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Hi everyone, welcome to pot luck food talks.

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Today we have for the first time, Sander with us.

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Hello, hello.

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Sander is a producer of the show and also partly guilty of creating this concept and

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this space to talk about food.

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Hi, Sander, how are you doing?

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I'm good.

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I'm happy to finally be on the show and not only behind it.

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Sander has a background as a filmmaker and he works on food commercials.

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And that's the reason we have him today.

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We're going to talk about food movies, food film, great movies with great food scenes.

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So what are your thoughts on that?

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What are my thoughts on movies about food?

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I think food is a lot about story.

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Every dish, everything in life has to do with, I don't know, a mom cooking a soup for their

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sick child or like a guy making some dessert, you know, for the lady he's trying to impress.

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And I think, I mean, amazing food movies, they have amazing food photography, but I

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mean, especially, you know, putting it into like some context, I think there's some very

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memorable movies about food for sure.

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Well, also to mention Sander and I, we've been friends like for 30 years already, probably.

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Yeah.

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I always say that our parents knew each other before we were even born.

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So yeah, we hung out a lot.

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We lived together and while Sander was still studying to become a filmmaker, we were living

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together and we were working on a movie script about cooks.

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So we were brainstorming a lot what would be interesting to do.

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And at that time we watched a lot of culinary movies.

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I also remember that we wrote a few scenes that we completely discarded them after Ratatouille

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came out because it had two specific scenes, exactly the concept and the way we had thought

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of it.

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Do you want to talk about it?

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But first, I guess it's important or interesting to say you had just started your adventure

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as a cook.

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I had just started an adventure studying film.

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This was 2007.

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So I think we had already lived outside our homes for two years and you were completely

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excited.

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You had all these crazy stories and I was studying film and I was excited about doing

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some things.

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So I wanted to tell stories about those things you were telling me.

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And I guess all these outrageous things that you were telling me that were super interesting,

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how these fine dining kitchens work and how crazy the characters inside it are.

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And I mean we're always film buffs.

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I think we always watched all its per se movies like I don't know, casino and stuff.

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And we wanted to take these movie genres that we know and love and just take it into the

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cooking world.

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And for sure we started like writing some scenes.

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And yeah, this was 2007.

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I think the same year Ratatouille came out and when we went to the cinema, there were

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at least two scenes that you know, they nailed exactly some scenes that we were writing and

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it was kind of like, no.

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But I guess, I mean, it's probably common sense because these are very common space

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feelings.

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One was, I would say that's the most iconic scene of the movie.

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Both of them I think, scenes or moments.

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So one is when this food critic eats something and he gets like an instant flashback to his

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childhood where his grandmother is cooking.

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We had the exact same concept for that interaction in that moment.

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But it's probably because we have felt the same thing many times in our lives.

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When you try something that reminds you of your childhood, I guess everybody has experienced

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that.

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And the other one was the moment when the chef eats like two different flavors and I

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think like something like fruit holograms appear in front of him and he mixes them like

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flavor combinations or something like that, right?

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Obviously, it being Pixar, they made it in a way that was much cooler than we would have

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ever imagined.

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So yeah, I remember him eating, I don't know, some cheeses or like some-

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You mean cheese and grapes?

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Cheese and grapes, but like first he has like the cheese and then he has the nutty flavors

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of blinded, he grabs it and it's like, you know, in the air around him, like all these

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colors and then he eats the other flavor and then it becomes like this animation of this

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mixture of flavors.

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And hey, I remember us talking a lot about taking weird things that fit together and

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yeah, that was again something where obviously Pixar found a way of visually describing a

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mixture of flavors, which was mind blowing for us at that time.

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Well, also a few things to mention about that movie.

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Not everybody knows that the culinary consultant for this movie was Thomas Keller.

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Thomas Keller, yeah.

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And also the French chef Gusteau is inspired in Bernard Loiseau, who was a major figure

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in the New York cuisine and also like, especially in the nineties, he was like a super famous

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chef in France.

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And yeah, he kind of looks like him, like the face and everything.

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Jacques Cousteau, no, not Jacques Cousteau, something Cousteau.

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Yeah, exactly.

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I think another super cool and super iconic food scene is garlic slicing in prison and

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good fellas.

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Oh yeah, for sure.

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That is a classic.

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Yeah.

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I think Antony Bourdain would reference that scene a lot, like in a lot of his writing

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and food shows and everything.

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Everyone uses it as reference.

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I think people know exactly how to slice garlic because of that scene.

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Yeah.

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Also in this line of American Italian movies, there is this movie that I also watched while

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we were writing movie scenes.

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I didn't watch it, but I definitely have to put it on my watch list.

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It's called Big Night by Stanley Tucci.

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The movie is not specially a great movie.

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Also the, well, the food scene is really nice and they cook like a secret home recipe called

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timpano, which is an Italian American dish and it's a large baked pasta drum filled with

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layers of pasta, meatballs, sausages, eggs, cheese, tomatoes.

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So it's like kind of like a lasagna, but all like in a drum shaped thing.

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So that was also pretty cool.

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It sounds deliciously nasty.

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And I will say if we talk about serious movies like high cinema and a movie that portrays

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feelings of the culinary craft and all these kinds of things, I would say Babette's Fest

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is my favorite one.

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I think the movie even won on a best foreign film Oscar.

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And it's a story about like in the 1900s, a French female chef that is running away

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from Paris.

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She probably did something, but I think in the movies never revealed what.

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So she hides in a small village in Denmark and she learns to cook from the Danish and

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she also at the end has the opportunity to cook for them.

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And it's this kind of like culture shock, but also I think there are a lot of values

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that a chef looks for in his career that are very well portrayed in this movie.

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No, if you want to talk about like movies where you show every side and story and element

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of food, I think anyone should watch Tampopo.

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Oh, amazing movie.

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Yeah.

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I think Tampopo, the interesting thing, and I'm going to leave the whole like cinematography

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or whatever out, but I mean, this is the only movie that I know or the only piece of art

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that I know that shows every aspect of food in any moment.

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I mean, like the main story is like these guys want to help Tampopo to save her ramen

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shop and make better noodles, make better broth.

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So they call it a Western ramen.

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Ramen Western.

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Ramen Western instead of spaghetti Western.

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Exactly.

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So, you know, you have the lone ranger who comes into town and he helps the town or it

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saves the day by helping Tampopo, you know, make a really good ramen and save a ramen

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shop.

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But then you have all these slices, all these little scenes in between that has nothing

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to do with the main story.

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It is like from the beginning that you start with, like you're in the cinema and the people

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are about to watch the movie we're going to watch and how, you know, even in cinema, you

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know, snacks and food is part of the watching experience.

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But then they're already telling you to eat quiet because I'm going to watch the movie.

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And then there's this amazing scene.

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I think that's one of my favorite ones in the movie where this old lady goes into a

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supermarket and she has a fetish with squeezing things.

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So she squeezes the ripe peaches or like the soft cheeses.

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And you know, she's obviously destroying the food because she's like squeezing it in her

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hands and then the guy who works at the supermarket starts chasing her because he obviously doesn't

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want her to keep squeezing these things.

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And it's a thing that you can relate with so much that like, yeah, obviously food is

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about texture and soft balls and you just want to put it in your mouth or in your hands.

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Also the cultural thing about Chure, there's this one scene where there's this mother of

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a family and she's dying and you know, the father and the kids are around her and the

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doctor is there.

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And I think the dad, the father, he doesn't know what to do.

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So he just tells her to make dinner.

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And the woman, like she stands up and she makes rice and makes a dinner for the family

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and then the family eats while she's just there watching them.

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And once the family has eaten, she drops dead.

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You know, the function of the mother in this society is making food.

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So she has to sort of like cook before she drops the head away.

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Or you have a, there's a scene about this group of Japanese ladies who are learning

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how to properly eat pasta.

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Oh yeah, which is like a protocol class, right?

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There is this super Westernized Japanese guy explaining them how to behave properly and

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this kind of thing.

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Exactly.

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And how you, you should never make a sound while you're eating.

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And then right next to them, there's this, you know, fat old white guy who's slurping

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away like, and then like all these ladies, you know, stop paying attention to this etiquette

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master and just start enjoying the food and slurping and just like not giving a fuck about

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the etiquette.

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Yeah, because slurping is part of ramen culture.

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You have to slurp if you're ramen.

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Yeah.

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I mean, this movie is, if you want to dig into what food is and what food can be and

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how food affects culture and...

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Absolutely.

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I think it's a great example of good old classic naive and cartoony Japanese humor, but at

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the same time, all the food scenes are very well thought and are very well representative

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of Japanese food.

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So if you look about what they're doing, I remember at the beginning, there is this lady

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with, is it Tampopo?

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I'm not sure.

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It has this sukemono, like Japanese pickles in a rice bran, which is like a specific elaboration.

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And you see, it's funny because it's like this Western where, with this tough lone rangers

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that walk into a bar and it's like a tough bar, but it's a ramen bar and they're looking

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the way they cook and the mistakes they do if the water is not boiling properly or if

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the stock is not at point.

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And then they start making like this benchmarking of the different ramen bars in the city to

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see which one is the best.

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And it becomes like a heist film, like Oceans 11 of ramen, like the team gets together and

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every person in the group is like a specialist in something else.

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So one knows about the broth, one knows about the past then.

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So they also go and steal secret recipes from other restaurants.

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From the competitors, exactly.

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They walk into the competitors to see how they do it, which is also like a common place

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for a chef that wants to open a restaurant, something many of us have done many times.

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And to end, I would say another super nice food movie because there are a lot of movies

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that are famous and many of them, like I've watched many of these movies that try to portray

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the paths of a chef and they're very fake.

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You see this chef like completely clean and they don't know how to properly hold a knife

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and the dynamics you see in the kitchen are not realistic.

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So that's quite annoying.

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But another two good examples I wanted to mention, one was a Taiwanese movie called

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Eat, Drink, Man, Woman.

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It's from the nineties.

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And the intro of this movie, I think it's the best cooking scene ever portrayed in the

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cinema.

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It's so simple.

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It's just a man making dumplings.

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Yeah, but if you see the skills of this man, like chopping vegetables and doing different

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things and it's so pleasurable and the sounds you feel in the scene, it feels like anyone

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who has worked in prep cooking will get that feeling of prep cooking, you know, where the

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kitchen is quiet and the only thing you hear is like the cooking sounds and there is not

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the stress of service where everything has to be quick and everybody's screaming.

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And that moment is very, very well portrayed.

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I think also something that you said about like movies we hate about food is and I guess

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you can say, okay, there's movies about food where it's more like home cooking, like a

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very skilled person is cooking at home and they're making really nice dishes.

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And there are things you could call like restaurant movies.

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And what I hate and I mean, unfortunately, what the tweet kind of goes into that direction

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as well is the whole the critic is the most important villain of the thing.

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Like it almost seems like these characters are only motivated by, you know, getting the

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Michelin stars or whatever.

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Which is realistic.

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You will see that you will see this kind of attitude and Michelin star restaurant.

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Because I mean, I remember that when we were writing our cute little food film, you had

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this character that said like, hey, as cooks or this particular character said like, hey,

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I come from nothing.

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I'm very uneducated.

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The only thing I know how to do is cooking, so I really want to, you know, if I want to

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be someone in this world, I really want to, you know, elevate my cooking skills and take

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it to the highest for possible.

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But I don't give a fuck about stars and about, you know, awards.

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You see everything.

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But I mean, like the character of the chef of stars with stars is not like something

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made up.

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I know, of course, of course.

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But that's why I think one of the and you haven't watched it and I tried to convince

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you to watch it because I think in a way the essence of this new show catches a little

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bit what we were trying to go for 15 years ago, which is the show, The Bear.

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OK, let's make a deal.

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I'll watch The Bear and well, when we should both watch this Hannibal Lecter series that

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was for sure.

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Yeah.

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The main consultant for this series was Jose Andres.

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Oh, OK.

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Wow.

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Yeah, he was the advisor of how to cook humans for this series.

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And he would do like...

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It's lazy.

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Yeah, like because, you know, the character Hannibal Lecter is this super Bon vivant gourmet

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guy who knows a lot of about food.

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So he would do like this super obscure, ancient, sophisticated French dishes with his victims

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advised by Jose Andres.

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I mean, it must be so crazy that, you know, you get a phone call from a production company

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and they tell you like, listen up, you have a couple of weeks to think about, you know,

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what would be the best way of cooking humans or like what organs would you use to make

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like really tasty seafood and dishes?

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Yeah, sounds like a fun project to do.

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That's it for this week's episode of Potluck Food Talks.

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If you like what we're doing, make sure to subscribe to the podcast so you never miss

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an episode.

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You can also find us on Instagram and TikTok as Potluck Food Talks.

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The show airs every Monday.

