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Hello, I'm James Cridland, the radio futurologist and every couple of weeks I write a blog post

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all about the future of radio and where radio is going. And this is it for June 4th, 2023,

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talking about AM, Longwave and Radio on TV. Surprisingly but possibly inevitably, Ford

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has decided that after all it WILL put AM radio in its new vehicles in the US. It might have

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been radio speaking with one voice. It might have been threatened legislation, even though many

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trade groups agreed with Ford and opposed the bill. Ars Technica points out that for a radio alert

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to actually work it has to be turned on and tuned to the right wavelength point. Which makes sense,

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even though radio sets use frequencies not wavelengths these days if we're going to be

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strictly accurate. Also 97% of Americans have a cell phone says Ars Technica which is already

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designed to receive wireless emergency alerts and those alerts can be received even if the cellular

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network is unable to send calls or other data. Well, it could be good news for those countries

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that still rely on AM radio, the US and Canada at least. The UK is continuing to turn AM off.

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The BBC says that 5 Live will be off AM by December 2027. They've been slowly turning off BBC

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local radio's AM transmitters as well. No news on the BBC Radio 4 medium wave relays,

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but you can probably bet that they're not going to exist for an awfully long time.

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Commercial radio is too, turning off AM output slowly with Talksport announcing a reduction

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in coverage. An absolute radio having vacated it entirely which hasn't really hurt it. They've

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just posted their highest ever total brand reach at 5.3 million. However, Australia typically takes

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its in-car equipment from that in the UK market. We drive on the left down here. We've got DAB+.

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We don't have HD radio or SiriusXM. So if I was an AM broadcaster in Australia, I'd not be breathing

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too easily. Now looking at long wave in the UK, BBC Radio 4 is finally coming off long wave. At

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least separate scheduling for long wave is to cease in March 2024. So that's an end to the daily

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service and the longer and superior version of yesterday in Parliament. It'll be off completely

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by December 2027. I say it's the end. That'll be scheduled elsewhere. The BBC says, confusingly,

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that the changes are, in anticipation of the closure of the long wave platform, owned and

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operated by a third party, which is coming to the end of its life as a technology. Which seems a

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little disingenuous because long wave isn't owned and operated by a third party at all. Though BBC

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Radio 4's long wave transmitters are owned and operated by Arkeva, just like their FM and DAB

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transmission network. What are they trying to say there, I wonder? RTE Radio 1 came off 252

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kilohertz long wave in the middle of April. In Denmark, DR Langbäuger, probably pronounced that

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entirely wrong. Anyway, that's ceasing at the end of this year. And in Iceland, the RUV will also

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cease next year. That'll just leave stations from Poland, Mongolia, Romania and Morocco on long wave.

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And good luck getting the Mongolian output even now, since they're on non-standard frequencies

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that you probably won't pick up. It looks to me as if long wave is rapidly heading for total closure.

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Now I spent some time in the UK a few weeks ago and will do so again shortly in Manchester this

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time. And while I can and do watch some of the domestic output of the BBC here in Australia,

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because you know, geo-blocking doesn't really work, what surprised me watching it in the UK

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and in a UK time zone was the amount of radio shows on the BBC News television channel. The

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mornings have a similar cast of Nicky Campbell's phone in from Five Live and it's capable done.

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But Campbell sits in a poorly lit studio with a big microphone partially obscuring his face,

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big chunky headphones on and a computer monitor also in view. His guest was on a video link rather

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than just audio but otherwise no thought appeared to have been put into dressing the studio for

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television. No affordance seems to have been made for the cameras. The weekends are full of 30 minute

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fillers from BBC Radio 4 and unlike Nicky Campbell's phone in which has some nifty graphics and

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production at least, those filler shows are put together with all the production values of a Zoom

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call. For half an hour I watched Nick Robinson interview someone in a studio, rolled up posters

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had been carefully placed behind each of them but the vision entirely consisted of two locked off

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cameras switching between one and the other. The microphone once more obscured their faces and

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both were wearing large headphones. Another show with the excellent Ross Atkins interviewing Jeremy

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Bowen was recorded in a different radio studio. Headphones were worn once more but no attempt

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had been made to dress the studio at all with a 1980s door behind one of the two locked off cameras.

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Both appeared to at least ensure that their faces were visible though.

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If you compare that with LBC who used desk mounted microphones and a dressed studio

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albeit horribly ugly headphones or talk TV's radio output where presenters wear lapel microphones

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and earpieces or even seven years ago Paul Henry on New Zealand TV and radio it's inexplicable to me

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that the BBC hasn't done more of a good job with their radio to TV output.

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Elsewhere the radio.com domain appears to have been withdrawn from auction. It still forwards to

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its owner Odyssey. They were wanting at least two and a half million dollars for it and it begs the

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question does nobody want that domain really or has the ebused.radiodomain destroyed the.com value?

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The UK's latest Radar figures came out with good news for Bowen's greatest hits radio even before

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the Ken Bruce effect takes place and Matt Deegan takes a look at the figures with his usual attention

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to details links to that and to other things I mentioned in my newsletter at james.cred.land.

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One of the many BBC local radio bosses Roderick Telfand Davies has spoken with critic David Lloyd

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and doesn't seem to either understand radio nor be across the issues which is rather disappointing.

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Meanwhile Matt Deegan again takes a look at what BBC local radio could be doing and the opportunities

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it could have in the future. And thank you to Clyde Broadcast who become my latest supporter.

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Clyde Broadcast are experts in the design specification and installation of radio studios

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and radio stations delivering full turnkey solutions worldwide and I'm grateful to them for their

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support as well as Richard Hilton and James Masterton, Brun Audio Consulting, Somer FM and

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Media Realms Radio websites. If you'd like to support this work in any way you can buy me a coffee

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become a member to give regularly or just give a one-off coffee or five buy me a coffee.com slash

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James Cridland is where to go. Now I'm looking forward next week to be at Radio Days North America

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in Toronto and then in Manchester for Pod News Live my contact details are on my website james.cridland.net

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if you're there too and you'd like to catch up you can also follow me on Masterdon just give me

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a search james at crid.land and you'll find me there. My professional website has more details

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about who I am, what I do and whether I can help you further as well. And let me talk to you very

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quickly about Pod News Live it's in Media City in Salford and it's the first on June the 13th, the

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first of a set of local day long conferences that focus on sharing knowledge and networking in the

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business of podcasting. We've got speakers from Crowd Network and the BBC and Mike Media and many

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more. It's an event which is small enough to network and varied enough to make sure that anyone can

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get the most out of the event. Please do book your tickets they're very cheap and it would be lovely to

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see you in the Lowry, the Lowry Centre. June the 13th is when it is and you'll find more information

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at podnews.net slash live. My professional website, I use the word professional likely,

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has more details about who I am or what I do and whether I can help you further you'll find that

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at james.critland.net but until next time keep listening.

