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This is MJ back for another chapter by chapter reaction to Jan Berry's Peter Pan.

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I'm talking about chapter 3, Come Away, Come Away, and it's a cool chapter.

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There's a lot of interesting world building in Lord Fur.

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Right now I'm going to talk about Tinkerbells.

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So Tinkerbell is a fairy, of course.

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Fairies were born from the first last first baby,

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breaking them into a thousand pieces and then I guess they propagated from there.

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Because there's supposed to be one fairy for every child.

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But because children are so sophisticated nowadays, fairies no longer partner with children, I guess.

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And more so, or even worse, is that anytime a kid says, I don't believe in fairies,

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a fairy falls down and dies.

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And also fairies are supposed to be like gender bound to their kids.

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So Tink says that she's Peter's fairy.

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He says he can't be because she's a lady and he's a gentleman.

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And I think that's just really cool. It's a really neat detail.

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It's a lot of fun.

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I don't think Tinkerbell wants to be Peter's fairy because she wants to help him with things though.

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It seems like she has a different interest, especially because this is where we get the famous

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thimble kiss thing. Thimble kiss exchange, I should say.

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And I mean that on a couple levels.

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And it's really interesting that it definitely seems like Tinkerbell is kind of in love with Peter,

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even though she has a, let's say, a womanly figure, which it would think means that she's much older than him

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and needs to be with a guy who is, you know, post-purity or whatever.

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I can't quite tell what age she's supposed to be, but he does have all his baby teeth still.

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And that's something that's mentioned. He's got these shiny, light little pearls.

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And it's very interesting because Barry points that out.

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I'm not 100% sure why. I don't know why he's quite so focused on his little pearl teeth,

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his little baby teeth that he's still got. To me that hints that he should be pretty young.

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I've got a 10-year-old who's about to lose a baby tooth and have an adult molar come in, so maybe he's 10.

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But I was under the impression that Wendy was closer to 12, like 11, and I think Peter and Wendy are supposed to be the same age.

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Also, I don't know, there's a lot of interesting stuff going on, like Peter forgets that Wendy was the one who helped him

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sew his shadow on, or she did the work, and he celebrates it as if he did the very thing.

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And he just has a nature where he's cocky and he gloats and he's very proud of himself.

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But also, he has this nature that we'll see develop or highlight a little bit more later, where he forgets.

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And it's like he's always forgetting. And there's something a little sad and strange to me about that.

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And it's very possible that at one point he did love Tinkerbell and he told her that he loved her,

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and seems that they would be best friends forever, whatever that means in that context to children.

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And then he promptly forgot it, and she's holding onto that, because every fairy shall forget in the same way the boy does.

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Especially a boy like him who doesn't age and has all those adventures.

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So I don't know, it's a really interesting...

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A lot of interesting stuff going on, like I don't really get the kiss thing. I mean, I do get it and I don't get it,

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because I haven't been a kid myself.

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But it also seems strange, but I also don't think it was like...

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I don't think it was a romantic kiss physiologically, but it definitely was a big deal to them.

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And it's not something that's, you know, advisable.

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It's definitely something that should be avoided at such a tender age.

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But it certainly doesn't happen, I know. I know.

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For a fact it does, but it doesn't happen.

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But it's definitely more of an innocent side than a non-innocent side.

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It's a pretty court-to-age where you physically face it more as something not the kind ofness that...

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Wendy likes the lights and has a reaction from hitting the symbol back from Peter,

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because she showed him what that was.

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And here's the thing, the way that it's really still called really...

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I feel like that's the editing or phrase, rather,

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that I can't tell if she was screaming because Peterbred pulled her hair

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or because of hitting the symbol from Peter.

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So I was thinking about picking her up to prevent it from happening or not.

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But essentially his speaker doesn't really seem to react to it.

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And I don't know what that means, Peter.

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Is that not... Is it maybe a symbol of not a new experience for him?

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Or is he still at an age where it doesn't really matter,

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he's not really someone to check him and...

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I think the professor says, maybe today or what, but it's not. It's too soon.

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And I don't quite understand what there is to me that I could...

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I mean, I love the book, but the thing was, the reason I'm like, oh, god, this is the best...

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The first two fiction, I am reading books, I'm reading some of them,

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I've never read before, and others I'm reading that I said, excuse me for a second.

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And I'm assessing them under the...

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Not the quick one, the group, the standard of fiction fiction.

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Is this something that's good for children? Is it a good book?

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Is it good for children so it makes them better people?

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Better, stronger, stronger, more loving people?

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Will they be people who help build up the world or will they be people who destroy the world around them?

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And you might think, well, okay, here's the good news about it.

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It could also affect the destructive or the mysterious.

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I don't know, maybe it can be, maybe it can't.

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But also the way it's framed here, I don't think...

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I think it was a fact and maybe it's right to have the book.

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I don't know if he actually got to kiss her back or if he picked it or not.

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And I think it's interesting that Barry did that, and I wonder why he did that.

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He seems to be okay with shielding less than you might think and being more...

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You mean rust or being more...

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He's a little more dangerous than you might like or than one might like.

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But he plays with the danger in a really skillful way, I think.

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And I think it's reason that he's here too.

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I think it's something that gets him kind of lost over or not really noticed in the sense that he's talked to.

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I'm not saying that it's part of the party's structure because I need to finish this before I can make that decision.

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But it's kind of teetered, kind of wobbled, it's kind of immediately in the text.

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So I don't feel as badly about it.

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But it is really interesting.

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So, interestingly, these extremes, you get all this cool fairy lore and all this sweet innocent interaction between these two characters.

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Palemba is just kissing, which is a little tedious.

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And then, I'm not sure where I'm on.

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I'm not decided on yet.

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So, anyway, that's it for now.

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Check out the next one.

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I hope you enjoyed that.

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Go to MJMunoz.com to leave any questions, comments, or other feedback you might have.

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There you can find all of my analysis, art, and fiction.

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I cover books, tokusatsu, comic books, anime, and more.

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Look around.

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You're sure to find something else that you'll enjoy as well.

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This has been a Story Over Everything production.

