WEBVTT

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Hello, I'm James Cridland, the radio futurologist,

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and this is Radioland, my weekly international

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radio trends newsletter. What's the date today?

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It's February the 16th, 2026, and this podcast

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is sponsored by rss .com, podcast hosting that's

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detailed analytics from day one. You can upgrade

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at any time as well. RSS .com is where to go

00:00:30.190 --> 00:00:33.630
for that. Now, I've been watching the troubles

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of the television industry in a detached sort

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of way because it's very clear how quickly the

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business of live television is collapsing before

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our eyes. It seems every few weeks there's another

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story about cost -cutting within the TV industry.

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I can't really remember the last time I watched

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live television. From the antenna, actually I

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can, we turned on the TV on January the 24th

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to listen to Triple J's Hottest 100 on the big

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speakers in the front room, but that wasn't watching

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the television really though, was it? Particularly

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from an infrastructure point of view, the end

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of broadcast TV is moving really very quickly.

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In the UK, there's increasing talk about switching

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off terrestrial television broadcasting. 2034

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is given as a potential switch -off date. given

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that that's when the contracts are due for renewal

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with broadcasting infrastructure company Arkiva.

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But that's television, and we don't need to care

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about television, do we? So I thought. But what

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I'd not appreciated until now was that of course

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this means that the costs for maintaining the

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terrestrial transmitter network post -2034 would

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no longer mostly be paid for by television. That

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means that radio could end up being charged significantly

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more, according to a story in the iPaper. Radio

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isn't always co -sited with TV, but clearly maintenance

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of masts, ground rent, the cost of staff and

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offices and many other parts of the broadcast

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infrastructure world would end up having to be

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paid for almost entirely by radio broadcasters.

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And frankly, there isn't the money to go around

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there. There's much to think about, I think.

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While FM and DAB Plus don't require anywhere

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near the same kind of infrastructure as AM or

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TV, at high transmission powers they still do

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require proper transmission. Meanwhile, the UK

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government is running a review about the future

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of FM radio beyond 2030. DAB is still much, much

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bigger than online, so there's no suggestion

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right now that it's the end of terrestrial radio,

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and those masts will still need to be required.

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Radio Today has reported a Europe -wide piece

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of work celebrating listening to radio in the

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car. And I'm still surprised at the piecemeal

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approach that the radio industry is taking towards

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car manufacturers, which means that we get the

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sort of bad experience that I have in my car

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right now in terms of a radio receiver, because

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nobody is apparently talking to auto manufacturers

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about how to make it better. And that's not been

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helped by commercial radio in Australia overfilling

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its multiplexes, which has broken much of the

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functionality of DAB in my car, which is, again,

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something that nobody cares about either. My

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goodness, the amount of time that I've spent

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talking to the CRA about it and not getting particularly

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far. The BBC has launched a new tech podcast

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called The Interface. It's a BBC Studios audio

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production for BBC Sounds of the UK and BBC .com

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internationally. And true to form, it has a bewildering

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distribution plan. If you're in the UK, you'll

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be able to listen to it on BBC Sounds or wherever

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you get your BBC podcasts. Outside the UK, you

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can listen to it on bbc .com or wherever you

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get your podcasts or watch it on YouTube. Outside

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the UK, despite the BBC's website having full

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video capability, you're not watching it there.

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No, you only get to watch it on a US website,

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Google's YouTube, with advertising and tracking.

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And inside the UK, in spite of the BBC's website

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having full video capability and the BBC having

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this thing called the iPlayer, which you might

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have heard of, which has lots of long -form video

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content, you don't get to watch this thing at

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all. It's just audio for you and tough. Just

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bizarre. Really don't understand what the BBC

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is doing. Now, discovered for pod news, but in

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radio, we'll find this helpful as well. You probably

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know about FFmpeg. It's a wonderful command line

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thing that works command line in Linux and also

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in Darwin, which the Mac uses and all of that.

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It's very good for audio encoding. It's very

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good for audio conversion and all of that. You

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might not know that it's also capable of sorting

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out LUFS levels. You can add compression with

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it. You can add EQ with it. You can add all kinds

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of additional things just using FFmpeg, which

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is lovely. So there's a thing called FFab, Scotty.

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FFab, it's a really nice UI for FFmpeg. And it

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gives you the command line for what it's doing.

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So you can add the commands to your workflow.

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It's genuinely amazing what FFmpeg is capable

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of doing, it turns out. And this is really nice

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UI, which lets you play with the buttons or faux

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faders and all that kind of stuff to your heart's

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content. It's very nice. FAB isn't Scotty, is

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it? FAB is something else. I'm trying to remember

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what it is and I can't remember. Anyway, there

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we are. I did a web search for Phil Reilly, trying

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to remember where I'd read that main story about

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the cost of radio. And I noticed... Then he'd

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blogged at the end of last year about the funding

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debate for the BBC and its effect on radio. Privatising

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bits of the BBC would be a calamity for everyone,

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he argues. It's good. There's some good maths

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in there. It's worth a peek. Now, two pieces

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of random radio research, which you'll find linked

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from my newsletter, which you'll find at james

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.cridland .net. or indeed at radioland .email.

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Yes, can't forget that, radioland .email. It's

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rather easier, isn't it? Anyway, two pieces of

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random radio research. Firstly, I'll link to

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2025's radio figures for Finland. Radio reaches

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83 % of the population there a week. Daily listening,

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two hours, four minutes. Although, if you look

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at people aged under 24, that two hours, four

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minutes drops to just 32 minutes. Gosh. There's

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some nice data in the pack about where they listen

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and who to. It's a lovely, really clear, really

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inclusive report, which is really nice. And I

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also link to the Survey 325 survey for New Zealand.

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And unlike the Finnish one, it's two sets of

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tables with a tiny cramped graphic at the bottom

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of page one. The figures don't include RNZ, the

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public service broadcaster, or indeed many of

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the community stations. I think that radio is

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much stronger in Aotearoa than these figures

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would tell you, and I don't think they tell a

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very good story about radio at all. Bit of a

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shame. Now, I'm on ABC television tonight in

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West Australia during their 7pm news, as I record

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this. Two hours' time. talking about ABC Radio

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Perth's switch later this month over to 102 .5

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FM. That's a familiar frequency for me. Anyway,

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hopefully it'll be almost as good as a very nicely

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written piece from the ABC on its website, which

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correctly catches all of my tedious caveats about

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AM still being very important in regional Australia,

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but this being a particularly good fix. for city

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broadcasting, which is what ABC Radio Perth is,

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stroke, should be all about. Anyway, it's a nice

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piece which you'll find linked from my newsletter.

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Tomorrow morning, I'm also on ABC Radio Perth.

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If you're up at 6 .15 in the morning Perth time,

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it's 8 .15 in the morning Brisbane time, so I

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will have had enough time to get into the centre

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of Brisbane and used something called the TARDIS,

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which the TARDIS is there. A little radio studio

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where you go in and you talk to people at the

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other end of the line rather than it just being

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at the end of a phone call. Rather nicer. Anyway,

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there we are. Now, I didn't hear from Peter in

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Waverley last week. I did hear, though, from

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another former ABC employee called Ed, who sent

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me a grumpy email saying, I do carry on so much

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about AM, adding, I'm just interested in the

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content and I couldn't really care less about

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the form of modulation. Well, Ed. I am interested

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in people actually listening to the content and

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therein lies the difference. Now, I spoke last

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week at the radio festival in New Delhi, at least

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I think I did, and you can watch many of the

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sessions on their website. YouTube's captions

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are really good at translating the mix of English

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and Hindi that the session was all done in. There

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was a session called Is Radio Dying or Thriving

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where some radio people genuinely stood there

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at a radio conference, saying that radio was

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dying which i thought was a brave career move

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yes i understand the conversations But also,

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wow, gosh, okay. So the lady from Fever 104,

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I thought, yeah, brilliant. I mean, good for

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you, but wow. So anyway, worth a peek. There's

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a whole day's worth of coverage there. And thank

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you to Radio Today in the UK for becoming my

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latest supporter. As soon as I say that, I start

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thinking about the little jingle that they used

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to have with MCASO. Anyway, as long as I've been

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in radio, Radio Today has been there covering

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the changes in the industry. It's an excellent

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resource. And I'm also very excited to see some

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of Mr. Roy's money. So I will be spending that

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wisely, quite possibly in Riga, in Latvia, which

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is where I'm speaking next towards the end of

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March. My session is called The Future of Audio

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is People Powered. I've got lots of data, lots

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of excitement, but also talking really rather

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more about the content that we put on our transmitters,

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not necessarily what those transmitters actually

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are. And certainly I don't think I'll be mentioning

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AM once because it's Europe and Europe has moved

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on from all of that sort of thing. You should

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be going to Radio Days Europe as well. It is

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a marvellous, marvellous, marvellous event if

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you're interested in anything to do with radio.

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I know it's called Radio Days Europe. There's

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people from all over the world there. It's a

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really invigorating couple of days. It's well

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worth going to. RadioDaysEurope .com is where

00:10:55.809 --> 00:10:58.389
you can buy tickets now and you should be buying

00:10:58.389 --> 00:11:01.009
tickets now for it. The tickets will go up and

00:11:01.009 --> 00:11:04.040
up and up and up and up in terms of costs. And

00:11:04.040 --> 00:11:06.879
you should be sorting that out right now. So

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RadioDaysEurope .com is where to go for that.

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I'm also speaking at the podcast show in London,

00:11:12.000 --> 00:11:14.679
May the 20th to the 21st. I'm actually doing

00:11:14.679 --> 00:11:20.240
the first speak, the first keynote. Yes. Anyway,

00:11:20.419 --> 00:11:22.480
I'll be on at quarter past nine, if you can get

00:11:22.480 --> 00:11:26.620
in, in the first 10 minutes. So that'll be good.

00:11:26.720 --> 00:11:28.679
And I'll be last on as well, recording a Pod

00:11:28.679 --> 00:11:32.059
News Weekly review from something which I can't

00:11:32.059 --> 00:11:35.620
tell you yet. So there we are. And probably a

00:11:35.620 --> 00:11:37.279
few other things as well. The podcast show is

00:11:37.279 --> 00:11:40.779
very good too. If you subscribe to PodNews, then

00:11:40.779 --> 00:11:42.580
you get some money off as well. podnews .net

00:11:42.580 --> 00:11:45.970
slash extras if you do that. And thank you to

00:11:45.970 --> 00:11:48.830
our many supporters, including Radio Today and

00:11:48.830 --> 00:11:52.309
Gavin Watson, Greg Strassel, Sam Phelps, Richard

00:11:52.309 --> 00:11:55.330
Hilton, Emma Gibbs, Jocelyn Abbey and James Masterton

00:11:55.330 --> 00:11:57.950
for being regular supporters. If you would like

00:11:57.950 --> 00:12:01.730
to support this in any way, then you can buy

00:12:01.730 --> 00:12:04.389
me a coffee. You can become a member to give

00:12:04.389 --> 00:12:07.820
regularly. or just give a one -off coffee or

00:12:07.820 --> 00:12:11.919
five. That's all good too. Just, where'd you

00:12:11.919 --> 00:12:14.320
go for that? Oh yes, buymeacoffee .com slash

00:12:14.320 --> 00:12:17.200
James Cridland, or indeed just go to radioland

00:12:17.200 --> 00:12:21.059
.email and find the link there. I'm on Mastodon

00:12:21.059 --> 00:12:23.690
if you want to follow me on the socials. James

00:12:23.690 --> 00:12:28.850
at BNE .social. Mastodon's good. None of the

00:12:28.850 --> 00:12:31.429
rest are. So that's basically me. And my website

00:12:31.429 --> 00:12:34.110
has more details about who I am and what I do

00:12:34.110 --> 00:12:37.090
and whether or not I can help you further. Thank

00:12:37.090 --> 00:12:39.769
you to a few people who have contacted me and

00:12:39.769 --> 00:12:41.649
said, would you like me to edit this podcast

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for you? No, no, no. This podcast is literally

00:12:45.590 --> 00:12:48.470
me opening the microphone, recording it, closing

00:12:48.470 --> 00:12:51.149
the microphone. and then uploading it. There's

00:12:51.149 --> 00:12:54.330
no editing on this at all, can you tell? But

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until next week, thank you for listening, and

00:12:57.389 --> 00:12:58.169
keep listening.
