WEBVTT

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Vampire Zombies from Space. I have the co -writer,

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co -producer, and he also has a little cameo

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in his own film, Alex Forman. Wow, amazing. I

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loved, loved this show. I was so happy to see

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it. Oh, well that's fantastic to hear. We had

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such a fun time making it, so we are just really

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happy to share it with the world at this point.

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Okay, so you and your writing partner have been

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working together for how long? Well, I met Jacob

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Scrippa in high school and we were both kind

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of the film guys at like our difference respective

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grade schools. So once we met in high school,

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we kind of decided to start kind of collaborating

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there and then just through university and up

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until we're in our 30s now. So yeah, it's been

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quite a while. Me and Jacob had the original

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scripts that we brought to Mike Stasco who helped

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us with some additional writing and then he was

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the director. And together we made Vampire Zombies

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from space. I can't say it enough. I really enjoyed

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it. I went in there because I know you and I'm

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like okay we got to be supportive. But it was

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a blast. I like the old feel of like Dawn of

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the Dead and it was great. A little campiness

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to it. It was perfect. made you go in that direction?

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Well, Jacob and I, we love just writing different

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things, so we have so many scripts of so many

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different topics. But we just like to find areas

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where you can really dig in and just really drill

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out some great comedy. And the 1950s horror movie,

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the really... kind of junky special effects and

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like can't be acting. It seemed like the perfect

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playground for us. So that really drew us to

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the genre. And then from there we decided to

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do like, okay, do we do like vampires and werewolves

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and all that kind of stuff. So that's why it's

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Vampire Zombies from Space. It's kind of like

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the ultimate 1950s horror movie, like to the

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extreme. And I think that's why we kind of gravitated

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toward that genre. Is this the first horror -type

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project that you've worked on? It's not the first,

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like, horror project that I've done myself. Jacob

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and I have done a lot of short films, and some

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people describe them as nightmares. So we don't

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really think about it in terms of genre when

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we're writing different things, but, yeah, a

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lot of the times we just end up... gravitating

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towards the horror genre because I think horror

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and comedy are very similar in a lot of ways.

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Like you're eliciting a strong reaction from

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the audience in both. With horror, if you get

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a scream, you know you did a good job. With comedy,

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if you get a big laugh, you know you did a good

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job. And maybe that's why we're always kind of

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accidentally doing horror when we're always trying

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to focus on the comedy. And this movie, you get

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both. I mean, there was a few, ah, and then laughing

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at the same time. Like, it was a blast. There's

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some gnarly special effects. Oh, yeah. Like,

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to the point where I wouldn't watch it. If I

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didn't make the movie, like, there's some stuff

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that would make me squeamish. Perfectly done

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in every way. Now, it is making the rounds of

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the film festivals. It's amazing, yeah. You've

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been all over the world. The movie's been all

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over the world. Honestly, I wish I could just

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like tell you the entire list of everywhere that

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we've played. There's too many. Yeah, and we're

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so thankful for that. Like, we're playing, we

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played so many festivals in the fall of last

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year, starting in October 2024, and even like

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next week we've got, or I don't know when this

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podcast comes out. Oh, this is coming out for

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that. Yes, okay, so March 28th we'll play at

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the Canadian Film Festival in Toronto, really

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looking forward to that one. But we're playing

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in Europe, across Canada, We're playing in the

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States later on next month. And I don't know

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when the train's gonna stop. We just kind of

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keep getting accepted to festivals and we'll

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just keep going as long as they let us in. And

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you guys have won some festivals. We have. Yeah,

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yeah. We've got a couple of awards for like best

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audience choice and like best screenplay, best

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director. If you check out our social media,

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you'll see all of that on our Instagram page.

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But yeah, we're super proud of what we put together.

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You guys had some familiar faces in there as

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well. We did. Yeah, yeah. Right from the start,

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we knew that we wanted to have some kind of star

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power in this. We were so lucky to feature a

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bunch of fantastic local actors and actresses

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from Windsor and Toronto. There's so much amazing

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talent in the city. But we were also able to

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reach out and get some, I don't know if you'd

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call them horror icons, but definitely some more

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well -known names in the horror community, especially

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the 1950s horror community. Judith O'Day was

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in the film. She was the star of Night of the

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Living Dead. The original Scream Queen is what

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they call her. Actually, when she was on set,

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she said that she preferred to be called the

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Gel Queen. instead of Screen Queen. I thought

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that was kind of fun. But we had her, David Liebherhart,

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he's from Tim and Eric. So if you're a Tim and

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Eric fan, you'll for sure be familiar with him.

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And just a couple other roles from actors that

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you might have seen. We have one actor, he was

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in The Saw, Saw IV, I believe. And Lloyd Kaufman

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from Troma Entertainment. I'm not huge into Troma

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myself. I haven't seen a lot of those old movies,

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but I know there's a lot of horror diehards who,

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they love the Troma. and if you ever check Lloyd's

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IMDB, his movie database page, he's got like

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600 credits. He's such a lover of smaller films.

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And you were in it? I was in it, yeah. I had

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a little role. When it came to me and Jacob and

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Mike too, Mike has a very small part in the movie,

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we kinda just got down to the scheduling at the

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end and we were like, okay, since we're here

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every day, we can kind of play around with the

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schedule for these specific roles. And that's

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how we ended up playing the greaser teenager

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characters, me and Jacob. You've done a lot of

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short films and a TV show, a few episodes. How

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hard was it to write a full length? Well, it's

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definitely a lot harder. Just the pure length

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of it, and especially the way you have to just

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make the story... Kind of keep progressing and

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just building the stakes more and more when you're

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doing like a four minute five minute sketch You

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pretty much have like one core idea of like this

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is what I want to have the joke This is the main

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thing and then you just figure out a way to like

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tell that one joke in the best way But with the

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movie you're almost like coming up with like

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40 different little sketch scenes that you're

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stitching together and you have to have the narrative

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on top of it and you have to have the characters

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that you're supposed to root for and want to

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follow and care if they die or live and yeah,

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just putting all that together. It's something

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that me and Jacob never really had a whole lot

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of experience with until the point where we started

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working with Mike. And working with Mike has

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been so great because this is like his, I want

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to say it's his sixth film that he's done. He's

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been making movies in Windsor for a long time,

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him and Ted Bezer. But he really helped us shape

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the more narrative side of the movie. So when

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it comes to making sure that we have callbacks

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like to a certain plot element in the first act

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that comes back in the third act. and trying

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to really keep the scripts very economical as

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far as characters and roles. I know when the

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script first started, me and Jacob had 10 different

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cop characters that each had one line throughout

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the entire movie. But now we only have, I want

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to say, two cops who have any lines. So things

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like that really helped us shape the script into

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a real movie, I guess you could say. Okay, since

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Vampire Zombies from Space has only been in film

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festivals and it hasn't been released as a motion

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picture yet. What is the plot? So we hope that

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the title kind of sells itself a little bit,

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Vampire Zombies from Space. Hopefully you know

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what you're getting into with that title. You

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know you're coming into just a silly comedy about

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the 1950s horror movies and it's going to be

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just kind of wacky, like not take itself too

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seriously. So the plot is very, very simple.

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It's just vampire zombies from space, of course,

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come invade this little small town, Marlow, and

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there's a little band of characters, a couple

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cops, there's a young woman and a greaser, they

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get together and they try to stop the evil invasion

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from Dracula. And this was all done in black

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and white, which was... Awesome. And it was recorded

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in Windsor? Yeah, I would say like 99 percent

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in Windsor. There was a couple like pick up things

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that we did. But yeah, it was all local. We had

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local actors, local craft services, local crew,

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which was fantastic. And I just want to touch

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quickly on the black and white. That was such

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a help to the production of the film, because

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you get you get you get to get away with so much.

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with the black and white. Like for example, my

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favorite trivia fact is a lot of the blood in

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the movie, it's actually chocolate syrup. I never

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even would have thought of stuff like that. But

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it's great because like fake Hollywood blood,

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like it's pretty expensive and it looks great

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when you're in color, like you almost need that

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stuff. But in black and white, the colors really

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change. And that was a big deal for our costumes,

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too. We had to make sure that those would all

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look good in black and white. But for the blood,

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you would just use chocolate syrup, and it looks

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exactly like blood. And I'll tell you, it's a

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lot cheaper. And if you're an actor who, like,

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you get, I don't know, punched in the face and

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you have to spit some blood out of your mouth,

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chocolate syrup tastes much better. Oh, I can

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imagine. Than the other stuff. Yeah, it would

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be really interesting to figure out the costumes.

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Do you have to really match everything or it

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can be totally all over the place? Yeah, the

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thing with the colors is you'd have to... I'm

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not the expert on it. So you'd have to look online

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to see exactly how each color translates to black

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and white But basically a lot of colors just

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kind of wash out when it's in black and white

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So what you do for the costumes is you actually

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focus on texture more than color Because that

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helps the black and white like you can pick that

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up on the camera a little bit easier We had a

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costume designer Emily. She was really great

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at picking out the best outfits and choosing

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the good colors for each of our actors and I

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think it's a beautiful film really looks great

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at the end of the day. That's exactly what me

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and Jacob were hoping for as far as the black

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and white aesthetic and the look of the whole

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thing. Super happy with how that ended up. It

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really was a perfect old -time campy horror show.

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We want it to be authentic. It was. Is it going

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to be released? No, I don't think we're ever

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gonna show anyone. No, we're gonna come out with

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it. Is it ever going to be released past the

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film festival? Absolutely. I wish I had more

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to say. There's so much unknown right now. But

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what I will say is you could probably expect

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it either sometime this year or next year. It's

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probably a decent bet. Because it needs to be

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seen by everybody because it's so much fun. Are

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we going to get to see it back in Windsor again?

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Yeah, I'm sure we'll do some kind of like local

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premiere and maybe even like a little small run

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at like one of the local theaters too. So yeah,

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we definitely want to we want Windsor to be able

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to see this movie the first out of anybody. That's

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great. Are you guys doing anything else? Like

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do you have any other works going right now?

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Well, that's the life of like the filmmaker.

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You always have a bunch of like scripts kind

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of cooking and you never really know exactly

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what's going to be like the next big thing that

00:11:54.460 --> 00:11:57.019
you get to work on. But yeah, absolutely. Me

00:11:57.019 --> 00:12:00.860
and Jacob have a couple buns in the oven. Just.

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seeing where we can make some different things.

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We have a short that we're planning on shooting

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next month for a film festival in the summer.

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And yeah, we just kind of keep making things.

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Now, is that for the 48 -hour flick fest? No,

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no, we did that last year. Oh, yeah, you can't

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plan that. No, you can't plan that one. And that's

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a really, really fun festival. Yeah, we answered

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last year at the Windsor Film Festival. didn't

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do much as far as awards, but we were happy with

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- That's hard! It's pretty hard. We were happy

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with our little concept, and I think looking

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back at the film, we're gonna look back and really

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enjoy watching it. It was called Bed Bomb. Bed

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bomb? Yeah, yeah. Well, like, they gave us the

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criteria. You had to have a mattress salesman

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in your movie. And we're like, how do we have

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a mattress salesman in the 48 -hour movie? So

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we figured, you know what? What if we do a twist

00:12:54.710 --> 00:12:56.809
and we'll do something about a mattress itself?

00:12:58.110 --> 00:13:01.330
And we call bed bomb, we call it speed on a mattress.

00:13:01.830 --> 00:13:03.809
So it's like a guy, he, like, he rips his mattress

00:13:03.809 --> 00:13:06.809
tag out and then his bed becomes a bomb. that

00:13:06.809 --> 00:13:09.710
he can't leave the bed. And I won't spoil the

00:13:09.710 --> 00:13:13.070
ending. Obviously there are people in Windsor,

00:13:13.190 --> 00:13:15.690
Essex County that have never heard of the 48

00:13:15.690 --> 00:13:19.070
Hour Flick Fest or even The World. What is that?

00:13:19.289 --> 00:13:22.190
It's great. It's a 48 hour film competition.

00:13:22.509 --> 00:13:24.809
So they do those, I want to say a lot of different

00:13:24.809 --> 00:13:27.509
film festivals you'll find them at. But essentially

00:13:27.509 --> 00:13:31.230
all it is is you get 48 hours to write, shoot,

00:13:31.389 --> 00:13:35.669
direct, edit, everything to create a film. how

00:13:35.669 --> 00:13:37.850
it works is like Friday night at six o 'clock,

00:13:37.970 --> 00:13:40.029
you'll be given certain elements that you have

00:13:40.029 --> 00:13:42.470
to put in your film. And then you have 48 hours

00:13:42.470 --> 00:13:46.129
starting from then to do everything. So 48 hours

00:13:46.129 --> 00:13:47.769
from the start, you have to submit a finished

00:13:47.769 --> 00:13:50.990
film, just like uploaded and send like the link

00:13:50.990 --> 00:13:55.830
over. And making a movie in 48 hours, it sounds

00:13:55.830 --> 00:13:59.549
like it could be doable, but it is very difficult.

00:13:59.809 --> 00:14:02.870
There's no sleeping. No, no, you're lucky if

00:14:02.870 --> 00:14:04.789
you can sleep the first night. We have a pretty

00:14:04.789 --> 00:14:06.850
good routine now, me and Jacob. We've entered

00:14:06.850 --> 00:14:09.470
the competition, I wanna say, 11 or so times.

00:14:10.389 --> 00:14:12.409
And usually Saturday night, you can expect to

00:14:12.409 --> 00:14:14.070
sleep a little bit if you can come up with a

00:14:14.070 --> 00:14:16.950
solid idea. There are definitely some years where

00:14:16.950 --> 00:14:18.809
we're banging our heads against the wall at 3

00:14:18.809 --> 00:14:20.929
a .m. and we're just kinda like, all right, I

00:14:20.929 --> 00:14:23.929
guess this is the idea. And then yeah, the Saturday

00:14:23.929 --> 00:14:27.289
night, you do not sleep whatsoever. No, I couldn't

00:14:27.289 --> 00:14:30.509
imagine doing it. I know my husband, John, had...

00:14:30.350 --> 00:14:31.669
I've done it a few times and I've seen them.

00:14:31.669 --> 00:14:33.409
He did a really good one, yeah. He did like a

00:14:33.409 --> 00:14:36.789
cupcake one, I remember. Cupcake continuum. Yeah,

00:14:36.909 --> 00:14:40.179
yeah. It was really cute. I wish... I wish I

00:14:40.179 --> 00:14:43.100
would have been around to see them make it, but

00:14:43.100 --> 00:14:45.340
I'm kind of also glad I didn't because it would

00:14:45.340 --> 00:14:47.480
have been way too stressful for me. Hey, there's

00:14:47.480 --> 00:14:50.059
always this year, Tracy. We're too old for that.

00:14:50.080 --> 00:14:53.120
We're leaving that for you guys. So you're going

00:14:53.120 --> 00:14:55.519
to be joining it again? We'll see. It kind of

00:14:55.519 --> 00:14:58.080
depends. Jacob does some work out of the country.

00:14:58.840 --> 00:15:01.139
So if he's in the area during the festival, we

00:15:01.139 --> 00:15:04.419
usually do it. I'll say maybe on that. Fingers

00:15:04.419 --> 00:15:07.049
crossed. Yeah, yeah. This is awesome. I'm so

00:15:07.049 --> 00:15:09.250
glad that you were able to stop by Alex. I really

00:15:09.250 --> 00:15:11.690
do appreciate it. Yeah, absolutely. This was

00:15:11.690 --> 00:15:15.830
super cool. Why Qgenia in bloom? Well, again,

00:15:16.429 --> 00:15:19.450
you guys have to keep your eyes out for vampire

00:15:19.450 --> 00:15:23.129
zombies from space because it really is a little

00:15:23.129 --> 00:15:26.789
gem and it is a pride in the Windsor -Essex County

00:15:26.789 --> 00:15:31.519
area. Everybody was so happy to see it and. It

00:15:31.519 --> 00:15:34.639
was just great. And congratulations on you guys

00:15:34.639 --> 00:15:37.620
for doing so well at the festival. Yes, thank

00:15:37.620 --> 00:15:40.840
you. That Windsor premiere was more than anyone

00:15:40.840 --> 00:15:43.240
of us could have asked for. It was so incredible.

00:15:43.720 --> 00:15:46.679
So thrilled to do that. It was great. And again,

00:15:46.820 --> 00:15:48.519
my name is Tracy Martins. I want to thank you

00:15:48.519 --> 00:15:51.220
for joining me for another episode of YQG & Bloom.

00:15:51.620 --> 00:15:52.620
You all have a great day.
