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Hi everyone, welcome to potluck food talks.

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And because you asked for it, we're going to talk about Mugaritz part two.

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I think there's still a lot to talk about Mugaritz.

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Yeah, that's true.

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What did we talk about the last time?

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Where did we end?

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I have to say, like, while I was in Mugaritz is when I fell in love with the city or the

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bus country in general.

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Yes.

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I can remember two special moments.

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One was going to a cider house.

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Oh yeah.

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I was like, what is this?

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I think it was Petritegui.

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Like in the back of my memory, rebuilding the whole thing, I think it was Petritegui.

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I mean, this was like 20 years ago.

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And then going for pinches.

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I remember the first time I went for pinches because we would work so hard.

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And then we had just one day off and this experience of getting into one bar, one pinch

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or one drink next bar and doing the same and doing like eight bars in a night.

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Wow.

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That was so nice.

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It's super fun.

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Yeah.

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It's the same for me, honestly.

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So, you know, for me, it's a mixture of San Sebastian, but also like the Basque countryside.

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I really still today when I smell like wood fire, often remember getting out of the car

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in front of Mugurids and smelling the like the fire burning, the charcoal burning, you

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know, and just like mix of like cold mountain air and just like fire aspect is really stuck

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in my mind.

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You know, that actually happened to me when I first returned to the Basque country.

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It was at least 10 or 11 years after I was in Mugarids.

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And I remember smelling the air and having that memory effect of, oh, I've smelled, you

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know, like this forest air before.

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And it brought me right there, right back.

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Yeah.

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What about techniques?

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Are there any memorable techniques that you remember?

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What was your time in Mugarids?

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Well, there's obviously a few classic ones, no?

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There's most notably the caseina de ajo and the fine parsley dust particles.

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I think we talked about that, right, in the last episode.

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Yes.

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I mean, there were lots of amazing, amazing techniques that were kind of impossible to

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do.

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I remember, you know, I told you, I started in the pastry section and I spoke with my

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friend Kevin about this the other day, actually, because we were just laughing about it because

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we had a pastry section at the same time.

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And he heard the episode.

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By the way, he's invited to do like a Mugarids episode.

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He said he wanted to do like, let's say a part three.

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Yeah, we have to do it.

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Yeah, for sure.

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He's got some stories to tell.

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It's really funny.

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So there were a couple of dishes that I was doing on the pastry section that were actually

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so infuriatingly impossible to do.

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So for example, we had a dish that was called licorice, right?

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It starts off kind of okay.

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You take kaolin, which is like an edible clay.

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You blitz it with star anise.

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Then you take celery sticks and you cut them into, you know, sort of rectangles and you

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vacuum pack them with the star anise kaolin for I think it was like 23 days.

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So I had to make my mise en place 23 days in the head.

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That was the first thing.

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So then you take the celery out of the kaolin after 23 days, you brush it off.

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Then you take sugar cane honey.

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You color it with charcoal powder.

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So it's pitch black.

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You bring it to a certain temperature.

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It was like a hundred up to 160.

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Drop it to like 130 and it had to be just right so that you could take a stencil, dip

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it in this caramel and it formed a clean film on the bottom of your stencil.

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Then you would take this celery stick.

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And you would drop it through this caramel film and it had to be the perfect temperature

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so that the caramel would coat this stick of celery perfectly.

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If it would be too hot, it would just goop down and you'd have a sticky hot black mess

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all over your section.

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You do this in the middle of service by the way.

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You had to do it a la minute because this thing had a life of 15 seconds to, you know,

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to like be edible.

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If it was too cold, the thing would goop fall down and just kind of shatter, you know, and

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just look like shit.

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And you drop it into lactose powder.

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So it would be covered.

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Anyway, long story short, it would look like a licorice sweet, black, shiny, covered in

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like a white powder.

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But you'd eat it and it tastes like licorice but it's celery.

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Incredible.

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And like I just said, this thing had a life of, I don't know, a minute max because it

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was in the middle of fucking summer in Spain and you had a table of four and it'd be like,

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yeah, we need four licorice right now.

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You'd make the first one.

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You'd be like, you know, like, just like a retard with like hot caramel, like burning

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yourself like, ah, shit.

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Trying to get it right.

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Obviously the caramel doesn't stay at the same temperature.

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So you're like looking, you're checking the temperature, the first one is on the plate.

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You're like, fuck, you make the second one.

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Maybe you make the second one.

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Maybe you even make the third one.

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You're not going to make the fourth one.

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And even if you would make the fourth one, by the time you make the fourth one, the first

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one's inedible.

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I did this dessert in service, absolutely in the shit, or I think a month and a half.

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And then they dropped it.

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They were like, all right, it's not like, um, we're going to change you from the pastry

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section to like a different section.

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Don't remember which one.

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And they were like, we're not going to have anybody else learn this dish.

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It was an experiment and it's not working.

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We don't want to, nobody has time to learn how to make it.

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I think, I think that probably all the chefs were laughing at you like, oh, look, he's

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actually trying to do it.

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Probably you know, the guys on the fish section just like fucking drilling their salmonella,

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you know, like it's like it's a Sunday afternoon.

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I'm just, you know, whipping kuzu meringues and making fucking caramel.

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Oh, it was, it was hectic.

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It was not fun because also, you know, you could only do salt so much.

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And then somebody screaming at you because they don't, you know, like they also know

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it's like very difficult and not like it's super possible, but, um, they don't care.

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They want to put their, I see, we're going to push them anyway.

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We're going to see maybe he makes it possible.

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And then at some point they were like, ah, no, it was never possible.

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Sorry.

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Yeah.

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You actually said something really important.

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Like back in my time, they would write this by hand in a, in a blackboard with chalk,

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you know, but then they actually printed and put it on the wall.

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That is this mantra.

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Like the kind of like the kitchen slogan of Mugari.

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That is something like the, the impossible from the, how is it the possible from the

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impossible gets measured by the will of a human being.

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Yeah, basically.

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Yeah.

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The difference between what's possible and impossible.

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Exactly.

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First of all, that like the interest, like the, the history of the quote is interesting

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because one day I was, I don't know, like watching random quotes on Wiki quote and I

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found the quote and I was like, oh, here it is.

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And it was from a basketball coach from the States.

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And I sent this to Ramon once and he was like, ah, like, well, our history of that phrase

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is that it came in the label of a wine someday and somebody really liked it.

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And so it stuck, you know, and that's it.

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Yeah.

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Yeah.

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But for me, it was a very strange, the, the, that it was like a basketball coach from like

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some college team in the States.

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Yeah.

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But yeah, like that thing of doing impossible things, I think that's one of the key things

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of Mugari.

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You know, like they, they don't like the goal of a dish.

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First of all, that's also something like they have very clear, how to say, like a hierarchy

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of values where, and this is absolutely counterintuitive flavor is not on the top.

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Yeah.

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Like, like if they cook a dish, it's not for it to be tasty.

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Not necessarily.

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Maybe it's more important that it's intellectually challenging, that it's tell that story, that

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it's technically very difficult.

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Like all these kinds of things.

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Right.

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Yes.

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And for that can be the interesting.

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And at the same time, the uninteresting part of going to eat there, because that that's

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actually the reason why it's not on my places where I go to eat, because that's not what

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I look for in, in a restaurant.

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That said, I think it's a super interesting place.

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Like I, I talk a lot, for instance, with, with teachers from the Baskin-Linari Center

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and they go there a lot because for them, they get a lot of ideas, concepts, things

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that they, they can then talk about and teach and stuff.

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And like in that regard, also like as a chef going there to do a, a train ship, you learn

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all these techniques, all this difficult stuff that you can then somehow translate into the

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normal world, which is not Mugaritz.

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It's not the normal world.

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There's like this crazy culinary monastery with, that's a strange technique.

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And yeah, like techniques that I saw that I really liked, like I also have to say in

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my time, it was very, very different from yours.

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It was maybe 10 years difference.

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Yes.

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And, and in my time there were two menus.

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One was called Natura and the other one was called Sustrayak.

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So nature and roots.

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So the roots one was actually pretty classic cooking, you know, like you wouldn't get a

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squab, you would get a French toast, you would get like, you know, this kind of things.

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And the other one Natura, it was more creative and crazy and this kind of things.

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A super nice technique that I later, later found out that it is a technique from Michel

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Braud.

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It was a foie gras.

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Oh yeah.

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It was at first, it was first, I think soaked in milk, but I don't remember the temperature

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of the milk, if it was warm or cold and it was to take the beans out of the foie gras.

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So you would soak it in milk, then take the beans out with tweezers and then it would

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be frozen like really hard frozen, like in a blast freezer until it was hard as a rock.

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And then it was, and this is a counter-intuitive part, thrown into a fryer, the whole rock

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of frozen foie gras.

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And so you would get like a perfect cross on the outside and on the inside what's perfectly

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creamy and then you would slice it and just serve it like that.

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Really?

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And I tried that and it's by far the best foie gras I've had in my life for sure.

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Incredible, incredible.

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In the fryer, really?

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Yeah, man.

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And I asked Paco Morales, where is this technique from?

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And he said Michel Braud.

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So that's actually the only source I have for that.

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Man, I love Michel Braud.

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Yeah, your time in Muguriz was definitely a much different time.

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I am also more of a, you know, classical chef in the sense that I want things to taste good.

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I mean, you know, fuck me, I guess.

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But regardless, they were very interesting techniques.

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One that I found really amazing.

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I mean, the blood macaron is great and it's also delicious.

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What was it, pork blood or?

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Yes, pig's blood.

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For people who don't know, they realized that pig's blood behaves the same as egg white.

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So if you take raw pig's blood and you whip it in the kitchen, it starts foaming up like

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egg white would.

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And so they made a macaron, a recipe with pig's blood and filled it with a liver cream

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kind of sort of like a pate and they made a macaroon de casa, which means a basically

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hunted meat macaron.

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Yeah, and like a game, game macaron.

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Game macaron, yes.

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And I mean, it's an amazing technique.

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It's very delicious.

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It's really, really very tasty.

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And it's it's ingenious.

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On the same note, I think the use of kuzu, very interesting again for people who don't

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know.

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Yeah, kuzu, Japanese type of starch from a mountain yam.

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And I, when I was in the pastry section at Mugarrat's, we were making a, it was called

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russo, which is basically just, it just means Russian, but it's a term for like almost like

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a honey cake.

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So it's like a meringue layers with like a buttercream in between.

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And so we were making a meringue, a coffee meringue on thickened with kuzu that would

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whip up when it's cooled down and we would dry it in the oven.

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It was very fragile.

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But what you would get was a very crispy, very light meringue that as soon as it came

238
00:13:12,020 --> 00:13:15,740
into contact with water would completely disappear.

239
00:13:15,740 --> 00:13:22,320
So the idea of this dish was that you had this coffee meringue, a buttercream also with

240
00:13:22,320 --> 00:13:30,720
coffee and you would make this little meringue sandwich, which looked thick and rich and sweet.

241
00:13:30,720 --> 00:13:36,320
But as soon as you eat it, it completely disappears in your mouth, but leaves the same flavor,

242
00:13:36,320 --> 00:13:39,880
which actually, you know, which, you know, we know by now Mugarrat's likes to do.

243
00:13:39,880 --> 00:13:42,340
They like to have this like mindfuck game.

244
00:13:42,340 --> 00:13:46,820
But in that case, it did quite work.

245
00:13:46,820 --> 00:13:54,200
It was just an absolute fucking nightmare to make, because you would, you had to assemble

246
00:13:54,200 --> 00:13:59,560
these little sandwiches a la minute when they were called away because they were so fragile

247
00:13:59,560 --> 00:14:00,800
and it was so hot.

248
00:14:00,800 --> 00:14:06,360
It was like 30 degrees outside, you know, that's these, these, these meringues were

249
00:14:06,360 --> 00:14:08,340
just melting away in your hand.

250
00:14:08,340 --> 00:14:10,920
You know, it was horrible to make.

251
00:14:10,920 --> 00:14:12,200
Really, really horrible.

252
00:14:12,200 --> 00:14:13,600
I had something similar.

253
00:14:13,600 --> 00:14:14,800
We had this dessert.

254
00:14:14,800 --> 00:14:22,480
It was, how do you call like this time and the spring when snow melts?

255
00:14:22,480 --> 00:14:24,280
Like in Spanish you call it the cielo.

256
00:14:24,280 --> 00:14:25,280
Oh yeah.

257
00:14:25,280 --> 00:14:27,160
Yeah, like, yeah, yeah, I know what you mean.

258
00:14:27,160 --> 00:14:30,880
You know, when you can see the grass, but the, and the snow is melting.

259
00:14:30,880 --> 00:14:32,560
So the spring is starting, right?

260
00:14:32,560 --> 00:14:37,880
Like, and it really evoked like that, that visual.

261
00:14:37,880 --> 00:14:39,440
And it was again, a kusu.

262
00:14:39,440 --> 00:14:44,200
This one was of matcha tea, so you would have like a green kusu.

263
00:14:44,200 --> 00:14:50,480
And the thing with kusu is that, yeah, it's like this liquid gel kind of like, you get

264
00:14:50,480 --> 00:14:52,640
this effect of having like a liquid gelatin.

265
00:14:52,640 --> 00:14:55,120
So it's super cool to make sauces with it.

266
00:14:55,120 --> 00:14:59,760
Then it was like a pistachio biscuit.

267
00:14:59,760 --> 00:15:04,920
Then we have like this frozen air, you know, like air when you take a tour mix and you

268
00:15:04,920 --> 00:15:08,920
make like a foam, like a very light foam.

269
00:15:08,920 --> 00:15:14,160
And that would be frozen and the blast freezer or with liquid nitrogen.

270
00:15:14,160 --> 00:15:19,640
It was the first time I worked with liquid nitrogen.

271
00:15:19,640 --> 00:15:20,640
And what else?

272
00:15:20,640 --> 00:15:21,640
Yeah.

273
00:15:21,640 --> 00:15:23,820
This was with orange blossom was the aroma.

274
00:15:23,820 --> 00:15:27,240
So you had orange blossom, matcha tea, pistachio.

275
00:15:27,240 --> 00:15:28,240
It was like a super nice dessert.

276
00:15:28,240 --> 00:15:29,240
It was just super delicious.

277
00:15:29,240 --> 00:15:30,240
Sounds really good.

278
00:15:30,240 --> 00:15:31,240
Sunflowers as well.

279
00:15:31,240 --> 00:15:35,840
The thing is there was this Gastronomica at that time.

280
00:15:35,840 --> 00:15:40,040
And I don't know their name, but it was like, you know, this international fair of chefs.

281
00:15:40,040 --> 00:15:45,320
So international chefs would come and we would have dinners of the restaurant completely

282
00:15:45,320 --> 00:15:47,800
full every week to cook the dessert.

283
00:15:47,800 --> 00:15:51,280
And that wasn't my mise en place.

284
00:15:51,280 --> 00:15:57,840
So they took pictures of me like doing the portions of that thing, you know, with six

285
00:15:57,840 --> 00:16:05,520
jackets in a freezer of minus 40 degrees doing the whole portioning of the things, man, because

286
00:16:05,520 --> 00:16:09,720
it was, you know, working inside the freezer just to get it done.

287
00:16:09,720 --> 00:16:16,280
It was just so absolutely insane to get that dessert executed.

288
00:16:16,280 --> 00:16:20,440
You know, I saw other things that I actually really liked.

289
00:16:20,440 --> 00:16:24,200
You know, I mean, if you hear me talking about Mugarets, you'll hear me hating on the food

290
00:16:24,200 --> 00:16:25,200
a lot.

291
00:16:25,200 --> 00:16:31,120
But you know, there's a lot of things that I enjoyed a lot also.

292
00:16:31,120 --> 00:16:36,000
One was the use of Inulina to make creams with a very particular texture.

293
00:16:36,000 --> 00:16:42,400
And we were making our pea Inulina to stick the Santa's lagrima together.

294
00:16:42,400 --> 00:16:44,400
It's like little pea teardrop peas.

295
00:16:44,400 --> 00:16:48,240
Inulina is like a type of sugar or?

296
00:16:48,240 --> 00:16:51,320
No, it's a what is it actually?

297
00:16:51,320 --> 00:16:52,320
Yeah.

298
00:16:52,320 --> 00:17:00,320
Well, Eric, don't you know that Inulina is a polysaccharide produced by many plants?

299
00:17:00,320 --> 00:17:03,560
So which makes it which makes it a kind of sugar?

300
00:17:03,560 --> 00:17:06,240
No, it makes it a kind of sugar.

301
00:17:06,240 --> 00:17:07,240
Yes.

302
00:17:07,240 --> 00:17:08,240
Okay, thank you.

303
00:17:08,240 --> 00:17:09,240
Yeah.

304
00:17:09,240 --> 00:17:12,080
You know, plants often use it as a means of storing energy.

305
00:17:12,080 --> 00:17:14,760
And it's typically found in roots and rhizomes.

306
00:17:14,760 --> 00:17:15,760
Yeah.

307
00:17:15,760 --> 00:17:19,280
These are the sort of things.

308
00:17:19,280 --> 00:17:20,280
Yeah.

309
00:17:20,280 --> 00:17:22,680
Come on, try that again to make it sound more natural.

310
00:17:22,680 --> 00:17:25,840
A DJ, doctor, whatever the fuck.

311
00:17:25,840 --> 00:17:29,320
These are the sort of things that you learn when you start with Mugarets.

312
00:17:29,320 --> 00:17:38,160
Anyway, so but like you would thicken, you know, juices and like stuff with it and it

313
00:17:38,160 --> 00:17:43,000
would have this really particular type of like hand cream kind of like texture is really

314
00:17:43,000 --> 00:17:44,000
cool.

315
00:17:44,000 --> 00:17:50,800
But you know, one thing one dish that really, really stuck in my mind where I was really

316
00:17:50,800 --> 00:17:55,560
kind of like, I really thought to myself, man, I'm just here like a little bit too late,

317
00:17:55,560 --> 00:18:00,320
you know, for me to see the food that I would have liked to see in Mugarets.

318
00:18:00,320 --> 00:18:06,240
Just when we were in the in the game season, some autumn, and I remember we just did a

319
00:18:06,240 --> 00:18:15,520
small batch of these dishes and it was snipe, which is what's snipe called in Spanish again?

320
00:18:15,520 --> 00:18:17,200
Snipers or snapper?

321
00:18:17,200 --> 00:18:20,440
The bird with the really long the game bird with the really long beak.

322
00:18:20,440 --> 00:18:21,440
Bekada.

323
00:18:21,440 --> 00:18:22,440
Bekada.

324
00:18:22,440 --> 00:18:23,440
Yes.

325
00:18:23,440 --> 00:18:32,960
Bekada cooked in like in like an intense juice sort of sauce together with the tripa de bacalao,

326
00:18:32,960 --> 00:18:34,960
which is the tribe of salt cut.

327
00:18:34,960 --> 00:18:40,200
Yeah, it's actually the swimming bladder of the codfish.

328
00:18:40,200 --> 00:18:41,200
And my god, that was delicious.

329
00:18:41,200 --> 00:18:46,280
That was like for me, real gourmet cooking, you know, like that combination and like the

330
00:18:46,280 --> 00:18:50,560
fishy salt cut flavor, which sounds really weird, but like together with the game bird

331
00:18:50,560 --> 00:18:55,080
and like the texture that the fish gave to the sauce, the gelatinous texture.

332
00:18:55,080 --> 00:18:56,080
Like that.

333
00:18:56,080 --> 00:19:00,520
That's the aspect of Mugarets I like the most when they would do that kind of cooking.

334
00:19:00,520 --> 00:19:01,520
Yes.

335
00:19:01,520 --> 00:19:02,520
Like exactly what you're saying.

336
00:19:02,520 --> 00:19:10,160
We also had like the codfish tribes and we also had this different kind of little birds,

337
00:19:10,160 --> 00:19:11,160
game birds.

338
00:19:11,160 --> 00:19:14,960
I remember once there was a table, I don't know who they were, but they were like this

339
00:19:14,960 --> 00:19:19,480
super VIPs that they went, I don't know, three days in a row to Mugarets.

340
00:19:19,480 --> 00:19:24,160
So they had all the dishes up to the point that there weren't any more dishes to serve

341
00:19:24,160 --> 00:19:25,160
them.

342
00:19:25,160 --> 00:19:27,280
And for me, this was really interesting to watch.

343
00:19:27,280 --> 00:19:31,640
So Andoni went into the kitchen and he started like freestyling, you know, he started like

344
00:19:31,640 --> 00:19:32,640
cooking.

345
00:19:32,640 --> 00:19:36,020
There were like this pork tails here.

346
00:19:36,020 --> 00:19:41,680
There were like this little piece over there and he started doing like a surf and turf

347
00:19:41,680 --> 00:19:43,360
with the different ingredients that he had.

348
00:19:43,360 --> 00:19:46,960
And he started like freestyling some dishes and he sounded just like that.

349
00:19:46,960 --> 00:19:49,040
And that was like super interesting to watch.

350
00:19:49,040 --> 00:19:55,280
Speaking of which, the pig tails, amazing technique, amazing product, amazing technique.

351
00:19:55,280 --> 00:19:56,720
Super, super nice.

352
00:19:56,720 --> 00:19:57,720
Yeah.

353
00:19:57,720 --> 00:19:58,720
Like we, we had that.

354
00:19:58,720 --> 00:20:00,600
Do you have to shave them as well?

355
00:20:00,600 --> 00:20:01,600
Yes, of course.

356
00:20:01,600 --> 00:20:02,600
Of course.

357
00:20:02,600 --> 00:20:06,200
That was like a super, super nice thing to do.

358
00:20:06,200 --> 00:20:11,920
You know, you're there in the production table, like 12 chefs and there are like these boxes

359
00:20:11,920 --> 00:20:19,600
full of hundreds, if not thousands of pig tails, hairy pig tails, hairy dirty pig tails

360
00:20:19,600 --> 00:20:20,880
with dirt.

361
00:20:20,880 --> 00:20:26,400
You know, you have to wash them first and then shave them with, with, you know, razors

362
00:20:26,400 --> 00:20:28,200
one by one.

363
00:20:28,200 --> 00:20:29,200
Yeah.

364
00:20:29,200 --> 00:20:30,200
Okay.

365
00:20:30,200 --> 00:20:31,200
You were saying amazing technique.

366
00:20:31,200 --> 00:20:32,880
What, what, what makes amazing technique?

367
00:20:32,880 --> 00:20:33,880
Yeah.

368
00:20:33,880 --> 00:20:34,880
Yeah.

369
00:20:34,880 --> 00:20:40,040
By the way, same, same razors that Juliette, the head chef at the time would make me a

370
00:20:40,040 --> 00:20:44,720
shave with if I, if I had a stubble, come into work.

371
00:20:44,720 --> 00:20:50,760
Ah, the one of the, just to make it more humiliating.

372
00:20:50,760 --> 00:20:52,360
It's like go shave.

373
00:20:52,360 --> 00:20:54,960
No shaving cream, you know, no, nothing.

374
00:20:54,960 --> 00:20:58,640
No shaving cream.

375
00:20:58,640 --> 00:21:05,120
Just three stars because they had no shaving cream for the last 10 years.

376
00:21:05,120 --> 00:21:06,120
Yeah.

377
00:21:06,120 --> 00:21:07,720
But the pig tails, they were so nice.

378
00:21:07,720 --> 00:21:10,960
I mean like, yeah, you clean them and you vacuum pack them.

379
00:21:10,960 --> 00:21:16,680
Uh, you, you know, poach them off and then when they're still hot, you take them out,

380
00:21:16,680 --> 00:21:20,880
really carefully open them up, take all the, you know, the spine.

381
00:21:20,880 --> 00:21:23,000
Oh God, what do you call them?

382
00:21:23,000 --> 00:21:25,320
Well, the bones out, the little bones, right?

383
00:21:25,320 --> 00:21:31,200
And then put them on parchment paper and weigh them down so that basically you have one layer

384
00:21:31,200 --> 00:21:35,000
of skin and one layer of meat.

385
00:21:35,000 --> 00:21:36,680
And my man, it's just so nice.

386
00:21:36,680 --> 00:21:39,800
And then you cook them on the plancha just on the skin side.

387
00:21:39,800 --> 00:21:40,800
They become so crispy.

388
00:21:40,800 --> 00:21:43,120
The meat is super fatty and succulent.

389
00:21:43,120 --> 00:21:44,640
It's like the perfect bite of pork.

390
00:21:44,640 --> 00:21:46,840
If you think of it, super underrated.

391
00:21:46,840 --> 00:21:47,840
Yeah.

392
00:21:47,840 --> 00:21:48,840
Yeah.

393
00:21:48,840 --> 00:21:54,720
Those cuts, man, like they really work with strange cuts like tendon, lamb trotters.

394
00:21:54,720 --> 00:21:55,720
Yeah.

395
00:21:55,720 --> 00:21:57,720
Like these kind of things.

396
00:21:57,720 --> 00:21:59,760
Tendon was very cool also.

397
00:21:59,760 --> 00:22:00,760
Yeah.

398
00:22:00,760 --> 00:22:03,200
What about Andoni in your times?

399
00:22:03,200 --> 00:22:04,200
Was he in the kitchen?

400
00:22:04,200 --> 00:22:05,200
Not so much.

401
00:22:05,200 --> 00:22:08,920
I mean, I, you know, I'm, I like Andoni a lot.

402
00:22:08,920 --> 00:22:12,760
In the year that I was there, I saw him, I think twice.

403
00:22:12,760 --> 00:22:18,040
I have to say, you know, but like the few times that I saw him and talked to him, I

404
00:22:18,040 --> 00:22:19,320
liked him.

405
00:22:19,320 --> 00:22:24,240
I left like one day earlier than everybody else actually, because of, you know, just

406
00:22:24,240 --> 00:22:26,440
circumstances.

407
00:22:26,440 --> 00:22:30,680
And I had a little bit of a chat with him because there were cameras there, you know,

408
00:22:30,680 --> 00:22:31,880
so.

409
00:22:31,880 --> 00:22:34,760
And I think he's very inspirational.

410
00:22:34,760 --> 00:22:38,720
I think he is a poet in the way that he thinks.

411
00:22:38,720 --> 00:22:39,720
And you know.

412
00:22:39,720 --> 00:22:40,720
Yeah.

413
00:22:40,720 --> 00:22:43,800
A poet and a philosopher, I would say as well.

414
00:22:43,800 --> 00:22:44,800
Yeah.

415
00:22:44,800 --> 00:22:45,800
Absolutely.

416
00:22:45,800 --> 00:22:46,800
Yeah.

417
00:22:46,800 --> 00:22:48,120
So I'm a, I am a big fan of him.

418
00:22:48,120 --> 00:22:52,000
Unfortunately, I didn't get to work with him very much.

419
00:22:52,000 --> 00:22:53,000
Yeah.

420
00:22:53,000 --> 00:22:54,000
I, I agree.

421
00:22:54,000 --> 00:23:00,240
Like in my time, he was more in the kitchen, but I mean, like the, the man in command was

422
00:23:00,240 --> 00:23:01,240
Paco Morales.

423
00:23:01,240 --> 00:23:02,480
He was running the place.

424
00:23:02,480 --> 00:23:05,080
He was super young and super ambitious.

425
00:23:05,080 --> 00:23:08,680
He was 24, just fresh out of El Bulli.

426
00:23:08,680 --> 00:23:11,400
That time was a peak time of El Bulli, you know, 2005.

427
00:23:11,400 --> 00:23:12,400
Yeah.

428
00:23:12,400 --> 00:23:15,840
Back then, El Bulli was the placement and he was just out of it.

429
00:23:15,840 --> 00:23:19,560
And he was, you know, fighting so hard.

430
00:23:19,560 --> 00:23:25,400
It's not, not for no reason that, that year, Mugari's got its second star.

431
00:23:25,400 --> 00:23:30,880
And I remember the moment it was actually, we were having staff meal and Andoni walks

432
00:23:30,880 --> 00:23:34,160
in and he's talking like super loud on the phone.

433
00:23:34,160 --> 00:23:38,160
Like probably he wanted everybody to listen, you know, like, oh yes.

434
00:23:38,160 --> 00:23:39,160
Okay.

435
00:23:39,160 --> 00:23:40,160
Okay.

436
00:23:40,160 --> 00:23:41,160
Good.

437
00:23:41,160 --> 00:23:42,160
Good.

438
00:23:42,160 --> 00:23:43,160
Thank you.

439
00:23:43,160 --> 00:23:44,160
Thank you.

440
00:23:44,160 --> 00:23:45,160
Thank you for the news.

441
00:23:45,160 --> 00:23:46,640
And then he hangs up and said, we just got a second star.

442
00:23:46,640 --> 00:23:50,600
And then he walks into the office, just like, like if nothing happened, you know, and all

443
00:23:50,600 --> 00:23:53,040
the chef, the party stood up and went to the office.

444
00:23:53,040 --> 00:23:55,040
What is this?

445
00:23:55,040 --> 00:23:56,200
What?

446
00:23:56,200 --> 00:24:04,360
So we delivered service and, and I was, I remember I was cleaning something in the basement.

447
00:24:04,360 --> 00:24:05,960
I was completely alone in the basement.

448
00:24:05,960 --> 00:24:08,960
You know, the basement, they had some stuff like the ice cream machine and some other

449
00:24:08,960 --> 00:24:09,960
stuff.

450
00:24:09,960 --> 00:24:11,560
And, and I was doing the cleaning there.

451
00:24:11,560 --> 00:24:14,720
It was my, my task at that moment.

452
00:24:14,720 --> 00:24:19,480
And then suddenly I see like from the very end that there was a door where, where the

453
00:24:19,480 --> 00:24:21,960
suppliers would come in.

454
00:24:21,960 --> 00:24:28,480
And I see a guy coming in and completely in his chef whites, uh, walking in and I look

455
00:24:28,480 --> 00:24:35,600
in it's that's Martin Berasategui and he walks into me and he, he touched me so in the face

456
00:24:35,600 --> 00:24:36,600
like congratulations, congratulations.

457
00:24:36,600 --> 00:24:50,040
At that time, and this is also something interesting at that time, Mugaritz was part of Martin

458
00:24:50,040 --> 00:24:51,040
Berasategui group.

459
00:24:51,040 --> 00:24:56,960
And this was the first years of Mugaritz.

460
00:24:56,960 --> 00:25:00,720
I don't know what happened, but they had like a real fight.

461
00:25:00,720 --> 00:25:03,520
They didn't talk to each other like for over 10 years.

462
00:25:03,520 --> 00:25:08,320
The moment they talked back to each other, it came out in the newspapers, but also interesting

463
00:25:08,320 --> 00:25:13,560
like Martin Berasategui, he made his name and he climbed up in his family restaurant,

464
00:25:13,560 --> 00:25:15,320
which is in the city center of San Sebastian.

465
00:25:15,320 --> 00:25:16,320
It's called El Alejandro.

466
00:25:16,320 --> 00:25:18,560
It's like a super classic restaurant.

467
00:25:18,560 --> 00:25:22,960
So he got his first mission in Star there before he moved to his venue where he's now

468
00:25:22,960 --> 00:25:25,260
or where he has three stars.

469
00:25:25,260 --> 00:25:33,120
And I know in the, how to say the, the divorce settlement between Andoni and Martin, Andoni

470
00:25:33,120 --> 00:25:39,100
took Bodegon Alejandro, which is part now of Mugaritz group, you know, like that feels

471
00:25:39,100 --> 00:25:41,760
like a, like a big fuck you in your face.

472
00:25:41,760 --> 00:25:43,200
You know, I didn't even know that.

473
00:25:43,200 --> 00:25:44,200
That's crazy.

474
00:25:44,200 --> 00:25:45,200
Yeah.

475
00:25:45,200 --> 00:25:51,120
Bodegon Alejandro is Ixogroup is not, and that's a Martin's historical family restaurant.

476
00:25:51,120 --> 00:25:53,680
And they cook the classics of the place, you know?

477
00:25:53,680 --> 00:25:54,680
Wow.

478
00:25:54,680 --> 00:25:55,680
That's crazy.

479
00:25:55,680 --> 00:25:58,080
I know, I knew they had beef, but I didn't know that.

480
00:25:58,080 --> 00:25:59,080
Yeah.

481
00:25:59,080 --> 00:26:00,080
That's, that's heavy.

482
00:26:00,080 --> 00:26:06,360
Back then we, they would send us like a lot to Cruzal and Bodegon Alejandro to do reinforcement,

483
00:26:06,360 --> 00:26:09,680
you know, like sending some staggers from Mugaritz there, which was also super interesting

484
00:26:09,680 --> 00:26:14,800
because you would see like completely classic recipes from, from a classic Basque restaurant.

485
00:26:14,800 --> 00:26:15,800
Yeah, that's very cool.

486
00:26:15,800 --> 00:26:20,880
Which is fresh air, you know, if you're in an avant-garde restaurant peeling walnuts.

487
00:26:20,880 --> 00:26:24,440
And when I say peeling walnuts, it's already peeled walnuts.

488
00:26:24,440 --> 00:26:29,880
You're peeling the outer skin of the, of the brain looking piece of, of walnut, you know?

489
00:26:29,880 --> 00:26:30,880
Yeah.

490
00:26:30,880 --> 00:26:31,880
Yeah, yeah, absolutely.

491
00:26:31,880 --> 00:26:32,880
Yeah.

492
00:26:32,880 --> 00:26:38,720
But you know, actually what's, what really stuck with me, like from the time Mugaritz,

493
00:26:38,720 --> 00:26:43,280
you can't really call it a technique, but you know, because you have this stark difference

494
00:26:43,280 --> 00:26:49,200
of you have Mugaritz, which at my time was already so high end, so away of everything,

495
00:26:49,200 --> 00:26:56,160
you know, and then you have this vast culinary landscape of really traditional and really,

496
00:26:56,160 --> 00:27:02,320
really good food and seeing the connection between that, like the two extremes, you know,

497
00:27:02,320 --> 00:27:07,720
and also the way that's the tradition and the terror and the produce gets translated

498
00:27:07,720 --> 00:27:13,680
through such a very finely designed lens.

499
00:27:13,680 --> 00:27:18,040
That was very, very, you know, that's, that was really informative, you know, that gave

500
00:27:18,040 --> 00:27:26,480
you a completely new perspective on what food can be and where it can head.

501
00:27:26,480 --> 00:27:29,520
That's it for this week's episode of Potluck Food Talks.

502
00:27:29,520 --> 00:27:33,380
If you like what we're doing, make sure to subscribe to the podcast so you never miss

503
00:27:33,380 --> 00:27:34,640
an episode.

504
00:27:34,640 --> 00:27:38,640
You can also find us on Instagram and TikTok as Potluck Food Talks.

505
00:27:38,640 --> 00:28:05,640
The show airs every Monday.

