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Hello, I'm James Cridland, the radio futurologist, and every week or so I write a newsletter

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all about the future of radio and radio's international trends, and this is the podcast

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version for August the 6th, 2023. It's called Linkrot, Rayjar, and the BBC's global numbers.

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Over time, links go bad, whether it's the result of a site redesign or a site just

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simply falling off the internet. And some publishers, like BBC News or The Guardian,

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do a really good job of retaining all of their archive online. But most of the links from

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them just don't work anymore. They've succumbed to Linkrot.

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Now looking back at the first edition of Pod News in May 2017, I realised that two of the

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links there were broken as well, and I wondered how I could fix that without rewriting history.

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And particularly, I wondered whether anyone was doing anything about this. And I went

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searching the other week for Linkrot policies, because you'd assume that somebody like the

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BBC, or indeed The Guardian, would have written a fair amount about this. But if they do exist,

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I can't find any. But as you'll see, if you go back to have a look at the first ever

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Pod News from May 2017, two of these original links are now marked as being broken, and

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they link to the internet archive. And that's an automated process. The code that I've written

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checks links, and it fetches any broken ones from the internet archive as close to the

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original data as possible. And then it updates the article. Anyway, I've written a blog post

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about all of the details of how I do that on my personal blog, James.Cridlin.net. And

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I'd be really interested if your organisation is doing anything similar in terms of Linkrot.

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It seems a pretty important thing to get right, I think.

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Now this was an interesting development last week in podcasting, a music show where the

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artists get paid.

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Yes, it's the excited sounds of Adam Curry, the Podfather himself, and XMTV, VJ, of course.

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If you use a compatible player, the music artists that you listen to in that podcast

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get paid for every play, and it gets paid whatever you think that they're worth. You

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can even send boosts directly to the artist without a middleman. It's quite a technically

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impressive thing. I was curious to see how it worked, and curious to understand a little

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bit more. And so of course I did what, of course I would do. I had a quick go to a music

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show myself who find that linked. And in order to make me understand how it all worked, I

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had to write the RSS feed in a text editor. I had to use calculators. It was a fairly

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horrific thing. But yeah, it works really, really well. Now, of course, the music isn't

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anything that you'll recognize, but one of the artists, Ainsley Costello, who's the fifth

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song that I play, is already earning more from this than from any other platform that

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she's on, including things like Spotify. So perhaps there is something in this, I think.

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In the UK, the quarterly Raja results are out. An excellent analysis from Matt Deegan

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and from Adam Bowie, as you would expect. Matt seems to have done up his website as

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well. It looks very lalida. Now, something that I don't believe that either of those

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people mentioned, the platform data, and there's a story, I think, going on there,

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websites and apps have shrunk really quite considerably year on year. Smart speakers

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now driving more hours and more share than websites and apps, which is quite a change

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from a year ago. Now, DAB is still considerably bigger than online. But of course, DAB comes

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with a lack of first party data, which is why commercial radio groups would rather that

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you signed in to listen online in the BBC because it thinks it's a commercial radio

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group these days, is copying the commercial broadcasters as well. But worthwhile, a peak,

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I think, at the platform data. Now, last week, I mentioned that the BBC's overall global

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reach has declined quite markedly. And I suggested that making BBC News, the BBC News channel,

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available on YouTube for free, would really help that. And something, incidentally, you

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can geo block country by country. So if they wanted to, they could start today by making

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the BBC News channel only available in countries where they don't have carriage deals. Now,

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I'm told that the main loss is from the significant cuts to the BBC World Service, however, not

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least the closure of BBC Arabic radio. I'd also been unaware that the BBC Minute had

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been closed as well. That was a one minute news bulletin aimed at younger audiences,

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and it aired on many FM radio stations across the world. You can still listen to one of

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those because its official RSS feed still contains the last news bulletin aired on December

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the 23rd, eight months ago. It was a shining example of the BBC getting its content on

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air everywhere, and it seems a bit of an own goal that it's all gone. Now, let's take a

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listen to a little bit of commercial radio from Australia many, many years ago.

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The makers of Priscilla welcome you to Australia's biggest and brightest quiz.

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Yes, yes, yes, yes, yes, yes, yes, yes, yes, yes.

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And to give the money away we give you Jack Davies.

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Yes, yes, yes.

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Hi Roe, everybody. Welcome to the Priscilla show. Give it a go.

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Give it a go. We're Jack Davies who sounds very northern to me and most certainly not

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very Australian. Anyway, commercial radio in Australia turns 100 years old this year.

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2SB started on the 23rd of November, 1923. It's the oldest continually operating licensed

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radio station in Australia. It did change its name though from 2SB which stood for Sydney

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broadcasters over to 2BL, Broadcasters Limited, because its competitor appeared a couple of

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weeks later and called itself 2FC and 2FC sounds a bit too close to 2SB.

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Anyway, the radio station is now known as ABC Radio Sydney. Now, I tell you all of this

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because firstly I find it a really interesting point of difference between Australia and

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the UK. Legal commercial radio in the UK only came on air in 1973.

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And also because today I was on Brisbane's 4BC, a station that actually launched in

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1930. Talking about the future of radio, you'll find a link to that in the show notes and

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my newsletter at james.cred.land and I was interviewed by Spencer House.

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You might also want to read Michelle Rowland's speech. She is in charge of communications

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and the media. I think that sort of thing. Anyway, she did a nice speech in Parliament

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this week about 100 years of commercial radio in Australia which is worth a read.

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Thank you to Broadcast Radio, to Clyde Broadcast, Richard Hilton and James Masterson, Brunn,

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Audio Consulting, SOMA FM and Media Realms Radio websites for your kind support. If you

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would like to support my work in any way, you can buy me a coffee. You can be a member.

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So give regularly or just give a one-off coffee or five. You can do that at buymeacoffee.com

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slash jamescred.land and you can follow me on Master Don as well. I'm James at bne.social

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over there and way, way more active there than anywhere else. So yeah, do follow me

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there if you can. My professional website has more detail about who I am, what I do and

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whether I can help you further. You can hear this newsletter being read to you on a podcast

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player near you. It says here. Yes, you already know about that, don't you? And where will

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I be? In a couple of weeks, I will be in Denver in Colorado looking forward to that, hoping

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to be in Munich. That'll be fun, wouldn't it? In October, in November, I will be in

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Mexico City. Also, I'm going to be in London. It's a 23rd ish of September. Looking forward

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to that. Radio Days Asia in Kuala Lumpur. Earlier than that, in early September. So all over

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the place really. So if you're coming to any of those things, it would be fantastic to

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see you. But until next week, keep listening.

