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Welcome to the album nerds podcast with your hosts Andy, Don and dude.

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What's up fellas.

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I'm trippin balls.

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I don't think I could say that.

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Trippin ball is.

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That was my Dave Matthews.

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It was great.

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Okay.

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So this is the album nerds podcast.

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Next time, dude, I got Andy and Don with me and you ready to get psychedelic.

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I mean, neo psychedelic red pill, blue pill.

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You take the red pill.

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You stay in wonderland and I show you how deep the rabbit hole goes.

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I got this orange pill too.

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I don't know.

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I might try that one later and see what happens.

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I think that's called a day quill.

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Oh, well, it'd be fun to.

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How are you doing over there, Don?

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Wow.

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When you just moved your arm, I saw trails.

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Oh man, we're, we're reaching.

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So as I said, this is the album nerds podcast.

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We love albums, the album format, and we've got a great show for you today.

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We're going to be highlighting three neo psychedelic albums.

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We'll each pick one and break it down for you.

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Don's going to ask us a deep question.

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We have some shout outs to some album related items that we're digging.

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And then of course we'll spin that wheel of musical discovery to find out what we're talking

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about on the next show.

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This week, it's time to take a trip.

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So happy if I had a psychedelic lava lamp.

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That's what I'm talking about.

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Neo psychedelia, a genre that draws inspiration from the sounds of 1960s psychedelia has produced

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a diverse array of albums that blend classic psychedelic elements with modern production

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techniques and alternative music influences.

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Psychedelic albums have continually pushed the boundaries of psychedelic music while

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maintaining a connection to its roots.

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Today each of us will present a neo psychedelic album.

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Trippy.

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Totally.

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Yeah, I guess I never really thought about it.

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There's psychedelic elements in music, but I hadn't ever really explored or thought about

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this as a movement or genre.

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So it's been an interesting week.

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What other albums did you consider for this before making your final choice?

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Anything stick out for you guys?

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Yeah, this is a pretty wide genre.

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There's a lot of interesting stuff in there.

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I listened to most of the stuff in the 90s and 2000s.

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Things like Primal Scream, Super Fury Animals, Spiritualized, Ween actually had some pretty

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fun records in the 90s there.

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The one I almost went with was from Animal Collective.

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They had a really bunch of good records in the 2000s.

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Merry Weather Post Pavilion was the one I came back to.

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Really fun experimental elements of electronica, but also 60s pop is a big part of their sound

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as well.

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Yeah, I really love this genre personally.

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It's one of my go-tos.

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Of course you do.

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Yeah.

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Does that make sense?

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What did you find in your excursions then?

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Well, I didn't go too far from my comfort zone.

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There's a side project for Robert Smith of The Cure and Steve Severin from Susie and

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the Banshees called The Glove.

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It was released in 1983 called Blue Sunshine.

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It's this just gothy psychedelic pop music.

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Unfortunately, apparently Robert Smith had something in his record deal where he wasn't

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allowed to sing for another group.

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Most of the lead vocals are done by this person named Jeanette Landry, but it's definitely

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an interesting album.

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Never heard of it.

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Interesting, fun.

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It's actually a reference to Yellow Submarine.

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Remember The Glove, like the big blue.

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Yes, flying around.

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Yep.

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A lot of the things that Andy mentioned at the top, I explored those including Foxygen,

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which was a band in early 2000s that I was really into, but it was more straight up psychedelic

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for me and a little less neo maybe.

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Fine line.

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One that I really did consider for this just because it's an interesting, I think now very

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appreciated album, Mazzy Star, so that tonight I might see.

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Dream pop duo known for that ethereal sound and Hope Sandoval's voice fade into you being

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the big hit.

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Yeah.

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So yeah, I mean, it's a little more sleepy.

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So maybe for the come down, if you have to put it in psychedelic terms, but yeah, I'd

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never actually listened to it all the way through before, so it was an interesting experience,

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but not quite right for what I was looking for here.

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So why don't we get into our choo choo choices.

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You choo choo choose me?

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All right.

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For my neo psychedelia selection, we are talking about Tame Impala and their 2012 album Lonerism.

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This is the second studio album for the Kevin Richard Parker led projects from Sydney, Australia.

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Got Parker handling all the writing, producing and recording of 99% of the instruments and

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vocals on this record.

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Even took the cover photo, which I thought was impressive.

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Looks kind of like someone just took a snapshot.

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It's a snapshot, yeah.

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That's not giving too much credit for that.

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One of those disposable cameras.

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Disposable cameras, yeah.

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I just pulled out of his pocket.

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Anyway, let's play the second single from the album.

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This is called Feels Like We Only Go Backwards.

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If you've ever written in Impala, it does feel like you're going backwards.

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Hey, yo.

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It's out of the car joke.

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I didn't see that coming.

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Nice.

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No, me neither.

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Parker said he wrote that to be inspired by the Beach House song Walk in the Park.

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You guys familiar with that kind of material, dream pop group Beach House?

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No, sir.

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I'll have to revisit them someday also from this era.

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My clickbait headline for Lonerism is Parker's breakthrough success feeds an indulgence in

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studio trickery and pop curious sounds.

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I was a big fan of their debut album Inner Speaker.

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I think we may have talked about it on the show at some point.

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Big rock psychedelic sounds, kind of like spacey vibe to the whole thing.

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This record is kind of a response to that, I would say.

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This is much more of a shimmery, much less guitar sound, much more in that synthesizer

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vibe here.

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This is a lot more just studio wizardry happening here.

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He spent over two years kind of recording and tweaking and bedazzling this record, I

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guess you could say.

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Bedazzling, that's about right.

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It feels still very spacey, but more like inner space.

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Is this the Martin Sharp movie you're talking about?

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That too, I love that movie.

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Somebody help me!

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Not as funny as it was to me when I was 14, but it's still funny.

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It's more of an inner exploration than an outer exploration.

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It just sounds like someone, when you close your eyes and just let your mind wander.

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Yeah, kind of like your inner thoughts, like being stuck in your own head sort of.

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Yeah, there's a lot of sounds bouncing around in there and it does feel kind of contained

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in this shimmering goo, I guess you would say, a cocoon of psychedelia.

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Okay.

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All right, why don't we play the first single from the record?

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This is Apocalypse Dreams.

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It's actually kind of hard to choose a clip from that song because it is kind of all over

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the place.

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So, you know.

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A lot of these songs are for all of our picks, I think.

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Yeah, that's true.

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It's kind of the nature of the genre.

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Yeah, do you want to get the vocals?

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Do you want to get the jam thing?

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Do you want to get the psychedelic sounding moments?

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You know, it's tough.

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So Kevin Parker supposedly recorded that track after watching the 2011 film Melancholia.

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Have you guys ever seen that?

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Kirsten Dunst, really kind of a dark movie.

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There's like a meteor that's going to hit the earth or something like that.

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I don't know, but it's kind of melancholy.

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Yeah.

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Meteor, you're my only friend.

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I make a Joe Dirt reference to give you some context as to where my movie tastes lie and

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why I'm not familiar with that film Don mentioned.

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So Apocalypse Dreams, I would say it's epic.

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I mean, a lot of songs, I think, on this album are kind of epic, but it's kind of all over

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the place.

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But it's got that sort of lush, dreamy sound, seemingly complex chord progressions, just

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a lot of dramatic changes and stuff.

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It's a lot to take in, but it's also, I think, kind of pleasing to the ear, which I think

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is again true for most of the album.

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The lyrics explore kind of existential questions, change, anxiety, personal growth, yada, yada,

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yada.

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But yeah, one of my...

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Wow.

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So in other words, it really stuck with you.

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Well, it was a hell of a yada, yada.

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Please, Mr. Impala, make with the pretty noises.

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No more yada, yada, yada.

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It is.

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I mean, the vocals and the lyrics, they do seem sort of incidental.

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I mean, it's such a musical experience.

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It's kind of hard to...

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Yeah, it's more like one of the instruments.

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Yeah, it really kind of buries it in the mix there, I think intentionally.

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Yeah.

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So my clickbait headline is, Lonely Stoner discovers synths and accidentally creates

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psychedelic masterpiece.

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That might be a little strong.

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I'm not sure it's a masterpiece, but it's a damn good album.

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It's peace.

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Yeah.

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It's peace.

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Not a peace-o, but a peace.

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Yeah, it's interesting.

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I went back and listened to the first album and there is significant growth, I think,

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between both.

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I think he is embracing more, I guess, electronic instruments.

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And then I think after this album, he goes even further down that road.

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I'm not even sure there's guitar on the albums that follow.

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It's a good blend of sort of pop sounds, but also that sort of crazy, sort of psychedelic

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vibe.

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And even back to the 60s, I think we listened to that Zombies record, Odyssey and Oracle.

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A lot of the best psychedelic things still has that pop hook or something to it, but

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just surrounded by goofiness.

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I think this and the other albums we're going to talk about, these seem less rooted in drugs

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or trips or anything.

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It's just more about the dreamy soundscapes being painted with psychedelic sounds and

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music rather than some specific path.

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Yeah.

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Yeah, weirdly, this seems less focused on the trip and more the sound of the 60s.

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Yeah, it's interesting how much pop has to do with psychedelia.

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I didn't think about that originally before we started doing this episode, but it really

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was like a focus for him on this record was making really kind of disposable pop-orientated

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songs.

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I found a ton of quotes for this album.

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It must have been interviewed a lot during this.

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The record said, pop music is in a way so much more pure than all other types of music.

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There's no intellectual level.

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It's just pure feeling.

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That feels like what a lot of ways get into here.

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There's not a lot of substance.

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This is a lot of kind of style, which I think is, it's cool.

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It's a cool sound.

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I think this record to me does feel a little bit more disposable than his earlier album

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and maybe even the one after this.

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Not in a bad way.

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It does leave an impact, but more of the collective sound, I think, leaves an impact on me, unless

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the individual songs.

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There are moments that do stick out.

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I think one of those is probably this next song we're going to play called Elephants.

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A bit of a departure from the dreamy tone of the rest of the album, but it's kind of

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glam rock, arena rock almost.

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Jock jams kind of vibes to it as well.

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It's sort of of the time too.

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The Black Keys were hot around this time, so I think this song was just goofing around

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with that sound, but Kevin Parker described it as a satire of the bully archetype.

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It's a guy who thinks he's great.

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He's the jock.

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He also said something about that he doesn't really like that song, but it paid for his

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house or half of his house.

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I read that.

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He has mixed feelings about it.

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Yeah, it was really popular for them.

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It doesn't really fit with the rest of the record, I would say.

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Maybe you like it.

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You like it in there?

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I kind of like the break.

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It was kind of like a couple slaps in the cheek wake you up a little bit and then you

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can ease back into the spacey journey.

248
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Mike Clickbait headlined to describe the album, Lonerism.

249
00:13:16,120 --> 00:13:20,440
What happens when Kevin Parker goes full Lenin on psychedelic soundscapes?

250
00:13:20,440 --> 00:13:23,360
Never go full Lenin.

251
00:13:23,360 --> 00:13:31,840
Yeah, the Lenin-esque nasal tones, particularly on this album, I think more so than some of

252
00:13:31,840 --> 00:13:37,320
the others, maybe because of all the effects on the vocals across the universe by John

253
00:13:37,320 --> 00:13:40,880
Lenin really came to mind at times here.

254
00:13:40,880 --> 00:13:44,880
I'm surprised it doesn't get talked about more when it comes to Tame Impala.

255
00:13:44,880 --> 00:13:48,840
The first thing I noticed about them, I think I heard this song and I was like, oh, kind

256
00:13:48,840 --> 00:13:50,440
of sounds like John Lenin.

257
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It's neo-psychedelia, but not.

258
00:13:52,560 --> 00:13:59,120
It's also, I think it's a modern technology take on more of a traditional psychedelic

259
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sound.

260
00:14:00,120 --> 00:14:05,060
All in all, I thought it was a very pleasant listen, especially, I mean, I was cleaning

261
00:14:05,060 --> 00:14:09,120
records at the time I was listening to this primarily and it was a perfect soundtrack

262
00:14:09,120 --> 00:14:15,520
for just kind of being lost in this, I'm doing this repetitive motion and then this music

263
00:14:15,520 --> 00:14:20,120
kind of fit it really well and I was able to focus on both things simultaneously.

264
00:14:20,120 --> 00:14:21,120
It was nice.

265
00:14:21,120 --> 00:14:22,840
It was a nice afternoon.

266
00:14:22,840 --> 00:14:23,840
Thanks, Kev.

267
00:14:23,840 --> 00:14:30,280
Well, if you're looking for a good accompaniment piece on whatever you're up to on your afternoon

268
00:14:30,280 --> 00:14:36,280
or evening, check out this very modern take on the psychedelic sound from Tame Impala,

269
00:14:36,280 --> 00:14:37,280
Lonarism.

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00:14:37,280 --> 00:14:45,080
Before we continue our neo-psychedelic journey, why don't we hear a few words from our friends

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00:14:45,080 --> 00:14:47,000
over at Getting Down and Wordy.

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00:14:47,000 --> 00:14:48,000
Riz.

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00:14:48,000 --> 00:14:49,000
Greetings.

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00:14:49,000 --> 00:14:50,000
Gendered language.

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00:14:50,000 --> 00:14:51,680
Onomatopoeias.

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00:14:51,680 --> 00:14:52,680
The Ick.

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00:14:52,680 --> 00:14:54,400
What makes some words sound funny.

278
00:14:54,400 --> 00:14:58,240
Why just listen to music when you can overanalyze the words in the songs?

279
00:14:58,240 --> 00:15:02,320
Music, language, and Eurovision all crammed into one podcast.

280
00:15:02,320 --> 00:15:11,800
Getting Down and Wordy with Russell and Hannah.

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00:15:11,800 --> 00:15:13,960
Find us anywhere you listen to podcasts.

282
00:15:13,960 --> 00:15:16,680
So go check out Getting Down and Wordy.

283
00:15:16,680 --> 00:15:21,080
It's a very interesting way of analyzing music, really getting into what the words are.

284
00:15:21,080 --> 00:15:25,320
So check them out.

285
00:15:25,320 --> 00:15:30,600
My pick for a neo-psychedelic album comes from 1986.

286
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It's XTC's Skylarking.

287
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It's the ninth studio album by the band formed in Swindon, Wiltshire, England in 1972.

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The band at the time featured singer, songwriter, and guitarist Andy Partridge, not part of

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the Partridge family.

290
00:15:45,360 --> 00:15:49,520
Well, I guess technically he is probably part of a Partridge family.

291
00:15:49,520 --> 00:15:51,560
Not the one.

292
00:15:51,560 --> 00:15:55,080
Not the musical family.

293
00:15:55,080 --> 00:15:59,760
Also singer, songwriter, and bassist Colin Moulding, and guitarist, keyboardist Dave

294
00:15:59,760 --> 00:16:00,760
Gregory.

295
00:16:00,760 --> 00:16:05,400
The album also features drums by Prairie Prince of The Tubes.

296
00:16:05,400 --> 00:16:07,040
Remember The Tubes?

297
00:16:07,040 --> 00:16:10,520
And it's produced by Todd Rundgren.

298
00:16:10,520 --> 00:16:11,800
He's coming up a lot lately.

299
00:16:11,800 --> 00:16:12,800
Yes.

300
00:16:12,800 --> 00:16:13,800
Yeah.

301
00:16:13,800 --> 00:16:14,800
It was Psychedelic Furs.

302
00:16:14,800 --> 00:16:19,560
And I think I also read that he did some remix on one of the Tim and Paula songs, right?

303
00:16:19,560 --> 00:16:20,560
Oh, that's right.

304
00:16:20,560 --> 00:16:22,640
There was a Todd Rundgren connection.

305
00:16:22,640 --> 00:16:29,320
So actually, I guess the record label just was not happy with XTC's sales and they thought

306
00:16:29,320 --> 00:16:32,800
part of the problem was they just sounded too English.

307
00:16:32,800 --> 00:16:37,240
So they gave them a list of American producers and Todd Rundgren was like the only name they

308
00:16:37,240 --> 00:16:39,440
recognized so they went with him.

309
00:16:39,440 --> 00:16:40,440
Interesting.

310
00:16:40,440 --> 00:16:42,540
So anyway, here's the opening cut.

311
00:16:42,540 --> 00:16:44,520
This is called Summer's Cauldron.

312
00:16:44,520 --> 00:16:47,520
Mom, do you ever get that not so fresh feeling?

313
00:16:47,520 --> 00:16:48,520
Oh, God.

314
00:16:48,520 --> 00:16:49,520
Oh, Peter Gabriel-y.

315
00:16:49,520 --> 00:16:50,520
Yeah.

316
00:16:50,520 --> 00:17:04,080
I see myself laying in the fields out there.

317
00:17:04,080 --> 00:17:05,080
It's nice.

318
00:17:05,080 --> 00:17:09,760
So Summer's Cauldron is an extension of an original poem Partridge wrote called Drowning

319
00:17:09,760 --> 00:17:11,560
in Summer's Cauldron.

320
00:17:11,560 --> 00:17:13,080
It's the opening cut of the record.

321
00:17:13,080 --> 00:17:15,520
It kind of sets the psychedelic tone of the album.

322
00:17:15,520 --> 00:17:17,600
Lots of droning sounds.

323
00:17:17,600 --> 00:17:22,920
There's a wobbly chorus to organ, which Partridge said it actually reminded him of the Beatles

324
00:17:22,920 --> 00:17:25,160
Blue Jay Way from Magical Mystery Tour.

325
00:17:25,160 --> 00:17:26,680
Yeah, I hear that.

326
00:17:26,680 --> 00:17:30,000
Some melodica in there played by Todd Rundgren.

327
00:17:30,000 --> 00:17:35,680
And so Prairie Prince, the drummer, was encouraged to play spastic drum fills in the style of

328
00:17:35,680 --> 00:17:38,320
Jethro Tull's Sweet Dream.

329
00:17:38,320 --> 00:17:42,760
So definitely a trippy way to start the record.

330
00:17:42,760 --> 00:17:49,240
My clickbait headline for Skylarking is turn on, tune in, and drop out with nerdy Beat

331
00:17:49,240 --> 00:17:51,080
Eleven Englishmen.

332
00:17:51,080 --> 00:17:55,240
So it's very 60s.

333
00:17:55,240 --> 00:18:00,560
I think a lot of it just feels like that British psychedelic scene.

334
00:18:00,560 --> 00:18:02,560
Is it more British or is it more 60s?

335
00:18:02,560 --> 00:18:05,180
It's a battle there.

336
00:18:05,180 --> 00:18:10,400
So apparently Rundgren had convinced the band that the songs they had written could be a

337
00:18:10,400 --> 00:18:12,080
concept album.

338
00:18:12,080 --> 00:18:18,480
So it's supposed to be like a cycle of life or a year or something with significant milestones.

339
00:18:18,480 --> 00:18:24,280
So there's like birth, young love, family, labor, illness, death, and then just kind

340
00:18:24,280 --> 00:18:26,120
of random moments throughout your life.

341
00:18:26,120 --> 00:18:29,600
Because you have like two distinct songwriters in the band.

342
00:18:29,600 --> 00:18:32,800
So kind of like Lennon and McCartney, they would sing their songs.

343
00:18:32,800 --> 00:18:37,520
Yeah, Molding and Partridge sort of have their own distinct styles.

344
00:18:37,520 --> 00:18:40,960
That concept sort of made them connect in some way.

345
00:18:40,960 --> 00:18:46,040
Just hear a track that is debatable whether it actually is on this album or not.

346
00:18:46,040 --> 00:18:50,160
This is Dear God.

347
00:18:50,160 --> 00:18:58,800
I found this one fascinating.

348
00:18:58,800 --> 00:19:02,120
It's the potentially album closer.

349
00:19:02,120 --> 00:19:07,220
I just I like the sort of simpler sound of it.

350
00:19:07,220 --> 00:19:12,000
Maybe the more British sound of it and less psychedelic in ways.

351
00:19:12,000 --> 00:19:17,400
But the critique of religion framed as a letter questioning God's existence.

352
00:19:17,400 --> 00:19:20,160
Like how can you let these things happen and that kind of stuff.

353
00:19:20,160 --> 00:19:23,720
I think it's something a lot of people think about and go through.

354
00:19:23,720 --> 00:19:27,320
And it just felt very relatable.

355
00:19:27,320 --> 00:19:30,360
Regardless of what side of that argument you fall on.

356
00:19:30,360 --> 00:19:34,280
It's just nice to really connect with something because throughout the album it's kind of

357
00:19:34,280 --> 00:19:37,200
hard to tell if they're being silly or serious.

358
00:19:37,200 --> 00:19:41,400
And this one seems serious in the use of a little kid singing at the beginning really

359
00:19:41,400 --> 00:19:43,360
adds some weight to it as well.

360
00:19:43,360 --> 00:19:49,480
So I appreciate that about that song and it showed me that they take their craft seriously

361
00:19:49,480 --> 00:19:52,600
and there's some real poetic deep thinking going on here.

362
00:19:52,600 --> 00:19:58,200
My clickbait headline to describe the album, Forget Ecstasy, XTC's Skylarking will give

363
00:19:58,200 --> 00:20:02,680
you a natural high.

364
00:20:02,680 --> 00:20:07,840
It's dreamy and psychedelic, catchy, quirky lyrics at times.

365
00:20:07,840 --> 00:20:09,360
What was that one song?

366
00:20:09,360 --> 00:20:10,360
That's Super Supergirl?

367
00:20:10,360 --> 00:20:11,360
Yeah.

368
00:20:11,360 --> 00:20:13,920
It was moments like that where I'm like, what are they doing?

369
00:20:13,920 --> 00:20:17,280
Parody or are they doing serious?

370
00:20:17,280 --> 00:20:18,920
And it's okay either way I suppose.

371
00:20:18,920 --> 00:20:21,960
It's just sometimes I wasn't sure what direction they were doing.

372
00:20:21,960 --> 00:20:25,220
And maybe that had something to do with the different songwriters.

373
00:20:25,220 --> 00:20:28,480
But it's lush and it really does channel that psychedelic sound.

374
00:20:28,480 --> 00:20:30,520
It probably sounds the most like that.

375
00:20:30,520 --> 00:20:35,520
It sounds the most like an album that could have fit in in the 60s.

376
00:20:35,520 --> 00:20:37,680
There aren't a lot of modern elements.

377
00:20:37,680 --> 00:20:41,960
I mean there's some post-punk sounds here but it leans more psychedelic.

378
00:20:41,960 --> 00:20:44,040
Well, let's hear some more.

379
00:20:44,040 --> 00:20:46,960
This is Season Cycle.

380
00:20:46,960 --> 00:20:58,040
There's some of those claw-tooth moments right there.

381
00:20:58,040 --> 00:21:04,360
Yeah, they'll play it pretty heavily from that 60s secondillia sound there.

382
00:21:04,360 --> 00:21:07,320
In fact, there were rumors that XDC was actually claw-tooth.

383
00:21:07,320 --> 00:21:09,320
Oh for real?

384
00:21:09,320 --> 00:21:10,320
No.

385
00:21:10,320 --> 00:21:16,600
No, because claw-tooth was rumored to be the Beatles.

386
00:21:16,600 --> 00:21:19,320
It just continues with every generation.

387
00:21:19,320 --> 00:21:20,320
Pass on the myth.

388
00:21:20,320 --> 00:21:27,520
That's how I originally was inspired by the Beach Boys and their 60s album Smiley Smile

389
00:21:27,520 --> 00:21:29,280
as Donald alluded to earlier.

390
00:21:29,280 --> 00:21:32,480
The song particularly focuses on cycles of life and death.

391
00:21:32,480 --> 00:21:37,480
That's the larger theme of the record, which I found to be pretty interesting and I kind

392
00:21:37,480 --> 00:21:42,440
of appreciate that the more I listened to it and got more depth from these songs.

393
00:21:42,440 --> 00:21:48,200
My click-bait headline for Skylarking is XDC continues England's tradition of creating

394
00:21:48,200 --> 00:21:52,160
well-crafted pop songs and being kind of a prick in the studio.

395
00:21:52,160 --> 00:21:57,880
From what I read, there was a good amount of tension between the producer there, Mr.

396
00:21:57,880 --> 00:22:01,480
Rundgren and Andy Partridge, one of the primary songwriters here.

397
00:22:01,480 --> 00:22:04,040
Definitely led to some well-crafted songs though.

398
00:22:04,040 --> 00:22:07,480
I was really impressed with the quality of every track on here.

399
00:22:07,480 --> 00:22:11,440
I think this album as a whole is really impressive.

400
00:22:11,440 --> 00:22:14,080
My biggest critique of it is more the pacing.

401
00:22:14,080 --> 00:22:18,880
I kind of had a hard time finding good moments on it to kind of separate the songs.

402
00:22:18,880 --> 00:22:23,600
It kind of did all blur a little bit for me, but once I did take the time to really appreciate

403
00:22:23,600 --> 00:22:26,320
the individual tracks, I thought they all held up really well.

404
00:22:26,320 --> 00:22:30,840
There's some really interesting moments and some cool studio wizardry going on that you

405
00:22:30,840 --> 00:22:32,640
might expect in a psychedelic record.

406
00:22:32,640 --> 00:22:37,280
Yeah, I mean, I do agree with you as a point about the vocals maybe being a little cartoonish

407
00:22:37,280 --> 00:22:38,280
at times.

408
00:22:38,280 --> 00:22:40,240
You can kind of even hear it in the season cycle there.

409
00:22:40,240 --> 00:22:47,440
It's a little bit kind of like a little show tune you sort of sounded.

410
00:22:47,440 --> 00:22:49,200
But I think they pulled off.

411
00:22:49,200 --> 00:22:50,200
I think it works generally.

412
00:22:50,200 --> 00:22:51,440
It just keeps things interesting.

413
00:22:51,440 --> 00:22:54,160
So yeah, I was pretty positive on this.

414
00:22:54,160 --> 00:22:55,640
I would like to listen to it some more.

415
00:22:55,640 --> 00:22:59,240
I think there's a lot of depth here that I'm probably not appreciating.

416
00:22:59,240 --> 00:23:06,280
Yeah, I think revisiting it now, I'm surprised by how complex the music seems.

417
00:23:06,280 --> 00:23:11,000
There's like a main melody going on and then there's usually like some sort of countermelody,

418
00:23:11,000 --> 00:23:13,920
which is often like kind of distracting from the main melody.

419
00:23:13,920 --> 00:23:19,280
And so I think sometimes it's not as receptive to the ear or something like on first listen.

420
00:23:19,280 --> 00:23:22,680
I feel like after you hear these three or four times, they kind of make more sense.

421
00:23:22,680 --> 00:23:27,000
It's kind of similar to like a Brian Wilson song in that way.

422
00:23:27,000 --> 00:23:30,680
Yeah, I mean, I think in some cases you could say maybe some of the songs are a little too

423
00:23:30,680 --> 00:23:34,240
busy or a little too, maybe they're not simple enough.

424
00:23:34,240 --> 00:23:37,080
Sometimes it feels like they're being too clever.

425
00:23:37,080 --> 00:23:38,080
Yeah, yeah.

426
00:23:38,080 --> 00:23:39,080
You could maybe say that.

427
00:23:39,080 --> 00:23:40,080
Yeah.

428
00:23:40,080 --> 00:23:44,200
And that could have to do with all these kind of big personalities maybe having a lot of

429
00:23:44,200 --> 00:23:45,760
different ideas in the direction.

430
00:23:45,760 --> 00:23:52,120
I picture a lot of middle fingers being held up through the booth to the studio like while

431
00:23:52,120 --> 00:23:55,920
singing or whatever.

432
00:23:55,920 --> 00:24:02,800
So XDC's Skylarking brings kind of 60s psychedelia to the 1980s with kind of a charming English

433
00:24:02,800 --> 00:24:03,880
pop sound.

434
00:24:03,880 --> 00:24:04,880
So check it out.

435
00:24:04,880 --> 00:24:11,640
Excuse me, I'd like to ask you a few questions.

436
00:24:11,640 --> 00:24:15,880
It's time for deep questions, fellas.

437
00:24:15,880 --> 00:24:22,640
There's never a better time to ask deep questions than when you're dabbling in some substances,

438
00:24:22,640 --> 00:24:23,640
I guess.

439
00:24:23,640 --> 00:24:28,200
Anyway, if you will.

440
00:24:28,200 --> 00:24:32,280
Do you guys have any memorable psychedelic experiences?

441
00:24:32,280 --> 00:24:33,280
So psychedelic.

442
00:24:33,280 --> 00:24:38,200
Well, I can share one that was particularly memorable for me.

443
00:24:38,200 --> 00:24:45,400
In my college years, I had just enjoyed a morning and afternoon tea with my girlfriend

444
00:24:45,400 --> 00:24:50,960
at the time and I was just kind of coming down from that experience and I was driving.

445
00:24:50,960 --> 00:24:52,960
Tea is code for lovemaking?

446
00:24:52,960 --> 00:24:53,960
No.

447
00:24:53,960 --> 00:24:56,960
No, it's a literal cup of tea.

448
00:24:56,960 --> 00:24:57,960
Okay.

449
00:24:57,960 --> 00:25:02,960
The tea was steeped with a vegetable which got too specific here.

450
00:25:02,960 --> 00:25:03,960
Fungus.

451
00:25:03,960 --> 00:25:04,960
Fungus, yes.

452
00:25:04,960 --> 00:25:05,960
Fungus tea.

453
00:25:05,960 --> 00:25:08,480
You were a fun guy in college.

454
00:25:08,480 --> 00:25:09,960
Oh my gosh.

455
00:25:09,960 --> 00:25:12,960
I mean, you get through this.

456
00:25:12,960 --> 00:25:18,680
Anyway, I was coming down from that experience and was driving home along the river which

457
00:25:18,680 --> 00:25:19,680
was near my college.

458
00:25:19,680 --> 00:25:25,360
It was a beautiful sunny day, clouds around, blue skies and I was just like super at peace

459
00:25:25,360 --> 00:25:26,360
with the world.

460
00:25:26,360 --> 00:25:30,160
Just felt very happy with where I was in my life and with everything around me.

461
00:25:30,160 --> 00:25:32,240
Just a moment of peace, you could say.

462
00:25:32,240 --> 00:25:37,320
Then about two, three miles down the road, I had the unfortunate...

463
00:25:37,320 --> 00:25:40,800
Unfortunately I ran over a family of possums that were crossing the street.

464
00:25:40,800 --> 00:25:41,800
A family?

465
00:25:41,800 --> 00:25:42,800
Jesus.

466
00:25:42,800 --> 00:25:43,800
Yeah.

467
00:25:43,800 --> 00:25:46,600
It just totally wrecked me mentally.

468
00:25:46,600 --> 00:25:49,440
I was in such a good vibe in such a good place.

469
00:25:49,440 --> 00:25:51,280
It totally wrecked me.

470
00:25:51,280 --> 00:25:53,920
I still think about it and get emotional.

471
00:25:53,920 --> 00:25:57,720
That's the universe's way of punishing you for taking that fungus tea.

472
00:25:57,720 --> 00:26:02,200
It really did feel like some sort of message was being delivered to me.

473
00:26:02,200 --> 00:26:04,520
How dare you feel good about the world?

474
00:26:04,520 --> 00:26:08,240
How about you, dude?

475
00:26:08,240 --> 00:26:12,440
So I never intentionally had psychedelic experiences.

476
00:26:12,440 --> 00:26:18,920
Even through college and stuff, I was more of a booze hound than I really enjoy smoking

477
00:26:18,920 --> 00:26:20,800
things or any of that stuff ever.

478
00:26:20,800 --> 00:26:22,860
It's just never been my bag.

479
00:26:22,860 --> 00:26:26,960
But one night a buddy and I had driven to a different college to visit some friends

480
00:26:26,960 --> 00:26:32,680
of his and got really drunk on my signature cocktail at the time of Captain Morgan and

481
00:26:32,680 --> 00:26:34,520
Dr. Pepper.

482
00:26:34,520 --> 00:26:39,680
And got talked into taking a rip off the old bong.

483
00:26:39,680 --> 00:26:45,720
I don't know if something was in it, but I immediately started feeling like I was melting.

484
00:26:45,720 --> 00:26:47,160
My head hit the...

485
00:26:47,160 --> 00:26:51,120
I was sitting on the floor and my head hit the floor and I thought I was in virtual reality.

486
00:26:51,120 --> 00:26:55,400
And there were these gold circles in front of me that I had to push out of the way.

487
00:26:55,400 --> 00:27:00,120
It turns out I ripped and bent my glasses off my face.

488
00:27:00,120 --> 00:27:07,280
And then for hours I was silently puking and melting into the stairs I was sitting on.

489
00:27:07,280 --> 00:27:10,320
Yeah, it was great.

490
00:27:10,320 --> 00:27:15,520
So to this day, I just am not a fan of...

491
00:27:15,520 --> 00:27:17,720
Even the smell makes me unhappy.

492
00:27:17,720 --> 00:27:20,680
So yeah, that was my psychedelic experience.

493
00:27:20,680 --> 00:27:21,680
Similar to you, Andy.

494
00:27:21,680 --> 00:27:22,680
It was like, don't do that.

495
00:27:22,680 --> 00:27:25,200
Someone was telling me, don't do that.

496
00:27:25,200 --> 00:27:26,480
Number two, Don.

497
00:27:26,480 --> 00:27:34,240
Well, I was thinking back to maybe the first few times that I tried the smoking.

498
00:27:34,240 --> 00:27:37,400
And I just remember how good the music sounded and stuff.

499
00:27:37,400 --> 00:27:39,220
That was the best part of it.

500
00:27:39,220 --> 00:27:44,800
But for some reason, I guess I just must have really been off my head, but I would have

501
00:27:44,800 --> 00:27:49,000
the urge to speak in tongues.

502
00:27:49,000 --> 00:27:51,560
I can't do it when I'm sober.

503
00:27:51,560 --> 00:27:52,560
But just sort of like...

504
00:27:52,560 --> 00:27:53,560
So you just make gibberish sounds.

505
00:27:53,560 --> 00:27:55,080
Yeah, just gibberish.

506
00:27:55,080 --> 00:27:57,440
And so I would just be doing that.

507
00:27:57,440 --> 00:28:01,400
And I just can't imagine what my friends would think of me.

508
00:28:01,400 --> 00:28:02,840
I mean, they just must...

509
00:28:02,840 --> 00:28:04,520
Are these people still in your life?

510
00:28:04,520 --> 00:28:07,360
Because I have a guess as to why they're not.

511
00:28:07,360 --> 00:28:13,320
That's exactly what I'd be doing minutes at a time.

512
00:28:13,320 --> 00:28:16,280
Were you trying to channel something or was it just...

513
00:28:16,280 --> 00:28:17,280
Yeah, maybe.

514
00:28:17,280 --> 00:28:18,280
I don't know.

515
00:28:18,280 --> 00:28:19,280
Yeah.

516
00:28:19,280 --> 00:28:20,280
He was trying to catch the muse.

517
00:28:20,280 --> 00:28:21,280
Yeah.

518
00:28:21,280 --> 00:28:22,280
I was just being an ass, I think.

519
00:28:22,280 --> 00:28:23,280
Oh, man, I thought it was interesting.

520
00:28:23,280 --> 00:28:26,280
It's not one I've ever heard before.

521
00:28:26,280 --> 00:28:27,280
Yeah.

522
00:28:27,280 --> 00:28:32,400
Anyway, tell us about one of your memorable psychedelic experiences.

523
00:28:32,400 --> 00:28:36,800
Hit us up on Instagram and Facebook or leave a comment on our website, albumnerds.com.

524
00:28:36,800 --> 00:28:40,440
All right.

525
00:28:40,440 --> 00:28:47,520
So for my selection, I went with the Stone Roses and their self-titled debut album, formed

526
00:28:47,520 --> 00:28:53,200
in Manchester, England in 1983 by Ian Brown and John Squire.

527
00:28:53,200 --> 00:28:58,400
By the late 80s, their sound with the psychedelic elements and danceable rhythms had started

528
00:28:58,400 --> 00:29:00,080
to take off in the clubs.

529
00:29:00,080 --> 00:29:06,160
And it was all part of this mad Chester scene with indie dance, indie rave, just this cultural

530
00:29:06,160 --> 00:29:08,080
scene that developed in Manchester at the time.

531
00:29:08,080 --> 00:29:11,800
So if we throw that term out there, I just want to get it loosely defined.

532
00:29:11,800 --> 00:29:17,320
The Stone Roses recorded an album released in May of 1989.

533
00:29:17,320 --> 00:29:23,400
It combines the jangly guitars, the groovy bass lines, cryptic lyrics, and a lot of swagger,

534
00:29:23,400 --> 00:29:24,520
which I really like.

535
00:29:24,520 --> 00:29:29,200
And it kind of marked a moment in British music, kind of bridging that gap between 80s

536
00:29:29,200 --> 00:29:32,760
indie and that Brit pop explosion of the 90s that was to come.

537
00:29:32,760 --> 00:29:33,760
It's dreamy.

538
00:29:33,760 --> 00:29:34,760
It's cool.

539
00:29:34,760 --> 00:29:35,760
Very atmospheric.

540
00:29:35,760 --> 00:29:38,760
So why don't we jump in with a little bit of the track Waterfall.

541
00:29:38,760 --> 00:29:51,200
It's kind of cascading, kind of like a waterfall.

542
00:29:51,200 --> 00:29:52,200
Yeah.

543
00:29:52,200 --> 00:29:56,680
I think I'm getting a little wet over here.

544
00:29:56,680 --> 00:29:57,680
Okay.

545
00:29:57,680 --> 00:30:04,520
Jangly guitars there and the lyrics are sort of about, I guess, freedom and escape maybe.

546
00:30:04,520 --> 00:30:09,560
And it has this really cool seamless transition into the next track, Don't Stop, which is

547
00:30:09,560 --> 00:30:14,560
a reverse remix of Waterfall turned into this kind of trippy experimental thing.

548
00:30:14,560 --> 00:30:16,000
It's an interesting choice.

549
00:30:16,000 --> 00:30:17,520
I thought that works really well.

550
00:30:17,520 --> 00:30:19,280
I think so too.

551
00:30:19,280 --> 00:30:21,040
It's as if it's one song.

552
00:30:21,040 --> 00:30:25,680
I think that's part of why I like it so much is it's just this perfect book ended beginning

553
00:30:25,680 --> 00:30:26,680
and end.

554
00:30:26,680 --> 00:30:27,680
I don't know.

555
00:30:27,680 --> 00:30:29,660
I've never heard anything quite like that before.

556
00:30:29,660 --> 00:30:35,320
To me, it sets the tone for what this album is at moments where you just kind of get lost

557
00:30:35,320 --> 00:30:38,480
in the flow of the water and just get soaked.

558
00:30:38,480 --> 00:30:39,480
Right, Andy?

559
00:30:39,480 --> 00:30:40,480
Yeah.

560
00:30:40,480 --> 00:30:43,680
I clickbait headlined to describe the album.

561
00:30:43,680 --> 00:30:48,920
The Stone Roses, the album that kicked off Britpop, even though no one told them to.

562
00:30:48,920 --> 00:30:54,800
I guess the bands like Oasis were really inspired by these guys and they kind of missed out,

563
00:30:54,800 --> 00:30:55,800
right?

564
00:30:55,800 --> 00:30:59,720
On their own, the thing that they supposedly helped kick off.

565
00:30:59,720 --> 00:31:02,480
In terms of the notoriety and the fame.

566
00:31:02,480 --> 00:31:03,480
Yeah.

567
00:31:03,480 --> 00:31:04,480
Yeah, especially in America.

568
00:31:04,480 --> 00:31:07,880
There was a five-year gap between albums because they signed an eight-album deal with their

569
00:31:07,880 --> 00:31:08,880
little record label.

570
00:31:08,880 --> 00:31:12,000
They wanted out of it and it became a mess.

571
00:31:12,000 --> 00:31:17,560
But there's this ease to this album and it's like if you throw a bunch of ingredients together

572
00:31:17,560 --> 00:31:21,200
and you make this dinner and it's like, oh my God, that's perfect.

573
00:31:21,200 --> 00:31:23,200
This is so delicious.

574
00:31:23,200 --> 00:31:25,160
And you didn't write down the recipe.

575
00:31:25,160 --> 00:31:30,040
That's what feels like happened here.

576
00:31:30,040 --> 00:31:34,240
It all seems to have come together perfectly on this record.

577
00:31:34,240 --> 00:31:40,280
And it has Beatles melodies, resonant guitars like the birds.

578
00:31:40,280 --> 00:31:44,880
There's some Smiths-ness to this with the way that they use humor in some of the vocal

579
00:31:44,880 --> 00:31:45,960
delivery.

580
00:31:45,960 --> 00:31:51,280
And there's an arrogance to it as well, which I think for me is something I look for in

581
00:31:51,280 --> 00:31:52,280
rock and roll.

582
00:31:52,280 --> 00:31:54,880
That's what the British shunning through, I think.

583
00:31:54,880 --> 00:32:00,240
Why don't we jump into one of the other tracks on this record?

584
00:32:00,240 --> 00:32:01,240
It's made of stone.

585
00:32:01,240 --> 00:32:14,240
Yeah, I love the sound of that song.

586
00:32:14,240 --> 00:32:15,720
So easy and breezy.

587
00:32:15,720 --> 00:32:17,840
Yeah, it's got a nice flow to it.

588
00:32:17,840 --> 00:32:20,400
That's the second single off the album.

589
00:32:20,400 --> 00:32:21,760
Super cool guitar solo there.

590
00:32:21,760 --> 00:32:28,560
We just heard the end of and some studio trickery kind of helping sell that psychedelic sound.

591
00:32:28,560 --> 00:32:29,560
I think it works really well there.

592
00:32:29,560 --> 00:32:34,320
And there's a handful of tracks on this album that I think are just super sharp and really

593
00:32:34,320 --> 00:32:35,800
well-written songs.

594
00:32:35,800 --> 00:32:38,960
The psychedelic moments seem like these little splashes.

595
00:32:38,960 --> 00:32:42,000
It's not driving the sound.

596
00:32:42,000 --> 00:32:47,240
There's these little breakdowns, little guitar solos, little sounds, little 30 second moments

597
00:32:47,240 --> 00:32:48,240
in the song.

598
00:32:48,240 --> 00:32:49,240
It's like, whoa.

599
00:32:49,240 --> 00:32:53,280
There's some embellishments that come up and you're like, oh yeah, I see some trails, man.

600
00:32:53,280 --> 00:32:54,760
All right, let's go back to the music.

601
00:32:54,760 --> 00:32:55,760
Yeah, it's cool.

602
00:32:55,760 --> 00:33:01,080
All right, so I clicked the headline for the Stone Roses is an understated success that

603
00:33:01,080 --> 00:33:04,880
helped proliferate a generation of music nerds with better taste than you.

604
00:33:04,880 --> 00:33:11,100
This always feels like one of those records to me that music snobs point to as being like,

605
00:33:11,100 --> 00:33:15,320
this is the greatest record no one's ever heard of, no one appreciates this kind of

606
00:33:15,320 --> 00:33:16,320
thing.

607
00:33:16,320 --> 00:33:19,960
I feel like it's a little bit overhyped from that standpoint.

608
00:33:19,960 --> 00:33:26,360
I do enjoy the record, but I think it's maybe a little inconsistent throughout the playtime.

609
00:33:26,360 --> 00:33:29,240
It gets lost in all the reverb and particularly the vocal.

610
00:33:29,240 --> 00:33:30,760
I think it gets lost a lot.

611
00:33:30,760 --> 00:33:34,800
I don't know, there's moments where it works great, especially when there's a good strong

612
00:33:34,800 --> 00:33:37,960
drum beat, which there are many of the songs here.

613
00:33:37,960 --> 00:33:42,280
And when the guitar has some space to play in the mix, I think it works really well.

614
00:33:42,280 --> 00:33:45,280
John Squire on guitar, I think he's a really excellent guitarist.

615
00:33:45,280 --> 00:33:50,120
But there's so much just happening in the sound here, I think is maybe detracts a little

616
00:33:50,120 --> 00:33:52,960
bit from the overall strength of the album to me.

617
00:33:52,960 --> 00:33:54,840
But I do enjoy this album.

618
00:33:54,840 --> 00:33:58,400
I saw people saying this was like the best album released ever in the UK.

619
00:33:58,400 --> 00:34:00,920
Like I'm more than a few publications.

620
00:34:00,920 --> 00:34:02,680
I was like, come on.

621
00:34:02,680 --> 00:34:08,380
I mean, it may have inspired a lot of young musicians in the 90s.

622
00:34:08,380 --> 00:34:13,260
That kind of talk I think is trying to make up for it being sort of ignored in America

623
00:34:13,260 --> 00:34:16,120
anyway in the late 80s and early 90s.

624
00:34:16,120 --> 00:34:20,320
So I think it's kind of overcompensation.

625
00:34:20,320 --> 00:34:26,480
It reminds me a little bit of the story of the laws and sonically too, another what could

626
00:34:26,480 --> 00:34:29,880
have been and they broke barriers.

627
00:34:29,880 --> 00:34:36,520
But it's more after the fact that everyone's like, this is so awesome and you missed it.

628
00:34:36,520 --> 00:34:40,120
All they wanted was to be loved and adored.

629
00:34:40,120 --> 00:34:53,440
So why don't we listen to a little bit of the big one off of this one, I Want to Be Adored.

630
00:34:53,440 --> 00:34:58,440
I like this song just because it has so few lyrics, but it's still like kind of powerful.

631
00:34:58,440 --> 00:34:59,960
It's basically just that line.

632
00:34:59,960 --> 00:35:00,960
It's just that line over and over.

633
00:35:00,960 --> 00:35:02,800
I don't need to sell my soul.

634
00:35:02,800 --> 00:35:03,840
He's already in me.

635
00:35:03,840 --> 00:35:04,840
I want to be adored.

636
00:35:04,840 --> 00:35:05,840
So I don't know.

637
00:35:05,840 --> 00:35:08,540
Is that the devil in you?

638
00:35:08,540 --> 00:35:11,360
That's kind of the spirit of rock and roll, I think.

639
00:35:11,360 --> 00:35:12,360
Yeah.

640
00:35:12,360 --> 00:35:16,100
I was actually listening to this and my dog was in front of me and kind of reminded me

641
00:35:16,100 --> 00:35:23,360
of him because he just kind of sits there and soaks up your adoration.

642
00:35:23,360 --> 00:35:28,880
But there's definitely like a moody post-punk feel to this, which I certainly love.

643
00:35:28,880 --> 00:35:35,760
It has kind of an iconic baseline from Gary Monty Moonfield, or Monty I think is his nickname.

644
00:35:35,760 --> 00:35:37,440
But yeah, great track.

645
00:35:37,440 --> 00:35:43,960
My clickbait headline for the Stone Roses is Post-Punk is Manchester's drug of choice.

646
00:35:43,960 --> 00:35:50,280
So I mean, I still would put this in kind of the post-punk category, but now it's sort

647
00:35:50,280 --> 00:35:51,840
of going backwards.

648
00:35:51,840 --> 00:35:57,440
So you're reaching back to the 1960s and adding some of that vibe to it.

649
00:35:57,440 --> 00:35:58,440
I forgot.

650
00:35:58,440 --> 00:36:02,720
I think maybe it was the guy from OMD was talking about how with like Britpop and then

651
00:36:02,720 --> 00:36:03,720
grunge.

652
00:36:03,720 --> 00:36:08,920
It was like finally like when music started going backwards again, because he felt like

653
00:36:08,920 --> 00:36:14,120
the 80s was all a progression with synth pop and post-punk, but then all of a sudden we

654
00:36:14,120 --> 00:36:16,000
started going back.

655
00:36:16,000 --> 00:36:21,040
And so certainly this and then I mean, the Laws album came out just after this, kind

656
00:36:21,040 --> 00:36:26,080
of recapturing some of that 60s British sound.

657
00:36:26,080 --> 00:36:30,520
That track Elizabeth, My Dear, which I think is loosely based on Scarborough Fair.

658
00:36:30,520 --> 00:36:35,280
Yeah, which is like a 16th century folk song or something.

659
00:36:35,280 --> 00:36:40,040
But when I first heard it, I was thinking, oh, like was this from that zombies record?

660
00:36:40,040 --> 00:36:42,040
Again, that Odyssey and Oracle album.

661
00:36:42,040 --> 00:36:44,880
It feels like it belongs right on that album.

662
00:36:44,880 --> 00:36:50,920
Yeah, it's not as overtly psychedelic as the other two records we talked about.

663
00:36:50,920 --> 00:36:56,240
The close of the album, I Am the Resurrection and Fool's Gold probably sound the most mad

664
00:36:56,240 --> 00:37:02,640
Chester and probably the most danceable and psychedelic of the tracks, like in a more

665
00:37:02,640 --> 00:37:07,440
traditional sense, like more consistently throughout them.

666
00:37:07,440 --> 00:37:08,440
They're good songs.

667
00:37:08,440 --> 00:37:14,360
I mean, I can't really point to one song that I think is bad, but I Am the Resurrection

668
00:37:14,360 --> 00:37:15,360
and This is the One.

669
00:37:15,360 --> 00:37:21,400
She bangs the drums all just sound radiant and anthemic.

670
00:37:21,400 --> 00:37:23,520
Instrumental jams, which I think they did a lot of live.

671
00:37:23,520 --> 00:37:26,400
You could hear those moments.

672
00:37:26,400 --> 00:37:29,880
I Am the Resurrection is almost fish-like in some ways.

673
00:37:29,880 --> 00:37:30,880
That's true.

674
00:37:30,880 --> 00:37:33,560
Yeah, there's just a magic on the album.

675
00:37:33,560 --> 00:37:35,360
It's kind of just like an unexplainable thing.

676
00:37:35,360 --> 00:37:38,880
But like, as you said before, it all kind of comes together.

677
00:37:38,880 --> 00:37:42,080
I'm really surprised at how good it is.

678
00:37:42,080 --> 00:37:45,480
I think it's so much better than anything Oasis ever did.

679
00:37:45,480 --> 00:37:48,280
Yeah, I would agree.

680
00:37:48,280 --> 00:37:54,160
I would say it's more like Oasis wrote some more memorable songs, probably catchy, I guess

681
00:37:54,160 --> 00:37:55,160
you could say.

682
00:37:55,160 --> 00:37:56,160
Maybe.

683
00:37:56,160 --> 00:38:01,760
But yeah, this is the consistency of what this is, is a full album, which I think I

684
00:38:01,760 --> 00:38:03,760
appreciated the most.

685
00:38:03,760 --> 00:38:09,960
And the album cover just, you know, kind of Jackson Pollock style abstract painting, but

686
00:38:09,960 --> 00:38:14,560
weird callbacks to things like either the French flag and the lemon slices that are

687
00:38:14,560 --> 00:38:19,760
featured on the album cover that I guess were used as a tear gas remedy during the Paris

688
00:38:19,760 --> 00:38:20,760
riots.

689
00:38:20,760 --> 00:38:25,800
Just, you know, these little, there's all these details in this record that just all

690
00:38:25,800 --> 00:38:28,560
kind of work and it's nice.

691
00:38:28,560 --> 00:38:33,800
So yeah, if you haven't heard it or you haven't heard it in a while or you want to be a music

692
00:38:33,800 --> 00:38:38,400
snob like us, go check out the Stone Roses self-titled album.

693
00:38:38,400 --> 00:38:39,400
Can you dig it?

694
00:38:39,400 --> 00:38:40,400
Can you dig it?

695
00:38:40,400 --> 00:38:41,400
Can you dig it?

696
00:38:41,400 --> 00:38:42,400
Can you dig it?

697
00:38:42,400 --> 00:38:43,400
Can you dig it?

698
00:38:43,400 --> 00:38:44,400
Can you dig it?

699
00:38:44,400 --> 00:38:45,400
Can you dig it?

700
00:38:45,400 --> 00:38:46,400
Can you dig it?

701
00:38:46,400 --> 00:38:49,120
Well, this week was a long, strange trip.

702
00:38:49,120 --> 00:38:52,320
Have you guys been digging anything?

703
00:38:52,320 --> 00:38:55,320
Yeah, I've been digging a few other things here.

704
00:38:55,320 --> 00:38:56,320
It's kind of like year-round time.

705
00:38:56,320 --> 00:39:00,800
So we got a lot of year-round lists coming out from different personalities around the

706
00:39:00,800 --> 00:39:01,800
internet.

707
00:39:01,800 --> 00:39:02,800
In your satchel?

708
00:39:02,800 --> 00:39:03,800
Oh, that's right.

709
00:39:03,800 --> 00:39:04,800
I need to put them inside something.

710
00:39:04,800 --> 00:39:10,160
I think they could be in Tupperware containers because it's 2024 leftovers, right?

711
00:39:10,160 --> 00:39:11,160
From the holidays.

712
00:39:11,160 --> 00:39:12,160
Yeah, we got a lot of leftovers here.

713
00:39:12,160 --> 00:39:13,160
So it's perfect.

714
00:39:13,160 --> 00:39:15,120
Yeah, we'll keep them fresh here.

715
00:39:15,120 --> 00:39:16,120
We've got a couple.

716
00:39:16,120 --> 00:39:20,880
First one up from Gordy Greep, the former frontman of Black MIDI.

717
00:39:20,880 --> 00:39:23,960
He has a new album out called The New Sound.

718
00:39:23,960 --> 00:39:26,960
Let's play, Jode Jode.

719
00:39:26,960 --> 00:39:33,720
Yeah, I'm not sure what to make of this when I listened to it earlier in the year.

720
00:39:33,720 --> 00:39:34,720
Yeah, it's pretty bizarre.

721
00:39:34,720 --> 00:39:36,720
It took me a while to get into it.

722
00:39:36,720 --> 00:39:38,600
Kind of like rock, jazz, hybrid.

723
00:39:38,600 --> 00:39:42,960
All the songs are kind of written from the perspective of different people he had met

724
00:39:42,960 --> 00:39:45,400
in bars around England.

725
00:39:45,400 --> 00:39:47,640
It does have that kind of eclectic personality.

726
00:39:47,640 --> 00:39:49,040
I've been enjoying it.

727
00:39:49,040 --> 00:39:52,080
But the album cover makes it look like it's going to be metal or something.

728
00:39:52,080 --> 00:39:53,080
Yeah, no.

729
00:39:53,080 --> 00:39:56,080
It's got some violent cartoon imagery on it.

730
00:39:56,080 --> 00:39:57,080
Not so much.

731
00:39:57,080 --> 00:40:01,360
And this one for me here is from English singer-songwriter Laura Marlene.

732
00:40:01,360 --> 00:40:03,800
She has a new album out called Patterns in Repeat.

733
00:40:03,800 --> 00:40:07,000
The eighth studio album for the singer-songwriter.

734
00:40:07,000 --> 00:40:12,000
First after having her daughter, deals with kind of life cycles and tradition, passing

735
00:40:12,000 --> 00:40:13,000
things on.

736
00:40:13,000 --> 00:40:14,000
It's really pretty records here.

737
00:40:14,000 --> 00:40:15,000
Patterns.

738
00:40:15,000 --> 00:40:21,000
I thought it was going to be parallelograms.

739
00:40:21,000 --> 00:40:22,000
No.

740
00:40:22,000 --> 00:40:25,000
It did have that vibe for a second.

741
00:40:25,000 --> 00:40:26,000
Parallelograms, yeah.

742
00:40:26,000 --> 00:40:27,000
That's right.

743
00:40:27,000 --> 00:40:28,000
Dental hygienist.

744
00:40:28,000 --> 00:40:32,600
What you been digging on, Diane?

745
00:40:32,600 --> 00:40:34,240
Well, I'm not sure I'm digging it.

746
00:40:34,240 --> 00:40:40,040
But I just, you know, when I was looking at a list of kind of new things that are out,

747
00:40:40,040 --> 00:40:43,680
I saw King Diamond, you guys familiar with King Diamond?

748
00:40:43,680 --> 00:40:44,800
Yeah, scary.

749
00:40:44,800 --> 00:40:48,000
Kind of this goofy metal singer.

750
00:40:48,000 --> 00:40:50,200
It's like supposed to be kind of satanic.

751
00:40:50,200 --> 00:40:51,200
Yeah.

752
00:40:51,200 --> 00:40:52,200
Yeah.

753
00:40:52,200 --> 00:40:53,200
And it's another one of those situations.

754
00:40:53,200 --> 00:40:58,600
Well, he was in Merciful Fate, but then King Diamond is also the name of the band too,

755
00:40:58,600 --> 00:40:59,600
kind of like Alice Cooper.

756
00:40:59,600 --> 00:41:00,600
Right.

757
00:41:00,600 --> 00:41:01,600
You know, gets confused.

758
00:41:01,600 --> 00:41:07,560
But anyway, he has a new record coming out in 2025 called St. Lucifer's Hospital 1920,

759
00:41:07,560 --> 00:41:10,720
which is supposedly going to be part one of this horror trilogy.

760
00:41:10,720 --> 00:41:13,360
Anyway, here's a single Spider Lily.

761
00:41:13,360 --> 00:41:18,760
His vocal style is no big.

762
00:41:18,760 --> 00:41:19,760
Yeah.

763
00:41:19,760 --> 00:41:20,760
Stubb.

764
00:41:20,760 --> 00:41:21,760
Yeah.

765
00:41:21,760 --> 00:41:22,760
Interesting.

766
00:41:22,760 --> 00:41:23,760
Very wily.

767
00:41:23,760 --> 00:41:24,760
That's the King.

768
00:41:24,760 --> 00:41:25,760
Yeah.

769
00:41:25,760 --> 00:41:29,240
And, you know, I guess just because I've been listening to a lot of conversation about music

770
00:41:29,240 --> 00:41:34,600
of the past year, one of the big themes is how there's these, you know, female pop stars

771
00:41:34,600 --> 00:41:36,360
that are kind of dominating.

772
00:41:36,360 --> 00:41:37,880
So I figured I'd check out one of them.

773
00:41:37,880 --> 00:41:44,240
So Chappelle Rhone, her album, which actually came out in 2023, The Rise and Fall of a Midwest

774
00:41:44,240 --> 00:41:45,240
Princess.

775
00:41:45,240 --> 00:41:48,240
Here's a song called Femininominem.

776
00:41:48,240 --> 00:41:49,240
Femininominem.

777
00:41:49,240 --> 00:41:50,240
Femininominem.

778
00:41:50,240 --> 00:41:51,240
Femininominem.

779
00:41:51,240 --> 00:41:52,240
Femininominem.

780
00:41:52,240 --> 00:41:53,240
Femininominem.

781
00:41:53,240 --> 00:42:00,240
I've dabbled in some of this stuff that's coming out.

782
00:42:00,240 --> 00:42:06,680
I mean, a lot of it has sort of a 80s Cyndi Laupery kind of feel.

783
00:42:06,680 --> 00:42:07,680
I like that.

784
00:42:07,680 --> 00:42:08,680
Yeah.

785
00:42:08,680 --> 00:42:12,440
I think all these, like even the Charlie XCX and the Taylor Swift, like I feel like all

786
00:42:12,440 --> 00:42:17,120
of it has sort of some like 80s synth mixed in.

787
00:42:17,120 --> 00:42:19,480
I'm glad at least that that sound has come around.

788
00:42:19,480 --> 00:42:21,440
And it's an interesting record.

789
00:42:21,440 --> 00:42:22,800
Give it a closer listen.

790
00:42:22,800 --> 00:42:24,040
How about you, dude?

791
00:42:24,040 --> 00:42:29,200
I did some of the same kind of looking back at stuff and there was an album by a band

792
00:42:29,200 --> 00:42:34,120
called Early Moods called The Sinner's Past, number 14 on my 2024 list.

793
00:42:34,120 --> 00:42:37,120
And we never got a chance to mention it on the show.

794
00:42:37,120 --> 00:42:43,700
They're a Los Angeles based traditional doom metal band formed in 2015, 70s inspired, kind

795
00:42:43,700 --> 00:42:46,480
of New Wave of British heavy metal influenced.

796
00:42:46,480 --> 00:42:47,940
This is their second album.

797
00:42:47,940 --> 00:42:50,720
So let's listen to a little bit of Blood Offerings.

798
00:42:50,720 --> 00:42:58,440
Well, it's a 70s move.

799
00:42:58,440 --> 00:43:02,840
There's some moments in here where there's like voices like, oh, give me a blood and

800
00:43:02,840 --> 00:43:03,840
stuff like that.

801
00:43:03,840 --> 00:43:08,680
And I enjoy that kind of goofy and my metal.

802
00:43:08,680 --> 00:43:14,160
So it's just a fun listen and it captures a lot of those sounds of, you know, they are

803
00:43:14,160 --> 00:43:17,320
Iron Maidens, but even then you're your Black Sabbath type stuff.

804
00:43:17,320 --> 00:43:19,200
So check that one out.

805
00:43:19,200 --> 00:43:23,960
The next one on my list is Jesse Ray and the Carolina Catfish.

806
00:43:23,960 --> 00:43:25,800
I have this one on vinyl.

807
00:43:25,800 --> 00:43:34,080
It's live and off the record recorded in early 2024 by this Michigan based rock and roll

808
00:43:34,080 --> 00:43:38,680
blues duo, swaggering vocals, bluesy guitar riffs.

809
00:43:38,680 --> 00:43:43,860
It's very raw and that energy is captured live recorded off the record, which is the

810
00:43:43,860 --> 00:43:45,840
record store I go to.

811
00:43:45,840 --> 00:43:47,500
They've formed their own label.

812
00:43:47,500 --> 00:43:50,500
They have these live performances in the store and they're going to start pressing them and

813
00:43:50,500 --> 00:43:53,640
releasing them on vinyl and you can catch them on all the streaming services.

814
00:43:53,640 --> 00:43:54,640
It's cool.

815
00:43:54,640 --> 00:44:02,560
Here's a little bit of Jesse Ray and the Carolina Catfish with Man's Back slash Parade Zone.

816
00:44:02,560 --> 00:44:07,520
Oh, nice.

817
00:44:07,520 --> 00:44:11,120
Yeah.

818
00:44:11,120 --> 00:44:13,640
Some good acoustics off the record.

819
00:44:13,640 --> 00:44:14,640
Yeah.

820
00:44:14,640 --> 00:44:17,200
And you know, it's very high quality recording too.

821
00:44:17,200 --> 00:44:21,700
I'm very impressed with what Benji and the crew were able to pull off getting this thing

822
00:44:21,700 --> 00:44:24,200
produced and released on vinyl.

823
00:44:24,200 --> 00:44:30,040
Prada Benji for making his record store a place to be and a place that actually produces

824
00:44:30,040 --> 00:44:31,040
its own music.

825
00:44:31,040 --> 00:44:33,120
So go check that out for sure.

826
00:44:33,120 --> 00:44:34,120
So what are you digging?

827
00:44:34,120 --> 00:44:35,120
Let us know.

828
00:44:35,120 --> 00:44:39,140
Join us on the socials, Facebook, Instagram, threads, blue sky.

829
00:44:39,140 --> 00:44:44,800
Also on our website, albumnerds.com.

830
00:44:44,800 --> 00:44:48,800
It will be a discovery of extraordinary value.

831
00:44:48,800 --> 00:44:55,920
Well, it's about that time on the show and I'm reminded of the great British musician

832
00:44:55,920 --> 00:45:01,560
and pioneer of the psychedelic sound, John Lennon, who said, whenever in doubts, turn

833
00:45:01,560 --> 00:45:04,680
off your mind, relax and float downstream.

834
00:45:04,680 --> 00:45:07,960
With that in mind, let's bring out my friend and yours, WildBot, who we'll be talking

835
00:45:07,960 --> 00:45:17,320
about on next week's episode.

836
00:45:17,320 --> 00:45:21,240
Get ready for a wild ride into the world of funny albums.

837
00:45:21,240 --> 00:45:26,680
Next time you will be diving into three records that mix sharp satire, parody and musical

838
00:45:26,680 --> 00:45:30,480
mayhem, proving that humor and music are a perfect match.

839
00:45:30,480 --> 00:45:34,040
Interesting funny albums that can be complicated.

840
00:45:34,040 --> 00:45:35,040
What's funny?

841
00:45:35,040 --> 00:45:36,760
But we'll have to figure it out.

842
00:45:36,760 --> 00:45:40,560
Albums that are somehow lighthearted or does it amuse you?

843
00:45:40,560 --> 00:45:42,760
Yeah, some sort of usual.

844
00:45:42,760 --> 00:45:48,800
Got to be some chuckles and a real challenge from the wheel of musical discovery.

845
00:45:48,800 --> 00:45:51,600
She's kicking it off early in the year, making us think.

846
00:45:51,600 --> 00:45:53,480
Just laughing in our faces.

847
00:45:53,480 --> 00:45:54,480
Damn you.

848
00:45:54,480 --> 00:45:55,480
All right.

849
00:45:55,480 --> 00:45:56,560
What's your favorite funny album?

850
00:45:56,560 --> 00:45:57,560
What else are you listening to?

851
00:45:57,560 --> 00:46:01,600
Leave a comment on our website or email us at podcast at albumnerds.com.

852
00:46:01,600 --> 00:46:06,440
You can follow us on Facebook, Instagram, threads and bluesky at albumnerds.

853
00:46:06,440 --> 00:46:10,340
Please subscribe, rate and review on your favorite podcast app and please tell your

854
00:46:10,340 --> 00:46:11,840
friends if you like the show.

855
00:46:11,840 --> 00:46:14,800
Thank you for joining us here on the Album Nerds podcast.

856
00:46:14,800 --> 00:46:18,320
We'll catch you next time where we're going to yuck it up.

857
00:46:18,320 --> 00:46:19,320
Some funny music.

858
00:46:19,320 --> 00:46:20,320
Laugh it up, buzz ball.

859
00:46:20,320 --> 00:46:21,320
That's good.

860
00:46:21,320 --> 00:46:22,320
Yeah, that's a big episode.

861
00:46:22,320 --> 00:46:23,320
See you next week guys.

862
00:46:23,320 --> 00:46:24,320
Happy New Year everybody and thanks for listening.

863
00:46:24,320 --> 00:46:25,320
Eat it, eat it, eat it.

864
00:46:25,320 --> 00:46:26,320
Oh Lord.

865
00:46:26,320 --> 00:46:27,320
This is what we're in for.

866
00:46:27,320 --> 00:46:28,320
We didn't get any of our psychedelic jokes in here.

867
00:46:28,320 --> 00:46:29,320
What's the psychedelic with you?

868
00:46:29,320 --> 00:46:30,320
I don't know.

869
00:46:30,320 --> 00:46:48,880
Bye bye.

