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This is MJ Munoz, you are listening to Story Over Everything, the chronicles of an author,

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artist and analyzer.

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The date is September 30th, 2022.

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I'm going to talk about a little, well, here's a tease for a little story idea I'm going

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to be working on live with you here and now, and this is how it goes:

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What if there were guardian angels in the form of magical talking bugs sent out from

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Heaven to help kids?

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Alright, so my first segment is going to be work in progress, and I want to talk to you

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about what is the status of my current projects: progress made, length of time on the back

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burner, that sort of thing.

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So it's a very personal, or it's a very busy time for me in my personal life, so I have

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not actively worked on most of my projects that I have going.

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I have, on the back burner an artist who's supposed to be working on my breastfeeding

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book.

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It's a informative, educational, sweet, cute, pretty, breastfeeding book to help older siblings,

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I guess first borns or otherwise, who are going to be having a nursling in the house

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soon, to understand why their baby sibling is going to be drinking milk from their mother

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and what all the benefits of breastfeeding are and why a mother might choose to breastfeed

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her child because of all the good things about it.

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There's good, there's bad, there's funny, there's silly, there's a whole gamut of things,

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but it is framed in a very positive way to make it normal, to encourage it, to make it

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a, to show it to be a beautiful thing.

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You know, beautiful but also silly and fun at some times.

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So my artist who I have contracted to work on that, not contracted per se, but who is

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set to work on that, hasn't done anything on it, and that's mostly my fault.

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I'm supposed to give thumbnail sketches for that.

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Speaking of which, the idea I brought up about these guardian angel bugs is actually something

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that I have scripts on, and I'm kind of cheating with this segment I'm going to do at the end,

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which is where I live write things.

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I actually have five books planned, and I guess I'll talk about that more when I get

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to it, but the first one, I'm supposed to also be getting thumbnails and descriptions

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to an artist because I have the first two scripts for those books finished actually,

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so I need to work on that.

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And as far as stuff on the back burner, the superhero pulp novels are all on the back

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burner.

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I do have a rough outline of 12 books for one character.

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I don't know that I want to do 12 books for every character if I just want to do 12 books

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for the flagship character in each era, or if I need to plan them out and then execute

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based on how well they're received, so I'm not 100% sure about that, but that's an idea.

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And then I actually have another children's picture book series, so the breastfeeding

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one is a single book, one and done.

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The other one, which is the bugs, the guardian angel bugs, that's a series of five books

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that I have planned.

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And then the other one, it's a fantasy story with a dragon, and I have plans to do maybe

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four books for that, or I could do more.

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I could start with four and then have that be like kind of wave one, and then I don't

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know if the stories will grow up with the kids or just be geared towards different kids

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after that or whatever, but that's something on the back burner as well.

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So there's also kind of a tie-in fun anthology style superhero book, all of the good night

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Darth Vader type thing where you get to see all these different characters from the Star

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Wars universe.

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Of course, I'd be doing a book about superhero characters that I've invented and that I've

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created, so children wouldn't know them, but I figure if it's constructed cleverly enough,

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it should work.

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I'm trying to think of a world where you're introduced to many characters from many different

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worlds, so to speak, at one time.

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The Incredibles comes to mind, maybe stuff from...

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Oh dear, what's that one called?

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Wreck-It Ralph, where you have all those other video game characters, although there's a

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lot of nostalgic characters, there's also the use of some brand new characters of franchises

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in that world.

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Also, it's odd, my kids have been watching Toy Story recently, and Buzz Lightyear and

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Woody are new, Mr. and Mrs. Potato Head, the Etch A Sketch, those are egg-stamped toys.

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I don't know about Slinky Dog or Piggy Bank is just a kind of generic thing and a dinosaur

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toy.

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So I don't know.

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I figure as long as the cast is charming and the material is handled cleverly, you can

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kind of make a thing or an ensemble out of anything.

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Do I dare to do that myself?

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Yes, I do dare.

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I do dare and I hope that with my daring do, that I will be successful.

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So anyway, that's it for the work in progress.

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What about completed works?

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Well, I'm an author, an artist, and an analyzer, and I've accomplished three analyses this

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week.

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They were for two Tokusatsu shows directly and a Tokusatsu-inspired anime Tokusatsu's

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live action Japanese special effects shows.

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The word Tokusatsu literally means special effects in Japanese and mostly it's men in

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rubber costumes fighting other men in rubber costumes and that's what it's about.

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Power Rangers comes from Super Sentai.

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Power Rangers comes from, or Super Sentai comes from Kamen Rider.

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Kamen Rider comes from Ultraman, so to speak, in a way.

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And Ultraman comes from Godzilla.

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And really, I guess you could say the Tokusatsu genre comes from stuff like Godzilla.

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I don't think Godzilla was absolutely the first, but it's one of the biggest, most impactful,

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and I guess one of the best.

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It's a Tokusatsu exemplar.

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So it doesn't always have to be giant monsters, but it is definitely, you know, if you think

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about Godzilla rampaging through a city, he's knocking things, you know, first of all, they

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had to make him look giant, so they built sets in such a way to use force perspective

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and they had to create the monster suit to look a certain way.

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So that's where the rubber suit stuff comes in.

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And then when he's knocking over electrical wires and, you know, smashing tanks and things

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like that, and, you know, they had to have miniature-sized tanks scaled to this, you

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know, this gentleman who was in the suit in order to make it look like real ships flying,

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you know, flying planes with guns on them were attacking him and real tanks on the ground

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were attacking him.

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And then, you know, for his counterattack, they had to show all those things.

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So they did that by, you know, creating miniature sets and using different types of props and

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having them destroyed with explosions or getting knocked or flipped over, different things

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like that.

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So anyway, that's the, like I said, the best example of tokusatsu.

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And even if you're not, even if your tastes aren't as eccentric as mine, you could say,

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you've probably seen Godzilla and know what that is.

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And, you know, at minimum, you're aware of the modern Godzilla movies or like the King

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Kong movies, which I'm not going to say, I'm not going to accuse them of being like inspired

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by Godzilla.

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In fact, Godzilla might have been inspired to some extent by King Kong.

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I don't know the history there and I haven't looked it up and I'm not going to right now

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because it's not relevant.

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But anyway, that's the stuff I'm into.

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And all three shows that I watched and analyzed this week are in that realm.

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So all three of them do come from Japan.

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Two of them were actually all three of them are subtitled.

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Unfortunately, the anime did not get a dub, which disappoints me because I'm a fan of

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dubs.

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But anyway, I did analysis of those three shows.

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One of them is 30 out of 50 or so episodes in the other one is four out of 50 or so episodes

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in and the anime is nine out of I think 12 episodes in.

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So in three more weeks, I'll be done with that.

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But then a new Tokusatsu show will be starting up, which is actually inspired by one of my

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favorite entries in the Common Writer series.

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It's called Common Writer Black Sun.

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It's based off of Common Writer Black.

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But anyway, I analyzed those and you know, why am I wasting my time doing that?

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Maybe you might want to ask if I'm a writer and I'm supposed to be writing these other

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things.

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But the things that I'm writing are very much steeped in and based on Tokusatsu, very inspired

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by Tokusatsu.

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So I'm keeping current with Tokusatsu.

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I do plan for my stories to be timeless.

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And I do think the theme of that Godzilla movie, the original Godzilla is timeless,

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which is why I'm using it as the basis for the first children's picture book in the Tokusatsu

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series, you could say.

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And that's the one with the magical talking bugs, which there's a magical talking bug

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in one of the Common Writer movies.

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So you know, it all ties together.

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But regardless, you know, I'm watching them because I honestly find that the Common Writer

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and Super Sentai series and the anime as well, because it is based off of Common Writer,

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has compelling writing, there are things to learn in them.

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And I think that's something I want to talk about real quick.

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So yeah, I have a segment called Lessons Learned, and it's where I tell you what lessons I learned

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from the world of story this week.

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And you know, like I said, the world of story that I've been involved with is these three

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shows.

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So one of them, I'll start with the Futopi, which is the anime, it's a sequel to the completed

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live action series of Common Writer Double.

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Futopi Episode 9 is the end of a three episode arc that has a, it's a bottle episode murder

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mystery where basically these two heroes are stuck at a cabin in the mountains because

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there's a blizzard.

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And the reason there's a murder mystery aspect to it is because these four women who are

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contestants in a competition to marry a wealthy man whose family seems to have ties to crime,

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whether that be Yakuza or some other criminal enterprise, they are dying.

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So over the course of three episodes, I believe two of the women die and I think a third individual

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dies related to it, but it's not one of the women contestants because at the end there

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are two female contestants who are left.

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I believe that's correct.

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Not that you care and not that it really matters because I'm just kind of giving you the rough

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context.

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It's a detective story, the two gentlemen who are stuck up in the mountains and who

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stumble into this murder mystery are detectives who also happen to be a superhero called Common

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Writer Double and they're actually able to transform by both of them.

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One of them, his mind goes into the body of the other one and the two brains in one body

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that has two halves that they each control fight together and they, you know, come up

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with clever ways to do things because they're both, you know, they both have good intuition

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and intelligence because they're a detective and basically a genius who has access to a

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wide variety of information.

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I honestly, that this ninth episode was a downgrade from the others recently.

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I'll put it this way, the first six episodes of the series were really solid and the seventh

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was okay, the eighth was not so great and the ninth was probably the worst so far or

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maybe it was the eighth that was the worst so far but I think the issue for me was that

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these ones, this story being told in three parts, which it's an adaptation from a manga

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so the idea with manga to some extent is it's kind of like the old serialized stories like

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Swiss Family Robinson for example, they're meant to keep you coming back.

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You just, you read a little bit of it in a circular, in a periodical that's circulated

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in whatever fashion and they're published weekly or however, you know, whatever rate

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and then they're collected into a single story but the idea is they want to keep you interested

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in it forever and they want to keep the mystery running forever so there's a ongoing mystery

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that the characters, the detectives have stumbled upon and it's sort of getting dragged out.

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There was some revelations that they had but I think the biggest takeaway for me from Fu

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to a PI9 is that sometimes you can, you know, it's okay to play fast and loose with your

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rules because they're very serious about doing like a debriefing after each mystery and each

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case is closed where they go over the details and show logically how, even though there

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are fantastical elements in the world, how these things could have all happened in a

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reasonable logical way and I found that to be distracting and distasteful and I think

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maybe the lesson to take from that is you need to be careful not to be a slave to your

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format if you're trying to be a pastiche of another genre because that can be wearing

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and trying.

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Like you want to capture certain elements but maybe you don't need to close with a debrief

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every three episodes and have all the facts of the case gone over because, you know, maybe

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your audience is smart enough to know or maybe the rest of the, like the narrative, I guess

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velocity or momentum is enough so that people can be entertained by that and not need to

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go over the facts and as long as you as the author know the facts maybe you don't need

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to belabor them and go over them sort of needlessly to your audience.

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Maybe that's something I learned from that.

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Next I'll talk about Comminator Geed's episode 4.

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So I think the most important thing I learned from this and it's basically people are in

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a game, a survival game where they're all competing to win and whoever wins will have

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their desire granted at the end of it or their one wish granted.

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It's world changing, the stakes are super high but the players, their lives are on the

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line and they die as, supposedly, they die as the rounds continue and as players are

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eliminated they're literally killed and I believe the game started off with like 50

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people and this is a children's show in Japan.

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I don't think I'd ever want to craft a show like that with those sorts of stakes or a

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story with those kinds of stakes for kids because that's just too dark, that's unnecessary.

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Japan has a different culture and despite the fact that these are aimed at younger kids,

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it's culturally acceptable to them I guess although I don't know, I haven't heard of

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any flak that they're catching from having this be the idea of the story but not something

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I would want to do.

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So maybe that's one lesson I learned but I also learned you can kind of get away with

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it but that's not what I mean.

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I'm not interested in pushing the boundaries of what you can get children to learn.

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I'm not interested in pushing boundaries like that.

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Anyway, but more importantly what I learned from this episode was that you have the hero

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of the piece, he goes by Ace.

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He is, he seems to be stuck in this game and I suspect that he's trying to be a true hero

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and pull out a victory and kind of destroy the sick game from within by winning enough

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times or getting enough power for himself.

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I'm not sure what but he definitely seems to be upset about this game but you have to

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play to win.

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If you don't play to win you die and then if you die you have no opportunity to change

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anything and to counter that concept or to really bring it into sharp relief there's

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a character who suffered a tragedy and because of having suffered that tragedy became nihilistic

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to the point where they want all humans to die and they see this game where they can

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have any wish granted as an opportunity to wipe out all human life on the planet.

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Now this character becomes seriously debilitated or injured and their efforts become hampered

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and instead of fighting to win to the very end they try to sabotage and use subterfuge

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to bring everybody else down with them and in the end they only accomplish their own

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death.

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He accomplishes nothing and then he leaves the game and this world with nasty words for

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the other characters that the rest of them are going to die and only one of them will

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survive and he seems like he feels justified in that.

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Now the writer of the show has done very solid character work so one I suspect that it's

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not actually a real death game like I don't think these people are actually dying I think

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there's they're being put in suspension somehow and they will never be used for this game

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again but the other thing is I and partly because I suspect this character will come

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back and we'll have more to say in the in the end but before well basically the main

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character who says you have to fight to win and who's been willing to trick people in

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order to win and to get an advantage so that he can stay on top even though he's moral

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he is shown to help people which I won't go into that he has a morality but he also has

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a desire to win above all else because I guess because the six is why and there's a something

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in there about the ends justifying the means but I'm uncomfortable with that idea I think

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that you have to be moral you have to be upright and what you do and that you can't you know

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do evil for the sake of good necessarily and that actually well I won't get into that side

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tangent but he basically gives a speech towards the end and throughout the episode it's kind

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of peppered this idea that you have to keep fighting you have to keep trying you can't

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give up because if you give up and you're not fully committed to the point where you're

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willing to sacrifice yourself to see your goals met that your dreams and your wishes

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can never become reality so that's a corny idea it that could be a corny idea but it's

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not believe in yourself it's if you want something you have to work for it and I like how the

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more was put across because nobody ever felt sanctimonious and I won't go into all the

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details but I guess there's a clever way that you can write like clear morals that are you

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know simple I guess you could say that you might find in like a ASAP table or something

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like that you can write these clear very upright morals into something that has like a moral

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greatness to it or has characters who are acting in less than wonderful ways and I think

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that's interesting really what that inspires me to do though is to think of how can I frame

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and shape the narrative or the message or the themes in my stories in order to give

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positive healthy uplifting messages without coming out and doing a you know a look right

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at the camera so to speak speech that's you know cheesy and supposedly inspiring but perhaps

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uninspiring instead because that's something I would like to avoid as a writer and then

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last last is a T at the end of that word last the super sent I entry was Don Brothers 30

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and I don't know the writer of it is a prolific writer in the genre he's been hired again

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and again and again by the same company over the course of I think 30 years and there may

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be some nepotism in it because his father actually wrote for the original common writer

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which I said earlier common writer gave birth to super sent I or the success of common writer

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led to the development of super sent I and he started working on super sent I believe

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in the mid 80s and he's worked on and off of it for a long time and then he actually

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I was wondering a while back where he went because I hadn't seen him being active but

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he seems to be here he came back for the super sent I he was also writing a manga adaptation

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which is a Japanese comic book adaptation of the comeback series of common writer from

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the year 2000 so apparently he's been busy with that apparently it's been ongoing for

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like six years I think is what it is and that's pretty impressive to me but anyway regardless

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he is a talented writer I really like one of his other shows I think I've seen two of

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his shows besides this one that I'm currently watching and there's something about his writing

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that I just feel is I don't know utterly competent very charming he creates characters who you

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shouldn't like and then you like them and he has his characters doing things that you

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might find reprehensible and yet there is they're charming enough that you don't mind

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it's very odd he's a very skilled writer he does certain weird things and he almost seems

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to like purposely antagonize the audience or maybe the bosses around him by some of

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the things that he does and yet he continues to have success as a writer and I don't know

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I don't quite know what it is there's something about him like flaunting and bending rules

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or conventions maybe kind of to be subversive but in a very I don't know in a very pleasing

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way where it feels fresh and exciting and not like a betrayal of the very thing that

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it is like none of his stuff in this super sent I show feels not like super sent I or

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like it goes against the spirit of super sent I but it definitely feels offbeat and weird

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and like I said fresh and bold so I don't know really how to define that other than

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once you've become a skilled enough writer you can really play in your genre of choice

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and be successful by like you know subverting things or handling things in a very interesting

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unexpected way and I'm not sure what else to say but his name is Toshiki Inoue and like

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I said I think he's one of the best writers that I've ever encountered even though I've

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only well these shows are 50 episodes long so I've seen for sure one show to completion

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and then 30 episodes of this show which he's written almost all of them but I'm confident

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that I've seen at least one other of his shows all the way through so I'm not quite sure

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but anyway that's that's pretty interesting to me so that's my lessons learned and then

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this last segment segment like I teased earlier Fabula Ex Machina is what I'm calling it I

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am going to be sort of brainstorming and drafting out loud how I can make this insect guardian

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angel or bug because it's it's not just insects particularly if we'll let's be pedantic about

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for a moment an insect is a six-legged creature arachnids like spiders and scorpions don't

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fit into that I don't know that class that phylum that kingdom or whatever they're similar

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so I'm gonna generically call them bugs so that will be your instinct insects of various

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designs like a beetle for example a worm whether that be a grub or like an earthworm which

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your grubs typically turn into insects if I don't know if a worm is not a bug or not

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if it's or I don't know if a worm is not an insect or or what by the scientific classification

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but that's what I mean when I say bug so I've got a spider guardian angel bug I have I think

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a moth I'm gonna use moth spider beetle and I can't remember the others at the moment

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off my head but that's not really important right now what's important is that I'm I'm

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letting you know and I'm cheating a little bit this is my own thing so I can do whatever

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I want however I want but basically the idea that I'm gonna be working on for five to ten

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minutes because I don't want to be too I don't want to bore you too much by getting into

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the nitty-gritty details of something that I don't quite I don't quite have hammered

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down so it could be uninteresting to hear me stumble and fumble although it could be

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entertaining I don't know but basically I'm gonna be jumping into this and saying all

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right so here's my idea angel bug or bug guardian angels inspired by Godzilla and other Japanese

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tokusatsu type stuff like the things I've been describing to you how will that work how can

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I make that a children's picture book series and how will I make all of that fit into a

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single world so again if you want to leave because I'm gonna be going off in crazy directions

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that's fine I understand but if you want to stick around for the ride then I welcome you

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to do so all right so you may not you may not know this but I did step away from the

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recording I ended up making some notes this is supposed to be a very light duty type of

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show even though I noticed it's already almost a half an hour long which I did not expect

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that to be something like 10 minutes but we'll see if following weeks I have a lot less to

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say or there's a lot less to talk about or maybe I'll just get better at it and become

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more succinct and I can kill my darlings and cut those cut cut cut those words away until

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there's just left what you want to hear and what you need to hear and what I need to say

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so anyway moving on from that I wanted to share that I have I'm not gonna re-explain

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the whole tokusatsu thing because that's Godzilla, Ultraman, Kamen Rider, Super Sentai, Power

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Rangers, I don't know what other stuff off the top of my head but that kind of stuff

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Kikaiiter if you're from Hawaii and you're like 50 years old you might know Kikaiiter

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you could be you can know Kikaiiter if you're a little younger too but that kind of stuff

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anyway but here's my prompt well yeah so I guess this is what I'm trying to do how can

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I weave a universe out of these disparate elements and it's all these different things

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because Toho is just one company owns Godzilla and they make Godzilla Toei which is I don't

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know why they're both T or start with the T sound but whatever owns Kamen Rider and

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Super Sentai and Tsuburaya which also starts with the T which is kind of funny or a TS

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I don't know if it's its own unique character or whatever in Japanese or Chinese that has

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the TS sound to it and I know it's from Japan but Japan they use like three different writing

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systems or writing styles or letters so they have like Chinese characters and then they

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have two different ones that there's like a sound for each letter I think more analogous

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to the 26 letter alphabet we have in English speaking countries anyway I don't know all

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the details but there's Katagana, Hiragana and some other thing I think which is the

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Chinese symbols but that's a weird tangent sorry about that I just I know a little bit

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about a lot of things and it's hard for me not to share so my point is I've got all these

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disparate things they all exist in their own universes and even among the franchises themselves

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it's weird how they all are facing a threat from 10,000 years ago that was sealed away

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and then one day it was awakened and only this hero so even among themselves there's

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a lot of internal inconsistency and they do crossovers and it's just kind of you have

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to forget you kind of have to forget and you kind of have to throw logic out a little bit

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when you're enjoying these shows because it's about the feeling it's about the point or

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the message of the show or story it's about you know watching the hero overcome it's about

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those things more than it's about being logically consistent but it's also partly that way because

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over the years Subaraya, Toho, Toei have allowed many different people to be the creative forces

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behind the various seasons of the shows or you know installations of the different movies

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because I don't know I don't know there's like I feel like there's around 30 Godzilla

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movies but I could be wrong and that's just coming out of Japan just despite sorry beside

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or aside from how do you say it doesn't matter aside from the late 90s Godzilla and then

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the 2010s Godzilla movies that we had and then I don't know if like the is it Raymond

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Burr I don't know if the Raymond Burr dub sort of thing from 1954 and 1955 counts as

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an American adaptation of it or not but whatever so you know and the same thing Super Sentai

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Ichinomori was well Ichinomori died in around the year 2000 I believe or maybe it was 99

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and it's been 22 years since then and they've kept making they've kept making Super Sentai

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without him and the same thing with Kamen Rider they've kept making it it was actually

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on hiatus for a long time and it came back I think a year maybe was two to three years

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after his death actually he might have died 97 it doesn't matter at this point it's not

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relevant to this discussion is what I mean but anyway these things have lived beyond

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their original creators and their original creators you know while they did good work

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and may have cared about them in certain ways they didn't always necessarily make things

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to be ironclad and have like super clear logic so one thing that I want to do and I'm actually

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this is I did not expect to say this I've actually been inspired by the Red Panda which

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Red Panda is something done by Greg Taylor g-r-e-g-g Taylor from Dakota Ring Theater

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your source for it nevermind anyway he's a Canadian writer and like I don't know play

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or like theater dude I don't know what else he does sorry he's written a bunch of books

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that I've liked and bought and listened to and enjoyed and he produced a radio show harkening

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back to the shadow and I guess what's the other doctor savage or Doc Savage and a bunch

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of other things like that from the golden era of radio and he told the story of the

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Red Panda which is this mystery man you know fedora and domino mask with a trench coat

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superhero in Canada the guy's a super genius so kind of like a Batman who has no superpowers

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except for the ability to use hypnosis but anyway he did I think it's about 10 seasons

378
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it's a ton in 20 episodes total of like the main story that goes in chronological order

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and then he did books as well and comic books also and so there's the audio drama the radio

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show the books and the comic books and across all of them none of the book like there are

381
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things that are mentioned in them it's a transmedia project I guess you could say but anyway

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over the over the course of the 120 episodes there's a progression in the Red Panda audio

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drama the books take place in between episodes basically and the comic books I think take

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place in between other episodes of the audio drama the comic books that is take place within

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the audio drama like in between episodes and have nothing to do with the novels or the

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pulp novels that Taylor wrote but it's all consistent and it's all planned out and it's

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all mapped out very well and while the it's called Red Panda and there's an eponymous

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Red Panda character who is the hero of the show or the story he also has the flying squirrel

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who is his I guess I don't know partner or sidekick or whatever you want to say I won't

390
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go into spoilers because you should really check out Red Panda because it's an amazing

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superhero story it spans decades I'm very inspired by that and I'm very inspired by

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that accomplishment and I'm really impressed that this man was able to do this and I want

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to go above and beyond and I want to be even better and I want to take the inspiration

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from the feat that he accomplished and see how much farther can I go and I basically

395
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I've had ideas for a lot of different stories over the years and recently within the last

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year to two years really it's come to mind that I should just put them all into the same

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universe I like the tokusatsu elements I love Kamen Rider oh I cannot tell you how much

398
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I love Kamen Rider it's weird like it's almost extreme how much I love Kamen Rider and I'm

399
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like a big Star Wars fan I like Kamen Rider is superior to Star Wars which sounds ridiculous

400
00:31:54,120 --> 00:31:59,040
if you've seen Kamen Rider at a glance that I could say that but it's true it's absolutely

401
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true it's it's undisputable the amount of hours alone of Kamen Rider that's been put

402
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out versus Star Wars that's been put out that has been good trumps that and even Taylor

403
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has an affection for some of Star Wars to a degree I believe because he has little Easter

404
00:32:15,360 --> 00:32:19,160
eggs in there that sound very much like their references to Star Wars like there's a well

405
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there's just like a group of operators doing something in a later season and they call

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themselves you know Red 1 Red 2 Red 3 Red 4 Red 5 and things like that so that's really

407
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cool he's from an older generation so I I would bet that he likes the original trilogy

408
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more than the sequels but I actually love the sequel or sorry the original trilogy more

409
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than the prequels and I love the original trilogy I really like the prequels I get well

410
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let's I I love and I think there are better stories overall or better execution of storytelling

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being done in the original trilogy but I get I'm a more emotionally attached to the prequel

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trilogy and I sometimes my daughter is an aspiring author as well and God bless her

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I wish her every success she's actually written a really good children's book or two I feel

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like one manuscript is lost but she says it's not but the other one it's it's either 99%

415
00:33:10,600 --> 00:33:14,760
or 90% done or it's 100% done and I think she needs to get it published ASAP but regardless

416
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that's another thing that I'm not gonna go into but the actual the actual I totally lost

417
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my point sorry think about my daughter because she wrote this thing oh I will sometimes help

418
00:33:29,600 --> 00:33:34,080
her with writing issues that she's having because she's still understanding the crafter

419
00:33:34,080 --> 00:33:39,080
writing and I'm not a master by any means but I am working at it and I will use Star

420
00:33:39,080 --> 00:33:45,760
Wars as an example and when I talk about the original trilogy I can pull certain examples

421
00:33:45,760 --> 00:33:50,120
and I can just think about it because I've seen those movies lots of times and it's just

422
00:33:50,120 --> 00:33:52,800
it's like oh this is the fact this is what Luke, Han and Leia are like these are the

423
00:33:52,800 --> 00:33:56,680
dynamics between them this is how they represent different things and they've the theme of

424
00:33:56,680 --> 00:34:01,280
Star Wars is you know selfish selflessness versus selfishness like George Lucas says

425
00:34:01,280 --> 00:34:07,880
it is then you can look at them and you can say oh Leia is a paragon of selflessness and

426
00:34:07,880 --> 00:34:12,400
both Luke and Han move through an arc of selfishness to selflessness through the movie and you

427
00:34:12,400 --> 00:34:15,280
can see it in these places you can see this is where Han is being selfish is where Luke

428
00:34:15,280 --> 00:34:18,960
is being selfish or self-motivated not really thinking about others but thinking about himself

429
00:34:18,960 --> 00:34:23,400
and then these events happen in the story in the narrative the universe punishes him

430
00:34:23,400 --> 00:34:28,760
and causes him to have nothing left over and then ultimately he has his life but he gives

431
00:34:28,760 --> 00:34:32,840
that up for the sake of the rebellion but also giving up his life allows him to tap

432
00:34:32,840 --> 00:34:36,000
into the force because he's doing the ultimate act of selflessness which allows him to save

433
00:34:36,000 --> 00:34:41,560
the day Han has a more minor arc moving into selflessness but it's integral to Luke's

434
00:34:41,560 --> 00:34:46,440
arc because if Han wasn't didn't come back because he moved from a position of selfishness

435
00:34:46,440 --> 00:34:49,800
to selflessness he wouldn't have been able to save Luke from Vader and then Luke would

436
00:34:49,800 --> 00:34:53,400
have been able to make that shot and save everybody and then the story would be over

437
00:34:53,400 --> 00:34:58,020
or whatever I told her all that and it took me a lot longer I truncated down my thoughts

438
00:34:58,020 --> 00:35:02,520
and I went on a bunch of tangents like I do when I talk about story stuff but I was able

439
00:35:02,520 --> 00:35:05,760
to do that without getting emotional like I'm I can feel a little bit of like oh like

440
00:35:05,760 --> 00:35:09,600
that's really cool and it's exciting and it's kind of inspirational but when I talked to

441
00:35:09,600 --> 00:35:13,520
her about like the failed arc of Anakin the failed hero's journey that Anakin has I get

442
00:35:13,520 --> 00:35:19,560
emotional I get misty I get choked up I start to cry a little bit because I feel so deeply

443
00:35:19,560 --> 00:35:23,160
for Anakin as a person and I don't know if it was watching Clone Wars I don't know if

444
00:35:23,160 --> 00:35:31,760
it was just just you know the sequel or the prequel trilogy itself or what but I've always

445
00:35:31,760 --> 00:35:36,640
felt a strong attachment to Anakin and felt very sympathetic towards him and maybe it

446
00:35:36,640 --> 00:35:40,400
was because I was I was like 11 when I watched the movie the Phantom Menace so he's he was

447
00:35:40,400 --> 00:35:45,160
nine so maybe some of that helped me relate to him I love Qui-Gon Jinn Anakin loves Qui-Gon

448
00:35:45,160 --> 00:35:52,200
Jinn I don't really know what it is but I get emotional talking about that and again

449
00:35:52,200 --> 00:35:56,720
I I'm trying to recover and get back to my original original point I think I was gonna

450
00:35:56,720 --> 00:36:01,240
get to the point that as much as I oh there we go I value Star Wars emotionally like I

451
00:36:01,240 --> 00:36:07,360
valued as a story and I value it as something that emotionally touches me I still think

452
00:36:07,360 --> 00:36:11,600
Kamen Rider is better and I think with the hours and hours and hours of content of Kamen

453
00:36:11,600 --> 00:36:17,900
Rider or a TV show that's been on off and on the air for a long time versus Star Wars

454
00:36:17,900 --> 00:36:22,520
alone like it's just Kamen Rider is a better thing it's better done even though it's different

455
00:36:22,520 --> 00:36:27,040
stories told by different authors at different times and it's like they're sort of different

456
00:36:27,040 --> 00:36:30,240
universes but they're not when they need to be in the same universe or crossover they

457
00:36:30,240 --> 00:36:35,840
do it and they just hand wave things away and I don't like that and so like it's interesting

458
00:36:35,840 --> 00:36:40,920
Kamen Rider like I love it more I have more affection for it it's it's better it's like

459
00:36:40,920 --> 00:36:44,840
more consistently entertaining storytelling and there's more there's more of a bulk of

460
00:36:44,840 --> 00:36:49,320
entertaining stories but they're kind of like throwaway where Star Wars is more consistent

461
00:36:49,320 --> 00:36:53,360
with the one author we don't talk about the the Seagull Jolte here the one author of the

462
00:36:53,360 --> 00:36:58,600
six film saga plus the Clone Wars and Rebels or not Rebels well maybe Rebels Rebels is

463
00:36:58,600 --> 00:37:01,920
a wobbler but definitely Clone Wars you throw that in there and it all works as one cohesive

464
00:37:01,920 --> 00:37:08,680
unit but like it's not as good overall even though there was the one sort of vision behind

465
00:37:08,680 --> 00:37:14,240
it Greg Taylor's Red Panda has a much better cohesive universe that ties together better

466
00:37:14,240 --> 00:37:21,520
and I do really really really like Red Panda like I've I've enjoyed listening to it at

467
00:37:21,520 --> 00:37:25,920
least three times if not four times total and that's 120 episodes it like 20 minutes

468
00:37:25,920 --> 00:37:30,440
of pop that's a lot of time I've spent yeah I'm doing it while I'm doing other things

469
00:37:30,440 --> 00:37:35,920
but still that's a lot of time to spend with these stories and these characters and this

470
00:37:35,920 --> 00:37:40,720
one voice of this one author and they're little things little quirks that Taylor has that

471
00:37:40,720 --> 00:37:47,280
show up in Red Panda and show up in Blackjack Justice and show up in other things that he

472
00:37:47,280 --> 00:37:54,560
writes and produces such as that's tough but fair or that's an interesting point but anyway

473
00:37:54,560 --> 00:37:58,400
little little quirks or things that the characters say over and over again that kind of stick

474
00:37:58,400 --> 00:38:01,960
out as like oh that's a signature of Taylor you know which I don't know that's good or

475
00:38:01,960 --> 00:38:05,920
bad but it's just a thing but like I want to go beyond that I want to write a consistent

476
00:38:05,920 --> 00:38:11,600
universe with many characters where it all is logically consistent and where it all works

477
00:38:11,600 --> 00:38:15,400
together and for some reason at least some of the children's picture books that I have

478
00:38:15,400 --> 00:38:20,040
planned like this grow bug series that I want to be inspired by tokusatsu which is like

479
00:38:20,040 --> 00:38:24,280
the Godzilla Ultraman Super Sentai Kamen Rider, Brown Rangers that kind of stuff I want it

480
00:38:24,280 --> 00:38:30,880
to be logically consistent and I want those angelic bug characters the grow bugs to be

481
00:38:30,880 --> 00:38:36,960
from the same benevolent divine force that is empowering the superheroes of the world

482
00:38:36,960 --> 00:38:41,080
and of the universe of the let's just call it holy heroes that's what I'm calling it

483
00:38:41,080 --> 00:38:45,680
for now that's the the code or production name anyway I want them to all be from the

484
00:38:45,680 --> 00:38:49,880
same universe and I want to figure out how to make that all work so the first thing I

485
00:38:49,880 --> 00:38:56,200
need to do is figure out how to unite the entire I guess I just gave you my raison d'etre

486
00:38:56,200 --> 00:38:59,760
for my all my writing projects that are going to go forward in this holy heroes universe

487
00:38:59,760 --> 00:39:04,320
but whatever I think that was unintended but it happened I guess you're getting me out

488
00:39:04,320 --> 00:39:07,760
of the way I should probably produce an episode zero and release that before I release this

489
00:39:07,760 --> 00:39:12,360
episode just to give you a little bit background and warn you about how crazy this first episode

490
00:39:12,360 --> 00:39:15,880
is going to be anyway I just do things as I figure them out I just figure things out

491
00:39:15,880 --> 00:39:21,360
as I'm going along so yeah this is me anyway first of all I need to figure out a way to

492
00:39:21,360 --> 00:39:26,600
put Godzilla Kamen Rider Super Sentai Ultraman all in one universe together interestingly

493
00:39:26,600 --> 00:39:29,920
enough this is something I've been thinking about for a while and Hideaki Anno who's a

494
00:39:29,920 --> 00:39:35,180
producer of Neon Genesis or writer director of or and major creative force behind Neon

495
00:39:35,180 --> 00:39:39,160
Genesis Evangelion as well as some other things you might recognize like the Shin Godzilla

496
00:39:39,160 --> 00:39:45,480
movie the Shin Ultraman movie and coming up the Shin Kamen Rider movie he's doing something

497
00:39:45,480 --> 00:39:48,920
over there and I'm trying to capture that spirit and do something similar with these

498
00:39:48,920 --> 00:39:54,520
characters even though I'm starting from ground zero I'm building the universe as I go along

499
00:39:54,520 --> 00:39:57,960
versus having to do it after the fact like all I like a Smash Brothers or like just like

500
00:39:57,960 --> 00:40:01,960
a team up crossover type thing I want it all to be one consistent universe but you know

501
00:40:01,960 --> 00:40:05,400
that already so I'm trying to figure out how I'm going to make that happen well first of

502
00:40:05,400 --> 00:40:11,760
all I have to think about or what the plan is is I've thought a lot about the heart and

503
00:40:11,760 --> 00:40:17,560
spirit of these different franchises Godzilla Ultraman Kamen Rider Super Sentai and one

504
00:40:17,560 --> 00:40:23,000
other that I'm keeping a secret for later so I'm trying to figure out what they are

505
00:40:23,000 --> 00:40:28,600
and what like the core theme is to at least start my first set of characters who are related

506
00:40:28,600 --> 00:40:33,100
to those things onto those and yes I am doing this for children's picture books and yes

507
00:40:33,100 --> 00:40:38,920
you could accuse me of overthinking things but I think if the themes are solid from the

508
00:40:38,920 --> 00:40:44,500
if the themes if these franchises exist it only exists because people keep buying them

509
00:40:44,500 --> 00:40:49,260
I think people only keep buying them because at the core of it at least the original ones

510
00:40:49,260 --> 00:40:54,480
during the 60s 70s during the 60s and 70s let's call it or 50 60 70s were successful

511
00:40:54,480 --> 00:40:59,120
because something at the theme at the core of it at the heart of it was pure and beautiful

512
00:40:59,120 --> 00:41:04,220
and meaningful to people and then they happen to attach like you know rubber suit monster

513
00:41:04,220 --> 00:41:09,200
wrestling battle royale cage match type stuff on top of it and that just made it it gave

514
00:41:09,200 --> 00:41:13,720
it a cool factor they threw out certain things they might have thrown out the theme and kept

515
00:41:13,720 --> 00:41:18,000
the rule of cool going but it basically made it palatable to people and I want this to

516
00:41:18,000 --> 00:41:22,480
be mass market palatable and have a message inside of it and I think you leaning on these

517
00:41:22,480 --> 00:41:27,720
things that are so good at selling and selling and selling toys and merchandise and whatever

518
00:41:27,720 --> 00:41:31,480
is a good way to do it because I want to tell meaningful stories and I also want people

519
00:41:31,480 --> 00:41:35,040
to care about them on multiple levels and if they just care about it because it looks

520
00:41:35,040 --> 00:41:39,240
cool or it's really it's got a neat gimmick to it that's okay too because I figure if

521
00:41:39,240 --> 00:41:43,320
they like it enough they'll stick around with it long enough that they'll get great meaning

522
00:41:43,320 --> 00:41:49,560
out of it and and I'm okay with that I don't well anyway yeah I'm okay with that so I'm

523
00:41:49,560 --> 00:41:53,380
a capitalist and I want to be an effective marketer so or an effective messenger and

524
00:41:53,380 --> 00:41:57,600
marketer and in order to do that I think you got to sell you got to sell the message you

525
00:41:57,600 --> 00:42:01,520
got to sell the message within the package for people to get it because if you don't

526
00:42:01,520 --> 00:42:05,080
sell to them then they can't get it and if they don't get it then what's the point of

527
00:42:05,080 --> 00:42:08,320
saying the message you may as well just keep silent and say to yourself which is not what

528
00:42:08,320 --> 00:42:15,200
I want to do anyway yeah so I need to figure out a way to make this all consistent I think

529
00:42:15,200 --> 00:42:21,640
it's enough for now to basically have God giving people superpowers in this world but

530
00:42:21,640 --> 00:42:28,760
also and having those people be agents of change and agents of good basically like angels

531
00:42:28,760 --> 00:42:34,660
themselves who are serving God and causing things to be done in such a way to rescue

532
00:42:34,660 --> 00:42:39,640
people and to see that things are done rightly right but also to have these guardian angel

533
00:42:39,640 --> 00:42:48,000
figures and like I'm a believer I study the Bible every day pretty much and that's very

534
00:42:48,000 --> 00:42:52,960
much what my life is about so this is the milieu that's that's where I'm coming from

535
00:42:52,960 --> 00:42:57,920
it's like it's superheroes and monsters and toku and and the Bible like that's that's

536
00:42:57,920 --> 00:43:02,080
all me pretty much wrapped up into one package so like that's what I'm presenting that's

537
00:43:02,080 --> 00:43:06,400
what I'm offering to the world in this universe that I'm building and in this you know these

538
00:43:06,400 --> 00:43:10,800
you know book series that I'm I'm writing and planning and I think it's it's easy to

539
00:43:10,800 --> 00:43:22,160
justify these guardian angel bugs and basically it's just they're you know a firmer or harder

540
00:43:22,160 --> 00:43:25,600
manifestation of angels in the modern world and why aren't they full on angels why are

541
00:43:25,600 --> 00:43:29,560
they little bugs and said that are cute I don't know because because it'll work because

542
00:43:29,560 --> 00:43:35,740
I got to sell it because I want these messages to reach kids and they're not like strictly

543
00:43:35,740 --> 00:43:40,520
biblical messages I'm not indoctrinating you through my you know religious you know

544
00:43:40,520 --> 00:43:46,520
zealotry or whatever it's like the theme of Godzilla is if you fear and hate what you

545
00:43:46,520 --> 00:43:51,640
don't understand and you seek to destroy it instead of understand it so you can live with

546
00:43:51,640 --> 00:43:58,420
it and figure out a mutually beneficial arrangement between the two of you you will sow the seeds

547
00:43:58,420 --> 00:44:05,080
of your own destruction and increase pain and suffering on the world and if you've done

548
00:44:05,080 --> 00:44:09,200
that one time you're likely to do that again and again and again until you've destroyed

549
00:44:09,200 --> 00:44:14,460
all of humanity that's the theme that's the message of Godzilla and that message I want

550
00:44:14,460 --> 00:44:18,080
to pack inside of a children's book and I see no issue with that I think it's a beautiful

551
00:44:18,080 --> 00:44:24,440
theme I think it's very powerful and having children who throw tantrums and get angry

552
00:44:24,440 --> 00:44:31,680
and who you know love rocks and animals and sticks and hate their siblings and their parents

553
00:44:31,680 --> 00:44:37,760
because they slightly offended them is like the perfect vehicle for showing that at least

554
00:44:37,760 --> 00:44:42,760
that's what I think so anyway the idea is like I might have kaiju which are the giant

555
00:44:42,760 --> 00:44:47,240
monsters like Godzilla I might not that's something I'll work towards I don't like the

556
00:44:47,240 --> 00:44:53,240
idea of in Godzilla he's this giant he's 40 stories or 30 stories he's 300 feet through

557
00:44:53,240 --> 00:44:58,480
30 you know that's too huge I might do like you know 50 foot animals or 30 foot animals

558
00:44:58,480 --> 00:45:03,880
like you know Godzilla you know mini kaiju I might do that sort of thing but like I'm

559
00:45:03,880 --> 00:45:08,920
sort of going to be rectifying a lot of issues that I have like oh you know the downtown

560
00:45:08,920 --> 00:45:12,560
gets destroyed in every episode of power rangers or you know super sentai constantly having

561
00:45:12,560 --> 00:45:16,480
monsters you know blowing up half the world or whatever it doesn't get that severe but

562
00:45:16,480 --> 00:45:20,800
it's close common rater I think common rater is a much better job of like containing the

563
00:45:20,800 --> 00:45:26,240
destruction of the evil organizations or the you know villain race or the monsters or whatever

564
00:45:26,240 --> 00:45:29,720
happen to be the problem that a particular common rater is addressing like it's pretty

565
00:45:29,720 --> 00:45:35,320
tight but like Godzilla and the other kaiju movies like they just don't make sense it's

566
00:45:35,320 --> 00:45:39,160
a planetary scale of destruction almost every single time if not like a city on Ultraman

567
00:45:39,160 --> 00:45:41,960
2 they're they're knocking down buildings they're destroying things it doesn't really

568
00:45:41,960 --> 00:45:48,640
make sense so I don't need to keep those elements like I was saying earlier in what I've learned

569
00:45:48,640 --> 00:45:52,080
and this was a conclusion I'd come to before because I'm just not comfortable pushing the

570
00:45:52,080 --> 00:45:56,280
universe in that direction is like I'm going to take the core messages messages of these

571
00:45:56,280 --> 00:46:00,520
things I'm going to shrink the size and scale of the monsters I'm going to make more of

572
00:46:00,520 --> 00:46:05,920
the stakes personal for people and like I'm going to edge into this world with these children's

573
00:46:05,920 --> 00:46:10,720
picture books that deal with little with issues that little kids will have to deal with and

574
00:46:10,720 --> 00:46:18,240
do deal with and like I don't know present that in that way and I even have ideas for

575
00:46:18,240 --> 00:46:22,040
you know with these grow bugs so they're they're insects of some sort right well I also have

576
00:46:22,040 --> 00:46:26,440
this idea for either other planets or other dimensions within my universe that will have

577
00:46:26,440 --> 00:46:31,080
different bugs in them and I have these I have I also created something called dread

578
00:46:31,080 --> 00:46:36,640
bugs and dread bugs attach themselves to people and have a parasitic nature and etc etc and

579
00:46:36,640 --> 00:46:44,640
very much a la common writer I have a pair of characters chirp and duster she's chirp

580
00:46:44,640 --> 00:46:49,160
is based off of a cricket kind of like a grasshopper which is what common writer is and duster is

581
00:46:49,160 --> 00:46:55,080
based off of moth which there's a moth common writer who I have a lot of affection for and

582
00:46:55,080 --> 00:46:59,760
I really like moths and he's a tiger moth she's a whatever kind of cricket they have

583
00:46:59,760 --> 00:47:05,880
adventures but each of them has is like bonded with a dread bug and the dread bug enables

584
00:47:05,880 --> 00:47:08,960
them to tap into this greater power source they're able to transform into these you know

585
00:47:08,960 --> 00:47:14,160
costumed suits or forms or alternate bodies or whatever it is I don't I haven't really

586
00:47:14,160 --> 00:47:17,280
worked that out and they're able to fight off the other dread bugs which is very much

587
00:47:17,280 --> 00:47:24,000
like a common writer I just had a brilliant idea as I was working on these on these grow

588
00:47:24,000 --> 00:47:28,760
bug books that the grow bugs and the dread bugs can either be related to each other or

589
00:47:28,760 --> 00:47:33,720
the existence of one justifies and like anchors the existence of the other and it made me

590
00:47:33,720 --> 00:47:39,320
think oh maybe two of the kids from my books should grow up to become chirp and duster

591
00:47:39,320 --> 00:47:42,160
that could be really interesting because I have a mix of boys and girls in there and

592
00:47:42,160 --> 00:47:45,600
I think that could be fascinating and that's like a trans media thing where I can and then

593
00:47:45,600 --> 00:47:53,000
the other thing is while writing a draft for one of the other grow bug books grow bug book

594
00:47:53,000 --> 00:47:57,640
three I shared it with my wife and she said this is a children's picture book and I said

595
00:47:57,640 --> 00:48:01,560
yeah it is but I've always had this idea of what if you had a board book or a small children's

596
00:48:01,560 --> 00:48:06,980
picture book and it told a story but you could have a chapter book a middle grade chapter

597
00:48:06,980 --> 00:48:11,140
book or you could have something bigger beyond that that expands on that the children's picture

598
00:48:11,140 --> 00:48:15,480
book isn't contained all that story is contained in it but it's expanded upon there are more

599
00:48:15,480 --> 00:48:19,000
details you can go into more depth and it actually linked to another character that

600
00:48:19,000 --> 00:48:24,760
I created I think two years ago maybe it was three years ago by now who I want to be part

601
00:48:24,760 --> 00:48:27,920
of my universe so it's like this ever-expanding universe but I want to figure out a way to

602
00:48:27,920 --> 00:48:33,080
manage it all and I think by putting it all under well anyway I'm putting the building

603
00:48:33,080 --> 00:48:37,760
blocks together in a kind of loose way another thing that Inouye taught me is like if you

604
00:48:37,760 --> 00:48:41,440
don't declare what your rules are and you just play fast and loose with them you can

605
00:48:41,440 --> 00:48:44,000
keep them in the back of your mind or have them written down so you don't violate them

606
00:48:44,000 --> 00:48:48,320
ultimately but if you keep your rules as vague as possible you can do a lot of things and

607
00:48:48,320 --> 00:48:51,820
the audience will go with it because it'll feel right and natural to the story because

608
00:48:51,820 --> 00:48:56,840
you're not blatantly overruling overwriting or overturning any continuity that you've

609
00:48:56,840 --> 00:49:02,040
established so anyway I'm exhausted I'm home I am going to go enjoy the weekend with my

610
00:49:02,040 --> 00:49:07,080
family thank Gd I've made it another week and I'm going to go ahead and get this published

611
00:49:07,080 --> 00:49:12,800
and released pretty soon so I'm going to stop there these are this is intended to be a much

612
00:49:12,800 --> 00:49:17,600
smaller show much less in depth but I guess I just had to put all that out there so I

613
00:49:17,600 --> 00:49:22,840
plan on having next week's be very truncated hopefully well I'm not going to put a time

614
00:49:22,840 --> 00:49:26,080
on it but hopefully it'll all be a lot more succinct and everything I have to say because

615
00:49:26,080 --> 00:49:31,920
I'm very much introducing you to all of the stuff that I'm interested to as a creative

616
00:49:31,920 --> 00:49:36,480
person so anyway this is MJ I leave you with peace and blessings I ask that you check out

617
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the next ones come back for the next one and go to mjmunoz.com to see all my work as it

618
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develops and yeah that's it if I didn't say it already I'm going to say it now I leave

619
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you with peace and blessings I hope you enjoyed that if you did you can find more at mjmunoz.com

620
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as well as my entire library of analysis art and fiction.

