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(Auto-generated)Hey all you wonderful people that matter so very, very much, whether you see it or not.

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So I'm WSWalker, also known as Will Help.

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And this is the Laughing Matters podcast.

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Not simply, it's a show that can help you improve your life.

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Primarily in ways you didn't know it could be improved.

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So I will be reading from my book, The Laughing Matters, and make no mistake.

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This is absolutely a podcast that needs to be listened to in order.

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I spent like 10 years organizing this jumble of interconnected concepts so that it can

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be done in a linear narrative.

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A straight line from beginning to end.

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And there's going to be constant references made to what we went over in the last episodes.

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There's a fair amount of twists and surprises that will fizzle if you don't understand what

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came before them.

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In this particular ride, it's not one that you want to accidentally ruin for yourself.

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Trust me, to use the clinical terminology, there's some doozies up ahead, so don't cheat

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yourself out of what's coming.

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So that being said, good people of this good earth, please empty your cups before stepping

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aboard and let's begin.

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Chapter 1.

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Shared.

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There are a great many things that human beings excel at, but one of the most fascinating

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ones for me has always been our obsessive desire and compulsion to share that which

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we've learned, discovered, created, or thought, and the cleverness that comes by way of that

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need.

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I mean, when you make something brilliantly, write a song that's amazing, or find a clever

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workaround, or gain profound wisdom, there's this very strong basic need that arises and

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demands that it be passed on.

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You want someone to hear that song, to see your art, to read your words, to learn from

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you, and the biggest payoff is seeing the way that it affected them.

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There's this connection there, and we do thrive on it.

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We're compelled to share what we know, and what we feel, and what we've found to be good,

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and we've created a multitude of ways to do so on our relatively small planet.

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We shape our internal wind with specific movements of our lips, tongues, and mouths, all while

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carefully pitching the chords that the wind passes through so that we can speak in a language.

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We literally created a spoken language out of the sounds we could make, so that we could

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share what we found to be good with others.

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Then we figured out how to make these words heard after the speaker had left, and started

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bringing those words into more permanent form.

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Written language.

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I don't know what book did it for you, if a book ever did it for you, but I do remember

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reading To Kill a Mockingbird when I was in fifth grade, and that was my first real moment

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with how amazing reading and writing is.

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I got dumbstruck that out of nowhere this author could craft the story from their imagination,

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and put down these marks, and they mean something, and the story would ring out to anyone who

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picked up the book.

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And I'd find out, you know, in the years that followed that Carl Sagan actually said it

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far more profoundly.

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A book is made from a tree.

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It's an assemblage of flat, flexible parts, still called leaves, and printed with dark,

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pigmented squiggles.

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One glance at it, and you hear the voice of another person, perhaps someone dead for thousands

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of years.

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Across the millennium, the author is speaking, clearly and silently, inside your head, directly

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to you.

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Writing is perhaps the greatest of human inventions, binding together people, citizens of distant

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epochs, who never knew one another.

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Books break the shackles of time, proof that humans can work magic.

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And absolutely insanely great as that is, there were some things we knew or felt that

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literal language could not adequately capture.

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Some ideas, thoughts, and feelings are too abstract to be put precisely into words.

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And so we went the other way, more abstract.

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We spoke and wrote poetically, wove epic stories with lessons and wisdom embedded in them,

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told fables and analogies and parables and metaphors, or, if one was so inclined, wrote

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songs or composed sonic landscapes or symphonies.

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They painted, drew, or colored, choreographed, photographed, or danced.

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Our need to communicate and convey is so strong that we created art, language, music, and

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dance.

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And then we mish-mashed a bunch together.

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We even merged art, storytelling, photography, language, and music together and created films.

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Because that's what human beings do when we cannot inherently do something.

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We figure out a way to do it.

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We are masters of extending ourselves beyond our physical limitations.

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To paraphrase Sigmund Freud from his book Civilization and its Discontents, mankind

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replaces his muscles with motors, can now fly or swim hundreds of miles, correct defects

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in his eyes with spectacles, see thousands of miles away with telescopes, permanently

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capture fleeting images with photograph, and hear through telephones across distances which

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would be respected as unattainable in a fairy tale.

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But as clever as we are at creating ways to convey our knowledge and thoughts, our main

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go-to method of expressing our feelings is our very first language.

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Non-verbal sounds, facial expressions, and body language.

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It happens so automatically that we rarely even think about it actively.

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And that is impressive given the range of subtle changes that can be applied to convey

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the subtleties of each emotion.

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Little tiny shifts and changes can give away so much.

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And these basic movements, they're iconic, instantly recognizable to most, and tend to

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be pretty universal across our species.

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Go ahead, take a moment and think of an emotion and see if you can't immediately picture

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the sound and face and body language that goes with it.

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Every single emotion, so far as I've been able to discern, has an accompanying sound

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or face or body movement to it.

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Except for one.

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Now this one is fairly alarming because that one emotion is arguably the most important

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of all of them.

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It's not only been compared to the very air we breathe in terms of necessity, but it's

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also been called all you need, and the only thing that's worth both living and dying

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for.

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So I ask you now, what is the sound we make when we love?

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Go ahead and think on it.

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What is the social sound, face, and bodily posture we make when we love?

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I've asked a lot of people this question.

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I've heard a lot of answers.

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And I've got to say, my personal favorite was dreamy sigh, though I believe it's more

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indicative of crushing or longing.

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But every time people offer an answer, it always sounds more like a question, like someone

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that doesn't expect their answer to be correct.

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And what's funny is I'd imagine some of you have even guessed the correct answer already,

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but still aren't sure it's right.

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I completely get that.

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And it's because it's a bit of a riddle.

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The answer is located in a place that you wouldn't think to look, and you know, honestly,

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I have to say personally that I would say it seems to be deliberately hidden there,

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but you have your own decision to make on that.

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Now, I will share that answer with you in this book.

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But first, we do need to lay the groundwork.

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And in order to understand the answer, we must understand the riddle and what it's using

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as its main mechanic.

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I want to do the best job I can teaching you these concepts.

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And an answer told will always be less than an answer learned.

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And that's it for me today.

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Next time, Chapter 2, The Cacophony and the Granddaddy Fear.

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You can check out the YouTube channel at youtube.com slash could help.

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You can contact the podcast at willhelpmail at gmail.com.

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And you can stay up to date with the show's Facebook page at facebook.com slash I could

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help.

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And you know what, see if you can't figure out the riddle of the missing sound before

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I tell you what it is, because you already know it.

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You already do it.

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I'll bet you can do this.

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Until then, do yourself a favor, find something good, and find a way to convey it.

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Be sweet, and bye everybody.

