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This is MJ, I'm an author, I'm an artist, I'm an analyzer.

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Find all my work at MJMunoz.com

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Prepare yourself for some off the cuff book talk as I tackle another middle grade book chapter by chapter.

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This is MJ bringing you my chapter 5 review for Maniac Melee.

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This is, I'm going chapter by chapter through this book talking about the good, the bad, the ugly, and what I think of it overall.

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So, here's the review for chapter 5. I didn't like it. See you next time.

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No, I didn't like it and I really do think I've identified the issue, which is that Jerry Spinelli does this mythic storytelling where he removes characterization.

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And, sure, I'm trying to be as nice as possible because I don't want to be mean and it was never my intention to be mean or cruel or snarky or anything like that with these.

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I just want to be honest about it. This doesn't work for me. Why? Because there's not enough character involvement, character interaction going on.

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But what are you talking about MJ? There were three bullies who threw a kid whose name was made up on the spot over a fence.

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And then, McGee went in there to this yard of this cranky old man who everybody's afraid of and he's got a ball and frisbee and whatever else boomerang, you know, graveyard in his backyard.

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You know, McGee went in there and picked up the kid who passed out with the wallies or whatever they called it and he carried him out of there.

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He put him on the front stoop, the kid woke up, he ran away and McGee sat down and sat on the stoop where nobody ever sits.

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Here's the thing. That's what happened.

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Those high school kids were shown to be jerks. Their conflict showed them, showed their character that they're not good people.

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They're bullies. They're picking on a kid younger than them who they can throw over a fence. Not cool at all.

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I don't care about them. I doubt we're ever going to see them again. We didn't get their names.

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And anyway, we didn't get their names. I'm glad I held back and you should be too.

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Anyway, so we didn't get their names and we're never going to see them again. I doubt or I'm sure. I'm sure we're never going to see them again.

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So beyond that, they are just props in the story and so is Alex Jones.

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Is that really his name? Alex Jones? Alfred Jones? Albert Jones? I don't know. I've got to look back.

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But if it's Alex Jones, that's unintentionally hilarious.

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But anyway, so and that's not spineleseful. It's just how things go.

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Anyway, so besides that, you know, McGee goes in there. McGee doesn't know anything about the yard.

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I don't even know who he knew the kid was there unless he was watching them throw him in there, which is possible.

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He doesn't know anything about the house. He doesn't know anything about the stoop that all kids are afraid of the house.

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All kids are afraid of the yard. All kids are afraid of the stoop.

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So he's not acting with bravery, although from the perspective of the three bullies of West End or in West End,

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if they don't know that he doesn't know, they think he does know.

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And therefore it's impressive to them what he does.

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However, the audience knows that he doesn't know.

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And therefore it removes some of the wonder and awe from what he did.

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He didn't accomplish a feat of going into somewhere where he knew it had a bad reputation.

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It was super scary. He went into some random yard and pulled a kid out of there.

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And then he sat down on the stoop of that yard and read his book.

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And there's not really anything impressive about that.

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If Spinelli is trying to frame this and like it's all about your perspective and it's all about what you know and what you don't know,

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it's about how informed you are, how ignorant you are, and that's why you're racist or whatever,

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I guess I could be seeing his point a little bit here because I've just kind of walked through these different perspectives,

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you know, actual perspectives and how they would affect your perception of the story and what's going on.

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And there were a few literary flourishes I liked, like the kid in the backyard looking like a mouse in front of a snake

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that's gaping law open, ready to strike. That was pretty cool.

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And then there was one other thing he said a little bit after that that I thought was really good, really effective, a great turn of phrase.

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But yeah, I don't know what it was now.

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Probably the best thing about this chapter is I'm going to make this up on the spot.

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I know this is true, that this chapter of this book inspired the movie The Sandlot.

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You hear that? Maniac Be, Chapter 5, inspired the movie The Sandlot.

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And for that, it deserves a place of honor because that's a great movie.

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At least it was when I was a kid. I watched everything so much at school.

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We all watched it. Yeah, somehow at school we watched it and we watched it over and over and we watched it forever.

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And anyway, I'm eternally grateful to Jerry Smalley for giving us The Sandlot

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because I'm confident that that's exactly where that movie came from, this chapter of this book.

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So thank you, Jerry Smalley. I owe you one. I owe you one.

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Anyway, if you want more analysis of this book, check out the playlist I have going.

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Whether I finish the book or not, the playlist will still exist and I will put on the show notes,

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or I'll put a special post on the episode, sorry, on the website saying,

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I will put a special episode or a post on the website called Maniac McGee, you know, chapter by chapter, you know, whatever, complete, incomplete.

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And it'll be there and you can check that out as you wish.

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I hope you enjoyed that. Please remember to like, share, subscribe.

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I invite you to comment, ask questions, and share your thoughts with me.

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It's always more fun when you're part of the conversation.

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Until next time, keep reading, be well, and do good things.

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Visit MJMunoz.com for more of my work and help me build up the fortress fiction.

