My art is what it is. And I'm not a philosopher, I'm not a...
So everything that I've got to say is in music.
For me, I'm looking for absolute beauty.
Beauty in the novel beauty, something that was not there before,
on novelty, yes, novelty and beauty.
Join us for an illuminating episode featuring Nimrod Borenstein,
renowned composer and conductor, whose works have captivated audiences worldwide.
In this upcoming episode of the PianoPod titled,
Composing with Humanity, we explore his signature works,
including reminiscences of childhood and 24 études,
the inspiration behind his Shereem collection,
and his collaborations with legendary musicians like Vladimir Ashkenazi.
On piano, it's an instrument that has got both.
It's got the high twinkly sounds that I like out of Another World,
and peacefulness, and you can imagine where...
I mean, you've got a lot of them in my music for piano,
and that you find this type of sounds in Mozart.
You think about the piano concertos,
these things that are high on the right hand, and just like a dream.
You also have the power on the basses, on the drama piano creates as well.
My music, it seems that for me contrast is the essence of art,
and the essence of life in general, and so I love the piano because of that.
But when I write music, I want to write...
Every time that I go and I work on my piece,
I want to write something that is the most beautiful that I can possibly do.
And that has got no vulgarity whatsoever,
that it's all that I give, all that I could to the maximum of my ability.