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Hey, Tracy here.

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I have the multifaceted, multitalented photographer, podcaster, teacher, author, Anthony Sheardown

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with me.

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Hey.

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Hey, thanks for having me on.

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Thank you.

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I really do appreciate it.

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And before we get started, this week's episode is sponsored by GL Heritage Brewing Company.

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It's a warm and friendly destination with a cozy inside and a spacious outside where

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you can enjoy watching the sun set over a game of cornhole.

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Come out and enjoy their award-winning brews and fabulous seltzers.

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I tried the blueberry one and it was really, really good.

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If you want to know more about the brewing process, GL Heritage will allow you to have

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tours or you can have private events there.

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Make sure to stop by if you're in the Amersburg area.

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Check out GL Heritage Brewing on social media to learn about upcoming events.

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Now, Anthony, I know you're young and how long have you been doing photography?

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I've been doing it full-time for nine and a half years.

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Wow.

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Yeah.

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That's a long time.

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Yeah, it kind of goes by fast.

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It really does.

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Now, do you have a certain genre that you do or are you just like all forms of photography?

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Yeah, I kind of like to split it into like two categories, like the business side, like

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my work and then like my personal side.

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So like on the business side, I do everything from like weddings to commercial work, real

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estate, video stuff, headshots, families.

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And then on like the personal side, I would say like travel, landscape, documentary, street,

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adventure, whatever, everything.

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It keeps it interesting.

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Is it something you always wanted to do?

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No, I just like after high school, I was trying to figure out what I wanted to do.

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I took a year off and I had always like kind of been inspired to do something creative,

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but I didn't really like have a medium.

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I was like, I bought a camera and I was like, I'm, I always like started things and stopped

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them.

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And then I told myself, you know, I was 18 and when I bought it and I was like, you're

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not allowed to stop.

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And from that day forward, I never stopped.

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I've done something every day since and it's been like 12 years or something, 11 years.

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Every single day.

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Every day.

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I love that.

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Yeah.

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And then sometimes you're just out and about doing things and for yourself.

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Yeah.

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Just like, I'm just working hard every day.

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Like back then, I didn't even know, like everybody said, like you couldn't like have a job as

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a photographer, but I don't know.

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Like I spent every day, like I just tried my best to like do everything I could.

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And I always said yes to everything.

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And I just like explored every avenue and like started reading books and stuff.

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And then yeah, that was it.

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I don't know.

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I never stopped and I still have it.

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What is your favorite book?

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Like photo book.

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Oh my gosh.

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That's so hard.

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It is.

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Oh my God.

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For street photography, I like Vivian Myers books.

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I like Daniel Arnold has a book called Pickpocket that he put out a couple of years ago.

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Is that what it's called?

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No, it's called In the Woods.

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That's really, really good.

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I like Steven Shores.

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One of his books.

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He's really good.

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He's like a contemporary landscape photographer from like the seventies.

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Oh yeah.

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I have a Henry Cartier-Bresson book of like really old school stuff.

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That's good.

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My favorite kind of headshot stuff are people that use like wet plate collodion, that process,

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where like they develop it on like a piece of steel or a piece of glass and they'll do

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like headshots like pop-ups in like New York and stuff.

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Oh yeah.

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Take people off the street and like take their photo and then develop it.

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It's so cool.

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That's the sweet.

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That would be nice.

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I would love to see that.

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Yeah, it's cool.

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Well, you've done a lot of traveling.

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I didn't realize before I even go any further, we have this book here.

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California Gold, which is Anthony's new book and it's coming out July 26th.

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You got the first one.

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Yes, I got the first one and I really, really do love it.

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Everything on it has been shot with film, which I've never done it before.

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Do it.

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It's the best and you already know where to shoot.

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So like you'll be fine.

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Yeah.

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I try to do one shots when we're doing various events and stuff like that.

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I try to do one, maybe two shots at a time instead of like being click happy because

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I hate having to call it.

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Yeah, for sure.

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Yeah, that makes sense.

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It drives me nuts.

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That's the nice thing about this book is like usually when I travel and like I'm going through

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my photos, like I always have like a few of everything and it takes a lot of time, especially

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with like my personal work, like to pick them because you're really focused.

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With these, there was one of everything.

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So it was just like pull it up and like color corrected and it's like ready to go.

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Well, see when I was growing up, that's what it was.

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It was all film.

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So you'd bring it to the photo mat and then have to wait the week or however long and

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to get them in and you'd always be so excited.

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Now out of all your rolls of film that you took, how many were like?

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I think this book has, there's 144 pages.

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So like let's guess because there's like some of the sequencing, there's a blank page and

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then there's some like, you know, text on some of the front and back, whatever.

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There's probably 130 to 135 photos in the book.

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The project in general had like at least 1500 photos total.

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So out of like the 1500 to like 2000 I took, I think I ended up like editing and putting

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out like I was happy with about like 600 of them.

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And then 130 made the book from that 600.

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That's still really good.

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Some of them are good, but like maybe they're too similar to one that's already in there

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because it's from like the same scene or something.

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Or like, you know, what's funny is like there's actually some is like if I had to pick like

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one or the other, like there's some photos in this book that I like other ones that aren't

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in the book more, but the photo in the book, like it tells us like it helped tell the story

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or sequence the photos together.

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There are some in here and a lot of it is like my type of photography and this is always

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going to be my favorite because I love that.

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I love that vehicle.

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But you have a lot of really nice shots that are stuff that I would do.

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Like they're just memories that you don't want to forget and they may not be the hot

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spot or the place that everybody else takes.

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I love these.

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I love everything about it.

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And then I was looking through your website and found out this isn't even your first

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book.

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How many have you done?

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Like three and a half.

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Yeah.

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Because like one's like a little zine.

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It's just like a little thing.

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But this would be like my third like book book.

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Book book?

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Yeah.

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Yeah.

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The first one was Iceland.

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But that one is like a photo book with a written narrative.

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Like I wrote through that the whole thing.

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Like it's a really like personal book.

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A lot of people comment more on like the words in that book than the photos actually.

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And then then I did the little zine and from my Nicaragua project.

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And then my last book, which came out like two and a half years ago, was All Tofino.

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Like in B.C. the surf town.

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And that one is just at Indigo.

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Indigo.

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Yeah.

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It's at Indigo.

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It's at all the local ones too.

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I really like push that book hard.

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Yeah.

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That one that one was fun.

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The thing about that book was I was going out there during COVID like lockdowns.

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So I got to capture the town with only the locals and no tourists.

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So it's kind of different.

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It's nice to have that quiet.

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Like we were supposed to go to New York for my 50th birthday in July 2020.

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Just as New York shut down and they weren't letting everybody in.

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And I always thought it would have been really, really cool to be on the streets of New York

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and it be desolate and get photos of that.

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Yeah.

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When you asked me about my favorite photo books and I mentioned Daniel Arnold's, he

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put out a book two or three years ago.

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And most of the photos are from like before 2017.

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And he has one photo in it from 2020 of like one of the main streets in New York, like

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Fifth Ave and it's in like April, end of April and it's empty and it's cool.

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That would be cool.

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Yeah.

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It's very cool.

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It's sad but cool.

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Yeah.

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It's sad but cool.

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What inspired you to create this book?

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So I'd been going out to California a lot.

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The first time I went was in 2019.

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And then within that first year I went three times.

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And then I went right before we like locked down for COVID.

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So like whatever, like I got back March 2020 and then couldn't travel for like a year and

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a half.

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And then in October 21, so a year and a half later, they announced that you could cross

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the border again with the test.

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The day they announced it, I bought ticket to California for like three weeks later.

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It's like we're going right back.

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That was the last place I was before COVID.

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We're going right back.

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Yeah.

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And I had just gotten a new film camera and it takes the same lenses as my digital one.

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So it's easy to bring.

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So I brought it and on that trip I was there for like two weeks and I shot a really heavy

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mix of film and digital.

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And towards the end of the trip I was really shooting the film.

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I was really having fun and I didn't know what I was getting because it was film, but

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I was really having fun and I was taking different kind of pictures.

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I was taking more pictures that like called to me and like inspired me rather than like

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looking for like a banger photo, you know?

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And then I got back from the trip and I sent the film off and I got it back and I was like,

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oh my God, like, wow.

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I was like, I was so stoked on it.

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And then that was at the time I was finishing my last book.

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Like as that book was coming out, I was into the start of this project.

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And then I went back again.

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We were out there during our honeymoon and I like went crazy on this project.

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And then I got those back and I was like even more comfortable with it now.

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And I was like, oh, this is going to be something.

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So then I went back again, like a couple months later.

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And then I was like, yep, there's enough for a book.

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But I hadn't shot enough like in San Francisco.

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So we went back to San Francisco so I could like wrap up the project up there, you know?

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And.

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Or was this just an excuse to keep going?

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Yeah, I was like, yeah, definitely to keep going.

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But yeah, and then I felt like I had like all grounds covered when I went up there and

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did some stuff up north.

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Yeah.

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Yeah.

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It's definitely a place that I've always wanted to go and especially now.

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It was funny because the last trip to San Francisco, like number four for the book,

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I was like, I don't want to shoot film anymore.

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I was back to like wanting to do digital because it's a lot to travel with the film.

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It can't go through the airport scanners.

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Because every time you go to the airport, you have to get in a fight because you have

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to explain it.

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You have to ask it to get handchecked.

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And then they say no.

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And then you say yeah.

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And then you get an argument or then they don't do it or they do it.

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But they make you wait or they like open the back of your camera.

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It's just a nightmare.

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I hate it.

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It's just it's a terrible process.

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I mean, they're not used to how many people use film anymore.

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Yeah.

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But have you found that your digital photography is changed now?

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For my personal work.

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Yeah, I went to we were going to Cuba in my midst of my film craze, like in the middle

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of this project.

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So we're both to leave.

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I had all my film packed and everything.

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And I go, oh, wait, we're going to Cuba.

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They're not going to care.

249
00:11:28,680 --> 00:11:29,680
They're going to put it through the scanner.

250
00:11:29,680 --> 00:11:30,680
I'm going to ask them handcheck.

251
00:11:30,680 --> 00:11:32,240
They're going to say no.

252
00:11:32,240 --> 00:11:36,640
So I was like, I could either get there and they could put it through and then I'm not

253
00:11:36,640 --> 00:11:39,080
going to shoot on it because it could be ruined.

254
00:11:39,080 --> 00:11:42,640
Or I could shoot an entire week, 20 rolls of film, and then they could put it through

255
00:11:42,640 --> 00:11:43,640
and it could be ruined.

256
00:11:43,640 --> 00:11:47,840
So right before we left, I just took my digital camera.

257
00:11:47,840 --> 00:11:50,040
And when we were there, I was like, I'm going to pretend like I'm shooting a film.

258
00:11:50,040 --> 00:11:51,640
I put it on single shot only.

259
00:11:51,640 --> 00:11:57,720
When I shoot film, I usually shoot on shutter priority instead of manual, just because like

260
00:11:57,720 --> 00:12:01,440
if you're trusting the meter in the camera anyway, you might as well just shoot like

261
00:12:01,440 --> 00:12:02,440
that.

262
00:12:02,440 --> 00:12:04,840
So I shot on my digital camera like that.

263
00:12:04,840 --> 00:12:08,000
And I was only allowed to take one picture of everything just like film.

264
00:12:08,000 --> 00:12:10,520
And I stuck to it and I loved it.

265
00:12:10,520 --> 00:12:15,400
When I came back and I had enough from this project where I pulled up a Cuba photo that

266
00:12:15,400 --> 00:12:18,400
had a lot of colors in it, like it had blue, red, green, whatever.

267
00:12:18,400 --> 00:12:21,960
I pulled up a couple of California ones from the film and I went in Lightroom and I made

268
00:12:21,960 --> 00:12:24,640
a preset that mimicked the tones as best I could.

269
00:12:24,640 --> 00:12:27,040
Yeah, because those tones are really, really nice.

270
00:12:27,040 --> 00:12:31,560
Yeah, they're, it's not perfect, but it's close enough.

271
00:12:31,560 --> 00:12:34,280
And a good photo, it doesn't matter.

272
00:12:34,280 --> 00:12:37,440
The OK photos, it matters, I find.

273
00:12:37,440 --> 00:12:39,360
But a great one, it doesn't matter.

274
00:12:39,360 --> 00:12:43,680
And then I was like, yeah, so then I got back into digital and I'm still on the digital

275
00:12:43,680 --> 00:12:44,680
kick actually.

276
00:12:44,680 --> 00:12:50,080
Yeah, because I actually, I find that your pictures in here remind me, I just had to

277
00:12:50,080 --> 00:12:53,000
look it up to make sure I had the name right.

278
00:12:53,000 --> 00:12:54,720
Wes Anderson, his movies.

279
00:12:54,720 --> 00:12:55,720
Oh, thanks.

280
00:12:55,720 --> 00:12:56,720
That's a pretty good compliment.

281
00:12:56,720 --> 00:13:02,640
Well, no, the coloring and the color grading and it just really reminded me, especially

282
00:13:02,640 --> 00:13:04,600
of his last one that came out.

283
00:13:04,600 --> 00:13:06,600
He shot that movie on Kodak Film.

284
00:13:06,600 --> 00:13:07,600
Oh yeah.

285
00:13:07,600 --> 00:13:08,600
Motion picture film, different film.

286
00:13:08,600 --> 00:13:09,600
Yeah, obvious.

287
00:13:09,600 --> 00:13:12,520
But still Kodak colors and all this whole book is on Kodak Film.

288
00:13:12,520 --> 00:13:18,840
So yeah, but a lot happens when it comes off of that roll, it gets scanned and then the

289
00:13:18,840 --> 00:13:22,680
lab corrects it and then I get it and then I correct it a little bit.

290
00:13:22,680 --> 00:13:25,280
So you can still correct it?

291
00:13:25,280 --> 00:13:29,680
I slightly touch up the JPEGs or a TIFF file.

292
00:13:29,680 --> 00:13:32,560
Nothing crazy, but a little bit.

293
00:13:32,560 --> 00:13:35,960
But it really gets corrected by the person in the lab.

294
00:13:35,960 --> 00:13:40,840
Like when it goes through a Neurotour Frontier scanner, they're color correcting it pretty

295
00:13:40,840 --> 00:13:44,640
heavily to get it to look how it's supposed to.

296
00:13:44,640 --> 00:13:47,640
So you're really putting your trust in the people at the lab.

297
00:13:47,640 --> 00:13:50,360
Somebody in the lab is color correcting every one of your pictures.

298
00:13:50,360 --> 00:13:55,440
They're just doing it quickly, but they are correcting every one to make it even.

299
00:13:55,440 --> 00:13:57,400
And then you can do it on top, which is...

300
00:13:57,400 --> 00:14:01,120
Slightly, you don't have as much control as they have on the scanner, but those scanners

301
00:14:01,120 --> 00:14:02,120
are like $20,000.

302
00:14:02,120 --> 00:14:03,840
So I don't have one of those scanners.

303
00:14:03,840 --> 00:14:11,000
But I want that quality from the scans, so it just makes sense to do that.

304
00:14:11,000 --> 00:14:16,880
And if you don't like it, you can ask them to tweak it and then they'll send it back

305
00:14:16,880 --> 00:14:17,880
to you.

306
00:14:17,880 --> 00:14:23,000
So for the San Francisco work, I said this doesn't match.

307
00:14:23,000 --> 00:14:25,680
And I was like, you guys scanned my other work.

308
00:14:25,680 --> 00:14:31,840
So I actually sent them the files from the past few scans and then they just recolor

309
00:14:31,840 --> 00:14:34,600
corrected all the work from the last trip to make it match.

310
00:14:34,600 --> 00:14:36,240
Oh, that's cool.

311
00:14:36,240 --> 00:14:42,200
Now I know that you don't just do photography and that.

312
00:14:42,200 --> 00:14:46,400
You also started teaching a few courses.

313
00:14:46,400 --> 00:14:47,960
What are you teaching?

314
00:14:47,960 --> 00:14:53,440
So last semester I taught, I think it was called Mobile Photography in the Media, just

315
00:14:53,440 --> 00:14:58,320
a photography course at the journalism program at St. Clair for first year students.

316
00:14:58,320 --> 00:14:59,800
And it had never been taught before.

317
00:14:59,800 --> 00:15:03,880
It's a new course, so I built it kind of all myself.

318
00:15:03,880 --> 00:15:07,440
They give you the things you have to teach and then you add everything that you think

319
00:15:07,440 --> 00:15:08,440
needs to be added.

320
00:15:08,440 --> 00:15:11,960
I made the whole thing essentially, like every week's lesson plan.

321
00:15:11,960 --> 00:15:13,920
And I had a blast teaching it all winter semester.

322
00:15:13,920 --> 00:15:15,600
It was super fun.

323
00:15:15,600 --> 00:15:20,040
And then this semester through the summer, I'm teaching at the Media Convergence program

324
00:15:20,040 --> 00:15:23,040
at St. Clair podcasting class.

325
00:15:23,040 --> 00:15:24,560
That's cool.

326
00:15:24,560 --> 00:15:27,000
What kind of podcasting is it going to be?

327
00:15:27,000 --> 00:15:29,320
Is it all behind the scenes, in front?

328
00:15:29,320 --> 00:15:35,640
Because I know Dan taught you the podcasting, but it was more like what we're doing here,

329
00:15:35,640 --> 00:15:36,920
the script writing.

330
00:15:36,920 --> 00:15:39,880
Yeah, it's pretty similar to the one Dan taught us.

331
00:15:39,880 --> 00:15:43,880
But Dan taught me in the journalism program.

332
00:15:43,880 --> 00:15:48,800
I'm teaching to Media Convergence students, which is like, that's a more advanced program.

333
00:15:48,800 --> 00:15:55,280
To take that program, you have to, well, you used to have to be a graduate of another program

334
00:15:55,280 --> 00:15:58,400
like journalism or PR or something from the university.

335
00:15:58,400 --> 00:16:01,580
So everybody comes in with like a little bit more knowledge.

336
00:16:01,580 --> 00:16:05,040
So a lot of it is just like, they're giving me scripts.

337
00:16:05,040 --> 00:16:09,760
I'm like looking them over, but they already know how to record and edit.

338
00:16:09,760 --> 00:16:12,480
And I'm just like, kind of, I'm more guiding.

339
00:16:12,480 --> 00:16:16,040
So more so than teaching, I'm helping them with things that they don't understand and

340
00:16:16,040 --> 00:16:18,080
giving them like tips and stuff like that.

341
00:16:18,080 --> 00:16:20,880
But they have more knowledge than like a basic first year student.

342
00:16:20,880 --> 00:16:22,640
Like I was teaching last semester.

343
00:16:22,640 --> 00:16:26,520
They're essentially like three years in and like a whole new program.

344
00:16:26,520 --> 00:16:27,520
Wow.

345
00:16:27,520 --> 00:16:29,080
How do you like teaching?

346
00:16:29,080 --> 00:16:30,080
It's a blast.

347
00:16:30,080 --> 00:16:31,080
I like it.

348
00:16:31,080 --> 00:16:32,080
Yeah.

349
00:16:32,080 --> 00:16:33,080
So are you going to do a fall course as well?

350
00:16:33,080 --> 00:16:38,400
I was supposed to do a fall course for PR, a different photography class.

351
00:16:38,400 --> 00:16:43,120
But they, I don't think that they have as many students as they thought they were going

352
00:16:43,120 --> 00:16:44,120
to have in that program.

353
00:16:44,120 --> 00:16:48,320
So I don't think I'm doing it now, which is okay because I'm busy in the fall.

354
00:16:48,320 --> 00:16:50,840
But I'm going to do my class again next winter.

355
00:16:50,840 --> 00:16:51,840
Oh, okay.

356
00:16:51,840 --> 00:16:52,840
Like the one that I did.

357
00:16:52,840 --> 00:16:57,440
I call it my class because like I was the only one who's taught that class so far.

358
00:16:57,440 --> 00:16:58,440
It's yours.

359
00:16:58,440 --> 00:16:59,440
Yeah.

360
00:16:59,440 --> 00:17:02,800
Like this podcasting class is a full-timer Dave.

361
00:17:02,800 --> 00:17:06,680
He's been teaching the class for a long time, but he's off for the summer.

362
00:17:06,680 --> 00:17:09,400
So he did the first six weeks and I did the last nine.

363
00:17:09,400 --> 00:17:10,400
Okay.

364
00:17:10,400 --> 00:17:12,560
So it's, yeah, I'm just essentially helping him.

365
00:17:12,560 --> 00:17:17,760
Thinking, because I'm thinking about it now because he also does creative, creatives of

366
00:17:17,760 --> 00:17:20,040
Windsor podcast.

367
00:17:20,040 --> 00:17:25,720
Way back in the day, you said about 10 years ago, Dan taught you podcasting.

368
00:17:25,720 --> 00:17:29,880
Did you always want to do a podcast or was that a required course or?

369
00:17:29,880 --> 00:17:32,440
Yeah, it was just a course you had to take in that program.

370
00:17:32,440 --> 00:17:36,360
But I didn't have the idea until, I don't know, a few years ago.

371
00:17:36,360 --> 00:17:40,080
And I just, I like talking to other creatives in the city.

372
00:17:40,080 --> 00:17:45,320
And I used to do a lot more like shoots for fun with people around the city, but I got

373
00:17:45,320 --> 00:17:49,280
out of it and started shooting a lot more travel stuff for fun.

374
00:17:49,280 --> 00:17:54,120
And I was like, I thought of the idea for a podcast and I was like, obviously as a photographer

375
00:17:54,120 --> 00:17:58,840
and a videographer, I knew how to do the audio editing and the filming and everything as

376
00:17:58,840 --> 00:18:01,200
you and your husband with your same thing.

377
00:18:01,200 --> 00:18:02,200
Yeah.

378
00:18:02,200 --> 00:18:04,080
And then I was like, yeah, I think I could do that.

379
00:18:04,080 --> 00:18:05,640
And then I hummed and hawed about it.

380
00:18:05,640 --> 00:18:08,200
And then I was just like, you know what, let's just do it.

381
00:18:08,200 --> 00:18:09,200
Why not?

382
00:18:09,200 --> 00:18:10,600
I know I was the same way.

383
00:18:10,600 --> 00:18:12,360
It was like, I'm watching other people.

384
00:18:12,360 --> 00:18:14,680
I'm like, I can do that.

385
00:18:14,680 --> 00:18:16,200
Don't know why I thought I could do it.

386
00:18:16,200 --> 00:18:18,160
It was never anything I ever wanted to do.

387
00:18:18,160 --> 00:18:21,400
I like being behind the camera, but it's fun.

388
00:18:21,400 --> 00:18:22,400
It's different.

389
00:18:22,400 --> 00:18:28,120
And I'm like you, like I always said I didn't like people, but I'm finding now seriously,

390
00:18:28,120 --> 00:18:33,920
I'm finding as I'm getting older, I actually really enjoy meeting people and cool people,

391
00:18:33,920 --> 00:18:37,640
different creatives and business people.

392
00:18:37,640 --> 00:18:40,560
And they're just a lot of fun and really interesting.

393
00:18:40,560 --> 00:18:41,560
Yeah.

394
00:18:41,560 --> 00:18:42,760
I love hearing people's stories.

395
00:18:42,760 --> 00:18:43,760
Yeah, me too.

396
00:18:43,760 --> 00:18:44,760
Yeah.

397
00:18:44,760 --> 00:18:45,760
I've loved it.

398
00:18:45,760 --> 00:18:46,760
Like it's great.

399
00:18:46,760 --> 00:18:47,760
And you get to talk to people that you're interested in.

400
00:18:47,760 --> 00:18:52,600
Like I see people doing cool stuff and I'm like, oh, like I'm interested in you like

401
00:18:52,600 --> 00:18:53,600
right now.

402
00:18:53,600 --> 00:18:54,600
I want to talk to you.

403
00:18:54,600 --> 00:18:58,280
So like you have them on and that makes for like the best interviews, you know?

404
00:18:58,280 --> 00:19:03,200
I think it's better like when they kind of come in our path.

405
00:19:03,200 --> 00:19:04,200
You know what I mean?

406
00:19:04,200 --> 00:19:09,480
And it's just like, oh, like, yeah, you want to be on the next one kind of thing without

407
00:19:09,480 --> 00:19:10,840
even planning it.

408
00:19:10,840 --> 00:19:16,120
Like my next guest is the lead singer of a band that I saw on Saturday night.

409
00:19:16,120 --> 00:19:18,680
But Taya, I think her last name is Fenera.

410
00:19:18,680 --> 00:19:21,200
She's the lead singer of Your Rich Friends, that band.

411
00:19:21,200 --> 00:19:23,880
Yeah, Taya, doesn't she work for Elite?

412
00:19:23,880 --> 00:19:24,880
Yes.

413
00:19:24,880 --> 00:19:27,880
Yeah, I know her very well because we do their pictures.

414
00:19:27,880 --> 00:19:28,880
Oh, there you go.

415
00:19:28,880 --> 00:19:31,440
She's such a good singer.

416
00:19:31,440 --> 00:19:34,880
And we've taken some pictures of her and Lisa just for fun.

417
00:19:34,880 --> 00:19:35,880
Oh, awesome.

418
00:19:35,880 --> 00:19:36,880
Yeah, sweet.

419
00:19:36,880 --> 00:19:40,160
So Lisa's married to one of my really, really good friends, Michael.

420
00:19:40,160 --> 00:19:45,880
So yeah, so Taya, I saw her play and I was just like, I really liked their performance.

421
00:19:45,880 --> 00:19:47,840
I was like, oh, this is sweet.

422
00:19:47,840 --> 00:19:49,880
And it kind of, you know, I was inspired by their show.

423
00:19:49,880 --> 00:19:52,280
So then I just reached out and I was like, do you want to come on?

424
00:19:52,280 --> 00:19:55,400
Because like I'm interested in like what, like I want to talk to you now after I saw

425
00:19:55,400 --> 00:19:56,400
you do something.

426
00:19:56,400 --> 00:19:58,400
And I've done that with most of my guests.

427
00:19:58,400 --> 00:20:02,080
Just like I was at their show or they were, I saw them doing something and I was like,

428
00:20:02,080 --> 00:20:04,320
oh, I want to have questions for you, you know?

429
00:20:04,320 --> 00:20:05,520
I'm curious.

430
00:20:05,520 --> 00:20:06,520
Yeah.

431
00:20:06,520 --> 00:20:11,360
And is there anybody else that you have or do you just plan them like spur of the moment?

432
00:20:11,360 --> 00:20:13,240
It's like, oh, I like this person.

433
00:20:13,240 --> 00:20:14,240
So let's see.

434
00:20:14,240 --> 00:20:18,560
Yeah, like I have a list that I've made and when I see people, I'll throw their name on

435
00:20:18,560 --> 00:20:22,120
it or people will reach out to me and ask to come on and I'll throw their name on the

436
00:20:22,120 --> 00:20:23,120
list.

437
00:20:23,120 --> 00:20:27,880
Because like I said, I only do like one every like three to four weeks.

438
00:20:27,880 --> 00:20:31,880
And one, I have to be like really interested in you at the moment or else it's not going

439
00:20:31,880 --> 00:20:35,040
to be like, I have to be curious about like, you have to, you know, about what you're doing

440
00:20:35,040 --> 00:20:37,520
or else it's not fair to anybody.

441
00:20:37,520 --> 00:20:42,520
Like if I don't have any, if I'm not curious about you, I'm not going to ask you good questions.

442
00:20:42,520 --> 00:20:47,800
And I also like to keep them like, for example, like my next guest is Brian from Craft Heads.

443
00:20:47,800 --> 00:20:48,800
Oh yeah.

444
00:20:48,800 --> 00:20:50,480
Who I've always wanted to have on.

445
00:20:50,480 --> 00:20:52,040
I had Tom Luscher on last summer.

446
00:20:52,040 --> 00:20:54,280
I can't have Brian and Tom Luscher back to back.

447
00:20:54,280 --> 00:20:55,280
They're the same guest.

448
00:20:55,280 --> 00:20:56,280
You know what I mean?

449
00:20:56,280 --> 00:20:57,280
Pretty much.

450
00:20:57,280 --> 00:20:58,280
Have a round table then.

451
00:20:58,280 --> 00:21:04,600
Yeah, like it's or like I had, I had Tory Ruevers on and I had Dan McDonald.

452
00:21:04,600 --> 00:21:05,600
I can't have them back to back.

453
00:21:05,600 --> 00:21:06,840
They're the same.

454
00:21:06,840 --> 00:21:07,920
They're both radio hosts.

455
00:21:07,920 --> 00:21:14,160
So like I try to keep them and I, I like to separate like what they do to like, oh, you're

456
00:21:14,160 --> 00:21:15,160
a visual artist.

457
00:21:15,160 --> 00:21:16,480
You're this, you're that.

458
00:21:16,480 --> 00:21:20,840
And I like to spread them out in that way to just to have like kind of more diversity.

459
00:21:20,840 --> 00:21:21,840
Yeah.

460
00:21:21,840 --> 00:21:25,520
So I'm just, yeah, usually people come to me like Taya and I'm like, I just see them

461
00:21:25,520 --> 00:21:27,320
and I'm like, yeah, I'm interested.

462
00:21:27,320 --> 00:21:28,320
You have to.

463
00:21:28,320 --> 00:21:32,200
And then sometimes when I'm looking for one, I'll just go through that list I have and

464
00:21:32,200 --> 00:21:36,400
be like, oh, this is, doesn't go with the last three.

465
00:21:36,400 --> 00:21:38,680
Would you put them in now?

466
00:21:38,680 --> 00:21:44,280
Do you find that if you know the person and it's harder?

467
00:21:44,280 --> 00:21:48,320
Yeah, I try to have, I like having people I've never met because you can ask them anything,

468
00:21:48,320 --> 00:21:49,320
you know?

469
00:21:49,320 --> 00:21:53,200
I know that's what I was saying to Dan, Dan the other night and he said, he agreed and

470
00:21:53,200 --> 00:21:54,400
he said the same thing.

471
00:21:54,400 --> 00:21:59,560
The more you know a person, the harder it is to interview them because you already know

472
00:21:59,560 --> 00:22:00,560
everything.

473
00:22:00,560 --> 00:22:01,560
So it's like, okay, what do I ask?

474
00:22:01,560 --> 00:22:03,360
What do I not ask?

475
00:22:03,360 --> 00:22:10,400
And you know, just from watching different episodes or even knowing people in businesses

476
00:22:10,400 --> 00:22:15,400
and it's like, it's the worst trying to figure out questions that people would want to know

477
00:22:15,400 --> 00:22:18,040
because I already know the answer to it.

478
00:22:18,040 --> 00:22:22,040
Yeah, that's like a reason why I haven't had Michael the Fazio on.

479
00:22:22,040 --> 00:22:23,600
I've been friends with him for so long.

480
00:22:23,600 --> 00:22:24,600
We're good friends.

481
00:22:24,600 --> 00:22:28,760
We've talked like, see, I've been friends with Dan for a while, but we haven't hung

482
00:22:28,760 --> 00:22:29,840
out in a while.

483
00:22:29,840 --> 00:22:31,040
So it was like a catch up.

484
00:22:31,040 --> 00:22:32,040
Yeah.

485
00:22:32,040 --> 00:22:34,200
We were playing from Kraft Eds, we were just catching up.

486
00:22:34,200 --> 00:22:40,800
But like Michael, I've talked to him too much over the last 10 years, like where I don't

487
00:22:40,800 --> 00:22:41,920
know what to ask him at all.

488
00:22:41,920 --> 00:22:46,760
Like I know everything I want to ask and is it going to sound fake?

489
00:22:46,760 --> 00:22:49,280
I don't know what we're going to talk about.

490
00:22:49,280 --> 00:22:50,960
I'll just have him on and we'll see what happens anyway.

491
00:22:50,960 --> 00:22:55,960
But that's why I haven't had somebody like him on yet because I just don't, I'm not curious.

492
00:22:55,960 --> 00:22:57,800
I know everything about you, you know?

493
00:22:57,800 --> 00:23:00,800
Ask him about his piano playing.

494
00:23:00,800 --> 00:23:04,120
Oh yeah, because I know he started taking piano lessons, yes.

495
00:23:04,120 --> 00:23:11,040
And then he wasn't at the last one or two of their recitals, their showcases.

496
00:23:11,040 --> 00:23:12,040
Okay.

497
00:23:12,040 --> 00:23:15,160
Yeah, that's how they met, I think, right?

498
00:23:15,160 --> 00:23:16,160
Him and Lisa?

499
00:23:16,160 --> 00:23:21,400
I don't know if he, I thought, I wasn't sure which came first, him and Lisa or him and

500
00:23:21,400 --> 00:23:22,400
piano.

501
00:23:22,400 --> 00:23:23,640
I think he started taking piano lessons from her.

502
00:23:23,640 --> 00:23:28,920
Yeah, I think they said that because I did their wedding, their secret wedding.

503
00:23:28,920 --> 00:23:30,720
Their secret, oh, you did that?

504
00:23:30,720 --> 00:23:31,720
Yeah.

505
00:23:31,720 --> 00:23:32,720
Nice.

506
00:23:32,720 --> 00:23:36,760
Yeah, I've been doing, Michael's probably my longest client in my business.

507
00:23:36,760 --> 00:23:40,680
I've been doing his photos since 2014, so 10 years.

508
00:23:40,680 --> 00:23:43,160
He was a kind of interesting story.

509
00:23:43,160 --> 00:23:45,960
I still do all his work to this day.

510
00:23:45,960 --> 00:23:48,760
Every time you've seen a picture of Michael's pieces, it's from me.

511
00:23:48,760 --> 00:23:51,780
Unless it's from a cell phone that they took.

512
00:23:51,780 --> 00:23:56,760
But he used to work out of his, Nono's garage.

513
00:23:56,760 --> 00:24:02,880
And I would go and, when he got his building, and I would help him deliver the pieces.

514
00:24:02,880 --> 00:24:06,160
So we'd put it in his truck, his pickup truck, whatever.

515
00:24:06,160 --> 00:24:07,160
Bring it to the client's house.

516
00:24:07,160 --> 00:24:08,320
I'd bring it in for him.

517
00:24:08,320 --> 00:24:09,400
We'd set it up.

518
00:24:09,400 --> 00:24:11,800
And then once it was set up, I would take pictures of it.

519
00:24:11,800 --> 00:24:15,320
Which evolved into, he doesn't even do that anymore.

520
00:24:15,320 --> 00:24:16,600
And he's got a whole team.

521
00:24:16,600 --> 00:24:18,800
And he just sends me all his clients.

522
00:24:18,800 --> 00:24:20,640
And I reach out and I go on my own time.

523
00:24:20,640 --> 00:24:22,560
And we don't even really talk anymore.

524
00:24:22,560 --> 00:24:23,840
I shoot everything for him.

525
00:24:23,840 --> 00:24:27,120
And I deliver it to a folder and his social media people handle it.

526
00:24:27,120 --> 00:24:28,120
Oh my goodness.

527
00:24:28,120 --> 00:24:29,120
He has people.

528
00:24:29,120 --> 00:24:30,600
He has lots of people.

529
00:24:30,600 --> 00:24:31,600
Oh.

530
00:24:31,600 --> 00:24:35,600
Yeah, he's a very, he likes to run his business with a team.

531
00:24:35,600 --> 00:24:36,600
That's great.

532
00:24:36,600 --> 00:24:37,600
Yeah.

533
00:24:37,600 --> 00:24:39,600
Okay, now I want him on my show.

534
00:24:39,600 --> 00:24:40,600
Yeah, do it.

535
00:24:40,600 --> 00:24:41,600
No, no.

536
00:24:41,600 --> 00:24:42,600
He's your friend.

537
00:24:42,600 --> 00:24:43,600
No, have a hug.

538
00:24:43,600 --> 00:24:44,600
No, I know.

539
00:24:44,600 --> 00:24:46,600
I'm the same way.

540
00:24:46,600 --> 00:24:49,240
I know them.

541
00:24:49,240 --> 00:24:50,240
He's a busy guy.

542
00:24:50,240 --> 00:24:53,880
I wouldn't be able to get a hold of him anyway.

543
00:24:53,880 --> 00:24:55,240
I like sharing guests with you.

544
00:24:55,240 --> 00:24:56,240
It's cool.

545
00:24:56,240 --> 00:24:57,240
You know what?

546
00:24:57,240 --> 00:24:58,240
I do too.

547
00:24:58,240 --> 00:25:04,800
And even with David and watching the different podcasts, because I'll watch your podcast

548
00:25:04,800 --> 00:25:07,160
because I knew you had Dan on.

549
00:25:07,160 --> 00:25:12,400
And it just happened that David and I have had a couple people the same.

550
00:25:12,400 --> 00:25:18,000
But I like to watch ahead of time so that, A, I'm not asking the exact same questions

551
00:25:18,000 --> 00:25:20,120
and I can take it in a different direction.

552
00:25:20,120 --> 00:25:23,960
A different feel without it being like too much the same.

553
00:25:23,960 --> 00:25:28,240
Because who wants to watch the same podcast with two different hosts?

554
00:25:28,240 --> 00:25:29,280
True, true.

555
00:25:29,280 --> 00:25:33,280
I think another thing too, Dan's not an example of this because he's comfortable.

556
00:25:33,280 --> 00:25:38,240
But somebody who's not used to being interviewed, if they come on mine first and they go on

557
00:25:38,240 --> 00:25:41,200
yours or vice versa, they're going to be more comfortable on the second time.

558
00:25:41,200 --> 00:25:42,200
Yeah.

559
00:25:42,200 --> 00:25:44,120
Which is nice for both of us, whoever gets them second.

560
00:25:44,120 --> 00:25:45,120
It's true.

561
00:25:45,120 --> 00:25:52,400
But I've had two with David that I've actually had to message him and go, okay, when are

562
00:25:52,400 --> 00:25:53,880
you putting it out?

563
00:25:53,880 --> 00:25:57,840
Because we ended up doing them on the same weekend.

564
00:25:57,840 --> 00:26:05,200
And this last time I didn't know that he had done a podcast with this person.

565
00:26:05,200 --> 00:26:07,720
And then I did the podcast and they both came out on the same day.

566
00:26:07,720 --> 00:26:08,720
And I felt so bad.

567
00:26:08,720 --> 00:26:09,720
I messaged him.

568
00:26:09,720 --> 00:26:10,720
He's like, it's fine.

569
00:26:10,720 --> 00:26:11,720
It's okay.

570
00:26:11,720 --> 00:26:12,720
I'm like, I know.

571
00:26:12,720 --> 00:26:14,120
But it just, to me it was rude.

572
00:26:14,120 --> 00:26:17,960
Yeah, no, no, I feel bad about it, but like that's kind of cool.

573
00:26:17,960 --> 00:26:20,000
We should do that and plan it.

574
00:26:20,000 --> 00:26:21,000
All of us.

575
00:26:21,000 --> 00:26:22,000
Oh yeah.

576
00:26:22,000 --> 00:26:25,400
All three of us have the same person and put them out on the same day.

577
00:26:25,400 --> 00:26:26,400
That's funny.

578
00:26:26,400 --> 00:26:27,400
Yeah, I don't know.

579
00:26:27,400 --> 00:26:29,240
I think it's cool to share people.

580
00:26:29,240 --> 00:26:30,240
Sometimes I do.

581
00:26:30,240 --> 00:26:31,600
You find out different things.

582
00:26:31,600 --> 00:26:32,600
Yeah.

583
00:26:32,600 --> 00:26:36,840
Because I mean, you're a lot younger than me and you have different likes, different

584
00:26:36,840 --> 00:26:37,840
interests.

585
00:26:37,840 --> 00:26:40,360
So you're going to ask a lot of different stuff.

586
00:26:40,360 --> 00:26:45,360
Like I would never have sat there and talked music for that long with Dan.

587
00:26:45,360 --> 00:26:51,080
Although the night of Masters of the Bruniverse when he was judging it and him and Jen from

588
00:26:51,080 --> 00:26:56,680
Tailgate Takeout and me and John were sitting there and we're sampling all the beers and

589
00:26:56,680 --> 00:27:00,760
we're just talking nonstop music and who we've met and who we've seen.

590
00:27:00,760 --> 00:27:05,280
But yeah, like you, you guys had a really good, really special interview and I really

591
00:27:05,280 --> 00:27:06,280
liked it.

592
00:27:06,280 --> 00:27:10,720
And it was in a great area that I would never would have been able to talk about.

593
00:27:10,720 --> 00:27:11,720
Yeah, it's cool, right?

594
00:27:11,720 --> 00:27:12,720
To me, thanks.

595
00:27:12,720 --> 00:27:13,720
Yeah.

596
00:27:13,720 --> 00:27:15,360
You know, it's funny about Jen, you brought her up again.

597
00:27:15,360 --> 00:27:19,320
She's the one who interviewed us about our podcast in The Drive.

598
00:27:19,320 --> 00:27:20,320
Oh, that's funny.

599
00:27:20,320 --> 00:27:21,320
Yes.

600
00:27:21,320 --> 00:27:22,320
Oh yes.

601
00:27:22,320 --> 00:27:23,320
I forgot about that.

602
00:27:23,320 --> 00:27:24,320
Yeah.

603
00:27:24,320 --> 00:27:25,320
That phone call.

604
00:27:25,320 --> 00:27:26,320
Yeah.

605
00:27:26,320 --> 00:27:28,400
So she's interviewed us about these.

606
00:27:28,400 --> 00:27:29,680
What a full circle.

607
00:27:29,680 --> 00:27:32,220
I shoot for The Drive too.

608
00:27:32,220 --> 00:27:34,280
So that was kind of funny to be.

609
00:27:34,280 --> 00:27:36,440
And now we've both shot for WeTac.

610
00:27:36,440 --> 00:27:37,440
Yeah.

611
00:27:37,440 --> 00:27:38,440
Uh huh.

612
00:27:38,440 --> 00:27:39,440
Yeah.

613
00:27:39,440 --> 00:27:40,440
Funny.

614
00:27:40,440 --> 00:27:41,440
Little trio there.

615
00:27:41,440 --> 00:27:42,440
You get the same thing.

616
00:27:42,440 --> 00:27:43,440
I was so nervous for that.

617
00:27:43,440 --> 00:27:44,440
For what?

618
00:27:44,440 --> 00:27:48,680
When she called up and she's like, here, I'm going to do an interview with you for The

619
00:27:48,680 --> 00:27:49,680
Drive.

620
00:27:49,680 --> 00:27:50,680
And I'm like, why?

621
00:27:50,680 --> 00:27:51,680
Why?

622
00:27:51,680 --> 00:27:52,680
Why me?

623
00:27:52,680 --> 00:27:55,680
I got a heads up because I shoot for them.

624
00:27:55,680 --> 00:27:56,680
Yeah.

625
00:27:56,680 --> 00:28:01,320
Well, I kind of knew ahead of time she had asked me and that's why I'm like, well, but

626
00:28:01,320 --> 00:28:02,320
why?

627
00:28:02,320 --> 00:28:03,320
Like I don't get it.

628
00:28:03,320 --> 00:28:05,680
And she's like, well, you're a staple.

629
00:28:05,680 --> 00:28:07,200
I'm like, well, no, not yet.

630
00:28:07,200 --> 00:28:11,200
I've only been here a couple of years, but apparently that's a staple now.

631
00:28:11,200 --> 00:28:12,680
There's not a lot of us, you know.

632
00:28:12,680 --> 00:28:13,680
It's cool.

633
00:28:13,680 --> 00:28:14,680
Yeah.

634
00:28:14,680 --> 00:28:20,240
There's so much to do in Windsor-Essex County and there's so many different businesses and

635
00:28:20,240 --> 00:28:22,680
different areas like music.

636
00:28:22,680 --> 00:28:27,920
And I think we need to have more podcasts, but in like different genres.

637
00:28:27,920 --> 00:28:28,920
Genres.

638
00:28:28,920 --> 00:28:29,920
Yeah.

639
00:28:29,920 --> 00:28:34,400
Ours are definitely different and the way we format it is totally different, but we

640
00:28:34,400 --> 00:28:37,240
just do just have on people that are interesting.

641
00:28:37,240 --> 00:28:38,320
Like it'd be cool.

642
00:28:38,320 --> 00:28:41,120
Like we just, me and you both just do anybody.

643
00:28:41,120 --> 00:28:44,160
It'd be cool to have ones that were more tailored to certain things.

644
00:28:44,160 --> 00:28:45,160
Yeah.

645
00:28:45,160 --> 00:28:46,160
Yeah.

646
00:28:46,160 --> 00:28:47,160
We might.

647
00:28:47,160 --> 00:28:50,520
I know there's a few different podcasts that I haven't caught yet, but people have told

648
00:28:50,520 --> 00:28:51,520
me about them.

649
00:28:51,520 --> 00:28:52,800
But there is a few.

650
00:28:52,800 --> 00:28:53,800
Yeah.

651
00:28:53,800 --> 00:28:54,800
There's definitely other Windsor ones.

652
00:28:54,800 --> 00:28:55,800
Yeah.

653
00:28:55,800 --> 00:28:56,800
That are tailored.

654
00:28:56,800 --> 00:29:00,600
There's a local one with Mike Pichoni talking gold or something like that.

655
00:29:00,600 --> 00:29:03,480
Mike owns the currency exchange place on Dougal.

656
00:29:03,480 --> 00:29:06,640
Oh, talking gold would just piss me off because I'd want it.

657
00:29:06,640 --> 00:29:07,640
Yeah.

658
00:29:07,640 --> 00:29:11,680
So they like just talk about money on business people and stuff like that.

659
00:29:11,680 --> 00:29:14,120
So that's a local one that is totally different.

660
00:29:14,120 --> 00:29:15,120
Yeah.

661
00:29:15,120 --> 00:29:16,920
There's, so I don't know.

662
00:29:16,920 --> 00:29:17,920
Yeah.

663
00:29:17,920 --> 00:29:18,920
There's a few.

664
00:29:18,920 --> 00:29:19,920
There's a few.

665
00:29:19,920 --> 00:29:22,320
There's a history one, Windsor history something.

666
00:29:22,320 --> 00:29:23,320
Yeah.

667
00:29:23,320 --> 00:29:24,320
Yeah.

668
00:29:24,320 --> 00:29:28,360
I've listened to that one and I've listened to some old ones where they don't do them

669
00:29:28,360 --> 00:29:30,640
anymore and they were really good.

670
00:29:30,640 --> 00:29:32,840
And it's like, why would you stop?

671
00:29:32,840 --> 00:29:33,840
Yeah.

672
00:29:33,840 --> 00:29:36,160
Because they were really, really interesting.

673
00:29:36,160 --> 00:29:40,960
Not stuff that I would do or I had done, but I enjoyed listening to them.

674
00:29:40,960 --> 00:29:45,440
I can't think of them off the top of my head, but they're in my playlist and I've listened

675
00:29:45,440 --> 00:29:47,800
to them over COVID.

676
00:29:47,800 --> 00:29:50,320
Another good one is Tori Ruvers from Mix96.

677
00:29:50,320 --> 00:29:51,320
Yes.

678
00:29:51,320 --> 00:29:52,320
She had a podcast too.

679
00:29:52,320 --> 00:29:53,320
I loved that.

680
00:29:53,320 --> 00:29:55,640
She was like obviously really good because she's a radio DJ.

681
00:29:55,640 --> 00:29:57,880
I asked her, I'm like, why did you stop?

682
00:29:57,880 --> 00:29:58,880
Yeah.

683
00:29:58,880 --> 00:29:59,880
She stopped too.

684
00:29:59,880 --> 00:30:02,320
I don't think, I think she probably, I don't know, she's on the radio all day for work.

685
00:30:02,320 --> 00:30:03,320
She's busy.

686
00:30:03,320 --> 00:30:04,320
Yeah.

687
00:30:04,320 --> 00:30:05,320
But hers was good.

688
00:30:05,320 --> 00:30:06,320
She's better than all of us.

689
00:30:06,320 --> 00:30:07,320
Yeah.

690
00:30:07,320 --> 00:30:08,320
It really was.

691
00:30:08,320 --> 00:30:09,320
Yeah.

692
00:30:09,320 --> 00:30:10,320
Hers was really good.

693
00:30:10,320 --> 00:30:13,520
Dan turned, I guess, a podcast into a show for Here and Now.

694
00:30:13,520 --> 00:30:14,840
That's just a fun thing for him.

695
00:30:14,840 --> 00:30:17,800
See, that's what, see when the radio people do it, it becomes a big thing.

696
00:30:17,800 --> 00:30:18,800
Okay.

697
00:30:18,800 --> 00:30:22,280
Until you interviewed him, I had no idea about Here and Now.

698
00:30:22,280 --> 00:30:23,280
Oh really?

699
00:30:23,280 --> 00:30:24,280
I had no idea.

700
00:30:24,280 --> 00:30:30,920
And then we talked for way too long the other night and I didn't get a chance to ask him

701
00:30:30,920 --> 00:30:31,920
about it.

702
00:30:31,920 --> 00:30:33,320
But is it still on the air?

703
00:30:33,320 --> 00:30:34,320
Yeah, I think so.

704
00:30:34,320 --> 00:30:35,320
I think so.

705
00:30:35,320 --> 00:30:36,320
I think so.

706
00:30:36,320 --> 00:30:37,320
But not 100%.

707
00:30:37,320 --> 00:30:38,960
Because it was on, it's on Sunday evenings.

708
00:30:38,960 --> 00:30:39,960
Yes.

709
00:30:39,960 --> 00:30:44,240
You know what's funny is Dan interviewed me on there nine years ago when I was still

710
00:30:44,240 --> 00:30:48,040
his student because I had my first art show coming up and he had me on there.

711
00:30:48,040 --> 00:30:50,560
We did the interview in the radio booth.

712
00:30:50,560 --> 00:30:56,680
Like, he, like, because like that studio was across the hall from the river when the river

713
00:30:56,680 --> 00:31:00,400
was still a thing and he was DJing on the river every day from like three to seven.

714
00:31:00,400 --> 00:31:04,680
So I went by and on a commercial break, I'm sitting in the river booth and he's like,

715
00:31:04,680 --> 00:31:05,680
93 and I'm in the river.

716
00:31:05,680 --> 00:31:07,400
And he's like, okay, ready to do an interview?

717
00:31:07,400 --> 00:31:09,600
I was like, I guess.

718
00:31:09,600 --> 00:31:10,600
It's scary.

719
00:31:10,600 --> 00:31:13,440
Yeah, it was scary in there.

720
00:31:13,440 --> 00:31:14,440
It is.

721
00:31:14,440 --> 00:31:18,320
And you have this person behind glass that's watching your every move.

722
00:31:18,320 --> 00:31:19,960
It's like, okay, don't look.

723
00:31:19,960 --> 00:31:26,320
I do his shows and I saw that the morning show was or the morning drive was on YouTube.

724
00:31:26,320 --> 00:31:28,120
And then I'm like, oh, God, don't do it.

725
00:31:28,120 --> 00:31:29,120
Don't do it.

726
00:31:29,120 --> 00:31:30,120
Don't do it.

727
00:31:30,120 --> 00:31:33,720
And then all of a sudden it's like, oh, and Dan McDonald's on now on YouTube.

728
00:31:33,720 --> 00:31:36,200
And it's like, oh, son of a gun.

729
00:31:36,200 --> 00:31:39,200
Like this was two days before my last one.

730
00:31:39,200 --> 00:31:42,600
And I'm like, oh, man, he's like, you should be used to it.

731
00:31:42,600 --> 00:31:43,680
And I said, I know.

732
00:31:43,680 --> 00:31:44,680
But this was my safe spot.

733
00:31:44,680 --> 00:31:46,800
Now I've got to put makeup on.

734
00:31:46,800 --> 00:31:49,920
Yeah, it's a nerve wracking for sure.

735
00:31:49,920 --> 00:31:53,760
But I love that they're on YouTube now.

736
00:31:53,760 --> 00:31:57,800
So I don't have to just listen to them in the car when I'm walking the dog.

737
00:31:57,800 --> 00:32:02,600
And I can just have an on here because heaven forbid we have a radio.

738
00:32:02,600 --> 00:32:04,680
So I'm number what?

739
00:32:04,680 --> 00:32:05,680
What number am I?

740
00:32:05,680 --> 00:32:06,680
Like 80?

741
00:32:06,680 --> 00:32:09,040
You are going to be 77.

742
00:32:09,040 --> 00:32:10,040
77.

743
00:32:10,040 --> 00:32:12,800
Yeah, you've done more than double me.

744
00:32:12,800 --> 00:32:13,800
Triple, more than triple.

745
00:32:13,800 --> 00:32:15,040
Almost three times.

746
00:32:15,040 --> 00:32:16,040
I tried.

747
00:32:16,040 --> 00:32:19,640
I try to keep it once a week, once every couple of weeks.

748
00:32:19,640 --> 00:32:22,800
And I've even had a few where I've done two in a week.

749
00:32:22,800 --> 00:32:27,360
When I first started, I recorded a handful.

750
00:32:27,360 --> 00:32:32,200
I always had a few on the back burner, like the first half of last year.

751
00:32:32,200 --> 00:32:37,240
And then I was like, you know, if I don't have time to edit them, some sit too long,

752
00:32:37,240 --> 00:32:38,960
one sat too long.

753
00:32:38,960 --> 00:32:43,900
So now it's always just record and then I don't have any on the back burners anymore.

754
00:32:43,900 --> 00:32:49,640
The only thing I've learned because I did get burned, especially with those pop ups that

755
00:32:49,640 --> 00:32:52,400
I just tell them nothing time sensitive.

756
00:32:52,400 --> 00:32:56,920
If I know it's going to be sitting and I'll let them know, you know, like this is not

757
00:32:56,920 --> 00:33:01,880
going to be out for a few weeks or even in the spring when I had a lot, I was booked

758
00:33:01,880 --> 00:33:05,880
a few months in advance from people wanting to be on.

759
00:33:05,880 --> 00:33:08,680
I'm like, OK, but this is going to be a couple of months in advance.

760
00:33:08,680 --> 00:33:14,560
So if you're hoping for it to be out at a certain time, A, let me know or B, make sure

761
00:33:14,560 --> 00:33:17,040
that we don't talk about it.

762
00:33:17,040 --> 00:33:18,040
Yeah, for sure.

763
00:33:18,040 --> 00:33:19,040
No, that makes sense.

764
00:33:19,040 --> 00:33:24,000
But it is nice to have a backup plan because, you know, anything could happen.

765
00:33:24,000 --> 00:33:25,000
Yeah, for sure.

766
00:33:25,000 --> 00:33:29,400
Yeah, that's why it's easy for him just to do one at a time now.

767
00:33:29,400 --> 00:33:31,640
Oh, I'll eventually.

768
00:33:31,640 --> 00:33:34,600
I mean, I'm going to run out of people to talk to eventually.

769
00:33:34,600 --> 00:33:36,000
I don't think we're ever going to run out.

770
00:33:36,000 --> 00:33:38,240
There's so many people.

771
00:33:38,240 --> 00:33:39,240
It'll be good.

772
00:33:39,240 --> 00:33:40,240
You know what?

773
00:33:40,240 --> 00:33:42,320
I would love to revisit some, too.

774
00:33:42,320 --> 00:33:43,320
That's what I keep telling.

775
00:33:43,320 --> 00:33:48,120
There's a few of them that I've said we need to do it again because, like, it's been a

776
00:33:48,120 --> 00:33:50,600
couple of years and it's time.

777
00:33:50,600 --> 00:33:52,960
You guys are still around.

778
00:33:52,960 --> 00:33:54,560
Your businesses have changed.

779
00:33:54,560 --> 00:33:55,560
So why not?

780
00:33:55,560 --> 00:33:56,560
Yeah, I'm going to do that.

781
00:33:56,560 --> 00:33:58,960
I've definitely haven't been around long enough to do it yet.

782
00:33:58,960 --> 00:34:02,760
But I'd love to have, like, my first guest, Sebastian, from Hutch.

783
00:34:02,760 --> 00:34:07,280
Like, I'd love to have him back on at, like, the three year anniversary or something.

784
00:34:07,280 --> 00:34:12,600
OK, did Dan die when he found out that you did Hutch?

785
00:34:12,600 --> 00:34:17,160
He talked to you about that and then he was talking about it on here.

786
00:34:17,160 --> 00:34:23,640
So when he had me on here now 10 years ago, we played, like, Hutch played the opening

787
00:34:23,640 --> 00:34:28,360
of that show we were promoting and Dan played, we played their music on the show while I

788
00:34:28,360 --> 00:34:29,360
was being interviewed.

789
00:34:29,360 --> 00:34:30,360
It was really cool.

790
00:34:30,360 --> 00:34:31,360
Yeah, that is cool.

791
00:34:31,360 --> 00:34:32,360
Yeah.

792
00:34:32,360 --> 00:34:33,680
So you need to get him back on.

793
00:34:33,680 --> 00:34:34,680
Yeah.

794
00:34:34,680 --> 00:34:38,240
Because now I need to have their drummer on, Robbie, from the show.

795
00:34:38,240 --> 00:34:39,240
Oh, OK.

796
00:34:39,240 --> 00:34:40,240
From the band, sorry.

797
00:34:40,240 --> 00:34:43,280
I've had, like, their manager on and yeah.

798
00:34:43,280 --> 00:34:44,280
That would be fun.

799
00:34:44,280 --> 00:34:45,280
Yeah.

800
00:34:45,280 --> 00:34:46,280
Yeah.

801
00:34:46,280 --> 00:34:52,120
Yeah, I think probably in the fall some of my businesses, once they're done with their

802
00:34:52,120 --> 00:34:57,560
different markets and shows before the Christmas rush, I'll get them back on because that is

803
00:34:57,560 --> 00:34:58,560
a good idea.

804
00:34:58,560 --> 00:34:59,720
It's always nice to see.

805
00:34:59,720 --> 00:35:06,520
And I know Megan from Iris and Marnie, she was one of my first few podcasts and she had

806
00:35:06,520 --> 00:35:11,560
just done a podcast the year before with somebody else.

807
00:35:11,560 --> 00:35:13,000
So I figured it'd be fun.

808
00:35:13,000 --> 00:35:18,560
We were friends and I'm like, OK, this is your this is a year since you started your

809
00:35:18,560 --> 00:35:20,000
business.

810
00:35:20,000 --> 00:35:21,000
Where have you gone?

811
00:35:21,000 --> 00:35:22,360
What have you what's changed?

812
00:35:22,360 --> 00:35:23,360
What are you doing now?

813
00:35:23,360 --> 00:35:26,360
And it's been almost two years since she's been on.

814
00:35:26,360 --> 00:35:30,640
So I want to get her back on because I know she's changing her jewelry style.

815
00:35:30,640 --> 00:35:31,640
And yeah, it's cool.

816
00:35:31,640 --> 00:35:35,480
Like, yeah, like if a band had a new album come out or somebody did something new, a

817
00:35:35,480 --> 00:35:36,720
revisit would be cool.

818
00:35:36,720 --> 00:35:37,720
Yeah.

819
00:35:37,720 --> 00:35:38,720
Yeah.

820
00:35:38,720 --> 00:35:39,720
One day.

821
00:35:39,720 --> 00:35:40,720
Yeah.

822
00:35:40,720 --> 00:35:41,720
Yeah.

823
00:35:41,720 --> 00:35:42,720
A few years in, I think, for me.

824
00:35:42,720 --> 00:35:43,720
See, but you're going to be at two years soon.

825
00:35:43,720 --> 00:35:44,720
So it's perfect.

826
00:35:44,720 --> 00:35:45,720
Yeah.

827
00:35:45,720 --> 00:35:46,720
In November.

828
00:35:46,720 --> 00:35:47,720
Yeah.

829
00:35:47,720 --> 00:35:48,720
Yeah.

830
00:35:48,720 --> 00:35:49,720
But let's get back to the topic of California Gold.

831
00:35:49,720 --> 00:35:53,160
Are you going to be doing another book or are you going to do a part two to this?

832
00:35:53,160 --> 00:36:00,200
I've made I've decided that I've done too many books back to back and I'm not going

833
00:36:00,200 --> 00:36:04,720
to do any big personal projects or shows for five years.

834
00:36:04,720 --> 00:36:05,720
Five years?

835
00:36:05,720 --> 00:36:08,600
Which is like wow my career so far.

836
00:36:08,600 --> 00:36:11,600
So I put out a book in 2019.

837
00:36:11,600 --> 00:36:13,600
Then I put on my Z in 2020.

838
00:36:13,600 --> 00:36:16,000
Then I put a book in 22 and now 24.

839
00:36:16,000 --> 00:36:21,880
So I'm going to keep doing like the collaborative shows that I do with other artists and put

840
00:36:21,880 --> 00:36:24,080
my work in those whatever.

841
00:36:24,080 --> 00:36:28,000
But no big projects that are just about me for five years.

842
00:36:28,000 --> 00:36:30,240
And that'll give you the time to figure it out.

843
00:36:30,240 --> 00:36:31,240
Yeah.

844
00:36:31,240 --> 00:36:32,240
Oh yeah.

845
00:36:32,240 --> 00:36:34,560
And I forgot to say you also make your own frames.

846
00:36:34,560 --> 00:36:35,560
Yes.

847
00:36:35,560 --> 00:36:36,560
Which are gorgeous.

848
00:36:36,560 --> 00:36:37,560
Thanks.

849
00:36:37,560 --> 00:36:39,600
I'm going to have like 30 or 40 in the show.

850
00:36:39,600 --> 00:36:41,640
So that'll be nice.

851
00:36:41,640 --> 00:36:46,640
So well I'm sad that this is going to be your last book and I definitely have to get my

852
00:36:46,640 --> 00:36:51,040
hands on your other books because I really, really love this one.

853
00:36:51,040 --> 00:36:52,040
Thank you.

854
00:36:52,040 --> 00:36:54,280
And I really enjoyed talking to you today.

855
00:36:54,280 --> 00:37:00,320
I could probably sit here for longer but we will save it for the rehash.

856
00:37:00,320 --> 00:37:01,320
Yeah.

857
00:37:01,320 --> 00:37:02,320
We'll have each other.

858
00:37:02,320 --> 00:37:03,800
I'll have you back online in like three years.

859
00:37:03,800 --> 00:37:06,400
Just keep going back and forth.

860
00:37:06,400 --> 00:37:08,160
Well thank you so much.

861
00:37:08,160 --> 00:37:09,800
And again my name is Tracy Martens.

862
00:37:09,800 --> 00:37:13,760
Thank you for joining me for another episode of YQG in Bloom.

863
00:37:13,760 --> 00:37:20,080
And make sure to subscribe to my podcast and also to me on social media at YQG in Bloom

864
00:37:20,080 --> 00:37:25,840
podcast as well as Creatives of Windsor podcast with Anthony Sheardown.

865
00:37:25,840 --> 00:37:29,880
That way you can catch all of our podcasts and we will see you soon.

866
00:37:29,880 --> 00:37:50,920
You guys have a good day.

