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This is MJ. I'm an author, I'm an artist, I'm an analyzer. Find all my work at MJMunoz.com

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Prepare yourself for some off-the-cuff book talk as I tackle another middle grade book

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chapter by chapter.

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I am bringing you my thoughts, my review, my chapter by chapter coverage or discussion

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of, yeah that's what I think, chapter by chapter discussion of Maniac McGee. This first chapter

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that I'm talking about is not the first chapter, it's actually the introduction, it's called

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Before the Story and it's kind of wild. I don't like this writing style and I'm suddenly

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regretting that I decided to listen to this book, to have this book on my list. It's,

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you know, a famous award-winning type of book. It's got accolades and just because something

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has accolades doesn't mean it's actually good, which is something that I'd forgotten about.

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I don't know, but it's on a list of other books, like it has Number of the Stars on

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here of, you know, listeners also enjoyed that kind of thing. That was a great book,

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it was one of the best books I've read so far in this section. But then BFG's on there,

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BFG's supposedly weird. I don't know, Cricket and Times Square is on that list as well and

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that's a great book. So yeah, I'm really not sure what to think about this. And just because

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something is popular doesn't mean it's good. And again, just because something has accolades

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doesn't mean I'll like it either, it doesn't mean you'll like it. You don't have to like

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what everybody likes, you don't have to go by the Newberry Award list. That has a certain

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utility but you also need to use your own discernment and I kind of randomly selected

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or used those. I used a chat GPT I believe to come up with this list. People talk about

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the biases of that. And I did a little bit of filtering but some of the books I didn't

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know what they were. I just knew that they were acclaimed and I thought, hey, I'm going

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to check them out because the point of the project of Forge of Fiction is to check out

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these classic and modern children's books that have great appeal, great success and

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see how I like them and see if I think they're worthy of a place of honor in the Forge of

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Fiction. That's what I'm doing here. And yeah, I don't know what to think about this book.

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It's so strange already. And it my biggest problem with it. So it has an ending line

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that goes with a 123 structure. The history of a life and these what it says is that the

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history of a kid's life is one part fact, two parts legend and three parts snowball.

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I think that's a non sequitur. If it isn't actually a non sequitur that just means nothing,

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then it's got some sort of hidden meaning in it. And a snowball does two things. So

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it's like a very evocative language that's being used, but it's also strange and weird

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and I don't really like it. And I don't know that there's much utility in it to children,

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who's the intended audience? Will it make them more critical thinkers? I don't know.

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It might just like I honestly listened to the chapter two or three times just and I

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just finished relisting to it as I was walking out here to sit down and talk about this book

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or this introduction. And I thought the thought came to me, this book is sliding off of my

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mind. And then I thought, no, that's not quite right. And then I tried listening to it again.

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And I thought, okay, this the writing style of this is repellent to my mind. And it'll

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be funny if I watch this or if I listen to this whole book and I end up loving it at

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the end. But yeah, it's got like a like a slam poetry kind of style to the diction.

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And that honestly might be a little bit because it's being read by S. Apta Merkerson. And

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if you don't know who she is, she's fabulous. I don't know what else she was in, but I know

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her from Law and Order from the 90s and maybe early 2000s with Briscoe and Green. And she

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was the LT over their unit. I can't remember what precinct they were in, but Law and Order,

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the crime, you know, procedural show. And man, that's a great show. That's a great show.

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And she was great in that show. And, you know, she's an African American woman. So she brings

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her own style. And like she brings herself, she brings herself to the role of reading

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this book. And the book's about, you know, black people and white people, I presume,

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because it's about racial division in somewhere Southish, I guess. Yeah, the kid was born

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in Pennsylvania, I think is what they say. Or did I just meet someone from Pennsylvania?

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I'm not sure. Anyway. And yeah, it's odd. It's odd. She brings her style to it. And

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I think it's a great performance. And it sounds good. And that's the thing about like that

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slam poetry style of writing. There was a Star Wars book written by Daniel Jose Older.

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It was a Han and Lando book, I believe. Last Shot, I think is what it's called. And for

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the audiobook, they did three people, they did a woman, him and one other man, I believe

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who did the the reading. And Daniel Jose Older's performance is I pulled up for you, if I could,

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but it's at one point, somebody gets drunk or like, like Chewbacca gets like spice thrown

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into his face. And if you don't know from Star Wars, spice is like a drug. And, you

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know, I'm just going to patch it in, I'm going to find a clip and I'm going to record like

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10 seconds of his performance and share it with you. And like I overall like that book

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a lot. But like I kind of cringed every time his parts came up, because he covers like

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a specific character at a specific time in their life. And just like the delivery and

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like the the structure of the diction, it's like a very or the structure of the sentences,

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the prose, it's a very like, trying to sound like, you know, I walked up the stairs, grabbed

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a cigarette, lit it as I stroke the match against the hard wooden banister. The heat

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of the fire lit up the end of the cigarette like a

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fire that had been left on too long. It was burnt. Sweet. Almost like colonized. You know,

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wheat, which that rhymes on accident. Anyway, it's like that kind of style where it's like,

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you're trying to sound really cool and you're trying to like, like be something like project

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an image of something. That's what I felt about those sections of that book. But the

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one man wrote them all. And the other sections didn't feel like that. So he was definitely

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he gave voice and character to each section of the book. And I know I'm talking about

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a Star Wars book now, not about Megan Mcmiggy, but this first chapter really feels like it

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has that or this introduction. It has that vibe of like that trying to harken back to

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like the like a beatnik. It's like beatnik delivery of a story. And I don't really appreciate

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that. Like, I'm happy for those people to do that on their own. But it doesn't mean

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I have to like it in my books. And I don't like it here. And spoilers, I actually because

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the chapters are so short. I actually listened to all of chapter one as well, which is just

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a couple minutes and it's similar. Like, I don't know, I'll just go back to it real quick.

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In the intro, they say that they say that maniac McGee was born in a dumpster or a dump

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that his heart was a cereal box and his stomach was a spring. And he had an eight inch cockroach

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that he washed, walked on a leash and rats that would guard him at night when he slept

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at like, I don't know that's supposed to be kid myth and kid legend, like old school playground

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legend when there was no internet when there was no, there was only like, you know, three

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TV channels. And kids would just like make stuff up and, you know, lore developed and

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things like that. And that's something I kind of touched on in. I only remember seeing Clemens

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or Mark Twain and Mark Twain's Huckleberry Finn. Wait, Tom Sawyer. Tom Sawyer is what

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I read for fortress fiction. And I talked about that. And like, it's interesting. And

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I don't know if it's distinctly Southern because Tom Sawyer was definitely Southern. He grew

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up in rural Mississippi or Mississippi is rural, I guess, at the time all of it was

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rural and like the vocal performance of that was really good. And it had like a music to

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it and a rhyme. And I'm sure that comes from that comes from, you know, the actor gave

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that performance, but also it came from the from what Clemens wrote himself and Twain,

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sorry, what Twain wrote. And like, there's definitely skill in what Jerry Spinelli is

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doing. Like he's doing something skillful, but I don't have to appreciate it. I'm not

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required to appreciate your skillful. I'm not required to appreciate your skills. And

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I don't appreciate this so far. So it'll be interesting to see how I get through the book.

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You know, it's plausibly short. I think the total like it's taking me about three hours

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to get through the book, which probably six hours because I'll listen and then I'll come

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talk about listening to talk about it. And yeah, I don't know. I don't know if you've

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read this book. I'd like to know about it. I'd like to know what your thoughts are on

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it. I'd like to know if it gets better. And I mean that in multiple ways. And yeah, I

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know this will be an interesting journey. And just because the books on the list, just

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because I'm doing a chapter by chapter, it doesn't mean I'm going to like it doesn't

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mean it's going to get into the fortune fiction. But in spite of the book itself or the you

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know, these things I don't like about it, it might be an amazing book that gets gets

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in anyway. So I just might have the caveat that yeah, it belongs here, but it's just

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not for me. I'm not the target audience for it. I'm not the reader for it. But anyway,

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I know this will be interesting, interesting journey through this book. So till next time,

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folks, take care and keep reading.

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Here is a sample of what I was talking about from Star Wars Last Shot by Daniel Jose older

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a book I do like but I love some criticism at very clear that whatever that song was,

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it was all about Hans current crappy state of affairs. Each bending lick and all those

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whining harmonies going each other teasing or turning to the ether. They were clearly

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designed to paint pictures of Hans own mashed up heart, the pulsing sense of regret, the

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never ending replay of each step along his dumb broken life that had led him here to

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this moment. Lovesick and wasted at Mazas and waiting for Sana to show up with whatever

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ridiculous cargo she needed his help smuggling. And Sana was late, which the song seems to

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know to prep the Falcon she said before she left. Chewie would do it. And anyway, the

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Falcon was always prepped. And why were these cackling but tango notes mirroring Hans silent

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compensation with himself?

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Yeah, so I mean, there it is. You know, a song doesn't know anything. Like it's very

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expressive. But it's like mumbo jumbo, sort of. And it kind of irritates me. And that's

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the kind of thing you get maniac McGee as well. And it's just an interesting. I don't

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know if that's a whole literary like sub genre or what that is. But I'm not familiar with

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it. And I'm not the audience for it. And I'm not saying anybody who is is wrong. It's just

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surprising that if it is a thing, that it is a thing, because I wouldn't think anybody

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would be too interested in hearing that for too long. So anyway, I think that's going

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to be it for now.

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I hope you enjoyed that. Please remember to like, share, subscribe. I invite you to comment,

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ask questions and share your thoughts with me. It's always more fun when you're part

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of the conversation. Until next time, keep reading, be well and do good things. Visit

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MJMunoz.com for more of my work and help me build up the fortress fiction.

