --> 00:49:55.539
She don't like the grrr. She don't like the end.

00:49:55.880 --> 00:49:57.800
I also don't know why she don't like the texture.

00:49:57.980 --> 00:50:02.039
That one also we kenal. And then we make the

00:50:02.039 --> 00:50:08.260
kueh bangke. Santan lah. Santan. Coconut milk,

00:50:08.380 --> 00:50:11.320
santan. We make our pineapple tarts with the

00:50:11.320 --> 00:50:13.739
pineapple. We have to squeeze the teeth out also.

00:50:13.860 --> 00:50:16.639
We parut. You know the parut, the one with a

00:50:16.639 --> 00:50:21.980
lot of teeth, that one. So that you can get that

00:50:21.980 --> 00:50:24.119
texture. My sister kenal that one. Yeah, that

00:50:24.119 --> 00:50:28.110
one. Kueh tart. my sister yeah and then we have

00:50:28.110 --> 00:50:31.409
to stir the kway tat and things like that actually

00:50:31.409 --> 00:50:34.469
you know it's a lovely culture yeah it is a lovely

00:50:34.469 --> 00:50:36.570
culture I agree with you we grew up with all

00:50:36.570 --> 00:50:40.750
this food around us the food man it's the food

00:50:40.750 --> 00:50:43.030
the same thing like you know people get bought

00:50:43.030 --> 00:50:45.170
keluar they go to product and restaurant because

00:50:45.170 --> 00:50:49.909
no I You pay so much, you get 4 BG you need.

00:50:51.349 --> 00:50:54.929
Eh, work keluar ah, you must make it really special.

00:50:55.289 --> 00:50:57.309
Yeah, yeah, yeah. I will coat it the thing and

00:50:57.309 --> 00:51:00.530
then I put prawn and chicken meat and mix with

00:51:00.530 --> 00:51:02.289
it and then stuff it back in. Yeah, yeah, yeah,

00:51:02.289 --> 00:51:05.670
correct. And when you eat ah, wah. My mum, damn

00:51:05.670 --> 00:51:08.409
shook. I mean, my mum bless her. I mean, for

00:51:08.409 --> 00:51:13.909
many years before she got sick, we had the privilege

00:51:13.909 --> 00:51:20.940
of her work keluar. Oh, wonderful. People get

00:51:20.940 --> 00:51:23.340
few pieces in the restaurant. My goodness, we've

00:51:23.340 --> 00:51:26.639
got like, my goodness. Wow. And then sometimes

00:51:26.639 --> 00:51:29.000
she does a sambal bakula. You have to ketuk,

00:51:29.000 --> 00:51:31.199
right? A sambal bakula. When it comes out, this

00:51:31.199 --> 00:51:34.340
shell already, right? Then we just, sambal we

00:51:34.340 --> 00:51:38.559
can culuk with bread. I'll tell you. But I'll

00:51:38.559 --> 00:51:42.900
miss all that. I miss it. My mother did say one

00:51:42.900 --> 00:51:45.119
day when you lose me, you will miss all this.

00:51:45.159 --> 00:51:47.039
I will tell you right here, right now. I miss

00:51:47.039 --> 00:51:51.239
it. Come to my house. You can talk for me in

00:51:51.239 --> 00:52:02.920
the work. You put it for me. Anyways, so you

00:52:02.920 --> 00:52:05.739
got married, you stopped performing. Yeah, but

00:52:05.739 --> 00:52:09.699
I was also into my career being a teacher of

00:52:09.699 --> 00:52:12.159
special needs. How did that happen? No, no. Teacher

00:52:12.159 --> 00:52:14.800
of special needs. I've always been teaching.

00:52:14.920 --> 00:52:19.659
Even before? Before Tina, before. I was actually,

00:52:19.760 --> 00:52:26.050
I was only 17, 18. I was looking for a job. I

00:52:26.050 --> 00:52:28.909
was working with Act 3. Act 3, yeah, yeah. Ruby,

00:52:28.909 --> 00:52:31.670
Chandran, and Jasmine at that time. Shout out

00:52:31.670 --> 00:52:35.610
to you guys. Yeah, that's, so that was my, like,

00:52:35.650 --> 00:52:38.409
oh, that's where I learned about theatre and

00:52:38.409 --> 00:52:41.980
everything else. I wasn't a performer. I was

00:52:41.980 --> 00:52:46.099
doing backstage. I was doing costumes. I was

00:52:46.099 --> 00:52:49.340
cutting sponge. I was cutting sponge. I was like

00:52:49.340 --> 00:52:52.719
Edward Scissorhands. And then I can make a horse's

00:52:52.719 --> 00:52:55.840
head. So they use the horse head for, you know,

00:52:55.860 --> 00:53:01.579
to act on TV. I mean on stage. And then I do

00:53:01.579 --> 00:53:04.760
this dragon. i can do this wow really is that

00:53:04.760 --> 00:53:08.980
origami yeah no it's with sponge but you can't

00:53:08.980 --> 00:53:11.480
yeah i cut the sponge and then shape it shape

00:53:11.480 --> 00:53:17.190
it sculpt it sculpt it so i was a costumer I

00:53:17.190 --> 00:53:19.869
called myself. Wow. And I could make big, big.

00:53:19.889 --> 00:53:22.769
For the kids. Bridget Lachika was with me and

00:53:22.769 --> 00:53:25.110
she said that, you know, you can make a lot of

00:53:25.110 --> 00:53:28.289
money, you know, in the States. They need talents

00:53:28.289 --> 00:53:31.949
like you. Bridget Lachika. Yeah. Any relation

00:53:31.949 --> 00:53:38.750
to Gary Lachika? Yeah. Fernandez. Bridget on

00:53:38.750 --> 00:53:42.840
TV. She's always on TV. Bridget. She's always

00:53:42.840 --> 00:53:46.099
on TV. Okay. You don't know her. Well, she's

00:53:46.099 --> 00:53:51.539
with Act 3. Okay. And I was doing that quietly.

00:53:51.820 --> 00:53:56.000
And then one day, one day I was doing a ticketing

00:53:56.000 --> 00:53:59.900
or something at drama center. And someone fell.

00:54:00.039 --> 00:54:04.039
She had a concussion. We were doing a lightning

00:54:04.039 --> 00:54:08.760
god. the kitchen lightning rod. Yeah, yeah, yeah.

00:54:09.320 --> 00:54:13.400
Oh, man. By Catherine Lim. Yeah, yeah, yeah.

00:54:13.539 --> 00:54:16.480
It's her story. Oh, yes. What's the name? I was

00:54:16.480 --> 00:54:19.739
supposed to become this asshole, okay, in colors.

00:54:19.980 --> 00:54:22.739
They put me in colors and said, go and act. The

00:54:22.739 --> 00:54:25.019
actress is off and then gave me a cigarette.

00:54:25.260 --> 00:54:28.619
Okay, I don't know my lines. So I was doing this

00:54:28.619 --> 00:54:30.900
and said, okay, what I'm supposed to say? No,

00:54:31.019 --> 00:54:34.039
this is your son. This is the part that you say.

00:54:34.219 --> 00:54:37.159
You hit him I hantam him Like anything Because

00:54:37.159 --> 00:54:39.360
I don't know What to say And then he said Why

00:54:39.360 --> 00:54:43.519
ah You so naughty huh Huh Huh Every time ah They

00:54:43.519 --> 00:54:45.559
all give you angpao You must press Press Press

00:54:45.559 --> 00:54:49.530
the angpao Who teach you that This guy. And I

00:54:49.530 --> 00:54:55.050
was smoking. So that was my first debut on stage.

00:54:55.230 --> 00:54:57.130
He cannot concussion. Yeah, he cannot concussion

00:54:57.130 --> 00:55:00.389
after that. But that was my first debut on stage.

00:55:00.570 --> 00:55:02.969
I was only a teenager. That was the first time

00:55:02.969 --> 00:55:06.730
that, oh, this lady can perform also. Just not

00:55:06.730 --> 00:55:10.570
doing costumes and backstage. But how did you

00:55:10.570 --> 00:55:13.469
then end up as a special needs teacher? Okay,

00:55:13.469 --> 00:55:17.260
and then... Because I get, you know, acting job.

00:55:17.360 --> 00:55:21.619
So I was acting at the Singapore Zoo for children

00:55:21.619 --> 00:55:25.880
with special needs from Chao Yang. So they were

00:55:25.880 --> 00:55:29.940
all there and I was singing, you know, Singapore,

00:55:30.380 --> 00:55:34.780
Singapore, our hearts are big and wide. Next

00:55:34.780 --> 00:55:39.300
time, these kids were up and they were so happy

00:55:39.300 --> 00:55:42.559
that I sang. And then they sang again to me all

00:55:42.559 --> 00:55:45.159
in unison. And they were giving me big hugs and

00:55:45.159 --> 00:55:47.920
said, hey, I want to work with them. And actually,

00:55:48.000 --> 00:55:51.079
Chow Yang was very close to Act 3 where we were.

00:55:51.320 --> 00:55:53.420
And then there's Spastic Children's Association

00:55:53.420 --> 00:55:56.260
School as well. So I went there and asked for

00:55:56.260 --> 00:55:59.019
a job. So they gave me the job and then said,

00:55:59.079 --> 00:56:01.920
okay, you have to be qualified first. I went

00:56:01.920 --> 00:56:06.980
to the teacher's college down the road and then

00:56:06.980 --> 00:56:13.619
got qualified. Continued working with children

00:56:13.619 --> 00:56:16.780
with disabilities, adult with disabilities when

00:56:16.780 --> 00:56:21.840
I stayed in Brisbane. I worked with people who

00:56:21.840 --> 00:56:27.420
had autism and cerebral palsy. I continued when

00:56:27.420 --> 00:56:30.739
I came back to Singapore in 2008 with Ewa. I

00:56:30.739 --> 00:56:36.119
worked with babies, children under six years

00:56:36.119 --> 00:56:39.889
old in early intervention. Right now, I'm specialized

00:56:39.889 --> 00:56:45.349
working with babies with severe medical needs.

00:56:45.530 --> 00:56:50.750
Wow. And they come from KKH. And I go to KK to

00:56:50.750 --> 00:56:56.070
learn how to handle the children and learn how

00:56:56.070 --> 00:56:59.849
to read the monitors and the SPOs and the breathing

00:56:59.849 --> 00:57:03.670
apparatus. And I go to homes. This is my day

00:57:03.670 --> 00:57:06.909
job. This is auntie. Sorry. This is the auntie

00:57:06.909 --> 00:57:12.309
day job. I go to homes around here. There's a

00:57:12.309 --> 00:57:16.070
student here. His name is Salim. I will go to

00:57:16.070 --> 00:57:20.579
his house. And, you know, these children... We

00:57:20.579 --> 00:57:23.559
take them as early as three months old. Wow.

00:57:23.739 --> 00:57:26.599
Five months, they start with us. And I'll go

00:57:26.599 --> 00:57:29.539
to the house and usually they are very young

00:57:29.539 --> 00:57:33.860
moms. And I have been a mother myself. So I know

00:57:33.860 --> 00:57:36.559
how it feels when you have a newborn in the house.

00:57:36.579 --> 00:57:40.460
And especially if your child is a child with

00:57:40.460 --> 00:57:45.800
a disability, born with blindness, with hearing

00:57:45.800 --> 00:57:49.820
impairment or breathing. They can't breathe and

00:57:49.820 --> 00:57:53.159
they're premature babies. They can't drink milk

00:57:53.159 --> 00:57:55.460
and they're drinking milk from the tube or some

00:57:55.460 --> 00:57:59.280
of them from eating from the pack here. So, you

00:57:59.280 --> 00:58:02.380
know, the parents are really fall on. They feel

00:58:02.380 --> 00:58:07.139
lost. So our team, me, a physiotherapist, a speech

00:58:07.139 --> 00:58:09.480
therapist, an occupational therapist, we'll visit

00:58:09.480 --> 00:58:12.400
the family every week. And then we'll start,

00:58:12.519 --> 00:58:15.179
you know, taking the baby. Don't put your baby

00:58:15.179 --> 00:58:19.510
in the crib. Come, come. take the baby out and

00:58:19.510 --> 00:58:22.889
then we put the baby uh you know and uh in the

00:58:22.889 --> 00:58:26.309
living room and then we'll say okay sit the baby

00:58:26.309 --> 00:58:28.929
up and this is how you carry the baby so it's

00:58:28.929 --> 00:58:32.150
like a baby handling you know we'll teach the

00:58:32.150 --> 00:58:35.570
the parents how to do that and uh especially

00:58:35.570 --> 00:58:39.869
dads dads are afraid to to carry their babies

00:58:39.869 --> 00:58:43.210
because they feel that they're so fragile so

00:58:43.210 --> 00:58:47.519
um i would do a hand uh you know uh hand over

00:58:47.519 --> 00:58:49.780
hand you know this is how you carry your baby

00:58:49.780 --> 00:58:53.300
put him on the lap okay let him rest on you okay

00:58:53.300 --> 00:58:56.199
rock the baby so when you are moving the baby

00:58:56.199 --> 00:58:59.099
okay keep your baby moving when you move the

00:58:59.099 --> 00:59:02.099
baby all the little muscles are working on the

00:59:02.099 --> 00:59:05.179
baby you know on the uh we were working at okay

00:59:05.179 --> 00:59:09.579
what is this like we're working for the torso,

00:59:09.780 --> 00:59:12.880
the core. You're working on the core when the

00:59:12.880 --> 00:59:15.440
child goes this way, this way, the core muscles

00:59:15.440 --> 00:59:19.460
are activated. So that's the first thing that

00:59:19.460 --> 00:59:22.820
I will teach the parents when I meet them. You're

00:59:22.820 --> 00:59:26.539
remarkable. For me, we started the show and Melissa

00:59:26.539 --> 00:59:31.519
Siddick, we all know, is this vibrant, live wire

00:59:31.519 --> 00:59:35.900
singer, you know, full of life. fun, full of

00:59:35.900 --> 00:59:38.639
jokes, like you've been throughout, since we,

00:59:38.699 --> 00:59:41.940
from the get -go of this shoot, you know? And

00:59:41.940 --> 00:59:44.280
then now you're telling me all this. It's this

00:59:44.280 --> 00:59:47.699
tender part of you, man, that people don't know.

00:59:48.460 --> 00:59:53.199
Yeah, I don't usually talk about this work that

00:59:53.199 --> 00:59:55.860
I'm doing because... It's because of PDPA. I

00:59:55.860 --> 00:59:59.099
cannot show or talk about them. Yeah, I understand.

00:59:59.500 --> 01:00:03.599
Or flash them, you know. But your work, but you

01:00:03.599 --> 01:00:05.679
doing, just being, you know, doing what you do

01:00:05.679 --> 01:00:10.559
is so remarkably different from what people know

01:00:10.559 --> 01:00:14.119
you as. Yeah, so you see? Ah, I see. There's

01:00:14.119 --> 01:00:15.519
so many parts of me. No, it's not an asshole

01:00:15.519 --> 01:00:18.940
part of you, man. I'm not so asshole. No, but

01:00:18.940 --> 01:00:22.909
it's really, it's kudos to you. I mean, It's

01:00:22.909 --> 01:00:26.929
amazing that there's so many facets to a person.

01:00:26.969 --> 01:00:30.909
You're a fine example of that. I just did some

01:00:30.909 --> 01:00:34.449
work with APS and Chao Yang. The Chao Yang kids

01:00:34.449 --> 01:00:37.750
were performing as well. And I used to do lots

01:00:37.750 --> 01:00:41.869
of charity shows for Spastic Children's Association

01:00:41.869 --> 01:00:46.880
and Mines. For many years, long time ago. Spastic

01:00:46.880 --> 01:00:49.400
Children's Association is now CPAS, you know,

01:00:49.460 --> 01:00:52.739
the Cerebral Palsy Alliance. Oh, is that right?

01:00:52.880 --> 01:00:57.949
Okay. I used to do so many for them. Because

01:00:57.949 --> 01:00:59.809
I make it a point to do charity shows, you know,

01:00:59.809 --> 01:01:01.949
as often as I can. I was working there for 10

01:01:01.949 --> 01:01:03.949
years, you know, in Bassist Children's Association

01:01:03.949 --> 01:01:08.809
School. Then I saw you here and there and then

01:01:08.809 --> 01:01:12.789
I saw you doing our D &D for it. Yeah, I did,

01:01:12.829 --> 01:01:15.409
yeah. And then you sang Elvis Presley. Yeah,

01:01:15.409 --> 01:01:19.730
yeah. Elvis Presley of Singapore. Yeah, I never

01:01:19.730 --> 01:01:21.929
entered the Rolling Good Times competition. Yeah.

01:01:22.130 --> 01:01:24.469
I didn't want to because I was being paid to

01:01:24.469 --> 01:01:27.170
do so. And at the moment, if I lose, then nobody

01:01:27.170 --> 01:01:30.429
wants me anymore. I die. Not a good move. Strategically,

01:01:30.429 --> 01:01:32.929
not a good move for me. What was his name? Rico.

01:01:32.929 --> 01:01:36.590
Rito. Rito Caviezel. Handsome. Handsome. Wow,

01:01:36.630 --> 01:01:39.730
Rito. That time. Yeah, that time. I don't know

01:01:39.730 --> 01:01:42.150
how he looks like. Oh, that's handsome that time.

01:01:42.230 --> 01:01:45.090
I don't know how he looks like now. Oh, he needs

01:01:45.090 --> 01:01:50.389
to wear a wig. Okay, never mind. Hi, Rito, if

01:01:50.389 --> 01:01:53.630
you're listening. Yeah, I have not seen him in

01:01:53.630 --> 01:01:56.710
a long time anyway. Romito, I still know. He's

01:01:56.710 --> 01:01:59.150
still around. Romito Mendoza. Hi, Romito. Shout

01:01:59.150 --> 01:02:03.309
out to you too. Okay. What advice would you give

01:02:03.309 --> 01:02:07.530
to, say, today's context to a young artist who

01:02:07.530 --> 01:02:09.610
is just starting their journey in music, singing?

01:02:10.000 --> 01:02:15.780
performing you know um you get disheartened and

01:02:15.780 --> 01:02:17.739
and and then you're always questioning yourself

01:02:17.739 --> 01:02:20.699
why are you doing this and is this the right

01:02:20.699 --> 01:02:24.960
career and well what what is it for me and all

01:02:24.960 --> 01:02:27.780
this will you know really drag you down but the

01:02:27.780 --> 01:02:31.739
thing is you know yourself that you are gifted

01:02:31.739 --> 01:02:34.820
you know this is a gift for you and and that

01:02:34.820 --> 01:02:38.300
you have this talent and that you can perform

01:02:38.300 --> 01:02:42.400
and you really you know you touch lives you know

01:02:42.400 --> 01:02:44.960
around you and everybody's listening to you and

01:02:44.960 --> 01:02:49.380
watching your creation and get inspired by you

01:02:49.380 --> 01:02:52.909
and and you should see the positive side And,

01:02:52.989 --> 01:02:55.829
you know, there's all these ups and downs when

01:02:55.829 --> 01:02:58.869
you are performing this. Oh, the money is not

01:02:58.869 --> 01:03:01.409
enough. Should I do this for the money or the

01:03:01.409 --> 01:03:04.409
love or things like that? Actually, I'm telling

01:03:04.409 --> 01:03:10.730
you guys, just do it. Like Nike said. Last question,

01:03:10.769 --> 01:03:13.429
Melissa, before we wrap this season finale episode.

01:03:13.989 --> 01:03:16.710
If you could go back in time and give your younger

01:03:16.710 --> 01:03:20.389
self one piece, one piece of advice, what would

01:03:20.389 --> 01:03:25.630
that be? If I go, back in time, advice to myself?

01:03:28.909 --> 01:03:37.630
I don't know what I'll tell myself. I think next

01:03:37.630 --> 01:03:41.889
time, oh, you know what I wish? I had a really

01:03:41.889 --> 01:03:45.190
good handphone back then so that I could document

01:03:45.190 --> 01:03:49.179
my life. There's so much to say. I wish this

01:03:49.179 --> 01:03:55.000
was born. So you wish there was a smartphone

01:03:55.000 --> 01:03:57.860
way back when. So we could record everything.

01:03:57.860 --> 01:04:01.710
Everything. now I just started you know you're

01:04:01.710 --> 01:04:04.510
just seeing the new me but actually there's so

01:04:04.510 --> 01:04:07.769
much of me that you have missed out that's like

01:04:07.769 --> 01:04:10.010
90 % of me that you've missed out yeah I mean

01:04:10.010 --> 01:04:12.829
so much so many things about you I mean first

01:04:12.829 --> 01:04:15.670
of all of course naturally Tina Turner then we

01:04:15.670 --> 01:04:18.309
have the Peranakan the person who loves Peranakan

01:04:18.309 --> 01:04:21.670
culture goes out so much to do so much work on

01:04:21.670 --> 01:04:24.090
stage with the Peranakan shows and the cooking

01:04:24.090 --> 01:04:29.929
yeah and then your work as a special needs teacher,

01:04:30.289 --> 01:04:34.829
you know, for people who really need help, families

01:04:34.829 --> 01:04:37.210
need help. There's so many parts to you. It's

01:04:37.210 --> 01:04:40.650
amazing. This show, you're on my season finale.

01:04:40.909 --> 01:04:44.349
I'm glad I have you on my season finale. It's

01:04:44.349 --> 01:04:48.610
a blessing, I think. It's a big blessing. And

01:04:48.610 --> 01:04:51.849
it's our tribute to you. And I want to say to

01:04:51.849 --> 01:04:55.360
you, Melissa Siddick, don't stop singing. Don't

01:04:55.360 --> 01:04:57.920
stop performing. I won't. And always be who you

01:04:57.920 --> 01:05:02.420
are. You're remarkable. Thank you so much. Thank

01:05:02.420 --> 01:05:04.940
you. It's been such a pleasure talking to you.

01:05:05.400 --> 01:05:08.840
You're such a sweetheart. Thank you for also...

01:05:09.320 --> 01:05:11.440
Entertaining my mom without you even knowing.

01:05:11.539 --> 01:05:13.699
You know what? I should have a Spotify. This

01:05:13.699 --> 01:05:17.039
is my next move. Then I can sing all the beautiful

01:05:17.039 --> 01:05:20.360
songs. And then, you know, and make it beautiful.

01:05:20.579 --> 01:05:22.719
It's easily done, by the way. Is it? I don't

01:05:22.719 --> 01:05:26.920
know. I wish there's Spotify last time. I sang

01:05:26.920 --> 01:05:30.460
all over the world. You can record your own album

01:05:30.460 --> 01:05:33.179
and you can upload it. Yeah, you can. I don't

01:05:33.179 --> 01:05:35.099
know what to do. You know, the youngsters down

01:05:35.099 --> 01:05:37.860
there, you want to help auntie? You come and

01:05:37.860 --> 01:05:42.860
help me. The auntie is still strutting around

01:05:42.860 --> 01:05:45.860
with her little heels on stage, man, and the

01:05:45.860 --> 01:05:49.119
mini skirts coming. Come on. Thank you so very

01:05:49.119 --> 01:05:50.760
much once again for being on the show. I really

01:05:50.760 --> 01:05:53.460
appreciate you. Thank you. And ladies and gentlemen,

01:05:53.500 --> 01:05:56.059
thank you so very much for, first of all, again,

01:05:56.199 --> 01:05:59.960
making the season six a real milestone for the

01:05:59.960 --> 01:06:03.079
Chris Hansen conversation and for CCB TV podcasts.

01:06:03.559 --> 01:06:07.039
Please continue to support us. I will say it

01:06:07.039 --> 01:06:09.679
right here, right now, unashamedly, unlike some

01:06:09.679 --> 01:06:12.719
other podcasts that they've got as many, if not

01:06:12.719 --> 01:06:16.059
more, subscribers coming out of Singapore. This,

01:06:16.099 --> 01:06:20.760
and funded by big names, this is a little place

01:06:20.760 --> 01:06:25.639
in Tampines, Newtown, in a home, my home, and

01:06:25.639 --> 01:06:29.099
it's... built with our bare hands we have no

01:06:29.099 --> 01:06:31.300
backers we have no funding we have nothing like

01:06:31.300 --> 01:06:34.340
that but it's passion it's love the love for

01:06:34.340 --> 01:06:37.219
our guests the love for the conversations that

01:06:37.219 --> 01:06:39.860
we love we want to bring what we have been bringing

01:06:39.860 --> 01:06:43.619
to you and you know enjoying every single minute

01:06:43.619 --> 01:06:46.340
of it and we hope you've been enjoying with us

01:06:46.340 --> 01:06:51.260
as well so please uh please Help us out by sharing

01:06:51.260 --> 01:06:54.699
and commenting and also continue to support us.

01:06:55.340 --> 01:07:01.199
Season 7 will come on, likely in April 2026.

01:07:01.400 --> 01:07:03.380
We're going to take a break. Well, as I always

01:07:03.380 --> 01:07:06.420
say, every time we go on a season break, it's

01:07:06.420 --> 01:07:08.420
not really a break. We're prepping production

01:07:08.420 --> 01:07:13.579
for the next season. But until then, please do...

01:07:13.849 --> 01:07:16.170
Go back and enjoy the rest of our episodes over

01:07:16.170 --> 01:07:18.510
the last six seasons that we've had put up on

01:07:18.510 --> 01:07:22.190
YouTube and on Spotify. And it's the festive

01:07:22.190 --> 01:07:26.090
season. On behalf of Kai and myself and, of course,

01:07:26.090 --> 01:07:30.590
Melissa, have yourselves a fantastic new year,

01:07:30.670 --> 01:07:34.190
a fantastic 2026. As you're watching this video

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right now, I'm sure we're in January already.

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So thank you, everybody, once again. We'll see

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you very soon in April for Season 7. Until then,

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take care, stay safe. Bye -bye.
