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Welcome back to another episode of the PianoPod.

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I am Eric Hunter.

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I'm Yukimi Song.

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I'm Clara Zhao.

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The PianoPod is a monthly podcast where we interview some of the brightest talent in

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the industry.

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Each episode features a guest speaker who's making bold new innovations that may change

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the way we play or teach piano.

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Our guest of last episode was Mike Grande, who is a creator of the pioneering video conferencing

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platform called Rock Out Loud Live, which could reshape the way virtual music lessons

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are taught.

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If you're teaching or taking music lessons online right now, you should definitely check

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it out and let us know what you think.

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If you want to find out more about us and why we started this podcast, we have an extra

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introductory video on our YouTube channel and SoundCloud channel, where you can also

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catch up on the previous episodes.

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The links are in the description below.

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Today our guest is Chantal Balestri, a performer, teacher and organizer extraordinaire.

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Chantal, how are you doing today?

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Hello, Eric.

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Hello, everyone.

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Thank you.

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Hi.

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Thank you so much for joining.

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Hi.

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So nice to have you.

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So Chantal is zooming in today all the way from Italy, where she has been living since

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the beginning of the pandemic.

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Well, beginning for Americans, basically since March, right?

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Prior to that, she was in New York City here with the rest of us.

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And we will get to the story of how she ended up back in Italy a little bit later.

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But first, Chantal, can you tell us a little bit about yourself and what you do?

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Yes.

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It's all everyone again.

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So I'm a pianist, so I have a career as a performer.

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I am a teacher.

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I teach in different institutions, even now in New York, but also in Italy right now.

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And I am also an organizer, promoter, manager of musical events.

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In fact, I have my own festival.

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Wonderful.

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Wonderful.

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Thanks.

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So now that you're back in Italy, what's life like there?

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I'm sure it's a big change, right?

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That's a very good question.

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I mean, things are changing all the time.

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And I'm not just saying that because of the situation, but because it's really like that.

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Actually a few days ago, we were having again a normal life, kind of normal life, of course,

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with masks, paying attention to all the measures we need to do now, right now.

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But the thing that changed a lot is the closed theaters.

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So again, we are in the situation like in the United States in which we cannot have

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concerts anymore.

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And we were like, you know, people were already going back to have concert or going to concerts

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like before now.

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No, anymore.

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So we are not in a lockdown, but still for artists, it's a very difficult time because

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things are changing all the time and it's unpredictable and it's hard to plan and to

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do things.

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Yeah.

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I think all of us are feeling the pinch of it right now.

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I don't know if it's true or not, but I saw a statistic the other day that I think 62

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percent of performers may be leaving the industry because there's just no performances, live

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performances right now.

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But we'll get to that a little bit more later.

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Let's maybe we'll focus on happier times a little bit.

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Can you tell us a little bit about how you got started as a pianist and what it was like

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growing up?

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Yeah, I want just to say one thing about what you said, we need to be positive.

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Let's look at statistics, please.

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That's right.

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Yeah.

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So we will see and we can find a way.

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And as we said later on, I'm going to speak about that.

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So briefly about my life.

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Well, I mean, like many other musicians, I started when I was a kid.

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I started in Italy.

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I mean, I'm half Italian, I'm Swiss, but I grew up in Italy.

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I started like many private lessons.

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I started in conservatory very early.

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I was 10 years old and I started like I was practicing a lot solo repertoire.

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I was focusing a lot like in Italy, there is a lot of pressure.

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Like when you go to conservatory, you need to be a big soloist.

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But then, of course, I always continue to think like it's important to practice and

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to work on my solo repertoire.

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But I start opening a little bit, broadening a little bit my mind and trying different

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things.

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So I started music when I was 18, which is kind of late actually, but I didn't get an

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opportunity before because of this mentality.

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And because of a festival and then I graduated, I started doing other experiences and with

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other musicians.

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And then I also moved to later on to another country, moved to Germany.

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And this actually really helped me to realize that there were so many opportunities to start

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working with singers, for example, other instrumentalists.

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There was the Department of Contemporary Music.

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So I discovered a new world there.

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And after all, I came back here and finished my second degree when I was pretty young,

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let's say because in Italy was allowed to take a degree very early, like when you were

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still in high school.

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So I could take my master's degree when I was already 21, I mean, or just 21.

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And then I was like, well, what do I do?

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I like being in Italy, but I want to explore more.

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And so I decided to go to New York.

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And this was five years ago now, it was 2015.

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So I did, of course, like many of the applications and I got in school there.

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I was in New York University and New York, I got to have a lot of experiences, which

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led me also later on to have more experience in the organizational side.

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So to work as a promoter first and then later on, like myself creating something new.

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Can I ask you, how did you choose New York?

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And were there any other cities or countries that you considered at the time when you were

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looking to make a change?

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Well, I actually was considered first to go back to Germany because I really loved the

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experience and being Swiss myself, I felt my culture was close to the German one.

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And so this was my first thing.

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But then something happened in my life, which made me realize that maybe another way would

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have been better for me.

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So basically, long story, I tried to make it a little bit short, is like I had some

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friends who moved there and they start asking me why you don't want to go to New York as

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well.

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And I was like, no, I don't think this is something I want to do.

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But then a lot of incidents happened in my personal life and knowing people also, but

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we were moving to New York, also in a sentimental life, I met a person who was moving to New

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York.

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And then I met also in Italy, a professor from the New York University who became later

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on my own professor.

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So there was a lot of things which made me feel, well, maybe I should really go to New

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York.

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So it sounds like things were converging on New York as the most logical destination for

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you.

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Yes, I mean, it's just I saw that life was giving me signals and I was like just listening

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to them and say, well, maybe I should go overseas and not just stay here in Europe.

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So I did that.

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You know what?

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All the coincidences happened and then that led you to New York.

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It's not necessarily you were looking into, I am in the future, I'm going to go to New

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York.

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Some people have that desire, but not for your case.

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I didn't have that strong desire to live in New York either, but things happened and New

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York was the place for me.

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But as a European, what do you think about doing music in New York and Europe?

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Obviously, classical music started in Europe and then Europe is the place to study.

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That's what I was thought when I was a kid, but now a lot of people come to the West,

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as in this continent, not just in the United States, but some people go to Canada to study

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classical music.

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So what do you think of that?

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Well, this is a really good question and actually to reply well to this, I would need probably

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the entire hour to speak about the differences between Europe and the United States and there

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are many.

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Surely, I can say that you can tell that Europe is where classical music comes from.

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And there is a deep tension to traditions, maybe too much.

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This is probably the limit sometimes in the sense that, as I say, I grew up in an environment

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in which I was a pianist, I was a soloist, this was the only way.

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And this is unrealistic because most of the pianists cannot reach the big career as Marta

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Argerich or Kristian Zimmerman.

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Of course, you can do concerts like I'm doing, solo concerts, but thinking to just play in

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the most beautiful theatres, it's not realistic because this is the way it is.

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So it can be good because they prepare you really strongly.

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And actually the requirements when I did the conservatory were really high.

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Like when I graduated when I was 18, I had to prepare two hours and a half repertoire,

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dividing two days to 24 hours.

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And I had to do two piano concertos.

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And so, of course, when I ended this, I felt like already, you know, that I studied a lot

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of it, I had already a lot of repertoire.

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So this was good.

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But on the other side, they don't really look at the practical life, what to do later on

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in your life.

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Things are changing.

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I'm not saying, but still I can say that this is kind of a limit in which they are trying

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to work on.

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And in the United States, what I felt, I mean in New York, because I need to speak about

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New York, of course, I had concerts all around the United States, but I lived just in New

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York.

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And my experience is I had the feeling that I could experiment, but I could meet people

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with great idea and trying to do so many interdisciplinary, interdisciplinary, yeah.

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Sorry, sometimes I'm losing my English a little bit.

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But it's okay.

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And so it's a good place to think bigger, to do some very beautiful projects.

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And so I felt really inspired.

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And actually, it's also easier than also to find some jobs.

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It's true.

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It's something to say to a knowledge, especially for us pianists, in which it's very hard also

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to find a job like pianist in orchestra.

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And so for example, if you're a string player, probably it's easier for you in Europe to

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find a job in orchestra.

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But if you're a pianist, it's not as easy.

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Yeah.

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I mean, certainly, there's only room for so many solo piano careers, right?

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And the rest of us have to be a little bit more inventive and sometimes dabble in different

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things and have multiple different jobs to make it work.

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Speaking of which, I know you're a very dedicated teacher.

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Can you talk a little bit about your experiences with teaching?

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Yes.

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So I really love teaching, as you say.

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And I started not right away.

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I didn't think when I was a little bit younger to do that.

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And it happened naturally, casually, to start to do that when I got to teaching public school

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in Italy first.

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And I was very inexperienced back then, like every woman.

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But immediately, I felt like it was such a privilege to be able to help the new generation

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to love music and to appreciate and to not just appreciate but being able to play well

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and master the piano.

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So when I got to New York, I got offered, along with the scholarship, the opportunity

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to be an adjunct faculty at NYU.

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I was very happy about that.

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And I really enjoyed the experience.

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Of course, I was working with college level students, so it was different.

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But I really do enjoy working with college students and also younger students as well.

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And right now, I have students of any age, any level.

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And I'm still maintaining teaching online from Italy at different times because of the

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time zone.

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And I'm also teaching right now in Italy because I had to adapt to the situation.

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So I'm maintaining that and mostly privately.

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And yes, so this is basically what I'm doing.

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And during this time, so I work with my students, not just in piano.

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But I try to take the experience I took from New York, from what I learned in New York

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to put in my teaching.

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So I really pay attention, not just technical repertoire side, but also try to combine also

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compositional side.

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And so I work a lot about composition with my students as well.

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So I did a little project recently, which all my students who are in lockdown had to

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prepare their own piece, even the ones who started like five, six months.

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That's amazing.

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That's great.

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Yeah.

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Wow.

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So Shantel, I have a question for you.

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I know you a little bit on the personal level.

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And I think in certain way, I mean, I have such respect for you.

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And you came here very young, you know, and I can relate.

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I came here when I was 17.

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And I think one time you mentioned that you also didn't come from a musical family.

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How did you, you know, come up to be so driven, right?

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What drives you to keep on doing all these things at such a young age?

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Well, this is a very good question as well.

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I mean, no one in my family is a musician, but anyways, I can tell from my, especially

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my mother's side, but also some people on my father's side have a love for music.

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And I anyways come from Italy in which luckily still our grandfathers, not all of them, love

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opera.

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So I grew up with opera like being a big thing.

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And so, and actually loved to sing.

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I wanted actually to be a singer, but I realized very soon I was a better pianist than a singer.

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So I continue with piano.

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And so what drives me, it's, I mean, I started playing piano in a particular moment in my

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life.

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You know, I was very young.

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It was a hard moment because of a familiar situation.

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And for me, music was my moment in which I could really enjoy my time with myself.

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And I was simply loving what I was doing.

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And so for my whole life, music has been always something for me, like this is saving me in

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any situation.

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And it's, it's good in any case, even the worst situation, music is there for me.

251
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So I have this, this relationship with music.

252
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It's really part of me because of my previous experiences.

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So I just, I just love music because of that.

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And then I saw later on how music can influence other people, how can it can be useful for

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other people, how it can really change life in a, not just for our spirit, not just how

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I was when I was a child, I was thinking music was very good for feeling better, but in fact

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it can actually really help you in a practical way.

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So yeah, so I'm really grateful to music and this is what motivates me to go always on

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and to continue to be a musician and to be, let's say, not just a performer, but also

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a teacher and then also organizer.

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Yeah, I can see you're very passionate about that.

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So that's amazing.

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When the hard time comes, you know, we always need these passion to drive us forward, right?

264
00:17:34,160 --> 00:17:35,160
Thank you.

265
00:17:35,160 --> 00:17:44,200
So besides teaching in New York and performing, you said you were organizing events.

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Can you tell us a little bit more about that?

267
00:17:46,600 --> 00:17:53,200
Well, actually my first big experience in organizing, I mean, I always had an attitude

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in a sense, like I liked organizing things, even non-musical things.

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And it's something like I always enjoyed since I was younger.

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So in school, when there was some project at school, I loved doing that.

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Let's say the most official thing I did was actually when I was moving to New York, because

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as you know, the fees are a lot higher than European ones and we don't need to worry too

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much about paying university fees, but it was a different story when I had to move to

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New York.

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So I was very lucky because I found the right people and I was able to organize the first

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concert series with some of my friends and amazing organizers in Milan, which is one

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of the main cultural cities in Italy.

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And so I organized concert series with my friends and we loved by experience.

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First, of course, because show how much friendship can be amazing when it's connected to music

280
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and my friends, of course, helped me to raise money to go to the United States.

281
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So this was amazing.

282
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But then I also enjoyed also the process of organizing everything.

283
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And I said that this is an experience I want to do it again and continue to do that.

284
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So when I was then in New York, I actually didn't search for particular things to do,

285
00:19:20,960 --> 00:19:29,760
but I was contacted by a professor of mine from Italy who founded an international festival

286
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in Italy.

287
00:19:30,920 --> 00:19:34,920
And he asked me if I wanted to be the promoter in the United States.

288
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And I took this challenge and it actually was very good, very successful because we

289
00:19:39,440 --> 00:19:44,560
got many applications from the United States to the first edition of this festival.

290
00:19:44,560 --> 00:19:52,360
So I continue another here and then came very natural to me when I decide to not me, just

291
00:19:52,360 --> 00:19:58,160
me because there is another person we decided to create the first international festival

292
00:19:58,160 --> 00:20:00,280
ourselves.

293
00:20:00,280 --> 00:20:03,440
Which brings me to something else I wanted to talk about, which is the global leaders

294
00:20:03,440 --> 00:20:05,400
program that you're involved with.

295
00:20:05,400 --> 00:20:08,400
Could you talk about that a little bit?

296
00:20:08,400 --> 00:20:10,400
Yes, actually, this is OK.

297
00:20:10,400 --> 00:20:12,680
I tell you a little bit about the program.

298
00:20:12,680 --> 00:20:19,800
So the global leaders program is a program which exists since around 10 years in the

299
00:20:19,800 --> 00:20:26,560
United States, even if it was funded by the Youth Orchestra of America and the main organizers

300
00:20:26,560 --> 00:20:28,680
are from Chile.

301
00:20:28,680 --> 00:20:40,120
And it's very unique because it's for performers, so for musicians who have a career as performing

302
00:20:40,120 --> 00:20:49,640
artist, but also are really into the social impact in the sense that they are looking

303
00:20:49,640 --> 00:20:54,960
to organize or they organize events which impact the society.

304
00:20:54,960 --> 00:21:04,160
So and they have every year around 40 cohort members and there is a selection process,

305
00:21:04,160 --> 00:21:06,960
which is not easy to do.

306
00:21:06,960 --> 00:21:18,360
And if you are selected, basically you take lessons, actually classes, weekly with renowned

307
00:21:18,360 --> 00:21:20,040
university around the world.

308
00:21:20,040 --> 00:21:22,880
Of course, everything is online, even before the pandemic.

309
00:21:22,880 --> 00:21:26,160
So it was already online school.

310
00:21:26,160 --> 00:21:35,560
And they help you, I mean, to work for your projects and they give you the skills that

311
00:21:35,560 --> 00:21:39,320
you need to make this project happen.

312
00:21:39,320 --> 00:21:44,480
And it's amazing not just because you have the opportunity to have these classes, but

313
00:21:44,480 --> 00:21:53,160
also because they gave you the opportunity to meet and actually they have a base in Chile.

314
00:21:53,160 --> 00:21:59,920
And in fact, I met all of the cohort members this January, right before the pandemic.

315
00:21:59,920 --> 00:22:05,320
And I was there 20 days and we meet and we share all our ideas.

316
00:22:05,320 --> 00:22:10,960
And it was really an amazing moment because you really have a chance to be surrounded

317
00:22:10,960 --> 00:22:18,160
by people who really have your same goals and really think in your same way, which is

318
00:22:18,160 --> 00:22:20,360
not always the case.

319
00:22:20,360 --> 00:22:25,680
And then also they give you a lot of content.

320
00:22:25,680 --> 00:22:34,480
So in general, around the world of associations, like one very famous LC-STEMMA in the different

321
00:22:34,480 --> 00:22:45,040
states, and they are able to help you to reach your goals also through the help of these

322
00:22:45,040 --> 00:22:46,040
associations.

323
00:22:46,040 --> 00:22:53,200
So I was very lucky to be part of this last year, so the 2020.

324
00:22:53,200 --> 00:22:57,800
Unfortunately I had to leave because, it's not I had to leave, I took the decision to

325
00:22:57,800 --> 00:23:01,120
leave because of the pandemic.

326
00:23:01,120 --> 00:23:07,000
I had a project, a big project I wanted for my first year to happen, but it was meant

327
00:23:07,000 --> 00:23:08,460
to be in person.

328
00:23:08,460 --> 00:23:13,440
So I felt like I could not comply what I really wanted to do.

329
00:23:13,440 --> 00:23:20,760
So I decided to put this on hold and I'm actually back right now on it.

330
00:23:20,760 --> 00:23:27,040
And so I'm going to continue with my project for this 2021, hoping that this year we can

331
00:23:27,040 --> 00:23:28,040
do in person.

332
00:23:28,040 --> 00:23:30,240
If not, anyways, I will do it.

333
00:23:30,240 --> 00:23:35,160
If it's not even this year, I'm just waiting to continue to work on the festival.

334
00:23:35,160 --> 00:23:40,680
And yeah, so, and I'm very happy to be part of this program.

335
00:23:40,680 --> 00:23:46,540
Let's get to the elephant in the room, which is the pandemic, because I know it's been

336
00:23:46,540 --> 00:23:51,080
very it's been difficult for all of us.

337
00:23:51,080 --> 00:23:53,200
But you have a really interesting story.

338
00:23:53,200 --> 00:24:00,840
So you're here living in New York, family is in Italy and tell us about it.

339
00:24:00,840 --> 00:24:01,840
What happened?

340
00:24:01,840 --> 00:24:02,840
Well, what happened?

341
00:24:02,840 --> 00:24:09,760
It happened like, yeah, I had to make a big, big choice on what to do.

342
00:24:09,760 --> 00:24:16,120
So in order to understand better why I decided to go back to Italy, I need to explain a little

343
00:24:16,120 --> 00:24:18,280
bit about the situation.

344
00:24:18,280 --> 00:24:27,240
So as you probably many of you know, Italy was the country most affected by the covid

345
00:24:27,240 --> 00:24:30,220
after China and the first one after China.

346
00:24:30,220 --> 00:24:37,240
So I was in New York, it was the end of February, basically, and I was looking at the news and

347
00:24:37,240 --> 00:24:42,800
I started, of course, to freak out because I saw that this was happening and nobody knew

348
00:24:42,800 --> 00:24:46,160
really what was really going on.

349
00:24:46,160 --> 00:24:51,640
And I remember thinking that this was happening in a very, very small town in Italy.

350
00:24:51,640 --> 00:24:52,640
And I was so surprised.

351
00:24:52,640 --> 00:24:59,120
I was like, how is it possible that this is happening in such a small place in Italy and

352
00:24:59,120 --> 00:25:03,840
it's not happening in a big city like New York, in which everyone comes from everywhere

353
00:25:03,840 --> 00:25:04,840
in the world.

354
00:25:04,840 --> 00:25:09,400
So I was just surprised and I was feeling very stressed.

355
00:25:09,400 --> 00:25:14,880
And I remember I was speaking with my roommate and with some friends in New York saying this

356
00:25:14,880 --> 00:25:17,160
is very wrong.

357
00:25:17,160 --> 00:25:22,080
I don't know if I can say very wrong, but there is absolutely something that I don't

358
00:25:22,080 --> 00:25:27,040
understand because probably this virus is already here.

359
00:25:27,040 --> 00:25:30,440
I'm pretty sure the situation is like that.

360
00:25:30,440 --> 00:25:37,760
So I started feeling very uncomfortable going around taking the subway and see so everything

361
00:25:37,760 --> 00:25:40,680
like nothing was happening.

362
00:25:40,680 --> 00:25:43,260
And I started feeling scared.

363
00:25:43,260 --> 00:25:46,800
And so I didn't enjoy anymore going to work.

364
00:25:46,800 --> 00:25:52,320
I didn't feel like it was right what was happening.

365
00:25:52,320 --> 00:26:02,560
So many ways I didn't think back then to leave until I saw a discussion by the president.

366
00:26:02,560 --> 00:26:09,440
It was in the middle of March saying that in two days he would have closed the borders

367
00:26:09,440 --> 00:26:15,240
with Europe and people could not come to Europe anymore.

368
00:26:15,240 --> 00:26:20,280
And from Europe, sorry, could not come from Europe anymore.

369
00:26:20,280 --> 00:26:23,840
And so I was like in the beginning I didn't really react.

370
00:26:23,840 --> 00:26:29,920
But then the day after I woke up feeling, okay, I think things are getting bad, even

371
00:26:29,920 --> 00:26:32,800
because of course New York University closed.

372
00:26:32,800 --> 00:26:35,680
So I had to do lessons online.

373
00:26:35,680 --> 00:26:40,640
I had to have a concert and they didn't want to cancel it.

374
00:26:40,640 --> 00:26:42,520
And I was the one pushing to cancel.

375
00:26:42,520 --> 00:26:45,920
And I was sure things were going to close very soon.

376
00:26:45,920 --> 00:26:48,240
They had no other possibility.

377
00:26:48,240 --> 00:26:52,440
And I was like, well, the president is going to close the borders.

378
00:26:52,440 --> 00:26:54,040
I will be blocked here.

379
00:26:54,040 --> 00:27:01,560
Do I want to stay here and not be able to see my students in person and being alone

380
00:27:01,560 --> 00:27:05,280
here in New York or is it better to stay in Italy with my family?

381
00:27:05,280 --> 00:27:12,760
So in less than 24 hours, I bought a ticket and I was on a plane and leaving.

382
00:27:12,760 --> 00:27:18,360
And I honestly didn't expect to be so long.

383
00:27:18,360 --> 00:27:21,960
I thought like I will be back in one month and one month and a half.

384
00:27:21,960 --> 00:27:23,760
But actually now it's seven months.

385
00:27:23,760 --> 00:27:26,760
I cannot even believe seven months have passed.

386
00:27:26,760 --> 00:27:34,000
And the fact is that I'm not back in New York simply because I'm not allowed because all

387
00:27:34,000 --> 00:27:40,120
the visa for worker right now from Europe are not allowed in the United States.

388
00:27:40,120 --> 00:27:44,000
So even if I would like to go back now, I cannot.

389
00:27:44,000 --> 00:27:49,840
And that's our loss, isn't it?

390
00:27:49,840 --> 00:27:51,240
Yeah.

391
00:27:51,240 --> 00:27:57,560
So it just makes me think that during that time, it was a very scary time because nobody

392
00:27:57,560 --> 00:27:58,560
knew what was going on.

393
00:27:58,560 --> 00:28:02,840
And we were missing pieces of the story that we have now.

394
00:28:02,840 --> 00:28:06,520
Maybe you were lucky to get out when you did.

395
00:28:06,520 --> 00:28:10,920
What has it been like living in Italy since you got home?

396
00:28:10,920 --> 00:28:19,600
Well, first, like I think for many people was like, what's bad?

397
00:28:19,600 --> 00:28:22,480
I was in New York in the middle of so many things.

398
00:28:22,480 --> 00:28:24,880
As I said, I was organizing and organized.

399
00:28:24,880 --> 00:28:26,800
I was going to perform in a concert.

400
00:28:26,800 --> 00:28:28,840
I was doing so many things in New York.

401
00:28:28,840 --> 00:28:34,400
And then the day after, I'm in lockdown in Italy in the middle of nowhere because really

402
00:28:34,400 --> 00:28:38,720
my house, it's in the nature, there is nothing around.

403
00:28:38,720 --> 00:28:44,080
And so I was like, no, this is a very strange situation.

404
00:28:44,080 --> 00:28:46,900
And so in the first two weeks were very hard.

405
00:28:46,900 --> 00:28:52,240
But then I started doing the activities I told before and I started finding energy.

406
00:28:52,240 --> 00:28:58,320
And then I was very, very stressed about my own festival because the festival would have

407
00:28:58,320 --> 00:29:01,440
been in the summer.

408
00:29:01,440 --> 00:29:03,920
And I was like, should we go do that?

409
00:29:03,920 --> 00:29:05,720
Should we not do that?

410
00:29:05,720 --> 00:29:12,440
And so then we decided to cancel it as first reaction because it sounded like there were

411
00:29:12,440 --> 00:29:15,040
no other ways.

412
00:29:15,040 --> 00:29:17,640
And this was like in April.

413
00:29:17,640 --> 00:29:25,200
But at the end of April, I decided that, no, I need to find a way.

414
00:29:25,200 --> 00:29:32,400
I cannot let all the work I did because you work all year to make it up in a festival

415
00:29:32,400 --> 00:29:34,340
of 10 days, really.

416
00:29:34,340 --> 00:29:37,680
So I didn't want this to be thrown away.

417
00:29:37,680 --> 00:29:39,320
And I said I need to do something.

418
00:29:39,320 --> 00:29:45,040
And so I took advantage of the lockdown because the fact that I was blocked home, I could

419
00:29:45,040 --> 00:29:46,480
not do anything else.

420
00:29:46,480 --> 00:29:52,040
And I worked really so many hours all day on making it happen.

421
00:29:52,040 --> 00:29:58,440
And in two weeks, a new version of the festival was ready online.

422
00:29:58,440 --> 00:30:00,560
This happened so in the middle of May.

423
00:30:00,560 --> 00:30:03,280
Yeah, I think that's really incredible.

424
00:30:03,280 --> 00:30:08,320
I mean, now, many months later, we've kind of gotten used to the idea of doing everything

425
00:30:08,320 --> 00:30:09,980
musical online.

426
00:30:09,980 --> 00:30:15,320
But in the beginning, when Zoom wasn't even an established platform and everybody was

427
00:30:15,320 --> 00:30:19,600
kind of transitioning and musicians were just standing around with their hands in the air

428
00:30:19,600 --> 00:30:22,080
being like, what do we do?

429
00:30:22,080 --> 00:30:25,480
Basically most of the summer festivals were canceled.

430
00:30:25,480 --> 00:30:29,280
So I feel like you were really a pioneer in figuring out how to move things online and

431
00:30:29,280 --> 00:30:30,280
keep going.

432
00:30:30,280 --> 00:30:35,440
I want to know what good, what's the positive of this whole experience?

433
00:30:35,440 --> 00:30:39,880
I feel like that's going to be so inspiring for the younger artists.

434
00:30:39,880 --> 00:30:44,360
We are always trying to drive, drive ourselves and work so hard.

435
00:30:44,360 --> 00:30:45,560
And it is hard.

436
00:30:45,560 --> 00:30:47,080
It is so hard.

437
00:30:47,080 --> 00:30:52,360
But for you, you're still working so much and motivated.

438
00:30:52,360 --> 00:30:56,720
So what is the positive of all this experience?

439
00:30:56,720 --> 00:30:58,080
Positive, you mean?

440
00:30:58,080 --> 00:31:00,160
Yeah, the positive experiences.

441
00:31:00,160 --> 00:31:03,880
I mean, of this pandemic, the positive was the festival.

442
00:31:03,880 --> 00:31:10,560
Because honestly, I think that we didn't realize back then, but because of this online edition,

443
00:31:10,560 --> 00:31:18,400
I think we upgraded, if I can say that, we reached a next level.

444
00:31:18,400 --> 00:31:19,400
And how?

445
00:31:19,400 --> 00:31:24,080
Because this was the challenge to move up on a festival online.

446
00:31:24,080 --> 00:31:25,600
I had to change things.

447
00:31:25,600 --> 00:31:26,600
Okay.

448
00:31:26,600 --> 00:31:28,080
They could not happen like normal life.

449
00:31:28,080 --> 00:31:33,960
But instead of doing the same thing, we try to find the opportunities which normally we

450
00:31:33,960 --> 00:31:35,080
don't have.

451
00:31:35,080 --> 00:31:42,280
For example, one thing I was really happy about the festival was that we could include

452
00:31:42,280 --> 00:31:49,560
guest artists that usually are so busy with their solo career that they cannot even accept

453
00:31:49,560 --> 00:31:53,360
to participate in a festival as guest artists.

454
00:31:53,360 --> 00:31:56,360
So I reached these people really carefully.

455
00:31:56,360 --> 00:31:57,960
And I asked them if they want to join.

456
00:31:57,960 --> 00:32:01,280
I was so happy to hear that all of them say yes.

457
00:32:01,280 --> 00:32:04,320
So we had a really big name since this is for pianists.

458
00:32:04,320 --> 00:32:10,600
I can say that we had Beatrice Rana as one of our guest artists.

459
00:32:10,600 --> 00:32:16,000
We had other two Italian pianists, but are really well known, especially in Europe.

460
00:32:16,000 --> 00:32:18,960
One is Filippo Gorino and Federico Colli.

461
00:32:18,960 --> 00:32:21,360
It's casual, but they are Italian.

462
00:32:21,360 --> 00:32:25,440
The other ones, they are European and from other countries around the world.

463
00:32:25,440 --> 00:32:27,200
But the pianists were Italians.

464
00:32:27,200 --> 00:32:31,880
And they usually are really busy with their, as I said, with their solo career.

465
00:32:31,880 --> 00:32:35,880
So it was great to have them as part of the students.

466
00:32:35,880 --> 00:32:48,120
And also, I included also the series of people speaking about how to be a musician and entrepreneur,

467
00:32:48,120 --> 00:32:56,080
how to be a musician and be an organizer in general, and how to manage the time and doing

468
00:32:56,080 --> 00:32:59,760
everything, how to include social empathy, music.

469
00:32:59,760 --> 00:33:06,040
So I took all the knowledge I acquired in this last year and I tried to put in the festival.

470
00:33:06,040 --> 00:33:09,400
And I could do this just because it was a line, because it was impossible to invite

471
00:33:09,400 --> 00:33:11,440
all these people to Fivizzano.

472
00:33:11,440 --> 00:33:16,640
Fivizzano is the main town where we do a festival.

473
00:33:16,640 --> 00:33:17,960
And so we decided to do a line.

474
00:33:17,960 --> 00:33:23,920
So why I'm saying all of this, that there is always a way.

475
00:33:23,920 --> 00:33:28,800
And we are extremely lucky to live in this era in which we have internet right now, like

476
00:33:28,800 --> 00:33:32,040
you're doing this amazing podcast.

477
00:33:32,040 --> 00:33:33,360
We could not do that.

478
00:33:33,360 --> 00:33:37,960
We just need to find the best way to do this.

479
00:33:37,960 --> 00:33:43,160
And also, you can always find a different opportunity on a personal side.

480
00:33:43,160 --> 00:33:50,400
I'm here, I'm in Italy, and it's hard because in Italy in general, it's very hard finding

481
00:33:50,400 --> 00:33:51,400
jobs.

482
00:33:51,400 --> 00:34:00,520
And if you find jobs, it's also not really rewarded, let's say that.

483
00:34:00,520 --> 00:34:03,200
So it's hard.

484
00:34:03,200 --> 00:34:07,640
But anyways, what you can do, I'm applying to as many jobs as possible.

485
00:34:07,640 --> 00:34:10,520
And right now I applied to conservatory.

486
00:34:10,520 --> 00:34:15,440
For example, in Italy, there are many openings, luckily, there are many openings.

487
00:34:15,440 --> 00:34:17,520
So I'm also in Europe.

488
00:34:17,520 --> 00:34:24,560
So I'm trying to readapt because I would like to go back to New York, but I'm not sure everything

489
00:34:24,560 --> 00:34:25,960
is so unsure right now.

490
00:34:25,960 --> 00:34:32,760
So you just need always to search for some plan B, but doesn't mean that is something

491
00:34:32,760 --> 00:34:34,080
that you don't want to do.

492
00:34:34,080 --> 00:34:37,640
It's just something different.

493
00:34:37,640 --> 00:34:43,760
You're expecting and this is so never, never think, oh, there is no way there is always

494
00:34:43,760 --> 00:34:44,760
a way.

495
00:34:44,760 --> 00:34:46,100
You're such a fighter.

496
00:34:46,100 --> 00:34:48,680
It's very inspiring for so many people, I'm sure.

497
00:34:48,680 --> 00:34:50,020
Yeah, that's great.

498
00:34:50,020 --> 00:34:52,160
So I hope you will come back soon, right?

499
00:34:52,160 --> 00:34:53,160
Is that the plan still?

500
00:34:53,160 --> 00:35:00,920
Yeah, I mean, as I said, I would love to, but it all depends on how this travel ban

501
00:35:00,920 --> 00:35:01,920
is going on.

502
00:35:01,920 --> 00:35:05,440
I mean, it's changing, it's staying the same.

503
00:35:05,440 --> 00:35:07,440
I have no idea about this.

504
00:35:07,440 --> 00:35:13,040
So this is why I don't want to just wait, because I actually did this mistake.

505
00:35:13,040 --> 00:35:20,840
I think many did this mistake, not just me, about people from other countries who doesn't

506
00:35:20,840 --> 00:35:23,400
live anymore in the United States.

507
00:35:23,400 --> 00:35:26,760
And to just, okay, let's wait one dot, but makes no sense.

508
00:35:26,760 --> 00:35:28,760
So business will not find too many jobs.

509
00:35:28,760 --> 00:35:30,280
And then I will take a choice.

510
00:35:30,280 --> 00:35:35,080
Whenever I get the chance to go back, I will decide then.

511
00:35:35,080 --> 00:35:36,080
Amazing.

512
00:35:36,080 --> 00:35:37,720
Just keep on taking actions.

513
00:35:37,720 --> 00:35:39,920
If there's a dream, there is a way, right?

514
00:35:39,920 --> 00:35:42,920
So perfect.

515
00:35:42,920 --> 00:35:48,000
And do you have any advice for young artists coming up?

516
00:35:48,000 --> 00:35:49,480
Oh, wow.

517
00:35:49,480 --> 00:35:56,000
Yes, I actually have many, and many I think they are from just what I just said to Clara

518
00:35:56,000 --> 00:35:57,120
right now.

519
00:35:57,120 --> 00:36:04,960
I mean, my advice is, of course, to be dedicated musician if this is, of course, your goal.

520
00:36:04,960 --> 00:36:09,600
If you want to be a musician, of course, you need to focus on practicing and practicing

521
00:36:09,600 --> 00:36:12,080
is the first thing.

522
00:36:12,080 --> 00:36:17,120
But to be open, to try new experience and not be afraid.

523
00:36:17,120 --> 00:36:20,200
If you don't feel comfortable, it's fine.

524
00:36:20,200 --> 00:36:21,200
It's fine.

525
00:36:21,200 --> 00:36:26,160
Every time we try something new, you are never ready for real.

526
00:36:26,160 --> 00:36:28,400
So just go with it.

527
00:36:28,400 --> 00:36:39,960
And try also to, I know that it's hard if you're shy, but if you see something interesting,

528
00:36:39,960 --> 00:36:44,760
don't be afraid to go to the person who think it's organizing this event or to speak with

529
00:36:44,760 --> 00:36:48,240
someone you think might be interesting for you to know.

530
00:36:48,240 --> 00:36:53,840
The worst thing might happen is someone saying no or not really replying to you.

531
00:36:53,840 --> 00:36:57,280
But it's almost never the case.

532
00:36:57,280 --> 00:37:04,480
I learned a lot from my experience that every time you ask something and that you think

533
00:37:04,480 --> 00:37:07,560
it's important and it's meaningful.

534
00:37:07,560 --> 00:37:11,360
Most of the time people replies positively to that.

535
00:37:11,360 --> 00:37:20,440
And so just present yourself for who you are and really try to see what to explore and

536
00:37:20,440 --> 00:37:22,920
see what you like the most.

537
00:37:22,920 --> 00:37:24,760
And yeah, trying something new.

538
00:37:24,760 --> 00:37:31,360
And both on the performing side, which means with repertoire, explore with repertoire,

539
00:37:31,360 --> 00:37:37,040
explore with playing with other people, explore with playing different ensemble and also with

540
00:37:37,040 --> 00:37:43,800
dancers, with artists in general.

541
00:37:43,800 --> 00:37:49,080
And also explore outside of just the performing.

542
00:37:49,080 --> 00:37:55,880
And then of course, everyone is different and will find what's the best.

543
00:37:55,880 --> 00:38:01,040
And you will also recognize your limits and what are your qualities, which is very important

544
00:38:01,040 --> 00:38:03,280
because knowing your limits is important.

545
00:38:03,280 --> 00:38:08,920
As I mentioned before, I love doing composition with my students, but if I will see that they

546
00:38:08,920 --> 00:38:15,640
reach the level which they need to continue and to go on, I will not fit for that.

547
00:38:15,640 --> 00:38:17,080
I will find someone else.

548
00:38:17,080 --> 00:38:24,640
So you need to be humble also to know everything and how you know these things by doing these

549
00:38:24,640 --> 00:38:31,840
things and you will see then later what suits best for you.

550
00:38:31,840 --> 00:38:38,680
So maybe to sum it up, you might say experiment freely and try a lot of things, but then focus

551
00:38:38,680 --> 00:38:42,080
on your strengths for your career.

552
00:38:42,080 --> 00:38:43,080
Exactly.

553
00:38:43,080 --> 00:38:44,080
Exactly.

554
00:38:44,080 --> 00:38:46,080
And yeah, don't be afraid.

555
00:38:46,080 --> 00:38:49,960
Meet people and speak with them.

556
00:38:49,960 --> 00:38:57,640
Even if I know that not for everyone is easy, but with practice it gets easier.

557
00:38:57,640 --> 00:38:59,000
I'm just curious, sorry.

558
00:38:59,000 --> 00:39:00,000
Go ahead.

559
00:39:00,000 --> 00:39:01,240
What are you working on?

560
00:39:01,240 --> 00:39:04,360
I see the score on the piano.

561
00:39:04,360 --> 00:39:05,840
So what are you working on?

562
00:39:05,840 --> 00:39:12,600
Well, that actually it's a Chopin waltz because the last student I had was playing a Chopin

563
00:39:12,600 --> 00:39:13,600
waltz.

564
00:39:13,600 --> 00:39:15,600
It's on my repertoire right now.

565
00:39:15,600 --> 00:39:16,600
Oh, okay.

566
00:39:16,600 --> 00:39:22,680
Yeah, right now, actually, right now it's a good question because I was planning to

567
00:39:22,680 --> 00:39:29,520
have some concert with Just Got Canceled and this is like a little bit changing of a plan.

568
00:39:29,520 --> 00:39:33,880
So sometimes it's hard for me to find like for everyone, I think the motivation.

569
00:39:33,880 --> 00:39:40,120
So I'm actually in a moment in which I have some repertoire I want to work more like a

570
00:39:40,120 --> 00:39:41,120
Schubert.

571
00:39:41,120 --> 00:39:44,960
I did a concert this summer on the Van Der Fantasie.

572
00:39:44,960 --> 00:39:48,000
I have some Schubert Lists.

573
00:39:48,000 --> 00:39:52,600
I'm working some Lists, Chopinitudes.

574
00:39:52,600 --> 00:39:58,280
And I wanted to decide right now what to do next about some contemporary new pieces.

575
00:39:58,280 --> 00:40:02,280
And I was watching out some more about it.

576
00:40:02,280 --> 00:40:07,160
And but right now, yes, I'm practicing, for example, sorry, I'm interrupting sometimes

577
00:40:07,160 --> 00:40:12,400
and just saying that for fun, just for fun, but I don't think this is fun.

578
00:40:12,400 --> 00:40:14,160
It's Prokofiev's third concerto.

579
00:40:14,160 --> 00:40:17,880
I'm just practicing myself.

580
00:40:17,880 --> 00:40:18,880
My favorite.

581
00:40:18,880 --> 00:40:21,880
Yeah, it's fun.

582
00:40:21,880 --> 00:40:25,040
Yeah, just do.

583
00:40:25,040 --> 00:40:26,840
But I don't have any performance.

584
00:40:26,840 --> 00:40:33,760
The first performance that should happen and it will be in February, March.

585
00:40:33,760 --> 00:40:37,400
We still are looking for the date to be with orchestra.

586
00:40:37,400 --> 00:40:42,200
And so and they gave me freedom for the concerto.

587
00:40:42,200 --> 00:40:46,080
So I need to decide what to play.

588
00:40:46,080 --> 00:40:47,080
Let's see now.

589
00:40:47,080 --> 00:40:48,240
But it's a working process.

590
00:40:48,240 --> 00:40:52,200
I don't have a clear idea because of a situation.

591
00:40:52,200 --> 00:41:00,760
So I sometimes practice something like just because I want to and then I go next without

592
00:41:00,760 --> 00:41:03,040
focusing too much into it.

593
00:41:03,040 --> 00:41:14,240
I tend to when I don't have a fixed goal to not be completely dedicated to practice piece

594
00:41:14,240 --> 00:41:17,440
until it's completely ready.

595
00:41:17,440 --> 00:41:19,120
I prefer having a goal.

596
00:41:19,120 --> 00:41:25,320
I know I have a concert and so I need to be prepared for the concert.

597
00:41:25,320 --> 00:41:27,720
Which orchestra are you playing this?

598
00:41:27,720 --> 00:41:30,240
Actually, is that the secret?

599
00:41:30,240 --> 00:41:32,000
No, no, no, no, it's not.

600
00:41:32,000 --> 00:41:36,640
Actually, I think the person will be very happy to hear the organizers.

601
00:41:36,640 --> 00:41:45,960
Daniel Montes is a conductor, Bolivian conductor, and he's managing a school in Honduras, Victoria

602
00:41:45,960 --> 00:41:47,480
Nolopet.

603
00:41:47,480 --> 00:41:49,840
It's very nice and they have an orchestra there.

604
00:41:49,840 --> 00:41:55,120
So it's actually this is connected to the global leaders program, actually.

605
00:41:55,120 --> 00:42:03,000
And so it's so I will go there to perform with orchestra, but also I will be teaching

606
00:42:03,000 --> 00:42:06,400
the piano students and doing some concert with them.

607
00:42:06,400 --> 00:42:11,200
I'm thinking already to do some four and six and things together.

608
00:42:11,200 --> 00:42:13,600
So this is the plan.

609
00:42:13,600 --> 00:42:19,640
It all depends on the pandemic and actually this would have happened already.

610
00:42:19,640 --> 00:42:23,840
I don't remember now with data, but should have already happened.

611
00:42:23,840 --> 00:42:29,340
We had to yes, in September, you see, I'm forgetting right now because so many things

612
00:42:29,340 --> 00:42:36,720
got canceled and we postponed and other things are going to be postponed, but still they

613
00:42:36,720 --> 00:42:40,720
are not able to provide me any date.

614
00:42:40,720 --> 00:42:44,360
So I'm here waiting for that.

615
00:42:44,360 --> 00:42:48,340
As a woman, as a female professional.

616
00:42:48,340 --> 00:42:57,840
So what do you feel the difference between on this continent, currently where I am in

617
00:42:57,840 --> 00:43:02,640
Europe, but even in Europe, you said you studied in Germany.

618
00:43:02,640 --> 00:43:10,760
So Germany and Italy, a complete different in terms of that gender dynamics, traditional

619
00:43:10,760 --> 00:43:15,080
versus modern, but contemporary.

620
00:43:15,080 --> 00:43:17,360
So what do you think?

621
00:43:17,360 --> 00:43:24,760
What do you think this gender dynamic contrast in the United States and where you are right

622
00:43:24,760 --> 00:43:26,360
now, let's say?

623
00:43:26,360 --> 00:43:35,560
Wow, this is a very important questions and I need carefully to, it's not easy to express

624
00:43:35,560 --> 00:43:37,800
carefully what I would like to say.

625
00:43:37,800 --> 00:43:41,080
Okay, there are differences.

626
00:43:41,080 --> 00:43:49,200
I need to say, but as an introduction is I always try to fight this my whole life in

627
00:43:49,200 --> 00:44:01,480
a sense that I try not to think when I'm working as a professional, that there are gender differences,

628
00:44:01,480 --> 00:44:04,920
which doesn't mean that there aren't.

629
00:44:04,920 --> 00:44:14,880
Of course, I'm not saying that, but I just say that I never find found that there are

630
00:44:14,880 --> 00:44:19,320
ways in which woman should act and men should act.

631
00:44:19,320 --> 00:44:21,320
I just be myself.

632
00:44:21,320 --> 00:44:23,400
I don't mind if I'm a young woman.

633
00:44:23,400 --> 00:44:26,360
I always did what I wanted to do.

634
00:44:26,360 --> 00:44:36,320
And if someone was a little bit like talking to me in a sexist way, like you are a woman,

635
00:44:36,320 --> 00:44:40,800
well for me, that person disappeared right away.

636
00:44:40,800 --> 00:44:50,080
So I honestly, but always very confident with myself.

637
00:44:50,080 --> 00:44:53,280
I never really care about that dynamic.

638
00:44:53,280 --> 00:44:56,960
This doesn't mean that things didn't happen and happen.

639
00:44:56,960 --> 00:45:05,000
Actually I had quite bad experiences and I'm sorry to say, sad to say that in Italy, especially

640
00:45:05,000 --> 00:45:07,440
in Italy and with Italian people.

641
00:45:07,440 --> 00:45:14,320
So in the United States happened to me and I was in bad situations.

642
00:45:14,320 --> 00:45:21,040
For example, in the United States, there is this strict way in which professors should

643
00:45:21,040 --> 00:45:25,680
not date or have anything with a student.

644
00:45:25,680 --> 00:45:31,480
I know it's a comfortable topic, but in Italy this is actually happening or a lot of professors

645
00:45:31,480 --> 00:45:35,600
flirt with students and something that's still happening now.

646
00:45:35,600 --> 00:45:41,600
And I had this experience with more than one professor, more than once.

647
00:45:41,600 --> 00:45:42,960
It's just bad.

648
00:45:42,960 --> 00:45:48,800
And unfortunately it happened more in conservatory, in the music school than in my school, normal

649
00:45:48,800 --> 00:45:49,800
school.

650
00:45:49,800 --> 00:45:50,800
And this is bad.

651
00:45:50,800 --> 00:45:53,160
And I hear the stories happening all the time.

652
00:45:53,160 --> 00:46:00,560
I just have a friend who shared with me about it and what happened now to her with a professor

653
00:46:00,560 --> 00:46:01,560
in conservatory.

654
00:46:01,560 --> 00:46:09,080
And the thing is that if it happens, it's very hard to find a way to protect yourself.

655
00:46:09,080 --> 00:46:20,160
I would say that because there is still not culturally a way out to say that this is not

656
00:46:20,160 --> 00:46:21,520
okay.

657
00:46:21,520 --> 00:46:25,520
People still don't think it's not okay.

658
00:46:25,520 --> 00:46:32,040
And in the United States, I think this is stronger on the opposite side, which means

659
00:46:32,040 --> 00:46:36,080
that of course there is a lot of attention to that and I'm very grateful to that.

660
00:46:36,080 --> 00:46:39,460
And so at least these things doesn't happen, let's say.

661
00:46:39,460 --> 00:46:41,520
So I'm speaking now when you are a student.

662
00:46:41,520 --> 00:46:45,680
This is the risk when you're a student.

663
00:46:45,680 --> 00:46:54,080
Then regarding for job, I need to say I was, as I said, pretty lucky in that, which means

664
00:46:54,080 --> 00:46:56,600
I always went in my direction.

665
00:46:56,600 --> 00:47:04,720
Whenever I saw a situation which scared me, it just took away and eliminated the person

666
00:47:04,720 --> 00:47:08,320
from my life.

667
00:47:08,320 --> 00:47:13,920
And I thought about it a lot and I say how can I help in this way?

668
00:47:13,920 --> 00:47:23,680
And some people suggest to me, for example, I have a competition in my festival for composers.

669
00:47:23,680 --> 00:47:26,720
And I could give a prize for a woman.

670
00:47:26,720 --> 00:47:33,360
And I was saying, no, I don't want that simply because, I mean, for sure, it's amazing.

671
00:47:33,360 --> 00:47:36,080
Woman was amazing with this sort of a prize.

672
00:47:36,080 --> 00:47:39,360
And we don't need that.

673
00:47:39,360 --> 00:47:42,040
I just wish we don't need that.

674
00:47:42,040 --> 00:47:43,440
This is my opinion.

675
00:47:43,440 --> 00:47:46,240
I know it's maybe unpopular.

676
00:47:46,240 --> 00:47:49,680
But I don't want to have a special prize because I'm a woman.

677
00:47:49,680 --> 00:47:52,960
I want to have a prize because I'm a good composer.

678
00:47:52,960 --> 00:47:56,400
And she should deserve that anyway.

679
00:47:56,400 --> 00:47:59,360
So we decided to make it anonymous.

680
00:47:59,360 --> 00:48:00,360
OK.

681
00:48:00,360 --> 00:48:08,600
And of course, one of the winners, three winners was a woman because simply because she was

682
00:48:08,600 --> 00:48:10,760
just doing great.

683
00:48:10,760 --> 00:48:17,160
And we didn't have to do anything for this to happen.

684
00:48:17,160 --> 00:48:21,680
And I realized that actually there are other countries in the world in which the situation

685
00:48:21,680 --> 00:48:23,160
is a lot worse.

686
00:48:23,160 --> 00:48:30,240
So at the end, even if I see that things are not good and can be a lot better, and they

687
00:48:30,240 --> 00:48:39,600
should better in terms of wage, sorry, no wage income being paid fairly and other things,

688
00:48:39,600 --> 00:48:42,040
there are situations which are worse in and around the world.

689
00:48:42,040 --> 00:48:49,920
So one of the projects I'm working on right now is trying to collaborate with some association

690
00:48:49,920 --> 00:48:54,920
like in Afghanistan and Dubai to bring women in music here.

691
00:48:54,920 --> 00:48:57,160
Amazing.

692
00:48:57,160 --> 00:48:59,400
Because that's different to the situation.

693
00:48:59,400 --> 00:49:05,000
It's sad to say, but just because it's harder for them to get opportunities.

694
00:49:05,000 --> 00:49:10,960
So for me, it makes sense to empower them more and to help more with this woman from

695
00:49:10,960 --> 00:49:11,960
this country.

696
00:49:11,960 --> 00:49:18,960
For the rest, I just hope that and I'm fighting this every day just by showing what I do and

697
00:49:18,960 --> 00:49:21,360
I could be a man.

698
00:49:21,360 --> 00:49:24,320
I don't know if I can say that.

699
00:49:24,320 --> 00:49:31,840
I just love what I do and I don't feel like I need to prove anything because I'm a woman,

700
00:49:31,840 --> 00:49:33,120
just myself.

701
00:49:33,120 --> 00:49:37,160
And I just wish that everybody would acknowledge that.

702
00:49:37,160 --> 00:49:50,240
Salam!

703
00:49:50,240 --> 00:49:56,600
Salam!

704
00:49:56,600 --> 00:50:02,280
Salam!

705
00:50:32,280 --> 00:50:34,440
Chantawa, what's the name of your festival again?

706
00:50:35,480 --> 00:50:37,960
L'Unigiana International Music Festival.

707
00:50:37,960 --> 00:50:41,560
It's the name of, L'Unigiana is the name of the region

708
00:50:41,560 --> 00:50:44,040
in Italy in the North Tuscany where this is happening.

709
00:50:44,040 --> 00:50:47,200
And it's called L'Unigiana because we literally go

710
00:50:47,200 --> 00:50:51,240
all around the region to the concerts with our students

711
00:50:51,240 --> 00:50:54,520
from around the world and teachers that perform together

712
00:50:54,520 --> 00:50:56,080
and in 10 days.

713
00:50:56,080 --> 00:50:59,400
And we actually have 18 concerts in 10 days.

714
00:50:59,400 --> 00:51:01,640
So it's pretty intense.

715
00:51:01,640 --> 00:51:05,880
And it's just amazing because it's all in the nature.

716
00:51:05,880 --> 00:51:08,400
We do concerts in the caves by the castle,

717
00:51:08,400 --> 00:51:13,400
in the castle actually, by the sea, lake by the mountains.

718
00:51:13,600 --> 00:51:17,360
So it's just very, very, very beautiful for the audience

719
00:51:17,360 --> 00:51:19,320
but also for the students themselves

720
00:51:19,320 --> 00:51:20,960
to perform in these places.

721
00:51:20,960 --> 00:51:23,540
And then of course we get lessons.

722
00:51:23,540 --> 00:51:27,480
And it's not just pianist, piano and chamber music too

723
00:51:27,480 --> 00:51:31,000
with string players and voice students.

724
00:51:31,000 --> 00:51:34,120
So this is basically a festival.

725
00:51:34,120 --> 00:51:35,840
It sounds absolutely magical.

726
00:51:36,840 --> 00:51:40,760
And the link to the website will be in the description

727
00:51:40,760 --> 00:51:42,560
for the podcast.

728
00:51:42,560 --> 00:51:47,120
So unfortunately I think that's all the time we have today.

729
00:51:47,120 --> 00:51:48,840
We wanted to thank you so much Chantal

730
00:51:48,840 --> 00:51:50,480
for joining us today.

731
00:51:50,480 --> 00:51:52,760
And thank you to our audience for listening.

732
00:51:54,220 --> 00:51:55,940
If you enjoyed today's episode,

733
00:51:55,940 --> 00:51:58,320
please hit the thumbs up button down below

734
00:51:58,320 --> 00:52:01,800
and be sure to subscribe to our YouTube channel.

735
00:52:01,800 --> 00:52:06,120
You can also follow us on Facebook, Twitter, Instagram

736
00:52:06,120 --> 00:52:07,480
using the links below.

737
00:52:08,480 --> 00:52:12,080
If you have feedback for us, please leave it in the comments

738
00:52:12,080 --> 00:52:17,080
or if you can also email us at the pianopodnyc at gmail.com.

739
00:52:19,080 --> 00:52:19,920
Thank you.

740
00:52:19,920 --> 00:52:22,800
See you all at the next episode of the PianoPod.

741
00:52:22,800 --> 00:52:23,640
Bye everybody.

742
00:52:23,640 --> 00:52:24,560
Bye everyone.

743
00:52:24,560 --> 00:52:25,400
Bye bye.

744
00:52:25,400 --> 00:52:26,480
Thank you for watching.

745
00:52:26,480 --> 00:52:27,320
Thank you Chantal.

746
00:52:27,320 --> 00:52:28,160
Thank you.

747
00:52:28,160 --> 00:52:29,000
Thank you.

748
00:52:29,000 --> 00:52:29,840
Bye.

749
00:52:29,840 --> 00:52:58,300
After- pushes

