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Hi everyone, welcome to Potluck Food Talks. Today's topic is iconic dishes.

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Iconic dishes, yeah. I mean, you know, like, what do you think makes an iconic dish? Like,

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that kind of transcends time and space.

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I guess it's a dish that people talk about and that are representative about a chef and

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his identity. For instance, Sex on the Beach, you know that dish?

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Yeah, unfortunately I know that dish.

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This dish is the most bizarre dish I've ever seen. It's called Sex on the Beach and it's

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a dessert and what you get is like something that looks like sand and then you have like

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this used condom that it's edible that has milk inside like a creamy thing. And the way

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to eat it is that you have to lift the condom and open your mouth and put it into your mouth.

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And this is a dessert. It has a creamy thing and strawberries and this and that. But I

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think it's pretty crazy. Like, it's almost humiliating for the guests to make them do

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that to enjoy the dessert. But at the end of the day, something really punk, I would

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say, memorable, maybe in a bad way. And it's a dish that people talk about.

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Yeah, I mean it is. And then I think it's made him famous now. Whether you like it or

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not, it has shock value.

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Okay. All right. So I would say iconic dish. One of the most iconic dishes is the gaugu

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yu from Michel Bra.

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Oh, amazing dish. Yeah.

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Gaugu yu is a riff on a traditional stew from the Obraq region that Michel Bra reinterpreted.

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And it's basically a dish consisting of, you know, like 30 plus different vegetables and

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herbs and flowers that are cooked in a certain sequence so that they have different textures

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depending on the vegetables, in mineral water with a bit of ham. And it then plated like

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a very, very elaborate salad of different textures. Also, there's a couple of sort of

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sauces on the plate. The dish is constantly changing, constantly evolving. But this is

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one of the most replicated dishes in the culinary world without a doubt. I think almost even

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like the very well-known Michelin star chefs today, most of them have a dish that's sort

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of an homage to this gaugu yu.

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Yeah. You will see this dish if you Google Michel Bra. It's usually the cover of his

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book of the same name. And when I was working in Mugaritz, we had one of these variations

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of that dish. And I was working in the station that was producing the dish. So I would have

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to go to the garden and pick up, it was over 30 different herbs, just a leaf of every herb.

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And every leaf had to have its own specific size. For instance, you wouldn't have a very

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large leaf of sage because it's very powerful, just a very little one. But for instance,

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a basil or coriander, you could have a bigger one because you can eat this like a salad.

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So we would know how many bookings we had every day. So if we had like, let's say 30

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bookings, I had to pick, let's say 35 leaves of each single, it was like over 30 herbs

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and about 12 flowers, like flower petals. And this was served just with an emmental

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cheese water, which was made by mixing emmental cheese and mineral water on the thermomix

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and then just strain it. And on top there was just a beurre noisette and that was the

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dish. It was amazing. Yeah. So my next one would be Robuchon's potato puree, mashed potatoes.

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You know that dish? Of course, everybody knows it. I think it's the benchmark of any potato

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puree around the world. It's what is always referenced. And I mean, it's also a sort of

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representation of that sort of, you know, French cooking that I mean, dictates so much

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of the cooking that's going on in the world. To make this puree, you pass the potato first

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with a thicker kind of a strain and then a finer one. And then you emulsify it with sheets,

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lots of butter and that's what makes it so nice. And so it has this texture that it almost

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falls from the spoon. Yeah, really nice puree. I heard him say once you need really good

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potatoes, you need to boil them with the skin on, not skinned, like you don't peel them

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before you boil them. That's very important. And I think he said it's two parts potato,

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one part butter. It's a lot. It's a lot of butter. Yeah, it's almost yellow at the end.

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All right. For me, one of the really good signature dish, iconic dish is Martin Beresategui's

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foie gras with green apple and eel. Ah, that's a classic. Yeah. Yeah. It's such a classic.

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It's also been replicated quite a lot. And it's just such a like back when he because

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it's been on his menu for a long time, but it was a very modern sort of interpretation

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and a mix of ingredients, you know, it had a little bit of a Japanese influence, I feel

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like. Absolutely. Yeah. Yeah. And, you know, the fattiness from the foie and the eel,

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the texture together with the green apple, I feel like kind of is a symbol of that sort

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of like new wave of cooking, you know, kind of like a little bit more fresh, a little

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bit more vibrant, more modern that kind of emerged together with Beresategui, especially

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it's been. I would say next, Fergus Henderson's bone marrow dish. I mean, that's that's an

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all time, all time classic. And it's so simple. Just cook bone marrows that you spread on

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a good loaf of toasted bread. And it comes with a parsley, lemon salad. And that's it.

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Yeah. With capers in the salad. Yeah. It's just like a yeah, like a small salad. It's

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just kind of like parsley that you lightly chop. I mean, I think Fergus says you and

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he doesn't say you should chop the parsley, he says you should discipline it a little

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bit, which just means kind of running your knife through it a little bit. Fergus is such

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a poetic guy. Yeah. You want the leaves of the parsley to be there, but of course not

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like a complete one. Yeah. Yeah. And I mean, why is it an iconic dish? You know, I mean,

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I the first of all, it's delicious. I ate it many, many times actually at St. John.

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And it's so simple. But I mean, again, it's a kind of encompasses a movement that Fergus

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Henderson started this whole nose to tail cooking, you know, and it really is the sort

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of like flag for for this movement that he did. I remember once Anthony Bourdain wrote

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that if you would see this dish on a menu, you would know that that chef was a good fellow.

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He was one of us. Yeah, it's true. It's true. And it's kind of like that in London also,

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like people who work for St. John, you know, they're like a clique, they're like a family.

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OK, I think I mean, one of the most old school signature dishes is the truffle soup by Bocuse,

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which you know, it's like it really is like it just encompasses like Bocuse cooking, you

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know, I mean, Bocuse is very old school and the dish was pretty full on and had like whole

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truffles in the soup, you know, like cooked and cooked in the soup. And it comes in this

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like classic white porcelain dish with a puff pastry lid. And it's just everything from

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like a bygone era, you know, that's sort of like turning point of sort of like, you know,

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the Bocuse era of cooking to sort of like nouvelle cuisine to like a fresher sort of

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less heavy style of cooking. But I think the fact that like this is pretty badass putting

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a whole truffles in your soup. So my next dish is Old Mole from Enrique Olvera. And

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I really like this dish because it's so minimalistic and it tells a story because you have like,

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it's just like one dot inside of a bigger dot. The dot on the center is the young mole

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and around it is the old mole. So it's you're basically doing like this principle of mixing

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an old sauce with a new sauce, which is the same you see with mother sauces or mother

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doughs or sour doughs or these kind of things, but made with mole and that's a dish. You

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get it just like that. I didn't have this mole, but I went to Cosme, which is one of

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Olvera's restaurant run by Daniel Sotoines in New York. And I had the mole they made

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there with burrata cheese with wood, which was an amazing combination, man.

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Yeah, I actually had the dish in the original Peugeot before they moved. And it's like

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to say it's such a cool dish because it's so minimalistic. The mole itself, I mean,

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both moles are super delicious. You just get a couple of tortillas on the side and you

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just like scoop it up and eat it. And I think this dish is pretty cool because it makes

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you understand a very sort of complex cultural aspect of Mexican cooking, you know, because

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people like if you get a stew, like if you get chicken in mole, you know, you'll eat

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it and you think, oh, this is delicious, but you won't necessarily think about that sauce

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and all that goes in it and the cultural background of it, you know, and the complexity of it

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also that it's, you know, so on so many days old and that keeps evolving and evolving and

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evolving. And I think it's that's really why this dish is so cool because it draws, it

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teaches you something about what you're eating and where you are.

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That's amazing. Yeah. I think that's one of the most difficult things to do to tell a

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story through a dish.

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Yeah, for sure. Okay, so my next one on the Idiya Saba Anyoki from Bulgaria. Quite a while

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ago now that they had this dish on. But for me, it's like quintessential Bulgarian dish,

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you know, it's like a mix again of sort of like sense of place and technique. I mean,

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for people who don't know, these are fake gnocchi that are made from Idiya Saba. The

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Idiya Saba cheese is a very traditional cheese in the Basque region. And you basically make

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a, you make a water from this cheese and you mix it with kuzu, which is a Japanese starch

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from, from tubers, from mountain tubers. And it's basically why you then pipe it into a

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liquid and it gelifies into the liquid while you kind of cut off these gnocchi. So what

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happens is that you have these potato gnocchi that when you eat them, just like completely,

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they're completely creamy in your mouth. I think it gets served, like it used to get

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served with just like a very light ham stock, like a very clear ham stock, if I'm not mistaken,

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and a couple of herbs on top, that's it. And it's, it's this mix of like ingredient driven

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cooking and like super forward thinking technique that really embodies the Leipzig-Garrett spirit,

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in my opinion.

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My next dish would be pineapple and ants from Alex Atala. And again, this is just a two

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ingredient dish and it's amazing. It's just a, a dice of pineapple and on top are, it's

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just a piece of ant that tastes like lemon. We, we have similar ants in Venezuela. We

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call it lemon ants. And yeah, and that's it. I think this dish also tells a story. You

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see this and you're probably seeing that these are two ingredients that come from America.

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You think about Amazonian cuisine. I mean, it evokes many things just by seeing it before

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you taste it.

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Yeah, definitely. And then again, it's like, when he put it on, you know, like, entomophagy

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in these Indian sects wasn't like so much of a big thing. I mean, it still isn't, but

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again, it's kind of like, especially for, you know, you're in Latin America and then

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you have guests that come to your restaurant that are like a little bit more how to say,

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they're like a little bit more used to safe things. And then you really get sort of like

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pulled out of this like safe, like fine dining environment, get really put into a place where

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sort of like, yeah, this is here, you know, like this is here. This is the Amazon, you

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know, like, like people, Indian sites, right? But that's really cool. That was really brave.

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Yeah, that's pretty cool.

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Okay, so my next dish is the Salmonette de Gaudi from very early days of El Bui, which,

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you know, is the cover picture of the Mediterranean cookbook from Ferran Andrea and is, I think,

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you know, one of the most iconic dishes from early days of El Bui. I think like before

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they really took off, it was like the most iconic dish that they did.

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Probably. Yeah.

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And I mean, it's actually a very simple dish. It's a red mullet fillet that gets cooked

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with a crust of very finely diced mixed vegetables like peppers, mixed peppers mainly. What else

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is in there?

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I think peppers, zucchini, like the typical dishes you get in Catalan cuisine. And they

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resemble this mosaics you see in Barcelona from Andorra Gaudi. And yeah, it's pretty

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cool actually. This also tells a story.

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Yeah. And it was so forward thinking because actually it's quite a traditional sort of

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like flavor combination and dish. I mean, it's a piece of fish with vegetables on top.

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But what made it so interesting was the beginning of the approach that they took to using new

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techniques in that kitchen. The fact that they achieved this like really even thin crust

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of vegetables is because they stuck the vegetables to the fish using a gelatin that activates.

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Normally gelatin activates when it cools down, when it gets dissolved hot and then cools

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down and it gelifies. But this gelatin is the opposite. You mix it cold and then when

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it heats up, it binds. So they would brush the fish with this gelatin, add the vegetables

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on top very, very neatly and then carefully place the fish skin side down. And as the

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fish was cooking, this gelatin would stick the vegetables to the fish, which I mean,

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it was completely unheard of at that time, you know. And I mean, for me still today is

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an amazing technique.

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That's it for this week's episode of Potluck Food Talks. If you like what we're doing,

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