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Hey friends, thank you for joining me for another episode of YQG in Bloom.

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My name is Tracy Martens and I'm your host and tonight we are recording at the KordaZone

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Theatre in Windsor, Ontario and I am with Joey Wright who is directing the upcoming

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production of The Three Musketeers.

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How's it going?

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Good, how are you?

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I'm great and I also have Nick Prsa and you are playing Athos?

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Athos.

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Athos, okay, I knew I was going to screw that one up.

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Everyone does it once.

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Don't quiz us on any of our French.

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Okay, so when is the production coming out?

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We open on September the 13th, so in ten days.

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And it's every weekend through September?

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We run for three weekends.

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The first weekend is Friday, Saturday and then we have a Sunday matinee and then the

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following two weekends are Thursday, Friday, Saturday night.

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So let's get this out of the way.

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What is this version of The Three Musketeers?

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Since everybody has their own interpretation.

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There's always a different interpretation on every production or movie or anything like

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that of The Three Musketeers.

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What I was looking for was to kind of take the vibes of Pirates of the Caribbean and

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put it on stage with The Three Musketeers.

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So most of the show is action comedy with little bits of drama, tragedy, grief and loss

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kind of just sprinkled out over a little bit.

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Oh, so it's going to be...

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It's kind of all over the place.

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You start off with this, with D'Artagnan who is going to Paris to be a musketeer.

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He's on an adventure and inadvertently finds himself mixed in on a scheme by Cardinal Richelieu

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to overthrow the king and falls in love and there's so much going on at all times, but

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it's just, it's fun, action filled, laugh filled and there might be an occasional tear

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or two.

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Okay, so it's The Three Musketeers soap opera.

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And who is Athos?

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Athos being one of The Three Musketeers is someone that I was quite drawn to when Joey

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had put up the auditions for this because he's such a wonderful contrast between the

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other two who are brought wonderfully to life by Nicole Clark and Gianluca Iacari.

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Okay, so we have a female musketeer.

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Yes.

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And she does a great job taking Porthos' vanity but also bravery and being able to meld them

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together.

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She's just a wonderful stage presence and Gianluca does an amazing job with taking the

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piousness of Aramis with his kind of one weakness of being a lovely woman.

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Now in the case of Athos, Athos kind of contrasts them where he has that kind of romanticism

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that those others two have kind of put deep, deep, deep, deep, deep down.

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He's this kind of brokenhearted sullen member of The Musketeers.

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So when he sees D'Artagnan who's youthful and is ready to fall in love, as much as he

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wants to caution him with being too naive about rushing in trying to do a swashbuckling

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adventure, he sees a bit of himself in that as well too.

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So that's I think my favourite part about playing this part by not just being a kind

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of almost an older brother figure to D'Artagnan but the personal journey that he finds to

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kind of rediscover that kind of love of life and going into the great unknown that he used

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to have.

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That's a really interesting way of putting it.

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It's almost like there's a smidge of jealousy but it pushes him to become the person that

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he wants to be.

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I like that.

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Because he's been, without spoiling anything, his heart is not the same that it once was

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because something that happened in his past.

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So when he sees D'Artagnan kind of looking almost like he's going down the same path,

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it takes him aback almost.

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But that romanticism that he had for that part of his heart is kind of transferred into

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being this person who wants to serve his country and his king.

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So those kind of highlights, even though they're kind of pushed down still, are coming through

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even from the beginning of the play.

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And through doing that, it's been an amazing process to discover where those glimmers get

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to come through under Joey's direction.

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I can't wait to see it.

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I'm definitely coming to this one because I don't even know the last time I've seen

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a production of The Three Musketeers, like obviously on TV.

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It's been a long time so it'll be completely new and fresh for me.

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And what made you decide to direct this?

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I love the 90s Disney Musketeers movie with Kiefer Sutherland, Tim Curry, Charlie Sheen.

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I think that's the last time I've seen it.

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Yeah, I love that movie.

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It's one of my favorite go-to movies.

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If I'm sick at home eating chicken soup, that's the movie I put on.

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And I was on vacation and I thought to myself, I wonder, there's got to be a play.

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There has to be a stage play of The Musketeers.

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Did a little bit of research, found a script, ordered it, read it and was like, this is

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fun.

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This is just a silly, good, fun time.

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And I was like, that's the one.

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I want to be able to put on The Musketeers and have a cast that just has fun, an audience

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that has fun.

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And they're coming to the theater for that performance.

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And it is just, like I said, it's a swashbuckling adventure tale and you just get to enjoy it.

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There's no heavy thinking.

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There's no wondering, is there a plot twist at the end?

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It's just two hours of just enjoyment and fun on stage.

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No, we're not going to get lost in the language.

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No, it is written in plain English, our English.

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How many cast members are in this production?

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So the script calls for 12, but we have 14.

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Oh my goodness.

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And we have the stagehands also kind of popping in and out throughout some of the scenes.

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So we have a pretty decently sized cast.

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One of the things you pointed out earlier, one of The Musketeers is a woman, Porthos

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played by Nicole Clark.

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And it's not a woman playing a man.

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Porthos is a woman in this show.

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She brings a great energy.

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She brings a great character.

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And I'm like, why not?

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Why not have Porthos as a woman?

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In the old story.

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Old story.

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We're all men, but I figured it's 2024.

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Why not?

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Yeah, she could kick butt.

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And it's great.

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We have a couple bits throughout the show as well with the fact that we've changed Porthos

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from a man to a woman.

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It sounds like a lot of fun.

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It is.

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That was my goal was to just have a fun show.

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And you said that there hasn't been a production of The Three Musketeers and Windsor in a long

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time.

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I think it's been about 10 or 15 years.

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And the last company to do it was UP over at the university.

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Wow.

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So yeah, it's time for a new one.

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Why not?

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It's time for something fresh, something new, something people haven't seen in a long time.

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Let's go for it.

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Now have tickets already?

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Are they on sale yet?

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Yes.

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Tickets have been on sale since the first weekend of August.

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Oh, cool.

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We were in the Pride Parade.

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The whole cast, most of the cast was in the Pride Parade.

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They were in costume.

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We were sword fighting because we have eight or nine large sword fights throughout the

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show.

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Wow.

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On the set?

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On the set.

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And it's not just on the main stage.

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We have sword fights on the stairs.

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We have sword fights upstairs.

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We have people that run out a door and come in another door.

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Eric Smith, our fight choreographer, once I got the okay to do the show, he was my first

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phone call and I was like, hey, I want you to fight choreograph.

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And he's like, I'm in.

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He's been working on these fights for the better part of a year.

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You have a fight coordinator.

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That's pretty cool.

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With the fights that we have.

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Yeah.

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I mean, the show starts off, top of the show starts with a fight that's about a minute

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and a half long.

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Now, are you in it?

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No, no.

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You're just directing?

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I'm directing and producing and that is plenty of work for me.

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But you act too.

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I do.

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Yeah.

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And how long have you been with Cordova?

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My first show that I was directly involved in.

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I was kind of a late bloomer because I was Clue in 2022, I think was the first.

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No, you were in the Fantastics.

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Oh, yes.

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And that was pre-pandemic.

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So right before that all kicked off, I was in the Fantastics, but I've been involved

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in community theatre since about 2012.

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So going back to like early high school.

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So you've always liked it.

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Yes.

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Yes.

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And I think maybe this is kind of full circle because being on this stage on Cordova specifically,

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my dad used to do Croatian school plays when this was the Hrvatski Narodni Dom when it

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was next to the old church.

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So this is kind of a bit of a family affair being on this stage as well.

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That's really cool.

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Now, do you just do performances with Cordova or are you with other production companies?

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I've worked with quite a few production companies.

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I started off at Windsor Light and they still do amazing work and they have a great season

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coming up.

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I've also worked quite a bit with post productions as well too.

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And I've also recently served on the board of Windsor Feminist Theatre as secretary.

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So the great thing about theatre in Windsor is just how diverse this scene is.

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I still stand by that outside of Toronto and Stratford, we have the strongest theatre scene

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in the province.

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It's true.

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It's true.

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This is my third podcast here and we've talked about it before that the theatre in Windsor,

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the productions, we're getting more and more of them which is great.

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When UP, when they announced the shutdown of UP.

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It's horrible.

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We had a rehearsal that night here for Three Musketeers and a bunch of the cast was either

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directly involved with UP going into UP or had graduated from UP.

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So it was a shock to the system but also it was an event that really shook people up and

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it is a big loss to the community to not have that 66 season community theatre company here

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anymore.

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I mean that's the thing is you have these students that are in there taking theatre

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and acting and production and directing and you know what have you but yet they're not

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offering to be able to do performances there.

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They have to look elsewhere.

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Luckily enough we do have quite a few different places where they can go to but I'm hoping

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that something might change and get on the road.

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We are too.

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We're welcoming to everybody that wants to come in.

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We hope that the decision gets reversed but that's entirely up to the university.

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So what is because you work here.

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You work here.

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I mean you're not just director of this play.

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You do other things with Cortisone.

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So what will be the next play after?

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Is it the Halloween one?

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So the next thing here is Frankenstein directed by Jeff Maren Tate in October and then we

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have our annual holiday panto in December that's going to be directed by Mark Worsley

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and then Tracy our founder here at Cortisone is directing our season opener Urinetown next

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February.

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I happen to see that online about Urinetown.

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Really quickly what's that about?

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It's sort of a.

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Because it sounds.

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It's definitely not a name where you're like oh I know that show.

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It's basically sort of a dystopian era play where your water usage is tracked and you

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have to there's a severe water shortage so you have to track all of your water including

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your urine.

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So it's a musical about just all sorts of kind of crazy nonsense and government control.

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I don't know too much about it.

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Tracy I know is absolutely over the moon.

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She's finally getting to do it.

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She loves the show.

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She's been wanting to do it for years.

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She finally gets that opportunity so I'm excited to see what she puts on.

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And I'm told that the creative process is quite fluid so we're really looking forward

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to it here.

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Are you going to help out with that?

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Well I think considering Tracy had approached me at the last rehearsal I think I may be

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roped in in some capacity or another.

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I myself am taking six months off.

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You are?

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Well earned.

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Well earned.

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I've been going nonstop since COVID ended.

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Our second show back from post pandemic COVID was Clue which I directed and produced as

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well and that was in February of 2022 and since then I've had a show on the go.

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Multiple shows on the go from then.

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Will you work with Corda on the board?

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I'm the treasurer.

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You're the treasurer so you're not taking a break from that you're just taking a break

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from the stage part?

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Acting and directing.

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But I'll still do all of my board duties and the treasurer stuff and I'm the fun police

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when Mark wants to buy new things.

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I say no Mark we can't afford that.

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Okay can you come to my house?

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We both need the fun police every once in a while.

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I don't know I think he said he needed a new mic so go for it.

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I need a camera.

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Cameras, mics, yeah go for it.

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Why not?

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I really love coming to the Cortisone Theatre because you guys do not one play is the same

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they're all over the board.

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I think that's what makes it so fun for people is they don't feel like they have to go to

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every show they can pick and choose.

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One of the things we like to say about ourselves is that we're dramatically different because

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it's not just your usual theatre fare.

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You don't get the standard musicals, the standard classical shows, the standard plays.

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You know Three Musketeers is a very well known show but I have put my own spin on it.

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We're doing Year in Town, no one's ever heard of that but it's a fun musical that's going

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to be great but we also do the classics like The Importance of Being Earnest, Frankenstein.

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So there's a we try to do a mix of shows that people are very well aware of that they know

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that they love that they want to experience again or see how we do it differently but

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then we do the shows that no one would ever consider or think of that people get to try

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out for the very first time.

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It really is an institution in the Windsor area and I know we veered off a little bit

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from The Three Musketeers and I know you guys have special nights.

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Yes, we do.

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So the second weekend, the Thursday, we have Pay What You Can so anybody can come in and

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if they can only afford $5 for a ticket they can pay $5.

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So there's no in advance?

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It's strictly all at the door.

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And then the third weekend, the Thursday of the third weekend we have a scent free performance

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so there will be no popcorn made here at the theatre.

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We ask no one wears any perfumes or colognes and if any flowers are brought for the cast

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members to talk to one of the volunteers and they will bring the flowers backstage out

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of the general seating area.

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That's a great idea to have that for the place because I mean it is a very nice and cozy

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atmosphere and so many people have allergies and issues.

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It's a big space but when you put 80 to 100 people in here it gets small really fast and

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when you have one person who is wearing very strong perfume or popcorn being made in the

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popcorn machine it fills the space.

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So we wanted to make sure that everybody can come whether they can afford a full $25 ticket

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or if they have an allergy to perfume or colognes or anything like that.

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We wanted to make sure that everyone can come to Cordo no matter what.

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That's great and I can't wait to see it.

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I'm definitely coming.

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I'm really excited and I want to thank you so much Joey and Nick for being with me today.

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Thank you for coming by.

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We love having you here.

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Oh always.

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I want to come back for Frankenstein too.

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Oh absolutely come on by.

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I mean like with Three Musketeers it's a classic as well with our own twist.

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I know Jeff I've been privy to some conversations about the set and they have some very very

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cool ideas about the lab and the set and the creature so it's definitely going to be one

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you're going to want to see and get a little sneak peek of before the show opens.

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For sure.

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Thank you again both of you.

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I really do appreciate it.

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And again my name is Tracy Martens.

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This is YQG In Bloom.

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Make sure that you follow like subscribe to my channel so you can get updates on any of

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my new podcasts and follow KordaZone Productions on Instagram or what is your website?

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KordaZone.com.

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And get tickets.

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Make sure you're down here for the Three Musketeers.

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You guys all have a great day.

