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Hey everybody, welcome back to the SoCap Improv

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Comedy Podcast. My name is Ralph. I'm the owner

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and artistic director at SoCap Improv Comedy

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Theater at 154 Danforth Avenue. We do improv

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classes, shows, corporate events, private bookings.

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And if you hear anything on this silly old thing

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that sparks your interest, come and take a class

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with me at ralph at socap .ca. Um, you know,

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I have like on Thursday, do a class for performance

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Friday, do a class for, you know, improv for

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life. Uh, like why, why the whole point of the

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podcast or half point, half the point at least

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is why take an improv class. If you're not interested

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in getting on stage, that's on Fridays. And then

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I do regular classes too. Right now I'm, uh,

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doing a class, uh, improv, uh, plays, creating

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plays from scratch. And, um, I can tell you that

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my students really like it. They're really having

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a good time. When people rarely miss classes,

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that's when you know, okay, everybody comes every

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week. Today, I just want to talk about a real

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-life example of improv, one of the tenets of

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improv in action. Just going into this theme

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of how improv is not just great to watch on stage.

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It is. I mean, when it's good, it's amazing.

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When it's bad, it's cringing and you want to

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gouge your eyeballs out. But when it's good,

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you want to watch it. But it's also great in

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the real world. I have said this many times,

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but I live my life by the principles of improv.

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It's like I live it. And this is one of these

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examples. So today we're going to look at status.

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I haven't done a full podcast on status. I love

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teaching status. It's difficult, but really rewarding.

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My students either love it or hate it. Because

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it is tough. It's very tough. But boy, oh boy,

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it's a great tool. It's really good for dealing

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in the real world and on stage with conflict.

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It's with rudeness, makes you very flexible to

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handle different kinds of input. And in the real

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world, it's really great for people who are trying

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to manipulate people. But I don't mean manipulate

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necessarily in a negative way, because sometimes

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it's in a good way. So you can use high status

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to shut people down, or you can use low status

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to open people up. You can affect the behavior.

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Maybe affect is better than manipulate using

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status. When I'm talking about status, what I'm

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talking about in the comedic sense, not in the

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world sense. It has nothing to do with your job,

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your title, your age, your social rank, your

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gender, your ethnicity. It has nothing to do

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with that. It's to do with... A character's feeling

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of themselves in relation to other characters

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or the environment. And in comedy, status is

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used a lot. And when it is used, characters that

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have a lot of social status, like presidents,

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CEOs, army generals, the bosses, the owners,

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usually are low status and vice versa. So if

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you've ever seen the show M .A .S .H., I know

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it's... been off for a long time but that show

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first season was a classic status where the the

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um the commander of the mash unit uh blake colonel

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blake henry blake was very low status and sort

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of the lowest ranking member of the um you know

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the the army the corporal radar was very high

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status in fact he was so high status he could

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hear the helicopters before anybody else could

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And a lot of comedy comes with high -status characters

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who are fools. There's the high -status fool.

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If you've ever seen Alistair Forbes, really great

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at playing that high -status fool. Anyway, so

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it's really good in comedy, but it's also really

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good, people use it in real world. And, you know,

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status, you know, in improv, it can help you

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control situations, remain flexible, as I said.

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And one thing it also can do is help you overcome

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your own limitations that your own logic brings

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to situations. You know, we have default way

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of looking at things like, you know, X is always

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bad or X is always good. But status helps you

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see other signs of these scenarios and, you know,

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open up your brain, expand your mind and develop

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empathy for different points of view. So, but

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in real life, status can really help you shut

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people down. You know, if someone's being rude

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to you or, you know, stand -up comics do this

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with hecklers all the time. Use high status to

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shut them down. You can open people up by using

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low status. Make your status a little bit lower

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than theirs and they will feel more comfortable

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and will open up. And, you know, it also helps

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handle conflict without losing your cool. In

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fact, I grew up, I used to, when I was younger.

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do anything to avoid conflict. I despised conflict

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and I couldn't handle it. But now, when conflict

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rears its ugly head, which it does occasionally,

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it's not that I love it, but I see it as an opportunity

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and I don't run from it. And one of the cool

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things about stat is, I forget the name of the

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effect, it's a bias. Once you are aware of it,

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you start seeing it everywhere. And it's like

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that. So you see it in couples and you can tell

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who has the status. Parents and kids, you know,

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sometimes kids have status over parents. Actually,

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more and more now, you know, young kids who throw

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tantrums have status over their parents. They

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can manipulate in the workplace, in social groups.

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So you see it everywhere. Okay, so I'm going

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to switch now and talk about this real life example

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because I find it fascinating. And I encourage

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you to go and look up the YouTube clip. So this

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is from the 1960s. And it's two political commentators.

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There's a conservative guy called William F.

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Buckley Jr. And there was the liberal Gore Vidal.

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And these two gentlemen, I guess, started in

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the 60s. I think they became the prominence during

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the Kennedy -Nixon era. presidential run, they

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are now the template for what TV has become.

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You know, you get a guy from the one side and

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the guy from the other side, because there's

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only two sides, right? And you have them scream

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at each other and makes for a really interesting

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TV. And, you know, it does. I mean, I got to

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give it up to them. It makes for interesting

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TV. So overdone now, it's not interesting anymore

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to me, but it still works. So you had William

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F. Buckley. on the conservative, Gore Vidal on

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the liberal. And just a little aside, these two

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had way more in common than they had not in common.

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But they did hate each other. And they hated

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each other for one reason, I mean many reasons,

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but Buckley was openly hostile. He was a deeply

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conservative Christian, and he was deeply hostile

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towards homosexuality. And Vidal happened to

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be gay. But in this time, in the 60s, it was

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very, you couldn't say that you were gay, obviously.

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I mean, I don't know if it's obvious anymore,

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but, you know, if he'd been outed as gay, it

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would have ended his career. And, you know, in

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that inner circle, like everybody knew that Gore

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Vidal was gay, but no one said it publicly. They

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kept it quiet. So in this one particular debate,

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and it's on YouTube, I would recommend you go

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see it. Just do Gore Vidal and William Buckley

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on the Vietnam War, where Buckley loses it. So

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they're debating the Vietnam War. And Buckley

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mentions the word fascism. And Vidal, Gore Vidal

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just smiles at him and says, well, if anyone

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here is a crypto fascist, it's you. And Buckley

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got really mad at that comment and he fired back

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and he said, you call me a fascist again, you

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queer, and I'll sock you. Queer being, you know,

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a pejorative for a gay man. And this. happened

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on live TV, could not be edited, so it went out.

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And after that happens, the camera pans over

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to Gore Vidal, who's got a big smile on his face.

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Huge smile. He won. You know, he sits there,

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he's smiling, and he's really calm. And that's

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what he wanted. He wanted to get Buckley off

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his, upset him, and get him to react, which he

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did. And even though it cost him the potential

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of being outed, he didn't care. What he cared

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about was winning. So that's the lesson for improv

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characters is that, you know, what matters in

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status is maintaining your status. And to do

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that means that you have to lose in other ways,

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potentially. So, you know, how do you play a

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high status character who is homeless or eats

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out of dumpsters, right? How do you play a high

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status character who seems to have everything

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perfect in their lives? And again, once you see

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it, you see examples of real people who are like

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this. You know, the person who seemingly has

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nothing but... has is so full of joy that they

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almost make you mad or vice versa the person

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who seems to have everything and is miserable

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and it helps you for the non -performers get

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into that mindset but for the performance it's

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uh it's a very fun um insight into human behavior

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and um And very, very, very funny to watch too.

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And again, it's such a great tool. So today I'll

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be talking about status and conflict. High status

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is, because when it's taught, sometimes it's

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taught or you can think of it as, well, a high

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status character would be like a real jerk. You

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just tell everybody to shut up and do everything.

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But to me, that's a very low status character

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because they have a lot of concern about the

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way people see them. To me, a high status character

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is like, the buddha or jesus you can't really

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get them um anyway when when when someone insults

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you uh and you're the the worst thing that you

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want to do is uh is get upset right is uh because

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then they've won right the the moment you react

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emotionally like buckley did the other person

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wins so when someone says something like that

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seems rude uh and you get upset They've won.

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And that's why you never see stand -ups, the

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good ones, let hecklers win. They always win.

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So how do we do that? How do we handle an insult

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and stay calm and collected? Well, the first

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thing that we do is we smile. And we own the

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insult. And we treat it like what they just said

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was a compliment or was the perfect thing to

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say. So, for example, this happens to me. And

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I've had this or worse thing said to me. And

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I've responded exactly this way. Someone says

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to me, Ralph, you're an idiot. My high status

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reply is, well, sir, you have an excellent eye

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for character. Right. Or I would say like an

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idiot. Oh, you've got that completely wrong.

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I'm an actual I'm way worse than that. I'm a

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congenital moron. You know, when you because

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when you say yes to the insult, it takes away

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all of its sting. And when the sting is gone,

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that person who's insulted you has basically

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given you the best shot. And they they they didn't

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even dent your armor. And people have no idea

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what to do with that. And they just kind of get.

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They're a little weird and they leave. But the

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last thing they really tried to do is, and it's

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only ever happened to me once, where someone

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has tried it again. And boy, oh boy, that was

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one of my most fond memories of someone trying

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to double down on insulting me and backfired

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both times on this guy big time. So it's the

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same tool on stage in the real world. Like I

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said, I live by these things, you know, real

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quick. And I'm sure I've shared this story before

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where one time I came out and two guys were trying

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to steal my bike. And, you know, rather than

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freaking out, and I don't recommend you do this

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because it might not have been safe, although

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there were thousands of people around not doing

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anything to save my bike. You know, I just walked

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up to these two guys, smiled in their face and

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said, hey, that's my bike. And guys, oh, it's

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a good bike. I'm like, I know. I'd like to keep

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it. But I was smiling and having a good time.

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No threat. And they got out of there so fast.

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It wasn't even funny. Although it was funny.

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And I've talked about high status. But low status

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also works very, very well too. You got to give

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a talk in front of a thousand people. And you're

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nervous. Open with a bit of low status self -deprecation.

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And people will instantly like you. Because when

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you walk on the stage, everybody's like, okay,

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who's this person? What do they got to tell me?

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And the minute you humanize yourself with a little

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low status, they go, oh, you're not a threat.

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And they like you. So Al Gore, former vice president

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of the U .S., when he was on the speaking tour

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in the early part of the century, he used to

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open up his talks by saying, hello, my name is

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Al Gore. I used to be the president of the United

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States. And that is a reference to his the infamous

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or famous 2000 election where he won the popular

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vote. But then it went to the, you know, went

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to the Supreme Court and eventually they elected

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George Bush was called the president after Al

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Gore conceded. OK, so in closing, I just want

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to recommend status. It may be something you've

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never heard of or never considered. Or have been

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taught and may have been taught it in a way that's

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not helpful. Because, you know, for me, status

00:15:40.320 --> 00:15:43.740
has to be fun. Right? It's got to be fun and

00:15:43.740 --> 00:15:47.360
playful. It can't be strident or pathetic. Like

00:15:47.360 --> 00:15:49.960
it's got to be joyous. Even low status too. Low

00:15:49.960 --> 00:15:53.580
status is joyous. High status is joyous. It's

00:15:53.580 --> 00:15:57.379
not, it's not, low status is not pathetic. And

00:15:57.379 --> 00:16:00.460
high status is not strident. Right. Those are

00:16:00.460 --> 00:16:03.299
different views. You know, like the myth of the

00:16:03.299 --> 00:16:05.779
alpha male. To me, an alpha male, like someone

00:16:05.779 --> 00:16:07.559
who's got to be like, you know, Donald Trump,

00:16:07.679 --> 00:16:10.299
whether you like him or not or hate him, you

00:16:10.299 --> 00:16:14.120
know, he's full of bravado and he's boisterous

00:16:14.120 --> 00:16:17.179
and, you know, and bullies are the same way.

00:16:17.240 --> 00:16:18.820
They're not high status. They're low status.

00:16:19.000 --> 00:16:21.320
They're very broken on the inside and they cover

00:16:21.320 --> 00:16:23.440
it up with a lot of false bravado. That's low

00:16:23.440 --> 00:16:26.440
status to me. That's not a fun kind of low status.

00:16:27.129 --> 00:16:30.309
It's just a sad, kind of low status. Anyway,

00:16:30.409 --> 00:16:33.070
that's my time. My name has been Ralph. Come

00:16:33.070 --> 00:16:36.269
visit us at socap .ca. Come take a class. See

00:16:36.269 --> 00:16:38.330
a show. Drop me a line. Thanks for listening.

00:16:38.470 --> 00:16:39.769
See you next time. Bye.
