WEBVTT

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Hello, I'm James Cridland, the radio futurologist,

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and this is Radioland, my weekly radio trends

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newsletter. It's obviously just had a week off

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for Christmas, and normally I'd wait until next

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week to send out the first Radioland of the year,

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but there's already too much news, so here we

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are, and happy new year to you. This is Radio

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Centre's last year and closures as we move into

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2026, and this podcast is sponsored by rss .com.

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Now, I've long been impressed at Radio Centre

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in the UK. It's a vibrant trade body for the

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radio industry, which is probably a good reason

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why UK radio is so well thought of and so successful.

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And they've just published their annual review

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2025, which is only two pages, but there's a

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lot there. If you're not in the UK, can you say

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that your own trade organisation has done as

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much as Radio Centre has in the past year? Now

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here's a new radio station in Montgomery in Alabama.

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Turn your radios up. What if your radio station

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actually listened to what you play? The new Streams

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100 .5 is powered by what you stream. Every song,

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every week. Hey. Yo, it's your boy Chris. Hey,

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guys. It's your big party. We track millions

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of local streams right here in Montgomery and

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turn your choices into the city's unique playlist.

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You pick the hits. We put them on the air. Hey,

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what's up? This is SZA. What up? This is Drake.

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Streams 100 .5. Powered by what you play. Well,

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it's an interesting idea. It's choosing its entire

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playlist based on music streaming stats for the

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city. The station says it's a first ever. It's

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using a service called StreamStats from Bridge

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Ratings. And if the data is filtered for the

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age group that this station is aiming for, then

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it sounds like an interesting way to produce

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a music policy. Although if it just offers the

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same music you can get on your streaming device,

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but with horrible ads and no way to skip the

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bad songs, then I kind of wonder why you'd want

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to tune in. Christian O 'Connell's new national

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breakfast show here in Australia starts on Sydney's

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Gold 101 .7 later this month, but he did a week

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in Sydney just for Sydney before Christmas. A

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bit of a baptism of fire given his week was directly

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after the atrocity in Bondi Beach, but Christian

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is a professional broadcaster who knew how to

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pitch things. So I'm aware that some of you might

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be tuning in right now going, who is this? Please

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tell me the radio's broken. It's not an English

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guy, is it? It's the last thing we need this

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week. It's an uninvited Englishman suddenly on

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the radio. I'm Christian O 'Connell, and we are

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the show that is going to be replacing Jonesy

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and Amanda. And the good news for you guys is

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you're going to have two great shows come January

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on this radio station. We're going to be waking

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you up, and then Jonesy and Amanda are going

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to be taking you home. This is going to be some

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radio station for Australia. Now, the whole thing

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is going to be available as a podcast. And you'll

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recall that Smartmaster Kyle didn't even bother

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going to Melbourne before his launch. So already

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Christian seems to be doing things well. Now,

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clearly, ARN is missing a trick by not putting

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this show onto 97 .3 in Brisbane. It will, though,

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be on DAB +, which a third of Australians use

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every week in the cap cities. Gold would be a

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clear market leader given an FM frequency, but

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instead ARN is using KISS 97 .3 to compete against

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two other top 40 format stations on FM, leaving

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the only oldies FM outlet. to the tired, sports

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-infused Dad Rock Triple M, and nothing else

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grown up for anyone over the age of 35. Gold

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97 .3 is the obvious choice, and as a Christmas

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present ARN, I've bought gold973 .com .au for

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you. It's all safe and sound for when you launch.

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Just ask gold973 .com .au, which weirdly already

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works. In Canada, Numeris published some listening

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trends for quarter 3 .25. There's more listening

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to radio at home. And Edison Research has actually

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said something similar about at -home audio listening

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in the US as well. Average weekly hours per listener

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is also listed in the data. Most markets are

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up. Radio streaming accounts for between 12 %

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and 16 % of total radio audience through the

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workday. Here we are in 2025 and live radio is

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hitting a peak of just 16 % of total radio listening

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online. Does Radio Player Canada or iHeartRadio

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Canada or any of those apps only get 16 % of

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all mentions on air? I bet it doesn't. I was

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interested to be interviewed on ABC Radio Brisbane

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and ABC Radio Perth about AM's future. and the

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ABC Radio Perth switching to FM. You can listen

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and watch to those. You'll find a link in the

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newsletter version of this podcast. Also, Spotify

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has added a playlist mix feature, which I've

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tried, and it's fatally flawed, rather unfortunately.

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Otherwise, it would be pretty good, but you can't

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quite use it if you just want to make some nice

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mixtapes, which is a bit of a shame. Now... Goodness,

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there's been a lot of closures over the last

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couple of weeks. For a start, MTV closed down

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all of its music channels. Its last song, Video

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Killed the Radio Star, of course, calmer. The

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BBC interviewed Ray Cokes from MTV Europe. He

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used to get 2 ,500 letters every day, he said.

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It's quite a good interview. You should go and

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take a peek at that. One of the things that he

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says was kind of the death knell of MTV was when

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it stopped being MTV Europe and it started having

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UK versions and versions for Germany and versions

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for France. And he said the community, which

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had grown up, of people feeling very European

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and feeling very much as if they were in touch

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with everything, all of that community just went

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away. And I think that's an interesting story

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about radio, perhaps, as well. Now, while the

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last 10 minutes of Absolute Radio on 12 .15 was

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spent with a beautifully crafted piece of audio,

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the last song played on MTV's music channel just

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faded away, and it was replaced with a rotating

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logo with some scrolling text, the first part

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of which said, default text. Yes, if MTV meant

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anything to you, it clearly didn't mean anything

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to its final owners. In Ireland, RTE Plus, RTE

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2XM, RTE Junior and RTE Radio 1 Extra, all closed.

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I link to closing audio from 2XM. They played

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Joy Division's Transmission and RTE Pulse, which

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played Ultra Cynics' Nothing Is Forever. Nice

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choices. Also closing audio from Radio 1 Extra,

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which was very weird. It just ended with a back

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announce of a just finished show by a continuity

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announcer. You've just been listening to Democracy

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Now! And then a few seconds of some rubbish jazz,

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followed by a little Barker channel saying this

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station is no longer broadcasting. What a graceless

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finish that was. The stations were additional

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services for DAB, but RTE closed its DAB services

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in 2021. and those services have only been online

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and via TV since. Notably though, RTE Gold is

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continuing. I'll link to a lovely last column

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from Perry Michael Simon, who's an excellent

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writer about radio who'll be missed. He says

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he'll be happily be bought lunch by anybody in

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South Florida. I don't know him well enough to

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ask. And when I'll be in Florida in a week or

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so, he'll still be more than two hours drive

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away. But I hope he enjoys not having to write

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the thing every week. He's one of those that

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really cares about the industry. And I wish him

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a long and happy retirement. Now, more AM switch

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-off news. In Colombia, Sports Talk National

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Format Antenna 2 went off air on December 31st.

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Its owner, RCN Radio, is also switching many

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of its other AM services to FM, or switching

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AM frequencies for Alerta, which is its local

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network, and La FM, which is National Talk. Earlier

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in the year, it made a significant reorganisation

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of its stations, removing many local brands.

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It's been going since 1949, RCN Radio. It's a

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commercial broadcaster. It's owned by a company

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that also owns soft drinks, textiles, a football

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team, car dealers and farming equipment. In Thailand,

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1 ,993 community FM frequencies were placed up

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for auction. The government raised just over

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$2 million from that auction, with 2 ,237 companies

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participating. The most expensive licence in

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the country was 94 .5 in Chiang Mai, which went

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for US $44 ,500 for a five -year licence. In

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Pattaya, the English -language Fabulous 103 FM

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were only allowed to bid for two frequencies,

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as Tommy D explains. Over the past few years,

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the broadcasting authorities have been looking

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at ways to change FM radio licensing. A few months

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ago, they finally came up with a new system,

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a kind of virtual lottery, officially described

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as an auction. That process immediately reduced

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the number of FM frequencies by about a third.

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In simple terms, it became a game of musical

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chairs, where it was guaranteed that roughly

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a third of all stations would disappear. To make

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matters worse, the list of frequencies up for

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auction didn't include the one we'd been using

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for decades. And we weren't alone. Many stations

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across the country found themselves in the same

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position. In our case, we were only allowed to

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bid on two frequencies within the province. That

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was it. No choice beyond that. Yes, and neither

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of those were 103, which was a bit of a shame.

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Now, one of those licenses went for $25 ,000

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to another bidder. The station says, as you've

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just heard, that the process has made a third

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of all stations disappear. And from the 1st of

00:10:21.029 --> 00:10:23.889
January, Fabulous 103 FM is now called Fabulous

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Radio and it's been online only. And unconnected,

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I think, in Bangkok, Tero Radio has closed after

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35 years, according to an announcement on its

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website. which partially reads, due to shifting

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trends in media consumption, we have faced significant

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challenges that have made it impossible for us

00:10:43.389 --> 00:10:46.129
to continue. They ran four stations, including

00:10:46.129 --> 00:10:49.070
Virgin Hits, more recently just Hits. I visited

00:10:49.070 --> 00:10:52.529
their studios in 2010, and you'll find a blog

00:10:52.529 --> 00:10:56.470
all about that linked from the newsletter. The

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Thai radio industry is predicted to drop from

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$76 million in ad revenue to $73 million in 2026.

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but it's also a very difficult market to operate

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in. FM signals are owned by the government, and

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when I visited in 2010, the operators of the

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stations had to pause every hour for state news.

00:11:17.549 --> 00:11:20.110
Elsewhere, I also personally blogged about getting

00:11:20.110 --> 00:11:23.690
Linux to work on an old MacBook, or not, a review

00:11:23.690 --> 00:11:25.990
of the electric car I've been driving over the

00:11:25.990 --> 00:11:28.830
last year, and a review of an email forwarding

00:11:28.830 --> 00:11:32.679
solution, because of course I have. Where am

00:11:32.679 --> 00:11:34.460
I speaking next? I'm speaking in three places.

00:11:34.620 --> 00:11:37.580
Podfest in Orlando in Florida in just a couple

00:11:37.580 --> 00:11:41.039
of weeks' time. One of my talks is going to be

00:11:41.039 --> 00:11:44.980
where we've been and where we're going. A look

00:11:44.980 --> 00:11:46.759
back at where we've come from, including last

00:11:46.759 --> 00:11:49.159
year's podcast news and trends to help us understand

00:11:49.159 --> 00:11:51.940
how podcasting is changing and how we should

00:11:51.940 --> 00:11:55.350
be changing with it. It should be fun. If you

00:11:55.350 --> 00:11:57.909
can be there, then that would be fantastic. I'm

00:11:57.909 --> 00:12:01.409
also taking part in the new media show that week,

00:12:01.470 --> 00:12:04.230
live from stage. The other people will be talking

00:12:04.230 --> 00:12:06.970
about crappy TV, and I will be the only person

00:12:06.970 --> 00:12:11.370
saying, but audio. Also, Radio Days Europe in

00:12:11.370 --> 00:12:14.409
Riga in Latvia. The future of audio is people

00:12:14.409 --> 00:12:16.909
-powered. I'll be talking a lot about where radio

00:12:16.909 --> 00:12:21.720
is going and what we shouldn't. forget why the

00:12:21.720 --> 00:12:24.340
future is bright as long as we understand why

00:12:24.340 --> 00:12:26.360
our audience comes to us in the first place.

00:12:26.500 --> 00:12:29.519
Very much looking forward to doing that. The

00:12:29.519 --> 00:12:31.240
flights are all booked. You'll be glad to know.

00:12:32.700 --> 00:12:36.559
So that's a good thing. And my first time in

00:12:36.559 --> 00:12:38.940
Riga in Latvia, and that should be fun. And also

00:12:38.940 --> 00:12:41.259
I will be speaking at the podcast show in London

00:12:41.259 --> 00:12:46.129
in May. May the 20th to the 21st. That is a great

00:12:46.129 --> 00:12:48.629
event if you have any interest in podcasting.

00:12:48.850 --> 00:12:50.990
And frankly, even if you don't, you should still

00:12:50.990 --> 00:12:54.389
turn up. It's relatively cheap to go. Well worth

00:12:54.389 --> 00:12:58.149
taking a peek. Podcastshowlondon .com is, I think,

00:12:58.149 --> 00:13:00.570
where you go to find tickets and stuff. And if

00:13:00.570 --> 00:13:02.269
you read pod news, you'll find some money off

00:13:02.269 --> 00:13:06.250
in there as well. And thank you to Great Dane

00:13:06.250 --> 00:13:10.570
for 10 coffees. 10 coffees. He or she says, good

00:13:10.570 --> 00:13:13.889
to see someone covering the subject I love. We

00:13:13.889 --> 00:13:15.629
can't put James on the cover of the Rolling Stone,

00:13:15.710 --> 00:13:18.429
but we can do better than Dr. Hook did by buying

00:13:18.429 --> 00:13:21.009
five copies for their mothers. I've bought 10

00:13:21.009 --> 00:13:23.629
for James. They're right. I don't know anything

00:13:23.629 --> 00:13:26.049
about who Great Dane is. I would quite like to.

00:13:26.110 --> 00:13:28.269
Buy me a coffee isn't telling me. So thank you

00:13:28.269 --> 00:13:31.250
and do get in touch because it would be nice

00:13:31.250 --> 00:13:33.940
to say thank you personally. Also, thank you

00:13:33.940 --> 00:13:36.539
to Bennett Cobb, who contacted me with a lot

00:13:36.539 --> 00:13:38.860
of information about the US's National Public

00:13:38.860 --> 00:13:42.419
Warning System, which covers 90 % of the US population,

00:13:42.419 --> 00:13:44.559
which assumes, of course, that the US population

00:13:44.559 --> 00:13:47.539
own AM radio receivers, which I'm not so sure.

00:13:47.759 --> 00:13:50.379
Anyway, I plan to write a little bit more about

00:13:50.379 --> 00:13:54.559
that shortly. Thank you also to the many supporters

00:13:54.559 --> 00:13:59.460
of this newsletter, including Admaster .info.

00:14:00.220 --> 00:14:04.460
cloud -powered traffic and billing tools for

00:14:04.460 --> 00:14:07.419
you, Brun Audio Consulting as well, Media Results

00:14:07.419 --> 00:14:12.500
Inc. and Radio King, among others, and Wade Kingsley,

00:14:12.580 --> 00:14:17.100
who is limbering up to be a competitor of mine

00:14:17.100 --> 00:14:20.779
by the looks of things. Well, there you go. So

00:14:20.779 --> 00:14:22.820
thank you to them. Thank you to Greg Strassel,

00:14:22.820 --> 00:14:25.100
Sam Phelps, Richard Hilton, Emma Gibbs, Jocelyn

00:14:25.100 --> 00:14:27.519
Abbey and James Masterton as well for being regular

00:14:27.519 --> 00:14:29.879
supporters. If you would like to support my work

00:14:29.879 --> 00:14:31.639
in any way, buy me a coffee. That would be lovely

00:14:31.639 --> 00:14:36.440
at buymeacoffee .com slash James Credland. It's

00:14:36.440 --> 00:14:38.960
easy for me to say, buymeacoffee .com slash jamescridland.

00:14:39.659 --> 00:14:42.120
You'll find links in the newsletter as well.

00:14:42.299 --> 00:14:44.220
If you'd like to follow me on the socials, then

00:14:44.220 --> 00:14:47.220
you'll find me on threads, blue sky and on mastodon

00:14:47.220 --> 00:14:50.720
as james at bne .social. And my website has more

00:14:50.720 --> 00:14:52.879
details about who I am and what I do and whether

00:14:52.879 --> 00:14:55.740
I can help you further. You will find that website

00:14:55.740 --> 00:14:58.700
at james .cridland .net or indeed radioland .email.

00:14:58.820 --> 00:15:01.960
I know. And until next time, keep listening.
