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This is MJ. I'm an author, I'm an artist, I'm an analyzer. You can find all my work at MJMunoz.com.

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This is Story Over Everything, Episode 21, and...

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Wow, I almost tripped. I'm doing a walk and talk.

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I've decided to, and I'm kind of vamping while I pull up my script for this episode, but also not vamping because this is pertinent information.

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I've decided I need to be writing more because I am not writing nearly enough and it's very disappointing.

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And I have somewhat legitimate reasons for not doing it, but I'm also letting those reasons become excuses.

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And that's not good enough. I want to come up with a period of everyday...

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It's modest and it sounds stupid, but it's what I know I can do.

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Commit 10 minutes every day to writing. That way I'm writing at least an hour a week.

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And after that, I don't know what I'm going to do.

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But I also was looking at my format for Story Over Everything, and I've got these topical episodes, the workshop episodes where I educate myself on something concerning writing, and I try to share that with you as well.

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And then the story machine episodes where I tell you my progress, but I also go over a writing prompt that I came up with to be more writerly or whatever.

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And then skimming leaves where I do a casual book review, book chat, book discussion.

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And I think skimming leaves is good. Story machine is okay.

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The other two don't really make sense because while I'm putting energy and time into coming up with topics or researching and learning something for writing craft, I could be writing instead.

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And I don't know, probably I spend a half hour to an hour total finding something to talk about, talking about it, editing it, getting it posted and all that stuff.

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And that doesn't really make sense because I'm supposed to be writing. I'm an author, artist, and analyzer.

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And how can I be? I'm doing plenty of analyzing, but I'm not doing enough authoring and definitely not enough artwork.

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So I want to start drawing. I'm thinking about, I'm playing with the idea of let me draw 10 minutes a day. Let me write 10 minutes a day.

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Dedicate that 20 minute block to that creative outlet and toward to making progress on the projects I'm doing so that I can keep advancing and keep, well, keep advancing.

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That's what I have to do. If I don't, then I'm giving up and I'm failing myself and I don't want to do that.

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So anyway, I think I'm just going to pretty much do a walk and talk when, you know, when weather permits and I'm going to work on the book.

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And you can just pretend it's like a live stream, whatever book I'm working on. It's going to be a work in progress. Oh yeah, that's right. So I made this note.

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So this episode is going to be a grow bug tails whip or work in progress 602. So for Friday, 602 was that June 2nd.

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This is the episode I'm going to publish. I have a whole like, I'm very grateful for the advances that I've made with myself as far as the podcasting things concerned.

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And now that I'm using RSS.com, which if you want to pay me for that RSS.com, I will gladly take your money because I really do like your service.

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What I've, you know, what I've been able to do with it. And like you can make transcripts super easy and there's a bunch of great stuff you can do, but it's helping me.

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I think it's helping me like become better at doing the talking and doing the podcast making and distributing and all that stuff.

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And there's some things I need to fine tune on that, but that's been distracting me. Unfortunately, from doing the work of actually my creative writing, and I've instead been working on analyzing stuff.

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And I think I'm getting better at that. I think I'm doing a much better job with that. And I'm letting go of certain things.

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I'm trying to follow the 80-20 rule or the Pareto rule. I think they call that where you figure out what 20% of the thing you do gives you the 80% payoff for doing that work.

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And I think I'm finding what my niche is as far as the analysis stuff. And now I just need to get back to writing and not let that become something that is a second priority for me.

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It needs to be after my family and everything else. It needs to be my first priority because this is what I want. I want to be an author. I want to be this creative person.

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I want to make a career of it. And again, I can't do that if I'm not doing the work.

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So yeah, without further ado, I'm going to go ahead and pull open my Grow Bug Tales document. I'm currently in the midst of writing chapter six.

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I don't know where I am so I'm going to be reading to you some of my manuscript. And like I said, I'm just going to be super open.

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And I also need to take a little bit of time to do the recording for all five Grow Bug books and get that up on the website.

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I have Ava and the Grow Bug up there which is book two. It was actually the first book I wrote in this series. And it's almost my personal favorite.

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I just have a lot of affection for it. So that's the first one I wrote. The audiobook and the finished text as far as I'm concerned right now is up there.

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And you know, it could change. It's not 100% final because it hasn't been published yet.

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But anyway, I'm going to get the other Grow Bug books up there. Hopefully one a week starting next week.

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And you know, so in a month all five Grow Bug books will be up there.

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But then this Grow Bug Tales book that I'm going to read part of it to you and work on part of it right now is a book that encapsulates all those.

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And it combines all of them and it tells the other side of the story from those books as well as a larger tale, a larger narrative with these Grow Bugs that are...

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Well, you'll learn about them. They're these guardian angel insects basically that come to Earth and are raised in their own little Grow Bug society.

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And they get sent out to save children from night terrors called hobnots or night hobs.

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And no, no, hobnots. That's what they're called. Hobnots.

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And I was playing with different names. So there we go.

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So they protect and save children from these hobnots.

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And they have their own little world that the kids don't know about because the kids just get exposed to them for a brief amount of time.

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They're rescued and then everybody moves on with their lives.

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So like I said, I'm in the midst of chapter six. I'm doing a rewrite and...

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Oops, I lost my place.

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And now I'm going to basically...

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So another great thing about RSS.com is they have this great transcription feature.

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And I'm going to speak the words here and then I'm going to have them transcribed and copy them into my document.

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And that's what we're going to do.

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And it makes a lot of sense to me to go ahead and do that.

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So I'm being super transparent with my process. It's something I want to do from now on to help me with my content making.

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To help me concentrate on making the things I actually want to produce as part of my content making strategy.

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So anyway, I'm just going to read a little bit and catch up.

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So... Okay, this is like the climax of Harmony story.

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I was panicked as Harmony fell. I had never fallen like that since I have these great wings.

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After a few moments, I called to Harmony in her mind and hold her.

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She had to fly or had to think of flying and she did.

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I flew as fast as I could at Stranger King and he called... or and she called out,

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Harmonia kick! And with a crash, she knocked him, the scepter and the crown to the hard stone.

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Both instruments of power shattered, sparks streaming from them.

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It's a very tokusatsu-y thing to have happen.

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How could you beat me? He's strained to ask.

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I may be a child, but we're always changing and growing. You never know when we'll surprise you.

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So that's this grow bug, Wisp, telling the story from her perspective that happens in Harmony and the grow bug.

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And I'll continue from there. It says, Harmony and I...

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Oh, gee, I need to edit that.

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Okay, so I'm doing a little bit of editing and letting the audio transcript thing take care of it for me.

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So, edit point.

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Harmony and I chatted while she rode down the street on her bike.

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So there will be no more crazy dreams like that, Wisp, Harmony asked.

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At least not anytime soon around here. And I'll have to be off too, kid.

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Well, that's too bad. But you'll come back if there's more trouble, right?

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I'm sure you can handle most anything coming your way.

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But if anything too wild happens, you know what to do.

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I'll know, Harmony said.

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Wisp the grow bug shot up into the sky and Harmony rode on.

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So, I need to change that last line.

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I need to do another edit right there. It shouldn't be Wisp the grow bug shot up into the sky and Harmony rode on.

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It should be something along the lines of.

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So, I'm thinking this.

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So Harmony, you know, the last line is, I'll know, Harmony said.

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Harmony rode on and I flew off ready for some rest and hoping I wouldn't see her anytime soon.

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Then I have at the end of this chapter an opportunity for the grow bug cadets to ask questions or give input on the story.

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And I framed this story with Wisp, rather, the grow bug, butterfly grow bug saying that she was presenting to the grow bug cadets a different type of story.

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Where really all she had to do was kind of help the human kid, Harmony, who she was assisting.

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All she had to do for her was not save her from, you know, terrible monsters necessarily.

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But just help her open her eyes so that she could, you know, to an extent, save herself or adjust what she's doing.

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Because what she was doing was what was causing the harm and causing, you know, disharmony.

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And Wisp was trying to help her through that situation.

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And really in that book Harmony does see the error of her ways and she tries to make the correction.

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And at that point, that's when Wisp was able to get in with her.

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So, you know, do I follow up on that point that Wisp...

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I'm not sure. And if I do, how do I do it? I don't really know at this point.

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So, again, I have Wisp wondering what to do.

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No, no, no. I'm wondering what Wisp will do and what she'll say to the cadets and if they'll follow up.

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So let me... I'm actually going to jump back to earlier in the document and see what I had written down.

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So, let's see.

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Okay. Good evening, cadets. Let's welcome Guardian Wisp.

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Thank you, Glimmer. A pink butterfly flutters her wings by way of greeting and addresses the circle.

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Fluttered and addresses and addressed. Should we...

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Okay, now I'm editing. That's not good. I'm getting distracted by editing.

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And addressed the circle.

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Those were some great stories, cadets.

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Chuiang and Ya were friends, forced to fight. They've almost lost their parents because she was so afraid.

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Sometimes humans need someone to help them see through the darkness.

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That's what happened with my fellow guardians here. My story is a little different.

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So, it isn't really that Wisp helped Harmony to see through the darkness.

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Harmony got to the point where she was able to see through the darkness by what she was experiencing.

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And then Wisp helped her to have the power to face that darkness.

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Because she had the courage and the moxie, certainly. The girls got chutzpah.

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And then she just needed like, you know, a weapon or a tool to use.

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So, how do I go with that? Because the point of Harmony's story is empathy.

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But that doesn't mean that's the point of Wisp's story with Harmony.

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It can be something totally different. It does not have to be the same at all.

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Which is saying the same thing twice.

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Let me see.

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So, basically, I have Wisp here acting as a crutch or a tool, an asset for Harmony to utilize in order to get out of this jam that she's in.

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So, how do I convey that? Do I tell that? You don't want to tell. You want to show, right?

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Did I show that in the story? Did I show that in the story?

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And is that what the girlbug cadets are going to take away from it? Or are they going to ask her about it?

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Because they can make comments or they can ask questions.

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So, if they ask a question along the lines of transcription note.

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So, Harmony didn't need you after all.

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One of the girlbug cadets spoke up.

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Wisp batted her wings once and said,

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Harmony did need my help.

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But not in the way you might expect.

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Can anyone see what she needed from me and how I helped her through the situation?

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By the way, I should use dictation as my keyword so I can jump in and know when I'm starting a dictation or ending a dictation

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so that I can use control F to find that in the document and more quickly parse out my text that is useful to me.

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She didn't need you to show her that she was wrong.

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Did she just need you to free her from her prison?

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Another girlbug guest.

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Did she need you to help her fly? A cadet asked.

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Those are interesting ideas, Wisp answered.

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She could see her situation clearly and she knew what needed to be done to fix things.

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But she just needed a little boost, a little help doing it.

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And that's what I was there for.

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Everything happens for a reason, though sometimes it's hard to know why.

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A cadet spoke up with doubt in its voice.

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I don't know if it's a boy or a girl. I'll have to figure out which cadet it is.

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So are you saying that hobnots are actually good?

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I'm not sure.

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What I'm saying cadets is that everything that happens, happens for you, not to you.

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I'm not sure if it's a boy or a girl.

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That is not an easy answer, but it doesn't mean it isn't a good one.

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If no one else has anything to say, I think that means that my part is done.

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I'm not sure if it's a boy or a girl.

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Wisp bent her antennae in a bow and removed herself from the center of the circle.

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Dictation over.

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I'm going to stop there for now. I need to wrap up this recording and I have other things I need to attend to.

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I really enjoy thinking out loud. It definitely benefits me.

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Especially a walk and talk is especially beneficial for me.

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I think this is something I want to keep doing.

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I don't know about editing the pauses or the quiet spots of silence out of this.

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You might just have to listen to it at 2x speed or something like that.

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That might be the best way to go forward for you and for me.

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I am glad I challenged myself to do this.

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I think this is a good next step in me becoming more productive.

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I definitely wouldn't have done this riding otherwise.

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Definitely not at this time. I discovered that I can use dictation start, stop, or just dictation to create those spots in the document for myself.

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Where I can pick up and more easily process the data.

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The reason I am choosing to be so quiet in those quiet spots is because if I don't say anything, then hopefully the transcription won't have any words there.

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Won't have any useless or empty words there.

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I can just continue making my comments.

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When I have gathered my thoughts and I am ready to speak, I will be able to say what I have to say.

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The transcript won't know any different. It won't care that there is a gap.

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Visually there might be a gap, but that won't matter to me because I will just know to go to the next word.

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I think that makes a lot of sense.

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Maybe I need to come up with some other audio tags like dictation start, stop, comment.

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I will have to think about that a little bit longer.

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I guess I could take a lesson from myself and just be quiet and think about that for a few seconds.

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Then once I have my thoughts gathered, I can figure out or I can speak up and say what I want to say.

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I will think about it later. I want to wrap this up.

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I will comment some more about something and then I will go ahead and wrap up the episode.

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I like this new approach. I am going to have to play around with it.

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Maybe I will do multiple walk and talk things throughout the week.

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Maybe I can make that my 10 minutes a day walking and talking.

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Maybe I will develop my, I mean I think I will, develop my dictation muscle and I will be able to dictate more effectively in less time.

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Or rather, if I give myself only 10 minutes for dictation, I would think the word count and the content I could get out in each 10 minute period should increase to a reasonable extent or over a reasonable range over time.

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Let's say I do this for 2 or 3 weeks. I would think my 15th dictation session should be much better than this first one here where I had so many pauses.

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So, I think that's what I am going to do and I will consider that more later for now.

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I am going to go ahead and wrap up and I encourage you to stick around as I continue to document my journey as an author, artist, analyzer.

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Mostly on the author part here because that's very important. I need to do that more frequently.

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As I said earlier, I won't belabor it any more than I already have.

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And that you will stick with me as I am going through trying to figure out exactly how to do this and figuring out my style.

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And I am going to share my best practices with you as I develop them.

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So, until next time folks, take care. This is MJ signing out.

