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Hi everyone, it's Tracy again at YQG in Bloom and we are back at the KordaZone Theatre in

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Windsor, Ontario, located on Seminole Street in Ford City.

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To talk to a few of the board members from this KordaZone Theatre, we have Mark Wurlsley,

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who is a board member and pretty much does everything else, as well as Joey Wright, another

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board member.

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And again, you guys do everything here.

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It's amazing.

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Thank you for being here today.

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Oh, it's a pleasure to be here.

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Thanks for having us.

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So, tell us about this theatre, because I mean, realistically, until a couple months

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ago, I hadn't even heard of it and now I've been here like three times and seen a show.

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Yeah, we like to think of ourselves as Windsor's best kept secret.

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We have a wonderful, inclusive, warm, welcoming space and we put on some fantastic shows and

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people are just very enthusiastic to be a part of the shows and people, we have regular

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people that come all the time to see the shows and we just love what we do.

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And the shows are of all different varieties, you know, plays, musicals, poetry readings,

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anything you could think of, we'll put on our stage here.

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Well, within reason.

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Within reason.

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Yeah.

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Now, how many shows do you guys put on a year?

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It varies.

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Sometimes it's five, sometimes it's six.

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About a decade ago, I think we did seven or eight per year.

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It just really depends on the types of shows that we do, the scope of the set build and

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the rehearsal process.

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Sometimes shows only rehearse for three months, sometimes shows rehearse for six months.

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It really just depends on the shows that we've selected for that season and how long the

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rehearsal time is going to be.

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Now this is a great space.

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How long has it been here?

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Well, I believe from the little bit of research that I did that it was built in the early

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50s and it started, if you look at the capstone at the top of the building, it started as

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the Croatian club originally in Windsor and then it's been a number of things I believe

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over the years and for the last 30 or so years it's been the Maltese club downstairs and

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they are our landlords.

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I think Corda has been in this space for, I want to say 2010, 2008.

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We've been here for quite a while.

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Wow.

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Yeah.

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I know you guys put on a ton of really good productions just from what we were talking

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about today.

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I had no idea the Rocky Horror Picture Show, The Evil Dead and if you're looking on Spotify

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or YouTube you can see the backdrop here and this is for the upcoming production of The

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Trench that's coming in June of 2024 here and you're also going to be rehearsing for

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Three Musketeers so it's just non-stop.

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And Frankenstein after The Three Musketeers.

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When's The Three Musketeers playing?

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That opens in September.

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Okay and then Frankenstein would be probably around the Halloween.

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October, close to the end of October.

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Are you guys doing Rocky Horror again?

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Not this year although we've had many people say we should do it more often.

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Yes, requests for annual performance of Rocky Horror.

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Now I know I was looking online and right now you guys are doing the application process

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for next year's plays.

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That's right.

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So size to size, what is the process?

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Wrestling.

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We have a wrestling match, the board members all throw it.

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And whoever wins gets it.

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No honestly this year we did things a little differently.

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We did a public announcement of, you know, we were looking for proposals from directors

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and a big part of that was that we would like to increase our scope.

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Like we want not always the same people putting the shows together.

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We want to see new blood.

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We want to see people, we want to see minorities.

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We want to see, you know, less represented communities and stuff on our stage coming

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forward with their own creative ideas.

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So we went with a, you know, a public request for proposals for people to come forward and

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say hey I'd love to do this on your stage.

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And now as a board we'll be having a meeting probably early next month.

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Yeah sometime in June.

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To basically go through all these proposals and then come up with what we think is the

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best fit for our style and what we want to put forward for audiences here.

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Something that we've always tried to do is we always try to do a Canadian show.

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We try to do a show that's written by a woman.

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We try to do a classical every year whether it's Shakespeare or a Greek, one of the old

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Greek plays, tragedies or comedies.

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And then we do a kids show every December.

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We do a panto.

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So those are the four shows we always try to cover with the season that we pick.

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And then there's usually one to three just kind of extra shows that we throw on.

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But next month we'll be looking at the proposals and seeing what fits with the shows we've

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already selected and what works well and complements the rest of the season.

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How many people can fit in here at the Quarta that you can sell tickets for?

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Usually we max out with using this stage at about 100 people.

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Oh that's not bad.

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Now I know you said the second stage is where the seats are being held right now.

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Do you use that stage that often?

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We've used it before.

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We haven't used it since I think Best Man.

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Yeah that would have been the last one.

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So that would have been February of, no, April of last year was the last time we used that

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stage for our performance of the Best Man.

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This year we're trying to keep everything on one stage so that we don't have to change

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all of all the lights, all the sounds, all the tech.

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It's just easier to try to keep it on one stage for a longer period of time than trying

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to flip back and forth between shows.

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And then I know people can also rent this out as well because my friend Jill from Mom

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Said Duck just had her Mother's Night out on her poetry reading.

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Yeah and that's another thing we like being accessible to the public.

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Not just for our own uses and the shows we want to put on but we like it to be a creative

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space that anyone can access.

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We don't charge a lot of money for rentals but we have people do things like Jill's poetry

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reading which was a lot of fun, great success.

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We've got film crew coming in here.

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A student film is going to be filming here for one evening coming up.

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We've done comedy shows.

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Comedy shows, yeah.

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All sorts of stuff.

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I mean if people need a stage, as long as we don't have anything going on, we have a

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stage.

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Yeah well you guys do improv too, right?

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Very badly.

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Not good improv.

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But no, we do have, we have done improv shows here before and we have an improv group that's

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been working here weekly trying to build up their skill set and starting in June we have

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another group coming in here to work with us and do some improv shows and that's going

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to be a lot of fun because they're really talented people and really funny people and

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it brings new faces in the door too which is something we always like to see.

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Yeah, do you guys do improv?

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Mark does.

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You don't?

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I don't.

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Not my cup of tea.

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Come on.

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We'll get him in there.

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I do improv when it's not being performed in front of people.

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That's what I do improv.

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I'm funny when nobody else is around and as soon as people around forget it.

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Yeah, no, it's a lot of fun and some of the people we've had here that I've learned from

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have been really, really great and I'm not particularly good compared to them but it's

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still a lot of fun.

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If you're with the right people that know what they're doing, they can cover for you

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when you make a mistake.

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I love a good improv.

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Is that going to be, you said in June this year?

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Yes, I think we have five shows scheduled starting in June for the rest of this year.

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Nice.

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Yeah, so that will definitely be on our Facebook page and all that kind of stuff.

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And the website as well.

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And the website.

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Yeah, I like your website.

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It gives all the information.

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We got to give a special shout out to Christopher Lawrence Menard.

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100%.

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He is the caretaker of that website and he built it from scratch and he maintains it.

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He was also a founding member of Korda.

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Yeah, Christopher has been around for a long time here at Korda and he puts a lot of emphasis

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and hard work on making sure that the website's up to date with the current show, if there's

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rehearsal or, sorry, auditions, events coming up, our contact information, all that kind

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of stuff.

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He does a fabulous job.

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And I mean, you guys do too.

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Actually, everybody does because it's all volunteer work because you're not for profit,

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which is amazing that you guys have been able to do this for so long.

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Yeah, and it's interesting because it's something I'm, I had a conversation with this, about

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this with my wife the other day.

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The number of people that have cycled through here and, you know, they're here for a few

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shows, maybe two, three years and they're, you know, maybe they're coming out of school

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and they're moving on to other things and they just create, they contribute so much

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and then move forward and go on to other things in life, but it's just such a wide variety

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of people and incredible personalities you get to work with, just people who love doing

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it.

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But also as well, you know, we try to make this a very inclusive space, a space where

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you can grow, you can learn, you can experience new things, try new things with all of the

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shows we put on.

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And we've had several people, so we call it graduate, from Corda to go work at the Stratford

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Festival.

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Wow.

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And we have a director, is an actor up there right now.

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Matt Burgess is a journeyman in the prop department.

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He's on his third year at Stratford.

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We've had a number of people come from small beginnings here at Corda to go on and do a

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number of things.

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Ellie Moon in Toronto, Katie Kerr's been in a few shows here and then she's been gone

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on to be very successful as well.

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So we like to think of Corda as a nice jumping off point.

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Well, it's perfect.

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You get out of school and then you come here, but you're not just saying actor.

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You have a lot of hats when you come to work here in the productions.

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Yeah.

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And I mean, we do a lot of work.

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Tracy Aitin, our founder, she's fantastic with the kids and like we do a lot of kids

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summer programs here.

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And they have the opportunity to learn whatever they want to learn.

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You know, if they want to get involved with tech, they can get involved with tech.

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If they want to learn how to paint a set or build a set, they can learn that.

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If they want to learn how to act or sing, dance, whatever you want, then that's something

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that...

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Now that's a summer program?

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Yes.

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Now, what's the age group for that?

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I don't think we have it worked out yet for this year.

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And in the past, it's been what, from nine to end of high school?

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I think it's seven to 12 and then 13 to 18 is usually the age.

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You know, when the kids come in, they learn all about a show, how to start the process,

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blocking a show, designing a set, building a set, building props, working with props,

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how things work backstage during the show, how to, you know, costuming.

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But we also do that with the full shows, not just summer program.

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It's not, you know, you get cast as a part in a show and you're just an actor.

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It's very much a group effort to build the show from the bottom up with the set, with

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costumes, with props, with makeup, with singing, with dancing and everything else.

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It's very much we try to lean on the strengths of everybody else.

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Georgie is helping out with the trench makeup because she's very strong in that area of

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theater.

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Yeah.

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And then we have Chaperone, which we just finished recently, the amount of actors that

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showed up to paint, you know, do little touches here and there.

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Our lead actress was painting set to the moment before we did our first dress rehearsal, you

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know.

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It's a wonderful place to contribute and people really feel comfortable enough to contribute

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however they want to and however they can.

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They're just engaged.

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Oh yeah.

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They can stretch their wings a little bit, as to say, and then figure out that maybe,

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okay, I want to be an actress, I want to be an actress, but then they get behind the seats

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and it's like, oh, well maybe I like set design a little bit more or I can do makeup and it

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really widens their horizon and helps because it's a hard job to get into.

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So, yeah.

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And I mean, we have student-age people that have worked a ton with like lighting and sound

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and stuff in this theater and are going on to do that as a career, like going to school

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for that after they leave here kind of thing.

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Well, yeah, because it's perfect because what University of Windsor and even St. Clair College,

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they have really good media design, acting, drama programs, and then come here and get

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stuff under your belt and figure yourself out too before you go on.

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Yeah, and it's nice too that we have a very good relationship with Walkerville.

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So a lot of the students from there come here.

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I forgot about Walkerville, yeah.

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Yeah, we actually have a partnership where we're, CORDA and Walkerville are working together

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to produce a show this year.

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Oh, I can't remember the show though.

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Forbidden Planet?

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00:14:04,080 --> 00:14:05,080
No, that's next year.

237
00:14:05,080 --> 00:14:06,080
That's next year.

238
00:14:06,080 --> 00:14:07,080
Yeah.

239
00:14:07,080 --> 00:14:10,880
We're working together to do a show this year at Walkerville that opens just before Trench

240
00:14:10,880 --> 00:14:11,880
does.

241
00:14:11,880 --> 00:14:12,880
Okay.

242
00:14:12,880 --> 00:14:17,080
And then next year we're working on Jeff Marrentette, who's another board member here.

243
00:14:17,080 --> 00:14:18,220
He's a retired teacher.

244
00:14:18,220 --> 00:14:23,880
He was head of the WCCA department over at Walkerville for a number of years, is working

245
00:14:23,880 --> 00:14:29,040
with Walkerville now and doing Return to the Forbidden Planet next year, which is being

246
00:14:29,040 --> 00:14:34,680
designed by David Corte and being built by Matt Burgess up in Stratford.

247
00:14:34,680 --> 00:14:40,820
And all that's going to be done at the Walkerville Theater, sorry, the Walkerville School Auditorium

248
00:14:40,820 --> 00:14:43,040
Theater next year.

249
00:14:43,040 --> 00:14:45,160
Now how many board members are there?

250
00:14:45,160 --> 00:14:48,000
You've mentioned a few of them.

251
00:14:48,000 --> 00:14:49,000
Seven or eight?

252
00:14:49,000 --> 00:14:50,000
I think it's seven or eight.

253
00:14:50,000 --> 00:14:51,000
Seven or eight?

254
00:14:51,000 --> 00:14:52,000
Something like that.

255
00:14:52,000 --> 00:14:53,000
Yeah.

256
00:14:53,000 --> 00:14:54,000
Takes a village.

257
00:14:54,000 --> 00:14:55,000
Yep.

258
00:14:55,000 --> 00:14:56,000
It really does.

259
00:14:56,000 --> 00:14:58,840
And I mean, we all contribute in different ways.

260
00:14:58,840 --> 00:15:02,880
We've got people that specialize in doing social media and marketing.

261
00:15:02,880 --> 00:15:06,280
We've got people that specialize in doing tech.

262
00:15:06,280 --> 00:15:10,800
Like that's one of the things I love is getting involved with building and doing the tech and

263
00:15:10,800 --> 00:15:12,160
being on stage occasionally.

264
00:15:12,160 --> 00:15:14,400
And Joey's our treasurer.

265
00:15:14,400 --> 00:15:17,080
I'm the fun police.

266
00:15:17,080 --> 00:15:18,080
Let's be honest.

267
00:15:18,080 --> 00:15:19,080
I'm the fun police.

268
00:15:19,080 --> 00:15:21,960
Mark wants to buy all of these new techie things and I have to say no, Mark.

269
00:15:21,960 --> 00:15:22,960
100%.

270
00:15:22,960 --> 00:15:23,960
You cannot buy the new techie things.

271
00:15:23,960 --> 00:15:24,960
No.

272
00:15:24,960 --> 00:15:26,960
We have to reuse material.

273
00:15:26,960 --> 00:15:27,960
Yeah.

274
00:15:27,960 --> 00:15:29,760
We're not getting the techie stuff.

275
00:15:29,760 --> 00:15:36,040
Honestly, if you ever want to set an example of what true recycling looks like, come to

276
00:15:36,040 --> 00:15:38,080
a community theater.

277
00:15:38,080 --> 00:15:43,600
Because the show we just finished, I was reusing set pieces from a show we did six, eight years

278
00:15:43,600 --> 00:15:46,960
ago, cutting it up and rebuilding it into something new.

279
00:15:46,960 --> 00:15:53,320
Well, and that's the beauty of a community theater and a not for profit is there's no

280
00:15:53,320 --> 00:16:00,080
money involved per se other than the tickets that will be able to keep this going.

281
00:16:00,080 --> 00:16:03,840
But people are here because they really love what they do.

282
00:16:03,840 --> 00:16:09,200
This is a passion project on top of their regular day jobs.

283
00:16:09,200 --> 00:16:10,200
It's true.

284
00:16:10,200 --> 00:16:11,800
And I mean, don't get us wrong.

285
00:16:11,800 --> 00:16:13,560
We certainly do pay our professionals.

286
00:16:13,560 --> 00:16:20,240
There are like we would we pay what we can for, you know, whoever's working tech and

287
00:16:20,240 --> 00:16:21,480
all that kind of stuff.

288
00:16:21,480 --> 00:16:29,000
If we have music director, a choreographer, we have musicians, we definitely always pay.

289
00:16:29,000 --> 00:16:30,360
That's part of our budget.

290
00:16:30,360 --> 00:16:34,700
If a show does well enough, we try to do honorariums for cast too, as well.

291
00:16:34,700 --> 00:16:39,860
Because that's really what it comes down to is we're not here to, we are a not for profit.

292
00:16:39,860 --> 00:16:45,020
We are the purest example of we are here to do something we love and to help other people

293
00:16:45,020 --> 00:16:46,440
do things that they love.

294
00:16:46,440 --> 00:16:47,440
And to me, that's better.

295
00:16:47,440 --> 00:16:48,960
Yeah, it really is.

296
00:16:48,960 --> 00:16:53,920
Like like you alluded to, we have we have day jobs.

297
00:16:53,920 --> 00:17:00,080
We pay the bills bills with our day jobs and we come here to have fun, to have fun and

298
00:17:00,080 --> 00:17:01,600
do something we love.

299
00:17:01,600 --> 00:17:05,680
Now what is um, Korda Convos?

300
00:17:05,680 --> 00:17:11,000
I happen to find that and I don't even remember if it was on your Instagram or your website.

301
00:17:11,000 --> 00:17:17,640
No, we haven't done one for a while, but it was our version of TED talk.

302
00:17:17,640 --> 00:17:25,080
So we had, I think we had three, because we had Nat Friesen, Angelo and Dave Cormier.

303
00:17:25,080 --> 00:17:26,160
Yeah.

304
00:17:26,160 --> 00:17:29,640
They all have their own specialties.

305
00:17:29,640 --> 00:17:37,080
And they came in and they did a brief 45 minute hour long talk about their specialties and

306
00:17:37,080 --> 00:17:42,200
how that sort of relates to life, theater in general and just anything like that.

307
00:17:42,200 --> 00:17:43,680
Yeah, we haven't done one since last year.

308
00:17:43,680 --> 00:17:44,680
Yeah.

309
00:17:44,680 --> 00:17:46,360
I mean, they're always very topical discussions.

310
00:17:46,360 --> 00:17:50,240
Dave did a discussion on AI in education.

311
00:17:50,240 --> 00:17:56,240
Nat did genetics, gender, gender fluidity and genetics and all that kind of stuff.

312
00:17:56,240 --> 00:17:59,880
Um, Angelo, I don't, I didn't see Angelo's, I don't remember what his was about.

313
00:17:59,880 --> 00:18:01,280
I didn't get a chance to see it either.

314
00:18:01,280 --> 00:18:04,880
But yeah, no, it's, it's something we wanted to do something a little different to, you

315
00:18:04,880 --> 00:18:08,120
know, use the space and bring people in and just, yeah.

316
00:18:08,120 --> 00:18:09,120
Why not?

317
00:18:09,120 --> 00:18:13,840
And understand, give it a little understanding what goes into it and all the different thought

318
00:18:13,840 --> 00:18:14,840
processes.

319
00:18:14,840 --> 00:18:15,840
Yeah.

320
00:18:15,840 --> 00:18:20,800
And I mean, this was a, it was the brainchild of Kim Babb, one of our, one of our board

321
00:18:20,800 --> 00:18:21,800
members.

322
00:18:21,800 --> 00:18:22,800
What's that?

323
00:18:22,800 --> 00:18:26,440
We're going to start having to list them all off eventually.

324
00:18:26,440 --> 00:18:27,440
Yes.

325
00:18:27,440 --> 00:18:30,880
So that nobody feels offended or left out.

326
00:18:30,880 --> 00:18:35,480
No, it was just, we're always thinking of new ways, new things we can do to use the

327
00:18:35,480 --> 00:18:40,120
space because quite frankly, if we're not using the space, we're losing money.

328
00:18:40,120 --> 00:18:46,280
And not again, not in a profit kind of way, but in a, we need to pay to keep the place

329
00:18:46,280 --> 00:18:47,280
open.

330
00:18:47,280 --> 00:18:50,640
But not only that, it was just something interesting and something new that Kim just thought would

331
00:18:50,640 --> 00:18:51,640
be a good idea.

332
00:18:51,640 --> 00:18:52,760
And it was quite successful.

333
00:18:52,760 --> 00:18:57,320
We had some good response from it and we're always looking for new stuff like that.

334
00:18:57,320 --> 00:19:00,480
Do you guys rent this out to just anybody?

335
00:19:00,480 --> 00:19:03,840
Like, can photographers use it as sets, backdrops?

336
00:19:03,840 --> 00:19:04,840
Absolutely.

337
00:19:04,840 --> 00:19:09,080
I mean, we've, we've filmed movie scenes here, as I mentioned, what are some of the other

338
00:19:09,080 --> 00:19:10,640
stuff we've rented for?

339
00:19:10,640 --> 00:19:16,120
Well Jemma, one of the board members, also a filmmaker, also a filmmaker.

340
00:19:16,120 --> 00:19:25,520
She did a documentary called Being Taylor, which follows a local standup comedian and

341
00:19:25,520 --> 00:19:32,040
sort of her journey to discover herself as well as her comedy, which culminated in a

342
00:19:32,040 --> 00:19:39,340
comedy night here that was filmed and that was all turned into a documentary for CBC.

343
00:19:39,340 --> 00:19:42,720
But we've had music videos recorded in here.

344
00:19:42,720 --> 00:19:43,720
We've had-

345
00:19:43,720 --> 00:19:44,720
The Bishop Boys.

346
00:19:44,720 --> 00:19:47,040
We've had short films recorded.

347
00:19:47,040 --> 00:19:50,480
And it really all depends on what the people want.

348
00:19:50,480 --> 00:19:53,160
If it's close to a show, there's going to be a set.

349
00:19:53,160 --> 00:19:57,400
So if they can work around the set, we have no problem renting to them.

350
00:19:57,400 --> 00:20:01,640
If there's nothing going on and they need a blank stage, well, we have a blank black

351
00:20:01,640 --> 00:20:02,640
box stage.

352
00:20:02,640 --> 00:20:10,120
Now, like I said, I just heard about you guys in the last probably few months, but I noticed

353
00:20:10,120 --> 00:20:17,240
there's a rise in the Windsor-Essex County area of people being interested in seeing

354
00:20:17,240 --> 00:20:22,920
plays, whether it's here or the Capitol or there's another theater around here.

355
00:20:22,920 --> 00:20:25,480
People just seem to be more interested in it.

356
00:20:25,480 --> 00:20:27,680
Are you guys finding it or is it just me noticing it?

357
00:20:27,680 --> 00:20:30,160
I don't think it's people are more interested.

358
00:20:30,160 --> 00:20:35,120
I think it's just becoming a little bit more mainstream here in town.

359
00:20:35,120 --> 00:20:39,160
Windsor, I mean, CORDA celebrated its 20th anniversary last year.

360
00:20:39,160 --> 00:20:42,000
We've been around for this is our 21st season.

361
00:20:42,000 --> 00:20:48,520
But there's been loads of community theaters here in town, whether it's CORDA, Cardinal

362
00:20:48,520 --> 00:20:54,120
Music Productions, ACT, Windsor Light, post productions.

363
00:20:54,120 --> 00:20:57,400
There's always been community theater happening.

364
00:20:57,400 --> 00:21:01,920
It's just now I think people are starting to look for something new and interesting

365
00:21:01,920 --> 00:21:06,200
to do and they've sort of rediscovered the stage.

366
00:21:06,200 --> 00:21:09,000
Well, now that we don't really have movies.

367
00:21:09,000 --> 00:21:12,160
We only have one movie theater in town.

368
00:21:12,160 --> 00:21:16,000
It's one of the things that struck me when I first started being involved with the theater

369
00:21:16,000 --> 00:21:20,720
in Kingsville is what a wealth of talent we have in the area.

370
00:21:20,720 --> 00:21:21,720
We do.

371
00:21:21,720 --> 00:21:26,320
Windsor, it's, you know, we have a bit of a reputation for being a lunch bucket town

372
00:21:26,320 --> 00:21:32,560
where, you know, we're an automotive town and we just, you know, we like our cars and

373
00:21:32,560 --> 00:21:33,560
we don't do much else.

374
00:21:33,560 --> 00:21:36,000
Southern, you know, we go to movies, there's not much to do.

375
00:21:36,000 --> 00:21:40,920
But really, you look around and all those groups that Joey mentioned there, like they're

376
00:21:40,920 --> 00:21:43,520
always doing fantastic work.

377
00:21:43,520 --> 00:21:47,360
And this barely a weekend goes by in the summer or actually throughout the year where you

378
00:21:47,360 --> 00:21:53,920
can't find something on a stage somewhere that's interesting and innovative.

379
00:21:53,920 --> 00:21:54,920
It's very true.

380
00:21:54,920 --> 00:21:59,040
Like throughout the year, you're hard pressed to find a weekend where there's not some sort

381
00:21:59,040 --> 00:22:04,000
of theater going on somewhere in town.

382
00:22:04,000 --> 00:22:08,960
I mean, just this year we have six shows and all six shows run for three weekends.

383
00:22:08,960 --> 00:22:11,480
So there's 18 weekends of the year.

384
00:22:11,480 --> 00:22:12,960
Windsor Light does two weekends.

385
00:22:12,960 --> 00:22:17,000
I don't even know how many shows Post Productions is doing or Cardinal.

386
00:22:17,000 --> 00:22:20,720
You're more likely to find a weekend with a show happening than not.

387
00:22:20,720 --> 00:22:27,560
Even the Capitol Theater, they just housed a children's production of Disney's Newsies.

388
00:22:27,560 --> 00:22:29,400
But I went to see it during the day.

389
00:22:29,400 --> 00:22:34,120
It was almost like a dress rehearsal before it was opening.

390
00:22:34,120 --> 00:22:39,080
What struck me was a lot of it was all high school students, but a lot of high schools

391
00:22:39,080 --> 00:22:40,760
came in to watch it.

392
00:22:40,760 --> 00:22:43,120
That's who they were performing for.

393
00:22:43,120 --> 00:22:44,320
And they loved it.

394
00:22:44,320 --> 00:22:46,080
They were right into it.

395
00:22:46,080 --> 00:22:52,080
And it was really fascinating to see young kids being excited about the theater.

396
00:22:52,080 --> 00:22:53,080
Well, yeah.

397
00:22:53,080 --> 00:22:57,040
And I mean, that was Arts Collective Theater did that.

398
00:22:57,040 --> 00:23:02,760
And even today, Riverfront has Madagascar opening at the Capitol, I believe.

399
00:23:02,760 --> 00:23:04,960
Madagascar Junior.

400
00:23:04,960 --> 00:23:10,320
And that's part of it is the people that sit on our board, some of them have come from

401
00:23:10,320 --> 00:23:17,480
or were those kids that came from nine, 10 year olds that grew up in this building and

402
00:23:17,480 --> 00:23:24,680
have gone on to be a drama teacher, to be a filmmaker, to do careers in the arts, because

403
00:23:24,680 --> 00:23:26,520
there's just so much of it.

404
00:23:26,520 --> 00:23:28,760
And it is such an enthusiasm for it.

405
00:23:28,760 --> 00:23:34,400
And I think it's part of our mission, really, indirectly, is to let the rest of Windsor

406
00:23:34,400 --> 00:23:36,860
know that, hey, this exists.

407
00:23:36,860 --> 00:23:40,720
When you see people saying there's nothing to do in Windsor, no, you're wrong.

408
00:23:40,720 --> 00:23:41,720
You're wrong.

409
00:23:41,720 --> 00:23:43,140
There's so much to do in Windsor.

410
00:23:43,140 --> 00:23:45,600
And it's incredible, too.

411
00:23:45,600 --> 00:23:49,160
I've introduced many people to theater for the first time.

412
00:23:49,160 --> 00:23:53,240
They've come to see a show and they've went, this is so much better than seeing a movie

413
00:23:53,240 --> 00:23:54,720
and it's cheaper.

414
00:23:54,720 --> 00:23:57,680
A ticket to one of our shows is 25 bucks.

415
00:23:57,680 --> 00:24:03,520
But you're seeing a live performance in front of you that's an entire night of entertainment.

416
00:24:03,520 --> 00:24:06,680
And if you want popcorn, you can go buy popcorn for $3.

417
00:24:06,680 --> 00:24:08,280
Joey loves his popcorn.

418
00:24:08,280 --> 00:24:09,280
I do love my popcorn.

419
00:24:09,280 --> 00:24:15,160
For under 30 bucks, you get to see a show, get some popcorn and get a popper water.

420
00:24:15,160 --> 00:24:16,160
And have a great night.

421
00:24:16,160 --> 00:24:19,280
And have a wonderful evening.

422
00:24:19,280 --> 00:24:20,700
You nailed it on the head.

423
00:24:20,700 --> 00:24:27,480
We are known as a lunchbox town, and maybe we are a lunchbox town, but we are figuring

424
00:24:27,480 --> 00:24:34,000
out ways to release that energy that we have and to find our creativity again.

425
00:24:34,000 --> 00:24:36,000
And to laugh, smile.

426
00:24:36,000 --> 00:24:37,000
That's not all we are.

427
00:24:37,000 --> 00:24:38,000
No.

428
00:24:38,000 --> 00:24:39,000
We are far more than that.

429
00:24:39,000 --> 00:24:40,000
No, we are.

430
00:24:40,000 --> 00:24:42,960
And we're very creative, Vin.

431
00:24:42,960 --> 00:24:49,360
We do what we gotta do to get through the day, but then after, we have a lot of creative

432
00:24:49,360 --> 00:24:56,160
people, whether it's in the theater or in the film or even just arts and crafts or production.

433
00:24:56,160 --> 00:24:57,160
100%.

434
00:24:57,160 --> 00:25:03,780
And I mean, I come from an engineering career, and I've done a lot of work at various plants

435
00:25:03,780 --> 00:25:05,640
around Windsor.

436
00:25:05,640 --> 00:25:10,060
And I would walk through Ford Essex Engine and go to a meeting there and see in somebody's

437
00:25:10,060 --> 00:25:12,520
booth a poster for a local show.

438
00:25:12,520 --> 00:25:17,880
Because this is, like I said, it's more than, we're not just the factories.

439
00:25:17,880 --> 00:25:23,160
These are a huge part of who we are, but we are a creative community too, and it's huge.

440
00:25:23,160 --> 00:25:24,160
It's growing.

441
00:25:24,160 --> 00:25:27,440
Yeah, and more people like yourself are coming to learn that.

442
00:25:27,440 --> 00:25:33,640
And the people that came for Mom Said Ducks event the other night, which was very funny,

443
00:25:33,640 --> 00:25:37,440
I had so many people come up to me and said, how come I didn't know about this place?

444
00:25:37,440 --> 00:25:38,440
Right?

445
00:25:38,440 --> 00:25:41,920
Well, and it's just, it's a comfortable, homey feel.

446
00:25:41,920 --> 00:25:50,560
These chairs are from the audience, and it's just warm and comfortable, and it's not stark

447
00:25:50,560 --> 00:25:54,280
and cold and very formal.

448
00:25:54,280 --> 00:25:56,440
You can come here and really enjoy yourself.

449
00:25:56,440 --> 00:25:57,440
Absolutely.

450
00:25:57,440 --> 00:25:58,440
Sometimes too much.

451
00:25:58,440 --> 00:26:00,560
I get in trouble because I spend too much time here.

452
00:26:00,560 --> 00:26:01,560
I would.

453
00:26:01,560 --> 00:26:02,560
I would.

454
00:26:02,560 --> 00:26:04,080
I love this place.

455
00:26:04,080 --> 00:26:05,080
It does.

456
00:26:05,080 --> 00:26:06,520
It feels like home when you walk in here.

457
00:26:06,520 --> 00:26:07,520
Yeah.

458
00:26:07,520 --> 00:26:11,320
I mean, right now I'm here five days a week rehearsing for Trench and for Three Musketeers.

459
00:26:11,320 --> 00:26:14,760
So my partner's like, so I'm never going to see you until June?

460
00:26:14,760 --> 00:26:15,760
No.

461
00:26:15,760 --> 00:26:16,760
Okay, great.

462
00:26:16,760 --> 00:26:18,600
So think of a vacation.

463
00:26:18,600 --> 00:26:21,640
It's really easy to jump into shows.

464
00:26:21,640 --> 00:26:22,640
I want to do this show.

465
00:26:22,640 --> 00:26:23,640
I want to do this show.

466
00:26:23,640 --> 00:26:24,640
And overindulge.

467
00:26:24,640 --> 00:26:29,720
And overindulge, but it's because it's just, like you said, it's warm, it's welcoming.

468
00:26:29,720 --> 00:26:30,800
We're here to have fun.

469
00:26:30,800 --> 00:26:35,600
We're here to put on the best shows that we can, but we're also here to build a community

470
00:26:35,600 --> 00:26:42,360
to support the artists and whether that's acting, singing, dancing, painting, designing,

471
00:26:42,360 --> 00:26:43,600
lights.

472
00:26:43,600 --> 00:26:47,640
There's so much art that goes into a show that a lot of people don't realize.

473
00:26:47,640 --> 00:26:50,440
They just, they think about theater and they go, oh, well, actors.

474
00:26:50,440 --> 00:26:53,480
And it's like, right, but what about backstage?

475
00:26:53,480 --> 00:26:54,720
What about all the costumes?

476
00:26:54,720 --> 00:26:55,880
What about the makeup?

477
00:26:55,880 --> 00:26:56,920
All of that.

478
00:26:56,920 --> 00:27:04,120
And we try to grow that here, to support and to encourage and to really give everybody

479
00:27:04,120 --> 00:27:10,360
that comes in here a solid foundation and that confidence to pursue that, whether it's

480
00:27:10,360 --> 00:27:12,880
just as a hobby or professionally.

481
00:27:12,880 --> 00:27:18,360
Now, you said you're going to be involved in Trench and Three Musketeers.

482
00:27:18,360 --> 00:27:20,360
What are your roles in that one?

483
00:27:20,360 --> 00:27:21,960
I am acting in the Trench.

484
00:27:21,960 --> 00:27:24,800
I'm one of the chorus members.

485
00:27:24,800 --> 00:27:27,400
For Three Musketeers, I am the director and the producer.

486
00:27:27,400 --> 00:27:29,880
You really have your hat on and everything.

487
00:27:29,880 --> 00:27:34,880
And he just finished up as the producer of Drowsy Chaperone and yeah.

488
00:27:34,880 --> 00:27:35,880
And what about you?

489
00:27:35,880 --> 00:27:39,040
Are you involved in any of these ones?

490
00:27:39,040 --> 00:27:40,560
So not the Trench so much.

491
00:27:40,560 --> 00:27:41,920
I will help out.

492
00:27:41,920 --> 00:27:47,080
I will definitely be building set for Three Musketeers and Frankenstein.

493
00:27:47,080 --> 00:27:49,640
And I'm lucky enough to be cast in Frankenstein too.

494
00:27:49,640 --> 00:27:51,440
So I'll be, I'll have my hands full.

495
00:27:51,440 --> 00:27:52,440
I'll be busy.

496
00:27:52,440 --> 00:27:53,800
What are you going to be in Frankenstein?

497
00:27:53,800 --> 00:27:56,320
I'm Captain Walton in Frankenstein.

498
00:27:56,320 --> 00:27:57,640
Nice.

499
00:27:57,640 --> 00:27:59,600
Are you going to be in Frankenstein too?

500
00:27:59,600 --> 00:28:06,240
No, I have been voluntold to take a break after Three Musketeers.

501
00:28:06,240 --> 00:28:09,240
My partner and I, we just bought a house and we just got engaged.

502
00:28:09,240 --> 00:28:16,040
So we're going to take that time after Three Musketeers to settle in and plan stuff because

503
00:28:16,040 --> 00:28:17,840
I don't do enough planning.

504
00:28:17,840 --> 00:28:20,000
You're busy.

505
00:28:20,000 --> 00:28:21,000
Yeah.

506
00:28:21,000 --> 00:28:25,160
You know, day job, this job, at home.

507
00:28:25,160 --> 00:28:28,040
And I say kudos to you guys.

508
00:28:28,040 --> 00:28:30,640
I don't know where you get the energy for it, but.

509
00:28:30,640 --> 00:28:31,640
Oh, there's no energy.

510
00:28:31,640 --> 00:28:36,400
That's why we've got comfy chairs for napping in.

511
00:28:36,400 --> 00:28:37,400
Yeah.

512
00:28:37,400 --> 00:28:38,800
That's what the couches are for.

513
00:28:38,800 --> 00:28:41,680
Take a power nap when you're in the middle of painting a set.

514
00:28:41,680 --> 00:28:45,540
You wouldn't believe how many times I've seen actors and members of this theater taking

515
00:28:45,540 --> 00:28:46,540
a nap on those couches.

516
00:28:46,540 --> 00:28:47,540
Hey, those are comfortable couches.

517
00:28:47,540 --> 00:28:48,540
I would too.

518
00:28:48,540 --> 00:28:49,540
They are.

519
00:28:49,540 --> 00:28:54,160
And like I said, people work a full time job and you come here, especially right before

520
00:28:54,160 --> 00:28:56,720
a show and you're there every night.

521
00:28:56,720 --> 00:29:00,520
People come here and they like, I'm going to take a nap for 20 minutes before the cast

522
00:29:00,520 --> 00:29:01,520
gets here.

523
00:29:01,520 --> 00:29:02,520
Why not?

524
00:29:02,520 --> 00:29:09,080
Now, if people want to get involved in this, in Cortisone, how do they do it?

525
00:29:09,080 --> 00:29:10,560
How can they get in touch with you guys?

526
00:29:10,560 --> 00:29:14,060
Honestly, the best way is probably through our Facebook presence.

527
00:29:14,060 --> 00:29:18,240
We have a Cortisone Artistic Productions Facebook group and we also have a Cortisone Theatre

528
00:29:18,240 --> 00:29:21,720
group and our website always has information about new stuff.

529
00:29:21,720 --> 00:29:25,720
We're always interested in having people volunteer.

530
00:29:25,720 --> 00:29:33,320
They reach out, they can send us an email at cortisone.gmail.com.

531
00:29:33,320 --> 00:29:40,760
But also too, if you're looking to get involved in a particular show, we post our audition

532
00:29:40,760 --> 00:29:45,080
processes on our website, on Facebook.

533
00:29:45,080 --> 00:29:49,760
And even if you're not cast in the show, we still need help backstage, working front of

534
00:29:49,760 --> 00:29:54,460
house, set build, set paint, makeup, tech.

535
00:29:54,460 --> 00:29:57,380
Like you said earlier, it takes a village.

536
00:29:57,380 --> 00:29:58,380
So it's definitely...

537
00:29:58,380 --> 00:29:59,380
It takes more than a village.

538
00:29:59,380 --> 00:30:02,920
Yeah, it takes a small town.

539
00:30:02,920 --> 00:30:05,800
But definitely follow us on Facebook.

540
00:30:05,800 --> 00:30:09,080
We have an Instagram page as well where we try to put as many of our announcements as

541
00:30:09,080 --> 00:30:10,900
possible out there.

542
00:30:10,900 --> 00:30:16,760
Check out our website as it's updated very often with auditions, with upcoming events,

543
00:30:16,760 --> 00:30:21,520
upcoming shows, all our contact information, our emails on there, our phone numbers on

544
00:30:21,520 --> 00:30:22,520
there.

545
00:30:22,520 --> 00:30:29,840
And we're always, always looking for new talent, new people, just anybody interested in anything,

546
00:30:29,840 --> 00:30:31,440
any part of particular part of theater.

547
00:30:31,440 --> 00:30:33,520
If you can hold a tool in your hand.

548
00:30:33,520 --> 00:30:34,520
And then you're hired.

549
00:30:34,520 --> 00:30:35,520
Yeah.

550
00:30:35,520 --> 00:30:36,520
A tool, a paintbrush.

551
00:30:36,520 --> 00:30:37,520
That's something I...

552
00:30:37,520 --> 00:30:38,520
Yeah.

553
00:30:38,520 --> 00:30:39,520
Yeah.

554
00:30:39,520 --> 00:30:40,520
Give us a shout.

555
00:30:40,520 --> 00:30:42,920
And if not, come and see the shows.

556
00:30:42,920 --> 00:30:44,040
100%.

557
00:30:44,040 --> 00:30:46,640
You can find it out in the info there.

558
00:30:46,640 --> 00:30:47,640
That's why we do it.

559
00:30:47,640 --> 00:30:51,240
Like we want to entertain people, right?

560
00:30:51,240 --> 00:30:54,880
But obviously we would like to see every one of these seats filled for every one of our

561
00:30:54,880 --> 00:30:55,880
shows.

562
00:30:55,880 --> 00:30:56,880
It's not always the case.

563
00:30:56,880 --> 00:30:58,160
Sometimes it's difficult.

564
00:30:58,160 --> 00:30:59,160
But that is our goal.

565
00:30:59,160 --> 00:31:00,160
We want to entertain people.

566
00:31:00,160 --> 00:31:02,320
Well, I definitely want to come and see The Trench.

567
00:31:02,320 --> 00:31:06,800
I just did the one podcast with Georgie and...

568
00:31:06,800 --> 00:31:07,800
And Jeremy.

569
00:31:07,800 --> 00:31:09,360
Jeremy, the director.

570
00:31:09,360 --> 00:31:13,080
And it sounds like a really interesting, interesting production.

571
00:31:13,080 --> 00:31:15,080
It's a very interesting show.

572
00:31:15,080 --> 00:31:22,120
It's definitely not a show I've ever done from an actor or a director standpoint.

573
00:31:22,120 --> 00:31:25,400
Jeremy's vision is incredible.

574
00:31:25,400 --> 00:31:33,080
And the way we've gone about the rehearsal process and the images that Jeremy built with

575
00:31:33,080 --> 00:31:37,880
Nicole, who's the set designer, and then with the rest of the cast, what we're doing and

576
00:31:37,880 --> 00:31:44,280
the imagery we're bringing forth and the story that we're telling is just absolutely incredible.

577
00:31:44,280 --> 00:31:46,720
And I'm very excited for people to see that show.

578
00:31:46,720 --> 00:31:51,760
Yeah, because it is a minor that is stuck.

579
00:31:51,760 --> 00:31:56,920
It's based off of a poem from World War I about a minor who gets trapped underneath

580
00:31:56,920 --> 00:31:58,840
the trenches of World War I.

581
00:31:58,840 --> 00:32:04,680
Speaking as an outsider, I happened to sit in on maybe 25 minutes of the rehearsal downstairs

582
00:32:04,680 --> 00:32:11,160
not with no set or anything and just watching the movements and listening to the dialogue

583
00:32:11,160 --> 00:32:15,520
and seeing the performances and realizing that this show is unlike anything I've ever

584
00:32:15,520 --> 00:32:16,520
seen before.

585
00:32:16,520 --> 00:32:24,760
Yeah, because it's basically one man being stuck, but the chorus are extensions of him.

586
00:32:24,760 --> 00:32:25,760
Correct.

587
00:32:25,760 --> 00:32:26,760
Which is sounds really good.

588
00:32:26,760 --> 00:32:33,280
We operate as not only extensions of Burt, the minor that's been trapped, but we also

589
00:32:33,280 --> 00:32:35,980
operate as the trench itself.

590
00:32:35,980 --> 00:32:42,440
We are the set, we're the props, we're the creatures and the people that Burt encounters

591
00:32:42,440 --> 00:32:46,280
on his journey to try to escape this collapsed trench.

592
00:32:46,280 --> 00:32:52,680
Because it starts off very sort of footed in the real world, but it does take a, I don't

593
00:32:52,680 --> 00:32:59,800
want to say fantastical turn, but it definitely turns into something that is not of the ordinary

594
00:32:59,800 --> 00:33:05,640
as he makes his journey through the trench and through not just the trench, but through

595
00:33:05,640 --> 00:33:09,280
his own life as he tries to escape.

596
00:33:09,280 --> 00:33:15,680
I can't wait to see the show because that's really going to show creative abilities as

597
00:33:15,680 --> 00:33:20,900
actors and actresses to bring that across to everybody.

598
00:33:20,900 --> 00:33:27,940
And I think that's something that we alluded to earlier is we do a wide variety of shows.

599
00:33:27,940 --> 00:33:32,600
We try to do, you know, we do the classics, we do the musicals, we do the straight plays

600
00:33:32,600 --> 00:33:36,400
and we do the lesser known stuff like the trench.

601
00:33:36,400 --> 00:33:41,920
And we hope that, you know, the bigger shows build the audience and bring in the revenue

602
00:33:41,920 --> 00:33:48,120
to allow us to do some of the stuff that is lesser known, but much more, maybe not much

603
00:33:48,120 --> 00:33:52,920
more, but definitely more on the creative side, allow you to a little more creative

604
00:33:52,920 --> 00:33:55,440
license with how you do a show.

605
00:33:55,440 --> 00:34:01,000
And as you can see from looking around, this is going to be a very, very interesting presentation.

606
00:34:01,000 --> 00:34:03,960
Because it's the first time it's being performed in Canada.

607
00:34:03,960 --> 00:34:04,960
Yes.

608
00:34:04,960 --> 00:34:12,200
I'm really, really excited because it allows your imagination as viewer watching it to

609
00:34:12,200 --> 00:34:16,720
just imagine everything because you can't make a trench on stage.

610
00:34:16,720 --> 00:34:19,360
You kind of have to.

611
00:34:19,360 --> 00:34:20,720
We told Jeremy that.

612
00:34:20,720 --> 00:34:21,720
Yes.

613
00:34:21,720 --> 00:34:22,720
No dirt.

614
00:34:22,720 --> 00:34:23,720
No dirt.

615
00:34:23,720 --> 00:34:24,720
No dirt.

616
00:34:24,720 --> 00:34:25,720
No dirt.

617
00:34:25,720 --> 00:34:30,920
Well, Mark, Joey, I really appreciate you guys taking the time out to tell us a little

618
00:34:30,920 --> 00:34:36,120
bit more about this theater and everything that you guys have put into it.

619
00:34:36,120 --> 00:34:42,640
And I really, really hope that Windsor seizes and gets behind you guys and helps out and

620
00:34:42,640 --> 00:34:43,960
comes to see the shows.

621
00:34:43,960 --> 00:34:44,960
Well, thank you.

622
00:34:44,960 --> 00:34:45,960
I appreciate the opportunity.

623
00:34:45,960 --> 00:34:46,960
Thank you so much.

624
00:34:46,960 --> 00:34:47,960
Thanks for coming by.

625
00:34:47,960 --> 00:34:48,960
Thank you.

626
00:34:48,960 --> 00:34:49,960
We love to talk about our theater.

627
00:34:49,960 --> 00:34:50,960
That's for sure.

628
00:34:50,960 --> 00:34:51,960
Yeah, we do.

629
00:34:51,960 --> 00:34:53,640
I'm starting to really love this theater and I am definitely going to be coming back.

630
00:34:53,640 --> 00:34:55,400
Well, we need to get you on the stage then.

631
00:34:55,400 --> 00:34:56,400
Yes, that's not going to happen.

632
00:34:56,400 --> 00:34:57,400
This is it.

633
00:34:57,400 --> 00:34:58,400
I've been on twice.

634
00:34:58,400 --> 00:35:03,440
And yeah, my acting abilities are zero.

635
00:35:03,440 --> 00:35:07,840
So anyway, my name is Tracy Martens and I want to thank you for joining me for another

636
00:35:07,840 --> 00:35:12,320
episode of YQG In Bloom here at the KordaZone Theater.

637
00:35:12,320 --> 00:35:28,760
You all have a wonderful day.

