WEBVTT

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Hello and welcome to Dive in with (e)me, a show

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by the Fondation EME in which we talk about

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the benefits of music in all the languages of

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the country. Thank you to Radio ARA for giving

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us the opportunity to present the various advantages

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of music on their airwaves. Today's episode is

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called Breaking Barriers with Opera. We're exploring

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pOpera, a participatory opera project by Fondation

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EME that invites refugees and Luxembourg residents

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to create an opera together. Our guest today

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is Lenny, one of the participants who is passionate

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about creating spaces where words and music can

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become bridges for dialogue and transformation.

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Welcome Lenny and thank you for being with us

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today. Thank you for inviting me. I'm very happy

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to be here today. We are too. So we'll start

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right away with the first segment of this show,

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which is the sound check -in. We ask all our

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guests about their current favorite music. It

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can be an orchestra, a band, a musician or a

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genre, illustrated by a song that we then play

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for our listeners. So Lenny, what's your music

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of the moment? Well, more than being the music

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of the moment, I would say, for me, music is

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just part of my history. Since I'm a kid and

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I'm exposed to music, my father wanted to be

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a pianist, so he was all the time playing us

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and we were all listening to opera music, classical

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music, which we hated, actually, like my brother

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and I, when we were kids. Now I can understand

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the beauty of it. And then my mother was this,

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you know, like old pop songs of the 80s, these

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love songs and stuff. But then it was also I

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was playing to create my own radio shows and

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then my brother shared with me all his electronic

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music that he loved and then my cousins rock

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music so everything for me is like every genre

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has a story and for me stories are the most important

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thing in the world and this is why I thought

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that it would be great today to share a song

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that represents the story that we're going to

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talk about today which is about voices you know

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like we will talk about voices today which is

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for me the most important thing that we

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explore in pOpera amongst other things but 

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well i will go further afterwards but the

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point is that i would like to use this moment

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as a tribute to our voices because I believe

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that this is one of the most powerful weapons

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or tools that we have and so the name of this

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song is actually Tu Voz which means your voice

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and it was also very important for me to

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share my roots. I'm Mexican, therefore this song

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is from Lila Downs and La Sonora Santanera. And

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also Lila Downs has been a great reference for

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helping immigrants and people that hasn't been

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allowed to speak, you know? And this is why for

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me it's so important today also to make a tribute

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to all these people that are using their voices

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to give the power to others to express themselves

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and that for any reason they are speechless and

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uh and yeah and the song is with the most

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beautiful metaphor so i love it so please uh

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yes that's pretty lovely so that's why i'm gonna

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play it right away Alright Lenny, it's time to

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play our little game called... Cliché or Reality.

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We've all heard people make big statements about

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opera, singing or collaborative art projects.

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You know, the ones that sound like absolute truth.

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But are they true? Or just clichés that need

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to be challenged? I'm going to read a few of

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these common phrases and you tell us. Is it a

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cliché or does it reflect your experience in

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opera? Feel free to agree, disagree or share

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a story that proves them right or wrong. So,

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cliché number one. Opera is too difficult for

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people who aren't musicians. Well, I would say

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that it's perfectly wrong. And this is the magic

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of opera, because here we will all experience

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that opera is a genre. just like any other that

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can be sang or played or experienced in any way,

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that it's not complicated. It's exactly the opposite.

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They're making it so easy for us that you would

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never thought that you would have been able to

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sing opera so easily, you know? So it's, yeah,

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it's wrong. And cliché number two. If you don't

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have a trained voice, you can't be part of an

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opera. Well, it's part of the same. It makes

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me think about, at some point, I wanted to start

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drawing. Well, because I was studying architecture,

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so I needed to draw. And I was so bad at it,

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but really so, so bad at it that all my classmates

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were laughing at me. And then I started trying

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on my own and I joined some classes with one

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woman that said like, why does people have good

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handwriting? Well, they're more or less better

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handwriting, but it's because you must do it.

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This is not something that you think about or

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not. You know that you must learn to write and

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then you just do it. So it's kind of the same

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with drawing. So if we wouldn't have these...

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need to make it beautiful or whatever then we

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would have just done it and it's exactly the

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same with singing you know like we have all these

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stereotypes and all these ideas that oh no my

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voice is not beautiful oh no i don't sing nice

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and and this is not truth the only thing that

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you need to do is to try it and rehearse it and

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experience it you know because we all have beautiful

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voices we all have beautiful tones rhythms and

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yeah we just need to try and experience it Cliché

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number 3. People from different cultures can't

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really create together. The language barrier

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makes it too difficult. Absolutely super wrong.

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And this is also another magical thing about

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pOpera. And we need also to think about that

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communication does not happen only with... the

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language, you know? It's not only about what

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we say. We communicate with our eyes, we communicate

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with our gestures, we communicate with our hands,

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we communicate with our body in general, you

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know? And with the tone of our voices, with everything.

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So the language is just like the last step of

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the process of the communication. And it's amazing

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what we can do when we have this language barrier,

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because then we need to use our creativity in

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order to be able to express ourselves. So sometimes,

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yes, we would make mimics, or we would mix our

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own languages. And then you laugh a lot. Well,

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I laugh a lot about it. I constantly mix Spanish,

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and then I'm learning Luxembourgish and French

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and everything. and then it's so crazy. The part

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that is more important is that when we speak

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with our hearts, everyone can understand what

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you are saying. So, and regardless which language

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are you speaking. So, no, wrong. We can communicate

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and there's no language barrier is exactly the

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opposite. Yeah, what they need to understand

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that it's like voice is like an accessory, you

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know, like you don't need it to be part of this

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project and you just need to want to participate

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like you said yeah and show off yourself yeah

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that's right be bold yeah and um for the last

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cliché cliché number four participatory art projects

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are nice but they don't really make a difference

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in people's lives Yeah, with this one, I couldn't

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be more disagree. I'm happy that you disagree. We're

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on the same page. We understand each other. So

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participatory community projects, I would say

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that are the core of societies. For me, this

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is the perfect place where we can have a safe

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space to explore our voices, to explore who we

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are, to explore different cultures and to coexist

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in peace and with respect, you know. It's very

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interesting, like we all come from very different

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backgrounds, but here what is very touchful from

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pOpera is that most of us or many of us, we're

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immigrants. So we're here on our own and some

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of us came like because we wanted to but there

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are others that came here because they didn't

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have any other choice and the refugees here so

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this is a place where you can connect when where

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you can find a place like a shelter like an emotional

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shelter you know like in a place where you can

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exchange with others to find like -minded people

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that like you are willing to explore the world

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in a different way, through a different basis,

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through a different... perception and to understand

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that we don't need the barriers, that we need

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to take them away, to light up all these bridges

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that are saying that we're different, that we

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cannot coexist together, that we have to fight

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each other. So, community projects are the perfect

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place to gather and to have like this beautiful

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utopia. try to make the best at least for two

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hours per week yeah and they make a great popera

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family now and we expect 100 of them it's a huge

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family yeah that will be a huge gathering of

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the family yeah So now that we've talked about

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clichés, let's dive into your personal experience

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with pOpera. We'd love for our listeners to get

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a real sense of what it feels like to be a part

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of this project. So tell us, how did you first

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come across the pOpera project and what made

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you want to be a part of this? Well, I... I literally

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have no idea how I ended up finding Fondation

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EME. Like really, like I had two friends that

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know that I love singing and they said like,

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oh, we should sing together and we should find

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some classes or whatever. So I just literally

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dig in Internet. I don't even remember the words

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that I used, you know? But then at some point

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I found that the rehearsals were going to start

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that same week. So I was like, no, I need to

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get this, so I write this email. And I was like,

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yeah, I would like to participate. And they were

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not answering. And I was so anxious because I

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was like, I don't want to miss it. So this is

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how I ended up in the project and the reason

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why I wanted to join is because I don't know

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that day was a very magical day for me and I

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was not in the mood for sharing with people or

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anything I was more like in this introspective

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Yeah, they and but then it was like a full moon

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and then the moon was and I love the moon and

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the moon was illuminating the room that we

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were rehearsing in and it was very beautiful

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because actually we never sang that day but it

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was we were just playing with the shakers and

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making rhythms and stuff but then again it was

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a different way to communicate together and it

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was so magical that I said okay I need to stay

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here, you know, and yeah, so this is

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how I stayed And when you first met the other

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participants, so that same night you see, what

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was your first impression? Well, yeah, I must

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say the truth, but there's a beautiful saying

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that says that we don't see what's out there,

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but we see what's in. our us you know like a

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well the it's like a no vemos lo que lo que lo

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que es sino lo que somos so as i said that 

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day was a very weird day for me when they arrived

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there i was like oh this is so They're all

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so weird. This is all so... Don't mess with me.

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I don't know why I felt like very weird. Then

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again, I guess it was the full moon or I don't

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know, but everything was so weird. Then at some

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point I just started laughing because they also

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said like that you gather with people that are

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like you, you know, like you ended up... So then

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I said like... wow, then how weird am I as well,

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you know? So then I said like, okay, let's go.

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But no, afterwards I discovered like so beautiful

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people, you know, they all have these beautiful

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hearts with beautiful experiences and they're

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all so generous, so loving, so careful. I really

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love the team that we have created. And yeah,

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as you said, it's a family, you know, like it's

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a very interesting dynamic and I really loved

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it. And taking part in a project like this often

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changes people in some way. So what do you feel

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you've discovered about yourself along the way?

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For me... I always had the idea that canon singing

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was impossible, that was super hard because well

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I'm also an actress and then so during the singing

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classes all the time that there was canon singing

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I was like no this is so hard I cannot because

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then I followed the other voices and then I cannot

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and so I always had this barrier on my own that

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it was so complicated and then when I joined

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and we were on this summer phase that we needed

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to to sing and kind of I was like no again my

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nightmare you know like this is I cannot do this

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and then at some point I knew because I was always

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following one beautiful voice of other of the

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participants so I was always following and then

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that day she was not there so I was like no way

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what am I going to do yes exactly I'm gonna miss

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it you know and then at some point I said like

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you know what you know the song you know the

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music you have been rehearsing this like for

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i don't know how long just do it you know it

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do it trust yourself and know that you can

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do this and i did it you know and and then i

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didn't follow any other voice but my own and

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and yeah it's it's so it's again a metaphor you

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know to say like uh we need to trust in ourselves

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we need to trust in our out in our power we need

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to trust in our voices we need to trust who we

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are, and share it with the world. And yeah, I

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would say this is one of the beautiful things

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that make me remember, let's say, for my life.

00:16:47.669 --> 00:16:50.690
Opera brings together several disciplines, like

00:16:50.690 --> 00:16:54.389
singing, theatre, staging. Which one touched

00:16:54.389 --> 00:16:59.970
you the most? I think that... I mean, singing,

00:17:00.389 --> 00:17:03.840
theatre, everything, I love it. I always say

00:17:03.840 --> 00:17:07.420
I really sing everywhere, all the time, and I'm

00:17:07.420 --> 00:17:09.859
passionate about the theatre, I'm an actress,

00:17:09.960 --> 00:17:12.160
you know? But I would say that the thing, or

00:17:12.160 --> 00:17:16.109
the discipline... that touches me the most is

00:17:16.109 --> 00:17:18.569
the sociology or the psychology, you know, like

00:17:18.569 --> 00:17:24.470
to observe everyone there with their, yeah, with

00:17:24.470 --> 00:17:27.809
who they are and how to express themselves, how

00:17:27.809 --> 00:17:33.789
they share their ideas, their dreams, their voices,

00:17:33.910 --> 00:17:36.210
you know, and their bodies, like everything.

00:17:36.670 --> 00:17:38.690
So I would say like this is the part that triggers

00:17:38.690 --> 00:17:40.990
me the most, that passionate myself the most

00:17:40.990 --> 00:17:44.119
about the project. That was my question. You

00:17:44.119 --> 00:17:46.279
know, how would you describe the atmosphere within

00:17:46.279 --> 00:17:48.839
the group? But I think you've answered quite

00:17:48.839 --> 00:17:54.339
well. But if you need to... Yeah, it seems like

00:17:54.339 --> 00:17:57.559
you said a big family. Now you're all friends.

00:17:58.160 --> 00:18:02.309
See, and it's... I don't know, like every hearse,

00:18:02.710 --> 00:18:04.890
it's so beautiful, we experience different things.

00:18:05.349 --> 00:18:09.410
And one thing that I also haven't said, I'm very

00:18:09.410 --> 00:18:12.049
passionate about gastronomy, you know, like for

00:18:12.049 --> 00:18:15.569
me, that's the other most beautiful thing in

00:18:15.569 --> 00:18:18.250
the world, like music, gastronomy and nature

00:18:18.250 --> 00:18:23.829
are my tops. And this is also a place where sometimes

00:18:23.829 --> 00:18:26.630
people come and share their own dishes, you know,

00:18:26.730 --> 00:18:29.269
from their own cultures. So for me, there's no

00:18:29.269 --> 00:18:33.849
better place on earth, a space where I can listen

00:18:33.849 --> 00:18:39.390
and or do music while I'm eating something from

00:18:39.390 --> 00:18:43.250
someone that had the generosity to share it with

00:18:43.250 --> 00:18:45.549
the rest of the group. So yeah, I don't know

00:18:45.549 --> 00:18:49.130
what else can I say but... You must have so many

00:18:49.130 --> 00:18:53.269
memories from the rehearsals. Is there one moment

00:18:53.269 --> 00:18:57.250
funny, moving, surprising even that you'll never

00:18:57.250 --> 00:19:01.920
forget? See, there were two. One was... Well,

00:19:01.920 --> 00:19:04.019
actually both of them were during the summer

00:19:04.019 --> 00:19:09.720
phase. So we were once rehearsing the songs that

00:19:09.720 --> 00:19:14.000
we were going to sing. And we went out, like

00:19:14.000 --> 00:19:17.579
in the street, just to sing, because we were

00:19:17.579 --> 00:19:20.400
going to sing in the streets, you know, in Luxembourg.

00:19:20.579 --> 00:19:23.980
So we did it. And then there was this woman that

00:19:23.980 --> 00:19:28.839
just stepped outside in the balcony. And then

00:19:28.839 --> 00:19:40.680
we ended up sharing a serenade to her and it

00:19:40.680 --> 00:19:43.779
was so beautiful you know and then other people

00:19:43.779 --> 00:19:48.630
went out also to the balcony and this woman was

00:19:48.630 --> 00:19:51.230
saying that she didn't because at some point

00:19:51.230 --> 00:19:53.509
Paolo said like oh now sing with us you know

00:19:53.509 --> 00:19:55.569
and she was like no no no I don't know how to

00:19:55.569 --> 00:19:58.609
sing and then well she ended up doing it and

00:19:58.609 --> 00:20:02.210
she had so like this beautiful voice again so

00:20:02.210 --> 00:20:06.009
it was it was very touching it was very moving

00:20:06.009 --> 00:20:09.250
it was yeah it was very beautiful that that she

00:20:09.250 --> 00:20:11.730
joined us and that she enjoyed the moment as

00:20:11.730 --> 00:20:15.660
much as we did and she must come If she's listening

00:20:15.660 --> 00:20:17.940
to me, please come because you have a very beautiful

00:20:17.940 --> 00:20:21.460
voice. Come and join us. And the other one is

00:20:21.460 --> 00:20:26.539
this is there was extremely moving because there

00:20:26.539 --> 00:20:31.440
was one of the participants couldn't speak any

00:20:31.440 --> 00:20:33.759
of the languages. Let's say like no English,

00:20:34.119 --> 00:20:37.670
no, no French, no just. mini bit of German, you

00:20:37.670 --> 00:20:40.650
know, like the nothing. It was like very complicated.

00:20:40.890 --> 00:20:43.890
And then at some point he realized that another

00:20:43.890 --> 00:20:47.250
participant was able to speak his own language.

00:20:47.390 --> 00:20:50.690
And they have. So when he found it out, they

00:20:50.690 --> 00:20:53.630
just came in the middle of the classroom

00:20:53.630 --> 00:20:57.190
and and they hugged each other so beautifully.

00:20:57.190 --> 00:21:00.769
You know, it was. This was all this joy from

00:21:00.769 --> 00:21:03.009
him to say, like, oh, I finally found someone

00:21:03.009 --> 00:21:05.470
that can listen to me and that can understand

00:21:05.470 --> 00:21:07.009
me. I'm not alone. Yes, exactly. I'm not alone.

00:21:08.029 --> 00:21:11.670
But what was shocking is that afterwards, one

00:21:11.670 --> 00:21:14.150
of them said, like, yeah, I mean, at this moment

00:21:14.150 --> 00:21:17.210
we can hug each other. But if we were back in

00:21:17.210 --> 00:21:20.809
our countries, we would have been talked to 

00:21:20.809 --> 00:21:24.609
hate each other. And for me, that was like, I

00:21:24.609 --> 00:21:30.130
got again like this. Goosebumps everywhere like

00:21:30.130 --> 00:21:34.549
it's incredible how We can change the

00:21:34.549 --> 00:21:37.630
perspective of who we are and who is each other

00:21:37.630 --> 00:21:41.430
depending on the place that we are So yeah, that's

00:21:41.430 --> 00:21:43.609
something that I will never forget and do you

00:21:43.609 --> 00:21:46.329
feel that this experience brought you closer to

00:21:46.329 --> 00:21:51.130
other cultures and people definitely This

00:21:51.130 --> 00:21:55.210
is what we're here for to understand other

00:21:55.319 --> 00:21:59.359
people's cultures and ideas and backgrounds and

00:21:59.359 --> 00:22:01.920
hearts and souls and you know like of course

00:22:01.920 --> 00:22:07.660
so music is there I would say like the excuse

00:22:07.660 --> 00:22:12.279
the excuse to gather together but deep down the

00:22:12.279 --> 00:22:15.079
project is to integrate ourselves and to gather

00:22:15.079 --> 00:22:18.359
together through music which is amazing you know

00:22:18.589 --> 00:22:21.769
And finally, if someone was thinking about joining

00:22:21.769 --> 00:22:25.269
pOpera, what would you tell them to convince

00:22:25.269 --> 00:22:28.349
them to jump in, you know? Well, I already told

00:22:28.349 --> 00:22:33.690
you a lot. Yeah, I think they have no excuse,

00:22:33.930 --> 00:22:37.069
you know? No, no, no, but there's something very,

00:22:37.069 --> 00:22:40.450
very important that I haven't shared and it's

00:22:40.450 --> 00:22:45.690
the extraordinary team that we have and the extraordinary

00:22:45.690 --> 00:22:50.599
artists that are uh backing us in this in in

00:22:50.599 --> 00:22:53.500
this journey you know so we have team woman and

00:22:53.500 --> 00:22:57.980
Antoine Pohu from from the creating the music then we

00:22:57.980 --> 00:23:01.920
have uh well the luxembourgish uh philharmonie

00:23:01.920 --> 00:23:04.559
and then we have the pretty cantor is the conservatoire

00:23:04.559 --> 00:23:07.660
de la ville de luxembourg the community choir

00:23:07.660 --> 00:23:11.259
we have evan baumers which is the director and

00:23:11.259 --> 00:23:13.880
then pierre nimes the direction the direction

00:23:13.880 --> 00:23:17.160
of the choir then Stephany or there the surprise

00:23:17.069 --> 00:23:20.650
that we all know, coaching the vocal, as well

00:23:20.650 --> 00:23:24.450
as Nicola Billaux, coaching also vocally. Then

00:23:24.450 --> 00:23:27.650
we have Esgi, I'm sorry for the, I don't know

00:23:27.650 --> 00:23:32.369
how to pronounce it, Esgi Gokturk, I wish I didn't

00:23:32.369 --> 00:23:35.430
say that wrong, but for the repetition, Amit Dhuri

00:23:35.430 --> 00:23:38.789
for the mediation, extraordinary Paolo Lameiro

00:23:38.789 --> 00:23:41.009
for the conception and the direction artistic,

00:23:41.569 --> 00:23:44.369
and Nisha Bondi, the Miss innocent, Mariana Pinto

00:23:44.369 --> 00:23:47.079
de Souza, the choreographer, and and the assistance

00:23:47.079 --> 00:23:50.119
on The Mist and the Sand. And of course, we have

00:23:50.119 --> 00:23:52.480
you, we have Sarah Bergdoll, we have Sara Lehmann

00:23:52.480 --> 00:23:55.599
from Fondation EME, and all the people from Fondation

00:23:55.599 --> 00:23:57.700
EME, and all the people from the Philharmonie.

00:23:58.019 --> 00:24:02.000
And we will perform on stage, on the Philharmonie.

00:24:02.140 --> 00:24:04.880
So I don't know what else you need to... Yeah,

00:24:05.019 --> 00:24:07.039
I'm pretty convinced, you know, right now. We

00:24:07.039 --> 00:24:11.279
must, yeah, gather all together for this. So

00:24:11.279 --> 00:24:14.420
to end this episode, we always ask our guests

00:24:14.420 --> 00:24:17.380
for a recommendation, a piece of music, a book

00:24:17.380 --> 00:24:19.599
or something connected to the project that you

00:24:19.599 --> 00:24:27.140
think our listeners should discover. So Lenny.

00:24:27.279 --> 00:24:31.140
What would you recommend to us or to anyone listening?

00:24:31.680 --> 00:24:35.220
Well, during the second edition of Popera, Haitham,

00:24:35.819 --> 00:24:38.200
a Syrian Kurdish refugee who has been part of

00:24:38.200 --> 00:24:41.599
the project since 2023, wrote a poem that was

00:24:41.599 --> 00:24:44.740
translated into English with the help of Abdullah

00:24:44.740 --> 00:24:48.599
Karim Alim and recited during the 2024 performance.

00:24:49.539 --> 00:24:52.420
The most beautiful thing is that this poem has

00:24:52.420 --> 00:24:56.599
been published in issue one of the Les cahiers,

00:24:56.900 --> 00:25:00.160
luxembourgeois, alongside the Zichen, which

00:25:00.160 --> 00:25:04.240
is the response written by Antoine Pohu, and

00:25:04.240 --> 00:25:07.079
who's, as I said, the extraordinary librettist

00:25:07.079 --> 00:25:13.700
of the project. So you can now order this. the

00:25:13.700 --> 00:25:17.900
book in Les Cahiers luxembourgois that Elio.

00:25:19.599 --> 00:25:23.099
And this poem is about the feeling of displacement

00:25:23.099 --> 00:25:25.779
and abandoning and living in a place where you

00:25:25.779 --> 00:25:31.099
don't feel at home. And I won't read it because

00:25:31.099 --> 00:25:33.099
I want you to have the experience on your own

00:25:33.099 --> 00:25:36.839
to feel it and to go through each word. But I

00:25:36.839 --> 00:25:38.680
really recommend that you can go and get it.

00:25:39.099 --> 00:25:42.640
So thank you Lenny for joining us today. Thank

00:25:42.640 --> 00:25:45.400
you to all our listeners for tuning in. Dive

00:25:45.400 --> 00:25:47.940
in with (e)me is a show by Fondation EME, supported

00:25:47.940 --> 00:25:50.720
by André Losch Fondation. Thank you to Radio

00:25:50.720 --> 00:25:52.980
ARA for allowing us to broadcast this show

00:25:52.980 --> 00:25:55.480
and for supporting us on this journey. And finally,

00:25:55.839 --> 00:25:58.900
thanks to Taipan for the wonderful jingle. You

00:25:58.900 --> 00:26:01.339
can listen to Dive in with (e)me on all streaming

00:26:01.339 --> 00:26:04.859
platforms and once a month on Radio ARA Airways.

00:26:05.240 --> 00:26:05.980
See you soon!
