WEBVTT

00:00:01.070 --> 00:00:03.390
Hello everybody and welcome back to the SoCap

00:00:03.390 --> 00:00:07.129
Improv Comedy Podcast. My name is Ralph. I am

00:00:07.129 --> 00:00:09.250
the owner and artistic director of the SoCap

00:00:09.250 --> 00:00:12.609
Improv Comedy Theatre in Toronto, Ontario, Canada.

00:00:12.849 --> 00:00:18.309
SoCap .ca, 154 Danforth Avenue in Toronto, near

00:00:18.309 --> 00:00:22.609
the Broadview subway station. Yeah, and we do

00:00:22.609 --> 00:00:27.649
improv classes, shows. rentals, uh, corporate

00:00:27.649 --> 00:00:30.329
events, private events, uh, check out my other

00:00:30.329 --> 00:00:34.750
company. Yes. Unlimited. Yes. Unlimited .ca for

00:00:34.750 --> 00:00:38.009
all your corporate improv needs. Um, whether

00:00:38.009 --> 00:00:42.210
it's team building, leadership, uh, uh, creativity,

00:00:42.289 --> 00:00:48.750
brainstorming, um, I guess, you know, well, no,

00:00:48.770 --> 00:00:50.469
I mean, that's specialized in all that and including,

00:00:50.570 --> 00:00:53.189
uh, I was just thinking about, you know, helping

00:00:53.189 --> 00:00:56.200
your, um, Well, it's team building, right? Helping

00:00:56.200 --> 00:01:01.579
your employees bond. Yeah, so many things that

00:01:01.579 --> 00:01:04.340
improv is really great for. And this podcast

00:01:04.340 --> 00:01:08.599
is about improv. And I try to pay attention to

00:01:08.599 --> 00:01:13.180
improv for non -performers. Like why would, which

00:01:13.180 --> 00:01:16.040
is the bulk of my students, which are the bulk

00:01:16.040 --> 00:01:18.040
of my students. The bulk of my students are not

00:01:18.040 --> 00:01:20.959
interested in performing. Although many will

00:01:20.959 --> 00:01:23.060
get on stage, even if it's not their first inclination.

00:01:23.299 --> 00:01:26.319
But that's more about, I believe, more about

00:01:26.319 --> 00:01:31.500
stretching comfort zones and, you know, doing

00:01:31.500 --> 00:01:35.200
seeking discomfort, doing things that are tough

00:01:35.200 --> 00:01:38.359
because they are tough because of what that will

00:01:38.359 --> 00:01:43.079
benefit you in the longer run. Yeah. So that's

00:01:43.079 --> 00:01:46.379
that's what I'm that's what I'm about. And as

00:01:46.379 --> 00:01:48.980
I was alluding to, most of the students that

00:01:48.980 --> 00:01:51.650
I have. are not interested in performing. And

00:01:51.650 --> 00:01:55.189
if you're a regular listener to this podcast,

00:01:55.329 --> 00:01:57.590
you're like, yes, Ralph, we know. Move on. Okay,

00:01:57.670 --> 00:02:00.069
fair enough. I'm going to work on making that

00:02:00.069 --> 00:02:03.530
intro shorter and shorter and shorter because

00:02:03.530 --> 00:02:07.370
I try to keep this to 10 to 15 minutes. And if

00:02:07.370 --> 00:02:09.370
I'm using the first five minutes to talk about

00:02:09.370 --> 00:02:12.009
the same old thing, it's not really getting to

00:02:12.009 --> 00:02:14.110
a lot of content. So I want to focus more on

00:02:14.110 --> 00:02:17.129
content and less on introductions. So I'm going

00:02:17.129 --> 00:02:20.810
to try and keep that shorter. Anyway. Today,

00:02:20.810 --> 00:02:23.930
you know, there's a very curious thing that happens

00:02:23.930 --> 00:02:26.650
if you've ever been fortunate enough to fall

00:02:26.650 --> 00:02:32.909
in love with someone. It's a wonderful experience.

00:02:34.389 --> 00:02:39.949
And part of that process that happens when you

00:02:39.949 --> 00:02:42.729
meet someone and you start to fall in love with

00:02:42.729 --> 00:02:45.129
them. And the same thing happens with friends

00:02:45.129 --> 00:02:48.409
on, I guess, a less intense level or a different.

00:02:48.780 --> 00:02:50.939
sort of level a different kind of experience

00:02:50.939 --> 00:02:55.199
but they're similar uh in that you know when

00:02:55.199 --> 00:02:58.039
you're falling in love you one tends to lose

00:02:58.039 --> 00:03:00.240
oneself in the good sense of the word and you

00:03:00.240 --> 00:03:02.500
start thinking about the other person and you

00:03:02.500 --> 00:03:05.659
become much more focused on the experience um

00:03:05.659 --> 00:03:08.759
and part of that focusing on the experience is

00:03:08.759 --> 00:03:11.080
well you can't stop thinking about that other

00:03:11.080 --> 00:03:14.439
person you uh when they talk you're very attentive

00:03:14.439 --> 00:03:18.590
uh you're very agreeable Whatever they do, you

00:03:18.590 --> 00:03:21.370
tend to like it. Now, in six months, the same

00:03:21.370 --> 00:03:24.490
things will drive you nuts. Once you get out

00:03:24.490 --> 00:03:28.030
of that limerence phase or that loving, that

00:03:28.030 --> 00:03:30.310
first phase, a limerence is what it's called.

00:03:30.409 --> 00:03:32.830
And it's the first, whatever, six months to a

00:03:32.830 --> 00:03:36.150
year and a half where, yeah, you're gaga about

00:03:36.150 --> 00:03:38.030
that other person. You make up cute names for

00:03:38.030 --> 00:03:40.729
each other. And, you know, and what's going on

00:03:40.729 --> 00:03:42.650
or part of what's going on is, yeah, the losing

00:03:42.650 --> 00:03:45.810
of oneself, the self -consciousness goes away.

00:03:46.830 --> 00:03:49.270
in large part, and you're focused on this other

00:03:49.270 --> 00:03:52.849
person and their needs and what they're doing.

00:03:53.550 --> 00:03:57.789
And the same thing happens when you are with

00:03:57.789 --> 00:04:00.689
really good friends and you're laughing. Your

00:04:00.689 --> 00:04:03.810
self -consciousness, your ego, the sense of yourself

00:04:03.810 --> 00:04:09.050
is sort of submerged or disappears for a while.

00:04:09.169 --> 00:04:12.189
And you forget your own selfish needs. And I

00:04:12.189 --> 00:04:15.580
say selfish, not in a bad way. But we all have

00:04:15.580 --> 00:04:18.720
needs when we meet people and interact with them.

00:04:19.300 --> 00:04:21.699
And those needs, it doesn't mean that they're

00:04:21.699 --> 00:04:25.500
bad. Like a lot of us, our need is to be liked

00:04:25.500 --> 00:04:31.100
or to be seen as smart, worthwhile, intelligent,

00:04:31.680 --> 00:04:35.060
a range of things. And, you know, when I say

00:04:35.060 --> 00:04:36.819
we need things from other people, it doesn't

00:04:36.819 --> 00:04:39.800
mean we need, you know, their obedience or allegiance.

00:04:39.939 --> 00:04:42.600
No, sometimes it's just we want to be thought

00:04:42.600 --> 00:04:49.000
of as good people. part of the group. With really

00:04:49.000 --> 00:04:53.839
good friends, falling in love, flirting, I think

00:04:53.839 --> 00:04:55.680
probably it also happens sometimes in crowds.

00:04:57.040 --> 00:05:00.180
If you're a sports fan and you're with other

00:05:00.180 --> 00:05:05.180
sports fans in a setting like a bar or a stadium

00:05:05.180 --> 00:05:07.699
or an arena or something and you're cheering

00:05:07.699 --> 00:05:10.319
your home team, you lose yourself and get caught

00:05:10.319 --> 00:05:13.600
up in an experience. That's what it is. It's

00:05:13.600 --> 00:05:16.560
an experience. And I have a podcast where one

00:05:16.560 --> 00:05:19.459
of the improv rules for life is serve the experience.

00:05:20.120 --> 00:05:22.519
As much as you can, try to get over yourself,

00:05:22.819 --> 00:05:25.920
your self -consciousness, and serve the experience.

00:05:27.699 --> 00:05:30.560
As I was thinking about this podcast, it also

00:05:30.560 --> 00:05:34.560
came to me that, you know, like photographs.

00:05:36.100 --> 00:05:38.079
It's probably, I don't know if it's less so now

00:05:38.079 --> 00:05:41.399
because everybody's filming all the time. But

00:05:41.399 --> 00:05:44.279
certainly back in the day before, you know, cell

00:05:44.279 --> 00:05:46.220
phone cameras and everybody had to pull out an

00:05:46.220 --> 00:05:49.779
actual camera. You could just see everybody's

00:05:49.779 --> 00:05:52.259
back stiff and everybody gets a little bit more

00:05:52.259 --> 00:05:56.379
self -conscious, right? They try to hide their

00:05:56.379 --> 00:06:00.379
real status. And, you know, the best photos always

00:06:00.379 --> 00:06:04.300
were, in my opinion, candid photos. Like photos

00:06:04.300 --> 00:06:08.009
when the subject, I mean, photos of people. where

00:06:08.009 --> 00:06:12.269
the person being photographed didn't know, right?

00:06:12.329 --> 00:06:14.970
And that's not always, of course, there are people

00:06:14.970 --> 00:06:16.769
who are professionals at getting their photo

00:06:16.769 --> 00:06:20.730
taken. They're pretty good actors as well. Or

00:06:20.730 --> 00:06:22.889
professional photographers are good at capturing

00:06:22.889 --> 00:06:26.269
moments when people know there's a camera coming

00:06:26.269 --> 00:06:28.069
at them. But in general, like for people who

00:06:28.069 --> 00:06:30.550
are novices, both in front of and behind the

00:06:30.550 --> 00:06:33.329
camera, the best photos are candid photos when

00:06:33.329 --> 00:06:36.079
the self -consciousness goes away. And so what

00:06:36.079 --> 00:06:37.740
does all of this have to do with improv? Well,

00:06:37.860 --> 00:06:45.439
I was observing, I had a class last week, and

00:06:45.439 --> 00:06:48.939
an interesting thing happened in that there were

00:06:48.939 --> 00:06:53.779
scenes, there was a scene back to back, and in

00:06:53.779 --> 00:06:58.800
the first scene, both these scenes were, I wouldn't

00:06:58.800 --> 00:07:02.199
say very funny. They dealt with real subject

00:07:02.199 --> 00:07:04.779
matter. There were certainly some laughs in them,

00:07:04.819 --> 00:07:08.939
but they were more real. There were more people

00:07:08.939 --> 00:07:12.180
talking about real things. Just two people having

00:07:12.180 --> 00:07:14.360
a conversation. And these conversations were,

00:07:14.360 --> 00:07:17.819
by and large, very true of themselves. So it

00:07:17.819 --> 00:07:20.079
was almost like watching a documentary in a way.

00:07:21.740 --> 00:07:25.759
And one was very riveting. And the second wasn't.

00:07:26.519 --> 00:07:31.370
And as I was watching the second one... What

00:07:31.370 --> 00:07:37.149
made it more riveting was, in my opinion, that

00:07:37.149 --> 00:07:41.449
the people taking part in the scene had lost

00:07:41.449 --> 00:07:45.910
that sense of their need. Their ego was gone.

00:07:46.189 --> 00:07:51.430
And there was an ease about them. There was an

00:07:51.430 --> 00:07:55.290
informality, if you like, even though they were

00:07:55.290 --> 00:07:59.089
presentations being on stage, that kind of actor

00:07:59.089 --> 00:08:05.759
quality. Whenever, if you are an improviser or

00:08:05.759 --> 00:08:07.540
you watch people, the minute the scene starts,

00:08:07.660 --> 00:08:09.680
people tend to get their back a little straight.

00:08:10.019 --> 00:08:12.980
Sometimes their voice changes a little bit. Some

00:08:12.980 --> 00:08:17.360
people adopt postures on stage. And this is all

00:08:17.360 --> 00:08:19.420
part of their self -conscious coming out in their

00:08:19.420 --> 00:08:25.259
bodies. And I have noticed that for a while,

00:08:25.379 --> 00:08:29.160
that the people that are really compelling to

00:08:29.160 --> 00:08:33.539
watch, and even the ones that are funny, but

00:08:33.539 --> 00:08:35.120
the ones that you really can't take your eyes

00:08:35.120 --> 00:08:37.759
off of and you really want to, oh, more of that,

00:08:37.840 --> 00:08:42.980
please, are those individuals who on stage, their

00:08:42.980 --> 00:08:46.559
sense of what they need, you know, their need

00:08:46.559 --> 00:08:49.980
to be liked, their need to be interesting or

00:08:49.980 --> 00:08:53.399
entertaining goes away. And they are part of

00:08:53.399 --> 00:08:57.120
an experience that as someone watching them,

00:08:57.200 --> 00:09:00.519
you become part of as well. And then the whole

00:09:00.519 --> 00:09:05.460
audience and people on stage, if it's on stage

00:09:05.460 --> 00:09:08.340
and it's an audience, or if you're in a dinner

00:09:08.340 --> 00:09:10.779
party and you're holding court, the same kind

00:09:10.779 --> 00:09:13.539
of thing happens where people just get caught

00:09:13.539 --> 00:09:16.299
up in an experience and they lose sense of themselves.

00:09:16.700 --> 00:09:20.460
And how captivating that is. Being in the moment

00:09:20.460 --> 00:09:25.379
is, I think, captivating for all of us. We love

00:09:25.379 --> 00:09:28.759
getting swept up in moments. Whether it's game

00:09:28.759 --> 00:09:33.600
seven of some sporting event, an amazing story,

00:09:33.879 --> 00:09:38.340
whether it's a play, a movie, a book, a television

00:09:38.340 --> 00:09:43.320
show, a YouTube video. These are moments where

00:09:43.320 --> 00:09:46.159
you forget the past and the future and you're

00:09:46.159 --> 00:09:48.580
just caught up in this moment in time, this moment

00:09:48.580 --> 00:09:51.799
we call eternity. Eternity is not a when. Eternity

00:09:51.799 --> 00:09:54.450
is right now. It's this moment. This one, this

00:09:54.450 --> 00:09:56.970
moment that just stretches on and on and on,

00:09:56.990 --> 00:09:59.909
the here and now, the present. And so one of

00:09:59.909 --> 00:10:02.009
the things that makes people captivating on stage

00:10:02.009 --> 00:10:05.629
to watch is when they can submerge their ego

00:10:05.629 --> 00:10:09.789
and submerge their selfish needs and just be

00:10:09.789 --> 00:10:13.370
in a time and place serving an experience and

00:10:13.370 --> 00:10:16.710
being totally okay with what happens. No matter

00:10:16.710 --> 00:10:19.590
what the other person says, their mindset is

00:10:19.590 --> 00:10:23.070
like, perfect. What you just said did. expressed

00:10:23.070 --> 00:10:27.169
was perfect and i'm just going to deal with that

00:10:27.169 --> 00:10:29.889
i'm not going to try to change your mind i'm

00:10:29.889 --> 00:10:32.850
not going to make you see my point of view which

00:10:32.850 --> 00:10:35.049
is changing your mind i'm not going to convince

00:10:35.049 --> 00:10:38.409
you of anything except i'm going to honor what

00:10:38.409 --> 00:10:40.629
you just said and deal with that in some way

00:10:40.629 --> 00:10:44.970
so and to me that comes from the suppression

00:10:44.970 --> 00:10:48.090
of the ego which is one of these things that's

00:10:48.090 --> 00:10:52.830
easy to say but incredibly difficult to do And

00:10:52.830 --> 00:10:56.629
so I would encourage you to look into that and

00:10:56.629 --> 00:10:59.710
see if there is a way to do it. For me, it comes

00:10:59.710 --> 00:11:02.389
through laughter and it comes through suspension

00:11:02.389 --> 00:11:05.429
of judgment. When you're with people who are

00:11:05.429 --> 00:11:11.809
suspending judgment and opening up, we tend to

00:11:11.809 --> 00:11:15.029
open up. We sort of overcome our fear. And that's

00:11:15.029 --> 00:11:19.250
it. It's letting go of your fear. You know, John

00:11:19.250 --> 00:11:21.629
Cleese once said about creativity, the surest

00:11:21.629 --> 00:11:23.809
way to kill creativity is the fear that people

00:11:23.809 --> 00:11:27.070
will make a mistake. And I think that's very

00:11:27.070 --> 00:11:31.409
wise. And I think that's true. That the minute

00:11:31.409 --> 00:11:33.750
we are concerned that something we will say or

00:11:33.750 --> 00:11:37.110
do will be taken, will be judged negatively or

00:11:37.110 --> 00:11:40.610
seen as a mistake, makes us want to be safe.

00:11:40.970 --> 00:11:43.470
And then we shut down all these ideas that are

00:11:43.470 --> 00:11:47.100
coming up and popping out of us. You know, and

00:11:47.100 --> 00:11:48.919
where do these ideas come from? They come from

00:11:48.919 --> 00:11:51.080
our subconscious and they come from our, you

00:11:51.080 --> 00:11:54.799
know, I think desire, maybe not desire, that's

00:11:54.799 --> 00:11:56.419
the wrong word, but they come from our subconscious.

00:11:56.500 --> 00:12:01.139
And our subconscious, you know, most of our behavior

00:12:01.139 --> 00:12:04.480
is subconscious. We just, after it happens, we

00:12:04.480 --> 00:12:06.340
give ourselves a conscious reason why we chose

00:12:06.340 --> 00:12:09.539
that, which is, you know, I'm not going to talk

00:12:09.539 --> 00:12:11.980
about free will in this podcast, but that's,

00:12:11.980 --> 00:12:17.419
to me, that's what's going on. Creativity first

00:12:17.419 --> 00:12:21.220
is getting over the desire or the fear of making

00:12:21.220 --> 00:12:24.379
mistakes. To embrace the desire of the experience

00:12:24.379 --> 00:12:30.360
over my selfish needs. And to be relaxed in a

00:12:30.360 --> 00:12:34.059
moment. Again, easy to say. Much easier to say

00:12:34.059 --> 00:12:40.919
than to do. And so the only other thing I can

00:12:40.919 --> 00:12:44.299
think of about a recommendation. is to find places

00:12:44.299 --> 00:12:46.159
where you can do that when the stakes are very

00:12:46.159 --> 00:12:50.860
very small you know like uh wanting to do that

00:12:50.860 --> 00:12:52.740
and going on stage for the first time it's not

00:12:52.740 --> 00:12:55.940
compatible with uh trying to get out of your

00:12:55.940 --> 00:12:58.940
head and serve an experience i mean anybody i

00:12:58.940 --> 00:13:01.899
think on stage for the first time is going to

00:13:01.899 --> 00:13:04.740
be so focused on themselves which with good reason

00:13:04.740 --> 00:13:07.039
i'm not i'm not saying that's foolish of course

00:13:07.039 --> 00:13:10.500
that in the second time too uh but the first

00:13:10.500 --> 00:13:13.110
you know but uh But by and large, over time,

00:13:13.210 --> 00:13:17.570
the repetition of it hopefully will allow one

00:13:17.570 --> 00:13:22.769
to put that aside. And that's what I would suggest

00:13:22.769 --> 00:13:29.610
is finding ways where you can let go of your

00:13:29.610 --> 00:13:33.110
need, whatever your need is. And that's part

00:13:33.110 --> 00:13:36.289
of looking deep inside yourself and figuring

00:13:36.289 --> 00:13:40.320
out what your... gimmick is like what is it that

00:13:40.320 --> 00:13:45.440
you need from people maybe you don't know um

00:13:45.440 --> 00:13:49.019
but that's a whole that's a whole other thing

00:13:49.019 --> 00:13:52.120
but anyway what i just wanted to you know like

00:13:52.120 --> 00:13:55.080
to go back to serving the experience and letting

00:13:55.080 --> 00:13:59.139
go of your selfish needs and your yeah need to

00:13:59.139 --> 00:14:01.399
get things from people and just serve the experience

00:14:01.399 --> 00:14:03.679
i think if you can do that if you can find a

00:14:03.679 --> 00:14:05.980
way to make that happen And again, at low stakes,

00:14:06.220 --> 00:14:10.899
it's hard when the stakes. It's like play. You

00:14:10.899 --> 00:14:15.860
can play with people when there's no stake on

00:14:15.860 --> 00:14:20.039
the outcome. Like if you play a sport with somebody

00:14:20.039 --> 00:14:22.720
or a board game, there's desire to win. We all

00:14:22.720 --> 00:14:26.639
have the desire to win. Nobody wants to lose

00:14:26.639 --> 00:14:30.159
when there's actual chess, right? I want to win

00:14:30.159 --> 00:14:32.759
at chess. I'm still going to enjoy it. and probably

00:14:32.759 --> 00:14:34.740
have a good time, but I want to win. So there's

00:14:34.740 --> 00:14:37.980
stakes. But with improv, one thing that's great

00:14:37.980 --> 00:14:40.700
about the playing of improv is there shouldn't

00:14:40.700 --> 00:14:44.539
be stakes, or as much as possible, there's no

00:14:44.539 --> 00:14:47.620
stake for me to win, for my character to win.

00:14:48.120 --> 00:14:50.899
What I want to do is serve an experience so that

00:14:50.899 --> 00:14:54.000
we both win. Anyway, that's my time today. Try

00:14:54.000 --> 00:14:56.799
to find a time and a place where you can let

00:14:56.799 --> 00:15:03.539
go of your needs to be impressive. uh funny uh

00:15:03.539 --> 00:15:08.360
liked and just get into the experience try to

00:15:08.360 --> 00:15:12.279
let yourself go easy to say difficult to do anyway

00:15:12.279 --> 00:15:15.460
thanks so much everybody uh that's my time see

00:15:15.460 --> 00:15:18.200
you next time here on the improv so cap improv

00:15:18.200 --> 00:15:21.639
comedy podcast have a great week be kind bye
