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G'day leaders, I've got my voice back and in this podcast, Michelle and I talk about

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the fear of public speaking.

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Again, we've already done a podcast on this but we've had so many people come up to us

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recently and say, oh, I couldn't do what you do.

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And Michelle's got an interesting story about a captain that we were flying with and how

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he also has this fear.

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But anyway, you'll hear the story in the podcast.

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We share some tips on how to overcome the fear at the start of a presentation or a speech

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and we discuss all of the techniques that we use.

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Enjoy.

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Why did it count backwards?

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Oh no, we're now recording.

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What?

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Hello captain.

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What do I...

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Come fly with me, let's fly, let's fly.

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What are we going to talk about?

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I don't know.

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So, leadership, life and everything else.

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And we're live.

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No, we're recording.

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And my voice is back.

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It is, yes.

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It's good to be able to speak.

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You probably enjoyed it when I couldn't.

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No, no.

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It was good.

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I'm glad you've been able to hear it.

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It feels good to be able to actually hit the high register too.

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I had to talk like this in order just to get any sand out.

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It was quite uncomfortable and funny.

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You actually had someone come up to you the other day and say, oh, your voice is back.

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Yeah, I know.

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I didn't realize they listened to the podcast.

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That was cool.

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That was very, very cool.

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How are you, Michelle?

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I'm good.

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It's been a nice and full month.

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It has been, hasn't it?

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Lots of workshops and keynotes and travel.

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What have we been doing since the last time?

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Well, we did the TED Talk.

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The TED Talk, that's right.

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And been traveling all over the countryside.

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Yeah, the TED Talk went so well.

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Can't wait for it to come out.

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Yeah, it's not out yet.

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So, we won't say it went well.

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It did very well.

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As all speakers do, you watched it and you went, oh, I wish I had have done something

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differently, but that's how you get better at things, isn't it?

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Well, it was interesting, actually.

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Good feedback for me was the dress rehearsal because I had an expectation.

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In the previous podcast about doing the preparing for TEDx, how I needed to know it off my heart

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like a script.

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Yeah.

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And I was nervous about that or excited, but on the inside.

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And the dress rehearsal, thankfully, there was a dress rehearsal.

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So, speaking one, a script, so I learned script.

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And then having been in a place where I couldn't see the audience because the light was quite

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bright, threw me a little for six.

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And then, yeah, it was funny how little things derail you.

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Yeah.

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And then, so that night, I kind of beat myself up a bit.

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The dress rehearsal night.

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Yeah, the dress rehearsal night.

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I remember.

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Then the following night, though, having had that experience, it's like, oh, okay, you

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can prepare, you know.

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And yeah, that was a lot easier, a lot better.

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It was brilliant.

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I enjoyed it so much.

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It threw me that, oh, hang on, I can do this.

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Why did I, you know, why was it daunting?

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Why did it throw me?

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It's because we allow thoughts to come into our mind that don't contribute to success,

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which is one of the reasons why we wanted to have this podcast today.

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So you were on a flight recently, and a pilot said something to you quite interesting, I

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find actually quite amazing.

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Yeah, so we were flying up to Darwin, one of our regular flights up to Darwin.

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And because everyone knows you on these planes.

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Yeah, well, that's right.

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One of my former colleagues was the captain, and he saw me board the plane.

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So that's a very...

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Is that a ship or a ferry?

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That's probably actually the ship, the P&O crew.

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Oh, there we go.

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Okay.

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Sorry about that.

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So he came out of the flight deck during the flight and signaled to come up and have a

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chat.

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And he was saying how he has a morbid fear of public speaking, which that happens.

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It's the number one fear in humans.

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I had it when I was growing up.

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Yeah.

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And he was actually a group of the other pilots currently going to Toastmasters because they

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know, whilst they know their standard PAs, you know, that's basically in the book that

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they need to do.

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Can you give us one now?

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You've put me on the spot.

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I can't actually think of one.

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Okay.

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We're flying at 3000 feet.

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3000?

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Python 10?

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I don't know.

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A scud running.

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737, 3000 feet coastal.

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And he was saying, so yeah, standard, everything going well, PA.

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He's behind the closed door and he does it.

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He admitted he does it in one breath.

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How hard would that be?

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Ladies and gentlemen, we're currently flying at 20,000 feet.

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50, 60?

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I don't know.

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Please just notice to your right hand side, we have the Sydney Hub of Rich.

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Anyway, I don't know what they say and I'm on a plane every day.

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Every day, the voice nearly went again.

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So he said it's when there's an emergency or an abnormal or something off script, it

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freaks him out and he either doesn't do it, gets his other colleagues and the first officer

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to say it or, you know, scripts that writes it down on a piece of paper and then reads

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it.

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And he said it really, it's debilitating.

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Wow.

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So imagine having the skill and confidence to fly a plane and yet, and with the door

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closed and nobody can see you, nobody knows who you are, struggle with doing a voiceover.

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Yeah.

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And so he's a very good pilot.

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He comes across as confident pilot and person and this does, you know, it sends him into

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a bit of a panic and he said he's not the only one.

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Because he's admitted it, other pilots are coming to him saying they also have this pilot.

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Should we create a course?

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PAs for pilots.

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We could.

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Add it to the list of courses that we run at New Memory.

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That's amazing because a lot of people over the last few weeks have come up to me with

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similar things.

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I was on a podcast yesterday with a great guy, Steve Singh, and he mentioned he's got

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a best man speech coming up and he wants to, you know, so he's starting to feel the excitement

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and the nerves and we have a chat about it.

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But he's a gifted speaker.

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He's a speaker as well.

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And so it's a common thing.

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Even people who are professionals.

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You felt a bit of nerves going into the TED talk.

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He's got the best man speech.

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We were speaking to somebody the other day and he said, oh, what do you do?

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And we both said, we have speakers and trainers.

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And he said, oh, I take my hat off.

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And you could hear in his voice, couldn't you?

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Oh, I take my hat off to you being able to speak in front of people.

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And like two seconds earlier, he was all confident and talking about what he did and all that

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sort of stuff.

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It's such a common fear.

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So we thought we'd do another podcast about it.

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Yeah.

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To try and help people.

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We have spoken on fear of public speaking before, but we recently did a workshop at...

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The Cerebral Palsy Alliance.

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Yes.

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One of our favorite clients.

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These are beautiful people, so if you haven't heard of them, look them up.

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The Cerebral Palsy Alliance, an amazing not-for-profit that looks after people with cerebral palsy

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and they're in disability care as well.

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And they are just the most beautiful organization.

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Well, you walk into the building and you just feel joy.

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Yeah.

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You feel like you're getting a big hug.

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Yeah.

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So we did a presenting and public speaking workshop for how many people?

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About 40, 50.

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Yeah.

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Yeah, we helped them overcome any fear of public speaking and stand up and be able to

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do it confidently.

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Well, it's also good for me because every time I come along and either listen to you

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or participate, it reminds me of things that I could be adding or, oh, I used to do this.

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Why don't I do it now?

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And just...

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Yeah.

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I love it.

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We might give them a few tips today.

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Yeah.

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So I'll kick us off.

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One of the first things I teach when you're going to be speaking in front of people, a

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lot of people wait until they're standing at the front in their presenter stance or

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behind the lectern before they actually start speaking.

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Now, if you're in a room where they can hear you, I always say, start speaking as you're

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walking up or, you know...

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It's about energy management.

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And so you may notice that...

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And I don't know if we've ever discussed this, but when people are coming into the room,

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I'm instantly talking to them.

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Even though I'm setting up, I'm getting my laptop ready and everything and the microphone's

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all set up or whatever we need to do, I start talking to people because I teach this to

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others that you can create an energy in the room like it's just a conversation.

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So they come into the room, you go, oh, good day, how are you going?

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Where are you coming in from?

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Did you have far to travel?

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And whatever small talk you want to do.

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And what it does is it makes them feel comfortable, makes you feel comfortable.

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You're already talking to them.

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So it's just like having a conversation with a friend.

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And if you do that with everyone as they come in, morning, morning, grab a seat, hey, going,

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morning, morning, you have the opportunity to build the energy in the room.

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And so that when you're walking up to start your presentation or your speech or whatever

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it is that you're doing, you've already got this energy with this audience.

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You've already got this connection with them.

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And then it's like you've already started.

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So the presentation starts not when you're standing at the front, the presentation starts

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the minute you're in the room and you build up that energy.

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And I was actually telling them in the workshop, I was saying, hey, guys, the presentation

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doesn't start when you're at the front.

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It starts the minute you walk into the room and that's your opportunity to start talking,

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engaging and building the sort of energy that you want in the room.

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Similar to you, however, I also use the opportunity for compliments because I've noticed that

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when people come to workshops or they're coming to a conference for and they hear speakers,

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they're dressed up.

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People are smiling.

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It's an opportunity for them to get out of the office.

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And so people have put in a lot of effort and they look amazing.

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They feel amazing.

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You can see it's a different energy.

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So I compliment on that and I get, because as we've discussed before, compliments not

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only work for the person who's being complimented, but the one giving the compliment.

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And so I feed off that energy.

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And then again, like you just said, it's like you then having a conversation when you're

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out the front because you're relatable, you're known and you know them.

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And you've already built some rapport.

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I like that strategy.

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I'm going to steal that one if that's okay.

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I think I've probably given a couple of compliments, but I've never done it in like, what's the

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your new term?

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Intentionally, train intentionally?

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Yes, not habitually.

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Not habitually.

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Yeah, train intentionally, not habitually.

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So yeah, I'm going to start doing that because that would really work.

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As they come in, like I'd have to be careful.

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Oh, nice shoes to a lady.

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I think I'm flirting, but yeah, just dropping compliments and making that connection.

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Well, last week, this week just gone, I was speaking at the executive assistant network

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signature series and they're all speaking in Melbourne as well.

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Yes, that's coming up.

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But it was all these people are beautiful and their executive assistants, they're that

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kind of the front line.

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And I, when I was thinking, like it was coming up, I was thinking there's my big fat Greek

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wedding, I think it is the movie.

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And the mum talks about the husband and the wife and how the husband is the head of the

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family.

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So I'm thinking the C-suite, the whoever, the executive is the head and the executive

252
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assistants are the neck.

253
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They turn the head where they want to, they support the head.

254
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I like that, that's a good analogy.

255
00:12:30,600 --> 00:12:35,120
So that's what I was thinking when I was thinking about executive assistants.

256
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Yeah.

257
00:12:36,120 --> 00:12:39,280
So you had a room of well dressed and beautiful people.

258
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Beautiful people.

259
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And so you were dropping compliments?

260
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I was, it was very easy.

261
00:12:42,640 --> 00:12:44,360
And I was looking at them for style tips.

262
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I like what you've done there.

263
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I bet you had your flight suit on, your jumpsuit.

264
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Yes, my fashionable flight suit.

265
00:12:53,400 --> 00:12:58,200
So I wouldn't use that, but yeah, you can start talking about outfits and stuff with

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the audience members and yeah, just building that rapport, getting the energy going before

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you're actually up the front.

268
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It's such a great strategy because you feel like you've already started.

269
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And so stop putting a line at the start.

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All right, it starts now.

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Now it starts as soon as you get in there and build up the energy, build up the rapport

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and get, if you can get people laughing before you start, it's brilliant.

273
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And then like I was kind of alluding to at the start, start talking as you're walking

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up to the front.

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If you do need to walk up onto a stage or whatever, our friend Heidi does it as well.

276
00:13:28,800 --> 00:13:35,440
So you just start talking and then the presentation has started and it feels quite relaxing.

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I was actually teaching a group in Melbourne and I told them this because I was getting

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them to stand up and present in front of their colleagues.

279
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It was a leadership workshop at Bell Potter.

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And I was saying, hey guys, here's a tip.

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Before you get up to the front of the room and start sharing what you are getting out

282
00:13:52,160 --> 00:13:55,400
of these workshops, what I want you to do is start talking.

283
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Pretend that the presentation starts before you get up there and watch what happens.

284
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Watch the difference.

285
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And they all did it.

286
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They all did it.

287
00:14:02,200 --> 00:14:06,040
They were all starting to talk as they were walking up and they were sitting down and

288
00:14:06,040 --> 00:14:08,080
going, yeah, that makes a huge difference.

289
00:14:08,080 --> 00:14:12,560
Yeah, if you wait until you're up the front and like, you know, we talk about how we are

290
00:14:12,560 --> 00:14:15,280
the spotlight rather than the spotlight being on you.

291
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And they said, yeah, it's just a huge difference.

292
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It's like a casual conversation.

293
00:14:20,920 --> 00:14:25,080
And then somebody else had actually said to them, oh, no, no, no, you don't talk until

294
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you're up the front.

295
00:14:26,080 --> 00:14:27,080
It's just not professional.

296
00:14:27,080 --> 00:14:30,880
And so I said to them, no, you do what makes you comfortable.

297
00:14:30,880 --> 00:14:33,720
You do what makes the audience comfortable.

298
00:14:33,720 --> 00:14:36,800
It's not about, hey, here are the rules for what you have to do.

299
00:14:36,800 --> 00:14:43,560
Yeah, I've heard one where the person was saying, okay, you go up there, get into position,

300
00:14:43,560 --> 00:14:45,560
legs apart, teeth and tits.

301
00:14:45,560 --> 00:14:51,080
Okay, tell me more about that.

302
00:14:51,080 --> 00:14:54,200
You know, you get onto your spot, you put your legs apart.

303
00:14:54,200 --> 00:14:56,200
Yeah, yeah, you present a stance.

304
00:14:56,200 --> 00:14:57,840
You present a stance, that's right.

305
00:14:57,840 --> 00:15:03,520
And then smile, so teeth and tits is put your shoulders back and chest out.

306
00:15:03,520 --> 00:15:05,520
And then start.

307
00:15:05,520 --> 00:15:08,520
What are you looking at?

308
00:15:08,520 --> 00:15:10,520
I couldn't do that.

309
00:15:10,520 --> 00:15:13,720
Yeah, it's very much a I've arrived.

310
00:15:13,720 --> 00:15:14,720
I've arrived.

311
00:15:14,720 --> 00:15:15,720
Okay.

312
00:15:15,720 --> 00:15:19,000
Which could work in some, I suppose, depending on what you were doing.

313
00:15:19,000 --> 00:15:20,000
Do what works for you.

314
00:15:20,000 --> 00:15:21,000
That's the thing, isn't it?

315
00:15:21,000 --> 00:15:22,000
It's not about...

316
00:15:22,000 --> 00:15:23,000
There's no right way.

317
00:15:23,000 --> 00:15:24,000
Yeah.

318
00:15:24,000 --> 00:15:25,000
No, that's exactly it.

319
00:15:25,000 --> 00:15:29,440
So if something works for you and it works for the audience, use it.

320
00:15:29,440 --> 00:15:33,560
Just use it.

321
00:15:33,560 --> 00:15:35,720
So what other tips can we give to help?

322
00:15:35,720 --> 00:15:36,840
I know one, here's one.

323
00:15:36,840 --> 00:15:39,560
So the way you start a presentation.

324
00:15:39,560 --> 00:15:43,680
Okay, so a lot of people, they get up and they just start talking.

325
00:15:43,680 --> 00:15:48,120
The best way to engage your audience and get their attention is to ask them a question.

326
00:15:48,120 --> 00:15:49,120
Yes.

327
00:15:49,120 --> 00:15:51,960
Yeah, and not an open question because you don't want to ask an open question that requires

328
00:15:51,960 --> 00:15:54,000
people to answer out loud.

329
00:15:54,000 --> 00:15:58,680
So what you do is you just whack your hand up and you go, hey, just a show of hands,

330
00:15:58,680 --> 00:15:59,680
who has...

331
00:15:59,680 --> 00:16:01,480
And then finish your question, whatever it is.

332
00:16:01,480 --> 00:16:04,960
And if you can tie your question into what you're talking about, then you've grabbed

333
00:16:04,960 --> 00:16:05,960
their attention.

334
00:16:05,960 --> 00:16:08,000
You've got immediate interaction.

335
00:16:08,000 --> 00:16:11,640
Because if you put your hand up and say, hey, who's ever had this happen or who's ever done

336
00:16:11,640 --> 00:16:15,880
this or whatever, when they put their hand up, they're now engaged.

337
00:16:15,880 --> 00:16:20,440
That's a great way to just unblock the connection between you.

338
00:16:20,440 --> 00:16:23,240
Not unblock, but start the connection between you and the audience.

339
00:16:23,240 --> 00:16:24,680
I like that.

340
00:16:24,680 --> 00:16:29,200
And I've been using the same question for 30 years now.

341
00:16:29,200 --> 00:16:30,200
It gets a laugh.

342
00:16:30,200 --> 00:16:32,200
But when people have heard it before...

343
00:16:32,200 --> 00:16:33,200
They yell it out.

344
00:16:33,200 --> 00:16:34,200
Yeah, exactly.

345
00:16:34,200 --> 00:16:39,040
Somebody yelled it out once, oh, you've been in my talk before.

346
00:16:39,040 --> 00:16:41,240
And then the other day, I did it.

347
00:16:41,240 --> 00:16:43,560
There was only three people in the room who hadn't met me.

348
00:16:43,560 --> 00:16:46,480
And so I'm really just introducing myself to them.

349
00:16:46,480 --> 00:16:51,000
And then everyone else is sitting there going, oh, we know what he's going to ask.

350
00:16:51,000 --> 00:16:53,760
And they laughed the first time, right?

351
00:16:53,760 --> 00:16:56,280
And so I asked the question, there are three people who hadn't met me before.

352
00:16:56,280 --> 00:16:59,760
They laughed because it's this silly joke that I do.

353
00:16:59,760 --> 00:17:02,960
But then I said, oh, and you guys didn't laugh because you've heard it all before.

354
00:17:02,960 --> 00:17:04,280
And I made them laugh.

355
00:17:04,280 --> 00:17:07,120
And then now all of a sudden, we've got this great energy in the room.

356
00:17:07,120 --> 00:17:13,800
So asking a question at the start is a great way to get people connected and paying attention.

357
00:17:13,800 --> 00:17:16,320
Do you have any other techniques that you use?

358
00:17:16,320 --> 00:17:18,640
Like I noticed, I won't give it away.

359
00:17:18,640 --> 00:17:20,160
You used a great one the other day.

360
00:17:20,160 --> 00:17:21,200
Yeah, I tried it.

361
00:17:21,200 --> 00:17:22,440
I had fun with it.

362
00:17:22,440 --> 00:17:26,280
And so I tried a different approach, which was a sound.

363
00:17:26,280 --> 00:17:27,280
A sound, yeah.

364
00:17:27,280 --> 00:17:28,760
It was a loud sound, too.

365
00:17:28,760 --> 00:17:29,760
It was.

366
00:17:29,760 --> 00:17:30,760
It was lightning, yeah.

367
00:17:30,760 --> 00:17:31,760
Lightning, yeah.

368
00:17:31,760 --> 00:17:33,520
Do you mind giving it away on the podcast?

369
00:17:33,520 --> 00:17:34,520
No, no, that's fine.

370
00:17:34,520 --> 00:17:44,720
So one of the stories I talk about in Antifragility is one time the aircraft I was flying, a small

371
00:17:44,720 --> 00:17:48,120
aircraft, was struck by lightning and what happened.

372
00:17:48,120 --> 00:17:55,760
So for my talk the other day, I thought, oh, and I'd been to a professional speakers association.

373
00:17:55,760 --> 00:17:57,960
Which we're members of.

374
00:17:57,960 --> 00:17:58,960
Yes, yeah.

375
00:17:58,960 --> 00:18:02,160
And they had an information or a learning session.

376
00:18:02,160 --> 00:18:04,920
Yeah, we have regular sessions with the PSA.

377
00:18:04,920 --> 00:18:09,400
Yeah, and Mads Farrelly, who people may know her.

378
00:18:09,400 --> 00:18:10,400
She's a producer.

379
00:18:10,400 --> 00:18:12,840
Now, if I get this wrong, this is bad.

380
00:18:12,840 --> 00:18:13,840
But she was-

381
00:18:13,840 --> 00:18:14,840
She worked in media.

382
00:18:14,840 --> 00:18:20,720
Yeah, thinking she was a producer of shows like Big Brother and Pharma Once Wife, et

383
00:18:20,720 --> 00:18:21,720
cetera.

384
00:18:21,720 --> 00:18:22,720
Yeah, yeah.

385
00:18:22,720 --> 00:18:27,520
And so shows where they go against the norm and a little bit shocking and there's clickbaity

386
00:18:27,520 --> 00:18:29,640
sort of things.

387
00:18:29,640 --> 00:18:30,640
Attention grabbing stuff.

388
00:18:30,640 --> 00:18:37,120
Yeah, and she was doing a presentation on things you could use and she didn't say sound

389
00:18:37,120 --> 00:18:40,800
necessarily but it was something I thought, oh, I'll give it a go.

390
00:18:40,800 --> 00:18:43,560
Have a bit of a play, which makes it exciting for yourself.

391
00:18:43,560 --> 00:18:44,560
Will it work?

392
00:18:44,560 --> 00:18:45,560
Won't it work?

393
00:18:45,560 --> 00:18:46,560
And the AV guy, he was cool.

394
00:18:46,560 --> 00:18:49,560
He's like, oh, I've not seen this before or heard it.

395
00:18:49,560 --> 00:18:54,520
And so it was very important that he be on the same page as me and we did it and it was

396
00:18:54,520 --> 00:18:55,520
great.

397
00:18:55,520 --> 00:18:56,520
It got screams.

398
00:18:56,520 --> 00:19:02,600
It got a couple of swear words, expletives and then there's that shock thing and straight

399
00:19:02,600 --> 00:19:09,240
into telling the story and then getting some engagement and laughs after.

400
00:19:09,240 --> 00:19:10,640
So it makes it a little bit different.

401
00:19:10,640 --> 00:19:11,640
It was good.

402
00:19:11,640 --> 00:19:16,160
And I loved how he then, oh, I should have checked to see if anyone's afraid of flying.

403
00:19:16,160 --> 00:19:17,160
Yeah, oops.

404
00:19:17,160 --> 00:19:18,160
Oops.

405
00:19:18,160 --> 00:19:21,160
But then you reassured them.

406
00:19:21,160 --> 00:19:22,160
I did.

407
00:19:22,160 --> 00:19:23,160
I did.

408
00:19:23,160 --> 00:19:24,160
Yeah, yeah.

409
00:19:24,160 --> 00:19:25,160
So that was fun.

410
00:19:25,160 --> 00:19:26,160
That was, yeah.

411
00:19:26,160 --> 00:19:27,160
That was fun.

412
00:19:27,160 --> 00:19:28,160
That was fun.

413
00:19:28,160 --> 00:19:29,160
That was fun.

414
00:19:29,160 --> 00:19:34,160
So there's all sorts of techniques you can do at the start to just get it going and knock

415
00:19:34,160 --> 00:19:36,320
away any fears that you've built up in your head.

416
00:19:36,320 --> 00:19:37,320
You could show a picture.

417
00:19:37,320 --> 00:19:39,800
Yeah, pictures, it says a thousand words.

418
00:19:39,800 --> 00:19:42,600
Yeah, you click the button, the picture comes up, everyone's looking at the picture, they're

419
00:19:42,600 --> 00:19:43,600
not looking at you.

420
00:19:43,600 --> 00:19:45,560
You go, hey guys, who's been here?

421
00:19:45,560 --> 00:19:47,180
Or what does this look like?

422
00:19:47,180 --> 00:19:48,180
What is this?

423
00:19:48,180 --> 00:19:51,160
You could do something unusual to spark their attention.

424
00:19:51,160 --> 00:19:56,920
But all of these things, it kind of gets the presentation going and get you out of your

425
00:19:56,920 --> 00:19:57,920
head.

426
00:19:57,920 --> 00:19:58,920
Yes.

427
00:19:58,920 --> 00:19:59,920
Yeah.

428
00:19:59,920 --> 00:20:02,680
And that's the big thing that I do to help people who've got a fear of public speaking.

429
00:20:02,680 --> 00:20:05,800
The number one fear of human beings is public speaking.

430
00:20:05,800 --> 00:20:07,600
Is when they're talking to me.

431
00:20:07,600 --> 00:20:12,200
Like the other day somebody said, oh, I'm okay when I'm in front of just a small group.

432
00:20:12,200 --> 00:20:16,800
But as soon as I'm in front of a big, and you can hear that they're about to say the

433
00:20:16,800 --> 00:20:19,480
record that they've played in their head a thousand times.

434
00:20:19,480 --> 00:20:23,800
I'm okay in front of small groups, but in front of big groups, I get really nervous.

435
00:20:23,800 --> 00:20:26,080
And as soon as they say, but, I jump in.

436
00:20:26,080 --> 00:20:27,080
I go, used to.

437
00:20:27,080 --> 00:20:28,080
And they go, what?

438
00:20:28,080 --> 00:20:29,080
I said, used to.

439
00:20:29,080 --> 00:20:30,080
Used to feel like that.

440
00:20:30,080 --> 00:20:31,080
Used to be like that.

441
00:20:31,080 --> 00:20:32,080
That's the past.

442
00:20:32,080 --> 00:20:33,080
And they go, what?

443
00:20:33,080 --> 00:20:34,080
What?

444
00:20:34,080 --> 00:20:38,720
I said, if you want the future to be different, if you want to feel comfortable in front of

445
00:20:38,720 --> 00:20:41,440
a large group, stop saying you feel uncomfortable in a large group.

446
00:20:41,440 --> 00:20:43,680
And we've spoken about this on the podcast, ad nauseam.

447
00:20:43,680 --> 00:20:46,920
Your subconscious mind is listening to everything you tell it.

448
00:20:46,920 --> 00:20:49,600
Everything you tell it, and it will obey those instructions.

449
00:20:49,600 --> 00:20:50,600
Because it's a robot.

450
00:20:50,600 --> 00:20:53,300
Your subconscious mind doesn't question what you're saying.

451
00:20:53,300 --> 00:20:57,200
So if you say, I'm okay in front of small groups, you'll be okay in front of small groups.

452
00:20:57,200 --> 00:20:59,800
Because your subconscious mind will say, right, this is a small group.

453
00:20:59,800 --> 00:21:00,800
We're fine.

454
00:21:00,800 --> 00:21:03,920
But if you say, but I get really nervous in front of large groups.

455
00:21:03,920 --> 00:21:07,360
As soon as you're in front of a large group, your subconscious mind goes, oh, this is that

456
00:21:07,360 --> 00:21:09,920
situation you told me about where we get really nervous.

457
00:21:09,920 --> 00:21:10,920
Okay.

458
00:21:10,920 --> 00:21:14,380
And it sends a message to the adrenal glands to release all of the hormones and put you

459
00:21:14,380 --> 00:21:18,240
into a fight or flight state and make you nervous and all of a sudden you're sweaty

460
00:21:18,240 --> 00:21:21,320
and losing your mind.

461
00:21:21,320 --> 00:21:24,600
And it's all a program that you put into your head.

462
00:21:24,600 --> 00:21:33,800
One thing Maz said in that course, the workshop, was that if you're speaking after someone

463
00:21:33,800 --> 00:21:38,800
who's well known, someone who's polished, someone who's professional, you may need to

464
00:21:38,800 --> 00:21:46,560
give a talk or get up and give a presentation even to your colleagues after the CEO or a

465
00:21:46,560 --> 00:21:53,800
speaker, professional speaker or someone, which in your mind could add to your nervousness,

466
00:21:53,800 --> 00:21:55,040
to your fear.

467
00:21:55,040 --> 00:21:59,280
And she said, just reframe it as they've warmed up the audience for you.

468
00:21:59,280 --> 00:22:00,280
Yeah, that's it.

469
00:22:00,280 --> 00:22:01,280
That's it.

470
00:22:01,280 --> 00:22:05,000
So now they're receptive and they're loose and they're, you know, and the same thing

471
00:22:05,000 --> 00:22:10,640
if there's a particularly dry presentation before you, don't worry if they're yawning

472
00:22:10,640 --> 00:22:16,000
and on their phones or on their laptops because you'll, you know, blow them away.

473
00:22:16,000 --> 00:22:17,400
Yeah, I like that.

474
00:22:17,400 --> 00:22:25,400
So if there's a great speaker before you, what a fantastic opportunity to ride the wave

475
00:22:25,400 --> 00:22:27,560
of the energy that they created in the room.

476
00:22:27,560 --> 00:22:30,560
And you see this a lot with standup comedians.

477
00:22:30,560 --> 00:22:34,880
They get up and go, oh, how amazing was, and then they say the name of the person before

478
00:22:34,880 --> 00:22:39,720
them and what they've done is they've joined the audience in their appreciation of the

479
00:22:39,720 --> 00:22:42,080
previous speaker or comedian.

480
00:22:42,080 --> 00:22:46,720
They've harnessed that energy that you're, it's like putting a lasso around that energy

481
00:22:46,720 --> 00:22:49,000
jumping on it and riding it like a horse.

482
00:22:49,000 --> 00:22:53,600
So if you have a speaker before you or a comedian before you or anyone who's done something

483
00:22:53,600 --> 00:22:58,480
before you and they're amazing, that's a great thing for you because your audience is feeling

484
00:22:58,480 --> 00:22:59,480
great.

485
00:22:59,480 --> 00:23:00,800
Jump on that energy.

486
00:23:00,800 --> 00:23:06,360
So you walk up onto the stage, don't start your presentation and say, how amazing was

487
00:23:06,360 --> 00:23:07,360
that speech?

488
00:23:07,360 --> 00:23:09,440
You know, who knew that?

489
00:23:09,440 --> 00:23:10,440
And then reference a couple of things.

490
00:23:10,440 --> 00:23:14,800
And that's why I think it's so, so important that when you're presenting, if there's other

491
00:23:14,800 --> 00:23:18,520
speakers, so if you're on a day where there's multiple speakers, like we often do, we go

492
00:23:18,520 --> 00:23:24,800
to conferences and we often have to do keynotes after several other speakers have been there,

493
00:23:24,800 --> 00:23:27,520
it's great to sit there and listen.

494
00:23:27,520 --> 00:23:31,440
And so when you get up on stage, if you can reference the previous speakers that were

495
00:23:31,440 --> 00:23:36,920
up there before you and talk about something that they shared, what you're doing is you're

496
00:23:36,920 --> 00:23:40,200
showing one that you've been present to, you were part of the audience.

497
00:23:40,200 --> 00:23:42,480
So you're just like them.

498
00:23:42,480 --> 00:23:44,840
And it makes a connection with you and the audience.

499
00:23:44,840 --> 00:23:46,800
It says, hey, I've been here with you too.

500
00:23:46,800 --> 00:23:48,080
I'm one of you.

501
00:23:48,080 --> 00:23:51,200
Let's now go down this path and talk about this.

502
00:23:51,200 --> 00:23:54,320
I like it.

503
00:23:54,320 --> 00:24:02,960
It's so interesting with your audience by referencing the energy of the previous speaker.

504
00:24:02,960 --> 00:24:04,760
It's such a common fear, isn't it?

505
00:24:04,760 --> 00:24:08,320
The fact that they're sitting there at the front in the cockpit, the doors closed behind

506
00:24:08,320 --> 00:24:13,200
them and you're just talking into a headset and yet that still creates that massive fear.

507
00:24:13,200 --> 00:24:17,320
Because I guess they're visualizing however many hundred people behind them.

508
00:24:17,320 --> 00:24:19,520
Yeah, which we don't do when we're flying.

509
00:24:19,520 --> 00:24:27,520
So that's something I haven't had a problem with.

510
00:24:27,520 --> 00:24:30,120
So it was hard to imagine.

511
00:24:30,120 --> 00:24:32,920
But I was very grateful that he told me that.

512
00:24:32,920 --> 00:24:39,240
If you were in a similar situation where you're in the cockpit flying the plane and you're

513
00:24:39,240 --> 00:24:41,840
feeling nerves about the PA, what would you do?

514
00:24:41,840 --> 00:24:47,360
What advice would you give to your fellow captains?

515
00:24:47,360 --> 00:24:48,440
I was very fortunate.

516
00:24:48,440 --> 00:24:54,720
I trained with Captain Pete Sherry, who's a legend in Virgin and I'm not sure he's doing

517
00:24:54,720 --> 00:24:56,360
command training anymore.

518
00:24:56,360 --> 00:25:01,000
However, he's still an amazing mentor and font of knowledge.

519
00:25:01,000 --> 00:25:07,960
And he was saying that, so we get told in an emergency situation how to communicate

520
00:25:07,960 --> 00:25:13,960
to the cabin crew, for example, and to even on the radio to air traffic control and to

521
00:25:13,960 --> 00:25:18,280
ops and being in aviation, everything is an acronym.

522
00:25:18,280 --> 00:25:24,680
And it's NIPS, which is nature, intent, time, special circumstances.

523
00:25:24,680 --> 00:25:29,400
So nature of the incident or the accident or whatever's happening.

524
00:25:29,400 --> 00:25:34,160
The intent, where we're going to go, what we're going to do, climb, descend, seatbelts

525
00:25:34,160 --> 00:25:42,680
on, return to A, go forward to B or go to C or D. And then time, how much time it is

526
00:25:42,680 --> 00:25:44,600
before and known to them.

527
00:25:44,600 --> 00:25:50,520
So either before the seatbelt signs go on or they need to be seated or until we're landing.

528
00:25:50,520 --> 00:25:55,680
And then special circumstances might be something like upon landing, we'll have the fire brigade

529
00:25:55,680 --> 00:25:59,640
following us back to the bay or we're not going to park on the bay or we'll be at the

530
00:25:59,640 --> 00:26:03,840
bay for three minutes and the seatbelt signs will stay on.

531
00:26:03,840 --> 00:26:07,400
So is that an acronym to help you like fill in control of the situation or plan for the

532
00:26:07,400 --> 00:26:09,520
situation or all the above, I guess?

533
00:26:09,520 --> 00:26:12,100
It's to communicate what's going to happen.

534
00:26:12,100 --> 00:26:18,600
It also helps us because we can sort out in our mind in an easy logical sequence what's

535
00:26:18,600 --> 00:26:20,280
going to happen.

536
00:26:20,280 --> 00:26:22,880
And then we get them to repeat it back.

537
00:26:22,880 --> 00:26:29,000
So we know that they've understood our intention.

538
00:26:29,000 --> 00:26:35,440
And so Pete Sherry, he said to us in the command course, when you're giving a PA, now if it's

539
00:26:35,440 --> 00:26:39,560
a standard out of the book PA, that's easy, it's like a script.

540
00:26:39,560 --> 00:26:42,720
It's the non-normals, something's gone wrong, something unusual.

541
00:26:42,720 --> 00:26:43,720
Something's changed.

542
00:26:43,720 --> 00:26:45,400
Something's changed, yeah.

543
00:26:45,400 --> 00:26:47,720
So use that format, use the NITS format.

544
00:26:47,720 --> 00:26:51,840
Now it doesn't have to be officially the nature of blah, blah, blah, just doing the flow.

545
00:26:51,840 --> 00:26:55,800
Ladies and gentlemen, the nature of our diversion from Sydney is...

546
00:26:55,800 --> 00:26:59,080
We stopped saying ladies and gentlemen because it's everyone.

547
00:26:59,080 --> 00:27:01,560
So there's no longer only ladies or...

548
00:27:01,560 --> 00:27:02,560
Hey everyone.

549
00:27:02,560 --> 00:27:03,560
Hey guys.

550
00:27:03,560 --> 00:27:04,560
Hey, hey, hey, good morning, everyone.

551
00:27:04,560 --> 00:27:05,560
Good morning.

552
00:27:05,560 --> 00:27:06,560
Do you really?

553
00:27:06,560 --> 00:27:07,560
I've never noticed that.

554
00:27:07,560 --> 00:27:09,960
I've been on a plane forever and haven't noticed the change.

555
00:27:09,960 --> 00:27:14,240
They don't now say ladies and gentlemen because there are many more than just ladies and gentlemen.

556
00:27:14,240 --> 00:27:17,240
All right, all people on board.

557
00:27:17,240 --> 00:27:20,440
And those cats up in the locker that you used.

558
00:27:20,440 --> 00:27:23,280
All right, that's another story.

559
00:27:23,280 --> 00:27:29,000
What he was saying is imagine and picture in your mind, close your eyes if you want to,

560
00:27:29,000 --> 00:27:37,000
picture in your mind that it's your nana or your mom or your friend, relatives who you

561
00:27:37,000 --> 00:27:44,880
really love and you want to give them the information without alarming them, but respectfully.

562
00:27:44,880 --> 00:27:50,200
And so if you would close your eyes and imagine you're telling it to your nana and smile a

563
00:27:50,200 --> 00:27:54,840
bit like how receptionists are told to smile when they answer the phone.

564
00:27:54,840 --> 00:27:56,840
Because you can hear it in their voice.

565
00:27:56,840 --> 00:27:57,840
Yeah.

566
00:27:57,840 --> 00:28:02,840
So smile, even though it might be a grave situation, smile and think of your nana.

567
00:28:02,840 --> 00:28:04,100
You're explaining it to nana.

568
00:28:04,100 --> 00:28:07,840
So it's no big words and you would do it compassionately.

569
00:28:07,840 --> 00:28:08,840
You would do it slowly.

570
00:28:08,840 --> 00:28:10,840
Are you saying my nana can't understand big words?

571
00:28:10,840 --> 00:28:16,160
No, but what I'm saying is you wouldn't talk about the different weather systems.

572
00:28:16,160 --> 00:28:18,160
It's just going to be raining.

573
00:28:18,160 --> 00:28:22,920
Hey nana, we've got cumulus out the window.

574
00:28:22,920 --> 00:28:23,920
That's right.

575
00:28:23,920 --> 00:28:29,680
So yeah, imagine that.

576
00:28:29,680 --> 00:28:34,680
And then it's easier, the passengers, if they're actually listening, will understand.

577
00:28:34,680 --> 00:28:39,120
They'll be reassured because your tone is that of compassion.

578
00:28:39,120 --> 00:28:41,160
It's slowed down.

579
00:28:41,160 --> 00:28:46,780
You're doing things in a nicer way rather than just because you're scared of actually

580
00:28:46,780 --> 00:28:52,680
doing the PA, rushing it out or mumbling or just in one breath.

581
00:28:52,680 --> 00:28:55,920
So it's getting yourself into the right mindset using that NITS acronym.

582
00:28:55,920 --> 00:28:58,080
And then imagining speaking to your nana.

583
00:28:58,080 --> 00:29:02,120
And then it's not a challenge because you love your nana or you love whoever you're

584
00:29:02,120 --> 00:29:03,480
telling.

585
00:29:03,480 --> 00:29:04,480
So it's a conversation.

586
00:29:04,480 --> 00:29:09,680
And the imagination is a very powerful thing when you want to change your state.

587
00:29:09,680 --> 00:29:12,840
So yeah, imagine you're speaking to your nana or a bunch of your closest friends who are

588
00:29:12,840 --> 00:29:15,240
sitting in rows one, two and three, I guess.

589
00:29:15,240 --> 00:29:17,000
And yeah, just speak to them.

590
00:29:17,000 --> 00:29:20,240
That's good advice.

591
00:29:20,240 --> 00:29:24,960
I like that you can visualize who you're talking to.

592
00:29:24,960 --> 00:29:28,240
Remember the old thing, imagine everyone naked.

593
00:29:28,240 --> 00:29:31,080
Could you imagine any more nerve wracking than that?

594
00:29:31,080 --> 00:29:33,880
No, yeah, I don't want to imagine any of them naked.

595
00:29:33,880 --> 00:29:34,880
That's awful.

596
00:29:34,880 --> 00:29:35,880
I bet your nana, that's much nicer.

597
00:29:35,880 --> 00:29:38,200
And I don't want to imagine you're naked either.

598
00:29:38,200 --> 00:29:42,560
And just like while we've been talking, I've been thinking about my first instincts when

599
00:29:42,560 --> 00:29:46,480
you said that there was captains at the front and I was quite shocked that they were nervous

600
00:29:46,480 --> 00:29:47,480
about giving the PA.

601
00:29:47,480 --> 00:29:53,800
The reason why I guess I was shocked is because I just assumed these amazing individuals at

602
00:29:53,800 --> 00:29:57,280
the front and I've always revered pilots and captains and first officers for what they

603
00:29:57,280 --> 00:30:01,000
do at the front, especially seeing how I'm sitting in the back and you're taking me to

604
00:30:01,000 --> 00:30:02,000
my destination.

605
00:30:02,000 --> 00:30:03,000
You trust.

606
00:30:03,000 --> 00:30:04,000
I trust you.

607
00:30:04,000 --> 00:30:10,640
And so I give all people in those sort of positions instant reverence.

608
00:30:10,640 --> 00:30:11,640
Yes.

609
00:30:11,640 --> 00:30:12,640
Yep.

610
00:30:12,640 --> 00:30:17,360
So when you said that some of them, yeah, just my first thought was what, really?

611
00:30:17,360 --> 00:30:18,800
You can fly a plane, but you can't talk.

612
00:30:18,800 --> 00:30:24,280
But that's me as a speaker, as a trainer, somebody who does it every day for a living.

613
00:30:24,280 --> 00:30:29,080
It's like, it would be like your friends up in the cockpit looking at me going, what?

614
00:30:29,080 --> 00:30:32,080
You can't fly a plane?

615
00:30:32,080 --> 00:30:37,000
That's how I now look at my reaction to you first telling me that some captains out there

616
00:30:37,000 --> 00:30:40,240
struggle with the PAs.

617
00:30:40,240 --> 00:30:45,240
Because we assume that what we do and what we do easily, other people find easy.

618
00:30:45,240 --> 00:30:46,240
Yes.

619
00:30:46,240 --> 00:30:49,000
Well, it is the number one fear of human beings.

620
00:30:49,000 --> 00:30:50,000
That's right.

621
00:30:50,000 --> 00:30:51,840
So I think that's good advice.

622
00:30:51,840 --> 00:30:55,800
Use the NITS acronym and speak to your Nana.

623
00:30:55,800 --> 00:30:56,800
Nana.

624
00:30:56,800 --> 00:30:57,800
Nana.

625
00:30:57,800 --> 00:30:58,800
Nana.

626
00:30:58,800 --> 00:31:05,640
So when you're on stage and if you're presenting, talking, if you lose your way, just say, oh,

627
00:31:05,640 --> 00:31:07,360
where was I?

628
00:31:07,360 --> 00:31:09,520
And then often the audience will tell you where you were.

629
00:31:09,520 --> 00:31:10,520
Yeah.

630
00:31:10,520 --> 00:31:11,920
Because they're waiting for the next thing.

631
00:31:11,920 --> 00:31:16,800
And so I do this so often in workshops where somebody will ask a question, it takes me

632
00:31:16,800 --> 00:31:20,600
off on a tangent and I go, okay, where were we before?

633
00:31:20,600 --> 00:31:24,000
And then I'll tell you where we were and you just get back on track and you keep going.

634
00:31:24,000 --> 00:31:28,080
So many people are scared about making mistakes or not knowing an answer or forgetting what

635
00:31:28,080 --> 00:31:29,680
they're saying when they're on stage.

636
00:31:29,680 --> 00:31:36,080
But you become human when you make little mistakes and you don't pretend it didn't

637
00:31:36,080 --> 00:31:37,080
happen.

638
00:31:37,080 --> 00:31:40,080
You become human if you go, oh, that's not what I wanted to say.

639
00:31:40,080 --> 00:31:42,080
No, this is what I want to say.

640
00:31:42,080 --> 00:31:43,080
I start tap dancing.

641
00:31:43,080 --> 00:31:44,080
Do you?

642
00:31:44,080 --> 00:31:45,080
Yeah.

643
00:31:45,080 --> 00:31:46,080
You haven't shown me that skill.

644
00:31:46,080 --> 00:31:49,680
Is this another thing we have to add to your resume?

645
00:31:49,680 --> 00:31:50,680
Not well.

646
00:31:50,680 --> 00:31:51,680
Not well.

647
00:31:51,680 --> 00:31:52,680
Okay.

648
00:31:52,680 --> 00:31:53,680
Welding, archaeology, artistry.

649
00:31:53,680 --> 00:31:54,680
No, just tap dancing.

650
00:31:54,680 --> 00:31:55,680
It's like, oh.

651
00:31:55,680 --> 00:31:56,680
So you've got to train it.

652
00:31:56,680 --> 00:31:57,680
And tap dancing.

653
00:31:57,680 --> 00:31:58,680
Okay.

654
00:31:58,680 --> 00:31:59,680
But you did ballet there for a while.

655
00:31:59,680 --> 00:32:00,680
Yeah.

656
00:32:00,680 --> 00:32:01,680
So you got tap and ballet.

657
00:32:01,680 --> 00:32:06,120
As most young girls did in the 80s.

658
00:32:06,120 --> 00:32:07,640
Is there any end to your skills?

659
00:32:07,640 --> 00:32:09,760
That's actually what our class said the other day.

660
00:32:09,760 --> 00:32:10,760
Is there anything she can't do?

661
00:32:10,760 --> 00:32:13,760
And I went, no, it shits me.

662
00:32:13,760 --> 00:32:15,480
Yes, Captain and the Clown.

663
00:32:15,480 --> 00:32:16,480
We ran a workshop.

664
00:32:16,480 --> 00:32:20,080
It's an amazing accounting firm.

665
00:32:20,080 --> 00:32:21,080
And the Fox Group.

666
00:32:21,080 --> 00:32:22,080
Yeah.

667
00:32:22,080 --> 00:32:23,080
That was fun.

668
00:32:23,080 --> 00:32:24,080
It was fun.

669
00:32:24,080 --> 00:32:28,360
They're such a warm and happy and fun group of people, weren't they?

670
00:32:28,360 --> 00:32:29,360
Yeah.

671
00:32:29,360 --> 00:32:33,040
They said it was like having the podcast, like a live podcast.

672
00:32:33,040 --> 00:32:34,040
Yeah.

673
00:32:34,040 --> 00:32:36,640
We've heard that a few times that, you know, oh, I listen to your voice every day in the

674
00:32:36,640 --> 00:32:38,640
car and now you're here live.

675
00:32:38,640 --> 00:32:39,640
It's weird.

676
00:32:39,640 --> 00:32:42,640
But how cool were they?

677
00:32:42,640 --> 00:32:43,640
Yeah.

678
00:32:43,640 --> 00:32:47,000
Such an amazing group of people based up in the Central Coast.

679
00:32:47,000 --> 00:32:48,000
Well, it was fun.

680
00:32:48,000 --> 00:32:50,160
Everyone, we all had our shoes off.

681
00:32:50,160 --> 00:32:52,480
And so that was good.

682
00:32:52,480 --> 00:32:58,160
And then it was just, you know, you can see different organisations.

683
00:32:58,160 --> 00:32:59,800
Shit goes in, shit comes out.

684
00:32:59,800 --> 00:33:04,760
This organisation, just the, it was like a big love-in, love-fest.

685
00:33:04,760 --> 00:33:07,040
They clearly hire good people.

686
00:33:07,040 --> 00:33:08,040
That's right.

687
00:33:08,040 --> 00:33:10,520
And the food was healthy food.

688
00:33:10,520 --> 00:33:11,520
And everyone was...

689
00:33:11,520 --> 00:33:12,520
They looked after everyone.

690
00:33:12,520 --> 00:33:13,520
I know.

691
00:33:13,520 --> 00:33:14,520
Yeah.

692
00:33:14,520 --> 00:33:15,520
It was so nice.

693
00:33:15,520 --> 00:33:21,360
Well, it's something I often talk about in team building and leadership courses is that

694
00:33:21,360 --> 00:33:26,440
it's so easy to create a good culture when you just focus on a few small things like

695
00:33:26,440 --> 00:33:31,280
hire good people, create a warm, friendly environment, look after people.

696
00:33:31,280 --> 00:33:36,720
But it's easier to do in a small organisation because the bigger the organisation, the easier

697
00:33:36,720 --> 00:33:41,080
it is for pessimism to spread and, you know, typical human whinging and that sort of stuff.

698
00:33:41,080 --> 00:33:42,080
But gee, they were great.

699
00:33:42,080 --> 00:33:45,520
They were so positive and welcoming and warm.

700
00:33:45,520 --> 00:33:48,720
And we've worked with them a couple of times now and I love those days.

701
00:33:48,720 --> 00:33:49,720
It was fun.

702
00:33:49,720 --> 00:33:50,720
Yeah.

703
00:33:50,720 --> 00:33:51,720
It was a lot of fun.

704
00:33:51,720 --> 00:33:54,520
And I finished off a workshop last week in Melbourne.

705
00:33:54,520 --> 00:33:56,440
It was a six-month programme.

706
00:33:56,440 --> 00:33:57,440
We had tears at the end.

707
00:33:57,440 --> 00:33:58,440
We were so sad it was finishing.

708
00:33:58,440 --> 00:33:59,440
Yeah, they become like family.

709
00:33:59,440 --> 00:34:00,440
It does.

710
00:34:00,440 --> 00:34:01,440
It does.

711
00:34:01,440 --> 00:34:04,440
We're so lucky that we get to do what we do.

712
00:34:04,440 --> 00:34:05,440
All right.

713
00:34:05,440 --> 00:34:06,440
Let's stop bragging.

714
00:34:06,440 --> 00:34:08,040
This is a bit wanky.

715
00:34:08,040 --> 00:34:15,760
Anyway, so if anyone's ever been a little bit scared, a bit nervous about a presentation

716
00:34:15,760 --> 00:34:20,960
or a speech, firstly, realise that the chemicals in your body when you're feeling nerves are

717
00:34:20,960 --> 00:34:24,240
exactly the same as the chemicals in your body when you're feeling excitement.

718
00:34:24,240 --> 00:34:28,600
So just say that you're excited, you're looking forward to it and use some of the strategies

719
00:34:28,600 --> 00:34:34,060
that we've shared on this podcast and previous podcasts because public speaking and presenting

720
00:34:34,060 --> 00:34:36,360
to others, it's a gift.

721
00:34:36,360 --> 00:34:37,360
You're giving knowledge.

722
00:34:37,360 --> 00:34:39,920
You're giving information.

723
00:34:39,920 --> 00:34:40,920
How beautiful is that?

724
00:34:40,920 --> 00:34:46,400
And we've told stories to each other to pass on knowledge for millennia.

725
00:34:46,400 --> 00:34:47,400
Any last thoughts, Michelle?

726
00:34:47,400 --> 00:34:48,400
None.

727
00:34:48,400 --> 00:34:49,400
None.

728
00:34:49,400 --> 00:34:52,400
You're looking at me going, I wanted to cut that bit out, but you didn't.

729
00:34:52,400 --> 00:34:55,400
We're going to end this now.

730
00:34:55,400 --> 00:34:56,400
All right.

731
00:34:56,400 --> 00:35:02,400
Oh, and the Fox Group, thank you so much for the little gift of bollinger and lint chocolates.

732
00:35:02,400 --> 00:35:03,400
So good.

733
00:35:03,400 --> 00:35:04,400
Oh my God.

734
00:35:04,400 --> 00:35:05,400
We didn't...

735
00:35:05,400 --> 00:35:09,080
We may have eaten a couple of the lint chocolates on the way home.

736
00:35:09,080 --> 00:35:13,840
But we do not say this at the end of the podcast where people would have been buying his gifts.

737
00:35:13,840 --> 00:35:16,440
Thank you to those who have done that, Ben Bainton.

738
00:35:16,440 --> 00:35:18,680
Yeah, and Ed, early learning.

739
00:35:18,680 --> 00:35:19,680
Yeah, yeah.

740
00:35:19,680 --> 00:35:21,840
Anyway, so thank you so much for the lovely gifts.

741
00:35:21,840 --> 00:35:24,960
But we're actually looking for Bollinger to sponsor the podcast.

742
00:35:24,960 --> 00:35:26,560
Come on, Bollinger.

743
00:35:26,560 --> 00:35:31,400
And lint to sponsor, and Bose to sponsor the podcast.

744
00:35:31,400 --> 00:35:32,400
Whoever's out there.

745
00:35:32,400 --> 00:35:34,200
We've still got the car wash, kid.

746
00:35:34,200 --> 00:35:35,200
We do.

747
00:35:35,200 --> 00:35:36,200
Anyway, good to see you again, Joe.

748
00:35:36,200 --> 00:35:37,200
Fantastic.

749
00:35:37,200 --> 00:35:38,200
Thanks, guys.

750
00:35:38,200 --> 00:35:39,200
Bye.

751
00:35:39,200 --> 00:35:40,200
Bye.

752
00:35:40,200 --> 00:35:41,200
Well, that was fun.

753
00:35:41,200 --> 00:35:42,200
That was fun.

754
00:35:42,200 --> 00:35:43,200
You're such a clown.

755
00:35:43,200 --> 00:35:44,200
The clown.

756
00:35:44,200 --> 00:35:45,200
Lady captain.

757
00:35:45,200 --> 00:35:48,200
And who's going to listen to this?

758
00:35:48,200 --> 00:35:49,200
Maybe our mums.

759
00:35:49,200 --> 00:36:05,880
Thanks, mum.

