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You're listening to the PianoPod, where we talk to the brightest minds in the industry

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about how they are bringing the piano into the 21st century.

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Welcome back to another episode of the PianoPod.

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I am Eric Hunter.

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I am Clara Zhang.

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I'm Yukime Song.

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Our guest today is Jonathan Ahn, classical pianist, improviser, arranger, and Twitch

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streamer.

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With over 57,000 followers, 2.4 million views, and 3,500 hours of streaming time, Jonathan

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is ranked in the top 0.1% of all Twitch streamers and is, needless to say, among the world's

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top Twitch music channels.

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Everybody, please welcome Mr. Jonathan Ahn.

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Yay, welcome.

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Thank you so much.

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Thank you for having me.

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Some of our audience might not be familiar with Twitch.

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And so I wanted to ask you if you could talk about a little bit about what Twitch is and

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why you chose it as a platform for what you do.

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Oh, absolutely.

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Oh, well, let's go top level.

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Absolute top level.

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What I do is busking on the internet.

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That's literally what it is.

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It's just busking on the internet.

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But if you go a little bit into what Twitch is, Twitch is basically an empty space.

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Much like YouTube, it's an empty space.

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You have a channel with your name on it.

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And that's just an empty room and you just got to put things in it.

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And most people know Twitch as a gaming platform.

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They put their gameplay in it because that's the focal point.

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That's what people congregate around.

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And then they start talking about it.

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But the value add for any streamer, the reason why anybody will continue to come back would

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either be because they're good at that thing that they're showing off or that they add

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commentary or they have to bring something to the table for people to keep coming back.

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But that's essentially what Twitch is.

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It's like interactive television based around interest that you can find.

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And you'll find that it's not just gaming and it's also not just music.

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It's art, it's sculpting, there's people wandering around IRL in real life.

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There's people making, I can't even remember what I was saying, there are people animating.

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There's all sorts of things that people do.

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Cooking, cooking is a big section now, actually.

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And there's even some people who sell yachts around the world.

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Like they're selling a yacht around the world and you can follow them and they've got amazing

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drone cameras and things and you can actually just explore them.

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Wow.

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All right.

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So I'm starting to get an idea, but just for the sake of comparison.

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So why do you choose Twitch over something like YouTube or Facebook live streaming, Instagram

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streaming?

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Well, the thing about Instagram and things is there's a limited amount of customization

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at the moment.

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So for example, with Twitch, you can literally get this amazing free broadcast software and

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actually this will work with YouTube and Facebook as well, but we'll talk about it in a second.

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So as long as you can harness the power of your PC and this free software, open broadcasting

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software studio, OBS studio, you will end up being able to present almost anything you

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want, basically limited by your ability to putting graphics and sound and that's it.

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Just the only real limitations.

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So Instagram doesn't have quite that flexibility yet.

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You have to do work around it.

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Facebook has got a very different culture.

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It's Facebook gaming and the way they do their chat and so on is of course, it's like in

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comments, like on Facebook posts, which doesn't feel as organic and doesn't flow as easily

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to me.

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And then Twitch is actually sort of like for YouTube of live streaming.

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It's quite niche still globally, but it's the big daddy of live streaming websites.

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And when we ourselves like music are a niche, it's helpful to have a really, really big

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platform so that way at least within the big platform, your niche is a bit bigger.

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Absolutely.

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Well that makes sense.

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With YouTube, I feel like YouTube is really, really good for polished content because they

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give you an engagement stat of how long people watch your videos for.

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And depending on the material, of course, like if it's something like music, people just

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want to hear the song for two to three minutes and then they're good.

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But a live stream and especially the sort of things I do, they go for about six or seven

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hours and I don't know if the last time you watched a seven hour YouTube video.

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Not recently.

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Not recently indeed.

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So it's for more curated content, I think more polished, more curated content.

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Whereas Twitch did some, it's literally things you create in the moment.

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It's sort of like a cafe.

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You go to a cafe.

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Right.

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And people can jump in or out anytime.

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And they do.

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Yeah, absolutely.

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And I actually saw your show or episode or whatever, and it's literally seven, eight

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hours.

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Yeah.

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You're streaming, you're performing the entire time.

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It just goes that long.

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That we need to use the restroom.

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Yeah, but that's it.

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What about like lunch?

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Yeah, no, you don't.

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You don't.

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You have a big old meal before you start.

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I mean, there's nothing saying that I can't.

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There's nothing saying that you can't.

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And technically you're supposed to take breaks every two hours and wake up a PRB screen or

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whatever.

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I'm very task oriented, so because people in my community have requested songs to be

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played and it takes me a good deal of time to work my way around them and build them

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into arrangements and things.

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I guess if I had a tagline, I suppose my stream would be the slowest production stream.

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No, hang on.

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The quickest production stream on Twitch, but the slowest request stream.

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Because most people, when you ask them to play a thing, they play the song on their

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instrument and then it's done.

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It's gone.

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And that took about three minutes.

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But then for me, they go, can you play this?

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And I go, well, not yet.

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And then I listened to it and I basically transcribe enough notation that I can do the

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song in about five to six minutes.

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And then I loop it into some orchestral or symphonic metal bands or whatever.

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And of course, because it's a loop and it's sound and it travels through time, we have

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to build it layer by layer by layer.

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And so this entire process takes the better part of 30 to 40 minutes, depending.

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But then we can perform usually almost the whole song with a full arrangement and solo

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over it like it's my own messed up piano concerto, which I really, really have fun doing.

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Oh, that's fantastic.

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Yeah.

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So the thing is then people queue up all these things and I get really like tunnel visioned

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and I'm just like, I now I'm here on the internet until I finished the queue because people

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tipped kind of for those.

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And so I have to do them.

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So the stream only ends when the queue ends.

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Okay.

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Well, that takes a lot of dedication for sure.

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It's like an unspoken social contract.

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Yeah.

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It's as you know, it's just trust.

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So people say, oh, you're offering this and you do this.

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And then if you don't do the thing, then those people may not support you anymore.

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So you gotta really.

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I mean, you gotta keep them coming back.

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So basically your show starts and you take a request from the viewer.

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Correct.

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And then, you know, you hum the melody and from watching the actual music, whatever,

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whoever the artist is made, basically yours is.

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It's an arrangement arrangement of the transcription.

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Yeah.

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And then direct transcription, of course.

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And you're making your arrangement and then orchestrating like in front of the audience

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streaming audience.

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Yeah.

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You're making, that's amazing.

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Wow.

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It just, it developed on the platform.

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Because you can't put that anywhere else.

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You can't put it anywhere.

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Like where does it go?

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So it's a Twitch specific format.

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I do more traditional things like tomorrow I'll be doing a more traditional thing.

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Every two weeks, because of the streaming, I was able to acquire like an old concert

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grand from Bechstein.

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And then I've gone a mess to it a lot.

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I've gone and put all these lights in it and I put like a laser strip in it.

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And so now that's sort of like a quasi, it's not digital at all.

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It's fully acoustic, but it has digital effects and things tied to every note.

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Which I really, yeah, it's so cool.

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It's so cool.

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It's basically my calf of the next 10 years.

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But you know how it is your pianist too.

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And I do more traditional streams where I sit there and best bang out all sorts of tunes

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for about four and a half hours.

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They used to go really, really long, but it's really, really impossible to maintain a really

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good quality over seven, eight hours of just piano playing, as you all know.

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Yeah, it's so hard.

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Wow.

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So first of all, I think anybody listening probably is already really interested to check

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out what it looks like, what you do.

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So we'll say it again at the end, but can you say your Twitch channel address for the

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viewers and then we will put it in the description later.

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But what is it?

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It's www.twitch.tv slash Jonathan Ong, which is J-O-N-A-T-H-A-N-O-N-G.

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And there's no spaces or anything here.

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And I was, when I first made that channel, I, it's really my first social media platform

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I'm taking very seriously and I didn't know what handle to use.

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And actually I didn't really have a lot of time to think about it because I was supposed

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to just hop on with a friend and play some stuff.

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So I literally just plugged in my name, which is, you know, it's a great way to de-anonymize

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yourself on the internet.

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I'm curious, where did you find the inspiration to do that?

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I had a friend who was on Twitch.

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I don't know if he's still on now, but he's doing very silly stuff.

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So I never even thought of, one time he was like, oh, I was seeing you can dance.

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I'm like, I'm not a dancer, you know?

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But what inspired you to actually do this big production?

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Well we're pianists and pianists are basically homers, right?

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We don't, we don't, and you know, you don't get to play with a whole bunch of other people

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almost any of the time, unless you do chamber music and things.

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And the problem with chamber music, okay, so this can sound probably pretty terrible,

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but the problem with doing chamber music and things like that is the more people involved

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in your stuff, like the harder it is to get it out there and do.

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And so I did some collaborative concerts and I found them excessively sort of like difficult

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to organise.

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And then when you actually do the event, it's also hard to make them financially viable

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because now everyone also needs to be paid.

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So then everybody basically ends up with dinner money at the end of the thing that supposedly

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grossed five figures.

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So it's like, okay, this is interesting.

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But at the same time, there's that thrill of playing with other instruments still, right?

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So back in the beginning, way before I knew what Twitch was, way before Twitch even existed

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actually, back then, I think Twitch started in 2011 and it wasn't called Twitch.

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It was called Justin.tv because a guy basically streamed his own life and just went around

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and it took off.

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The original live stream pretty much.

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So that was really cool.

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But I was doing tertiary education at the time, I was doing a postgrad.

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And I just realised that all these VSTs and all I wanted at the time was to make really

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dramatic orchestral music and play piano along with them or recreate some piano concertos

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and play along with them.

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And so I bought one string library and then I bought another string library and then I

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needed to fill in my woodwinds.

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And before I knew it, I'd spent a completely insane amount of money as a student on a fairly

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large collection of VSTs, you know, all these virtual instruments.

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It gets addictive, I know what you're talking about.

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It's horrifying.

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It's absolutely horrifying.

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And then I found Craigslist and Craigslist had all this secondhand stuff, you know, and

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so I found like a keytar because I've always wanted to play guitar, but that was never

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an offer in my lifetime.

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And you know, when I was growing up, and so I just never did.

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And so there was this keytar and I was like, hey, that's kind of cool.

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It's like really dorky, but it's also kind of cool.

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Maybe I should.

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And then I just bought it and I had no use for it.

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So it just appeared at parties when everyone was drinking and I was playing along and it

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appeared in a few friends, YouTube videos and things like that.

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And the same thing for my VSTs.

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They were too limited in scope because I'd only spent the better part of like eight thousand

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dollars or something at the time, which is huge.

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But in the world of VSTs is not that much, sadly.

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So I basically at the time, especially so I had nothing to do with them.

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And I tried doing some film composing gigs with friends and they never really went anywhere.

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And I said, I didn't know what to do with it.

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00:13:11,160 --> 00:13:17,240
And then I came back here to Australia and just got on with the serious business of surviving

240
00:13:17,240 --> 00:13:22,840
in my adult life, you know, day to day music teaching, classical performances, things like

241
00:13:22,840 --> 00:13:25,600
that, all the normal things.

242
00:13:25,600 --> 00:13:31,760
And it's only when I appeared on Twitch and I realized that, oh, I can actually maybe

243
00:13:31,760 --> 00:13:33,880
I can use this stuff.

244
00:13:33,880 --> 00:13:40,000
The real turning point was when one one particularly good special came out.

245
00:13:40,000 --> 00:13:42,400
I don't have a shopping problem.

246
00:13:42,400 --> 00:13:46,240
It seems highly suspicious.

247
00:13:46,240 --> 00:13:48,360
Oh, dear.

248
00:13:48,360 --> 00:13:51,360
I don't know.

249
00:13:51,360 --> 00:13:56,560
How many keyboards are in your background over there?

250
00:13:56,560 --> 00:13:57,560
None.

251
00:13:57,560 --> 00:13:58,560
Yes, none.

252
00:13:58,560 --> 00:14:08,040
So for anybody listening, he just eliminated the background.

253
00:14:08,040 --> 00:14:14,240
To be honest, most of the stuff that's a used one says that and says that.

254
00:14:14,240 --> 00:14:15,240
And that was a present.

255
00:14:15,240 --> 00:14:17,080
And that was like 40 percent off.

256
00:14:17,080 --> 00:14:21,280
And that was like it goes like that.

257
00:14:21,280 --> 00:14:22,280
And this was a bonus.

258
00:14:22,280 --> 00:14:27,120
We're really not auditing.

259
00:14:27,120 --> 00:14:28,120
I bought all these VSTs.

260
00:14:28,120 --> 00:14:29,400
I had no use for them.

261
00:14:29,400 --> 00:14:32,720
Twitch came along and then I realized I could actually use them for something and I could

262
00:14:32,720 --> 00:14:35,920
actually do what I wanted to do previously.

263
00:14:35,920 --> 00:14:40,240
And the real flip turning point was when I just bought this loop station and I was like,

264
00:14:40,240 --> 00:14:42,200
I'm going to learn to loop.

265
00:14:42,200 --> 00:14:45,600
And honestly, I don't know if I've learned to loop because I think I'm the only person

266
00:14:45,600 --> 00:14:48,100
I know who's using the loop station in this way.

267
00:14:48,100 --> 00:14:51,480
Usually you loop with eight bars, 16 bars, 32 bars or something, right?

268
00:14:51,480 --> 00:14:53,080
And you groove and you do the thing.

269
00:14:53,080 --> 00:14:54,300
And we're classical musicians.

270
00:14:54,300 --> 00:14:58,920
So I find that really hard to jive with because I get bored.

271
00:14:58,920 --> 00:15:01,400
I'm used to things evolving and changing and things.

272
00:15:01,400 --> 00:15:02,760
And so what do I end up doing?

273
00:15:02,760 --> 00:15:07,140
I make it even potentially more boring by looping you an entire 90 seconds to two minutes

274
00:15:07,140 --> 00:15:11,520
of whatever song it is, which includes verse and chorus structures and bridges and things

275
00:15:11,520 --> 00:15:12,520
like that.

276
00:15:12,520 --> 00:15:14,080
The entire structure gets looped.

277
00:15:14,080 --> 00:15:21,040
And then I arrange over the top of it layer by layer like a dot matrix printer.

278
00:15:21,040 --> 00:15:24,000
It's a very weird way of using a loop station.

279
00:15:24,000 --> 00:15:28,680
But then I end up with these loops that are essentially fully orchestrated tracks.

280
00:15:28,680 --> 00:15:29,680
That's really neat.

281
00:15:29,680 --> 00:15:30,680
Yeah, you're right.

282
00:15:30,680 --> 00:15:33,960
I never heard of anybody using a loop station that way, but it does make sense that that's

283
00:15:33,960 --> 00:15:37,640
how we would do it as classical musicians.

284
00:15:37,640 --> 00:15:43,760
We like complexity in our structures and in our chord progressions, in our melodies.

285
00:15:43,760 --> 00:15:45,360
It's like constant evolution.

286
00:15:45,360 --> 00:15:46,360
Absolutely.

287
00:15:46,360 --> 00:15:51,440
I mean, for what it's worth, anybody I've tried to who is in this space, who's like

288
00:15:51,440 --> 00:15:56,400
streaming or doing social media, anytime I've tried to explain to anybody what I do, they

289
00:15:56,400 --> 00:15:58,440
go, oh, that's not going to work.

290
00:15:58,440 --> 00:16:00,840
And I go, well, it's working.

291
00:16:00,840 --> 00:16:01,840
I'm making a living.

292
00:16:01,840 --> 00:16:06,200
And they're like, oh, oh, that's a surprise.

293
00:16:06,200 --> 00:16:09,720
Because technically it's so long for the Internet.

294
00:16:09,720 --> 00:16:16,400
So what I found much like in the school playground, except much, much, much bigger and better,

295
00:16:16,400 --> 00:16:20,880
in the world, you can be your own kind of weird and you find enough weirdos who like

296
00:16:20,880 --> 00:16:22,800
what you like.

297
00:16:22,800 --> 00:16:26,640
And you don't need that many of them to have something good going.

298
00:16:26,640 --> 00:16:28,880
And that's basically what's happening here, I think.

299
00:16:28,880 --> 00:16:29,880
Yeah.

300
00:16:29,880 --> 00:16:31,360
And that's the power of the Internet, right?

301
00:16:31,360 --> 00:16:33,640
I mean, don't sell yourself short.

302
00:16:33,640 --> 00:16:34,640
Like what you do is amazing.

303
00:16:34,640 --> 00:16:35,640
Right.

304
00:16:35,640 --> 00:16:40,160
And you've clearly found a large audience, so it's not that niche.

305
00:16:40,160 --> 00:16:45,080
But it is true that, you know, we can reach out internationally, right?

306
00:16:45,080 --> 00:16:49,400
Find people in all diverse pockets of the world that way.

307
00:16:49,400 --> 00:16:50,400
Absolutely.

308
00:16:50,400 --> 00:16:51,400
Yeah.

309
00:16:51,400 --> 00:16:55,840
It's really it's actually really cool to like going back because I remember this other point

310
00:16:55,840 --> 00:16:57,200
to this massive collection of stuff.

311
00:16:57,200 --> 00:16:59,280
I won't go for a shopping list or anything.

312
00:16:59,280 --> 00:17:04,360
But one of the things is that that got hammered into me at school was something about how

313
00:17:04,360 --> 00:17:06,640
you need a social and a physical environment.

314
00:17:06,640 --> 00:17:10,800
You know, this whole thing about a child education and things.

315
00:17:10,800 --> 00:17:14,640
You need to give them a social environment and a physical environment so that they can

316
00:17:14,640 --> 00:17:15,640
learn music.

317
00:17:15,640 --> 00:17:18,200
The physical environment, of course, is your instruments and things like that.

318
00:17:18,200 --> 00:17:23,240
And the social environment is the encouragement of development of, you know, this particular

319
00:17:23,240 --> 00:17:24,240
interest.

320
00:17:24,240 --> 00:17:28,880
And so in some ways, the reason why I was buying these things was actually because I

321
00:17:28,880 --> 00:17:34,280
was like, I don't really know how to use them, but I'll never find out if I don't get some.

322
00:17:34,280 --> 00:17:35,280
Yeah.

323
00:17:35,280 --> 00:17:38,760
So then I got some, but then I sort of just fell off the cliff and bought all of them.

324
00:17:38,760 --> 00:17:41,760
So sometimes you got to do that.

325
00:17:41,760 --> 00:17:44,080
It's good to have options.

326
00:17:44,080 --> 00:17:46,640
And that's also the creative mind part, right?

327
00:17:46,640 --> 00:17:51,200
Like if you're not so creative, if you're not free with your mind and then we are always

328
00:17:51,200 --> 00:17:54,360
staying with the tradition, it's hard actually to explore.

329
00:17:54,360 --> 00:17:57,680
You know, sometimes that's a very that's yeah, that's a that's not I don't know if it's a

330
00:17:57,680 --> 00:17:58,680
creative mind.

331
00:17:58,680 --> 00:18:05,120
I think creativity is a thing that gets trained out of us if we, you know, in educational

332
00:18:05,120 --> 00:18:12,200
context, because we are so we're guided so much towards goal oriented things and task

333
00:18:12,200 --> 00:18:14,720
oriented things in the course of our education.

334
00:18:14,720 --> 00:18:19,840
If you're not really lucky, your education becomes purely vocational.

335
00:18:19,840 --> 00:18:21,720
It trains you for a thing.

336
00:18:21,720 --> 00:18:27,340
But as musicians, as musicians who go through college, the training really only trains us

337
00:18:27,340 --> 00:18:31,440
to go and do the same thing that our professors do.

338
00:18:31,440 --> 00:18:33,100
Kind of right.

339
00:18:33,100 --> 00:18:37,560
Because that's you can you're you're best able to guide people along things that you

340
00:18:37,560 --> 00:18:38,560
know how to do yourself.

341
00:18:38,560 --> 00:18:39,560
Absolutely.

342
00:18:39,560 --> 00:18:41,160
I mean, that's their area of expertise.

343
00:18:41,160 --> 00:18:42,400
Yeah, of course.

344
00:18:42,400 --> 00:18:46,840
And so then when we spend all our time focusing on the things that we're trained to do and

345
00:18:46,840 --> 00:18:51,880
things, no one's actually going around telling you, hey, you should feel free to go and explore,

346
00:18:51,880 --> 00:18:53,440
especially with classical music.

347
00:18:53,440 --> 00:18:54,440
Oh, yeah.

348
00:18:54,440 --> 00:18:56,360
Oh, this interpretation is wrong.

349
00:18:56,360 --> 00:18:57,760
Oh, these notes are wrong.

350
00:18:57,760 --> 00:19:02,040
Like, you know, this is outside of the of the guidelines and things like that.

351
00:19:02,040 --> 00:19:08,580
And so because we become so specialized and so proficient at interpreting things within

352
00:19:08,580 --> 00:19:13,680
our guidelines and things like that, when we try and start making up stuff, improvising,

353
00:19:13,680 --> 00:19:18,120
arranging, messing around with things, it feels like we're doing something wrong.

354
00:19:18,120 --> 00:19:19,120
You find that?

355
00:19:19,120 --> 00:19:20,120
Oh, yeah.

356
00:19:20,120 --> 00:19:21,680
It took me years to get over that.

357
00:19:21,680 --> 00:19:22,680
Oh, yeah.

358
00:19:22,680 --> 00:19:23,680
So painful.

359
00:19:23,680 --> 00:19:24,680
Yeah.

360
00:19:24,680 --> 00:19:28,800
All the classical musicians, like even the students, our students, right?

361
00:19:28,800 --> 00:19:33,680
Like we all teach, it's hard for them to improvise sometimes in the beginning because they're

362
00:19:33,680 --> 00:19:38,880
so used to being told what to do by the score almost.

363
00:19:38,880 --> 00:19:43,120
You know, it's like when you do it outside of the score, you feel like you're being a

364
00:19:43,120 --> 00:19:44,120
bad child almost.

365
00:19:44,120 --> 00:19:50,000
You know, there's something comforting about about just playing, you know, as faithfully

366
00:19:50,000 --> 00:19:52,040
as possible to the composers and tensions.

367
00:19:52,040 --> 00:19:56,440
It's very comforting because it's actually not fully us, is it?

368
00:19:56,440 --> 00:19:58,960
It's like we're not responsible for these.

369
00:19:58,960 --> 00:20:00,460
Yeah, we're not responsible for this.

370
00:20:00,460 --> 00:20:03,820
This is not actually my heart, my soul, my emotional state.

371
00:20:03,820 --> 00:20:06,520
This is actually me portraying what I think.

372
00:20:06,520 --> 00:20:10,720
And so when you start going out and making your own music, when it's just like, oh, it

373
00:20:10,720 --> 00:20:12,720
all feels weird now.

374
00:20:12,720 --> 00:20:15,520
Yeah, it's a very exposed feeling.

375
00:20:15,520 --> 00:20:16,520
Yeah, yeah, yeah.

376
00:20:16,520 --> 00:20:23,520
Confetti for your birthday, here we go.

377
00:20:23,520 --> 00:20:31,520
Radio com 1G, face of the confetti.

378
00:20:31,520 --> 00:20:44,520
Happy birthday to you, happy birthday to you, happy birthday dear Confuse, happy birthday

379
00:20:44,520 --> 00:20:51,520
to the kid now, happy birthday to you.

380
00:20:51,520 --> 00:21:01,520
You so can count down 364 days, but maybe you don't want to, because you want to enjoy

381
00:21:01,520 --> 00:21:02,520
the age you are.

382
00:21:02,520 --> 00:21:03,520
Never.

383
00:21:03,520 --> 00:21:15,520
Never.

384
00:21:15,520 --> 00:21:37,520
Never.

385
00:21:37,520 --> 00:22:04,200
I'm just curious about your experiences in the United States.

386
00:22:04,200 --> 00:22:09,840
So how long you've been, were you in California?

387
00:22:09,840 --> 00:22:11,600
I believe you were in California.

388
00:22:11,600 --> 00:22:13,560
Yeah, absolutely.

389
00:22:13,560 --> 00:22:18,680
Basically I managed to get into the master's program at USC in 2007.

390
00:22:18,680 --> 00:22:26,680
So from about July, August, I went over there and just had a blast actually until March

391
00:22:26,680 --> 00:22:27,680
2012.

392
00:22:27,680 --> 00:22:32,920
And that's basically, that's how long it took me to finish my master's and my DMA.

393
00:22:32,920 --> 00:22:38,040
Yeah, they just kept funding it fortunately for me because otherwise I could never have

394
00:22:38,040 --> 00:22:39,040
done it.

395
00:22:39,040 --> 00:22:40,760
I'm very grateful for them for that.

396
00:22:40,760 --> 00:22:44,400
So you went to USC Thornton School of Music?

397
00:22:44,400 --> 00:22:45,400
Yeah, absolutely.

398
00:22:45,400 --> 00:22:46,400
Like Eric.

399
00:22:46,400 --> 00:22:47,400
Yep.

400
00:22:47,400 --> 00:22:48,400
That's right.

401
00:22:48,400 --> 00:22:49,400
We just missed each other matter of fact.

402
00:22:49,400 --> 00:22:50,400
Because I graduated 2006.

403
00:22:50,400 --> 00:22:51,400
Oh, so you guys didn't know each other back then.

404
00:22:51,400 --> 00:22:52,400
You just met later on.

405
00:22:52,400 --> 00:22:53,400
Yeah, I mean, pretty much like I came back to Luz during the summer, but we weren't students

406
00:22:53,400 --> 00:22:54,400
at the same time.

407
00:22:54,400 --> 00:22:55,400
And I heard about Eric and his wife.

408
00:22:55,400 --> 00:22:56,400
I heard about Eric and his wife.

409
00:22:56,400 --> 00:22:57,400
I heard about Eric and his wife.

410
00:22:57,400 --> 00:22:58,400
I heard about Eric and his wife.

411
00:22:58,400 --> 00:22:59,400
I heard about Eric and his wife.

412
00:22:59,400 --> 00:23:00,400
I heard about Eric and his wife.

413
00:23:00,400 --> 00:23:01,400
I heard about Eric and his wife.

414
00:23:01,400 --> 00:23:03,160
I heard about Eric and his wife.

415
00:23:03,160 --> 00:23:06,580
And I heard about Eric from other students because he was really well known at that time.

416
00:23:06,580 --> 00:23:07,580
And so...

417
00:23:07,580 --> 00:23:08,580
I'll give their name.

418
00:23:08,580 --> 00:23:11,580
Me and my roommates, we threw a lot of parties.

419
00:23:11,580 --> 00:23:12,580
Oh, wow!

420
00:23:12,580 --> 00:23:15,440
Maybe a bit of notoriety.

421
00:23:15,440 --> 00:23:21,800
But when you were in California studying and you were studying like strictly classical

422
00:23:21,800 --> 00:23:23,840
music, like performing arts?

423
00:23:23,840 --> 00:23:27,840
Yeah, I mean, it's a classical piano doctorate, but they're minors.

424
00:23:27,840 --> 00:23:32,320
And so if I could do it over again, actually, I would have gone even more left of field

425
00:23:32,320 --> 00:23:36,680
and done something like a business minor or something like that, because I think all musicians,

426
00:23:36,680 --> 00:23:39,800
in fact, most people these days need to be their own entrepreneurs.

427
00:23:39,800 --> 00:23:43,720
Like you need to be your own business person and freelance.

428
00:23:43,720 --> 00:23:46,200
I used to be really scared of it, but really it's...

429
00:23:46,200 --> 00:23:48,440
I think now it's the way, place to be.

430
00:23:48,440 --> 00:23:50,920
Obviously, I would say that because that's what I'm doing.

431
00:23:50,920 --> 00:23:51,920
But...

432
00:23:51,920 --> 00:23:52,920
You found success with it.

433
00:23:52,920 --> 00:23:53,920
Amazing job.

434
00:23:53,920 --> 00:23:54,920
You found a working formula.

435
00:23:54,920 --> 00:23:59,840
Yeah, but at the same time, it would have been handy to have a bit more like structured

436
00:23:59,840 --> 00:24:03,960
grounding instead of just sort of like wildly flailing your way through the landscape.

437
00:24:03,960 --> 00:24:08,560
But what I was studying, the major was classical piano, but the minors were jazz because I've

438
00:24:08,560 --> 00:24:13,480
always been interested in jazz and then music education because I figured I was going to

439
00:24:13,480 --> 00:24:15,440
have to try and find a job somewhere.

440
00:24:15,440 --> 00:24:19,000
Although actually that was probably the most useful mine I took.

441
00:24:19,000 --> 00:24:23,400
And music industry, which meant that it wasn't all just classical.

442
00:24:23,400 --> 00:24:27,960
I spent a bunch of time through the music and music industry streams doing a bunch of

443
00:24:27,960 --> 00:24:32,480
other things that were not classical or jazz.

444
00:24:32,480 --> 00:24:37,640
And that meant that I spent a lot of time doing child education.

445
00:24:37,640 --> 00:24:41,520
I actually volunteered in some nursing homes to provide entertainment for them and things

446
00:24:41,520 --> 00:24:45,720
like that and started doing shows for them on a regular basis.

447
00:24:45,720 --> 00:24:50,200
With the music industry stuff, then we had more formal training with mastering and mixing

448
00:24:50,200 --> 00:24:51,200
and things.

449
00:24:51,200 --> 00:24:55,720
And then the music industry actually has an enviable sort of roster of actual industry

450
00:24:55,720 --> 00:24:59,320
professionals who just happen to come into USC and teach.

451
00:24:59,320 --> 00:25:01,240
So I picked up a few good tricks from there.

452
00:25:01,240 --> 00:25:04,040
I also learned that I'm never going to be a really good mastering engineer, but you

453
00:25:04,040 --> 00:25:08,440
know, it's good to know what you want to do, what you don't want to do for the course of

454
00:25:08,440 --> 00:25:09,440
the school.

455
00:25:09,440 --> 00:25:10,440
That's a highly specialized...

456
00:25:10,440 --> 00:25:11,440
It's so specialized.

457
00:25:11,440 --> 00:25:18,120
You sit there listening to minute fluctuations in the frequency range and trying to make

458
00:25:18,120 --> 00:25:19,120
things sparkle.

459
00:25:19,120 --> 00:25:23,880
And I found that it changed the way I listened to music in a way that, well, it wasn't music

460
00:25:23,880 --> 00:25:24,880
anymore, right?

461
00:25:24,880 --> 00:25:30,560
So I figured I probably wasn't going to be very good at that.

462
00:25:30,560 --> 00:25:37,040
But yeah, technically it was mostly classical piano and anything else that came out of it,

463
00:25:37,040 --> 00:25:41,600
most of it was sort of self-directed because I actually, I know why that happened.

464
00:25:41,600 --> 00:25:47,200
I was sitting in one of my music education lectures one day and the professor said, who's

465
00:25:47,200 --> 00:25:49,920
going to work in a university?

466
00:25:49,920 --> 00:25:52,920
And literally everybody put up their hand.

467
00:25:52,920 --> 00:25:58,640
I was sitting there looking at the 16 people in the room and I was sitting there going,

468
00:25:58,640 --> 00:26:04,040
there are many universities across this country alone and there are many rooms like this full

469
00:26:04,040 --> 00:26:07,640
of DMA candidates sticking up their hands going, I'm going to work in a university.

470
00:26:07,640 --> 00:26:11,520
And last time I looked at the job postings for universities, there weren't many posts.

471
00:26:11,520 --> 00:26:15,760
So I was like, crap, I got to find something else.

472
00:26:15,760 --> 00:26:16,760
Plan B.

473
00:26:16,760 --> 00:26:17,760
Plan B.

474
00:26:17,760 --> 00:26:24,120
Although ironically, I did end up working in a university and I only, I had to make a formal

475
00:26:24,120 --> 00:26:28,720
decision as to whether I would do Twitch or uni at some point.

476
00:26:28,720 --> 00:26:29,720
Yeah.

477
00:26:29,720 --> 00:26:34,200
I went home and faithfully carried out the traditional path because it's a good path

478
00:26:34,200 --> 00:26:36,120
and there's good things about it.

479
00:26:36,120 --> 00:26:40,400
But I just wanted to go and explore a bit more and enjoy my freedom.

480
00:26:40,400 --> 00:26:41,400
Yeah.

481
00:26:41,400 --> 00:26:50,000
So, but when you envision yourself, you envisioned yourself when you were young, before you came

482
00:26:50,000 --> 00:26:58,440
to the United States, did you think of like doing streaming like you're doing right now?

483
00:26:58,440 --> 00:26:59,440
Or

484
00:26:59,440 --> 00:27:00,440
Yeah.

485
00:27:00,440 --> 00:27:07,880
So life is basically, you get dealt a hand of cards and you can only play your cards

486
00:27:07,880 --> 00:27:11,280
in each round according to what you know and what you have.

487
00:27:11,280 --> 00:27:14,580
And that's basically, that's what anyone can do.

488
00:27:14,580 --> 00:27:19,600
So you can't like, so I didn't know what live streaming was until I finished my doctor and

489
00:27:19,600 --> 00:27:21,640
until I was here working in schools.

490
00:27:21,640 --> 00:27:26,220
I worked in universities and I worked in primary and public schools and things like that.

491
00:27:26,220 --> 00:27:27,800
These were the best cards I had.

492
00:27:27,800 --> 00:27:30,960
So I played them and I was satisfied with that.

493
00:27:30,960 --> 00:27:33,760
And then Twitch came along and I played that and I didn't know what was going to happen.

494
00:27:33,760 --> 00:27:37,440
It's a bit of a wild card and it's now gone.

495
00:27:37,440 --> 00:27:43,000
It's managed to sustain me for two, three years so far and I don't know when it will

496
00:27:43,000 --> 00:27:44,360
run out, if it will run out.

497
00:27:44,360 --> 00:27:46,560
I don't know what will happen next.

498
00:27:46,560 --> 00:27:51,600
That was the biggest part about career and freelancing and things that was difficult

499
00:27:51,600 --> 00:27:55,360
to get comfortable with.

500
00:27:55,360 --> 00:27:57,120
It's very difficult to get comfortable with.

501
00:27:57,120 --> 00:28:01,240
The days where we actually get a job and we sit in the job forever are totally gone.

502
00:28:01,240 --> 00:28:04,840
And actually in this point, if I sat in a job forever, I don't know if I would like

503
00:28:04,840 --> 00:28:10,240
that, I would feel like I'd become part of the world or something like that.

504
00:28:10,240 --> 00:28:13,080
In fact, somebody said that to me when I was finishing my studies.

505
00:28:13,080 --> 00:28:17,200
Both times when I did my bachelor's, I was there for over four years because I was doing

506
00:28:17,200 --> 00:28:19,640
an honours degree.

507
00:28:19,640 --> 00:28:23,240
And then when I went over to USC, I was there for five years as you know.

508
00:28:23,240 --> 00:28:27,280
And in both times, my friends or colleagues or people who were new to the school, they

509
00:28:27,280 --> 00:28:31,840
were like, oh, you're leaving, but you're like part of the furniture.

510
00:28:31,840 --> 00:28:35,400
And something within me, I was like, I don't want to be part of the furniture.

511
00:28:35,400 --> 00:28:39,040
I don't know how I feel about this.

512
00:28:39,040 --> 00:28:44,800
And so I feel like I've become more comfortable with a life of sort of change and what you

513
00:28:44,800 --> 00:28:46,480
could possibly call insecurity.

514
00:28:46,480 --> 00:28:52,800
But I like to think of it as sort of like potential for more, sometimes less.

515
00:28:52,800 --> 00:28:55,520
You just have to take it as it comes.

516
00:28:55,520 --> 00:28:57,440
It's a big adventure.

517
00:28:57,440 --> 00:28:58,640
It is a big adventure.

518
00:28:58,640 --> 00:29:01,120
And that's part of the game.

519
00:29:01,120 --> 00:29:07,800
So while you were in California, did it really influence you to be who you are, where you

520
00:29:07,800 --> 00:29:08,800
are right now?

521
00:29:08,800 --> 00:29:09,800
Or I mean, absolutely.

522
00:29:09,800 --> 00:29:11,800
Oh, yeah, absolutely.

523
00:29:11,800 --> 00:29:12,800
I loved California.

524
00:29:12,800 --> 00:29:17,720
It's just that I was a resident alien for tax purposes and I didn't see any prospect

525
00:29:17,720 --> 00:29:18,720
of that changing.

526
00:29:18,720 --> 00:29:23,360
So I thought I better go back home where I had like, you know, citizenship rights and

527
00:29:23,360 --> 00:29:25,880
things like that.

528
00:29:25,880 --> 00:29:30,680
And the only way for me to stay in California would have been either to get married, which

529
00:29:30,680 --> 00:29:31,680
wasn't happening.

530
00:29:31,680 --> 00:29:32,920
I'm still not married.

531
00:29:32,920 --> 00:29:40,160
And for all the viewers out there, we have a little bit to it.

532
00:29:40,160 --> 00:29:41,160
Which viewers?

533
00:29:41,160 --> 00:29:42,160
That's great.

534
00:29:42,160 --> 00:29:43,160
I understand.

535
00:29:43,160 --> 00:29:44,160
Twitch.tv slash Jonathan Ogg.

536
00:29:44,160 --> 00:29:52,720
As I was saying, either to, you know, buy marriage or to work as a lecturer in an institution

537
00:29:52,720 --> 00:29:55,960
and then you wouldn't be able to change jobs or anything.

538
00:29:55,960 --> 00:29:58,240
And that seemed to me so, so difficult.

539
00:29:58,240 --> 00:30:02,840
And so I wanted to go home and just figure myself out.

540
00:30:02,840 --> 00:30:04,400
But California was formative.

541
00:30:04,400 --> 00:30:09,800
The degree I got, the degrees I got at USC, I may not be directly applying them, but I

542
00:30:09,800 --> 00:30:14,280
indirectly apply them every day because it becomes part of you.

543
00:30:14,280 --> 00:30:23,560
Something that, something that traumatic, something that formative becomes part of you.

544
00:30:23,560 --> 00:30:27,440
All those papers you write and all those things they force you to think about with philosophy

545
00:30:27,440 --> 00:30:32,800
or music education and development and exposure to things and the things that you're supposed

546
00:30:32,800 --> 00:30:33,960
to teach children.

547
00:30:33,960 --> 00:30:38,840
And as you live those things by teaching children and other students yourself, then you start

548
00:30:38,840 --> 00:30:42,120
thinking, oh, well, these are things I should apply to myself, which is actually part of

549
00:30:42,120 --> 00:30:43,320
the whole thing here.

550
00:30:43,320 --> 00:30:50,120
Like I said, the social and physical environment earlier, the needing to grow and to be uncomfortable

551
00:30:50,120 --> 00:30:56,800
to sort of like push myself in new directions, trying to just stay out of a rut, essentially.

552
00:30:56,800 --> 00:30:57,800
Yeah.

553
00:30:57,800 --> 00:30:59,640
Cause it's very tempting, isn't it?

554
00:30:59,640 --> 00:31:03,280
I'm the most comfortable on stream when I'm playing a song I've played, like a classical

555
00:31:03,280 --> 00:31:09,400
piece of song, a classical piece I've played since I was like 10.

556
00:31:09,400 --> 00:31:13,920
And I just sit there playing fantasy impromptu and just chatting because honestly, that is

557
00:31:13,920 --> 00:31:16,560
so deeply ingrained within me.

558
00:31:16,560 --> 00:31:21,280
I could probably be half a vegetable and I'll just put me on the piano and I'll just do

559
00:31:21,280 --> 00:31:22,280
that.

560
00:31:22,280 --> 00:31:25,600
It's the most comfortable I am.

561
00:31:25,600 --> 00:31:29,600
But the challenge of course is to continue growing in some direction.

562
00:31:29,600 --> 00:31:35,640
A bit like all the people who we look up to, or I mean, I look up to anyway, anybody who

563
00:31:35,640 --> 00:31:38,400
I've looked up to hasn't really sat there just doing the same thing.

564
00:31:38,400 --> 00:31:45,160
They sort of had strived for something and it doesn't necessarily need to be like material

565
00:31:45,160 --> 00:31:46,600
success or anything.

566
00:31:46,600 --> 00:31:48,600
It's just being a better you.

567
00:31:48,600 --> 00:31:49,600
Sure.

568
00:31:49,600 --> 00:31:50,600
Yeah.

569
00:31:50,600 --> 00:31:53,800
That's, you know, the thing that jumps out to me when you say that is that's been a common

570
00:31:53,800 --> 00:31:58,800
theme on our show with all the guests that we've had on people, you know, some younger,

571
00:31:58,800 --> 00:32:03,240
some older, some quite advanced in their careers doing very well.

572
00:32:03,240 --> 00:32:05,200
Everybody's still looking to grow.

573
00:32:05,200 --> 00:32:10,800
And I just feel like that's such a rare quality, but you know, not in professional musicians.

574
00:32:10,800 --> 00:32:12,440
That's one of the great things about what we do.

575
00:32:12,440 --> 00:32:16,640
It forces us to and then eventually over time we come to need that.

576
00:32:16,640 --> 00:32:17,640
Absolutely.

577
00:32:17,640 --> 00:32:20,320
Actually, I'd think that I would say that we could extrapolate that further.

578
00:32:20,320 --> 00:32:24,520
I think pretty much any industry where you have people who are sort of, you know, doing

579
00:32:24,520 --> 00:32:30,600
quite well in it, it requires adaptability and growth and to to to sort of like point

580
00:32:30,600 --> 00:32:32,080
out even contemporary musicians.

581
00:32:32,080 --> 00:32:33,080
And now I have not.

582
00:32:33,080 --> 00:32:38,000
I have only half a leg to stand on with contemporary things because I was a classical musician

583
00:32:38,000 --> 00:32:43,280
who literally lived under a classical rock that was about the size of Mount Vesuvius

584
00:32:43,280 --> 00:32:44,280
or something.

585
00:32:44,280 --> 00:32:45,280
It was a huge classical rock.

586
00:32:45,280 --> 00:32:49,680
I only ever started listening to to non classical music when I got my own car and realized the

587
00:32:49,680 --> 00:32:52,280
radio tuned to other stations.

588
00:32:52,280 --> 00:32:55,200
And it was that it was almost that bad.

589
00:32:55,200 --> 00:32:58,480
I mean, you know, there was some sanctioned things from the parents, but you know how

590
00:32:58,480 --> 00:32:59,800
far that goes.

591
00:32:59,800 --> 00:33:03,920
And it was like, oh, there's all this other music.

592
00:33:03,920 --> 00:33:08,840
But people like Madonna, for example, who has reinvented themselves multiple, multiple

593
00:33:08,840 --> 00:33:11,680
times over the course of their careers or Kylie Minogue.

594
00:33:11,680 --> 00:33:15,720
And like you think about performing and in music industry, the first thing they teach

595
00:33:15,720 --> 00:33:20,240
you is at some point your career will end, but it's just like when.

596
00:33:20,240 --> 00:33:26,600
And for these ladies, for example, they these these they have reinvented themselves so many

597
00:33:26,600 --> 00:33:28,240
times their careers still here.

598
00:33:28,240 --> 00:33:29,960
They're still going.

599
00:33:29,960 --> 00:33:31,720
And that's kind of inspirational.

600
00:33:31,720 --> 00:33:36,800
And you'd find that in many other industries that that's just adaptability.

601
00:33:36,800 --> 00:33:37,800
Right.

602
00:33:37,800 --> 00:33:41,120
That ability to reinvent yourself and to stay current.

603
00:33:41,120 --> 00:33:45,600
Prior to Twitch, I was looking at my smartphone and they were talking about how it tracks

604
00:33:45,600 --> 00:33:46,600
you and things.

605
00:33:46,600 --> 00:33:49,560
I was like, hmm, I'll put on my tinfoil hat and like, I'm going to get rid of this thing

606
00:33:49,560 --> 00:33:53,520
and I'm going to buy a dumb phone like a Nokia, go back to the good old days where just just

607
00:33:53,520 --> 00:33:55,840
calls and texts and I'll be fine.

608
00:33:55,840 --> 00:33:59,840
And then I was like, I'm happy with being obsolete in this point.

609
00:33:59,840 --> 00:34:00,840
I like I'm happy.

610
00:34:00,840 --> 00:34:03,120
It just sort of like just.

611
00:34:03,120 --> 00:34:05,080
I'm going to be teaching, going to be lecturing.

612
00:34:05,080 --> 00:34:07,200
I'm just going to be doing serious classical piano.

613
00:34:07,200 --> 00:34:08,560
I am quite happy here.

614
00:34:08,560 --> 00:34:10,240
I'll just stay here.

615
00:34:10,240 --> 00:34:13,400
And clearly that didn't really happen.

616
00:34:13,400 --> 00:34:18,560
But I think we make a deliberate choice, either consciously or subconsciously, we make a deliberate

617
00:34:18,560 --> 00:34:23,360
choice that, yeah, we're tired of keeping up with the new and this is where we are.

618
00:34:23,360 --> 00:34:27,480
And and then that's when we start.

619
00:34:27,480 --> 00:34:28,480
That's when we stop growing, really.

620
00:34:28,480 --> 00:34:32,060
That's when we stop growing and then we just start sort of getting into that really well

621
00:34:32,060 --> 00:34:33,640
worn rut.

622
00:34:33,640 --> 00:34:39,800
So my challenge to myself usually is to try and stay away from that.

623
00:34:39,800 --> 00:34:42,040
Although I tell you why.

624
00:34:42,040 --> 00:34:44,000
It moves real fast, doesn't it?

625
00:34:44,000 --> 00:34:45,000
It does.

626
00:34:45,000 --> 00:34:46,000
It does.

627
00:34:46,000 --> 00:34:47,000
Yeah.

628
00:34:47,000 --> 00:34:50,000
But yeah, you know, it's a.

629
00:34:50,000 --> 00:34:53,080
I know the feeling that you're talking about.

630
00:34:53,080 --> 00:34:56,680
It's like if you stop moving, you start dying.

631
00:34:56,680 --> 00:34:58,680
You know, absolutely.

632
00:34:58,680 --> 00:35:01,840
That's why all these old sayings you think of that, you know, people just quoted you

633
00:35:01,840 --> 00:35:06,680
as children and you just go and roll your eyes that rolling stone gathers no mosfet.

634
00:35:06,680 --> 00:35:09,000
That's literally what we're doing now.

635
00:35:09,000 --> 00:35:10,480
We're just rolling stones.

636
00:35:10,480 --> 00:35:14,960
And this is actually what you guys are doing with the piano pod, like moving with the times,

637
00:35:14,960 --> 00:35:19,440
taking advantage of the fact that we can now actually talk to other people, find people

638
00:35:19,440 --> 00:35:21,920
who like what we do and explore things like this together.

639
00:35:21,920 --> 00:35:22,920
It's actually really cool.

640
00:35:22,920 --> 00:35:25,280
Yeah, we're really enjoying it.

641
00:35:25,280 --> 00:35:30,880
Do you encourage other musicians to live stream also?

642
00:35:30,880 --> 00:35:35,920
I mean, right now, you know, it's covid, so everybody is kind of doing live streaming

643
00:35:35,920 --> 00:35:39,880
or recording their own performances.

644
00:35:39,880 --> 00:35:41,320
What do you encourage?

645
00:35:41,320 --> 00:35:44,040
Would you like to encourage younger pianists?

646
00:35:44,040 --> 00:35:45,040
Definitely.

647
00:35:45,040 --> 00:35:48,800
Actually, one of the reasons why my stream was sort of family friendly for a really long

648
00:35:48,800 --> 00:35:52,320
time, I've sort of eased off the word family friendly because it actually excludes people

649
00:35:52,320 --> 00:35:56,280
who don't identify like younger people who don't identify like that.

650
00:35:56,280 --> 00:36:02,880
But it's because I want people to realize that there's things you can do with your music,

651
00:36:02,880 --> 00:36:07,120
that there's more there's more avenues for self expression, that music is something that

652
00:36:07,120 --> 00:36:12,960
you should be able to participate in actively as a practicing member, as a practicing musician.

653
00:36:12,960 --> 00:36:17,280
It doesn't have to be Carnegie Hall level classical musicianship.

654
00:36:17,280 --> 00:36:20,000
I myself will probably never perform at Carnegie Hall.

655
00:36:20,000 --> 00:36:21,000
I know.

656
00:36:21,000 --> 00:36:22,000
Yeah, really.

657
00:36:22,000 --> 00:36:23,000
To each special.

658
00:36:23,000 --> 00:36:24,000
This is it.

659
00:36:24,000 --> 00:36:29,240
The world will change significantly before that happens, I think.

660
00:36:29,240 --> 00:36:34,520
But you know, I mean, it's about showing people that there's different things you can do.

661
00:36:34,520 --> 00:36:40,760
There's places you can be that you don't need to be told where and how you can express it.

662
00:36:40,760 --> 00:36:43,760
And Twitch is not even known as a music platform.

663
00:36:43,760 --> 00:36:47,560
Twitch is a gaming platform, technically, or you know, what people people brand it as

664
00:36:47,560 --> 00:36:48,560
one.

665
00:36:48,560 --> 00:36:49,560
But here I am.

666
00:36:49,560 --> 00:36:52,080
And there's a lot of people like me who are doing the same thing.

667
00:36:52,080 --> 00:36:55,880
And it's a lovely community of people who like to share things.

668
00:36:55,880 --> 00:37:00,320
If I even the main thing I would say is that you cannot you cannot go into any of these

669
00:37:00,320 --> 00:37:04,480
things thinking as a business to begin with.

670
00:37:04,480 --> 00:37:11,080
Because I think I didn't turn a meaningful revenue until two years in.

671
00:37:11,080 --> 00:37:14,800
So it was all just hardcore passion.

672
00:37:14,800 --> 00:37:20,640
It was like, after work, I'll get home, set up some cameras, set up my microphones, and

673
00:37:20,640 --> 00:37:21,640
then I'll go.

674
00:37:21,640 --> 00:37:24,440
And after every stream, I had to pack it away because I was teaching on that instrument

675
00:37:24,440 --> 00:37:25,880
the next morning.

676
00:37:25,880 --> 00:37:29,400
And it was just literally like that for over a year.

677
00:37:29,400 --> 00:37:31,960
It's basically you're being your own startup.

678
00:37:31,960 --> 00:37:35,840
And to live streaming is was it was a is a crazy ride.

679
00:37:35,840 --> 00:37:43,520
It was the first it was the first thing I'd done where firstly, you can go backwards between

680
00:37:43,520 --> 00:37:46,040
one day and another by like 60 percent.

681
00:37:46,040 --> 00:37:50,500
And then you can just be sitting there in a slump for like months or even a year.

682
00:37:50,500 --> 00:37:54,200
And actually happened to me before I changed my timetable to become more healthy.

683
00:37:54,200 --> 00:37:58,640
And and then I just sort of like threw away like two thirds of my audience and just sat

684
00:37:58,640 --> 00:38:00,760
there because I couldn't come to watch anymore.

685
00:38:00,760 --> 00:38:05,840
And then I was I was like going, oh, OK, so now I can't pay my bills anymore.

686
00:38:05,840 --> 00:38:07,320
You know, that kind of thing.

687
00:38:07,320 --> 00:38:11,760
And so you really need to actually love the medium and sort of like what you're doing

688
00:38:11,760 --> 00:38:15,280
on it, because that's the only thing that's going to keep you going long term.

689
00:38:15,280 --> 00:38:18,440
Like with anything, it's sustainability.

690
00:38:18,440 --> 00:38:21,480
The other thing is like there's lots of ways you can express yourself.

691
00:38:21,480 --> 00:38:26,880
And some people will find that they're better at producing really beautiful things on YouTube.

692
00:38:26,880 --> 00:38:30,760
And then you don't have that stress of constantly sitting there and being tied to your machine

693
00:38:30,760 --> 00:38:33,840
for like ages and ages, ages every single day.

694
00:38:33,840 --> 00:38:35,640
And then you can still get interaction.

695
00:38:35,640 --> 00:38:37,840
That's actually I'm not very good at YouTube, sadly.

696
00:38:37,840 --> 00:38:42,600
I would like to be better at it because these are all complementary things.

697
00:38:42,600 --> 00:38:45,880
So I'm not discouraging people from trying to which one I'm saying is if you try to which

698
00:38:45,880 --> 00:38:49,040
and you find it's not for you, then you should try different platforms.

699
00:38:49,040 --> 00:38:50,040
You should try Instagram.

700
00:38:50,040 --> 00:38:51,040
You should try Twitter.

701
00:38:51,040 --> 00:38:52,400
You should try YouTube.

702
00:38:52,400 --> 00:38:53,560
You should try and find things.

703
00:38:53,560 --> 00:38:56,320
These tools, these platforms are there.

704
00:38:56,320 --> 00:38:59,680
They are currently still pretty democratic.

705
00:38:59,680 --> 00:39:03,000
They're a bit equal.

706
00:39:03,000 --> 00:39:06,040
They allow us all to have a go.

707
00:39:06,040 --> 00:39:07,080
And you should have a go.

708
00:39:07,080 --> 00:39:13,640
We should all have a go because we should not settle here for sitting there and waiting

709
00:39:13,640 --> 00:39:15,880
our turn in the established structures.

710
00:39:15,880 --> 00:39:18,320
That's what I think.

711
00:39:18,320 --> 00:39:19,520
I'm looking at the time.

712
00:39:19,520 --> 00:39:21,560
I think we need to start wrapping it up.

713
00:39:21,560 --> 00:39:23,880
Is there anything else you guys wanted to get to?

714
00:39:23,880 --> 00:39:28,520
I was going to ask, would you ever consider performing again in the concert setting, like

715
00:39:28,520 --> 00:39:34,720
in the concert hall, but you just answered like no Carnegie Hall, you're not interested.

716
00:39:34,720 --> 00:39:37,760
Part of it is because part of it is actually structural.

717
00:39:37,760 --> 00:39:42,560
There's so many things I want to do with I'm actually working on some cover albums.

718
00:39:42,560 --> 00:39:44,480
I've released an original album.

719
00:39:44,480 --> 00:39:49,160
I'm actually sort of like working on improving those things because everything I believe

720
00:39:49,160 --> 00:39:52,640
very much so in experiential learning and development things.

721
00:39:52,640 --> 00:39:55,720
And I know that the more of these I do, the better I'll get at it and then I'll get my

722
00:39:55,720 --> 00:39:57,400
workflows down and so on.

723
00:39:57,400 --> 00:39:59,120
So I'm just battling my own inertia actually.

724
00:39:59,120 --> 00:40:04,320
The reason why I don't cover albums already is because sheer inertia.

725
00:40:04,320 --> 00:40:11,200
But like part of that with a classical concert, I don't think I'll do classical concerts anymore.

726
00:40:11,200 --> 00:40:16,880
I did work with some people to present series of them before Twitch.

727
00:40:16,880 --> 00:40:18,880
But now this is like post Twitch.

728
00:40:18,880 --> 00:40:20,520
This is current Twitch.

729
00:40:20,520 --> 00:40:26,280
So it's I no longer have the six hours to practice a program every day.

730
00:40:26,280 --> 00:40:27,280
I wouldn't be satisfied.

731
00:40:27,280 --> 00:40:28,280
You're performing.

732
00:40:28,280 --> 00:40:31,440
Yeah, because I'm performing different things now.

733
00:40:31,440 --> 00:40:34,880
So I wouldn't be satisfied with the things that I'll bring in the traditional arena.

734
00:40:34,880 --> 00:40:39,040
I think there are other people who are doing that far better than I can now.

735
00:40:39,040 --> 00:40:44,720
And I've invested myself in this other thing, which is I don't even know what it is, honestly,

736
00:40:44,720 --> 00:40:47,320
but it's fun and I'm having a blast doing it.

737
00:40:47,320 --> 00:40:54,000
So I'm just going to keep going with like a blade of glass wherever we go.

738
00:40:54,000 --> 00:40:58,920
I just had a couple of things that I want to address before we all leave.

739
00:40:58,920 --> 00:41:04,560
One thing is that I know you have Asian background and you're from Australia.

740
00:41:04,560 --> 00:41:06,320
You lived in the US.

741
00:41:06,320 --> 00:41:08,760
What is your audience like on Twitch?

742
00:41:08,760 --> 00:41:10,760
Like do you have a huge international?

743
00:41:10,760 --> 00:41:13,760
Yeah, it does change constantly.

744
00:41:13,760 --> 00:41:14,760
Yes.

745
00:41:14,760 --> 00:41:18,320
Twitch gives you statistics for every single stream you do.

746
00:41:18,320 --> 00:41:22,200
So basically almost half of it comes from the US.

747
00:41:22,200 --> 00:41:30,440
And then the second biggest one is actually France, which is interesting because I don't

748
00:41:30,440 --> 00:41:35,480
speak French well at all and I never use it on stream.

749
00:41:35,480 --> 00:41:40,640
But Twitch is very big in France and some of the French streamers have come to visit

750
00:41:40,640 --> 00:41:41,640
me with their communities.

751
00:41:41,640 --> 00:41:44,240
And so that's why the representation is really high.

752
00:41:44,240 --> 00:41:49,320
And then it's like a big smattering all through Europe and Canada is fairly high too.

753
00:41:49,320 --> 00:41:55,080
And then all the way down near the bottom of about seven to nine percent is Australia,

754
00:41:55,080 --> 00:41:56,320
despite me being Australian.

755
00:41:56,320 --> 00:41:57,760
And that's because of the times I stream.

756
00:41:57,760 --> 00:41:59,880
I stream at really weird times for Australians.

757
00:41:59,880 --> 00:42:00,880
I see.

758
00:42:00,880 --> 00:42:04,000
Yeah, trying to reach the other continents.

759
00:42:04,000 --> 00:42:09,000
So do you think Twitch is more popular like in certain parts of the world than others?

760
00:42:09,000 --> 00:42:10,000
Definitely.

761
00:42:10,000 --> 00:42:15,720
You're saying there's no in Asia, there's not too many followers at all.

762
00:42:15,720 --> 00:42:16,720
Absolutely.

763
00:42:16,720 --> 00:42:20,200
Twitch is sort of like a neophyte in Asia that they're trying to work on.

764
00:42:20,200 --> 00:42:24,880
And actually in Southeast Asia, like in Oceania, like Australia, New Zealand, it's the main

765
00:42:24,880 --> 00:42:25,880
one.

766
00:42:25,880 --> 00:42:29,920
But it's also still doesn't really have brand recognition and penetration yet.

767
00:42:29,920 --> 00:42:33,360
It's still what they will consider an up and comer.

768
00:42:33,360 --> 00:42:38,080
So for example, if you lived in Southeast Asia or if you lived in the Middle East or

769
00:42:38,080 --> 00:42:41,440
I think Facebook's actually the place to be.

770
00:42:41,440 --> 00:42:44,120
And I don't know what the stats are for YouTube.

771
00:42:44,120 --> 00:42:45,280
Like I said, that's a black hole to me.

772
00:42:45,280 --> 00:42:48,260
I don't even know Facebook and Twitch.

773
00:42:48,260 --> 00:42:52,340
So depending on where you live in the world, where you're listening to this podcast from,

774
00:42:52,340 --> 00:42:55,280
that may impact on what platform you want to be on as well.

775
00:42:55,280 --> 00:42:57,600
But you should just try all of them.

776
00:42:57,600 --> 00:43:02,080
And you think there's a big community of like classical musicians or you're the only one

777
00:43:02,080 --> 00:43:03,080
right now?

778
00:43:03,080 --> 00:43:04,080
Oh, you know what?

779
00:43:04,080 --> 00:43:09,160
When I first started, I was the only DMA holder on the platform, but I think there's four

780
00:43:09,160 --> 00:43:12,920
or five people who are taking it pretty seriously.

781
00:43:12,920 --> 00:43:16,760
And then there's like, there's some really crazy CVs on there.

782
00:43:16,760 --> 00:43:24,200
There's a man who, Takayoshi, he's actually educated.

783
00:43:24,200 --> 00:43:29,560
He's got a degree from the Mozartium of Salzburg and he plays harp and he plays piano and he

784
00:43:29,560 --> 00:43:32,520
says he plays piano badly, but it's a professional level.

785
00:43:32,520 --> 00:43:34,760
And it's all extremely polished.

786
00:43:34,760 --> 00:43:36,320
You can find something you like.

787
00:43:36,320 --> 00:43:40,400
People practice on the platform on Twitch while they're getting ready for their IRL

788
00:43:40,400 --> 00:43:41,680
gigs and things like that.

789
00:43:41,680 --> 00:43:45,560
If you like serious classical piano, there's people who focus on that specifically.

790
00:43:45,560 --> 00:43:52,400
I used to have, I think the standard just keeps going higher because it's a global thing.

791
00:43:52,400 --> 00:43:58,480
So anything that's global, you kind of have to sort of, you know, again, keep adapting.

792
00:43:58,480 --> 00:44:01,680
And so I think I don't even have the only concert grand on the platform.

793
00:44:01,680 --> 00:44:05,320
There's actually two and there may be more in the near future.

794
00:44:05,320 --> 00:44:08,560
So, you know, it just, it keeps moving.

795
00:44:08,560 --> 00:44:13,360
And so as the platform keeps developing and the community within it keeps developing,

796
00:44:13,360 --> 00:44:17,000
more and more of this stuff will actually become very normal.

797
00:44:17,000 --> 00:44:18,520
I think I very normal.

798
00:44:18,520 --> 00:44:22,720
I'm just sort of like a little bit ahead of the curve on throwing all my money into a

799
00:44:22,720 --> 00:44:25,720
giant technological pit.

800
00:44:25,720 --> 00:44:28,120
It's time for rapid fire questions.

801
00:44:28,120 --> 00:44:31,920
All right, fast enough for this, here we go.

802
00:44:31,920 --> 00:44:33,760
It's a rapid fire.

803
00:44:33,760 --> 00:44:35,880
So you're going to go chop chop chop quickly.

804
00:44:35,880 --> 00:44:36,880
All right.

805
00:44:36,880 --> 00:44:37,880
Are we ready?

806
00:44:37,880 --> 00:44:38,880
The first question.

807
00:44:38,880 --> 00:44:43,400
So what is your favorite food?

808
00:44:43,400 --> 00:44:44,400
Fish.

809
00:44:44,400 --> 00:44:46,600
Cats or dog?

810
00:44:46,600 --> 00:44:47,600
Dog.

811
00:44:47,600 --> 00:44:50,000
All right.

812
00:44:50,000 --> 00:44:54,560
What is your word to or words to live by?

813
00:44:54,560 --> 00:45:00,360
If you're, if you're, hang on, wait, my mouth got stuck.

814
00:45:00,360 --> 00:45:02,320
Words to live by.

815
00:45:02,320 --> 00:45:06,960
If you're too comfortable, you can't grow.

816
00:45:06,960 --> 00:45:12,560
What is the most important quality you look for in people?

817
00:45:12,560 --> 00:45:13,560
Just being genuine.

818
00:45:13,560 --> 00:45:15,600
You want them to be genuine.

819
00:45:15,600 --> 00:45:20,560
You won't always like who they are, but at least you know who they are.

820
00:45:20,560 --> 00:45:21,560
Exactly.

821
00:45:21,560 --> 00:45:22,560
Yes.

822
00:45:22,560 --> 00:45:27,320
So as opposed to that, what is the worst quality in people you want to stay away from?

823
00:45:27,320 --> 00:45:31,640
Well, clearly like when you can't trust what anything they said, a lack of an ability to

824
00:45:31,640 --> 00:45:32,640
trust them.

825
00:45:32,640 --> 00:45:33,640
So untrustworthiness.

826
00:45:33,640 --> 00:45:34,640
Very cool.

827
00:45:34,640 --> 00:45:35,640
All right.

828
00:45:35,640 --> 00:45:37,840
We're going to keep on going.

829
00:45:37,840 --> 00:45:41,440
Name three people who inspire you living or dead.

830
00:45:41,440 --> 00:45:46,280
There's a lady called Dr. Sheila Woodward and Dr. Christine Logan.

831
00:45:46,280 --> 00:45:50,720
These are mentors of mine who've really had a massive shape shaping on my career.

832
00:45:50,720 --> 00:45:56,280
And I would say Pablo Casals, although he's just springing to mind because I keep remembering

833
00:45:56,280 --> 00:46:00,760
this one anecdote where they say, why are you still practicing at the age of 80 something?

834
00:46:00,760 --> 00:46:03,760
And he goes, because I think I'm still getting better.

835
00:46:03,760 --> 00:46:04,760
That's a huge one.

836
00:46:04,760 --> 00:46:05,760
That's a great one.

837
00:46:05,760 --> 00:46:06,760
I love that one.

838
00:46:06,760 --> 00:46:07,760
That is really cool.

839
00:46:07,760 --> 00:46:08,760
All right.

840
00:46:08,760 --> 00:46:15,320
Now being 83 years old, not that so old, which historic figure, composer, or do you want

841
00:46:15,320 --> 00:46:19,880
to learn or take lessons from if she or he were alive?

842
00:46:19,880 --> 00:46:26,160
Franz Liszt, because so much of the stuff we do is firecracker technique and stuff like

843
00:46:26,160 --> 00:46:27,160
that.

844
00:46:27,160 --> 00:46:28,520
He's the man who just married all of them together.

845
00:46:28,520 --> 00:46:29,680
Oh my gosh.

846
00:46:29,680 --> 00:46:32,040
So many people use Franz Liszt.

847
00:46:32,040 --> 00:46:37,840
Which historic figure do you want to hang out with at the bar if he or she were alive?

848
00:46:37,840 --> 00:46:38,840
Okay.

849
00:46:38,840 --> 00:46:41,520
This one's a bit weird.

850
00:46:41,520 --> 00:46:44,800
The first person that came to mind was George Washington.

851
00:46:44,800 --> 00:46:45,800
Cool.

852
00:46:45,800 --> 00:46:50,880
I think it's a more than one dimension, one and a half dimension.

853
00:46:50,880 --> 00:46:55,880
I guess you're not going to be eating a lot of corn nuts with his wooden teeth.

854
00:46:55,880 --> 00:46:56,880
That's funny.

855
00:46:56,880 --> 00:46:57,880
Oh no.

856
00:46:57,880 --> 00:47:03,160
And the last one, what other instrument would you like to be able to play besides piano?

857
00:47:03,160 --> 00:47:04,160
Actually violin.

858
00:47:04,160 --> 00:47:05,160
Oh.

859
00:47:05,160 --> 00:47:06,160
All right.

860
00:47:06,160 --> 00:47:07,160
My turn.

861
00:47:07,160 --> 00:47:10,920
Name one piece in your current playlist.

862
00:47:10,920 --> 00:47:16,640
Spirited Away for a Price, which is also known as Chihiro's Waltz by Joe Hisaishi.

863
00:47:16,640 --> 00:47:17,720
Okay.

864
00:47:17,720 --> 00:47:21,640
What about a book title you're currently reading?

865
00:47:21,640 --> 00:47:25,400
I've just taken delivery of How to Be a Master Negotiator.

866
00:47:25,400 --> 00:47:26,400
Okay.

867
00:47:26,400 --> 00:47:28,880
Oh, I heard of that book.

868
00:47:28,880 --> 00:47:30,280
This question always annoys people.

869
00:47:30,280 --> 00:47:34,560
You only get one song or piece to listen to for the rest of your life.

870
00:47:34,560 --> 00:47:35,560
What is it?

871
00:47:35,560 --> 00:47:36,560
Muse, Exogenesis, Symphony.

872
00:47:36,560 --> 00:47:40,480
It's in three parts, so hopefully that counts.

873
00:47:40,480 --> 00:47:41,480
Okay.

874
00:47:41,480 --> 00:47:43,000
We'll take it.

875
00:47:43,000 --> 00:47:44,120
And fill in the blank.

876
00:47:44,120 --> 00:47:47,120
Music is blank.

877
00:47:47,120 --> 00:47:48,120
Oh my God.

878
00:47:48,120 --> 00:47:51,440
You just evoked my music philosophy course.

879
00:47:51,440 --> 00:47:52,440
Music is organized noise.

880
00:47:52,440 --> 00:47:53,440
Organized noise.

881
00:47:53,440 --> 00:47:54,440
Yeah.

882
00:47:54,440 --> 00:47:55,440
Organized noise.

883
00:47:55,440 --> 00:47:56,440
Good one.

884
00:47:56,440 --> 00:48:00,120
I'm sure you could expand on that for another whole podcast.

885
00:48:00,120 --> 00:48:01,120
That's right.

886
00:48:01,120 --> 00:48:02,120
Probably.

887
00:48:02,120 --> 00:48:03,120
Next time.

888
00:48:03,120 --> 00:48:05,800
I think that's one of the best things that came out of the doctorate was the ability to

889
00:48:05,800 --> 00:48:08,600
just talk about things for way too long.

890
00:48:08,600 --> 00:48:12,520
Well, we have enjoyed every word.

891
00:48:12,520 --> 00:48:13,520
Yes.

892
00:48:13,520 --> 00:48:14,520
I've enjoyed being here.

893
00:48:14,520 --> 00:48:15,520
Thanks so much, guys.

894
00:48:15,520 --> 00:48:17,800
Thank you, Jonathan, for joining our show today.

895
00:48:17,800 --> 00:48:20,400
And thank you to the audience for tuning in.

896
00:48:20,400 --> 00:48:26,360
If you enjoyed today's episode, please read and review on whatever podcasting platform

897
00:48:26,360 --> 00:48:27,360
you use.

898
00:48:27,360 --> 00:48:33,240
If you are watching it from YouTube, please hit the thumbs up button and be sure to subscribe

899
00:48:33,240 --> 00:48:34,640
to our channel.

900
00:48:34,640 --> 00:48:39,120
You can also find us on Facebook, Twitter, Instagram, and LinkedIn.

901
00:48:39,120 --> 00:48:41,400
The links are in the description below.

902
00:48:41,400 --> 00:48:48,760
If you have any feedback for us, please leave it in the comment section or direct messages

903
00:48:48,760 --> 00:48:50,380
via social media.

904
00:48:50,380 --> 00:48:54,560
Or you can also email us at the pianopodnyc at gmail.com.

905
00:48:54,560 --> 00:48:58,520
Hope to see you all for the next episode of the PianoPod.

906
00:48:58,520 --> 00:48:59,520
Bye, everybody.

907
00:48:59,520 --> 00:49:00,520
Bye.

908
00:49:00,520 --> 00:49:01,520
Thank you so much, Jonathan.

909
00:49:01,520 --> 00:49:02,520
Thank you.

910
00:49:02,520 --> 00:49:16,720
Thank you.

