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This is MJ. I'm an author, I'm an artist, I'm an analyzer. Join me as I read an assortment

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of classic and modern middle grade books. Each week I'll share my thoughts on a different

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story and tell you if it is worthy of honor in the halls of the Fortress Fiction. You

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can find all my work at MJMunoz.com.

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So let's start off the Fortress Fiction episode for Little Women with a little bit of information

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about the book itself. Little Women is a coming of age novel, by the way I'm reading this

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straight from the wiki, written by American novelist Louisa May Alcott, originally published

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in two volumes in 1868 and 1869, which there's actually mention of that in the version of

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the book that I listened to, which is kind of cute. The story follows the lives of the

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Four March Sisters Meg, Jo, Beth, and Amy, and details their passage from childhood to

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womanhood. Loosely based on the lives of the author and her three sisters, it is classified

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as an autobiographical or semi-autobiographical novel. Very interesting. Also, it is a little

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interesting that I'm including this in Fortress Fiction as a middle grade book because it

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could be considered YA. I would say the first half of the book is definitely more in the

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vein of middle grade and the second is in the vein of YA perhaps, or maybe a romance,

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I'm not quite sure how to distinguish them, but together it definitely works. And yes,

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together they definitely work as one cohesive story and as still something I think qualifies

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as middle grade fiction. Just because the March girls are growing up doesn't mean that

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it can't still be middle grade and it can't be appropriate for children as well. It is

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very appropriate for children. So anyway, let me see. There's a little bit more of interesting

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information I will talk about and then I'll share with you and then I'll talk about my

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thoughts on the book. Little Women was an immediate commercial and critical success

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and readers were eager for more about the characters. Alcott quickly completed a second

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volume titled Good Wives in the United Kingdom, though the name originated with the publisher

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and not Alcott. It was also met with success. The two volumes were issued in 1880 as a single

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volume titled Little Women. Alcott subsequently wrote two sequels for her popular work, both

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also featuring the March sisters, Little Men in 1871 and Joe's Boys in 1886. Very interesting.

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I'm going to keep reading a little bit more. The novel has been said to address three major

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themes, domesticity, work and true love, all of them interdependent and each necessary

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to the achievement of its heroine's individual identity. According to, I'm going to stop

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there. I'm going to stop there. So very interesting. Here's another factor. The book has been translated

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into numerous languages and frequently adapted for stage and screen. I think I know of three

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Little Women movies alone. And there's an anime. I don't know if there's an anime or

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not. There might be an anime. There's an anime of Emma. I know that for sure. Anyway, so

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now I'm going to start talking to you about this book. This lovely, lovely book. So my,

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let me see, what's the time right now? Okay. My one minute review of Little Women in the

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context of fortress fiction is that this book definitely belongs in sconce in great honor

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in the fortress fiction. It, I believe it, well, it is an entertaining book and it is

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a positive uplifting book. It is a beautiful book and it encouraged me. It convicted me.

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It inspired me to be a better husband, to be a better father. Uh, it made me, uh, it

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didn't actually until this moment make me think about like what a rotten kid I was at

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times, uh, because these characters are just so lovely and so wonderful and so good and

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genuine and they have their foibles and their trials and they make mistakes and you get

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to see this whole life captured in this story. And it really is beautiful. And I think everybody

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should read this book. Definitely recommend for me. Now that being said, I want to go

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ahead and talk about more of the book. What, um, interesting. So I just noticed that the

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title, uh, from a very old document or manuscript or I guess document version of the book, it's

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called Little Women or Meg, Joe, Beth and Amy by Louisa May Alcott, which is kind of

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funny. I wonder if that's them. That must be done in birth order because yeah, I believe

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that's them in birth order, which is a pretty cute, pretty quaint. Oh, also the, uh, the

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original book has illustrations in it done by Louisa May Alcott, uh, or it says illustrated

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by May Alcott, which I'm assuming that's her and not her sister, but you never know. Um,

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but that's still really cool. It's one of these old books with the illustrations in

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it, which I think is absolutely beautiful. It's classic. Um, even Bridget of Erythia

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had illustrations in it and that was for me, uh, 1975, I believe. And where was it? 78.

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I don't quite remember now, but regardless, uh, it's something very charming about these

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older books. Now I listened to the audio book of it, so I didn't get the benefit of that,

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but, uh, we actually have a copy of this, uh, like primo copy of the book that has, uh,

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illustrations in it. So, but this is my first time reading it and, uh, just, you know, I'm,

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I am a father and I had a sister or I have a sister, I don't know why I said it like

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that. I have sisters. I'm a father. I've been, uh, a husband and a son and all these other

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things, you know, specifically two women or in the context of having relationships with

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women in my family in my life. And, uh, I have daughters as well. So, um, this book

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was really interesting because it's a girl book. This book was written for girls, I believe,

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uh, four girls, four women, and it's still beautiful and charming and funny and everything

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that it needs to be to be entertaining to me as a man who didn't grow up as a little

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girl. And it very honestly captured, I think in a heightened sense, what it's like to grow

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up as a kid. Now, of course I did not grow up in the 1800s in America, in America, bonus

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points if you're listening to this and you know what that's a reference to, just let

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me know. And anyway, it like shouldn't, it shouldn't, I shouldn't be able to relate to

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this what I do. And, uh, I think it's just because the characters are written in such

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a real way. Again, they have flaws, they have issues, they have things that trouble them

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and they're so good. Not the characters are good. Their flaws and their foibles are so

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good. And despite the fact that these characters are so good and so noble, they still really

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struggle and that's really endearing. Probably one of the things I like best about this book

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is it's from a modern day perspective and from growing up with postmodern ideas and

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things like that, which I basically reject. I like that this isn't a subversion of a romance

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story. It is instead a family story, which contains romances in it and it contains heartbreak,

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but it's not a book about a woman or a girl falling in love with a man and then living

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happily ever after. It's a book about these sisters and their lives. And it just feels

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very, it's like it's a book about these sisters and their lives and how they live to the best

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of their ability, the ethics instilled in them by their parents. And I'm in the midst

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of raising my children and instilling in them my ethics with my awesome wife, who's a hundred

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percent my partner and we're very much in sync on like 90% of everything we're doing,

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which is wonderful. It's so difficult and I can imagine doing it with somebody who I'm

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not in sync with like this, but thank God that's not an issue for us. So we're very

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much on the same page raising our children. And so are the March mother and father who

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feature in this book, Marmee as they call her, who I don't know what her real name is,

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but for some reason these young American girls from, I don't even know where they are. I

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think they're in like Boston, maybe, maybe they eat lobsters at some point. So that makes

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me think that they're like Northeastern. No, but then again, their dad's fighting in the

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civil war as a, what do you call this guys? No, a parson, not a pastor, not a partridge

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in a pear tree. Their dad is fighting or is serving in the war as a, you've got Muslims,

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rabbis, pastors, or I should say imams, rabbis, pastors, priests who serve in this capacity

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in war, chaplain. He's like a chaplain for a brigade or platoon or whatever it is. I

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don't know all the military stuff and they don't go into all that in the book. But then

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he comes back and while he's gone for a decent chunk of the book, their mother is raising

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them kind of like a single mother and she's doing an amazing job. She is instilling, like

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the kids already, like don't, they're not like at each other's throats. They have their

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differences and they're a little minor, you could say, but they're definitely not at each

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other's throats. They love each other and they help each other and they play and have

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fun with each other. And there's glimpses of them having friends outside of the home.

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I don't know what their schooling is like. They're all able to read, perhaps, I don't

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know what I'm not going to speculate, but they're all able to read and write, which

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isn't an issue for them. And you know, there's no TV, there's no video games, there's no

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Instagram or Twitter or TikTok or anything like that. So they're not distracted by those

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sorts of things. They don't have those technologies, those avenues of interacting with the world.

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So instead they read books, they write plays together, they act in plays together, they

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play with dolls, they take care of animals potentially, or to some extent. They do all

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these different things that you would have in this early, you know, in this civil war

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era America. And it's really interesting to see all their interactions with each other

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and like how they make play and how they make entertainment for themselves and how they

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make their lives because they're all very different from each other. And they're all

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doing things very, like they're all fairly independent people, and they all have their

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own avenues and silos of activity, or their areas of focus and expertise, because, well,

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partly because that's their nature and partly because sometimes in a family you have to

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kind of like claim something is yours. And you act a little bit in distinction to other

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people so that you can have your thing. Or sometimes you copy, it kind of depends on

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the family dynamic specifically. But for the March sisters, I don't think we have too

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much of that kind of thing where like, oh, I'm not going to be like this person. Jo is

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the most contrary of them all, but it's more specifically when she's told what's expected

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of her, she kind of wants to do the opposite. And that's not, that's atypical of the other

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sisters. But they all have their interests, you know, of course Jo has her own, but she

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might for a turn pretend that she's not interested in something she's interested in if you were

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to say something to her about it, which is kind of interesting. So they all have like

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very distinct personalities and differences between each other. And Jo kind of feels like

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the main character with this being semi-autobiographical, it makes sense. And I can see how that informs

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the book and that kind of sets the tone for the book, but still like the ways that Marmee

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raises the girls and like sets them up to go through life's trials and encourages them

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to go through them with love and dignity and gentleness.

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I want to switch gears now and talk about how Alcott or Louisa May Alcott being more

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of a Jo being more of a man's woman. It makes sense why the men are so well written in this

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book. I really feel like every man is very authentically written in this book. It's a

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little bit shocking how well all these characters are written. Yeah, so Laurie, the neighbor

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boy who the March sisters encounter and make friends with and make into a brother basically,

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he's very well written. I don't know. I don't really want to spoil the book. It's a hard

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to recommend. It's actually not only, you know what, I'm going to switch gears. I'm

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going to say this instead. Not only is this book so good that it's a definite recommend

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and I give it like a nine out of 10, by the way, I think by the end of the first chapter,

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I thought, wow, this book is amazing. I'm going to give it a nine out of 10 if it continues

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this way. But not so not only is it an excellent book and not only is it a definite recommend

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for anybody and not only does it belong in the fortress fiction, it actually is something

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that I will insist that people read. And I don't know what I need to do to pitch this

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book to people to get them to read it other than saying it's amazing. It's very good.

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It may be too. I'm going to say it may be too biblical for people because it's very

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biblical and I hesitate to say Christian because while it is in fact Christian and the March

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Sisters are in fact Christians, as is their father, who's a pastor or minister or something

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like that. And while the book does reference Pilgrim's Progress by insert name of author

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here, I do not remember the name of the author of Pilgrim's Progress at the moment, despite

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the fact that I read it in high school. I'm going to say, hold on, you know what, I'm

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going to look it up. Let's see. There may be an inspiration or a mention of who it was.

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Excuse me while I do things. OK, John Bunyan. I was going to say John Milton, which is totally

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wrong. But apparently John Bunyan wrote the Pilgrim's Progress. This is referenced several

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times in the book or in Little Women, and it's referenced to amazing effect. It's if

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you don't know Pilgrim's Progress is an allegory about Christians in Christianity with a character

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whose name is Christian. And he goes through all these toils and meets all these characters

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who are allegorical representation. Well, they're allegory characters. I don't know

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how you say that any other way, any cleaner way. They're allegory characters representative

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of all these different things, including a Polly on who is a weird Greek vacation of

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the name Abaddon from the Hebrew Bible. And Abaddon, I believe, is a demon who is associated

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with Sheol. Anyway, the whole angelology thing from Judaism is very strange to me because

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angels are hardly referenced in the Torah and the Tanaf, and they're not very well

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described except for they are like an Ezekiel. And then demons are hardly ever mentioned

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either. But there's a whole angelology demonology that was developed in Judaism over the years.

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And I believe the Catholic Church took a lot of that stuff and absorbed it into itself

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when the Catholic Church rose to more and more power and prominence. And while this

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is not a religious podcast, and it's not a podcast talking about religion, it's talking

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about books. This is fundamental background. It's world building, for lack of a better

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term to this novel, because you have all this all this stuff mentioned. In fact, one of

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the chapters is called Joe meets her Apollyon. And because it's been so long since I read

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John Bunyan's novel, I didn't think it was a reference to that. I thought it was a reference

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to Greek mythology, perhaps. But then I looked it up and oh, yes, Apollyon, aka Abaddon,

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aka Sheol or related to Sheol. And I thought, okay, it all makes sense. Now this this, okay,

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I understand this makes sense. Because really, the book is I don't know how to sell it. I

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don't know how to sell it. Because to my to Jews, I would sell it as look, it reverts

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to Christianity, but it doesn't in a very, you know, to knock kind of way. And like there's

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even mentions of like, oh, the friend who's always there for you. And it's speaking specifically

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about God the Father, there's like no mention of a Trinity here. There's no I did. Does

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the name does the word Jesus the name Jesus appeared all in the book? I don't know. But

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it's an interesting. It's a very interesting representation of Christianity, because it's

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more of like a whole Bible kind of approach. And it references like, maybe Heavenly Father

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God the Father, once or twice, maybe three, three, four times the most, I think. And maybe

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one Jesus in there, but probably not at all. The events take place at Christmas, the least

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the start of the book does. And I don't remember if Easter is featured in this book or not.

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I kind of feel like it isn't. But like there's no Thanksgiving, there's no Halloween. There's

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the Christmas, then there's like different, like seasonal things. Oh, it's springtime,

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we're going to go here. Or it's, you know, fall, we're baking this kind of thing or whatever.

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But it's very interesting, because it's just like a very biblical book, like, fun fact,

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two thirds, I believe, of the so called New Testament are quotes and references specifically

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to things from the Tanakh, from the Hebrew Bible. You know, Jewish people don't say the

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Old Testament, but they say it's the Tanakh, it's their Bible, it's the writings, it's

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the Torah, the prophets and the writings, which is shrunk down into Tanakh and compressed

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into a single word. And, you know, versus there's a Christian, one of the church fathers

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at one point, at one point, a church father specifically said in order to distance Jews

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and Christians from each other, said, that's the Old Testament, this is the New Testament,

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we're better than them, we're replacing them, they need to go away. And if I can't make

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them go away, I'll definitely make you think they're old and busted, and we don't need

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to pay any attention to them. But anyway, that's getting a little far afield. But just,

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it's interesting because the Marges don't seem to have that kind of perspective. It

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seems like they would have been readers of the entire Bible and would have valued things

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and Psalms and Proverbs and any of the exciting stuff going on in the book of Joshua or Judges

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or anywhere throughout the Tanakh. So there's lots of great things you can find in there,

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lots of great value. If you can look past it being old in comparison to your New Testament.

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But that's just from a Christian perspective. So anyway, and actually, I'm saying that's

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the Christian perspective. But the Christian perspective represented by Alcott is a very

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soft one. It's not anti-Semitic, it's not anti-Jewish, it's not anti-Tanakh, it's just

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like very pro, you know, God is your heavenly father, he's, you know, God the father is

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your friend who will, you know, be there for you or whatever. And it's very much emphasizing,

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again, the whole Bible and not, you know, a specific person who is difficult for people

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to deal with at times. And at the same time, it's not. So that's what I would say to

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Jews. To Christians, I would say this book is, I don't know, it's everything you would

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want. Like it's very encouraging of you loving God and being a good person and living a life

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of self-sacrifice and diligence and truth. And it talks about you being rewarded for

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being good and you suffering for being bad, which that may sound like a more of a Jewish

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thing, but it's really not. I think the best Christians are those who believe in truth

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and hard work and in seeking, not necessarily seeking blessing, but blessing being the consequence

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of obedience to God, which includes love of God and love of fellow man on equal footing,

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which is exactly how it's presented in the Tanakh, by the way. And yeah, I think that's

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definitely true of the best Christians. And it's just, it's a great book and, you know,

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it's specifically, you know, Christian in name, even if there's room for a Jewish reader

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to not take offense, relate anything in it, I think for the most part, maybe the Christmas

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celebration. And then to the secular person, the person who isn't Christian, isn't Jewish,

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doesn't really have a love for God in their hearts or in their lives, or that's not really

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something important in them, or even just a, you know, kind of a religious person who,

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a person who's the anomaly, they were born into whatever faith, but they don't really

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practice it. It's just a good book. It's like a tone down, down to the Abbey. It's very

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reminiscent of Jane Austen novels. There's less scandal in this book, but there's heartache

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and there's heartbreak and there's sadness and there's all these different trials that

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these characters face and face heroically. They face actually, some of them face their

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challenges heroically. Some of them face their challenges less than heroically and there's

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falls and redemption and people getting back up. It's, it's just good drama. It's good

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human drama. And if you can appreciate the context of these people coming from a Christian

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milieu, an early American Christian milieu, you know, religious perhaps is the better

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way to say it. You can definitely appreciate the human struggle that's captured in these

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pages and yeah, Joe feels she's not a feminist. I don't know. Feminism is a difficult topic

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to handle, but she's a very interesting woman. She's a very nuanced woman and all the marches

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who's get to be nuanced women and that makes them all the more interesting, I think. And

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that makes the book all the more interesting. You know, the ideal of marriage and children

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is there and it's achieved. Well, it's there and it's achieved. I'll put it that way because

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I don't want to go into spoilers because it's such a good book and telling you things that

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happen wouldn't really spoil it for you, especially if you've seen the movies or any other adaptation,

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but it just, it makes it a richer experience for you to experience it yourself and to have

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it all unfold for you as, you know, in real time as you're reading it. The, the, the foreshadowing

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that's there, the things that dawn on you, the things that you think are going to happen

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and then don't happen and then maybe they do and the back and forth of all it, it's

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just, it's so, it's such an enjoyable trek to go on and you know, like Christian's Pilgrim's

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Progress, the book takes you on a journey as the reader where you get to go through

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all of this stuff and experience it along the March Sisters and it just, it just feels

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so good and it's just, you know, it's a journey. It's a journey. It's a story. There's this

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heart there and it's just, it's a gorgeous book and I don't really feel, and you know,

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forgive me for having a, like long, you know, talking about religion, diversion in the midst

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of talking about this book, but it feels, it's very important to the context of the

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book, I think, but still you don't need to fear wherever, whatever camp you're in, it

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has its appeal and it has a lot of value and there's, I would say there's not just value

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in this book, there's virtue in this book, the lessons taught, the, it's funny because

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it's not, some could accuse this book of being preachy. I would say, that's your opinion,

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I would say it's not preachy, it's illustrative. There are characters, Marmee specifically

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at one point, talks about her anger and how her anger had ruled her at one point and how

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she has fought against her anger with God's help, with her husband's help and on her own

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terms because she doesn't want to pass on the anger that so ruled her and caused her

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to hurt other people and as a consequence of hurting other people, to hurt herself,

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to harm herself, I'm not saying physically, like she hurt people and then those people

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turned away from her or weren't there for her or were estranged from her and that hurt

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her. She lived with the consequences of her actions, she made her bed and had to lie in

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it and she doesn't want that for her daughter so she's trying to live a different way, she's

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trying to elevate herself as a person, she's trying to do better and be her best self at

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all times because she's living for those girls. Not that she doesn't have her own life with

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Mr. March, that's not the case. They do have a love and a marriage and a romance and a

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beautiful life together and they get to share that throughout the course of the book I'll

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say and you can tell that's something that's important to them and that's what she wants

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and she wants to be a mother and she wants to be a certain type of mother and she wants

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to be an inspiration to her children and she gets to be and it's just beautiful. It's almost

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Marmee's story, I don't know, it's peculiar, it's almost Marmee's story but it's obviously

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not. It's definitely Jo's story but it's just Marmee and Jo and the other girls are so interwoven

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into this narrative and Jo gets to be on the back burner, she gets to be a side character

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in the book, she gets to be in all these different positions and there's all this different focus

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and emphasis on all these different characters and it's such a rich book and the pains and

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the sorrows and the heartache that people go through, you get to see, some of them just

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happen, some of them are caused by them, some of them are consequences of their actions

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and you get to see them over the course of their lives because the book starts when they're

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very young, I would say the youngest is, I don't know, 10 or 12, I thought the youngest

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and it ends when the girls are, I don't know, in their 30s, let's say. So it's a good span

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of years, 15 or so years. 15 to 20 years is I would say, I would guess the span of the

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book. It could be a little bit later, I'm not 100% sure but it's so interesting how

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much of their lives it covers and in doing that and then facing the challenges they do

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and the way they do it and because of the context that they have, you get to learn virtue

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through seeing their mistakes and through seeing them fight their mistakes and combat

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things and I don't know, it just seems like there's a rom-com section in there, like early

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married life being a disaster rom-com but there's also just lessons to learn as a husband

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and a wife, it's interesting because it's a book, it's a very instructive book but it's

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a narrative first and foremost and that's really enjoyable to me and I think it's wonderful.

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Again, if that didn't sell it to you, let me know. I definitely want as many people

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to read this book as possible, it's just an amazing book, one of the top books, it's one

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of the best books I've ever read. I jokingly told my daughter that it's better than Jurassic

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Park. I love Jurassic Park, Jurassic Park is such a good book but it's like popcorn

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garbage trash compared to this, like this is a good book, it's got amazing things and

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not that Jurassic Park doesn't have its merits, it has merits, it's mostly entertaining, there's

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some deeper things going on there but this has a story and it has value and virtue, it's

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a virtue, it's almost a holy book, it's definitely a virtuous book and it's incredible, it's

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incredible. So if, well I'm going to check and see if anybody's left any comments for

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me on this book and I'm going to share them with you and regardless of whether they have

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or not, if you have something to say about this book, I would love to hear it, leave

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me a comment, there's a variety of ways you can contact me, through the show notes, through

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the blog, MJMunoz.com is the best way to do it and yeah, I'm going to take a break for

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now, come back with messages from people or not, thoughts and feelings on this book from

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people or not if they decided to share at this time and on the other side of it I'll

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wrap things up and then we'll part ways for now.

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I did not obtain the feedback I was looking for but for now that's okay, I decided I'm

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going to do something a little different now that I've come back to the episode and that's

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that I'm going to tell you about other works from Louisa Malacat because I like this book

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so much and I actually found out a little bit more in doing this light research. So

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Little Women is the story of the girls when they're young, Good Wives is the second half

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that is mentioned, oh the next part of this will be published if this first part has success

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and that's what the book Little Women is now today. So it used to be Little Women and Good

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Wives and now it's together in one volume. She also wrote a Little Men book in 1871 or

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it was released in 1871 and then in 1886 she released Joe's Boys and that's a sequel to

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Little Men and then she has other novels, The Inheritance, Moods, The Mysterious Key

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and What It Opened which sounds like a great title, I want to read that book. An Old Fashion

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Girl, Will's Wonder Book, Work, A Story of Experience, Beginning Again, A Continuation

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of Work, Eight Cousins or The Ant Hill and then Rose and Bloom which is a sequel to Eight

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Cousins and Under the Lilacs, Jack and Jill, A Village Story and apparently, huh, I wonder

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if these were, oh A.M. Bernard, well anyway, three more books and I'll stop. Behind a Mask

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or A Woman's Power that was as A.M. Barnard, a pen name she had, The Abbott's Ghost or

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Maurice, Maurice, Their Herons Temptation and lastly A Long Fatal Love Chase which apparently

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was not published until 1995 which is interesting. So anyway you may want to check out some of

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those other books by Alcott if you like Little Women like I did. And as I'm rounding out

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the episode I want to let you know the next Fortress Fiction episode will be, the next

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book I'll be reading for Fortress Fiction is going to be Roll of Thunder, Hear My Cry

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by Mildred D. Taylor originally published in 1976 and here's the little blurb for it,

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In the Depression Era South, the Logan Family Fights Racism and Injustice and I listened

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to a little bit of the, there was a very short intro on the Cloud Library version of this

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book I found which you can find it there for free if you've got a library card. And I listened

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to, yeah just a small, it has a very small intro like less than five minutes and it was

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really interesting and then I listened to just a little bit of the book but I hadn't

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done my Little Women recording yet so I had to stop myself but from the little snippet

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I heard it sounds interesting so I'm looking forward to reading that book and talking about

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it with all of you so again it's Roll of Thunder, Hear My Cry by Mildred D. Taylor, apparently

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it's book four in that series which it's kind of, it reminds me of like the Little House

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on the Prairie series because it's a series of books about a family and it's historical,

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I know dramatized is the right way to say it or not but that's, it's a family story

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written down in books and turned into these you know interesting successful stories that

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touch people and I'll be curious to read this one.

