WEBVTT

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Hello, I'm James Cridland, the radio futurologist,

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and this is Radioland, my weekly radio trends

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newsletter and podcast, and it is the 10th of

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February 2026, and this podcast is sponsored

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by rss .com. rss .com gives you podcast hosting

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that's actually... Free, unlimited episodes,

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to major listening platforms and detailed analytics

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from day one. You can get started for free at

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rss .com. Australian broadcast radio content

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regulations are a little odd if you've ever worked

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in a different radio market. As I wrote about

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in mid -November, the ACMA, the media regulator,

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is surprisingly toothless. It has just one big

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weapon. an additional licence condition, which

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is a big heavy weapon and only brought out if

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it's got no other choice. And if those additional

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licence conditions are broken, the only thing

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the ACMA can do is turn the radio station off,

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either temporarily or permanently. There is a

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fine set by law at currently $165 ,000 Australian

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dollars a day. That's about $120 ,000 US, which

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may be ludicrously large or pifflingly small.

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They can't change it anyway. But for contents

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of radio broadcasts, there is a co -regulatory

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framework where broadcasters and their trade

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associations work on their own codes of practice,

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and the ACMA registers these and assesses compliance.

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And Commercial Radio and Audio has released a

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new code of practice today, which has just been

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registered by the ACMA. It's the first since

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2017. I've mirrored the codes just in case they

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go away on my website. The press release tells

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us that there are two new things in there. Firstly,

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something called special care at times when kids

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are most likely to be in the car. That's from

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8 till 9 in the morning and from 3 till 4 in

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the afternoon. It's not very clear what special

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care means, but you can bet that this is in relation

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to the stuff that Kyle and Jackie O have been

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broadcasting during this time slot. Without a

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clear understanding of what special care means,

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because it's not defined anywhere, it doesn't

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seem to mean an awful lot, but at least there's

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something there, I guess. And there's also something

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in there about AI transparency. It's a move,

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I think, against ARN's horrible, dishonest radio

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announcer called Tai, which was a badly produced,

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badly written AI voice on KEDA and never disclosed

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as being AI. As you can tell, I'm a fan. The

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devil is in the detail. Because if ARN wanted

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to disclose that Tai was just an AI voice, then

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they can post somewhere no one looks like a...

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page buried on their website somewhere and the

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letter of this new rule is complete as long as

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it's been mentioned somewhere then it's fine

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so not quite so sure whether either of these

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two clauses is going to be particularly helpful

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not mentioned in the press releases headline

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but much more welcome is that the cra will publish

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an annual report with a summary of all the complaints,

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which will be quite interesting to look at. In

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case you're wondering what all of the changes

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are, well, there's a little bit of a change in

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terms of corrections to news broadcasts. They

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must now be mentioned, be made as soon as is

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reasonably practical. There wasn't any time guidance

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before there, so you could just correct something

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a couple of months later and that would have

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been fine. There are changes to the formats for

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Australian music content, OzCon, as I'm going

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to call it. it, which nobody else calls it here.

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If you play hip -hop, then hip -hop has moved

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from a 15 % minimum Australian content to a 25

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% minimum content for some reason. And accordingly,

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25 % of that needs to be new instead of just

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15%. CADA is the only station, I think, that

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describes itself as hip -hop and R &B, at least

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that broadcasts on an FM frequency anyway. There

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is some... changing of words to clarify what

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a complaint is and what feedback is. Particularly

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feedback appears to be able to be ignored, but

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a complaint isn't. So I guess remember to use

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the C word in your letter, complaint, obviously.

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It does seem that there is a new requirement

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for an online complaint form to be made available

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on radio station websites. There used to be a

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word if in that clause. It's gone now. I'm actually

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wondering if that's a typo, to be honest with

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you. But still, there we are. And then there's

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the annual report and the brand new section about

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AI transparency as well. Elsewhere in the UK,

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the new radio figures came out. The Media Club

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with Matt Deegan has Adam Bowie on to talk about

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them. It's worth a watch if you'd like to know

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what's up in the country and what's down and

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what's up with Adam's thumb. Adam, what have

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you done to your thumb, mate? Anyway, LBC, a

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talk station, has record numbers, which is good

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to see. That was my station of choice when I

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used to live in London. Spencer Howson interviewed

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me on ABC Radio Brisbane at the end of last year

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about AM radio and I managed to upset Peter of

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Wavell Heights so much that he sent a t -shirt

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into Spencer to pass on to me. And I link in

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my newsletter to a clip of some video of Spencer

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waving it about. It's a big picture of an old

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AM transmitter which says something like 300

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kilometres total distance. or something like

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that. I'm sure that's not what PETA sounds like.

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There is also a big sheet of paper explaining

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why I am wrong as well. Let's just pull that

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up for you so that I can maybe talk about what

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it says, because what does it say? There's a

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thing. I've got it hidden away on this machine

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over here. Yes, so it whitters on about coverage.

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300 kilometre radius. Lovely. It talks about

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AM, which is ground waves or ground guided, as

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he says. We do learn that FM radio doesn't work

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in the rain, which is something that I was hitherto

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unaware of and you probably as well. So that's

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a thing. There's a long talk about the misguided

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legislation. that is happening in the US. No

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mention of the fact that it's only for seven

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years anyway in terms of making sure that AM

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radios are in new cars. I'm not actually sure

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whether that has been yet passed. I don't think

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it has been yet. And it says in remote Australia,

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AM is more likely to be your companion. Peter,

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I agree with that. Absolutely. Yes, I'm not talking

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about in remote Australia. I'm talking about

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in the cities and in the cities. Really, an AM

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radio station needs to be on FM in order to be

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listened to. That's the important bit. Anyway,

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it's nice to see that so many people feel so

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passionately about this stuff. And if Peter from

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Wavell Heights would like to get in touch. then

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I will return the favour by buying him a DAB

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Plus radio so he can enjoy three times the choice

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of stations, and I'm sure that he will enjoy

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that very much. New York Public Radio has a new

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CEO. Christy Tanner has an impressive media background,

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if not any. particular radio experience to point

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to. I don't think I mentioned that the CEO of

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RCS, Philippe Generali, is to step down at the

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end of this month. Philippe is an unusual CEO.

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He's often really visible at industry events,

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a large number of which they support. And as

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you'll see from the RCS banner in the newsletter,

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RCS has been a supporter of many parts of the

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radio industry for many years. A lot of that

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is down to Philippe and his team. And I do wish

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him all the very best for retirement. forward

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to RCS's next chapter as well. And last time

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on this podcast and in my newsletter I mentioned

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that Chanel Vela who's been doing ABC Radio Melbourne's

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Monday to Friday breakfast show was highlighted

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as a media trainer by her talent agency's bio

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which apparently shouldn't be allowed. Anyway

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that's been changed it now reads Chanel was highly

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sought after as a media trainer during her time

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in commercial networks. So I'm happy to make

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that clear that she's no longer a media trainer.

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The conflict of interest only really arises if

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she's interviewed anyone who she trained. But

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we don't know whether she has. But she's off

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very shortly on maternity leave. So perhaps that's

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one that we can leave for now. Where am I speaking

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next? Well, I'm speaking in New Delhi in India

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today at the Radio Festival. I am on video. I

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recorded that in this very office three or four

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days ago. Live mixed it as well. It's all very

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exciting. Anyway, that is all done. It's talking

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about where the future of radio is going. Radio

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Days Europe is where I'm speaking next in person.

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That's in Riga in Latvia in mid -March, talking

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about the future of audio being people -powered.

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And very much looking forward to doing that.

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And the podcast show in London in mid -May. I'll

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be keynoting. I'm also recording a Pod News weekly

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review. And that keynote may be slightly different

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this year. I'm just seeing if I can get approval

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from the podcast show folk. It's probably an

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email already saying yes or saying hell no. One

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of those two. So we'll find out what they say.

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But it should be a good event. Very much looking

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forward to doing that. I'm there in London pretty

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well all week. And it'd be great to catch up

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with you if you are in London too. And thank

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you to the many supporters of the newsletter

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and of the podcast. including Greg Strassel and

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Sam Phelps, Richard Hilton, Emma Gibbs, Jocelyn

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Abbey and James Masterton for being regular supporters.

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If you would like to support my work in any way,

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you can buy me a coffee. You can become a member

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if you like. Kevin Watson has done that as well.

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And I should probably say thank you to him in

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the newsletter version. So I will probably do

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that. See if I remember to do that a little bit

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later. Anyway, you can give me a one -off coffee

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or five or... sign up regularly buymeacoffee

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.com slash james cridland is the place to go

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and if you want to follow me on the socials the

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only social i'm really on is mastodon or the

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fediverse you can find me there james at bne

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.social that's brisbane bne .social my website

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has more details about who i am and what i do

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and whether i can help you further radioland

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.email will get you to the email bit but james

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.cridland .net That's right. We'll get you to

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the rest of that where you can find out what

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I do, who I am and whether I can help you further.

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And until next time, keep listening.
