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Hello, everybody, and welcome back to the SoCap

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Improv Comedy Podcast. My name is Ralph. I'm

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the owner and artistic director of the SoCap

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Improv Comedy Theatre in Toronto, Ontario. We

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are located at 154 Danforth Avenue, above the

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Black Swan Tavern, around the second and third

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floor. We have improv classes, improv shows,

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corporate events. You can rent our space and

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do your own thing. It's a fun place to hang out

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in a world that is increasingly becoming lonelier

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and lonelier. It's a good place to come and form

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bonds and relationships with people. Anyway,

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this is a podcast about improv. and improv for

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the stage. But more specifically, or at least

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as much, I try to gear these discussions towards

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people who are not performers. So people who

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come and have an interest in improv or want to

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know, oh, hey, Ralph, I'm a person who does blank.

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Why would I want to take an improv class? I don't

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understand. I don't want to be TFA or Lauren

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Ash or some of these other great improvisers

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turned actors. That's a fair question. So that's

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what this podcast talks about. Every podcast

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has a sponsor. We're no different. Today's podcast

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is brought to you by Pontius Pilates. That's

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right, Pontius Pilates. If you're looking for

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a tough workout, this one will crucify you. So

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we're hoping that you'll check out our sponsor,

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Pontius Pilates, and go and get in some work.

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I've never taken a Pilates class. I take yoga.

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I participate in a yoga class now once a week,

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and it's great. It targets all the parts of my

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body that I want to ignore. Not ignore. That

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I don't want to work out so much. So it's great

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for me. It's great for core, my legs, strength,

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balance. It's great. So I recommend yoga to everybody

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out there. At least try it. And that's just a

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recommendation. Here's the thing. When I recommend

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something, I'm not saying you need to do it.

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I'm thinking, is this information? You can take

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it or not take it. It doesn't matter to me. You

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know you. Anyway, I have to say that because

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sometimes people get mad at me because I don't

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say often enough that this is not direction or

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advice. It's just information. Anyway, I love

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yoga. Check it out. Or don't. Anyway, today what

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I want to talk about because it comes up quite

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a bit. It's come up a bit late often lately is,

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uh, why do we laugh? What's, what is that about?

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The laughter that comes improv on stage or, um,

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the spontaneous kind of laughter that happens

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when you're hanging out with really good friends.

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Um, cause if you pay attention, if you are an

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improviser and you're in class or you're, you're

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in a show more than a class. specifically, there's

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a lot of laughter. And then when you stop, you

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say, well, why was this thing funny? Most people

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don't know. Or they don't have an answer. And,

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you know, I think we all kind of assume that

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we laugh at things that are funny. Well, what's

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funny? And that's a whole other discussion. But

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when we laugh in improv, the laughter that happens

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in improv is, especially the belly laughs, are...

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much less about saying funny things and more

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about bonding and communicating and finding your

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group, your tribe. That's, that's, that's why,

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that's where a lot of the laughter comes from.

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Um, and, uh, so for example, you know, there's

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this exercise, the word of a time game where

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you will have two people, uh, and they will take

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turns saying the next word in the sentence. So

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character A might say one, character B, day,

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character A. There, character B was a giant monster.

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Whatever. And that's often very funny when you

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watch people do it. There's a lot of laughter.

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But you get more laughter when the sentence makes

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grammatical sense. When it is a sentence that...

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Everybody recognizes as a sentence. It can be

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somewhat ludicrous in the answer, and often these

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answers are. But the more that sentence is something

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that we recognize as a sentence, and I know what's

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going on, I will laugh. That will get much more

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laughter than a sentence that is disjointed,

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that isn't a real sentence, or that doesn't make

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a lot of sense. This one happened. This is a

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typical one that will happen. Two characters,

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two individuals, not characters. They're playing

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one character. They're two individuals. And they're

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trying to say a sentence. And this happened a

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couple weeks ago, a few weeks ago, in one of

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my classes for beginners. And they were asked

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what they were doing. And they responded, I am

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walking my. And the person. who had the next

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word the word dog was halfway out of their mouth

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and they stopped and they said fish i am walking

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my fish and nobody laughed and everybody just

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kind of stood around and looked at them instead

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of laughing and i stopped and i said why didn't

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you say dog and they were well it wasn't it was

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too obvious it seemed it's got to be better than

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that And that's not true. If a dead dog, we would

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have laughed. The thing is with the saying, I'm

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walking my fish, the audience or the people watching

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this, or if you're not on stage and you're with

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a group of people at a gathering or something,

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and that happens and you say fish or something

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that is quote unquote weird. When I say weird,

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what I mean is something that I don't see in

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my regular life. And I can't relate to walking

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a fish. You know, I have an image in my head

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of a fish with a leash on it. The fish is in

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like an aquarium and the person's walking around.

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And it's not to say that that cannot be funny,

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but it's not funny in that context. And for me,

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what happens is it's just odd. And the audience

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or the people watching this who are participating

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in it as a, as spectators, they'll laugh. And

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to me, what happens is when you walk a fish,

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they get a little panicky because they think

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maybe I'm missing something. Maybe this isn't

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for me. And they pull back and they don't laugh

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because it's not for them. It's like telling,

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It's like hearing the punchline of a joke and

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not getting it. And everybody else is laughing.

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You're the only one not laughing. You'd feel

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very, well, first of all, you'd probably fake

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the laugh and say, oh, good one. Yeah, I love

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that joke. I'm going to steal it. And you try

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to bluff your way into being accepted. But if

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you didn't get it, you would not like that joke.

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And you would get out as fast as possible, like

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get out of that place. And this is the same thing

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that happens on stage. And the tendency. Among

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newer improvisers. And even people who have been

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doing it for a long time. Is to be funny. I want

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to be funny. And what they think. What people

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think is going to be funny. Is not. Because it's

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just odd. I'm going to walk my fish. It's just

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an odd statement. And without having context.

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For why that makes sense. Or where that sentence

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came from. Like if we had prior to that. a discussion

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about walking things you know walking inanimate

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objects or walking animals you can't walk like

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a dinosaur or walking a cow oh walk a fish okay

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that that might be funny because we understand

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what we're talking about right we we all understand

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what's going on in the game underneath this the

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subtextual conversation um right so why do we

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laugh well we laugh In this case, if that person

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said dog, we would have laughed because we'd

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all see it coming. And I'm expecting dog and

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they say dog. And then I just laughed because

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ha ha ha. I knew what was going on. I belong.

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I'm part of this. This is great. I feel good.

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That laughter is a release of the tension that

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happens when maybe I'm not going to be part of

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this group. So one of the reasons that. to me

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anyway, that word of time works so well, is every

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time you start, there is a possibility that for

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an audience member or someone watching this,

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they're going to lose the track of the conversation.

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This might be a time that they're the only ones

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that don't understand what's going on. And so

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when the sentence ends and they get it, oh, it's

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the release of the tension again and the laughter

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comes. Because once you start doing that, there's

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a bit of dissonance because we don't know where

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it's going, we don't know what the sentence is

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going to be, what's happening. And as it starts

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to coalesce and we've had our period of divergence

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while we're beginning the sentence and now we're

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converging towards the goal and we all see that

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goal coming and we all arrive at the same point

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at the same time, we laugh at how wonderful it

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is. There's another exercise that I warm up almost

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all my classes with, which is the game called

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I Am A, which involves three people one at a

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time. And we make patterns or images or games

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or, well, there's different rules for how the

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three things are related. So one person starts

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and they say, for example, I am a plane. Actually,

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let me try another one. The first person walks

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out and says, I'm a C. And second character walks

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out or person walks out and says, I'm B. So that

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B contextualizes the first C as the letter C.

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The second character participant could have walked

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out and said, I am an ocean. And then my C, the

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first C would be S -E -A, not the letter C or

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the... Second character walked out and said,

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I am here. Or I am smell. Then we got, oh, that's

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that first C is S -E -E. So the second person

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contextualizes it. And then the third person

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is supposed to follow that pattern. So if I'm

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C and the second character is B, the third person,

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the best choice is A. Or some other letter of

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the alphabet. Not to come out all of a sudden

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and say, I'm an ocean. Because if you had, I'm

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a C, I'm a B. I'm the ocean. Again, that's not

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going to be funny. No one's going to laugh at

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that. They're going to go like, well, that's

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odd. It's weird. I don't get it. I don't know

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what's happening. They're not going to laugh.

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Everybody's going to go up on their head. They're

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going to panic a little bit, thinking they're

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the only ones who don't have it. They're going

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to be thinking hard about trying to make it all

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make sense so they feel better about themselves.

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But it's not going to work. But that's what the

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tendency is for people to do. I can't say A because

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that's too obvious. Say the obvious thing. because

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that will be inclusive. That will include people.

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They'll relate to it better. So why do we laugh?

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We laugh because we know what's going on, because

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we're a part of something. And I'm not going

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to go into it today, but dissonance, the thing

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that creates that imbalance or the panic that

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is a relief is a big part of comedy. We need

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to have, before you can have the release of tension,

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you've got to build some tension. So it's the

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release of tension. recognizing that you belong,

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that you're part of this. And I just wanted to

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finish because I lost my train of thought about

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that game. I am a, so when the, when the more,

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the more obvious you are in this game, the more

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people will laugh. I had one just a couple of

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days ago in the class. And I can't remember the

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exact one, but it was a, it was a title. uh of

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something like a very well -known like uh oh

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yes like alice in wonderland say it was something

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very similar to that so the first person that

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went out was i'm alice the second person came

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out and said wonderland and then two of us uh

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very quickly ran in and both said in so we completed

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the title and the whole place went crazy like

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it was a huge laugh from everybody um Because

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it was so relatable. And it was so like, I know

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Alice in Wonderland. That's why it's funny. That's

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why we laugh. It releases the tension. Because

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we know we found our group, our people, our tribe.

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I belong. I'm one of you. I'm in. I'm accepted.

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That's why it's funny. And that's why we laugh.

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That's a lot of the laughter, especially the

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belly laughter that you get in scenes, in shows,

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but also in the real world. You know, there's

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this overwhelming... thrive a lot of us have

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to be impressive to wow people another does is

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it pushes people away the best way is to be relatable

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you will get people to like you a lot better

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that way anyway that's my thing for today why

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we laugh uh i think it's really interesting and

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and i encourage you to when you laugh or you

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hear people laugh to figure out what that's about

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anyway that's my time Have a great rest of the

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week, everybody, and we'll see you back here

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next time for more SOCAP Improv Comedy Podcast

00:15:15.149 --> 00:15:18.669
brought to you by Pontius Pilates. That's right.

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They'll nail you to the wall with their hardcore

00:15:23.350 --> 00:15:25.750
workouts. Take care. Bye, everybody.
