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This is MJ, I'm an author, I'm an artist, I'm an analyzer.

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You can find all my work at MJMUNOZ.COM

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Welcome to Skimming Leaves.

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This is a sub-episode, sub-series of Story of Everything, and in this episode I'm going

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to be talking about Harry Potter Book 4, Goblet of Fire.

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So to start it off, I'm going to give you some fun facts about the book, and then I

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will hand things off to my past self to discuss my thoughts on the book right after finishing

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it.

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Like, minutes after I finished the book, I was sharing my thoughts on it, so you'll get

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to hear that.

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Excuse me.

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So the book was published July 8, 2000.

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Scholastic in the US and Bloomsbury, apparently which is a thing that publishes books in the

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UK, published them simultaneously.

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There was also a midnight release of the book in the year 2000, when it was released.

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I believe I've mentioned this before, but I vaguely remember my sister going to a midnight

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release.

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It may have been for this book because this, you know, Book 4, was the first one to get

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a midnight release, and then apparently 5, 6, and 7 all got midnight releases as well,

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and yeah, I had no idea what this was, but obviously, you know, there's people outside

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of America, and there are people who weren't me, I was like 13, you know, who had been

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reading these books and other books at the time, and were excited about this thing.

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So that's kind of crazy to think there was a midnight release, and it's burned in my

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mind that my sister and her friend went to this store for the release of a book at midnight,

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and I just thought, that's crazy, how do you do that?

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And now it's interesting, all these years later, I'm finding out that it was a thing

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that happened, and apparently it happened with Goblet of Fire, so that's kind of neat.

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There's, according to, this is so funny, the word count is approximately 190,637, which

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I don't know how you do that, and apparently the UK and American, or US versions of them

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are different, the UK comes in at 636 pages, and the US is at 734, is that because the

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font size is different, is it because the size of the books is different generally,

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I know there's different cuts of paper from all around the world, if you've ever messed

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around with a printer you'll see all these different sizes for printing out documents,

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so maybe that's what that's about.

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And I think, let me see, some of the Triwizard Tournament here, Flordy LeCour, Victor Crum,

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Mad Eye Moody, these characters were introduced, as well as Barty Crouch Jr., although I thought

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both Crouch's Jr. and Sr. were introduced here, but maybe that's a spoiler, I can't

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remember now, so I won't dwell on it, don't think about the spoilers, and hmm, what else,

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what else?

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There's a bunch of romance in this book, which I will talk about later, and I guess that's

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a fun fact, let me see, what else?

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Yeah, I think that's about it for the fun facts that I'm going to share, because the

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rest of these aren't as fun as they could be, and I don't want to bring you down, I

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don't want to harsh your mellow, so anyway, this was a good book, and I enjoyed it a lot,

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and there's lots I have to say about it, and I'll let you hear what all that is.

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It has been moments since I have finished listening to the audiobook of J.K. Rowling's

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Harry Potter and, hold on, it'll come to me, I'm not going to tell you which book number

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it is, because it'll be funnier this way, oh, The Goblet of Fire, yes, so that's book

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four, and I thought it was interesting, I was shocked by the fact that the first Harry

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Potter book was seven hours long, and the fourth had exploded, bloomed, blossomed,

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inflated like Aunt Margaret, to be a twenty hour long book, however, unlike Aunt Margaret,

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every bit of it was welcome and enjoyable to experience, I don't know why I'm using

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that metaphor, it's really weird, and I do apologize, but I can't go back now, so we're

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just going to move forward, that's all we can do.

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So I liked the book, I was shocked by it, there were a lot of interesting twists and

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turns, and I don't want to spoil, so I'll just say it like this, the last hour or so,

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which was I think the last two chapters, two plus, was interesting because it was basically

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a, it was like a reverse heist, or it was like the bad guy had done a heist, basically,

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and we got to unravel and see flowing backwards from the point at which the bad guy had achieved

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victory, yeah, had achieved victory, how that all came together and all the work that went

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into it, and it was really interesting for me, because I thought that the Prisoner of

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Azkaban had a little bit of an aspect of it, not like a heist, but like a mystery, and

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we really got to unravel that mystery in the end of the book, in the last leg of the book,

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however much, whatever percentage that equates to, which I'm not going to guess.

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In the bomb books, the Wizard of Oz, it's always like 75% through, there's a turn for

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the positive, and then the heroes have a triumphant march or a triumphant campaign where they

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just like are mowing through things for the last quarter of the book, and then it just

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ends suddenly at like 99.9% of the book, it's like, and it's over.

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However that is not what happened here, and I do think it's, so touching back on bomb

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briefly, all of the Wizard of Oz books, the 14 original Elfrick Bomb Wizard of Oz books,

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that is, are about four hours long.

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I think they're all 20 to 24 chapters.

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I knew it better when I was, I went on a spurt, or on a marathon basically, where I was downing

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those like every couple days, one of those a day basically, every day or so.

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So I saw the formula and I understood it better, and I can't remember if it's 20 or 24 chapters,

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but it's one of the two, or it's somewhere between them, and it's very consistent.

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The chapters are pretty consistently about 10 minutes long.

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In some books you have a five minute chapter and a 15 minute chapter, not necessarily back

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to back, but somewhere in and around each other, and it all bounces out to about 10

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minutes a chapter, and about, well no, because they're four hour books, how does that work?

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I don't know.

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Maybe I'm wrong.

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Maybe they're closer to 15 minute chapters, but regardless, we're talking about Harry

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Potter here and Rowling's work, not Bomb's work, but I was really surprised, I don't

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know if I mentioned this last time, that Rowling writes long chapters, a la Tolkien.

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I don't like Tolkien's long chapters.

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I kind of got spoiled entering into the British fantasy authors books by reading the Chronicles

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of Narnia and enjoying how Lewis kept them consistent and paced a certain way, and then

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I went to The Hobbit, or yeah, I think I went to The Hobbit and I said of the first chapter

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to myself, this is a 45 minute long chapter, how is that possible?

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But apparently it is, and it's something that other authors do.

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Again, it's something Rowling does here, and it's interesting because while it all took

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a long time, this is supposed to be encapsulating about a year, 10 months, of these characters'

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lives.

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So this is a 20 hour book, 10 months, that's two hours a month basically, that works.

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Two hours a month, that's 30 minutes a week, that makes sense.

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If you watch a TV show every week, that could be a 30 minute experience, approximately.

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So it's very understandable, it makes sense, and there were how many?

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There were 32, 33, maybe 34 chapters.

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Again, that's fairly reasonable, but I was surprised by how long the book is, and again,

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I'm trying not to go into too many details of the book, this is supposed to be casual

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and kind of spoiler free, and put your appetite for the book, so I don't want to go into too

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much of it, but I'm putting a button or a bow on that, I'm surprised how long the book

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is.

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The length of the book is enjoyable, and I don't think it overstays its welcome at all,

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and actually towards, at like 70%, like 17 hours in, I was thinking, alright, this is

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getting a little long, well there were two things actually, around 15 to 16 hours I thought,

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how are they going to put two more tasks in here?

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I won't hide the fact that the Goblet of Fire is about this, you know, a, something it's

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about, part of what it's about is this Triwizard Tournament, where these other two wizarding

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schools from somewhere in France and maybe somewhere in Germany, Bulgaria, Russia, I

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don't know, they come along and they have some of their class, the fourth year, fifth

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year, I don't know what, I think it's the fifth years, some of their fifth year class

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at Hogwarts for most of the year, and during that time, there's a competition called the

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Triwizard Tournament that features three tasks or deals, trials, however you want to call

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it, that each of the wizards from the school is supposed to be conquering, and at the end

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of it, whoever gets the most points will win the Triwizard Cup, win the Triwizard Tournament,

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and there's prestige for the school and the student, and there's also money for the student.

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However, what's strange about this year's Triwizard Tournament is that Harry is a fourth

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year, he should be age restricted from getting in, and he actually is in the tournament as

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a fourth champion, they're called champions, and he's not supposed to be there, and his

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uncle or his father, his godfather is worried about him and thinks that he's putting his

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life in danger and that somebody's trying to kill him through doing, by having him entered

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into the Triwizard Tournament, and it's interesting because Harry's a little flippant, so I'll

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talk about Harry for a little bit, it's interesting to me that he is a little flippant and cavalier

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about the fact that death is on the line, and he makes the classic of underestimating

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how serious that is for himself, I shouldn't laugh at my own jokes like that, he makes

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the foolish mistake of underestimating how serious the stakes are, and he really doesn't

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take things seriously.

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I do enjoy that this comes back, because I ended up telling my eldest about this, I said

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I can't believe what an idiot Harry is, although I kind of, I don't understand the concept

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of the idiot protagonist or the idiot hero, yeah whatever, I'm not into this anymore,

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this is part of my past life, but Ash from the Evil Dead series, or the Army of Darkness

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is where I was introduced to him, and that's the most benign, and that's where this really

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comes to the fore, he's an idiot, but he's really good at killing these deadites, these

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monsters that he has to fight, and that kind of makes up for it, you kind of enjoy seeing

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him get kicked around and beat around though, and then ultimately having a victory, not

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because you're cheering for him, but because it's fun to watch him get kicked around, which

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is weird, and that's mostly I think Sam Raimi's, that's from him, and anyway, that's kind of

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odd, but I enjoy Jokasatsu, I enjoy Power Rangers, there's a lot of idiot Red Rangers,

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especially in Super Sentai I would say, they're like dumbly optimistic in the American versions,

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the Power Rangers versions I would say, or they just don't make sense, but everybody

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goes along with them, like that guy's the leader, even though Black Ranger, or Blue

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Ranger, or whoever should be the leader instead, but in Super Sentai they're almost literally

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idiot protagonists, and in other Japanese media, in the Shonen manga, or Shonen manga

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and anime, you also have an idiot protagonist, hero, who for some reason, even though he

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doesn't try hard enough, he doesn't work at it hard enough, he doesn't study, he doesn't

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whatever, the power of friendship and his tenacity and optimism make him so that he's

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more powerful than the Dark Lord who spent decades honing his craft and his evil and

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sacrificing everything, and then this guy comes along and is able to fumble through

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things because he's got a good attitude, he's able to overcome all challenges, and it doesn't

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make any sense, it strains credulity, and there's a little bit of that with Harry, so

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it's a little odd, but after a certain point he does start taking things more seriously,

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coming up to the third trial really, he takes things seriously, but it's funny because even

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the villain who I explained, we get this reverse heist explanation from this villain, he explains,

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yeah, I was worried about you, that you're such an idiot Harry, that you were going to

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spoil all my plans, so I had to do all these things to orchestrate you coming out on top

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of this trial, and I thought that was delightful and hilarious, and yeah, I really dug it.

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It is interesting though that he did have that turnaround towards the third one, so

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there is this maturity going with Harry, even though he was in a weird place for a lot of

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this book, and I guess he's fourteen years old, to me that's no excuse, but then again,

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I was more of a Hermione than a Ron or a Harry at fourteen, even though I was not Hermione,

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so yeah, that's kind of interesting.

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Okay because I don't want these to be too long, I think I'm just going to touch on three

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more things, romance, Hermione, and media, so hopefully I remember those quite well,

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romance, Hermione, and media, romance, Hermione, and media.

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Okay, here we go, so on the subject of romance, I do not appreciate the fact that this wizarding

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world full of all sorts of supernatural, ridiculous things has to include romance for children.

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I am not naive to the fact that kids like each other and quote unquote date and definitely

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fall in love at young tender ages.

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I have anecdotal experience and I have eyewitness experience as well, so yeah, there's no doubt

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that that does happen.

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However, I do not need it in my fiction, and I think my children certainly do not need

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it in their fiction, and I think you can easily go by for three books without mentioning anything

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like that, and if you can do it for three, you can certainly do it for four.

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So I'm a little disappointed or irritated or frustrated with the nascent romances that

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Rowling put into this book for whatever strange reason, and I'm not casting aspersions or

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saying she's doing anything ridiculous or out of the norm for your standard modern day

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author, I'll just call it that.

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I think people would excuse me of being a little more prosaic if I'm using that word

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properly, and I'm definitely more traditional, and therefore that's not necessary in this

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kind of thing.

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And besides, the fans are going to do that for you, so you don't have to worry about

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it.

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I was impressed, in fact, last book, that there was never really hints at a romance

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between Hermione and either Ron or Harry, and when they got into their fight, Ron and

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Harry in...

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Oh, I guess that's this book.

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Whoops!

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Spoilers!

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Well, they end up having a confrontation and spending time apart from each other, Ron

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and Harry, in this book, and I'm happy that it wasn't over Hermione.

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There is not a love triangle or any weird sort of romance thing going on between the

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three of them, which I think is wonderful.

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So it's commendable in some ways, but not so commendable in other ways, and I don't

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think Rowling dwelled on it overly long, as some children's authors are willing and excited

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to do, which seems really weird to me, but anyway, I don't want to go on with that for

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too much longer.

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Hagrid has a romantic interest in the book.

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It doesn't go...

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Like most things for Hagrid, it does not go how he planned, and that's kind of funny and

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kind of interesting, but it's also understandable.

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We also get to see Hagrid get drunk in one of these books.

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I think it was in the last book, and actually, I thought he should have gotten drunk in Azkaban,

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but I think he got drunk in Chamber of Secrets.

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Anyway, regardless, the kids see him drunk, and it's not a big deal.

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I'm okay with that.

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That makes a little more sense to me than...

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It makes more sense to me to have an adult romance and an adult getting drunk in a children's

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book than it does to have an adult romance witnessed by these kids, and then also have

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kid romances in the same book.

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I don't know if that makes sense to you, but I'm drawing a parallel and saying, this makes

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sense and this is good and acceptable, whereas this other thing doesn't make as much sense

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to me and is less acceptable, or at least objectionable.

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So again, that's my opinion.

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You don't have to have my opinion, you don't have to agree, but I think the book would

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have worked just fine without those undertones, and maybe even the accusations made around

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that subject would have been fine to have if it wasn't directly explored through the

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characters' perspectives.

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I'd be okay with that.

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That is all I want to say about that subject, which was romance.

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Then I think it was Hermione, then media.

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So in regards to Hermione, I let it slip that Ron and Harry get into a fight, and just as

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in Prisoner of Azkaban, where Hermione is taken out of...

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Wait, was that Azkaban?

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No, it was the other one.

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Ah!

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Anyway.

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Ron is taken out of play, as I say, all day, for some time, and that leaves Harry and Hermione

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to spend a lot of time together and to explore different aspects of their relationship as

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friends, and I thought it was lovely.

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I enjoyed seeing more of their interactions, and it was interesting to kind of separate

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Harry and Ron so that we could see different dynamics come to the fore, and I just thought

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it made it more interesting that there was that conflict, and then it resulted in the

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shifting of the dynamics, which was the same thing I thought when Hermione was taken out

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of play previously, so that was cool.

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On the other side of that, I do like how the whole issue was resolved with Harry and Ron,

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even if I thought their fight was a little silly.

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I liked the fight, but it was a little silly, and the resolution to it was basically spot-on.

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I think it was excellently done, so I liked that.

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And talking about media, it's interesting that for some reason a Wizarding World journalist

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comes into the story and causes a lot of damage, and even newspapers are used to convey useful

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and cogent and clear information to different people, like Harry's godfather.

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Somebody else, maybe even Arthur Weasley, no, he doesn't directly do it, but somebody

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else is said to have seen the Muggle newspapers, how they are picking up on some things in

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the Wizarding World relating to Voldemort.

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I like that.

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I think it's interesting that the media is brought in as another aspect, even though

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I think today it's definitely overdone and over-saturated, and I hope it doesn't continue

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too much throughout the other books.

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It makes sense for this one now, I guess.

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I can concede it for this book, but if it carries on as a huge aspect of it, I'm going

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to be a little irritated or less than thrilled about it, but that's okay.

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There's a reporter, Rita Skeeter, who is a particularly acrimonious media woman, and

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she's basically a liar and libeler, because when you say that a newspaperman is doing slander,

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he can simply respond to you that he objects to that, because in print it's libel.

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But anyway, she's a libelous, lying, scandal-monger, and an awful character, and I really dislike

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her.

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She plays an interesting role in the book, but it also is like a weird role, and I don't

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quite...

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Maybe this is Rowling setting up something for future books that she wants to do, and

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I can't remember specifically all the stuff, because it was such a big book, that she tied

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in from Azkaban to Goblet of Fire, but I know there was stuff.

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So yeah, that was really interesting.

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It's interesting that Rowling, maybe inadvertently in the story, tells you to question and be

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careful, be wary of the media, because sometimes they spread lies and say things just for their

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own benefit, and then as time has gone on, she's been slandered in the media, or libeled

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in the media, and I just kind of find that interesting.

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But she does offer truths about that, but I know, it's interesting, there's a more nuanced

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conversation that needs to be had, but the character was very unlikable, very dislikeable,

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bordering on hateable.

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And I don't know, some of the stuff in the book could be considered fluff, but it's brought

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on by Rita Skeeter, or Skeeter, whatever.

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And I don't know, it might branch off into something that's more profound in the following

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books, but I don't know, it was just interesting.

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It was a really interesting side thing that was in there for some reason, and that was

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doing something there, and I didn't understand it, and I could see the utility in it, and

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it was enjoyable in some ways, and very unenjoyable in others, but I just kind of wondered what

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it was all about.

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So I'm going to stop there, I'm not going to say too much more about it, or the rest

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of the book.

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I liked the book, I thought it was very interesting, I liked that the stakes had been ratcheted

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up, and I'm actually going to go right into the next book, which I think is very long,

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and I don't have much more time until I have to return it to the cloud library that I'm

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borrowing it from.

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So yeah, that's all I have to say for now, and I will let Future Me wrap this up, as

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well as put an intro on it for this issue of skimming leaves that this will be found

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in.

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So until next time folks, take care, this is MJ signing out.

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I hope you enjoyed that.

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Go to MJMunoz.com to leave any questions, comments, or other feedback you might have.

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There you can find all of my analysis, art, and fiction.

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I cover books, tokusatsu, comic books, anime, and more.

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Look around, you're sure to find something else that you'll enjoy as well.

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This has been a Story Over Everything production.

