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This is MJ. I'm an author. I'm an artist. I'm an analyzer. Find out my work at MJMunoz.com. Welcome to Story Over Everything, Episode 10.

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This is for March 17th, 2023, and my question, my topic, my thing I want to discuss is, how do you name characters?

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For the Grow Bug books right now, I am...

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Well, I was stuck. I'm in an okay place. Well, let me start over. For the Grow Bug books,

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I have a bunch of characters to name. They are Grow Bugs. They are angelic,

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guardian angel type insects that are magical in their nature, and

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they're basically being angels on a mission from God. And

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that means

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that because I like accuracy, and I like looking into the roots of things,

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angels have the names of...

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part of the name of God, the L part on most of their names, like Michael. It's not Michael. It's Michael.

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Gabriel. It's not Gabriel. It's Gabriel.

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Different names like that.

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Raphael, another angel. It's Raphael.

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So it's... I don't know what the... like the L in Hebrew means... has something to do with power.

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Kings or lords or judges are called Elohim.

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But the L part is in the beginning there.

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I don't know what the Elohim part means necessarily, because I'm a lay biblical scholar,

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so I don't really know as much as I could, but just giving you a little bit there.

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L is a common

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common used word for God. I believe... I would call, I guess, Arab or Arabic a Semitic language,

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and

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they call their god Allah as opposed to Elohim. Elohim, Allah. You can hear the similarities in there.

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The L and the H and the A at the beginning. Anyway, so

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they're commonly related things. So what I did was I didn't necessarily want to use like a

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full name of God, so I went into

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etymology, and I looked through the Bible, and I found that there's a weird coincidence

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where there's a city called Luz, which is called the house of God by one of the patriarchs, Jacob, and

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Luz means light, and Luz or Lu-x-L-u-z

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means light in like a couple different languages, Latin, Spanish,

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supposedly from what I've read, again, I'm a lay

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biblical scholar. It looks as if the Hebrew even for Luz means something very much like light, even though the Hebrew words

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for light or spark or flame or things like that are or and ash and

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nair, that's like a flame or candle.

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So they don't sound like Luz, but somehow Luz also in Hebrew according to multiple sources

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I looked at seems to suggest a meaning of light as well, and I thought well if you're coming from a

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theological perspective, isn't God light anyway? Doesn't God light up the darkness? And you have to understand

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my fellow writers who might be listening to this or anybody who else is,

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you know, I'm writing what I know. I'm writing from my perspective. My characters exist in a world

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where there's a godly figure, a divine figure who orchestrates and

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executes things if you will, which is how I believe our world runs, so I'm putting that worldview of mine into my fiction. So

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all this background that I jumped immediately into, I hope it's not disoriented,

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I hope it's exciting instead, but it's all to basically get to the point, the

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meat, the question of this, which is how do you name your characters?

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Well, I'm telling you how I name my characters, but I'm curious how y'all do it too because

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I'm not done yet. I still have more characters to name and I think I'll go ahead and name them in the interim before I get any feedback,

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but I still think it's a, you know, it's a relevant topic as a writer, so I thought I would go ahead and talk about it. So

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getting back to it, let me know in a little bit how you

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name your characters and I will ask the question one more time after I continue telling you how I name my characters.

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So, I think about the context, I think about the culture, I think about the history.

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Based on that, the fact that these are guardian angel insects, I thought I want them all to have something like L in their names,

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which I wonder if angel

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has anything to do with that, but I don't think it does just because it's a totally different language and

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angel in Hebrew is malach actually, so the word malach becomes angel in English, which there's no common

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sounds in there really and there's no root.

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Malach means messenger, but it also means angel. I think it can also mean like minister or prince.

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There's different,

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there's different contexts. Well, Hebrew is a very high context dependent language, so depending on what you're saying,

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in what context, it can mean many different things even though it's one word or one word can have several meanings.

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I'm sure there are some words that have a singular meaning, but then there are others that have multiple meanings. Anyway,

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moving on from there. So I definitely want that, that I'm going to go ahead and say that

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so I definitely want that that fragment in the name that carries the name of the divine or a name or a reference to the

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divine in my character's names. Now, these are magic angel, guardian angel insects like I said, but

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I'm also

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taking inspiration from tokusatsu. Tokusatsu, if you don't know, it's Japanese. It's a Japanese word. It means special effects. It refers

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most specifically to live-action Japanese

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film and TV,

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products, whatever, that feature special effects. What kinds of special effects you may ask?

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Supposedly, it's any kinds. What is the most typical case for the special effects that I'm talking about?

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Men in rubber suits,

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wrecking miniature sets of cities or countrysides. Yes, I'm talking about Godzilla. Yes, I'm talking about Ultraman.

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Monsters

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of gigantic size being fought by robots with

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the people inside of them piloting them in a combination robot at Super Sentai or Power Rangers as most people

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know it or a common version of it. And you know, they get into these combination robots and they combine together into a

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giant mecha that fights monsters. Then there's things like Kamen Rider and I think I already said Ultraman. And there's lots of other

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tokusatsu sci-fi products. Those are the kinds of things I'm into. I enjoy those a lot along with studying the bible and you know other

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other things. So I've got a weird wide range of eclectic interests.

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So

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I'm bringing that all to the table. Also, I believe that anime has tokusatsu elements in it a lot of the time.

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I believe specifically Digimon is full of Ultraman and Godzilla and other tokusatsu references even to the point where

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in one later in the fourth season of Digimon, the children who are in the digital world actually

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become Digimon. They transform into them like a Power Ranger, like a Kamen Rider would. Maybe even like an Ultraman would you could say.

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Or you know Power Rangers or Super Sentai. So you know that's part of my context. So you know why is that relevant?

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Well, each of my first five Grow Bug books that I've written the drafts for and that I'm working on getting finished.

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Or you know, I'm working on refining them doing the drafts, you know second, third drafts, etc. And getting them all to be a cohesive unit.

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They're all inspired by different tokusatsu. I mentioned them all already.

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Godzilla, Ultraman, Super Sentai Kamen Rider or Kamen Rider then Super Sentai then Digimon.

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And I already told you why I consider that to be tokusatsu. So

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they're all inspired by those things. So I thought well, I'll give each of the

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Grow Bug characters in these books a name that is rooted in and based on the specific tokusatsu

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property that is being referenced or homaged in that particular book.

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So my first book I have Godzilla, which in the Japanese it's called Gojira or Gojira.

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And I just changed the emphasis on that. That's all I did. I'm pedantic like that sometimes.

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But anyway, I thought well, can I take you know, can I can I do can I take this

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can I take this suffix lose L-U-Z and combine it with Gojira somehow in order to make the angels name.

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Gojira lose. No, no, no, that's not what I want. Go lose. Maybe.

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Jiluz. Maybe.

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Ra lose. Possibly. Gojira lose. Ra lose. Something like that because that's breaking down Gojira

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into three different syllables and making a name out of it.

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And some of the angel names in the Bible are long. Michael. That's three syllables.

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Rafael is three syllables again. Gabriel. A lot of them are you think are that way.

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There's one. I don't know all the other angels, but you know, those are some of them and those

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are their names. They're all three syllables. So if I could do, you know, goji lose that would

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fit within the paradigm of what I'm doing. I'm I'm identifying a structure that I want to mimic

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or emulate in this instance specifically for naming these types of these particular characters.

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And I'm breaking it down and saying, well, you know, all of them mean different things.

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Rafael is the angel of healing. Rafa is healing and El means of God or whatever. That's how it's

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typically translated. Michael means who is like God. That is typically the angel known as the

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angel of the Lord. And it's supposed to be like this most powerful angel who represents God.

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So you would say this is the angel who is like God, not who is like God, the question, but this

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is the angel who is in fact like God because they speak in the space or name or in the presence of

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God instead as like an intermediary. And then Gavriel means I believe it means strength of God

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or like it has something to do with strength because Gavur is the strength of severity.

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And that's an angel of judgment. So like when Sodom and Gomorrah were destroyed, I believe the

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text says that there the angel went and destroyed it. That would have that's identified in rabbinic

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literature as Gavriel or Gabriel the angel. So because he is severe, he is the one who brings

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down punishment. Whereas before the destruction of Sodom and Gomorrah actually Rafael was there

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because there were three angels, I believe it says specifically that visited Abraham after his

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circumcision. And that was Rafael was one of them who actually helped to heal or speed along the

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healing of Abraham's circumcision, which was a surgery which you would need to be healed from.

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So anyway, that's I'm taking that kind of concept of how it's broken down in the actual naming of

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angels according to the Jewish texts. And I'm putting that together with this concept. Okay,

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I got a tokusatsu and I've got this, you know, suffix that means basically of the divine,

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and I'm combining them together. So my first one, I've got two characters in the book who have names

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like this because they're grow bugs, there's a spider, and there's a praying mantis. And one of

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them needs to have one name and one needs to have another. So I think I'm going to go with gilus and

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Ralu's. And those sounds strange, but it's supposed to sound strange because these aren't normal

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characters. It's not an everyday thing. It's, you know, fantastical and wonderful. And I'm hoping

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that those names convey that. And that's part of the rationale behind, you know, how I'm aiming

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these characters. But I have more to say on the matter. I just need to pivot real quick and

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think about what exactly I'm going to say. So I'll be back in a moment.

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So in this instance, I am using kind of cultural and etymological and like a structural template

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that's been set up for me that I'm copying. So that works for this because it's kind of fantasy

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stories, you know, they're magical bugs, right? So it's kind of a fantasy story or set of stories.

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And it's a whole fantasy world that exists. And there is actually, well, I won't say that, but

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so I suppose how you name your characters should be dependent upon your context. If you're writing

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sweet romance versus if you're writing hard science fiction versus if you're writing,

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you know, fantasy or drama or literary fiction or whatever, you may have to change your approach.

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You may have to change rules. And I, I jotted down some things, which will be in the show notes.

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And I asked a couple of questions, you know, you know, do you just pick names that you like for your

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characters? Do you pick names that are related to the theme of the story? Do you pick names that

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are related to the title? If you pick something related to the title or the theme, is that just

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your main character or is that everybody? Or is it one of those books with an eponymous title?

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And then you have weird, well, I guess it's a whole different genre, but

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Popes, you have a kind of, they are, and they aren't eponymous. So like the shadow books, I looked at a bunch of them.

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They're not all called the shadow colon such and such. It's the living shadow is the first book.

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There's the eyes of the shadow. There's the black master. The golden master, I think is one.

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Lots of different titles. Lots of different titles. And I don't know, like as far as like trade dress

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is concerned or whatever, they all had an image of the shadow on them or the shadow menacing somebody

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on them. So that's how that worked. And that's more specifically talking about like series and

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things like that. But those were also, you know, much older books. Those were published in the shadow

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magazine. I think every month there would be a new novel. So, you know, 50,000 word, approximately

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40 to 60,000 words, I think is the length that they usually went with on those. But anyway,

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you have that kind of idea or, you know, I'm a Star Wars fan, so I'll read, you know, Star Wars colon,

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you know, Kenobi colon, whatever, or, you know, just Star Wars Kenobi. So you have it, you know,

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it's the name of the series plus the name of a character. You can do that. So eponymous titles

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definitely work. I don't feel like eponymous titles work for every genre, but there's probably,

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I don't know, I'm trying to think of books now. I'm trying to think of books in other genres.

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But like the only thing that's popping into my head at the moment is like, you know, The Notebook

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and Sisterhood of the Traveling Pants, because I know those are books.

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You know, The Martian, what's that, by David Rear, you know, that's kind of a misleading title.

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The guy's not really a Martian, but he's a human who gets stuck on Mars, so therefore he is a,

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technically a Martian, just like, you know, you and I would be Terran living on the Earth.

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So that kind of thing. So, and like, I don't know if, I don't know if most people want their titles

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to fake out their readers, or if they want them to be very direct and very clear as to what they are.

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Again, I suppose that depends on what genre you're working in. I think because I'm working in

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children's books, you know, Grow Bug Tales, or you know, so-and-so and the Grow Bug, which is the

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titling structure for my children's picture books, it makes sense. It puts an emphasis on the kid,

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and it puts an emphasis on the fact that you are having some fantastical element,

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some fantastical element in it, which is the Grow Bug. But I have veered into talking about

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titles for books as opposed to talking about names for characters, so I will pivot back to that

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real quick, and my humblest apologies for that. If you want to come back later, I will have an

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episode where I'm talking about titling books and titling series, but we'll get into that.

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Anyway, so there are different structures, and I'd be curious to see what other people

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do or how they pick their names. You know, for fantasy, there's always the temptation to just

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make up names, or for science fiction, more like Star Wars, which is a blend of science fiction and

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fantasy, I would say. You know, they have, there's no Steve, you know, there's no Steve Skywalker,

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but originally there was Zeke Skywalker, and Zeke is definitely a name or a nickname in the United

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States. So there's that, again, you know, Obi-Wan, but then there's also Ben. So there's kind of an

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interesting mixture of, you know, standard, you know, Earthling, you know, Western American type

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names, and then they combine those with with other things. So and again, that's just depending on your

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genre, I guess, you'll have to figure out what to do with that. But personally, I like names that

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make sense. I also, oh, here's another thing I wrote down, you know, when you pick your names,

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do you want to have them all start with the letter J, for example, or do you want to have them all

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start with different letters, or do you want to have them all make sure that none of them make

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sure you don't have a, I was gonna say Courtney and Whitney, but that kind of has a bit of a flow

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to it. You could have a Courtney and Whitney, but you probably wouldn't want to have a Courtney and

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a Cordelia in your book, because then that's two people who have core is the first part of their

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name. And I would think, I would think the first part of somebody's name is more impactful, has

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weighs more in the memory than the last part of their name, or the, you know, third syllable,

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fourth syllable, fifth syllable in their name, just, especially the way we come up with names,

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especially the way we come up with nicknames. Lots of people will come, you know, a Brittany

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will become Britt, Courtney will become core, a David will become Dave, all sorts of things

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like that. So, although I've never heard of Sean called the Shaw, but I guess he's dropping one

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letter doesn't really make sense, but some people do that for their names, depending. So, you know,

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and then, you know, do you want to consider nicknames in how you're naming your characters?

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I don't know. It depends. And I think that's, that's a big question, but I more just kind of

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wanted to talk about the mechanics of it. I've shared with you my methodology for how I'm picking

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names, at least for these fantasy stories. And then actually I will tell you for my global superhero

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story that I have planned, which will be, you know, series upon series, I do plan on each title

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character having their name. Of course, they have their superhero name, then they have their civilian

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alter ego, or however you call that. And because I want them to be all around the world, I'm not

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going to have them be called, you know, Bob, you know, Bob Champagne or Bob Shun Banye and,

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you know, Steve, I can't think of any other Steve Akbar or whatever. Like I would have names rooted

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in their culture, but I think a caution with that is you don't want to be silly and call somebody

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John. You don't want to be like a Japanese writer from in Japan calling people, you know, you don't

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want to have Tom, Dick and Harry and John Smith in your book. That's, that's a little too much.

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Um, but those are real names. So it kind of depends. I would say if you're going to do

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something like that, like a cliche cliche, you know, American or white American name,

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uh, for example, you would want to have one of those in a book and maybe they're a side character

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or something. Um, and you wouldn't want to have that be every single name, uh, just so that there's

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a better flow. But, you know, for me, that's, you know, that's my preference. And I'm saying,

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I think that's going to serve your audience better because they don't have this clash of all these

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names sounding so similar, where it becomes easy to confuse the characters for one another. And

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then it makes the story more difficult to follow because you have to think about this. You're

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writing to your audience, even though I think you should write what you want to write. You should

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present what you want to write in the most palatable way for your audience so that they can,

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they don't have to work as hard to track with it, you know, whether they're reading to it or

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listening to the audio book or whatever, uh, they should be able to easily follow along.

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Cause if you're not doing that, then I think you're doing it to service to your audience.

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And ultimately you're doing it to service to yourself because you're making your books less

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accessible, less easy to read. And, uh, yeah, so then definitely, uh, I don't like, um, certain

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constructions of sci-fi or fantasy names. They're too difficult to read a lot of the times. You have

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to really guess or work hard at how you're supposed to pronounce these names. For example, when I,

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uh, started earnestly reading Star Wars books, I read the, in high school, I read the Zon Trilogy,

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Timothy Zon Trilogy, which is the heir to the empire. Uh, what is it? Dark force rising and

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last command, I think are the titles of the books. And there's grand Admiral Thrawn, great villain

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name, simple one syllable sounds regal, has a bit of gravitas to it. Like, it's got a good sound to

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it. And then his, I dunno, uh, captain, I think it's captain Pellion, P L L E O N. I had no idea

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how to pronounce that. I think I only learned how to pronounce it once. Uh, I heard that there was

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an audio book or I heard maybe people talking about on a Star Wars podcast, but until then I

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was just like, uh, yeah, I guess it's whatever. And I honestly just glossed over it in my mind,

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which there was an advantage to that, especially for, you know, if you're putting out something

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as a print novel or an ebook only, or whether it's print or e format only, if somebody's just

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reading off the screen, you know, that you can kind of fudge things a little bit and get weird

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with how you spell things. But at the same time, do you really want to do that? Again, my argument

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for accessibility and for ease of digestibility, you don't want to now it's nice probably to

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spice things up a little bit, but again, would depend on your genre. And I don't think your, uh,

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literary fiction or your, your, uh, you know, sweet romance, you know,

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have crazy character names that stand out, but, uh, you can have names that work with each other.

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And I think that's really cute. I definitely think it's something you should do for something

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like that. Uh, a drama or a fantasy with team members, do their names really need to go together

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and have a certain music or symmetry or, uh, unity to them? I would say no, it's less, less likely

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that they need that. And I would say it's a detriment to you a little bit if you have all

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their names sounding the same. Uh, like honestly, as much as I love the Hobbit and I, I like the

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Hobbit more than I like the Lord of the Rings trilogy, I think it's a better overall single

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story. And you know, because as you may or may not know, the Lord of the Rings trilogy was

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originally going to be a single manuscript of an, an enormous, immense, massive book.

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And Tolkien was told that he could not publish it like that. So he split it up into multiple

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pieces. Uh, and that's not apocryphal information that's coming from Blackstone on the audiobook

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version of it from the, uh, I don't know the appendices, not the appendices, but there's a,

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there's information from the publisher about the books and that's part of the history of

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the publication anyway. So there's that to consider. Um, but, but I'm getting to my larger point.

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Uh, while I can sort of appreciate the ease of remembering, feely, keely, poin and gloin,

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bifer, booper, bomber, uh, it's also kind of like, I don't know, it feels a little unsophisticated

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and I don't need to be pretentious in everything I do, but, uh, I don't know that names work

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like that in a culture. Uh, Star Wars has a little bit of a problem like that too, where

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a character will get an official name from a movie and then people will have names that sound like

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that with one letter changed or something. So I don't know if that's going to be a good

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thing or not. But I do know that there are names that sound like that. I don't know if

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that's going to be a good thing or not. But I do know that there are names that sound like that

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with one letter changed or something like that. Like, you know, Han and Dan, like, you know,

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oh, uh, this is Han Solo's cousin from Karelia, Ban Solo or Ran Solo or like I said, Dan Solo.

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People can have names that don't sound immediately similar to other names. I mean, there should be

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common things in a foreign language, but, uh, I think not like that. I think not like that.

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So yeah, I'm going to go ahead and wrap this up here. Let me know in the comment section,

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however you want to comment. There's a variety of ways to do it. You can do it on the website. You

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can do it on the app that you're listening to this through. And you should definitely have that

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option pretty soon. I'm going to make sure that I'm going to do my best to make sure it's turned on

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as quickly as possible. And I'd love to hear how you go about titling your characters and what you

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think of my approach to titling my characters, at least in these grow books. So anyway, until next

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time, uh, take care of folks and be well. If you enjoyed me talking about the writing process,

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then hopefully you'll enjoy reading or listening to my writing instead. So go over to MJMunoz.com

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or MJMunoz.com slash books and check out what I have there. My plan is to keep that updated

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all the time with the latest and greatest of my writing, whether that be books, audiobooks,

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you should be able to buy direct from me there. And yes, so please go ahead over there to MJMunoz

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or MJMunoz.com slash books and check out all the good stuff I have to offer there.

