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Welcome to the Album Nerds podcast with your hosts, Andy, Don, and Dude.

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Don, da-don-don.

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What's up?

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The Album Nerds podcast.

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I'm Dude.

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I got Andy and Don with me, of course.

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Andy, how you doing, my friend?

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Doing well, doing well.

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Just reminded of that bit from Ghostbusters where they all chime in with their names,

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you know?

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Ray Egon.

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Oh, Ray.

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Oh, yeah.

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When they're firing up their proton packs.

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Yes, the first time they all kind of hit that pitch.

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Yep.

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Come to harmony together.

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Beautiful, beautiful moment in cinematic history.

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Don, how you doing?

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Good.

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I'm all lathered up in sunblock.

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Because it's the summer of Don.

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Exactly.

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Right.

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I was hoping you were wearing tanning oil.

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Bande Soleil.

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Oh, yeah.

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Bande Soleil, I remember that.

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The centrope tan.

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All right, so this is the Album Nerds podcast.

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We love albums, the album format.

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It's going to be a great show today.

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And it's the summer of Don.

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So we're going to be revisiting Sade's Diamond Life.

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And we'll get into more details about this very special summer in a minute.

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And then Don is going to ask us a deep question.

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Then we're going to give some shout outs to some albums and album related items that we've

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been digging out there in the world.

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Then we're going to spin the wheel of musical discovery to find out what we'll talk about

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next time.

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But this week, in Sade.

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It's going to be hot.

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I proclaim this the summer of Donnie Lakey.

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That's what I'm talking about.

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It's some some summer of Don some some summer of Don.

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Anyway, the summer of Don continues.

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So I went back into the archives of the album nerds before I was on the show.

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Came up with a list of records I want to get my two cents in about and put it on the wheel

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of musical discovery and keeps picking a new record each week.

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This week, we'll revisit the album Sade's Diamond Life, which you guys discussed on

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episode 90.

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Actually, my true Nigerian name is Kola Sade, which means crowning glory.

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Sade, really.

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But in England, everybody goes Sade.

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In America, people tend to go Sade.

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Stupid Americans.

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Sade.

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So embarrassing.

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Come on.

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It sounds like a toilet paper bread.

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Yeah, we're so crass.

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So the album is Sade's Diamond Life.

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Here's the cut Smooth Operator.

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It's what they used to call me in high school.

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Because you pooped your pants.

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Because I didn't have to shave.

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I just pictured Don excusing himself from class running to the bathroom.

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Donald, you need a bathroom pass.

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Okay, so Diamond Life is the debut studio album from English band Sade, featuring Nigerian

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born singer songwriter Sade Adu, along with other former members of the band Pride, including

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guitarist and saxophonist Stuart Matthewson, bassist Paul Denman, and keyboardist Andrew

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Hale.

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So like I said, you guys talked about this on episode 90.

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Seems like you enjoyed it then.

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What do you think about it now?

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No, I did enjoy it back in episode 90.

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I still enjoyed it today.

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I thought it was a pretty solid record overall.

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I think the key word I keep coming back to is restraint.

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Restraint can be sexy.

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And I think Sade finds a way to make restraint sexy here.

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Yeah, I grew up with this album as a staple in the household.

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It was the first cassette that my parents ever bought after we got our cassette player

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and moved on from vinyl, at least temporarily.

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And yeah, it was kind of their romantic album.

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I liked the sound of it.

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My little sister used to love the song Smooth Operator, if she called it.

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She was probably like four and had a problem with S sounds somehow.

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But yeah, I mean, I always enjoyed this record.

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It's a perfect romantic quiet storm kind of mood setter.

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I remember when I was a boy watching MTV waiting for the next Duran Duran video.

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This would come on and I would end up changing the channel.

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So this was not something that appealed to me when I was that young.

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But as I'll explain later, I think my musical path has sort of primed me to finally embrace

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a record like this.

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So let's hear another cut.

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This is Cherry Pie.

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She's my cherry pie.

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Chicken whale.

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No more edgy than I remember.

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Yeah, definitely.

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For some reason, I don't think of like a beautiful like cherry, you know, fresh made cherry pie

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I picture one of those like hostess, you know, vending machine cherry pies.

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Pocket things.

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Yeah, they're wrapped up.

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Yeah.

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I just love those things, dude.

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Yeah, I think it's fair to say that it does have sort of that prepackaged feel to this

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record, I guess.

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Everything feels kind of compartmentalized and kind of in their own lane, I guess you

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could say.

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But the reason I like that track, the reason I picked that track Cherry Pie there was I

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felt like that that track felt the most alive to me on their album.

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It's a little bit funkier than the most here.

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And I think, you know, I think that's what I liked about that song and what maybe is

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missing from this record as a whole for me is just that liveliness, that energy that maybe

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is a little bit smoothed away on some of these tracks here.

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Well this is one of the few songs where it seems like it's about like it could be about

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her and her feelings about the thing.

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The rest of it is more from a like jazz lounge singer singing the songs like Sinatra or whatever

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where they just perform the songs really well, but it's not about them.

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And this one feels a little more personal.

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Maybe it is, maybe it isn't.

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No, yeah, you're right.

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Totally right.

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My clickbait headline for this album is The Diamond Life sounds bright and sparkly, but

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when it comes to depth and emotion, this is more of a cubit zirconia.

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Can you cut grass with a cubic zirconia?

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I think dude's expression right now can cut some grass.

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It's pissed.

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Ouch.

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Yeah, I mean, I'm positive on this record overall.

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I did enjoy it, but does this feel a little lacking in emotion?

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Like you said, dude, like she just, Ado feels, Ado, dude, feels a little detached lyrically

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on most of these tracks, you know, really about her.

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I think that does kind of lead to this sort of standoffish nature to the album.

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And musically, it's so restrained.

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It's so restrained.

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It never really opens up.

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There's a few moments where the hints that may be opening up, but never really get like

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that full blossom.

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I don't think it's supposed to.

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I mean, it's smooth jazz with smooth jazz vocals from a very controlled singer where

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her voice is kind of like one of the horns, you know.

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It's like part of the jazz instrumentation in some ways, you know, it all fits together.

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But the word here is smooth.

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I mean, throughout, and I think the idea is to set a mood.

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Ado sets a mood and I think it's very intentional and it's pop.

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It's pop music.

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This is not like indie rock of the time or something.

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This was meant to be palatable.

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I do agree.

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I think it is palatable, but the risk of being palatable, you know, sometimes you sacrifice

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some authenticity or depth of emotion.

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Andy, how does this, I know you pretty much hated the Simply Red record.

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How does this compare to that?

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Because they're kind of the same.

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I mean, they're similar in that way, I think that they're kind of holding back.

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Yeah, I guess I feel similarly about them because there were moments on the Simply Red

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record that I felt like they showed glimpses kind of like we see on the Sade record where

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they might be really cool to see live.

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And I have heard good things about both of those bands live that maybe would be interested

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to see.

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I feel like it's just you're kind of missing out a little bit on these albums.

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I didn't hate the Simply Red.

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I just didn't think it was soul.

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I think it was soulful.

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It was adult contemporary and it was fine.

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This one I think is very soulful.

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It's like a quiet storm type of album.

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And I think it accomplishes what it set out to do.

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And I don't know if Simply Red knew what they were trying to accomplish other than getting

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on the radio again.

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So there's nothing wrong with that.

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You know, Metallica did it.

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Oh, one, two for that.

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That was for Andy.

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That was for Andy.

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Yes.

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You got knocked the fuck out, man.

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We should do a whole episode on Andy's Metallica sellout theory.

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Theory or?

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Yeah, I'd love to litigate that case because I got charts and graphs everywhere.

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Pretty sure Lars Ulrich would show up at your door and you would regret your decision.

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Yeah, but as a lawyer, probably assuming.

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A fun bonus episode.

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Well, let's hear another cut.

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This is the final track on the album.

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This is called Why Can't We Live Together?

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The thing we haven't said yet is that these songs, there are moments where they sound

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exotic and, you know, I think that was part of the appeal at the time.

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Mysterious is something I keep thinking about.

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Like it feels foreign, I guess, or something.

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Something cool about it.

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So Why Can't We Live Together is a cover of a song written and recorded by Timothy Thomas

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in 1972.

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I think this is a really interesting treatment, kind of slow and building.

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It's actually like two minutes into the song before the vocals come in.

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I think it's powerful and I would say it's the only time on the album I was really moved

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kind of emotionally, kind of stepping out of that smooth whatever feel.

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Yeah, so I thought this was a well-executed cover.

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My clickbait headline for the album is Shaday Turns Don's Dalliance with Sophista Pop into

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Genuine Affection.

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Yeah, so I've-

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Dalliance, huh?

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That could be a lyric.

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I mean, I just recently became aware of this term, sophista pop, but I think I kind of

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understand what it is and I think probably the Simply Red record might fit into that.

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Well, you just keep selling that damn thing, don't you?

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Yeah.

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Remember we did Roxy Music Avalon?

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Now, that was a bit more rocky and maybe closer to yacht rock, but it had the horns and it

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had elements of jazz and even that felt like a little restrained.

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That's an album I've really started to enjoy over the last 10 or 15 years and I think I'm

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finally ready to appreciate this kind of music.

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What died inside you, Don, that lets you appreciate this?

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I think it's age, just getting old.

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Maybe it's just that you have more, like when you're a kid, you don't want an eight-course

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meal with a bunch of different stuff.

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You just want your freaking happy meal, right?

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I think as you get older, there are more occasions for other sounds and exploring things that

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maybe are from the past that bring back memories like Don remembering turning the channel every

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time it came on MTV because it was for grownups.

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Now he's a grownup so he can check it out.

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Yeah.

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Yeah, I think that's probably just the psychological thing where I labeled it as something for

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old people.

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Now you're an old person.

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Yeah.

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Well, let's hear one more.

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This is Hang On To Your Love.

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I love the little guitar sound there.

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I think it's what kind of was more the focus of their sound on future records, less so

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the saxophone, which is very mid-80s saxophone was in every pop record.

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Bruce Springsteen was using tons of saxophone then too.

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Everybody loves that 80s sax, man.

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That's right.

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Just got a picture of Rob Lowe in St. Elmo's Fire sweating all over everyone, blasting

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that sax.

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If I can find someone who's fool enough to let me play my sax.

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Yeah, so Hang On To Your Love was one of my favorites on this record as a kid.

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It delivers a message of resilience and commitment and love through the trials and tribulations

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of a relationship.

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My parents had had a stumbling block in theirs around the time they got this record.

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It symbolized to me as a kid, things getting back to normal and stuff, I think.

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I think I have some emotional ties to this album that make Andy's zirconia comments particularly

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hurtful.

248
00:14:15,200 --> 00:14:18,560
I just just like to see the love of your parents.

249
00:14:18,560 --> 00:14:22,040
I'm grateful that this record served them.

250
00:14:22,040 --> 00:14:28,640
This is when they said, why can't we live together?

251
00:14:28,640 --> 00:14:33,880
My clickbait headline, Sade's Diamond Life will seduce your soul.

252
00:14:33,880 --> 00:14:37,880
Smooth jazz and sultry vocals that create a quiet storm of musical chemistry.

253
00:14:37,880 --> 00:14:41,720
I think the chemistry of this band is important.

254
00:14:41,720 --> 00:14:44,600
The band is called Sade as is the singer.

255
00:14:44,600 --> 00:14:49,400
I think that's often a problem with some of these groups that choose someone's name as

256
00:14:49,400 --> 00:14:51,760
the name of their band.

257
00:14:51,760 --> 00:14:56,720
The rest of the guys get kind of lost in the mix, but the same core lineup has been with

258
00:14:56,720 --> 00:14:58,520
her the entire time.

259
00:14:58,520 --> 00:15:04,280
Every record they've recorded has been a collaboration and they worked in that band, Pride together.

260
00:15:04,280 --> 00:15:09,600
They've been working together for decades and they have honed this sound that is uniquely

261
00:15:09,600 --> 00:15:10,600
theirs.

262
00:15:10,600 --> 00:15:16,160
I just think it's important to point that out and be aware when Ordinary Love and other

263
00:15:16,160 --> 00:15:20,880
songs you might know from future releases, this is the same group of people.

264
00:15:20,880 --> 00:15:28,880
It's not just her with a house band coming up with whatever the flavor of the day producers

265
00:15:28,880 --> 00:15:30,120
and writers have come up with.

266
00:15:30,120 --> 00:15:32,240
This is their stuff through and through.

267
00:15:32,240 --> 00:15:34,720
So I just think that's important to know.

268
00:15:34,720 --> 00:15:35,720
Yeah.

269
00:15:35,720 --> 00:15:37,720
They play very well together.

270
00:15:37,720 --> 00:15:41,960
I mean, I have to give a shout out to Stuart on the saxophone there, man.

271
00:15:41,960 --> 00:15:44,080
He freaking, he does kick some ass.

272
00:15:44,080 --> 00:15:45,080
Yep.

273
00:15:45,080 --> 00:15:46,080
He's a guitarist too.

274
00:15:46,080 --> 00:15:47,080
I play guitar too.

275
00:15:47,080 --> 00:15:48,080
Oh, wow.

276
00:15:48,080 --> 00:15:54,000
There's a few moments on here that are really great, great sax solos and very impressive.

277
00:15:54,000 --> 00:15:55,600
Some good bass sounds too.

278
00:15:55,600 --> 00:15:56,600
Yes.

279
00:15:56,600 --> 00:15:57,600
Don loves his bass.

280
00:15:57,600 --> 00:15:58,600
Slap it a bass.

281
00:15:58,600 --> 00:16:02,520
The whole album is sensual and cerebral.

282
00:16:02,520 --> 00:16:08,560
There are some thinking, some moments of thinking, lyrics and songs that are not just about romance,

283
00:16:08,560 --> 00:16:10,440
but like Frankie's first affair.

284
00:16:10,440 --> 00:16:13,280
I think you can figure out what that's about.

285
00:16:13,280 --> 00:16:18,480
When am I going to make a living about trying to make, I think probably as artists at the

286
00:16:18,480 --> 00:16:23,440
time, but the struggle of making ends meet and when am I going to have my break or when

287
00:16:23,440 --> 00:16:26,600
are things going to go right for me?

288
00:16:26,600 --> 00:16:31,200
That track really, I think rang true more so than most tracks on the album for me.

289
00:16:31,200 --> 00:16:34,680
I could actually really feel the desperation in your voice.

290
00:16:34,680 --> 00:16:35,760
Yeah.

291
00:16:35,760 --> 00:16:40,480
So there is more to this than just sultry, slow jam stuff.

292
00:16:40,480 --> 00:16:47,320
Although it's got all the sultry you need for a pleasant evening.

293
00:16:47,320 --> 00:16:49,760
Just kind of interesting deadpan delivery sometimes.

294
00:16:49,760 --> 00:16:51,760
It's kind of flat.

295
00:16:51,760 --> 00:16:54,720
Yeah, but it works.

296
00:16:54,720 --> 00:16:57,820
You know that song, the girl from Ipanema?

297
00:16:57,820 --> 00:17:01,080
The way she just sort of has that kind of deadpan delivery too.

298
00:17:01,080 --> 00:17:04,400
Although obviously Sade is a much better singer than whoever that was.

299
00:17:04,400 --> 00:17:05,400
Yeah.

300
00:17:05,400 --> 00:17:12,760
And that control, there's a lot of vocal control as Andy kind of alluded to as well, but I

301
00:17:12,760 --> 00:17:19,040
think it's part of setting the mood of not over emoting at times.

302
00:17:19,040 --> 00:17:21,400
That's kind of a vocal jazz thing.

303
00:17:21,400 --> 00:17:22,400
Yeah.

304
00:17:22,400 --> 00:17:23,400
Yeah.

305
00:17:23,400 --> 00:17:24,400
It's part of being cool, man.

306
00:17:24,400 --> 00:17:26,280
You don't want to show too much emotion.

307
00:17:26,280 --> 00:17:27,280
Keep it under wraps.

308
00:17:27,280 --> 00:17:28,740
Yeah, that's right.

309
00:17:28,740 --> 00:17:34,560
So this is the Summer of Dawn and we are talking about records that you guys talked about before

310
00:17:34,560 --> 00:17:37,240
that I didn't have a chance to discuss.

311
00:17:37,240 --> 00:17:44,680
And so I am glad that we got to this one because Sade is a name that I always hear people talk

312
00:17:44,680 --> 00:17:49,680
about the Sade records and how great they are.

313
00:17:49,680 --> 00:17:57,160
It seemed like something I needed to spend some time with, just much ado about ado.

314
00:17:57,160 --> 00:17:59,160
Anyway.

315
00:17:59,160 --> 00:18:08,960
Okay, so the record was Sade with Diamond Life from 1984.

316
00:18:08,960 --> 00:18:09,960
Excuse me.

317
00:18:09,960 --> 00:18:15,640
I'd like to ask you a few questions.

318
00:18:15,640 --> 00:18:20,500
It's time again for Deep Questions by Dawn.

319
00:18:20,500 --> 00:18:26,200
So a smooth operator, I guess can be a person who manipulates others through a calm, charming

320
00:18:26,200 --> 00:18:28,660
and persuasive manner.

321
00:18:28,660 --> 00:18:33,200
Have you ever been charmed into doing something you later regret?

322
00:18:33,200 --> 00:18:35,480
It's a dangerous question.

323
00:18:35,480 --> 00:18:37,840
Yeah, I know, right?

324
00:18:37,840 --> 00:18:41,640
Yeah, I mean, for me, I feel like this happens a lot.

325
00:18:41,640 --> 00:18:49,880
I mean, like I'm tough over like email or a messenger or something digital, but like

326
00:18:49,880 --> 00:18:54,720
in person, like I will just like roll over immediately if you suggest something, you're

327
00:18:54,720 --> 00:18:59,280
probably contradictory what I was thinking.

328
00:18:59,280 --> 00:19:03,960
That's why I miss being near you physically because I used to manipulate you in all sorts

329
00:19:03,960 --> 00:19:04,960
of ways.

330
00:19:04,960 --> 00:19:08,280
Make that eye contact and Andy's like, sure.

331
00:19:08,280 --> 00:19:14,040
Yeah, if you come to my door and try and sell me something, I will probably end up buying

332
00:19:14,040 --> 00:19:15,040
it.

333
00:19:15,040 --> 00:19:18,640
But try to email me about it and I will send you a nasty letter.

334
00:19:18,640 --> 00:19:19,640
Nasty.

335
00:19:19,640 --> 00:19:23,120
Yeah, how about you, dude?

336
00:19:23,120 --> 00:19:28,920
Well, I was thinking more of a time when I didn't go through with it, but I was really

337
00:19:28,920 --> 00:19:29,920
close.

338
00:19:29,920 --> 00:19:30,920
Wow.

339
00:19:30,920 --> 00:19:36,840
I had some challenges in college where perhaps I was a little more social than I should have

340
00:19:36,840 --> 00:19:42,400
been and there was a period where I was deciding if I was going to go back to school, go get

341
00:19:42,400 --> 00:19:45,360
a job and I was struggling to find a job.

342
00:19:45,360 --> 00:19:48,280
So I visited a Navy recruiter.

343
00:19:48,280 --> 00:19:49,760
Oh my gosh.

344
00:19:49,760 --> 00:19:51,760
I just wanted some information.

345
00:19:51,760 --> 00:19:53,400
I just wanted a pamphlet.

346
00:19:53,400 --> 00:19:57,880
Three or four hours later, I've got a piece of paper in front of me.

347
00:19:57,880 --> 00:19:58,880
Just sign here.

348
00:19:58,880 --> 00:19:59,880
Pen in hand.

349
00:19:59,880 --> 00:20:00,880
Oh my gosh.

350
00:20:00,880 --> 00:20:07,620
This dude, I don't know what Dreamweaver stuff this man was pulling.

351
00:20:07,620 --> 00:20:08,680
They do great work.

352
00:20:08,680 --> 00:20:11,640
These recruiters do their jobs and they do them well.

353
00:20:11,640 --> 00:20:19,120
But I was so close and I decided I wanted to just go outside and think about it for

354
00:20:19,120 --> 00:20:20,400
a second.

355
00:20:20,400 --> 00:20:25,080
And when I was out there, he was like looking through the window and I just left and got

356
00:20:25,080 --> 00:20:27,600
in my car and I'm like, I can always go back.

357
00:20:27,600 --> 00:20:28,600
Y'all know me.

358
00:20:28,600 --> 00:20:29,600
I am not a soldier.

359
00:20:29,600 --> 00:20:30,600
Wow.

360
00:20:30,600 --> 00:20:35,440
Can you imagine what you would have been like today if you had signed up?

361
00:20:35,440 --> 00:20:38,120
I don't think it would have been good for the country.

362
00:20:38,120 --> 00:20:46,920
This is about the US of A and it wouldn't, I think they would have been making a mistake

363
00:20:46,920 --> 00:20:51,240
by bringing me in.

364
00:20:51,240 --> 00:20:57,640
So for me, well, a couple of years ago, a charming fella convinced me to do this podcast.

365
00:20:57,640 --> 00:20:58,640
Yes.

366
00:20:58,640 --> 00:20:59,640
Oh, Jesus.

367
00:20:59,640 --> 00:21:00,640
Wow.

368
00:21:00,640 --> 00:21:04,120
Sorry that happened to you.

369
00:21:04,120 --> 00:21:08,560
Yeah, you should start a support group.

370
00:21:08,560 --> 00:21:12,480
There's one other guy that was briefly a member of the team.

371
00:21:12,480 --> 00:21:14,280
The Pete Best.

372
00:21:14,280 --> 00:21:15,960
You and Scott could commiserate.

373
00:21:15,960 --> 00:21:16,960
That's right.

374
00:21:16,960 --> 00:21:22,720
I'm actually, I'm a lot like Andy and we get these, people come to our door and they

375
00:21:22,720 --> 00:21:27,840
want to replace our windows and replace our roofs.

376
00:21:27,840 --> 00:21:33,320
So I'm just so bad at saying no, particularly when the people are kind of nice and you know

377
00:21:33,320 --> 00:21:36,920
that, I mean, I must just suck having to go door to door.

378
00:21:36,920 --> 00:21:37,920
Terrible job.

379
00:21:37,920 --> 00:21:38,920
Yeah.

380
00:21:38,920 --> 00:21:40,460
So I always feel bad about it.

381
00:21:40,460 --> 00:21:44,120
So now I lie and I say that we're moving.

382
00:21:44,120 --> 00:21:46,120
That works.

383
00:21:46,120 --> 00:21:48,080
That's a good excuse.

384
00:21:48,080 --> 00:21:49,080
Yeah.

385
00:21:49,080 --> 00:21:52,280
It's like my grandma died of excuses, but for house home repairs.

386
00:21:52,280 --> 00:21:53,280
Yeah.

387
00:21:53,280 --> 00:21:58,680
Yeah, you just got to hope that the churn at these places brings a new salesperson in

388
00:21:58,680 --> 00:21:59,680
the next cycle.

389
00:21:59,680 --> 00:22:00,680
I thought you were moving.

390
00:22:00,680 --> 00:22:01,680
You just put on a mustache.

391
00:22:01,680 --> 00:22:10,680
You're like, oh no, not Donalds, I'm Ronalds.

392
00:22:10,680 --> 00:22:15,360
Yeah, well, what have you been charmed into doing that you later regret?

393
00:22:15,360 --> 00:22:16,360
Let us know.

394
00:22:16,360 --> 00:22:23,400
Visit us on the socials, Facebook, Instagram threads, and also on our website, albumnerds.com.

395
00:22:23,400 --> 00:22:25,400
Can you dig it?

396
00:22:25,400 --> 00:22:28,400
Can you dig it?

397
00:22:28,400 --> 00:22:31,400
Can you dig it?

398
00:22:31,400 --> 00:22:38,080
Well, it was a smooth and sultry week for all of us listening to the Sade record, but

399
00:22:38,080 --> 00:22:41,240
did you have a chance to check out anything else?

400
00:22:41,240 --> 00:22:42,840
Oh, you know I did, man.

401
00:22:42,840 --> 00:22:50,760
I got my little man purse over here filled with delicious new releases.

402
00:22:50,760 --> 00:22:51,760
Let's check some out.

403
00:22:51,760 --> 00:22:54,760
First one up is from a group called Lalaz.

404
00:22:54,760 --> 00:22:55,760
Laluz.

405
00:22:55,760 --> 00:22:56,760
Laluz.

406
00:22:56,760 --> 00:22:57,760
Laluz.

407
00:22:57,760 --> 00:22:59,760
Yeah, they're from Seattle, so I don't know.

408
00:22:59,760 --> 00:23:00,760
Lalaz.

409
00:23:00,760 --> 00:23:01,760
Laluz.

410
00:23:01,760 --> 00:23:03,720
The album is called News of the Universe.

411
00:23:03,720 --> 00:23:11,000
So they're a four piece from Seattle, Washington, kind of like a surf rock adjacent vibe.

412
00:23:11,000 --> 00:23:12,000
This is a...

413
00:23:12,000 --> 00:23:13,840
It's a kind of sad surf rock.

414
00:23:13,840 --> 00:23:14,840
It's got to be, right?

415
00:23:14,840 --> 00:23:15,840
You know, a little dreary.

416
00:23:15,840 --> 00:23:16,840
Yeah.

417
00:23:16,840 --> 00:23:19,840
Yeah, first single is called Strange World.

418
00:23:19,840 --> 00:23:24,840
Ooh, I like it.

419
00:23:24,840 --> 00:23:28,320
I guess I was expecting fellas for some reason.

420
00:23:28,320 --> 00:23:30,840
I think they're all ladies, if I recall correctly.

421
00:23:30,840 --> 00:23:31,840
Oh, cool.

422
00:23:31,840 --> 00:23:33,840
Some nice buffalo harmonies there.

423
00:23:33,840 --> 00:23:36,120
I bet their swimsuits are all black.

424
00:23:36,120 --> 00:23:37,120
Yeah.

425
00:23:37,120 --> 00:23:40,120
Maybe they're made out of flannel.

426
00:23:40,120 --> 00:23:41,120
Nice.

427
00:23:41,120 --> 00:23:49,080
All right, the next one up for me is a South Korean girl group known as Aespa, I think

428
00:23:49,080 --> 00:23:51,080
is how you would say it.

429
00:23:51,080 --> 00:23:52,080
A-E-S-P-A.

430
00:23:52,080 --> 00:23:56,000
The album is entitled Armageddon, the first album.

431
00:23:56,000 --> 00:24:00,840
I don't think this is their debut, but blowing up quite a bit, the big single is called Super

432
00:24:00,840 --> 00:24:01,840
Beautiful.

433
00:24:01,840 --> 00:24:06,840
Sounds like the Spice Girls.

434
00:24:06,840 --> 00:24:10,680
Yeah, I mean, we got that far, huh?

435
00:24:10,680 --> 00:24:17,680
They called this a combination of like, kind of like, futurized hip hop slash pop, hyper

436
00:24:17,680 --> 00:24:19,680
pop, just FYI.

437
00:24:19,680 --> 00:24:22,520
This is very Spice Girls.

438
00:24:22,520 --> 00:24:25,960
But they're Korean, so it's different.

439
00:24:25,960 --> 00:24:28,240
Right, the Spices are slightly different.

440
00:24:28,240 --> 00:24:29,240
That's right.

441
00:24:29,240 --> 00:24:31,240
They're like barbecues.

442
00:24:31,240 --> 00:24:32,240
Yes.

443
00:24:32,240 --> 00:24:35,760
All right, last one for me is from Argentina.

444
00:24:35,760 --> 00:24:38,400
Her artist name is Nathy Poloso.

445
00:24:38,400 --> 00:24:40,520
Man of the world over here.

446
00:24:40,520 --> 00:24:42,840
Yeah, well, who the place?

447
00:24:42,840 --> 00:24:46,560
The album is called Grasa, which means Greece, I looked up.

448
00:24:46,560 --> 00:24:47,560
Greece is the word.

449
00:24:47,560 --> 00:24:48,560
That's right, yeah.

450
00:24:48,560 --> 00:24:49,560
Grasa the word.

451
00:24:49,560 --> 00:24:50,560
Got to do it, don't you?

452
00:24:50,560 --> 00:25:03,200
Yeah, this is definitely more Andy's type of thing than the old Duder.

453
00:25:03,200 --> 00:25:04,640
It's a very diverse record.

454
00:25:04,640 --> 00:25:08,160
There's definitely like hip hop elements, but there's more traditional like Latin music

455
00:25:08,160 --> 00:25:09,160
as well.

456
00:25:09,160 --> 00:25:12,560
She produced an entire movie for the album.

457
00:25:12,560 --> 00:25:17,280
Every moment of it has a musical video component, which I thought was pretty cool.

458
00:25:17,280 --> 00:25:19,320
What you been digging on down?

459
00:25:19,320 --> 00:25:26,440
Well, a group that I remember back in the 90s, Big Head Todd and the Monsters has a

460
00:25:26,440 --> 00:25:27,440
new album.

461
00:25:27,440 --> 00:25:34,160
I always figured like if they lost their lead singer, I could step in.

462
00:25:34,160 --> 00:25:38,080
Big Head Don and the Monsters.

463
00:25:38,080 --> 00:25:42,320
Anyway, their new album is called Her Way Out.

464
00:25:42,320 --> 00:25:49,640
This is the title track.

465
00:25:49,640 --> 00:25:51,760
Sounded about the same as they did before.

466
00:25:51,760 --> 00:25:55,200
It's kind of a bluesy rock band, I guess.

467
00:25:55,200 --> 00:25:56,200
Yeah, that's cool.

468
00:25:56,200 --> 00:25:57,200
They're from Colorado.

469
00:25:57,200 --> 00:26:01,120
I remember them, I think the first time I heard of them was they were on that Horde

470
00:26:01,120 --> 00:26:05,360
tour with like Blues Traveler and Spin Doctors.

471
00:26:05,360 --> 00:26:07,600
They have like a big single from that period.

472
00:26:07,600 --> 00:26:09,760
The one I know best is probably Bittersweet.

473
00:26:09,760 --> 00:26:10,760
Yeah.

474
00:26:10,760 --> 00:26:14,400
Bittersweet, blub, blub, blub, Bittersweet.

475
00:26:14,400 --> 00:26:16,480
Oh yeah.

476
00:26:16,480 --> 00:26:17,480
Exactly.

477
00:26:17,480 --> 00:26:20,440
Another one, I went international as well.

478
00:26:20,440 --> 00:26:23,320
An artist called or known as Winter Aid.

479
00:26:23,320 --> 00:26:27,040
It's actually an Irish musician named Shane Colady.

480
00:26:27,040 --> 00:26:30,480
This is an album called Pull the Sky Inside.

481
00:26:30,480 --> 00:26:32,480
This is a song called Silk.

482
00:26:32,480 --> 00:26:37,960
Yeah, sounds about right.

483
00:26:37,960 --> 00:26:43,120
Yeah, it's pretty kind of moody and a little weird.

484
00:26:43,120 --> 00:26:44,120
Very long album.

485
00:26:44,120 --> 00:26:45,320
It's a little too long.

486
00:26:45,320 --> 00:26:46,920
It's about an hour, but interesting.

487
00:26:46,920 --> 00:26:48,400
There's definitely a potential there.

488
00:26:48,400 --> 00:26:54,840
And then I just wanted to mention I got around to watching a documentary from 2008 called

489
00:26:54,840 --> 00:27:01,680
The Wrecking Crew, which is about that group of LA session musicians from the 1960s that

490
00:27:01,680 --> 00:27:04,360
played with Phil Spector and Brian Wilson.

491
00:27:04,360 --> 00:27:10,160
It was actually made by the son of the guitarist from The Wrecking Crew, Tommy Tedesco.

492
00:27:10,160 --> 00:27:14,000
But it's just amazing how many records these people played on.

493
00:27:14,000 --> 00:27:17,200
And they played with the Monkeys and stuff like that.

494
00:27:17,200 --> 00:27:20,600
And they didn't always get credit on the sleeve notes.

495
00:27:20,600 --> 00:27:21,600
Right.

496
00:27:21,600 --> 00:27:24,280
But those guys got some good stories to share, I would imagine.

497
00:27:24,280 --> 00:27:25,280
Yeah.

498
00:27:25,280 --> 00:27:26,280
Some classic artists.

499
00:27:26,280 --> 00:27:28,520
Yeah, it's definitely worth checking out.

500
00:27:28,520 --> 00:27:30,480
I think you can find it on Hulu.

501
00:27:30,480 --> 00:27:31,480
Cool.

502
00:27:31,480 --> 00:27:32,480
Hulu.

503
00:27:32,480 --> 00:27:33,560
How about you, dude?

504
00:27:33,560 --> 00:27:38,760
So a band I've just generally been digging a lot in the last couple of years is Bastardane.

505
00:27:38,760 --> 00:27:42,480
And their second album was just released called Catatonic Symphony.

506
00:27:42,480 --> 00:27:47,620
It's sludgy, groovy, heavy music with clean vocals and good energy.

507
00:27:47,620 --> 00:27:53,560
This is a little bit of Masquerade.

508
00:27:53,560 --> 00:27:57,840
On this one, they do seem to experiment a little more from track to track.

509
00:27:57,840 --> 00:28:00,800
A lot of different sounds, a lot of different styles.

510
00:28:00,800 --> 00:28:02,880
And they seem to do them all very well.

511
00:28:02,880 --> 00:28:03,880
I've been really digging this.

512
00:28:03,880 --> 00:28:09,400
It feels a little more conceptual, this album, than the previous one, which I appreciate.

513
00:28:09,400 --> 00:28:10,400
It's cool.

514
00:28:10,400 --> 00:28:11,400
Yeah.

515
00:28:11,400 --> 00:28:13,600
We talked about the first record, right?

516
00:28:13,600 --> 00:28:14,600
Correct.

517
00:28:14,600 --> 00:28:15,600
Yes, we did.

518
00:28:15,600 --> 00:28:16,600
On episode dot dot dot.

519
00:28:16,600 --> 00:28:17,600
I don't remember which one.

520
00:28:17,600 --> 00:28:18,600
Yeah.

521
00:28:18,600 --> 00:28:19,600
Yeah.

522
00:28:19,600 --> 00:28:20,600
You're too, again.

523
00:28:20,600 --> 00:28:21,600
I'd say there was some growth here.

524
00:28:21,600 --> 00:28:24,400
That's what I'm always looking for in young bands.

525
00:28:24,400 --> 00:28:28,240
Speaking of young bands, there's this new band called The Props.

526
00:28:28,240 --> 00:28:30,760
They just have singles released at this point.

527
00:28:30,760 --> 00:28:39,480
This is a little bit of Get Off from the Echoes Get Off single.

528
00:28:39,480 --> 00:28:44,000
The vocalist is Nick Reese, formerly of Joyous Wolf, who I was really into.

529
00:28:44,000 --> 00:28:49,360
More of a blues rock band that was really close to breaking and then the pandemic happened.

530
00:28:49,360 --> 00:28:50,360
Yeah.

531
00:28:50,360 --> 00:28:52,520
One of the Wolf bands.

532
00:28:52,520 --> 00:28:53,520
Yes.

533
00:28:53,520 --> 00:28:56,360
They had some creative differences.

534
00:28:56,360 --> 00:29:02,080
I think Nick wanted to be more poppy and this is his new band where that seems to be happening.

535
00:29:02,080 --> 00:29:03,880
I'm looking forward to the album.

536
00:29:03,880 --> 00:29:04,880
Interesting.

537
00:29:04,880 --> 00:29:09,480
Then, of course, album acquisition for the vinyl collection.

538
00:29:09,480 --> 00:29:10,960
Mastodon's Leviathan.

539
00:29:10,960 --> 00:29:17,200
We'll play a little bit of Blood and Thunder.

540
00:29:17,200 --> 00:29:21,760
I got a used copy for like 18 bucks.

541
00:29:21,760 --> 00:29:22,760
Blue vinyl.

542
00:29:22,760 --> 00:29:28,960
My favorite Mastodon album, inspired by Herman Melville's Moby Dick, progressive metal, sludge,

543
00:29:28,960 --> 00:29:32,120
intricate riffs, great storytelling.

544
00:29:32,120 --> 00:29:33,120
I had to pick this.

545
00:29:33,120 --> 00:29:36,640
I told myself I was only going to buy one record when I was at the store.

546
00:29:36,640 --> 00:29:43,400
It was this or the 1971 original release of Electric Warrior by T-Rex, which I thought

547
00:29:43,400 --> 00:29:46,640
I might be able to find again more easily than this.

548
00:29:46,640 --> 00:29:48,520
Tough choice.

549
00:29:48,520 --> 00:29:51,480
So you really only bought the one?

550
00:29:51,480 --> 00:29:52,480
I did.

551
00:29:52,480 --> 00:29:58,560
I got a huge truck repair I got to pay for and a move and stuff, so I'm trying to tighten

552
00:29:58,560 --> 00:29:59,560
the belt.

553
00:29:59,560 --> 00:30:02,120
You know what Moby Dick's father's name was?

554
00:30:02,120 --> 00:30:09,120
Papa Boner.

555
00:30:09,120 --> 00:30:11,160
I don't think that's true.

556
00:30:11,160 --> 00:30:13,120
All right.

557
00:30:13,120 --> 00:30:14,120
Yes.

558
00:30:14,120 --> 00:30:15,120
All right.

559
00:30:15,120 --> 00:30:16,600
So what are you digging?

560
00:30:16,600 --> 00:30:17,600
Let us know.

561
00:30:17,600 --> 00:30:22,640
You can find us on the socials, Facebook, Instagram, and threads, also on our website,

562
00:30:22,640 --> 00:30:23,640
albumnerds.com.

563
00:30:23,640 --> 00:30:31,440
It will be a discovery of extraordinary value.

564
00:30:31,440 --> 00:30:41,080
Well, it's about that time on the show and I'm reminded of the great Indian yoga guru

565
00:30:41,080 --> 00:30:43,480
and author, B.K.S.

566
00:30:43,480 --> 00:30:50,440
Yengar, who said famously, the hardness of a diamond is part of its usefulness, but its

567
00:30:50,440 --> 00:30:54,080
true value is in the light that shines through it.

568
00:30:54,080 --> 00:30:55,080
Beautiful.

569
00:30:55,080 --> 00:31:00,760
With that in mind, let's bring out my friend and yours, Wildbot, to see what we'll be

570
00:31:00,760 --> 00:31:10,600
discovering on next week's episode.

571
00:31:10,600 --> 00:31:12,760
The summer of dawn continues.

572
00:31:12,760 --> 00:31:17,200
With that in mind, I will be choosing which albums from Dawn's curated list you will

573
00:31:17,200 --> 00:31:19,080
be exploring this summer.

574
00:31:19,080 --> 00:31:23,800
Next time, prepare yourselves to get your grungy flannel shirts out of storage.

575
00:31:23,800 --> 00:31:28,200
You will be discussing Pearl Jam's 1991 debut album, Ten.

576
00:31:28,200 --> 00:31:29,200
Shit.

577
00:31:29,200 --> 00:31:31,720
I don't want to talk about this.

578
00:31:31,720 --> 00:31:32,720
Yeah.

579
00:31:32,720 --> 00:31:35,400
You want to try it?

580
00:31:35,400 --> 00:31:38,240
Pearl Jam and not the new album.

581
00:31:38,240 --> 00:31:39,240
No.

582
00:31:39,240 --> 00:31:40,240
Very old.

583
00:31:40,240 --> 00:31:41,240
So yeah, Ten.

584
00:31:41,240 --> 00:31:42,720
It's a landmark.

585
00:31:42,720 --> 00:31:46,720
I know what Andy thinks about it, but I don't think I really know what grownup Dawn thinks

586
00:31:46,720 --> 00:31:47,720
about it.

587
00:31:47,720 --> 00:31:48,720
That'd be interesting.

588
00:31:48,720 --> 00:31:49,720
Yeah.

589
00:31:49,720 --> 00:31:50,720
All right.

590
00:31:50,720 --> 00:31:55,440
Well, don't forget, you can suggest topics for the wheel on our website, albumnerds.com,

591
00:31:55,440 --> 00:31:59,240
as well as vote for any ongoing Album Nerds Hall of Fame nominations.

592
00:31:59,240 --> 00:32:00,920
What do you think of Pearl Jam Ten?

593
00:32:00,920 --> 00:32:02,160
What else are you listening to?

594
00:32:02,160 --> 00:32:06,680
Leave a comment on our website or email us at podcast at albumnerds.com.

595
00:32:06,680 --> 00:32:10,760
You can also follow us on Facebook, Instagram, and threads at albumnerds.

596
00:32:10,760 --> 00:32:14,480
So please subscribe, rate, and review on your favorite podcast app.

597
00:32:14,480 --> 00:32:19,600
And if you'd like to support the show, you can do so via PayPal at albumnerds.com slash

598
00:32:19,600 --> 00:32:20,600
support.

599
00:32:20,600 --> 00:32:23,040
Thank you so much for joining us on the Album Nerds podcast.

600
00:32:23,040 --> 00:32:26,040
We'll catch you next time with Pearl Jam Ten.

601
00:32:26,040 --> 00:32:27,040
Yes.

602
00:32:27,040 --> 00:32:28,040
So, dude, what?

603
00:32:28,040 --> 00:32:29,040
Thanks for listening, buddy.

604
00:32:29,040 --> 00:32:30,040
Catch you next time.

605
00:32:30,040 --> 00:32:31,040
And all I told her was everything.

606
00:32:31,040 --> 00:32:32,040
Oh, yeah.

607
00:32:32,040 --> 00:32:33,040
I'm going to go to bed.

608
00:32:33,040 --> 00:32:34,040
I'm going to go to bed.

609
00:32:34,040 --> 00:32:35,040
I'm going to go to bed.

610
00:32:35,040 --> 00:32:36,040
I'm going to go to bed.

611
00:32:36,040 --> 00:32:37,040
I'm going to go to bed.

612
00:32:37,040 --> 00:32:38,040
I'm going to go to bed.

613
00:32:38,040 --> 00:32:39,040
I'm going to go to bed.

614
00:32:39,040 --> 00:32:40,040
I'm going to go to bed.

615
00:32:40,040 --> 00:32:43,160
Little spit on that one, huh?

616
00:32:43,160 --> 00:32:44,160
Yes.

617
00:32:44,160 --> 00:32:45,160
That was juicy.

618
00:32:45,160 --> 00:32:46,160
I'm starting a drool.

619
00:32:46,160 --> 00:32:47,160
I thought you're going to do Jeremy.

620
00:32:47,160 --> 00:32:48,160
What song is that?

621
00:32:48,160 --> 00:32:49,160
That's Jeremy.

622
00:32:49,160 --> 00:32:50,160
Lemon yellow song.

623
00:32:50,160 --> 00:32:51,740
You sound like Scott Stapp doing Pearl Jam.

624
00:32:51,740 --> 00:32:52,740
Yeah.

625
00:32:52,740 --> 00:32:53,740
Not too far in.

626
00:32:53,740 --> 00:32:54,740
Watch it.

627
00:32:54,740 --> 00:32:55,740
Oh, boy.

628
00:32:55,740 --> 00:32:57,740
yellow sun

629
00:32:57,740 --> 00:32:59,740
all's green

630
00:32:59,740 --> 00:33:03,740
Do you sound like Scott Staff doing

631
00:33:03,740 --> 00:33:05,740
Not too far enough. Watch it.

632
00:33:05,740 --> 00:33:27,740
Oh boy.

