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This is MJ. I'm an author, I'm an artist, I'm an analyzer. Find all my work at MJMunoz.com.

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This is Story Over Everything, episode 11. The topic of discussion for this episode is,

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are longer books better and shorter books worse, or less than, or inferior in some way?

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And, yeah, I'm just going to launch right into it. First of all, I guess I'm going to

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stop myself from launching right into it and ask, what is your opinion? What are your thoughts?

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Tell me some of your favorite long books, short books. If you like only short books,

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tell me about that. Why? I'd like to know. If you like only long books, epic fantasy,

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that kind of thing, tell me what they are, tell me why. And if you enjoy both, let me

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know about that. Does it depend on your mood? Does it depend on the vibe that you're going

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for? Does it depend on genre? Do you like certain genres to be long and certain genres

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to be short books? I don't know. So, I will go ahead and let you know that I like some

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long books and some short books. The longest book I ever listened to was actually a novel,

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like a fan fiction novel adaptation of The Legend of Zelda, Ocarina of Time, which you

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can find in Dragonrand something something, some number. Dragonrand, Ocarina of Time novelization.

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I think, I think, because they don't have it totaled up in a single file, I estimated

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that it's about 60 hours. That's different people reading the book at different paces.

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I'm not saying there wasn't a lot of consistency, but there's a, you know, there's a difference.

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But it was a very long book, a very long story. I think I took a couple of weeks to listen

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to it and I enjoyed it. And it was good, but there were parts where I thought, well, was

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this really necessary? Do I really like this chapter? Why is this going on so long? That

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sort of thing. And honestly, getting back into, you know, real fiction. No, it was a

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good book. It was a good book. I liked a lot of it. There were some things that were interesting

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or weird or that I didn't like, but I think that happens in every single book I've ever

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read. There have been things that I don't like. So anyway, realistically, the issue

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with long books is sometimes they just, they're too much. For example, I do love The Hobbit

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and The Lord of the Rings. And I'm saying that like, it's a new thing to me because

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I only started reading them or listening to the audiobooks of them a couple of years ago.

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And I think I've gone through each of them three times now over the last couple of years.

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And probably like once a year, basically, is what I've done over the last three years.

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And that's a lot of fun. And yes, I'm sort of doing that because Christopher Lee would

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do it. And I thought, that's kind of a cool habit to get into. I don't know that it's

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something I'll do every single year for the rest of my life or anything like that. Maybe

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I'll switch it up a little bit, but you know, they're good books and I had a lot to learn

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from them. I kind of wanted to dig into Tolkien because, well, first of all, I had no idea

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when he wrote, when he lived, I had no idea when he wrote. There's a meme going around.

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My kid showed me that apparently he died in 1971. There's one ring to rule them all, nine

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for the kings of men, seven for the dwarves and three for the elves. Or I guess it was

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1973 is when he died. And that kind of, you know, all combines together. And it's really

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an interesting little fact to it. But anyway, so he died in 1971. I think he lived near

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his sixties or seventies. So that would have put him born at around, you know, 1900. Could

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have been older, could have been younger, but you know, 1900 at the earliest based on

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that estimation of mine. So, you know, he, like I said, I didn't know when he lived,

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therefore I didn't know about when he wrote his books. I thought they were older because

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Lord of the Rings and The Hobbit seemed to dominate the zeitgeist of fantasy. Like most

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fantasy today, I think is derivative of Lord of the Rings. And I was curious as to things

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like, well, why did Tolkien put seven dwarf lords? Cause I know of the seven dwarves from,

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you know, the seven dwarves that were associated with Snow White. And I've since, you know,

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being exposed to that as a child, I've gone back and I've looked at the Grim Fairy Tale

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versions of Snow White. And I do say versions on purpose because there's more than one.

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There's Snow White and then there's Snow White and Rose Red, which is her sister. And in

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one there's a dwarf who's a jerk and they only encounter him over and over again in

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different places. That's Snow White and Rose Red. And then the other Snow White, which

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I don't, which is not called Snow White and the Seven Dwarves, it's called something else.

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I can't remember why. I think it might just be Snow White or like the Little Maiden Snow

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White or something like that. She does encounter dwarves, but I don't think there are seven

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of them. And it just seemed like it was something classical. And I thought, well, where did

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seven dwarves come from? Because it's featured both by Tolkien and by Disney. Although I

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haven't looked at the dates, perhaps the Hobbit came out before Snow White and Disney had

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read that or somebody had on the creative team and said, hey, let's make it seven dwarves.

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Kind of like the seven dwarves in the Hobbit. Or sorry, the Lord of the Rings, not the Hobbit.

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There are 14 dwarves in the Hobbit, or I guess it's 13. They have an unlucky number and they

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want to fill it out, round it out with Bilbo. So anyway, I looked into that and it's a long

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walk. I listened to all of the Lord of the Rings before I went into the Hobbit and parts

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of Lord of the Rings drag on. Parts of it are bleak. Some chapters are an hour long

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or more, perhaps an hour and 15 minutes. That seems to be too long for me. I don't know

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if chapter length is genre dependent. I've looked up different things and anywhere from

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like a 2500 to a 4000 or somewhere between 2500 words and 5000 words seems to be the

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modern conception of a reasonable chapter length today. I believe a 2500 word chapter

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can be read in about 10 minutes. I personally think 10 minute chapters are the sweet spot,

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but we're actually talking about overall book length. So I won't get into that now, except

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for to say there's no way, well, Tolkien would have had to have hundreds of chapters maybe

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or at least, you know, high dozens or, you know, a hundred per book in order to have

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his books be the length they were if that's how they were broken down. And I personally,

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again, I'm talking about chapters. I don't want to do that. I personally felt like too

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much or too much of Lord of the Rings dragged on in too many ways. And it was funny in high

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school, I actually read Paralandra, I believe, by Lewis. And I thought, man, this guy sure

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takes a long time describing things. And then when I went into Lord of the Rings as an adult,

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I, you know, like a decade and a half later, I loved it. And I loved the depth and I loved

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the, the detail, the level of detail and the level of myth and lore that were in each page

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and the world building and stuff. But honestly, you know, listening, having listened to them

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multiple times now, the Hobbit and the Lord of the Rings, I don't think there's a lot

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of time wasted on over-exhaustive detail. There are plenty of asides, but that's different

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from, you know, going on describing a sunset for five minutes or, you know, a hundred,

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you know, 500 words or something like that. Maybe a hundred words would be appropriate

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to describe a sunset. I don't know. It depends on, on the, how large the scope is and what

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it does for the character who's observing it and such. But I think, you know, a third-person

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perspective omniscient narrator describing a sunset, a hundred words. I think that's

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unnecessary. I'm just going to say that right now. Yeah, I think it's unnecessary, especially

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if it's disconnected from a character, because if it's not connected to a character, I don't

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know that I want to spend any more time on it than I actually have to. The sun was setting,

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boom, you're done. It was a bleak sunset. Okay, that's fine. The bleak sunset filled

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those who looked upon it with a feeling of dread and foreboding as, you know, Carrie

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and Val across the horizon telling them of approaching hordes of marauders and warriors

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who would soon bring death to them and their kin because they had no warriors among them.

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I didn't, what was that? 80 words maybe? Like you could do that. That sets the tone. It

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makes it foreboding. It, you know, does context in the world. That was extemporaneous by the

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way. Not that it was like some great thing, but just to let you know. So yeah, I don't,

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I don't want to have my time wasted. I will only live for so long. Then why are you listening

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to the same books over and over again? Because they're really good and they make me happy.

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And it's good to go through those things again and again. Why are you eating food again today?

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Why are you sleeping again tonight? Because you have to, right? I mean, it's what you

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do to survive. And sometimes reading is what we do to survive. But anyway, you know, Tolkien's

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books, even The Hobbit, I think is a fairly long book. I don't know. I think The Lord

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of the Rings all clock in at around 20 hours, but it could be more on the audio book version.

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In fact, hold on. If I take a moment, I can probably find out very, very easily. But I,

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to go to the other side real quick, to switch over to Lewis, his cosmic trilogy, I believe

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the first book is five hours long. That would be out of the silent planet. I'm going to

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say five to seven hours long. And then it goes on to get longer and longer. And by the

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time we reach that hideous strength, I believe that hideous strength is a 14 hour long book.

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So I'm just trying to look through real quick and find my files. So I've got The Fellowship

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of the Ring, 19 hours, seven minutes. And that's if you listen to it at one speed. Okay.

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What am I going to find next? I don't know. Oh, The Hobbit is 11 hours to five minutes.

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I think an 11, I think a 10 to 13 hour book is very respectable and I can definitely handle

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that. Moving on to the next book on our journey. Man, I've dressed Parker, but it doesn't tell

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me how long it is, which is a little irritating because I like that book. That's a good book.

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Same with The Lost World. Okay. Hold on. Hold on. Let me see. So as, okay, Paralanger, oh

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golly, Paralanger does not say how long it is. I guess I haven't listened to it long

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enough that it doesn't say, but I'm just going to jump back. I believe it's like five hours,

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nine hours, and then 14 hours is the progression of Lewis's Cosmic Trilogy, which even if you

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put five, nine and 14 together, that's 23, 28, that's still only a little bit longer.

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Those three books together are only a little bit longer than The Lord of the Rings or,

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you know, one of The Lord of the Ring, you know, one and a quarter of The Lord of the

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Rings books and there's three of them. So those are really long books and I don't know

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that I necessarily like the long books. Like I said, I enjoy Lord of the Rings. I enjoy

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The Hobbit more. Is that because it's more concise? I'm not sure. The Lay of Luthien

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and the Cimarillian is a really satisfying story. The shorter stories, maybe because

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they're disconnected, they're just okay. I like some of them. I like the one where the

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guy has like an Oedipus thing where I think he ends up marrying his sister and they both

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like die. That was, that was pretty gnarly. Just the tragedy of it was like, I don't know,

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shocking and impressive and something I did not expect. But like The Lay of Luthien, which

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I don't remember off the top of my head how long it is, it might be an hour to three hours

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long. It's really good and it's really entertaining and it didn't need to be a full length novel

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to be entertaining and good. The length of the prose does not dictate, it's not directly

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proportional with the quality of the prose. In no way, by no means is that true. I've

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mentioned previously Greg Taylor's Red Panda books and I think I've mentioned recently

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here on Story Over Everything that I'm also listening to the Shadow novels. I'm two Shadow

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novels in and I'm working on a third and all of those have been about five hours long and

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I gotta say, I thoroughly enjoy those and I believe Greg Taylor's Red Panda novels are

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about five hours long as well. Pyramid of Peril may be longer, like seven or something like that,

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but I don't recall at this moment. But again, these pulp stories have a lot of adventure

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in them and a lot of excitement and a lot of interesting things happening and I really

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think, and again, that's pulp versus science fiction, I'm sorry, versus fantasy, epic or

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otherwise and that's one reason for the dissimilarity in length. But I thoroughly enjoyed those books

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and it feels like there's just enough and I would say Walter B. Gibson's Shadow novels

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are very well written. Well, as an aside, there's also the Oz books which I feel, L.

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Frank Baum's 14 Rivers of Oz books, they're all about five hours long. They feel, honestly

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to me, as if they are in some part an inspiration for some of what Tolkien did, maybe even some

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of what Lewis did. They both contain, well, so they're talking animals, there's adventure,

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there's like mostly nonviolent heroes, there are wars and struggles and kingdoms and royalty

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and things like that which are just kind of generic fantasy tropes, I guess you would

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say, or subject matter for them to touch on and which by the way, I like all of the Chronicles

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of Narnia as well. I almost prefer listening to Seven Chronicles of Narnia books, the whole

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set over one Lord of the Rings book because each one is short enough that you can go through

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them fairly quickly but they're long enough to hold my attention and to give me an adventure

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and would I have liked things expounded upon in certain areas? Yes, but they also just

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move along at a good pace and then you get a story and you get more and more and more

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and more because there's a whole series of them and you get to experience a different

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vibe, a different emphasis, a different theme or subject matter that's being addressed in

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each book and they stand alone but they also work together and they build upon each other

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and I just, I kind of prefer that. I didn't know if there's like a mindset that makes

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somebody more interested in shorter run stories like the pulps or like the Lewis's, you know,

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chapter books for children or whatever but those adventure stories are very enjoyable.

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So yeah, for me it kind of depends on genre but I also wouldn't be upset had Tolkien broken

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up the Lord of the Rings into a series of shorter books and added more definitive endings

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and beginnings to some of them, to some of the separations and in fact, Lord of the Rings,

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the Fellowship of the Ring itself has I think three books in it. It's book one, book two,

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book three, right? And the rest of the books have something similar but I think they build

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on, I think if Lord of the Ring, or Fellowship is books one, two and three, I believe The

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Two Towers is books four, five and six, maybe even seven and then Return of the King has,

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I don't know, that's probably three books right there. So like why not just do that

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and then have them all linked together in series telling a more, you know, the whole

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story takes place over about a year and that's from Bilbo's party basically to the scouring

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of the Shire. Well, I mean, then it jumps farther because everybody separates and has

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their endings, which is good. But yeah, for me personally, I think I prefer the pithier

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length book, you know, 50,000 words I think is what it breaks down to, to about five hours,

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which tells me about 10,000 words is, or 10,000 words equals about one hour depending upon

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the reader, of course, and maybe descriptions versus dialogue and things like that. So that,

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to me that's the sweet spot. But I don't really see a benefit for going, you know, 90,000

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words, 100,000 words, 200,000 words. I don't really see a benefit unless there's going

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to be a lot of, a lot of good stuff. I don't know. I'd like to hear your opinions on it,

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but that's all my thoughts in it for the matter. I'm going to go ahead and, and get out of

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here. But yeah, I thank you for listening and I ask that you check out all my other

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stuff. I'm going to advise that you check out my other podcasts on other things where

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I analyze stuff and then also some of the art that I post over on MJwinners.com, but

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I'm going to toss it to myself and that guy in, you know, past me is going to tell you

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about my Grow Bug books and all the books section, or the book section and how full

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it might be of various types of books that I've written on the website, MJwinners.com.

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So with that, I ask that you give me some feedback. I'd love to hear your thoughts on

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book length, short, long, what do you like? What are your preferences? Do you like my idea

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of just having a series, like, you know, make everything a series, make everything a series

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where all the books are, you know, 50 to 80,000 words long and you can have, you know, three,

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five, seven, eight, 10, 12, whatever, and get to explore different things because you,

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you know, cap each one or you, you know, with the shorter book length, you say, I'm going

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to address this in this book, then I'm going to address this in that book and so on and

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so forth so that you have more, like, I don't know, it almost feels like you're doing more.

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Like it's more productive or it's more meaningful or more rewarding potentially for the reader

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because well, I get to handle all these different things. But then what do you do about just

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like straight up adventure, thriller, crime novels, you know, maybe those can be shorter

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too, like the, like the pulps, like the shadow and such. And if there's no message or whatever

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addressed in them, maybe it makes sense to just have them, well, this is a thrilling

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adventure that you're going to go on. There's like neat tricks and, you know, interesting

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things that are going to happen in each book. And each book will be differentiated by, oh,

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this is the one where the villain, you know, made all these bombs and did this. This is

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the one where the villain has powers very similar to the shadow and he goes after the

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shadow because he's the only one who can stop him from world domination. This is the one

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where it's a very interesting heist that's going on and the shadow is trying to stop

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it and he's pulling in all these different things. Or this one where he's, you know,

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fighting the gangs. Well, which gang? Well, it's the Chinese gangs. Okay, now it's the

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Italian gangs. Now it's this gang, whatever. And you can kind of go back and forth between

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all of them and just have like a focus for per book and then so that you don't draw it

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out and exhaust your audience by belaboring everything. You just do, all right, it's a

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quickie. It's a 50,000, you know, 50 or, you know, 40 to 60 of these with the standard

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pulp size was for like the shadow magazine and such. And then you just, you just do that.

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I don't know. I'm going to be interesting once I get writing novels, novellas and novels

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to see how easy it is for me to put out. I'm going to target like 60,000 words and see

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how close I get to that and see how long it takes for me to get there. And if I can do

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that at like a regular pace, cause I think that feels like the best thing for me, but

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I'm also planning on writing dozens and dozens and dozens of books. So anyway, I'd like all

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your feedback on book length and on whether or not a book is better because it's longer

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or shorter. I would love all that perspective. Anyway, that's it. I'm getting out of here.

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If you enjoyed me talking about the writing process, then hopefully you'll enjoy reading

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or listening to my writing instead. So go over to MJMunoz.com or MJMunoz.com slash books

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and check out what I have there. My plan is to keep that updated all the time with the

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latest and greatest of my writing, whether that be books, audio books, uh, you should

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be able to buy direct from me there. And uh, yes. So please go ahead over there to MJMnews

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or MJMunoz.com slash books and check out all the good stuff I have to offer there.

