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This is MJ, I'm an author, I'm an artist, I'm an analyzer. You can find all my work at MJMunoz.com.

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So I want to talk about chapter 7 of Peter Pan, continuing my chapter by chapter discussion of it, and my...

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not my theme for this, but the title of this episode at least is going to be,

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the narrator is your crazy uncle. And I'll get to that at the end here I think.

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So, it's interesting, one of the things I'm talking about in this episode, or this chapter rather,

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is that adventure kind of is a point of view.

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Kind of a tangent related to that, well that's the tangents after.

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Peter's so used to having adventures, fighting with pirates and Indians and hunting animals.

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Maybe even bears from time to time, that the life that Peter, or sorry, that Michael and John and Wendy know,

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is kind of like an adventure for him, because it's unknown and it's strange and it's not what he's used to at all.

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So, it's almost, I mean, the idea that adventure is relative and point of view comes into the matter is here.

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You know, it's funny, people will travel hundreds of miles or thousands of miles, they'll fly hours on a plane,

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to go somewhere they've never been before, to do things they've never done before,

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when they could probably just drive somewhere close by and do that same sort of thing.

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And I find that kind of a funny thing to be pointed out here in the book.

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Just kind of interesting, not like anything major to say about it, but it's funny because Peter pretends he's the school kid,

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and I don't know, just like other lame stuff that's just not very cool,

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and he's like, oh, this is a great adventure for me because I'm not used to it, and that's kind of funny,

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and it proves the point, or it's what caused me to draw the point.

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Another thing is Peter will go out and he'll have unadventures on his own, or he'll go out and have adventures.

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When I say unadventures, I just mean boring stuff, like, oh, I just took a walk, but maybe he's, you know, bloody,

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and you're like, no, I don't think he just took a walk, something else happened.

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But it is explained that he'll like say he killed somebody and then there won't be a body,

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or he'll say he didn't kill somebody and then there is a body out there, and things like that.

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So it's just, I know I've kind of talked about this a decent amount,

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but it's interesting how this idea of this lack of reality for Peter keeps coming up,

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and I don't really know what it means, I don't know what we're supposed to take away from it,

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I don't know what the child audience was supposed to take away from this,

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but it is interesting that it keeps happening, it keeps being a thing that he just, you know,

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really can't tell the difference between reality and imagination, and I don't know what that means.

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Anyway, there was a reference in probably chapter four or so when Captain Hook was flying,

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not flying, Captain Hook was running around on the island with his men, and he found,

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what was the guy's name, Windows or something like that?

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Anyway, oh man, anyway, he killed some guy, which is not funny, but you know,

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it was framed funny in the book, so that's why I get to laugh about it.

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Anyway, he found the hollow tree entrance to Pan's base,

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and specifically he like sat on the mushroom, I think, and it got hot under him,

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and he realized that there was a large mushroom that he was using as a stool,

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and he realized that it was stuffed into the chimney there,

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and it was catching the heat from the fire that was down in the chimney,

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and he said, oh, these dumb kids, they went ahead and, you know,

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build these seven hollow tree pathways or tunnels into this underground home for themselves,

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and you know, they're so dumb, they don't need more than one,

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they could all use the same entrance, which I'll get to in a moment,

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but more than that, they have no mother, so I'll pick a, Mr. Smee, let's go back to the ship,

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and let's pick a cake and put nice green icing on it or frosting on it,

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and make it poisonous to these kids.

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We'll leave it here for them because they have no mother.

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They're warning them not to eat strange food that somebody left out.

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They will eat this and they'll all die, and that will be the end of Peter Pan and the Lost Boys,

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which is crazy because that actually happened.

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He didn't just mention it and then Barry forgot to do anything with it,

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he forgot to follow up with it.

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It happens here that we hear about the fact that the cake did get baked, it did get left there,

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and Wendy, as their mother, did stop them from eating this strange cake

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multiple times until it became so hard that they used it as a missile,

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which means, you know, like a projectile, and they threw it, I don't know, somewhere,

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and Hook ended up tripping over it, which is pretty hilarious.

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That's a lot of fun for me.

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So, anyway, it's kind of ridiculous.

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Oh yeah, and then Hook's wrong, apparently.

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You do need a separate entrance for each person because it's made for each kid,

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but I don't think it actually needs to be that way.

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That's just how Peter wants it, so that's what happens, so it's kind of interesting.

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And then Wendy's wolf appears.

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It comes back to her.

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This is something I mentioned in the short that I did talking about this.

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It's something I mentioned previously, I believe,

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because the Indians belong to John and Michael, the little one.

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I don't know what he particularly imagines in the Neverland,

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but part of the Neverland that Wendy imagines, I believe,

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is the mermaid lagoon as well as the wolf that she has there.

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And I don't know what the deal is with the wolf.

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I don't know if it comes back.

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If it does later, I'll gladly talk about that.

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I hope it does.

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I have ideas for what can be done with the wolf, but it also,

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the wolf is mentioned in juxtaposition to this long series of adventures,

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and days and nights pass so quickly that the darling children are forgetting their parents,

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and Wendy's making tests for the boys to do

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so that they would remember their mother and father and what it's like to be home.

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But time passes differently there, and it passes very quickly.

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There are so many suns and moons that suns and moons pass very quickly,

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and you kind of lose grip of time, which is super interesting.

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And it mentions that there are many, many adventures,

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and almost implying that there are dozens of adventures to be told of

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that aren't contained in this book.

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He made some jokes, like it would take a text document book to fill all the adventures.

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So there's volumes and volumes more of Peter Pan-worthy stories that are told,

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or that are there, out in the ether to be imagined and to be told.

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And I was thinking it'd be cool to kind of do that as a project.

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Like somebody could do interquels or sequels to this original book,

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which is in the public domain, and it'd be totally fine,

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because you can totally do it.

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There's really room to do it as long as you leave everybody alive

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to go into chapters eight and beyond from this.

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You could do lots of stuff, and I'm thinking you've got to put Wendy on that wolf

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and have her riding it around, because that'd be super cool.

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Or even having it savor from pirates or Indians or whoever.

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You could do a lot of cool stuff with that.

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I think it'd be a lot of fun.

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And then as the chapter closes up, the narrator goes on and on and on.

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He mentions like six or so different adventures, and he says,

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will we tell this one, will we tell that one?

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Oh, I flipped a coin.

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Maybe I should flip again and do best two out of three, and all this stuff.

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And then he finally decides on one, the mermaid lagoon story he's going to tell,

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which is going to be what chapter eight contains, if it's not about it entirely.

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And I was thinking, who's vamping here?

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Is that the narrator vamping for humor?

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Is that Barry not knowing what to write and just making stuff up on the fly?

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Or what, is that purposeful?

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Was it a crutch and then he leaned into it and made it his thing?

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Or what? I don't know.

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But that's why I said, it's like your crazy uncle's telling you this story.

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I was going to say your drunk uncle, but I don't know how well that would play.

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So I don't know. It's kind of interesting.

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Or it's very interesting how fertile the Neverland is for stories

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and how this story itself, the narration of it, provides an availability,

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an option, a opening for somebody to make these untold tales of Peter Pan

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or untold tales of Neverland or something like that.

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And I think it would be a brilliant idea.

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I'll leave it to somebody else for now.

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But I think that would be pretty cool.

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Anyway, that's all I have to say for now on this matter.

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I've got other work to do, so I'm going to get to it.

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I encourage you to check out my website to find full show notes.

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I'm going to have all these episodes linked together in a single post

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so you can listen to them all, including the Fortress Fiction episode I will do

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after reading through the whole book and gathering my thoughts on it

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and figuring out what exactly I think of this book and where it belongs

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in the Fortress Fiction or whether it belongs or not in the Fortress Fiction.

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And yes, I like that a lot.

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I would also encourage you to subscribe, share, like this,

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to get more people listening to this, more people paying attention to these stories

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and my treatment of them so that we can have a thriving community talking about literature,

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children's literature specifically, because that's an area of my focus right now

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is I want to be writing children's literature,

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so I figure I should master middle grade fiction by consuming as much of it as I can,

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analyzing and thinking about it and figuring out how it works

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and figuring out how to make my own compelling stories that will become classics

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like Peter Pan and other great books.

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So until next time, folks, take care, be well, and keep reading.

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I hope you enjoyed that.

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Go to MJMunoz.com to leave any questions, comments, or other feedback you might have.

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There you can find all of my analysis, art, and fiction.

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I cover books, tokusatsu, comic books, anime, and more.

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Look around. You're sure to find something else that you'll enjoy as well.

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This has been a Story Over Everything production.

