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Hi everyone, welcome to potluck food talks.

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I'm Eric and I'm here with Phil, my brother from different mother and father.

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Coincidentally, yes.

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How are you doing, man?

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Yeah, we're very good.

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How are you?

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Good, man, good.

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If you hear me hectic scribbling, it is because I am working on the thing that we're going

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to be talking about, which is giving me a real headache.

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I was thinking the topic for today could be advice for chefs.

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There was a chapter on Bourdain's book that was, so you want to be a chef?

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We could call the episode something like that.

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Oh yeah, that's a good idea.

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I feel like as an audience for this sort of thing, I feel like a lot of people have a

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lot of, I mean, I'm sure it was the same.

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I don't know how it was for you.

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Did you have a lot of doubts how you would approach your journey as a chef or it just

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kind of happened?

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I remember I was really interested in reading biographies of chefs, not only recipes and

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cookbooks, but also knowing their life tracks, but also because I had this curiosity in general,

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you know, like if I like an artist or a film director or whatever, for me it's always interesting

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to understand how they made it.

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And yeah, and there was no exception with cooking.

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So I read quite a few biographies, but also this kind of advice, sometimes interviews.

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So I can go with the first one.

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A first good advice I would say is be kind, don't be an asshole.

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That's a good, good advice.

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You want to elaborate on that?

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Yeah, sure.

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Like, I mean, it's so easy and sometimes attempting to be an asshole, especially when you see

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someone doing something wrong or having a wrong attitude.

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But for example, I think like a very positive influence I had on this matter was Nanny Lassa,

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who was like one of the chefs at Mugaritz.

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And that guy was incredibly calm and he would always ask with good manners and keep a tone

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and stay calm.

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And I really admire that.

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And I think that's like a super positive quality to have in a job.

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Yeah, totally.

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I totally agree with you.

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You know, I, when I was younger, I, you know, I was very passionate about the job.

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And I also, I came out of kitchens where it was very tough.

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And so when somebody made a mistake, I, for some reason, like, like on one side, I didn't

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really understand it when people didn't take it seriously.

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And I was like, man, you're like, you're making a mistake.

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It's just like wrong.

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And somebody's telling you it's wrong.

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Like you should take it and like, take it seriously, not be like aloof about it and

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be like, oh yeah, whatever, you know, it's still fine.

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And it's a, it's a, it's a fine line between caring about something and applying yourself

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and being an asshole, you know, because I think one aspect of that is very important.

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It's very important to take what you're doing seriously and with seriously, I don't mean

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be very serious about it.

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You know, I mean, you know, really, if you're already taking the time to do it, you know,

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do it properly and do it with passion and with soul and, you know, apply yourself and

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put yourself into it.

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Because if you don't, then what the fuck are you doing it for?

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And it's like an office job.

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You're clocking in, you're clocking out, super depressing.

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But at the same time, you know, don't get caught up in all this like weird little bullshit.

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At the end of the day, whatever you're doing should be for your enjoyment also.

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And that's also, you know, enjoyment is not just sitting on the couch.

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Enjoyment is also straining yourself and striving and trying to achieve and nurturing people.

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And that's also enjoyment.

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And don't take it too seriously, you know, if of course there's a lot of stressful aspects,

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but just try to see the bigger picture, try to see where the enjoyment is, because that's

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also going to give you the most benefit out of the process that you're in.

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Yeah, like, like on the same line of thought, I think it's, it's also important to understand

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what your motivation is.

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You remember those letters that you get when you go to Mugaritz that they write, have very

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clear why you're coming here.

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So you can remember that in the hardest moments.

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I think that's, that's something you should take like in general, not only for being in

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like, like in a specific restaurant, but like having a vision or a motivation, which is

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not, not anything else, but the narrative that shapes your roadmap, your tree of decisions,

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you know, like what do you like, what not, what kind of places you like and which not,

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you know, like in our own thought building like a style, a vision that could later translate

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into, into your own personal brand or your company or whatever, you know, like, yeah,

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that's something no, nobody's going to help you on that.

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That's your business.

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You have to figure it out yourself.

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Absolutely.

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And also you talked about people criticizing other people's.

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I think it's very, very important to be open to criticism.

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Of course it's important also to, you know, to save someone to stop if there is an abusive

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behavior, but also on the other side, I think there's a difference between that and being

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just a victimized crybaby.

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Oh yeah, for sure.

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So in respecting that middle point, I think it's also key, you know, like making like

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a big drama because someone told you, you did something wrong.

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Then that's your problem, not the other person's problem, you know?

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No, absolutely.

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And I think that's such a great point to make.

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You really need to be real with yourself, you know?

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Like show up before anything, show up for yourself and tell yourself the truth.

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Like you would tell your best friend.

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Sometimes we need people to tell us how things really are, you know, because you get so caught

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up in our own bullshit and our own minds and our own little perception of things, you know,

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it's very, very important to be super honest with yourself.

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And you know, like very close friends, if they see their close friend doing something

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that is really stupid and not okay, they're going to take that person and be like, hey

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bro, that's fucked up what you just did.

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Like, that's not okay.

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You know, what's going on with you?

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And that's okay.

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That's fine because that's good for you, you know?

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And it happens to everybody.

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It's not the end of the world.

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It's not like everybody's going to turn their back on you.

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It's very important to do that with yourself, you know?

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Really as important to stick up for yourself, you know, especially when we're talking about

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kitchens and there's subjects like, you know, an abusive environment, et cetera, you know,

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the constant topics that we're talking about in gastronomy.

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But be real with yourself and think to yourself, okay, because it's very easy to fall and very

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comfortable to fall into the victim position of being like, oh, no, I'm not going to do

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this because this and this didn't agree with me.

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It's kind of like, well, is it valid?

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Or are you actually doing you a disservice and everybody else who is in an actually horrible

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situation a disservice?

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Yeah, like another one I would say is knowledge reigns supreme.

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Like, you need to get as much knowledge as you can, like understanding ingredients and

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processes, techniques.

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And today there are so endless resources for it.

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Like it was pretty hard to find videos when I started, you know, and now you have YouTube

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and you can check whatever.

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There are also so many platforms like, I don't know, like Chef Steps and these kinds of things,

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Gromda, you know, like where you can get like master classes from master chefs.

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That's, if I would be on my apprentice stage, I would take advantage of all of those resources

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for sure.

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Oh yeah, absolutely.

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Absolutely.

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And I think kind of tying into that is sort of like, you know, give things time.

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You know, I feel like everybody, especially nowadays, and I know that I was at fault with

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that also is that people just try to rush through, you know, I mean, things take time

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and you know, to be, to become, I mean, just thinking that if you're a chef, you want to

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become a head chef at some point, you know, that takes time.

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It's a long process and there's a lot of skills attached to it.

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Like, of course you can be a head chef standing at the pass and calling out tickets, but being

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a head chef or any sort of like senior chefs, you know, person working in gastronomy, is

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such a wide skillset that you need to have, you know, cooking is just the start of it.

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And that takes time.

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So give yourself that time, don't rush the process, really internalize and repeat the

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things that you should be really, really exceptional at.

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Right?

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So of course, you know, you should be a very, very exceptional cook.

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What does that mean?

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That means that you should work all the stations in the restaurants and learn every aspect

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of what it means to be a chef.

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It's impossible to learn everything, of course.

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But say you pick one restaurant where you like the style of food that they do.

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You work the garde-manger, you work the entre-mete, you work the sauce here in postionne, you

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work the pâtisserie, maybe you are too norf for a little bit, whatever.

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Really internalize all those aspects.

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Because at one point you're not going to be cooking there anymore, but you need to understand

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everything that's going on there.

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And then that's just the cooking part.

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Then everything else comes to financial side, the organizational side, the creative side,

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and then the humanitarian side, the social aspect of working with people.

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It's so, so important.

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I feel like probably 80% of people rush through this understanding before they become a leader.

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They know how to cook and then they take on leadership without knowing how to manage.

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I was one of those people.

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No, absolutely.

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I think you should build a knowledge taxonomy.

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When I started there weren't online drives where you can have everything and lose your

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computer and still have everything online.

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I would definitely have something like that with folders.

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And at the same time, I think it's also important not to saturate yourself.

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It's not the same having one single book and knowing it pretty well before you go to the

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next one or having a folder with 2000 books you haven't read and you don't even know

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what the content is.

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You know, like that's, which is pretty common because there is a lot of ebook smuggling

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in the chef's world.

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And you'll end up with a folder with 2000 books you haven't read.

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And that's also okay.

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But I mean, like do the learning properly.

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And also if I have, if I would recommend one knowledge that you should really master, even

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though it's the most boring one, it would be like cost control and management.

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Like that will get you a job much more than being super creative.

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You know, like someone who hires a chef will take creativity for granted, but they will

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really dig into that how much you understand about processing the costs.

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And this is one of the main reasons why some restaurants fail and close.

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It's because they're not doing the whole financial management right.

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Yeah, yeah.

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Absolutely.

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Absolutely right.

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And you know, with what you just said, with this like vast amount of knowledge that you

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can have, you know, I often think that becoming a chef is kind of like signing up for a martial

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arts, you know, like you decide, okay, I want to train this martial art and you come in,

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you get your white jacket and you get your white belt, right?

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Your white belt.

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And you have to, you have to visit some Kung Fu masters and, and farm mountains to learn

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how to do like a secret punch, right?

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Yeah.

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If you want to be the real, you know, if you want to be the real G, then that's what you

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do.

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But even if you just want to be in your dojo and you want to just like, you know, carry

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on in the beginning, you get the white belt, you know, and you learn the basics and you

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practice the basics and you repeat them, repeat them until you are solid at them.

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And then maybe get promoted for next belt, you know, and then, but you'll keep adding

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new techniques to your repertoire, right?

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But you will keep repeating the foundations, the fundamentals and really honing them.

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And anybody who's trained a little bit of martial arts knows that any martial art, you

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know, knows that it's a fundamental, it's a very fundamental truth that the basic techniques

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studied and honed and executed with a razor sharp edge, one of the highest skill levels

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that you can have.

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For sure.

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And of course you can add really fancy throws and flips and kicks and whatever, you know,

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and that's very cool.

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That's very great.

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But that's nothing without the fundamentals.

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And I feel like a lot of people forget that, you know, if I step into the kitchen and I

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cook something, I have the criteria for myself and the standard that I wanted to be better

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than the guy who's cooking in my team on that section.

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Not because of ego, but because of I need to keep my skill level at a certain level

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so that the people who are working with me have somebody who can teach them something,

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you know, where there's still a little bit of room for improvement.

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And if that's not there, maybe that's there in some other aspects.

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You know, I also, you know, I've worked with people who were much better at certain things

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than me, obviously, but maybe there's other things that I can give them, you know, maybe

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it's in the creativity part, maybe it's in the managerial part, you know, but that always

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needs to, you always need to stay fresh and you just stay sharp.

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And I mean like knowing the foundations, but also you can get knowledge, like culinary

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knowledge from so many sources.

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You know, you can ask the dishwasher working at your restaurant from traditional recipes

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from his or her country.

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You know, you can ask your friend's mother for traditional recipes.

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And besides that, like having a repertoire of classics and understanding, classic techniques,

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which I think it's a super-passionating word in itself.

229
00:14:36,360 --> 00:14:41,440
I think it's also, you should know at least a few of the Michael Jordans in the game.

230
00:14:41,440 --> 00:14:45,320
You know, like I recently saw an interview with Albert Adria.

231
00:14:45,320 --> 00:14:49,480
He was doing a pop-up with Alain Ducasse in Paris.

232
00:14:49,480 --> 00:14:55,920
And one of the apprentices working there that came from one of the Ducasse culinary schools

233
00:14:55,920 --> 00:14:58,880
tells Albert how to properly hold the chip on wood.

234
00:14:58,880 --> 00:15:01,120
You know, like, no, no, you don't hold it like this.

235
00:15:01,120 --> 00:15:02,120
You know, like-

236
00:15:02,120 --> 00:15:03,120
Oh my God.

237
00:15:03,120 --> 00:15:04,120
Imagine.

238
00:15:04,120 --> 00:15:11,960
If you're at an event cooking with Albert Adria, you should do some basic checking about

239
00:15:11,960 --> 00:15:12,960
who that guy is.

240
00:15:12,960 --> 00:15:15,920
You know, I really think you should do those things.

241
00:15:15,920 --> 00:15:21,160
I had the opportunity, I work in a restaurant, like the first restaurant where I was an apprentice,

242
00:15:21,160 --> 00:15:27,960
they would bring some, you know, some famous chefs from Spain to do like dinners or like

243
00:15:27,960 --> 00:15:30,360
special dinners and forehands and so on.

244
00:15:30,360 --> 00:15:36,040
And I mean, like at least check out on Wikipedia, you know, what they've done.

245
00:15:36,040 --> 00:15:41,840
Perhaps he invented that thing you're correcting him about or was part of the development of

246
00:15:41,840 --> 00:15:42,840
it.

247
00:15:42,840 --> 00:15:43,840
No, a hundred percent.

248
00:15:43,840 --> 00:15:44,840
Absolutely.

249
00:15:44,840 --> 00:15:47,600
It's like, you know, be humble.

250
00:15:47,600 --> 00:15:48,600
It's just in general.

251
00:15:48,600 --> 00:15:52,960
I think it's like a general life thing and it's a thing that's thrown around a lot, you

252
00:15:52,960 --> 00:15:56,900
know, but like it's kind of what I said earlier, don't take it too serious.

253
00:15:56,900 --> 00:15:58,600
Don't take yourself too seriously.

254
00:15:58,600 --> 00:16:05,520
You know, have a shokunin mindset, a beginner's mindset, and that's going to bring you really,

255
00:16:05,520 --> 00:16:07,520
really far.

256
00:16:07,520 --> 00:16:13,040
And if you're not taking things too like seriously and you're taking things humbly, you're opening

257
00:16:13,040 --> 00:16:19,280
yourself to the ability of infinite knowledge and wisdom that's coming at you, you know,

258
00:16:19,280 --> 00:16:27,080
from any source, you know, and you're allowing yourself the ability to constantly change

259
00:16:27,080 --> 00:16:32,760
and constantly adapt because if you're like stiff, convinced that the way that you're

260
00:16:32,760 --> 00:16:38,360
filleting this fish is the best way ever, you know, then you're not going to move.

261
00:16:38,360 --> 00:16:40,520
You're stationary like a rock.

262
00:16:40,520 --> 00:16:45,480
But if you allow yourself to, if you don't have that and if you're easy breezy about

263
00:16:45,480 --> 00:16:49,280
it, you can basically go wherever, you know.

264
00:16:49,280 --> 00:16:54,800
My last advice would be avoid toxic lifestyles on the long run.

265
00:16:54,800 --> 00:16:59,200
Like, of course, there is going to be like a lot of drinking and partying and that kind

266
00:16:59,200 --> 00:17:02,280
of things, but that's not sustainable over decades.

267
00:17:02,280 --> 00:17:06,800
I mean, like if you do that while you're young every day, fine.

268
00:17:06,800 --> 00:17:12,720
If you do that every day after you're 40, maybe, you know, you'll die young and that's

269
00:17:12,720 --> 00:17:13,720
all.

270
00:17:13,720 --> 00:17:14,720
If you want to do that, that's fine.

271
00:17:14,720 --> 00:17:15,720
Yeah.

272
00:17:15,720 --> 00:17:23,120
I love how you're ending this advice on basically like a stay away from drugs kids.

273
00:17:23,120 --> 00:17:26,240
But obviously like you're right, you know, you're absolutely right.

274
00:17:26,240 --> 00:17:27,240
I think.

275
00:17:27,240 --> 00:17:28,880
No, I didn't say stay away from drugs.

276
00:17:28,880 --> 00:17:32,400
I say don't get too deep into them.

277
00:17:32,400 --> 00:17:33,400
Okay, okay.

278
00:17:33,400 --> 00:17:34,400
I see.

279
00:17:34,400 --> 00:17:35,400
I'm sorry.

280
00:17:35,400 --> 00:17:37,840
I'm sorry for twisting your words.

281
00:17:37,840 --> 00:17:44,160
But yeah, it's a toxic lifestyle, you know, for me, a toxic lifestyle starts in your mind

282
00:17:44,160 --> 00:17:45,160
also.

283
00:17:45,160 --> 00:17:49,080
And that's why I said, you know, this is kind of the advice that I could give is kind of

284
00:17:49,080 --> 00:17:55,280
the advice that I give myself sometimes is, you know, like remember why you got into it,

285
00:17:55,280 --> 00:18:00,800
you know, with all the bullshit that can be involved in everyday life and in this job,

286
00:18:00,800 --> 00:18:06,800
you know, remember why originally you chose to go into this job, which is very beautiful,

287
00:18:06,800 --> 00:18:09,960
you know, you're working with your hands, you're working with the seasons, you're creating

288
00:18:09,960 --> 00:18:11,160
every day.

289
00:18:11,160 --> 00:18:17,000
You have the ability to learn something all the time and the opportunity to improve yourself

290
00:18:17,000 --> 00:18:21,760
every single day and you get to work with people that you can bounce your creativity

291
00:18:21,760 --> 00:18:23,520
off and you could work off of.

292
00:18:23,520 --> 00:18:26,920
It's a very, very rewarding thing to do.

293
00:18:26,920 --> 00:18:30,800
And it's a very rewarding thing to spend your life doing really.

294
00:18:30,800 --> 00:18:37,080
And don't get dragged down because, you know, it's only up to how you approach it and what

295
00:18:37,080 --> 00:18:38,320
your attitude towards it.

296
00:18:38,320 --> 00:18:39,920
Should we do the draft now?

297
00:18:39,920 --> 00:18:41,480
Yeah, let's do it.

298
00:18:41,480 --> 00:18:43,780
I've been thinking about this a lot.

299
00:18:43,780 --> 00:18:46,920
So I prepared, I prepared to the, so what are the rules?

300
00:18:46,920 --> 00:18:49,280
Okay, first a little bit of context.

301
00:18:49,280 --> 00:18:59,760
So in a question that a listener has posted, he challenged us to make up our dream team,

302
00:18:59,760 --> 00:19:02,720
our A team of chefs, our dream, dream brigade.

303
00:19:02,720 --> 00:19:03,920
How did he call it?

304
00:19:03,920 --> 00:19:06,560
The draft dream, dream brigade's draft.

305
00:19:06,560 --> 00:19:08,120
Yeah, something like that.

306
00:19:08,120 --> 00:19:09,120
Yeah.

307
00:19:09,120 --> 00:19:10,120
Yeah.

308
00:19:10,120 --> 00:19:11,120
So obviously what is it?

309
00:19:11,120 --> 00:19:12,120
We have positions to fill.

310
00:19:12,120 --> 00:19:16,840
We have the CDC chef, the cuisine sous chef, portioner, socié, which is so, it's so

311
00:19:16,840 --> 00:19:24,120
it's like sauces and meat, entre métiers, garde-manger, pastry and production.

312
00:19:24,120 --> 00:19:25,120
Okay.

313
00:19:25,120 --> 00:19:26,120
Okay.

314
00:19:26,120 --> 00:19:27,640
I did, I did, I did two different.

315
00:19:27,640 --> 00:19:33,440
I did one, like the historical one, like the, the dream team of all times.

316
00:19:33,440 --> 00:19:35,400
There are no time barriers.

317
00:19:35,400 --> 00:19:41,280
It can be chefs that have died with chefs that are alive, the limpos of chefs.

318
00:19:41,280 --> 00:19:44,040
And the other one is like contemporary and friends.

319
00:19:44,040 --> 00:19:48,080
I would say most of them, I know them.

320
00:19:48,080 --> 00:19:53,720
I think there is only one that I, it's not like a friend, but I've talked with him once.

321
00:19:53,720 --> 00:19:55,200
And, and yeah.

322
00:19:55,200 --> 00:19:58,280
So you want to go first or should I go first?

323
00:19:58,280 --> 00:20:03,320
I have one, one position that I'm sure, cause I had an initial team and now I've changed

324
00:20:03,320 --> 00:20:05,080
a couple of details about it.

325
00:20:05,080 --> 00:20:06,080
Okay.

326
00:20:06,080 --> 00:20:07,080
Okay.

327
00:20:07,080 --> 00:20:08,080
Okay.

328
00:20:08,080 --> 00:20:09,080
Actually, no.

329
00:20:09,080 --> 00:20:10,080
Okay.

330
00:20:10,080 --> 00:20:11,080
I think I have my, my team.

331
00:20:11,080 --> 00:20:12,280
Do we go position by position or do we say the whole team?

332
00:20:12,280 --> 00:20:13,280
I'll say the whole team.

333
00:20:13,280 --> 00:20:14,280
Okay.

334
00:20:14,280 --> 00:20:15,280
Good.

335
00:20:15,280 --> 00:20:16,280
Okay.

336
00:20:16,280 --> 00:20:18,000
I'll start with a, so you can gain more time also.

337
00:20:18,000 --> 00:20:19,000
All right.

338
00:20:19,000 --> 00:20:20,000
Thank you.

339
00:20:20,000 --> 00:20:25,160
So the historical one, chef, the cuisine, not like head chef, like master in command

340
00:20:25,160 --> 00:20:26,160
is Kofi.

341
00:20:26,160 --> 00:20:34,480
I think, I think if that guy was running brigades with hundreds of chefs a hundred years ago

342
00:20:34,480 --> 00:20:41,040
and he had like this quote where he said during service, I only want to listen to, to the

343
00:20:41,040 --> 00:20:42,880
sweet sound of my voice.

344
00:20:42,880 --> 00:20:49,480
I think that guy knew thing or two about how he actually implemented the whole brigade

345
00:20:49,480 --> 00:20:50,480
system.

346
00:20:50,480 --> 00:20:52,480
Was it him or, or he probably, that was him.

347
00:20:52,480 --> 00:20:53,480
Yeah.

348
00:20:53,480 --> 00:20:54,480
He probably formalized it.

349
00:20:54,480 --> 00:20:55,480
Yeah.

350
00:20:55,480 --> 00:20:59,080
Probably already existed somehow, but he made it like a thing, like a method.

351
00:20:59,080 --> 00:21:00,080
Yeah.

352
00:21:00,080 --> 00:21:01,080
Yeah.

353
00:21:01,080 --> 00:21:02,080
Nice.

354
00:21:02,080 --> 00:21:03,080
Good choice.

355
00:21:03,080 --> 00:21:04,080
So that would be my, my super head chef.

356
00:21:04,080 --> 00:21:07,520
Sous chef would be Thomas Keller kind of similar profile.

357
00:21:07,520 --> 00:21:09,480
I think so the choice.

358
00:21:09,480 --> 00:21:10,480
Yeah.

359
00:21:10,480 --> 00:21:14,800
And I named a pasta chef apart from the end of it here.

360
00:21:14,800 --> 00:21:21,440
I don't know if Nadia Santini or Waltiero Marchesi, like two, maybe Nadia because you

361
00:21:21,440 --> 00:21:24,280
know, like a non-nav in making pasta.

362
00:21:24,280 --> 00:21:25,280
That's very cool.

363
00:21:25,280 --> 00:21:26,280
Properly.

364
00:21:26,280 --> 00:21:27,960
That's very cool.

365
00:21:27,960 --> 00:21:34,720
For the pizza, I went to like an apostate of traditional pizza, which is Wolfgang Puck.

366
00:21:34,720 --> 00:21:35,720
Pizza?

367
00:21:35,720 --> 00:21:37,680
I did a pizza station.

368
00:21:37,680 --> 00:21:38,680
Yeah.

369
00:21:38,680 --> 00:21:40,640
And my super restaurant is a pizza station.

370
00:21:40,640 --> 00:21:41,640
Okay.

371
00:21:41,640 --> 00:21:42,640
Okay.

372
00:21:42,640 --> 00:21:43,640
All right.

373
00:21:43,640 --> 00:21:44,640
Well, you're having Wolfgang Puck as your pizza chef?

374
00:21:44,640 --> 00:21:50,080
He is like a renowned, he implemented like this California style of pizza.

375
00:21:50,080 --> 00:21:51,080
Oh, come on.

376
00:21:51,080 --> 00:21:55,200
He's got one like salmon cream fresh pizza that he's famous for.

377
00:21:55,200 --> 00:21:56,480
But okay.

378
00:21:56,480 --> 00:21:57,480
Okay.

379
00:21:57,480 --> 00:21:58,840
Hey, it's my, it's my draft.

380
00:21:58,840 --> 00:21:59,840
Yeah.

381
00:21:59,840 --> 00:22:00,840
I know.

382
00:22:00,840 --> 00:22:01,840
It's yours.

383
00:22:01,840 --> 00:22:02,840
Your dream restaurant.

384
00:22:02,840 --> 00:22:09,960
I was thinking between Seiji Yamamoto, you know, because of racial profiling, having

385
00:22:09,960 --> 00:22:11,200
like a Japanese.

386
00:22:11,200 --> 00:22:12,200
Of course.

387
00:22:12,200 --> 00:22:13,200
Yes.

388
00:22:13,200 --> 00:22:14,200
Of course.

389
00:22:14,200 --> 00:22:15,200
Or Josh Neeland.

390
00:22:15,200 --> 00:22:16,480
Solid choice.

391
00:22:16,480 --> 00:22:17,480
Very good choice.

392
00:22:17,480 --> 00:22:18,480
Yes.

393
00:22:18,480 --> 00:22:19,480
Of course.

394
00:22:19,480 --> 00:22:21,280
The fucking fish wizard.

395
00:22:21,280 --> 00:22:26,640
And for the grill, because I know who you're having on the grill, I would choose, man,

396
00:22:26,640 --> 00:22:33,360
I don't know the name of this guy, but I see it because it's this super long Basque family

397
00:22:33,360 --> 00:22:38,840
name, but the chef at Casa Julian, you know, it's Gocho Parthegui or something like that.

398
00:22:38,840 --> 00:22:39,840
Oh, yeah.

399
00:22:39,840 --> 00:22:42,840
I know which one you mean.

400
00:22:42,840 --> 00:22:43,840
Oh, grill.

401
00:22:43,840 --> 00:22:44,840
Yeah.

402
00:22:44,840 --> 00:22:45,840
You know, I've said I've been to Casa Julian.

403
00:22:45,840 --> 00:22:51,400
Me neither, but I really, I really like like the whole concept of it.

404
00:22:51,400 --> 00:22:52,400
Yeah.

405
00:22:52,400 --> 00:22:53,400
Yeah, me too.

406
00:22:53,400 --> 00:22:58,840
I want someone very technical and someone who really can standardize everything, but

407
00:22:58,840 --> 00:23:01,000
at the same time be creative and audacious.

408
00:23:01,000 --> 00:23:03,440
So I choose Heston Blumenthal as my associate.

409
00:23:03,440 --> 00:23:04,440
Oh, as associate.

410
00:23:04,440 --> 00:23:05,440
Really?

411
00:23:05,440 --> 00:23:06,440
Wow.

412
00:23:06,440 --> 00:23:13,440
Garde manger, Andoni from Margarit.

413
00:23:13,440 --> 00:23:17,280
I think he can deal with vegetables pretty well.

414
00:23:17,280 --> 00:23:21,080
Ante-Rometier could also be the garde manger easily.

415
00:23:21,080 --> 00:23:22,400
I choose Alan Passard.

416
00:23:22,400 --> 00:23:23,400
Yeah, of course.

417
00:23:23,400 --> 00:23:24,400
Very, very good choice.

418
00:23:24,400 --> 00:23:25,400
Patricier Pierre-Ame.

419
00:23:25,400 --> 00:23:26,400
R&D Albert Adria.

420
00:23:26,400 --> 00:23:37,920
And production, I want someone who, you know, who injects fuel to the whole production.

421
00:23:37,920 --> 00:23:39,760
So I choose Marco Pierre White.

422
00:23:39,760 --> 00:23:42,440
I can really see him as a good production chef.

423
00:23:42,440 --> 00:23:43,440
And that's it.

424
00:23:43,440 --> 00:23:44,440
That's it.

425
00:23:44,440 --> 00:23:47,800
We can save the other draft for a different episode to not make it so long, the one with

426
00:23:47,800 --> 00:23:49,440
Contemporary and Friends.

427
00:23:49,440 --> 00:23:50,440
Okay.

428
00:23:50,440 --> 00:23:51,640
All right.

429
00:23:51,640 --> 00:23:54,320
So you also have more time to write yours.

430
00:23:54,320 --> 00:23:55,320
Okay.

431
00:23:55,320 --> 00:23:56,320
Okay.

432
00:23:56,320 --> 00:23:57,320
Yeah.

433
00:23:57,320 --> 00:23:58,560
Because I only have like an A-Team draft, you know?

434
00:23:58,560 --> 00:23:59,560
Okay.

435
00:23:59,560 --> 00:24:00,560
Okay.

436
00:24:00,560 --> 00:24:01,560
All right.

437
00:24:01,560 --> 00:24:04,200
So my A-Team draft is Chef de Cuisine Pierre Agni.

438
00:24:04,200 --> 00:24:06,520
Ah, that's a crazy kitchen.

439
00:24:06,520 --> 00:24:07,520
Nice.

440
00:24:07,520 --> 00:24:08,800
I like it.

441
00:24:08,800 --> 00:24:12,920
Because I just love his energy and I feel like he'd bring a really good vibe and he'd

442
00:24:12,920 --> 00:24:13,920
tie the team together.

443
00:24:13,920 --> 00:24:17,120
He's like a crazy jazz freestylist, right?

444
00:24:17,120 --> 00:24:18,400
Yeah, exactly.

445
00:24:18,400 --> 00:24:23,000
I wouldn't necessarily want him having a running section, but I think if people play the ball

446
00:24:23,000 --> 00:24:25,000
towards him, he's really good.

447
00:24:25,000 --> 00:24:26,000
Yeah.

448
00:24:26,000 --> 00:24:27,640
Like a Charlie Parker of cooking.

449
00:24:27,640 --> 00:24:28,640
Yeah.

450
00:24:28,640 --> 00:24:31,680
As my sous chef, I would want Daniel Kalbhurt.

451
00:24:31,680 --> 00:24:32,680
Okay.

452
00:24:32,680 --> 00:24:37,000
He's actually also a Thomas Keller alumni from Per Se.

453
00:24:37,000 --> 00:24:45,520
I mean, he's from Cezanne in the Four Seasons in Tokyo and he's like a super perfectionistic,

454
00:24:45,520 --> 00:24:48,480
you know, just like a Shaolin monk of cooking.

455
00:24:48,480 --> 00:24:52,480
So I feel like he'd be a perfect sous chef.

456
00:24:52,480 --> 00:24:57,520
As a porcelainier, I chose, I made some changes to my original draft.

457
00:24:57,520 --> 00:25:00,120
As a porcelainier, I choose Josh Nyland.

458
00:25:00,120 --> 00:25:01,880
Yeah, nice.

459
00:25:01,880 --> 00:25:07,080
Because he'll just send me, you know, he'll just send me these like perfectly cut, fucking

460
00:25:07,080 --> 00:25:10,760
perfectly cooked, crispy pieces of fish and I'll just be happy.

461
00:25:10,760 --> 00:25:12,360
Very happy.

462
00:25:12,360 --> 00:25:15,560
These like triangular pieces of perfect fish skin.

463
00:25:15,560 --> 00:25:17,640
Ah, love this guy.

464
00:25:17,640 --> 00:25:18,640
All right.

465
00:25:18,640 --> 00:25:27,640
So grill, I have Vitor Argin Sonis, or how his surname is from Echibarri.

466
00:25:27,640 --> 00:25:34,400
And as a sautier, rote seur for every other sort of meat and sauces, I've got a lot of

467
00:25:34,400 --> 00:25:35,400
pasta.

468
00:25:35,400 --> 00:25:36,400
Okay.

469
00:25:36,400 --> 00:25:37,400
Nice, nice, nice.

470
00:25:37,400 --> 00:25:38,400
I liked, I liked.

471
00:25:38,400 --> 00:25:40,040
Everybody thinks, you know, you put a lot of pasta on vegetables, but no, no, no.

472
00:25:40,040 --> 00:25:43,080
Yeah, I saw the Frankenstein he did recently.

473
00:25:43,080 --> 00:25:46,520
Oh, but did you see the video with the lamb and the pigeon?

474
00:25:46,520 --> 00:25:47,800
Yeah, I saw you posted it.

475
00:25:47,800 --> 00:25:48,800
Super nice.

476
00:25:48,800 --> 00:25:50,000
Oh my God.

477
00:25:50,000 --> 00:25:53,880
I was so upset because I started watching it.

478
00:25:53,880 --> 00:25:55,640
I was like, man, this guy, he's lost it.

479
00:25:55,640 --> 00:25:56,640
He's crazy.

480
00:25:56,640 --> 00:25:59,160
And then he cuts it and it's just fucking perfection.

481
00:25:59,160 --> 00:26:01,800
And you're like, man, you can't be, you can't listen.

482
00:26:01,800 --> 00:26:02,800
He's a genius.

483
00:26:02,800 --> 00:26:04,600
He's an absolute genius.

484
00:26:04,600 --> 00:26:10,840
The first time I knew about him and my life was this Iron Chef episode, the France special

485
00:26:10,840 --> 00:26:11,840
one.

486
00:26:11,840 --> 00:26:12,840
Yeah.

487
00:26:12,840 --> 00:26:16,640
And yeah, and I remember him cooking a chicken in a very special way in that one.

488
00:26:16,640 --> 00:26:18,120
Probably with hay and stuff.

489
00:26:18,120 --> 00:26:19,120
Yeah.

490
00:26:19,120 --> 00:26:20,120
Exactly.

491
00:26:20,120 --> 00:26:21,120
Yeah.

492
00:26:21,120 --> 00:26:22,120
Yeah.

493
00:26:22,120 --> 00:26:24,680
He's, I think like when you see stuff like that, I really, I remember watching the video

494
00:26:24,680 --> 00:26:28,920
and I was actually very moved because you know, it's like very easy to make fun of him

495
00:26:28,920 --> 00:26:32,360
these days with his like chimera creations.

496
00:26:32,360 --> 00:26:35,320
But I saw that video and I was like, he's just on a different level.

497
00:26:35,320 --> 00:26:38,720
He's just, he is a culinary genius anyway.

498
00:26:38,720 --> 00:26:43,440
So our Mathieu, our Mathieu, I've got Michel Bra.

499
00:26:43,440 --> 00:26:44,440
Very good.

500
00:26:44,440 --> 00:26:45,440
Yeah.

501
00:26:45,440 --> 00:26:46,440
Nice.

502
00:26:46,440 --> 00:26:47,440
I like you.

503
00:26:47,440 --> 00:26:48,440
I like your draft better than mine actually.

504
00:26:48,440 --> 00:26:49,440
Oh, I see.

505
00:26:49,440 --> 00:26:59,200
And on Garde Manger, I have one of my all time favorite chefs and author of one of my

506
00:26:59,200 --> 00:27:02,600
absolutely favorite cookbooks, Pascal Babou.

507
00:27:02,600 --> 00:27:04,680
Nice, nice, nice, nice.

508
00:27:04,680 --> 00:27:05,960
Very French.

509
00:27:05,960 --> 00:27:08,040
Your draft is super French.

510
00:27:08,040 --> 00:27:09,840
Very Parisian actually.

511
00:27:09,840 --> 00:27:12,280
You have like at least five chefs from Paris.

512
00:27:12,280 --> 00:27:13,280
Yeah.

513
00:27:13,280 --> 00:27:14,280
I realized that also.

514
00:27:14,280 --> 00:27:15,280
Okay.

515
00:27:15,280 --> 00:27:17,280
Well, I'll break the mold.

516
00:27:17,280 --> 00:27:26,280
On pastry, I would like somebody a little bit, um, oh, actually now I'm thinking about

517
00:27:26,280 --> 00:27:27,280
it.

518
00:27:27,280 --> 00:27:31,040
Just in this moment, I changed my mind about pastry.

519
00:27:31,040 --> 00:27:32,200
I want on pastry.

520
00:27:32,200 --> 00:27:35,040
I want Espen Holborn-Bang from Maimo.

521
00:27:35,040 --> 00:27:36,040
Okay.

522
00:27:36,040 --> 00:27:37,040
Norwegian.

523
00:27:37,040 --> 00:27:38,040
Okay.

524
00:27:38,040 --> 00:27:39,040
Okay.

525
00:27:39,040 --> 00:27:40,040
Yes.

526
00:27:40,040 --> 00:27:41,040
This is exactly the style of pastry that I like.

527
00:27:41,040 --> 00:27:42,320
I don't know this guy.

528
00:27:42,320 --> 00:27:44,320
You can make some waffles with cloudberry jam.

529
00:27:44,320 --> 00:27:45,320
You don't know this guy?

530
00:27:45,320 --> 00:27:46,320
Espen?

531
00:27:46,320 --> 00:27:47,320
No, I'll have to check out.

532
00:27:47,320 --> 00:27:48,320
But you know, Maimo, right?

533
00:27:48,320 --> 00:27:49,320
Yes, of course.

534
00:27:49,320 --> 00:27:50,320
Yeah.

535
00:27:50,320 --> 00:27:51,320
And that's it for me.

536
00:27:51,320 --> 00:27:52,320
That's my draft.

537
00:27:52,320 --> 00:27:53,320
I don't have a production chef yet.

538
00:27:53,320 --> 00:27:54,320
I can't decide.

539
00:27:54,320 --> 00:27:57,400
In the next episode, we do one with contemporary chefs and friends.

540
00:27:57,400 --> 00:27:58,400
Okay.

541
00:27:58,400 --> 00:27:59,400
All right.

542
00:27:59,400 --> 00:28:02,720
It has to be people, you know, people, you know, or you work with, or at least talk to.

543
00:28:02,720 --> 00:28:04,280
Well, that's easy enough.

544
00:28:04,280 --> 00:28:10,280
That's easy enough.

545
00:28:10,280 --> 00:28:13,320
That's it for this week's episode of potluck food talks.

546
00:28:13,320 --> 00:28:17,160
If you like what we're doing, make sure to subscribe to the podcast so you never miss

547
00:28:17,160 --> 00:28:18,440
an episode.

548
00:28:18,440 --> 00:28:22,440
You can also find us on Instagram and Tik Tok as potluck food talks.

549
00:28:22,440 --> 00:28:24,440
The show airs every Monday.

