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This is MJ, I'm an author, I'm an artist, I'm an analyzer.

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You can find all my work at MJMunoz.com.

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Welcome to Fortress Fiction.

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This is Story Over Everything episode 55, Fortress Fiction episode 7, I think.

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It's been a little while.

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I took a little break.

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I was writing a book though, so it's okay.

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But this episode of Fortress Fiction, I'm going to be talking about The Westing Game

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from 1978 written by Ellen something.

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Written by Ellen Raskin, will you believe it that as soon as I went away from the video

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app, I remembered it was Ellen Raskin.

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I saw the book cover title.

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I didn't see her name.

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I clicked on it because I downloaded it for the episode graphic.

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And sure enough, there it was, Ellen Raskin right in front of me.

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Unbelievable.

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But maybe it is believable.

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So anyway, so I'm talking about whether or not I believe this book belongs in the Fortress

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Fiction and the short quick answer is no.

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If I wanted to be, well, I don't want to be mean, so I won't say that.

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But I almost thought about joking around or kind of saying that the reason I stopped doing

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Fortress Fiction for a while was because of this book, which is not true at all.

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Other things happen.

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But yeah, this this was not a good book.

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Well, one, I think this was not a good book.

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Two, or it wasn't my taste.

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Two, this is not a good book for children, which that's how it's marketed.

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That's what it says it is.

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And three, I don't think it was a good mystery either.

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Yeah, that's the intro.

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I'm going to take a break and I'm going to get back to it and give you as full as I can

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my thoughts on the book, because it's been probably over two months since I read it.

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But I do remember those three things that I brought up right away.

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And we'll see what else I remember.

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I'm not going to make this a long one.

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It'll be possibly the shortest episode of Fortress Fiction ever.

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We'll see.

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And so I don't forget, I want to say one positive thing for sure.

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And then also just jump to the end and try to suggest Ellen Raskin's other works.

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This is Ellen Raskin's only fiction novel that she wrote.

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She was an illustrator for some company and she did a ton of illustrations with like,

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I think hundreds of illustrations for many books, a lot of book covers as well.

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Notably, I believe she did covers for a George McDonald reprint of like the Princess and

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the Goblin, Princess and Curdie.

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I think that's accurate.

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But she did, you know, in book illustrations for her picture books, I believe as well.

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And I believe in the end of the note of the version I bought on Audible, because that

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was the only way I could get it.

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I couldn't borrow it from a library or anything like that.

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I had to buy it, which it's just constantly doing business, right?

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It's just part of the job.

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Anyway, it's mentioned, I believe, by a friend of hers or I don't know.

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I believe, I believe it was the actual voice of the lady who she was friends with wrote

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about her and like it was nice.

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It was very lovely.

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And I think she mentioned that she wanted to see an adaptation of Goblin Market, which

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is a classical thing that I've never read and I'd only heard of recently.

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So that's kind of me.

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Like my after the fact after I read the book and then as I was in the book, I was upset.

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I was upset actually, like the first chapter of the first page for the first couple of

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minutes of it.

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I was irritated by stuff and I thought this isn't I don't like this.

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I don't like this.

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I don't like where it's going.

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But the the afterwards, like the who she was as a person, I found there were a lot of admirable

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traits.

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I found a lot of things I liked and that I respect about her and her work.

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And that's really neat.

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But yeah, this book isn't for me.

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Although it's interesting.

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It was written in 78.

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It sounds I try not to get too political.

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Politics permeate everything.

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So you have to a little bit a little bit.

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And this is fortress fiction, which the object of it is to see whether or not these fiction

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stories are worthy of being part of the foundation of morals and.

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Ethos of children, because I don't think there should be any toxic or damaging or poisonous

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and toxic was the same thing.

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Right.

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So very similar thing.

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I don't think this should be anything like that promoted in children's fiction.

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It may happen from time to time.

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Like this book has some kind of toxic stuff in it that I didn't like.

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And that's part of why it doesn't belong in the fortress fiction to me, because I would

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never say, oh, my kids should definitely read this book.

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It's going to help them be a better person.

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I don't know what ill effect this book would have on children.

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But there's no real merit in it.

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And that's that's my problem with it.

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And I mean, honestly, I didn't really find it that entertaining either.

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However, despite the fact that I say that it was a was is a very competently written

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book.

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So I mentioned in the afterword is that apparently Raskin was making up this.

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Mystery plot thing as she went along, she was basically panting the book and making

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that part of it as she went along.

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And the editor who gave the the afterword perhaps is what it's called.

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Or maybe it's the forward and it's just audible, put six at the end in their productions.

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She said that she had to help reign in the chaos and make sure it all fit, make sure

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it was all logical.

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And like, I guess it was logical, but it just seemed too goofy and really makes sense to

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seem maybe it seemed to juvenile.

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I don't know, but it was for kids.

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So is that an excuse to do?

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I don't really think you should write down or talk down to to readers or to children

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as your audience, whatever the medium is.

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And yeah, I did not like that.

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But and yet I say it is a very competently written book.

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Her prose is really good.

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There's some flowery stuff that kind of bothered me.

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Her prose is really good.

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And she's like a very sharp cultural critic.

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Like there's this black judge character, this judge character who happens to be black woman.

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She says to herself at some point, I am the first black woman judge of this, that or whatever.

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And she's shown to be an imperfect flawed human, which I think is wonderful.

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She's in the cast as an imperfect flawed human, even the hero, even turtle.

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And it's just it's a strange book.

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It's a strange story.

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I don't really get it.

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I don't really what she was.

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I don't really get what she was going for at all.

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So one of the things, one of the biggest things that bothered me, it wasn't that there was

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a black female judge and she was the first and she was, you know, breaking glass ceilings

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or anything like that.

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Didn't bother me.

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That was great.

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Whatever.

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It's fine.

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The second one was the, I don't know.

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It is kind of like a, yeah, it's a very sharp cultural criticism of different things in

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family.

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And it turns out like the main character's mom is kind of a jerk.

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And then she has an arc where she's less of a jerk and like her perfect, beautiful sister,

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turtle, perfect, beautiful sister.

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I can't remember now.

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It's been too long since I've read the book.

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She ends up getting scarred and kind of just figured and she kind of likes it, which again,

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sounds like subversive, but she was lauded for her beauty and her like submissiveness

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and compliance.

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And then she rebels in this different, in these different ways throughout the book.

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And I don't know, she doesn't rebel in a way that makes her a more person.

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She rebels in a way that's kind of destructive and negative overall.

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And I don't know, like everybody picks up the pieces of their lives because you need

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to flash forward to like 10 years, 20 years, 30 years later, something like that, towards

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the end of the book.

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I think it's close to the 20 and maybe 25 at the most anyway.

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And like you get to see where people are now and they've all kind of become better people,

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but I don't think it's because of the events of the Westing name.

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I think it's in spite of the events and like maybe they were kind of all thrown into each

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other's trajectories because of this convoluted scheme that Westing came up with.

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And I don't know, it's just, it's just weird.

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Like it's just weird.

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I don't really know what she was trying to say.

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I didn't really get the story.

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There were a few, like I said, it was comfortably written.

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So there were a few moments where I was shocked, where I was kind of amazed by something that

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she pulled off and where I thought like, oh, that's really compelling.

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But then the rest of it is all not so great.

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And it's, it was all a lot of the humor or a lot of the humor was very like random and

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like mean spirited.

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At one point it almost feels like this couple is going to get divorced.

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At one point it almost feels like this couple is kind of like cheating on each other, like

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having an emotional affair with this other married couple in the, who's in the Westing

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game.

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And it just, I don't know, like it's so uncomfortable.

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It's so uncomfortable.

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And it's like a very adult book.

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And I said, you shouldn't talk down to your audience.

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How can it be an adult book that talks, how can it be a book that has adult content in

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it and yet talks down to his child audience?

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I don't know.

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I think we're asking to accomplish that feat.

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Yeah, there was just things in there that just made me so uncomfortable.

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And yet it was so like silly or goofy.

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I think the silliness and the goofiness feels like it's talking down to children to me.

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There was no, which this is like, I think this is the worst joke in kids stuff.

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He's right behind me, isn't he?

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But she can't remember who mentioned that, but I thought, oh my gosh, that is like such

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a great thing to latch onto as that's a horrible bit of comedy.

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And I don't know when that was funny.

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Was that in Costello?

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Was it somebody before that?

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I'm talking 120 years ago.

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Maybe it was funny, but it ain't funny now.

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It has been funny for a long time.

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I don't remember what I would have seen that in, but I've seen it in many children's media

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things and I haven't liked it for a long time since I was young.

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Anyway, so yeah, I think the goofiness and silliness of things kind of feels like it's

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talking down to kids, but then like these very adult concepts and realities and things

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that it brings in, scenarios that it brings in, I just don't like them.

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It feels like a really weird, like a poison pill.

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I hate saying that.

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Like I feel really badly saying that.

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And I try very hard to not criticize these books in such a way where I'm attacking the

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people and where if I had any influence at all, I'd be calling for people to like boycott

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or attack them or to ban them or anything like that.

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I won't advise anybody read it.

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I have the links on the website in the show notes.

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If you want to go ahead and go through and get the book on Audible for yourself or read

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the paperback or whatever, you can do that.

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I have links to, I think Penguin Random House is the current holder of the title.

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Things change all the time, right?

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And pretty sure you can get it from them.

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And I know you can get it on Amazon, obviously, if you're through them or whoever.

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And you can also get it on Audible.

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But still, I just, I wouldn't advise that you do.

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I just don't think it's worth your time.

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We only have so much time in this life.

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Our life is precious.

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You never know what day is going to be your last.

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And I would hate for you to get this book and hate it and then die that day and think,

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oh, the last thing I read was the Westinghouse.

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It wasn't very good.

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But like I said, I'm trying to be nice and I'm trying to catch things in an intellectual

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way and explain my reasons for not liking some of these things.

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And yeah, it is a little unfair that it's been so long since I've read this book, but

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there you have it.

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I'm being a little unfair, but I'm trying to be as fair as possible.

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I'm trying to be nice.

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And I did compliment Raston's writing because she is a skillful writer, even if I didn't

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like the things that she wrote because those things are very, very exclusive.

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You have the most amazing writer in the world who writes things that you don't like.

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You can have the worst writer in the world who writes about things that you like and

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you indulge it because they're speaking directly to you, preaching at the choir, so to speak.

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Or you can reject it based on its merits and say, you know, it's great that you have all

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these things in common with me and that you agree with me in all these ways, but I'm not

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going to validate your poor writing and say that you should keep doing this because you

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share my opinions or make me feel better about myself.

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I'm going to be intellectually honest and say, yeah, the writing in here isn't very

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good.

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So I feel like I'm being okay.

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And I'm being fair because I'm saying intellectually, from an intellectually honest perspective,

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Raskin's writing is very competent.

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However, it is distasteful to me or doesn't align with my tastes.

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And I don't think there's anything in there virtuous or up raising for young minds to

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be reading it.

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So yeah, I told my daughter right away, like when I was a quarter through the book, I said,

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I don't think this book's for me.

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She encouraged me to ditch the book and read something else instead.

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But I want to stick to the stuff that I have on my list.

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And I'm just going to let the chips fall where they may to use a cliche down by the bay.

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Hey, hey, hey.

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So anyway, that's all I have to say for this.

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So again, you can go check out, I mean, if you look through her bio, you can find some

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of the books that she's illustrated, see her art.

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I'm sure her art is wonderful.

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I didn't personally look it up myself, but yeah, I didn't look it up myself.

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But from the things that she did all this art on, I would imagine that her artwork was

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excellent.

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I mean, that's what she made a living off.

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So whether or not I like it or you like it, she was good enough and she did things right.

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So that publishers, you know, Trad Pub, back in the day when that's all it was, it was

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Trad Pub was giving this woman money to make her life, her livelihood off of from illustrating

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these books and book covers and whatnot.

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So that's great.

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So I was looking at her and definitely I was looking at that stuff more than I would look

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at any of her other writing.

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Or like I said, that's this really is the only thing the Westinghouse or the Westing

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Game.

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So I keep saying Westinghouse, isn't that like a computer thing now?

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Anyway, the Westing Game by Ellen Raskin.

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Yeah.

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So again, I do not advise it.

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I don't think it's worthy of being part of the fortress fiction.

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I don't think it works.

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I think if you try to build a foundation on this, things are not going to be good for

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you.

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So with that being said, going back real quick to me saying that I'm sticking to my list.

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I was so relieved in doing the preparation for this and getting my notes ready, getting

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my show notes ready, getting my post ready, my blog post ready over on mjwinter's.com

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that I saw the next thing on the list.

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I'm pretty sure this is correct.

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This is a modern children's book.

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Now I'm going to go back and read a classic children's book, which is a classic, which

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is the Wizard of Oz, which spoiler, I'm going to tell you right now, I love the book, but

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I encourage you to read it and I'm going to talk about it and I will try to take not longer

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than 15, 20 minutes to talk about it, but it's a wonderful book.

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I enjoy it so much.

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That one I know for fact, you can get an audible.

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They have it.

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You can get it read by different people, like different celebrities and stuff.

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There's a free version to pay for or use a credit board.

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I know there's a free version on there, which is done by Phil Schennewehr.

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Phil Schennewehr is the guy from Levervox.

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I don't know where else he's from, but I was introduced to Phil Schennewehr on Levervox.org,

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where he does all these free audio books.

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I have a sneaking suspicion he's Catholic because there's a bunch of Catholic book stuff

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that he's done, but he's also done tons of fantasy books, all of the original 14 Wizard

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of Oz books by L. Frank Baum, and he's done a bunch of other stuff.

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I love his vocal performances.

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It's great.

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I read the entire Wizard of Oz book, the first one, to my daughter with my own eyes off of

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the e-reader screen years ago.

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I've gone back and I've listened to those books again and again.

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I'm in the middle of reading the Oz series to my kids right now.

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It's wonderful.

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The wonderful Wizard of Oz by L. Frank Baum is wonderful.

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I get to talk about that and tell you all the reasons I like it in the next episode

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of Fortune Fiction.

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Go ahead and either buy it or you can get it for free.

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If you look around, Project Gutenberg will probably have it for free as well.

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It's definitely in the public domain.

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Yes, that's what's coming up.

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I already gave you spoilers as to the fact that I really like it, but you'll get to hear

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why I like it.

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Hopefully I'll lay out a cogent argument for the virtues of the book and why it belongs

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in part of the Fortune Fiction.

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Although, I love the book.

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How virtuous is it?

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I don't know.

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I'll just review it from that lens, from that perspective and see what I think of it in

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that context this time when I listen through.

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Until next time, folks, take care.

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This is MJ signing out.

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Oh, before I go, I mentioned earlier that I kind of took a hiatus from Fortune Fiction

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and during that hiatus I was working on my book.

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I wrote a book.

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Here's the pitch for it.

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Magical Bugs Battle Monsters.

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It's a middle grade book.

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It's around 23,000 words and I think it's good.

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I like it.

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I'm having some people I know read through it.

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I'm trying to hire an editor who I know personally, or not personally personally, but who I know

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through knowing other people.

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I'm going to print some hard copies of it, give it to some kids I know and have them

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read it.

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Yeah, I'm working on getting this thing done.

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I hope that when it comes back I don't get a bunch of notes telling me to revise the

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book, but I very well may.

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You can learn more about that and keep up to date on the progress of me getting that

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book published by going to the website.

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I'm setting up a newsletter.

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It's not sequenced yet, but you can definitely sign up for the newsletter and I'm going to

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be tweaking that as time goes on because now that I've gotten all this writing of the book

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out of the way and I've revised it and all these different things, I'm ready to shift

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gears as an author entrepreneur and start doing what I need to do to make sure the book

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is able to go out and it's as marketable as possible.

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I have a great start to my book launch campaign and all that stuff.

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So anyway, please look forward to that and if you value how I assess fiction, if you

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like how I approach books or if you want to see if I'm a filthy hypocrite, then please

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check out my book.

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Stay tuned and check out that book and let me know what you think about it when it comes

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out.

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It's going to be called Robochronicles and that's all I'll share for right now and you

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can check out more later, find out more on the website.

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I hope you enjoyed that.

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Go to MJMunoz.com to leave any questions, comments or other feedback you might have.

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There you can find all of my analysis, art and fiction.

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I cover books, tokusatsu, comic books, anime and more.

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Look around, you're sure to find something else that you'll enjoy as well.

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This has been a Story Over Everything production.

