WEBVTT

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You're listening to Heritage Radio Network. Hi,

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everyone. Welcome to Potluck for Talks. I'm Eric,

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and I'm here with my homie, Phil. And today,

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we don't have a topic to talk about, but we have

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talked in a while. So, how's it going, man? You're

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in Dubai now. Yes, back in Dubai. Pretty cool,

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pretty excited. Really happy to be back. Yeah,

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we haven't talked in like a month. I would say

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even two months, something like that. Really?

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That's crazy. Yeah, I've done a lot of episodes

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with strangers. Surrandoms, just NPCs of the

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street. Yeah, but oh good, man. I've been in

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Dubai for just about a month now. Yeah? And yeah,

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you know, just getting settled in, settling into

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my new role, you know, all the usual stuff. What's

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your role now? You're like a research and development

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chef? I've rejoined the Arts Club in Dubai, where

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I have previously been a head chef for one of

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the restaurants. And I've now joined as culinary

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development. Okay, so it's kind of like a research

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and development role. Yeah, it's kind of like

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the role didn't exist before. I've joined kind

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of like an executive chef to do sort of like,

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you know, R &D, and work on new openings also.

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Okay, nice, nice, nice, sounds pretty cool. Yeah,

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it's been really, really good. I mean, the Arts

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Club in Dubai, it consists of three different

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restaurants. And a rooftop terrace. So there's

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lots of stuff going on. And there's also the

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Arts Club in London, which has been around since

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1863, I think. It's super crazy. It was founded

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by Charles Dickens. So it's been around for a

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really long time. And so I'm going to fly to

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London also to work in the restaurants there

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a little bit. And yeah, you know, just it's been

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super cool because I'm just basically doing creative

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work. I don't have the really tedious stuff that

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a head chef has to do, like rotoring, dealing

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with all the bullshit, you know? Lots of micromanagement,

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right? A head chef has lots of micromanagement.

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Oh, yeah, yeah, yeah. Absolutely. I mean, in

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an ideal world, a sous chef has even more, right?

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Yeah. In an ideal world, the head chef can give

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the sous chef direction and the sous chef deals

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with it. Yeah. But yeah, so that's why it's been

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kind of nice. and to come back also like i come

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back to the club and so many it's three years

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ago that i was here right and so many of the

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same people are still there like half the kitchen

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team is the same and i think that's really really

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telling also front of house and stuff like that

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you know um it was a really nice welcome back

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i came in and it was kind of like such a different

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work attitude like if i compare to to germany

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you know um and especially berlin Like I come

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in here and people come up to me to say, hey,

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chef, how's it going? Nice to be back. Blah,

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blah, blah. How have you been? And in Germany,

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it was like, man, you know, like waiters walking

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into the kitchen, like to the pass. No, hello.

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Like nothing, you know? And I'd be sort of like,

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okay, who are you? Like not seeing you before.

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Do you maybe want to introduce yourself or like,

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you know? And this whole sort of fucking like,

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oh, you know, yeah, I don't know. I'm just here

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like two days a week and block. I can't work

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so much. It's not like that here. The work attitude

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is super good in general. You know, people work

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really hard. Sounds great. Sounds great. And

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what projects can you talk about? Do you have

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any next openings or something? I think I can

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talk about it a little bit. Next year, we are

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planning on opening three restaurants. We have

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a place that we're going to open in the AFC.

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So I'm here in the financial district. It's like

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called the financial district because that's

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where all the banks are and loads of like big

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offices, kind of like Canary Wharf in London.

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Yeah, there is also a financial district in Manhattan

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and in Tokyo. Exactly like Ginza, you know. It's

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actually a good comparison. In Ginza, there's

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loads of good restaurants. So here in the financial

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district, there's also a bunch of really, really

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good restaurants altogether. So that's where

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the arts club is. And in this district, we're

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going to open another more small -scale restaurant.

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We've signed a contract for a big -ass yacht

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club on the harbor, which is going to be massive.

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It's going to be a place where you do 1 ,000

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covers a day. And then probably next year also

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we will launch a restaurant in London. Super

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cool. Super, super cool. Yeah, yeah. It's good.

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It's very good. I love the team, you know. I

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mean, you know Michael Hepfel. Yes, of course.

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Love working with him. But also the other people

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involved. Like, for example, the upper management,

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the CEO. Like, it's a person I respect a lot.

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I have not many times worked with... Like, worked

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in places where I really respect the upper management.

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And I'm sort of like, they know, they really

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know what they're talking about. Nice. Yeah,

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sounds super cool. Yeah. So, yeah. What about

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you? What have you been up to? No, nothing crazy.

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Like, just some things I could share here. I

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went back to Mucha. I think it's really my favorite

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restaurant in San Sebastian right now. And I

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have the same, do you remember that sparkling

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wine we had, the Isarlecu? Oh, yeah, that was

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really good. Which was like a sparkling Chacoli.

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I think that's my favorite wine right now, period.

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You know, like, it's just so incredible, like

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a Chacoli where they apply Champenoise method.

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It's so unique, and it's so much better than,

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you name it, like Cava or Champagne or anything,

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without the bullshit, you know? Like, it's just

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like something for connoisseurs. That is something

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I had recently. And besides that, I'm just coming

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from a gastronomic society, lunch party. Nice.

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I was in charge of the steak, of the chuleta.

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Oh, nice. How did it turn out? I didn't mess

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up. I did it the proper Basque way. Everybody

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respected me for that. And yeah, so that was

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it. Yeah, so I've only been once to a Sociedad

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like that. And that was in Muguritz. It was one

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of the team outings. We went to the one that

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Jorens was part of. And that was super fun. I

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remember Jorens was cooking, Javi, Ramon, they

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were all kind of, you know, cooking in the background.

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We were just all enjoying and eating. I remember

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Andoni was there also. And we all got incredibly

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drunk. It was a good time. I already found, like,

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I placed a request for one to see if I become

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a member. And yeah, so maybe I become a member

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and next time you come, we can do a party there.

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Yeah, we were talking about the steak, you know,

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because it's something really, to do it the Basque

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way, right? Because it's not the same as you

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would do it anywhere else in the world. If you

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do it in France or in Argentina or in the States

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or in London or wherever, it's different. But

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here it's really something that where you have

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to do only like three or four things. the, according

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to how it should be. And I would say it's pre

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-resting the meat, high temperature, uh, quick

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pan searing or, or grilling or whatever. And

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then also very important, good knife and good

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salt. That's it. Yeah. Course salt. Those are

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the KPIs, you know, like you need. Yeah, coarse

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salt and a good one, not whatever crappy salt.

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I use aniana, which is this Basque salt from

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a salt bank not far from here. Nice. Just to

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make it more mystical. Yeah, yeah, yeah, of course.

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It's been harvested by... By a Basque nun. Of

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course, yeah. Other full moon, of course. They

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tie canaries to her forehead. The canaries, they

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search out the salt. Exactly. In cooking, those

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are my favorite sort of things. The ones that

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are so, so, so simple. Like ridiculously simple.

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Like if you had to explain it to somebody, you'd

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be sort of like, you add salt, you put it over

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charcoal, you flip it, you do the same thing

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again, blah. But the way that you do it and the

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like little intricacies make the difference.

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Like with, you know, I don't know, people are

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probably sick to their fucking stomach of us,

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of me mentioning the Spanish tortilla. Every

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time I mentioned the Spanish tortilla, everybody's

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like, oh my God, not again. But it's just the

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perfect example of simplistic cooking. You know,

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those are my favorite sort of things. What about,

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I saw when you just arrived, you had like a,

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like a private diner. to you directly by by michael

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oh yeah like you're yeah like you're welcome

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there what was that that's all really amazing

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what did it come for you i mean it wasn't anything

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like out of the ordinary as in like just specifically

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for me the first day i came into the office and

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i signed some paperwork and he was like so you

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want to have some lunch or something and i just

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came in and ate off the lunch menu and then it

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was the same i think the day after for dinner

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he was like hey just come by have some food but

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it was just off the menu you know but i had like

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the food there is just amazing it's just really

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fucking good there's so many people there that

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do amazing work um and yeah so like when i was

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there in the beginning what did i eat i ate like

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this little we make this little nori tartlet

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with like a tuna tartare uh like a little mayonnaise

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with yuzu kosho and then you put some caviar

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on it some chives some yoga That's it. And it's

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so fucking simple, but just so tasty. You never

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get tired of it. This little crispy nori shell

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looks beautiful also, right? And then you have

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tuna tartare, sauce, a little bit of caviar.

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That's it. Also really nice, like we're making

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these like little ramen for lunch. Like if you

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want to come have a quick lunch, we make these

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little bowls of ramen. But it's like very thought

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through. So it'll be like a chicken ramen. with

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a sort of like slow roasted soy chicken that's

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like super crispy a really really nice like intense

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um kind of tonkatsu chicken broth like really

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thick and creamy homemade noodles good marinated

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soy egg like it's just good i love the style

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of cooking you know it's it's really it doesn't

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it can be anything you know but it's just like

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simple straightforward um delicious nice nice

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nice nice So I went to Muca again. I remember

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having also some dishes that were mind -blowing

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once again, especially the vegetables. I remember

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having the tear peas again, having asparagus

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again, the anchovies again. All of those things

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were just out of this world. The anchovies were

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so good, man. I still think about those. But

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besides that, I haven't had any new, crazy different

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experiences. Nothing out of the box, to be honest.

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being a little bit more of the same. Same old,

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same old. Yeah, same old, same old is often good.

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I mean, especially when you're in the Basque

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country, you know. I cooked a couple of really

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nice things these last couple of weeks. Okay.

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In my new role as culinary development. One of

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the things I did that I tried out the first time,

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and I've never done it before, and it was one

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of those things that it just worked out straight

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away super well. So I tried to make pastrami.

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It was kind of cool because... Like, I wanted

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to make pastrami for a simple reason. I needed

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to work on a sandwich for, like, lunch for one

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of the restaurants. Just super casual. Nothing

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fancy, you know? I don't like buying shit in.

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Like, I think most of the things should be made

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in -house. Also, so the quality is really, really

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high. I was like, okay, I'm just going to try

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to make pastrami. Also, when you buy pastrami,

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it's often, like, super dry and stuff. So I think

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there are, like, two major schools. One is that

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it feels like a cold cut, and it's that one that

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you say, like, that is more like a dry thing.

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And the other one that is like a cooked brisket,

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almost like a stewed beef cheek kind of a situation.

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What's the one you're doing? Like the ones from

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Katz, for example, in New York. Yeah, yeah, yeah,

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exactly. So that's the kind of the style that

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I went for, but I didn't want to use brisket.

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We have these really nice Wagyu short ribs. right

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big wagyu short ribs on the bone from australia

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super nice marbling nice amount of connective

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tissue and so i did it with that brined it for

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four days did a nice brine lots of spice some

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kombu inside of there also give it some umami

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four days take it out rinse it pat it dry then

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put it in a hosper smoke it with wood for like

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five hours and make like a really nice rub you

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know, lots of pepper, some sugar, some salt,

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some garlic and onion powder, a little bit of

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MSG. The good thing. The good stuff. Yeah, the

00:13:37.240 --> 00:13:40.279
good stuff. And then just like backpack it with

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the rub and cook it at 80 degrees, 12 hours.

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Done. It comes out. It's bright pink all the

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way through. It's so fucking fatty and so delicious

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and so tender. It's absolutely unbelievable.

00:13:55.600 --> 00:13:58.529
So that after we did this. We tried it the first

00:13:58.529 --> 00:14:00.889
time and I was like, shit, man, this is like,

00:14:00.929 --> 00:14:03.610
this is way too good for just a sandwich, you

00:14:03.610 --> 00:14:07.610
know? And so we came up with this thing where

00:14:07.610 --> 00:14:09.470
it's kind of like you get like a set of bao buns.

00:14:09.950 --> 00:14:12.269
So freshly steamed bao buns and you get like

00:14:12.269 --> 00:14:15.289
a couple of thick slices of pastrami and then

00:14:15.289 --> 00:14:16.870
you just get condiments to make like your own

00:14:16.870 --> 00:14:20.029
bao. So you have like yuzu pickled daikon, you've

00:14:20.029 --> 00:14:22.669
got like a miso mustard sauce, some like fresh

00:14:22.669 --> 00:14:24.669
cucumber, a little bit of like a cress salad.

00:14:25.549 --> 00:14:27.250
You know, just like little steam buns. You put

00:14:27.250 --> 00:14:29.850
this like fatty, juicy meat in, put your condiments

00:14:29.850 --> 00:14:32.110
in, just eat it. It's fucking delicious. What

00:14:32.110 --> 00:14:35.230
about, I saw something you posted that was like

00:14:35.230 --> 00:14:38.169
a croissant, like a square croissant kind of

00:14:38.169 --> 00:14:40.590
burger or sandwich. What was that? Oh yeah. That

00:14:40.590 --> 00:14:42.570
was also the pastrami. So that was in the end,

00:14:42.570 --> 00:14:46.570
the sandwich that I made. Ah, you fucking pervert.

00:14:46.669 --> 00:14:55.360
Yeah. You know, like, um, So basically, we took

00:14:55.360 --> 00:14:58.340
croissants, though, because we bake croissants

00:14:58.340 --> 00:15:02.299
in -house also. And we put them into little rings.

00:15:03.700 --> 00:15:06.679
You put a lid on it and then bake it so it stays

00:15:06.679 --> 00:15:09.799
flat and compact. And it's perfect because it's

00:15:09.799 --> 00:15:12.379
really light. So you have like a hockey disc

00:15:12.379 --> 00:15:17.250
kind of. croissant thing exactly it's perfect

00:15:17.250 --> 00:15:19.710
because it's really light it's buttery it's flaky

00:15:19.710 --> 00:15:22.750
it toasts really nicely you can freeze it you

00:15:22.750 --> 00:15:25.590
can defrost it super easy and then like what

00:15:25.590 --> 00:15:28.789
did i do i just put like thin slices of pastrami

00:15:28.789 --> 00:15:30.970
so when it's cold you just like you put it in

00:15:30.970 --> 00:15:33.710
a steamer just gets back warm then you like flame

00:15:33.710 --> 00:15:36.870
it a little bit and then super simple like i

00:15:36.870 --> 00:15:41.610
made like a an onion cream so you just cook down

00:15:41.610 --> 00:15:44.360
onions for a really long time until they're really

00:15:44.360 --> 00:15:46.600
soft and caramelized. And then I seasoned that

00:15:46.600 --> 00:15:48.519
with just some butter, some water, and a little

00:15:48.519 --> 00:15:52.139
bit of miso to make this like onion jam. Then

00:15:52.139 --> 00:15:57.299
I made like a mustard tarragon mayo. So lots

00:15:57.299 --> 00:15:59.580
of herbs, you know, and then just like lettuce,

00:15:59.659 --> 00:16:02.659
tomato, homemade cucumber pickles. That's it.

00:16:02.759 --> 00:16:06.200
Some cheese, you know. It's fucking banging,

00:16:06.200 --> 00:16:09.559
man. It's so like, so simple, but so nice. Nice,

00:16:09.559 --> 00:16:11.960
nice, nice, nice. I like it. I like it, like

00:16:11.960 --> 00:16:15.070
it. We started doing this like chef's table thing.

00:16:15.190 --> 00:16:18.490
So once a week, we was in a restaurant there

00:16:18.490 --> 00:16:20.389
and one of the restaurants, the Japanese restaurant,

00:16:20.529 --> 00:16:22.649
well, the Nikkei restaurant, I should rather

00:16:22.649 --> 00:16:26.909
say, at the sushi section, they have a counter

00:16:26.909 --> 00:16:30.129
for six people. So once a week, we do like a

00:16:30.129 --> 00:16:33.590
tasting menu of like 10 courses that we do couple

00:16:33.590 --> 00:16:35.409
style. You know, I mean, we talked about couple

00:16:35.409 --> 00:16:38.190
style in Japan where you sit in front of, you

00:16:38.190 --> 00:16:40.769
sit on the counter and you watch the chef. prepare

00:16:40.769 --> 00:16:43.809
the stuff basically. So we do that. That's also

00:16:43.809 --> 00:16:46.090
a large amount of the work that I do at the moment

00:16:46.090 --> 00:16:48.029
is kind of make dishes for that and like cook

00:16:48.029 --> 00:16:53.269
there also. So we have this message from Chef

00:16:53.269 --> 00:16:58.690
Ryan, probably our most active listener. Shout

00:16:58.690 --> 00:17:02.549
out to Chef Ryan, yeah. I think I have a good

00:17:02.549 --> 00:17:05.690
idea for the podcast. Where do you find your

00:17:05.690 --> 00:17:08.470
identity in cooking? For me personally, I feel

00:17:08.470 --> 00:17:11.349
lost as a chef sometimes. Maybe imposter syndrome?

00:17:11.710 --> 00:17:13.950
I've been born and raised in California, but

00:17:13.950 --> 00:17:16.289
have no real tangible connections except what

00:17:16.289 --> 00:17:19.269
is expected as far as what a chef on the West

00:17:19.269 --> 00:17:22.089
Coast means. Thomas Keller helped define that

00:17:22.089 --> 00:17:26.089
and bred the farm -to -fork movement, which is

00:17:26.089 --> 00:17:28.430
essentially what Basque Country is for California.

00:17:28.930 --> 00:17:31.089
Where do you find your passion in the culinary

00:17:31.089 --> 00:17:35.130
industry? That's a good question. What do you

00:17:35.130 --> 00:17:37.009
think? What are your initial thoughts to this?

00:17:37.309 --> 00:17:39.569
It has to be autobiographical, I think. I mean,

00:17:39.589 --> 00:17:41.869
unless... I think there is no way around that.

00:17:41.990 --> 00:17:46.369
It has to be... For example, I, myself, I have

00:17:46.369 --> 00:17:49.309
this mixture of cultures where my parents are

00:17:49.309 --> 00:17:52.490
Spanish and German and I grew up and was born

00:17:52.490 --> 00:17:54.980
and raised in Venezuela. I think I... belong

00:17:54.980 --> 00:17:58.299
to the three cultures. I think I'm entitled to

00:17:58.299 --> 00:18:00.759
open a German restaurant or a Spanish restaurant

00:18:00.759 --> 00:18:02.779
or a Venezuelan restaurant. And I think that

00:18:02.779 --> 00:18:06.480
that's okay. But even apart from that, if I feel

00:18:06.480 --> 00:18:08.740
I wanted to open an Italian restaurant or a Japanese

00:18:08.740 --> 00:18:11.619
restaurant, I feel I can also do that as long.

00:18:12.089 --> 00:18:14.829
as whatever I'm cooking resonates with me. As

00:18:14.829 --> 00:18:17.069
long as I feel that I'm expressing something

00:18:17.069 --> 00:18:19.829
or telling a story with the stuff I'm putting

00:18:19.829 --> 00:18:22.569
on the plate, I do feel that that's the whole

00:18:22.569 --> 00:18:25.170
point. It's like, I don't know, if you're a musician,

00:18:25.450 --> 00:18:27.690
you have to feel what you're playing, right?

00:18:27.930 --> 00:18:33.390
I guess that's the whole point of cooking and

00:18:33.390 --> 00:18:36.430
delivering something on a plate, in my opinion.

00:18:37.069 --> 00:18:40.390
Yeah, I totally agree. It's autobiographical

00:18:40.390 --> 00:18:44.130
for sure. you know i feel like we're still in

00:18:44.130 --> 00:18:48.210
a mindset where we separate cultures a lot but

00:18:48.210 --> 00:18:51.250
i feel like we live in a time where information

00:18:51.250 --> 00:18:53.950
is so widely spread that you can't make this

00:18:53.950 --> 00:18:59.029
differentiation differentiation that much anymore

00:18:59.029 --> 00:19:03.230
like of course you can there's very clear cultural

00:19:03.230 --> 00:19:06.769
differences but if you're in a in a subject like

00:19:06.769 --> 00:19:10.140
say you're a painter right You're a painter in

00:19:10.140 --> 00:19:12.539
a certain area and people around you paint in

00:19:12.539 --> 00:19:14.180
a certain way. But at the same time, you go on

00:19:14.180 --> 00:19:16.859
the Internet and you see all the fucking different

00:19:16.859 --> 00:19:19.779
painting styles from all over the world. And

00:19:19.779 --> 00:19:21.559
you see things that you really like, that you

00:19:21.559 --> 00:19:24.359
look at and you're like, man, I love that. You

00:19:24.359 --> 00:19:27.700
know, maybe I love the choice of color or I love

00:19:27.700 --> 00:19:30.440
the, you know, the technical aspect or I love

00:19:30.440 --> 00:19:32.819
the abstract aspect of it. It's something that

00:19:32.819 --> 00:19:35.160
very emotionally resonates with you. I think

00:19:35.160 --> 00:19:38.440
it is very normal to be inspired by that. I think

00:19:38.440 --> 00:19:41.500
it's kind of the same with cooking. I think you

00:19:41.500 --> 00:19:43.940
have to be careful with saying, oh, this is traditional

00:19:43.940 --> 00:19:46.759
this, this is authentic that. But I think that

00:19:46.759 --> 00:19:50.039
if you are inspired, which you unavoidably are

00:19:50.039 --> 00:19:52.700
going to be in this day and age with all the

00:19:52.700 --> 00:19:54.359
information and all the input that you're getting

00:19:54.359 --> 00:19:59.559
these days, as long as you absorb things and

00:19:59.559 --> 00:20:03.279
maybe replicate things out of a place of appreciation.

00:20:04.269 --> 00:20:07.569
then i think you're good and it's authentic i

00:20:07.569 --> 00:20:10.609
think it is a big part of food and cooking is

00:20:10.609 --> 00:20:14.730
way beyond what it used to be like 20 years ago

00:20:14.730 --> 00:20:18.670
right it's cooking is evolving in a in a as an

00:20:18.670 --> 00:20:20.950
expression and as an art form in a way that's

00:20:20.950 --> 00:20:24.890
incredible and um i think that's part of the

00:20:24.890 --> 00:20:27.029
reason why you know because people have a very

00:20:27.029 --> 00:20:31.789
widespread treasury of information and When you

00:20:31.789 --> 00:20:34.210
are apprenticing, when you're starting in something,

00:20:34.390 --> 00:20:38.609
replicating the masters or the people that you

00:20:38.609 --> 00:20:43.970
admire and that you respect is undoubtedly one

00:20:43.970 --> 00:20:47.230
of the first steps of improving yourself. Replicating

00:20:47.230 --> 00:20:51.630
and repeating that and absorbing. You have to

00:20:51.630 --> 00:20:54.369
do that before you are even able to express something

00:20:54.369 --> 00:20:56.890
of yourself. Additionally, to close what I'm

00:20:56.890 --> 00:21:00.720
saying. You know, Chef Ryan taking the example

00:21:00.720 --> 00:21:05.059
of Thomas Keller, who, Thomas Keller, forefather

00:21:05.059 --> 00:21:07.839
of American cooking and Californian cooking,

00:21:07.980 --> 00:21:11.900
no? For example, the donut, you know, donut and

00:21:11.900 --> 00:21:15.140
coffee, you know, like that's nothing. It's one

00:21:15.140 --> 00:21:18.579
of his signature and most iconic dishes. And

00:21:18.579 --> 00:21:22.859
there is nothing disruptive about it. It's quite

00:21:22.859 --> 00:21:26.390
the opposite. It's something. as classic and

00:21:26.390 --> 00:21:29.690
straightforward as it gets but he's doing his

00:21:29.690 --> 00:21:32.750
own take and putting it in the right moment at

00:21:32.750 --> 00:21:35.069
the right place and telling a story with it and

00:21:35.069 --> 00:21:38.750
that's what makes it uh extraordinary basically

00:21:38.750 --> 00:21:43.430
absolutely yeah and um like to get there he for

00:21:43.430 --> 00:21:45.630
a very long time cooked predominantly french

00:21:45.630 --> 00:21:49.170
food right like you don't just start with something

00:21:49.170 --> 00:21:51.819
authentic It becomes authentic, you know, and

00:21:51.819 --> 00:21:53.960
Thomas Keller nowadays has his own style because

00:21:53.960 --> 00:21:57.019
it evolved. He started somewhere, maybe predominantly

00:21:57.019 --> 00:22:00.279
cooking French food and like Mediterranean food

00:22:00.279 --> 00:22:04.599
in California. And that at some point he developed

00:22:04.599 --> 00:22:08.019
his own style, you know, and now we don't even

00:22:08.019 --> 00:22:09.839
question it. You know, it's French laundry style.

00:22:09.920 --> 00:22:11.539
You can look at a dish and you can be like, oh,

00:22:11.539 --> 00:22:13.299
that's, you know, that's very French laundry

00:22:13.299 --> 00:22:16.319
-esque. That's very birthday -esque. And like

00:22:16.319 --> 00:22:18.779
the donut, you know, coffee and donuts is something

00:22:18.779 --> 00:22:22.750
so. american in a way with his own style of cooking

00:22:22.750 --> 00:22:25.809
that was formed by a different style so i think

00:22:25.809 --> 00:22:29.809
that people need to i feel like americans have

00:22:29.809 --> 00:22:31.390
this a lot where they're like very they have

00:22:31.390 --> 00:22:34.670
imposter syndrome we need to maybe look at these

00:22:34.670 --> 00:22:37.369
sorts of things in a much more organic way that

00:22:37.369 --> 00:22:42.269
everything's a process um there's a constant

00:22:42.269 --> 00:22:45.269
osmosis of information and different cultures

00:22:45.269 --> 00:22:50.240
in our day and time there's no sort of real like

00:22:50.240 --> 00:22:52.960
segregation anymore sort of like oh my people

00:22:52.960 --> 00:22:56.019
here your people there that's not really happening

00:22:56.019 --> 00:22:59.420
anymore right and i think that's that's nice

00:22:59.420 --> 00:23:04.099
that's the zeitgeist yeah i have a i have also

00:23:04.099 --> 00:23:07.460
something to add on top of that um so on one

00:23:07.460 --> 00:23:09.200
side this is something i've talked with with

00:23:09.200 --> 00:23:13.339
xander the producer a million of times he told

00:23:13.339 --> 00:23:17.710
me once one of his drama teachers while he was

00:23:17.710 --> 00:23:23.750
in film school, he said, all stories have already

00:23:23.750 --> 00:23:27.869
been told, but not by everyone. Because if you

00:23:27.869 --> 00:23:31.630
break apart the structure of a story in, let's

00:23:31.630 --> 00:23:35.950
say, in a novel or in a movie, there is a limited

00:23:35.950 --> 00:23:40.990
amount of story structures that work, and those

00:23:40.990 --> 00:23:44.309
structures are 99 % of all of the movies that

00:23:44.309 --> 00:23:46.650
are being published. except for the very, very

00:23:46.650 --> 00:23:49.430
experimental one. But it's either a character

00:23:49.430 --> 00:23:52.730
that is transformed by his environment or his

00:23:52.730 --> 00:23:55.670
or her environment, or the opposite, the character

00:23:55.670 --> 00:23:59.690
transforms his or her environment. And from that,

00:23:59.849 --> 00:24:02.809
you can make millions of variations, right? Yeah,

00:24:02.869 --> 00:24:06.150
but not by everyone. That means, like, even the

00:24:06.150 --> 00:24:08.230
same movie, you know? Like, even, let's say,

00:24:08.309 --> 00:24:13.519
Romeo and Juliet, you know? There are a hundred

00:24:13.519 --> 00:24:16.599
versions of that same story, and these are completely

00:24:16.599 --> 00:24:19.019
different movies. On that same line of thought,

00:24:19.339 --> 00:24:22.200
I bring a lot of people to places, for example,

00:24:22.259 --> 00:24:25.579
like Bar Antonio, to try their tortilla. And

00:24:25.579 --> 00:24:27.880
I've heard more than once people that have no

00:24:27.880 --> 00:24:30.579
idea about tortilla, of what a tortilla is, and

00:24:30.579 --> 00:24:32.759
they tell me, yeah, that's amazing, but it's

00:24:32.759 --> 00:24:37.000
not that traditional tortilla. And I'm like...

00:24:37.720 --> 00:24:40.480
That's a very traditional tortilla. It's a tortilla

00:24:40.480 --> 00:24:43.359
that follows all of the rules of what a tortilla

00:24:43.359 --> 00:24:46.339
should be, but they have their own personality

00:24:46.339 --> 00:24:48.420
and character, and that's what makes it different.

00:24:48.599 --> 00:24:50.500
But they're not breaking any rules. They're not,

00:24:50.539 --> 00:24:53.160
like, adding flour to the tortilla or something

00:24:53.160 --> 00:24:55.579
like that, you know? Like, that would make it

00:24:55.579 --> 00:24:58.779
untraditional or even take it apart from the

00:24:58.779 --> 00:25:02.789
definition of a tortilla. Once you add... Flour

00:25:02.789 --> 00:25:04.430
is not a tortilla anymore. It's something else,

00:25:04.470 --> 00:25:07.789
right? Like your break. But they're not doing

00:25:07.789 --> 00:25:09.450
that at all. They're just doing it like their

00:25:09.450 --> 00:25:12.829
own way. And I think that's very important. And

00:25:12.829 --> 00:25:16.069
it's also like you talked about, for example,

00:25:16.109 --> 00:25:18.829
what now is new Californian cuisine or this kind

00:25:18.829 --> 00:25:22.930
of things. What now is Latin American fine dining?

00:25:23.089 --> 00:25:26.289
Now you will find Peruvian or Mexican restaurants

00:25:26.289 --> 00:25:29.329
that are Michelin star. But there were no Peruvian

00:25:29.329 --> 00:25:33.109
or Mexican Michelin stars 20 years ago. Only

00:25:33.109 --> 00:25:36.750
20 years ago. And the restaurants that were Peruvian

00:25:36.750 --> 00:25:39.849
or Mexican fine dining weren't Peruvian -Peruvian

00:25:39.849 --> 00:25:43.089
or Mexican -Mexican. These places were French

00:25:43.089 --> 00:25:46.690
-Peruvian or French -Mexican. And if you go back

00:25:46.690 --> 00:25:48.910
in time, you will see the same thing. It's pretty

00:25:48.910 --> 00:25:51.509
much the same story, what happened with French

00:25:51.509 --> 00:25:55.679
Laundry. First, they took French technique. And

00:25:55.679 --> 00:25:59.140
then they did French -French, and then French

00:25:59.140 --> 00:26:01.900
-Californian, and now California -Californian,

00:26:01.920 --> 00:26:03.839
right? Like, same thing happened with Brazilian,

00:26:04.180 --> 00:26:07.480
first French -Brazilian, then Brazilian -Brazilian,

00:26:07.480 --> 00:26:10.619
and so on. Like, and the same thing with the

00:26:10.619 --> 00:26:12.279
Basque cuisine, you know? Like, the new Basque

00:26:12.279 --> 00:26:15.119
cuisine, what happened here in the late 70s.

00:26:15.680 --> 00:26:18.400
Basically, these were chefs that were all French

00:26:18.400 --> 00:26:21.039
trained and they started taking recipes from

00:26:21.039 --> 00:26:23.940
their grandmothers or from farmers or fishermen

00:26:23.940 --> 00:26:27.759
or producers and transformed that into a fine

00:26:27.759 --> 00:26:30.799
dining setting, applying French technique. And

00:26:30.799 --> 00:26:32.940
at the end of the day, everything is a remix.

00:26:33.140 --> 00:26:35.380
Everything is a combination of what you've seen

00:26:35.380 --> 00:26:38.420
and experienced yourself. And you're kind of

00:26:38.420 --> 00:26:41.599
like a melting pot that puts all this stuff together

00:26:41.599 --> 00:26:48.039
and you just... Deliver whatever only you can

00:26:48.039 --> 00:26:50.740
express. For me, that's what it's all about in

00:26:50.740 --> 00:26:55.039
any art form. It could be writing, singing, making

00:26:55.039 --> 00:26:57.779
movies, telling stories, telling jokes, dancing,

00:26:58.000 --> 00:27:02.039
whatever. You should look for something that

00:27:02.039 --> 00:27:06.619
only you can do. Something even that is difficult

00:27:06.619 --> 00:27:09.619
to explain. For example, in my case, imagine

00:27:09.619 --> 00:27:12.059
I do a restaurant that is 100 % myself. It would

00:27:12.059 --> 00:27:16.059
probably be... German, Spanish, and Venezuelan.

00:27:16.059 --> 00:27:17.900
And people would be like, what the fuck? Just

00:27:17.900 --> 00:27:24.380
line after line. And it's like, well, that's

00:27:24.380 --> 00:27:27.160
my identity. These are my cultures. This is my

00:27:27.160 --> 00:27:29.900
heritage. And it's just what I'm putting together.

00:27:31.279 --> 00:27:35.099
Yeah, for sure. I had somebody ask me the other

00:27:35.099 --> 00:27:39.559
day, how come a German chef is cooking Japanese

00:27:39.559 --> 00:27:46.339
food? And I was like, well... um because i fucking

00:27:46.339 --> 00:27:50.539
want to yeah yeah it's just like i am yeah like

00:27:50.539 --> 00:27:52.680
i was i've been fascinated with it since i was

00:27:52.680 --> 00:27:56.660
a kid and like went to japan cooked like i mean

00:27:56.660 --> 00:27:58.920
maybe other days somebody said something like

00:27:58.920 --> 00:28:01.740
that i was sort of like oh i never i never pictured

00:28:01.740 --> 00:28:03.559
you like cooking japanese food and i was like

00:28:03.559 --> 00:28:05.279
man i've been like i've cooked japanese food

00:28:05.279 --> 00:28:07.839
for like at least a quarter of my career if not

00:28:07.839 --> 00:28:11.589
a third you know like It's definitely a good

00:28:11.589 --> 00:28:15.089
question. So thanks to Chef Ryan for prompting

00:28:15.089 --> 00:28:18.450
it. People can always get in contact with us.

00:28:18.470 --> 00:28:19.910
I mean, with me. I don't know about you, but

00:28:19.910 --> 00:28:22.529
if you guys feel like reaching out, you can always

00:28:22.529 --> 00:28:26.230
message me. Yes, of course. Yeah, we're happy

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to read your questions and discuss them here.

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Absolutely. That's it for this week's episode

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of Potluck Food Talks. If you like what we're

00:28:38.670 --> 00:28:40.789
doing, Make sure to subscribe to the podcast

00:28:40.789 --> 00:28:43.769
so you never miss an episode. You can also find

00:28:43.769 --> 00:28:46.549
us on Instagram and TikTok as potluckfoodtalks.

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The show airs every Monday.
