WEBVTT

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Hello, I'm James Cridland, the radio futurologist,

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and this is Radioland, my radio trends newsletter

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for the 1st of March 2026, my goodness. And we're

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sponsored by RSS .com, podcast hosting that's

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actually free. Unlimited episodes, unlimited

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storage. You can get started today at RSS .com

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and learn more about their API, which will make

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it super easy to get audio straight out of your

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playout system and straight into a podcast. In

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the UK, Radio Today has reported that media regulator

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Ofcom is to require local analogue radio licences

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in the UK to air local news between six in the

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morning and seven in the evening weekdays and

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also to air local news over weekends as well.

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The regulator says this local news must consist

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of or include some news which has been locally

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gathered by journalists physically present in

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the relevant areas. Most stations have one year

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to comply. Now, most local analogue radio licences

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in the UK actually carry national programming

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these days or nation programming, i .e. programming

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for Wales or Scotland or Northern Ireland. And

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that is from the likes of Global's Heart, Capital

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or Smooth, Bauer's Hits Radio or Greatest Hits

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Radio, or Kiss, I guess, or Nation Broadcasting's

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Nation Radio. And these stations do carry local

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news and weather and advertising, but this rule

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is potentially onerous for broadcasters. Ofcom

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estimates it'll cost the industry an additional

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US $450 ,000 a year. Now, as a broadcaster, if

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you don't fancy the idea of paying at least two

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journalist salaries as news gatherers for each

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analogue licence... then you do have another

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option available to you, and that option is to

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simply hand back your licence. And that's not

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as ridiculous as it might seem, because in total

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only 25 % of all UK radio is listened to on AMFM

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anymore. The rest is through DAB or online. And

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while some local stations will see more listening

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share through analogue, that figure will only

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go down. Now, in the UK, appearance on your local

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DAB multiplex, which gets 42 % of all radio listening,

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isn't contingent on you owning an analogue licence

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in the area. So you can just hand your analogue

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licence back with no real penalty. and many AM

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services have already been, and Ofcom hasn't

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re -advertised any licences who have. Indeed,

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last year, Nation Radio reacted to Ofcom's consultation

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about local news provision by surrendering their

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Ceredigion licence in Wales. So just weeks after

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the UK government announced a review into continued

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FM and AM broadcasting in the UK, it would seem

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that stronger regulation might be hastening analogue

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switch -off in the country. In the US, a historic

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moment. Podcasts are now bigger than spoken word

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radio. So says Edison Research at SSRS from its

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Share of Ear study. The graph, which I reproduced

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in PodNews on Friday, shows a significant drop

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in radio's share of spoken word audio time over

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the last 10 years, and 2025 is the year when

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podcasting finally overtook radio. 25 % of all

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daily audio time in the US is spent with spoken

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word audio, according to the research company,

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which does suggest that the vast majority of

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listening is to music. But as you'll hear in

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my Radio Days Europe speech, radio has less of

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a unique selling proposition for music than spoken

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word. Edison Research also publishes The Infinite

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Dial, which is to be presented in a webinar on

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Thursday, March the 12th at 2pm Eastern. And

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I am thrilled once more to be co -presenting

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that, along with VP of Edison Research at SSRS,

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Megan Lazarek. Please join us. It's free. There's

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a link that you'll find in my newsletter. It's

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the research that gives us the big number about

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podcasting, which is how many people listen in

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the US. But there's plenty more as well. Besides,

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this year, never before seen data on AI usage

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as well. Please, it would be excellent to see

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you on the webinar in a couple of weeks time.

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Back in the UK, the Radio Academy, where I was

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once a trustee, has become the Audio Academy.

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And it's really difficult to report on that because

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it's both simultaneously the right change, I

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believe. but also hard to see it as good news

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for radio, isn't it? Now to Australia. Australian

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radio network ARN, the home of Kyle and Jackie

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O, released its financial results. Revenue is

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down 10 % on the year, profit down 30%. More

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job cuts have been announced. Details are to

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follow. Already people have been announced as

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leaving the organisation. The current market

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cap of the whole company is 109%. 0 .5 million

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Australian dollars. That's down 45 % in the last

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year. And just to put it into context, $109 million

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is roughly half the value of Carl and Jackie

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O's contract. Now, the Kyle and Jackie O effect,

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how they messed up the radio industry, is an

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article on a new -to -me radio website. It's

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called ComRadio Australia, not to be confused

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with the CRA. It's mostly RSS -driven links elsewhere,

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but does carry its own articles as well. And

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it is arguing that the show is responsible for

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significant cost -cutting throughout ARN. Jackie

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O was off all last week after a bad argument

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on the air, and Radio Info reports that Kyle

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didn't bother coming in on Thursday either. He

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was apparently unwell. It's the end of the first

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survey for Australian radio ratings. Numbers

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for these six weeks, which unusually aren't merged

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with a previous survey's data, come out on March

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19th. It will be a fascinating, fascinating survey

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to have a look at. Another week, and the ACMA,

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by the way, the world's weakest media regulator,

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still hasn't made a decision about the licence

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conditions for The Kyle and Jackie O Show. Do

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we make podcasts that are essentially television?

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Or do we pursue and deepen our relationship with

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sound and its imaginative possibilities? Siobhan

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McHugh spoke at the Radio and Audio Studies Symposium

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last month in a talk called Viva! The Narrative

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Podcast, The Case Against Video. You can read

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the full speech in Pod News. I've linked to that

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today. Or you can watch the full keynote as well

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on YouTube. It's definitely worth reading with

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a radio hat on as well. And in podcasts, talking

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about podcasts, which we kind of were, in Wade

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Kingsley's The Quarter Hour podcast, we hear

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from the Australian music industry. Australia

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has a music quota, much like Canada or France.

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Annabelle Hurd is both CEO of the Australian

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Recording Industry Association and of rights

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holder PPCA. And she says good things about radio,

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but also suggests that radio has a responsibility

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to promote local music. I'm assuming, by the

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way, that my conversation with Stingray's Steve

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Jones at Radio Days Europe will be touching on

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Canadian content, incidentally. There'll be a

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lot of talk about TuneIn, which Stingray now

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own. Meanwhile, the Media Club with Matt Deegan

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talks about more government regulation in the

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UK for television. Clive Dickens from Meliora

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comes in to talk more AI. And a reminder that,

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yes, this is also obviously a podcast. It's called

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Radioland, and it's available wherever you get

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your podcasts, but you know this already, and

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I shouldn't have read this bit out. But as I

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say in the newsletter, it's not very edited,

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is it? Random radio ratings corner now. And from

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the Netherlands, I link to the annual report

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from trade organisation Audify, which shows audio

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ad revenue and radio listening and radio platforms.

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Here are two numbers for you. Radio listening

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in the Netherlands around 89 % weekly reach.

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Radio platforms, only 28 % of total hours is

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spent listening to FM. Online, much, much bigger

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than DAB in that country. No radio listening

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at all is listed for AM. And thank you to John

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McDermott, who bought me three coffees. Yay!

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To thank me for the new podcast trailer feed.

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You'll find that at newpodcasts .net. That's

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very kind of you, John. So thank you for that.

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Where am I speaking next? I'll tell you. I'm

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speaking at Radio Days Europe in Latvia. in mid

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-March, I'm flying via Hong Kong. So I should

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be okay. Woe betide anybody, Wade Kingsley, who's

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flying via somewhere else, like Singapore is

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probably okay. But yeah, Doha? Yeah, no. Dubai?

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Yeah, no. So that's going to be fun, isn't it?

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But anyway, that's all exciting. I will be talking

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about the future of audio. They have just told

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me, but it's not yet on the website. They've

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just told me that there's been a room change

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and I'm now a bit nervous because it sounds as

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if I've got the big room. Anyway, if that's true,

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then I will see you first thing on Tuesday. And

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that'll be fun, won't it? The night after the

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big party. I'm going to have to up my game and

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start writing it soon. That'll be fun. But anyway,

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I am talking about what the future of radio is,

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obviously, how we'll listen on what devices,

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how we can make our output truly unique, and

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how we do that in a resource -efficient way.

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You won't agree with much of it, so come along.

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That'd be good. I'm also talking with Steve Jones

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of Stingray about TuneIn, about Canadian Radio,

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and lots more. Please join me for that too. And

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I'll be speaking at the podcast show in London,

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May the 20th to the 21st, keynoting at that event,

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as well as recording a Pod News Weekly review.

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If you're a Radioland reader, then email me if

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you want some money off. It's not much, but,

00:10:45.990 --> 00:10:48.950
you know, it's a pint of beer or whatever. Then

00:10:48.950 --> 00:10:52.090
very happy to send you a super secret code for

00:10:52.090 --> 00:10:55.909
that. And thank you to our many supporters, including

00:10:55.909 --> 00:11:00.870
Marty from New York. Gavin Watson, Greg Strassel,

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Sam Phelps, Richard Hilton, Emma Gibbs, Jocelyn

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Abbey and James Masterton for being regular supporters.

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This is the bit of the podcast where I then have

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to type in Radioland .email so I can actually

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get to see. the other sponsors who are kind enough

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to appear. Who should we mention this time round?

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Studio, obviously, Meliora. Radio Today, hooray!

00:11:30.139 --> 00:11:33.870
And Soma FM, there you go. If you would like

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to support my work in any way, please do. You

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can buy me a coffee. You can become a member

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to give regularly or just give a one -off coffee

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or five if you want. Buymeacoffee .com slash

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James Cridland is where to go. And my website's

00:11:45.029 --> 00:11:47.269
got more details about who I am, what I do and

00:11:47.269 --> 00:11:49.889
whether I can help you further. Radioland .email

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is a nice way to find that. That's Radioland

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.email. And until next time, keep listening.
