WEBVTT

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I'm James Cridland, the radio futurologist, and

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this is Radioland, my radio trends newsletter.

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You can get it at radioland .email. And this

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is November the 16th, 2025. Tim Davey, Hart,

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AI Traffic, and ACMA again. I'm really sorry,

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James, but I won't be able to see your talk tomorrow.

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That was the last time Tim Davey, the Director

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General of the BBC, spoke to me at a public service

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broadcasting conference in Canada in 2024. Earlier,

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Tim had started his speech in a self -deprecating

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way, saying that overseas conferences like these

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he has to explain what Director General means,

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since virtually nobody knows. Apparently the

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usual reaction is, what, so you're in charge

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of the whole thing? Later that day, he came to

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find me, to apologise for having to leave early

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the next morning. That's the BBC's CEO... the

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man in charge of, by some measures, the biggest

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broadcaster in the world, who spent time to come

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and find me, an insignificant guy who writes

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a podcast newsletter for a living, and this newsletter

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for fun. And that made me feel quite special.

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Having worked at the BBC at the same time as

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Tim Davey, I was in two meetings with him during

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my entire career. And... And... No, if you're

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expecting me to opine about the BBC's current

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crisis, there'll be none of that. I would just

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gently point out that the public of the UK pay

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£3 .8 billion a year for the BBC. 84 % of UK

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adults use the BBC every week. 70 % of them thinks

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it does a good job. 62 % of them still believe

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BBC News is trustworthy in spite of every other

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media source telling them otherwise. every single

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day. So if Donald Trump really thinks that he

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deserves $5 billion of the UK's public money

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because he was badly edited, well, he needs to

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give his head a wobble. In Australia, Southern

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Cross Austereo has launched a radio service called

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Heart. And if you're expecting to be able to

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turn up the feel -good and enjoy a version of

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the vibrant heart from the UK, then you'll be

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disappointed. It's a non -stop music service

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promising interruption -free music with no talk,

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as long as you don't count the constant voiceovers

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between every song as either talk or interruptions.

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I'm speaking at Radio Days Europe next March

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about the future of radio, and as part of that,

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I've got opinions. about this sort of thing.

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If you want to hear a 30 -minute telescope of

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SCA's heart, then you can find one in my blog,

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which you'll find linked from the show notes

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today. A fun game is to count the number of different

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positioning statements in that 30 minutes of

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telescope's heart. I counted nine. Here's a little

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clip of one of their music positioners. You're

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listening to your heart. Relaxation. heart plays

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your relaxing soundtrack to a calmer day escape

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and unwind with heart's non -stop music variety

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and no talk listen to your heart Oh, sorry, I

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nodded off for a minute there. In the US, podcasting

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is probably the hottest category of media right

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now. That's according to none other than iHeart

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CEO Bob Pittman. iHeart Media announced its financial

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report for quarter three twenty five. Podcast

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revenue grew twenty two point five percent year

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on year to one hundred and thirty nine point

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seven million US dollars. About half of iHeart's

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podcasting advertising revenue came from iHeart's

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local sales force, and that figure was just 11

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% in Q3 2020. Podcasting contributed a record

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14 % to the business's revenue, and Pittman said,

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we believe we have the most profitable podcasting

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business in the United States. However, the multi

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-platform group which runs the radio stations

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saw revenue down 5%. The company announced an

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additional $50 million of savings for next year.

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Now, I covered AI -powered news last week, not

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particularly positively, but in the UK, Bauer

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are now producing AI -voiced travel news bulletins,

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working with INRIX. Bauer produces seemingly

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100 different versions of Greatest Hits Radio,

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if I've counted them correctly. and about 40

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versions of Hitz Radio, which is their top 40

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brand. Theoretically, at breakfast, this system

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could deliver more than 300 properly local travel

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bulletins in just one hour. As I understand it,

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the news is still humanly produced. It just uses

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AI voices. And for what it's worth, I think this

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is precisely what AI is good for, leading to

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better, more local information. I think it's

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quite impressive, particularly impressive when

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you listen to a little bit of audio. Laurie Fire

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has closed the A1 northbound from St Neots to

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Little Paxton with diversions via the A428 towards

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Cambridge, A1198 towards Godman Chester and A14

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back to the A1. The A47 is partially blocked

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eastbound at Cromwell Road in Wisbeach due to

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an accident. There are 10 -minute delays on the

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A1101 Elm High Road at the Elm Hall roundabout

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in Wisbeach, while queues on the A16 southbound

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at the A47 in Eye are causing 10 -minute delays.

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minute delays that's the latest travel with the

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rail app the home of hits radio music radio podcast

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download the rail app now nice to hear a northeastern

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accent as well on the radio too Now, in the UK,

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Jet, the radio trading system, has added digital

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audio trading, including podcasts, to its tool.

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It's working with Global's DAX and Bauer's AudioXI.

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Jet is a pretty cool thing, actually. It's been

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digitally trading linear radio since 2002, and

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it handles more than 98 % of national radio sales

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in the country. In the US, the opposite is happening,

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and buying platform StackAdapt announced an integration

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with iHeartMedia to incorporate broadcast radio

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into its programmatic ad planning tools that

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people are currently using for podcasts. Interesting

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times for both, nonetheless. In Canada, TuneIn

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has been acquired by Canadian broadcaster Stingray

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for as much as US $175 million. TuneIn maintains

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live radio and podcast databases used by companies

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like Apple, Google and auto manufacturers, but

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has made multiple layoffs over the past few years

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and removed the ability for podcasters to submit

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new podcasts into its database in February 2024.

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I'm quite excited to see new life breathed into

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TuneIn. would note that TuneIn's ads are sold

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in the US by iHeart. Stingray is a competitor

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of iHeart in Canada. In Australia, ARN issued

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a trading update warning that profit for this

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year is likely to be down 27 % and that October

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ad revenue is down 10 % year on year. In June,

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radio competitor SCA reported 5 % in year -on

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-year revenue growth, while ARN reported at the

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time a 7 % decline in revenue. You'd have to

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assume that the mad fudging witches, as I call

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them on this podcast, they are running a campaign

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against Kyle and Jackie O. That has resulted

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in more than 540 advertisers withdrawing from

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the show. And it also means that many radio stations

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who take the Kyle and Jackie O power hour, which

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is... an hour show that ARN provides across their

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network, are doing it entirely ad -free these

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days. Now, that presumably is having quite some

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effect on the revenue. ARN says it's going to

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make more cuts, by the way. Meanwhile, Kyle and

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Jackie O are still trousering $20 million a year.

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Speaking of which, breaking news, ACMA has acted

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against Kyle and Jackie O. No, wait, they've

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proposed action against Kyle and Jackie O. And

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the action they've proposed is that ARN has to

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follow the existing rules as a licence condition.

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Now, literally, that is it. It's now up to ARN

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to respond to ACMA's proposal by December 3rd.

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And then ACMA will think about their response.

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And then presumably next year at some point,

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ACMA will formally suggest that ARN must now

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follow the rules or else. Now, if this seems

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utterly pointless to you, as I understand it,

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ACMA actually lacks any authority to do anything

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unless it's a breach of a license condition.

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And the existing CRA code of practice isn't actually

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a licence condition. It's just a gentleman's

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agreement of what commercial radio will do. And

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I link to the commercial radio codes of practice

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and, for good measure, the community radio codes

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of practice as well from the newsletter this

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week. You might ask yourself why the Australian

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industry's codes of practice aren't de facto

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licence conditions, as I did, but who knows?

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I've asked ACMA about this via their public email

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address and got no response. And if they have

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a press office, well, it's very well hidden.

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from the press. Anyway, judging by Kyle's reaction,

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it seems that this could be quite serious. Now

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he's been told to follow the rules, Kyle is incensed,

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calling them fake complaints and threatening

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to leave. We can only hope. Meanwhile, radio

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expert Wade Kingsley, who supports this very

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newsletter, agrees with Kyle and thinks that

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any attempt to curb the obscenities he feeds

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his audience, 16 % of whom are kids, is, quotes,

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censorship. I would agree if Kyle wasn't using

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public spectrum. He can do what he likes online,

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but if you've been gifted public spectrum, which

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is there for everyone, you should at least attempt

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public decency. And by the way, ARN is gifted

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it. Commercial radio normally pays for access

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to public radio spectrum under the commercial

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broadcasting tax, which is $51 ,000 a year per

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transmitter for high density areas. That's about

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25 ,000. or US $33 ,000. This year, though, there's

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no charge for reasons of temporary relief, which

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reminds me of the contents of one of Carl's segments.

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And thank you to Radioland reader Henry for three,

00:11:22.149 --> 00:11:25.669
three coffees. He says, I discovered your newsletter

00:11:25.669 --> 00:11:28.889
inadvertently. and your coverage of the shifting

00:11:28.889 --> 00:11:31.350
BBC landscape has kept my interest. Thanks for

00:11:31.350 --> 00:11:33.769
all that you do. Well, thank you, Henry. That's

00:11:33.769 --> 00:11:36.250
good of you. Buymeacoffee .com slash James Cridland

00:11:36.250 --> 00:11:39.230
is where to buy me a coffee, just like Henry

00:11:39.230 --> 00:11:41.870
did. Next, I'm speaking at Radio Days Europe

00:11:41.870 --> 00:11:45.269
in Riga in Latvia in March. I know. Still not

00:11:45.269 --> 00:11:48.399
on a plane. It's brilliant. And I can now tell

00:11:48.399 --> 00:11:52.500
you the title and description of my talk, if

00:11:52.500 --> 00:11:54.480
you're interested. And this will probably come

00:11:54.480 --> 00:11:57.000
as a surprise to the organisers who want to listen

00:11:57.000 --> 00:11:59.580
to this. But anyway, the title is The Future

00:11:59.580 --> 00:12:02.980
of Audio is People Powered. The way people consume

00:12:02.980 --> 00:12:05.179
media is changing. James Cridland, the radio

00:12:05.179 --> 00:12:07.600
futurologist. That's me. takes a look at global

00:12:07.600 --> 00:12:10.720
trends in radio and on -demand. How will we listen?

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On which devices? How can we make our outputs

00:12:13.879 --> 00:12:17.120
truly unique? How do we do it in a resource -efficient

00:12:17.120 --> 00:12:20.600
way? And what part does video play in the future

00:12:20.600 --> 00:12:23.799
of audio? In this wide -ranging session, bringing

00:12:23.799 --> 00:12:26.139
together data from North America, Asia, Australia

00:12:26.139 --> 00:12:29.019
and Europe, we'll learn why the future is bright,

00:12:29.179 --> 00:12:31.960
as long as we understand why our audience comes

00:12:31.960 --> 00:12:36.289
to us in the first place. Blimey, I'd go. Anyway,

00:12:36.289 --> 00:12:39.610
RadioDaysEurope .com for your tickets if you

00:12:39.610 --> 00:12:42.429
wish to do that. I've never been to Latvia before.

00:12:42.509 --> 00:12:45.070
Looking forward to it. I better book the plane

00:12:45.070 --> 00:12:47.110
ticket. I say that every week. I should probably

00:12:47.110 --> 00:12:49.669
get on with it. And thank you to the supporters

00:12:49.669 --> 00:12:55.129
who support this very podcast and the newsletter

00:12:55.129 --> 00:12:59.159
every single week. Meliora. Thank you to you,

00:12:59.279 --> 00:13:04.740
Mr. Dickens et al. Also, Wade Kingsley, the wrongly

00:13:04.740 --> 00:13:08.539
headed creative coach. The good folks at Media

00:13:08.539 --> 00:13:12.500
Realm. Media Results Inc. and Radio King. All

00:13:12.500 --> 00:13:16.679
of those fine, fine people. Along with Greg Strassel,

00:13:16.779 --> 00:13:19.779
Sam Phelps. Or is it Greg Strassel? I should

00:13:19.779 --> 00:13:22.039
find out one day. Richard Hilton, Emma Gibbs,

00:13:22.200 --> 00:13:24.220
Jocelyn Abbey and James Masterton for being regular

00:13:24.220 --> 00:13:26.519
supporters. If you would like to support my work

00:13:26.519 --> 00:13:28.620
in any way, you can buy me a coffee, become a

00:13:28.620 --> 00:13:30.759
member to give regularly, or just give a one

00:13:30.759 --> 00:13:32.480
-off coffee or five, then that's absolutely fine.

00:13:32.700 --> 00:13:35.399
Buymeacoffee .com slash James Credland. And if

00:13:35.399 --> 00:13:38.200
you don't feel that you have to, absolutely fine.

00:13:39.139 --> 00:13:41.759
Please, if you can, that would be awesome too.

00:13:41.980 --> 00:13:45.220
And please do follow me on Mastodon, on the Fediverse,

00:13:45.440 --> 00:13:48.620
james at bne .social. That's B -N -E for Brisbane.

00:13:49.320 --> 00:13:52.879
james .bne .social. And my website has more details

00:13:52.879 --> 00:13:54.759
about who I am, what I do, and whether I can

00:13:54.759 --> 00:13:56.799
help you further. That is at james .cridland

00:13:56.799 --> 00:14:00.019
.net. And until next time, keep listening.
