1 00:00:00,000 --> 00:00:10,000 Hi, welcome to Sonic Cereal. 2 00:00:10,000 --> 00:00:13,280 I'm Jesse. 3 00:00:13,280 --> 00:00:14,280 And I'm Mark. 4 00:00:14,280 --> 00:00:19,280 And in this podcast, we take a deep dive into albums from some of our favorite artists 5 00:00:19,280 --> 00:00:20,760 track by track. 6 00:00:20,760 --> 00:00:23,500 Like Bjork, who we're doing today. 7 00:00:23,500 --> 00:00:31,840 And we're continuing with our album Vespertine and it was released in August 19th, 2001. 8 00:00:31,840 --> 00:00:36,080 And it's classified as Artpop, Glitchpop, Folktronica. 9 00:00:36,080 --> 00:00:40,120 And it was released on the One Little Independent Records. 10 00:00:40,120 --> 00:00:43,640 And the theme is introversion and intimacy. 11 00:00:43,640 --> 00:00:45,360 Have I asked you before? 12 00:00:45,360 --> 00:00:50,080 But are you, would you consider yourself an introvert? 13 00:00:50,080 --> 00:00:59,040 Yeah, I'm very much an introvert, but I'm a reluctant extrovert because I have to be. 14 00:00:59,040 --> 00:01:00,040 I get that. 15 00:01:00,040 --> 00:01:01,040 What about you? 16 00:01:01,040 --> 00:01:04,680 Well, I'd say I'm 80%. 17 00:01:04,680 --> 00:01:07,680 No 90%. 18 00:01:07,680 --> 00:01:09,800 Introvert. 19 00:01:09,800 --> 00:01:13,960 And what's the other 10%? 20 00:01:13,960 --> 00:01:14,960 Extrovert. 21 00:01:14,960 --> 00:01:18,080 But it only comes out when I'm drinking. 22 00:01:18,080 --> 00:01:19,800 Or like right now. 23 00:01:19,800 --> 00:01:20,800 Yeah. 24 00:01:20,800 --> 00:01:26,040 Usually I'm just like, yeah, okay. 25 00:01:26,040 --> 00:01:30,520 You're just like a throw pillow on the sofa. 26 00:01:30,520 --> 00:01:36,000 Hey, I got more to say about this later. 27 00:01:36,000 --> 00:01:43,640 Okay, before we start, before we start, I listened to these three songs when I was at 28 00:01:43,640 --> 00:01:47,080 the gym a few days ago for the first time. 29 00:01:47,080 --> 00:01:50,200 And it was the first time in a long time. 30 00:01:50,200 --> 00:01:52,320 And something came to me like in a vision. 31 00:01:52,320 --> 00:01:53,320 It's weird. 32 00:01:53,320 --> 00:01:56,920 Like I had my eyes closed because I was like working out and it just, this came to me. 33 00:01:56,920 --> 00:02:00,240 I think we have to say what songs we're talking about here. 34 00:02:00,240 --> 00:02:01,240 Oh. 35 00:02:01,240 --> 00:02:07,520 We're talking about Heirloom, Harm of Will, and Unison. 36 00:02:07,520 --> 00:02:08,520 That's right. 37 00:02:08,520 --> 00:02:09,520 Okay. 38 00:02:09,520 --> 00:02:10,520 So regarding these three songs. 39 00:02:10,520 --> 00:02:11,520 Yeah. 40 00:02:11,520 --> 00:02:12,520 I was at the gym. 41 00:02:12,520 --> 00:02:24,280 I was listening to them and I closed my eyes and as I finished the third song, I just had 42 00:02:24,280 --> 00:02:32,680 this vision of like, okay, imagine a secret script that was being written by Steven Soderbergh 43 00:02:32,680 --> 00:02:35,160 and David Cronenberg together. 44 00:02:35,160 --> 00:02:39,280 Oh, I would be excited for that. 45 00:02:39,280 --> 00:02:45,240 And the topic is, it's about human trafficking in medieval times. 46 00:02:45,240 --> 00:02:46,240 Interesting. 47 00:02:46,240 --> 00:02:47,240 Okay. 48 00:02:47,240 --> 00:02:48,240 Keep listening. 49 00:02:48,240 --> 00:02:53,760 So when I listened to it, imagine if it's a film and this is a soundtrack for it. 50 00:02:53,760 --> 00:03:00,360 Heirloom opens the film with like the protagonist, which is played by Bjork as an old woman, 51 00:03:00,360 --> 00:03:04,580 but it's actually played by her now. 52 00:03:04,580 --> 00:03:09,360 And she's reflecting on her life and her experience and having been trafficked and married to 53 00:03:09,360 --> 00:03:11,440 the man that she didn't know. 54 00:03:11,440 --> 00:03:12,440 Why? 55 00:03:12,440 --> 00:03:16,280 Wait, this is Heirloom. 56 00:03:16,280 --> 00:03:18,840 So think of the lyrics. 57 00:03:18,840 --> 00:03:20,960 Give me a lyric. 58 00:03:20,960 --> 00:03:26,880 I have a recurrent dream every time I feel a hoarseness in my throat. 59 00:03:26,880 --> 00:03:27,880 Yeah. 60 00:03:27,880 --> 00:03:31,120 So she's like an old woman reflecting back on her life. 61 00:03:31,120 --> 00:03:36,720 And then she dreams about her son and her mom walking above her and feeding her. 62 00:03:36,720 --> 00:03:37,720 No, no, no. 63 00:03:37,720 --> 00:03:39,720 That doesn't have to do with my script. 64 00:03:39,720 --> 00:03:45,840 Anyway, Heirloom is basically her and his old woman reminiscing about her life as having 65 00:03:45,840 --> 00:03:48,840 been trafficked in medieval times. 66 00:03:48,840 --> 00:03:55,220 Harm of Will is about like in her teens, right after she's been trafficked and transported 67 00:03:55,220 --> 00:04:01,280 halfway around the world and she's sold to a man and then she's forced to do unspeakable 68 00:04:01,280 --> 00:04:04,840 things against her will to him. 69 00:04:04,840 --> 00:04:10,960 And this Bjork would be or this character would be played by Bjork's daughter. 70 00:04:10,960 --> 00:04:11,960 That's cool. 71 00:04:11,960 --> 00:04:16,640 And then Unison is like where she finally gives in. 72 00:04:16,640 --> 00:04:17,860 It's the end of the film. 73 00:04:17,860 --> 00:04:24,080 She finally gives in initially saying that she'd never compromise, but then she gives 74 00:04:24,080 --> 00:04:31,160 in and accepts her life and she's like, this is how it's going to be. 75 00:04:31,160 --> 00:04:38,120 And then this younger or this kind of forties one would be played by, I think, Natalie Portman, 76 00:04:38,120 --> 00:04:40,840 but you said Kim Kardashian. 77 00:04:40,840 --> 00:04:43,440 It did not. 78 00:04:43,440 --> 00:04:45,840 So you thought about this in the gym? 79 00:04:45,840 --> 00:04:46,840 Yeah. 80 00:04:46,840 --> 00:04:47,840 All right. 81 00:04:47,840 --> 00:04:51,800 Like how these three songs would make the perfect like beginning, middle and end to 82 00:04:51,800 --> 00:04:55,080 a film about human trafficking in medieval times. 83 00:04:55,080 --> 00:04:57,520 And that's what you were laughing about? 84 00:04:57,520 --> 00:04:58,520 Yeah. 85 00:04:58,520 --> 00:04:59,520 Okay. 86 00:04:59,520 --> 00:05:02,520 I worry about you. 87 00:05:02,520 --> 00:05:03,520 Okay. 88 00:05:03,520 --> 00:05:16,200 So let's start with the first one of these tracks, Heirloom. 89 00:05:16,200 --> 00:05:17,840 So this is when she's an old woman. 90 00:05:17,840 --> 00:05:18,840 It's Heirloom. 91 00:05:18,840 --> 00:05:19,840 Yeah. 92 00:05:19,840 --> 00:05:26,600 Do you have an heirloom? 93 00:05:26,600 --> 00:05:28,680 Do you? 94 00:05:28,680 --> 00:05:30,640 No, do you? 95 00:05:30,640 --> 00:05:37,120 My grandfather gave me some things before he passed away that I kind of thought are 96 00:05:37,120 --> 00:05:38,880 very special. 97 00:05:38,880 --> 00:05:41,280 Yeah. 98 00:05:41,280 --> 00:05:49,200 And if I had kids, I would like say, this is why this is important. 99 00:05:49,200 --> 00:05:54,640 Would my dad's guitar be considered an heirloom? 100 00:05:54,640 --> 00:05:57,640 If it's something that would be passed along generation to generation. 101 00:05:57,640 --> 00:05:59,920 I think I just stole it. 102 00:05:59,920 --> 00:06:02,720 So I don't know. 103 00:06:02,720 --> 00:06:06,000 Is it something that'd be passed on from generation to generation? 104 00:06:06,000 --> 00:06:07,000 I can pass. 105 00:06:07,000 --> 00:06:09,000 Yeah, I can pass it on. 106 00:06:09,000 --> 00:06:10,000 Okay. 107 00:06:10,000 --> 00:06:11,000 Then yeah. 108 00:06:11,000 --> 00:06:12,000 All right. 109 00:06:12,000 --> 00:06:18,320 No, I probably wouldn't want to pass it on because I'm a hoarder. 110 00:06:18,320 --> 00:06:22,480 Are you going to hoard past your death? 111 00:06:22,480 --> 00:06:23,480 Yeah. 112 00:06:23,480 --> 00:06:24,480 I'm really. 113 00:06:24,480 --> 00:06:27,520 Bury it all with me. 114 00:06:27,520 --> 00:06:28,520 Can you imagine? 115 00:06:28,520 --> 00:06:29,520 All right. 116 00:06:29,520 --> 00:06:34,080 Can you imagine a hoarder wanting that, leaving that in their will? 117 00:06:34,080 --> 00:06:39,760 I'm surprised there isn't a lot of stories about that. 118 00:06:39,760 --> 00:06:40,760 Okay. 119 00:06:40,760 --> 00:06:47,000 Well, this is a track that stands out from the rest where Bjork sings over a pre-recorded 120 00:06:47,000 --> 00:06:49,440 somewhat lo-fi track. 121 00:06:49,440 --> 00:06:51,440 Okay. 122 00:06:51,440 --> 00:06:52,440 Mrs. Rackleman. 123 00:06:52,440 --> 00:06:56,080 She was my organ teacher when I was a kid. 124 00:06:56,080 --> 00:06:58,080 You found her online? 125 00:06:58,080 --> 00:06:59,080 Yes. 126 00:06:59,080 --> 00:07:00,080 What? 127 00:07:00,080 --> 00:07:02,080 You guys should reconnect. 128 00:07:02,080 --> 00:07:03,080 Is she still? 129 00:07:03,080 --> 00:07:04,080 No. 130 00:07:04,080 --> 00:07:05,080 Oh. 131 00:07:05,080 --> 00:07:11,120 Anyway, Mrs. Rackleman, she was my organ teacher and this song reminds me of her. 132 00:07:11,120 --> 00:07:12,120 All right. 133 00:07:12,120 --> 00:07:13,120 She's real mean. 134 00:07:13,120 --> 00:07:14,400 Well, you know what it reminds me of? 135 00:07:14,400 --> 00:07:18,480 She would put the metronome on and then have a ruler. 136 00:07:18,480 --> 00:07:20,480 You guys would play songs like this? 137 00:07:20,480 --> 00:07:21,480 No. 138 00:07:21,480 --> 00:07:24,080 Why does it remind you of your organ? 139 00:07:24,080 --> 00:07:26,480 Because the song has organ in it. 140 00:07:26,480 --> 00:07:27,480 Yeah. 141 00:07:27,480 --> 00:07:28,480 Duh. 142 00:07:28,480 --> 00:07:29,480 Okay. 143 00:07:29,480 --> 00:07:33,520 It reminds me of my grandma's organ. 144 00:07:33,520 --> 00:07:37,880 Because it's like a double entendre. 145 00:07:37,880 --> 00:07:38,880 Sure. 146 00:07:38,880 --> 00:07:41,880 I'm not sure. 147 00:07:41,880 --> 00:07:46,920 It reminds me of your organ. 148 00:07:46,920 --> 00:07:56,640 The German artist Martin Gretzschmann, aka Consul, made an album in 1998 called Rocket 149 00:07:56,640 --> 00:08:02,480 in the Pocket and Björk kind of grabbed me little hands all over it. 150 00:08:02,480 --> 00:08:09,240 She especially liked to track crab crafts, so she sang some of her lyrics over it and 151 00:08:09,240 --> 00:08:22,600 recorded it for Vesperteen. 152 00:08:22,600 --> 00:08:29,720 And she did contact Consul in 2000 to get his blessings and they met in London, so what? 153 00:08:29,720 --> 00:08:32,720 So what? 154 00:08:32,720 --> 00:08:34,920 Okay. 155 00:08:34,920 --> 00:08:35,920 Good for them. 156 00:08:35,920 --> 00:08:36,920 I know, right? 157 00:08:36,920 --> 00:08:42,680 So how does it flow within the album Flow? 158 00:08:42,680 --> 00:08:47,080 It sticks out, but at the same time it kind of blends in. 159 00:08:47,080 --> 00:08:48,080 Calm down. 160 00:08:48,080 --> 00:08:49,080 Okay. 161 00:08:49,080 --> 00:08:59,040 Yeah, it sticks out, but at the same time it blends in by being gentle and beautiful 162 00:08:59,040 --> 00:09:00,040 and dreamy. 163 00:09:00,040 --> 00:09:06,280 It kind of feels like she didn't want to go there, but towards the end she just like, 164 00:09:06,280 --> 00:09:08,840 I'll just have it, let's do it. 165 00:09:08,840 --> 00:09:09,840 That's the best time. 166 00:09:09,840 --> 00:09:10,840 Yeah. 167 00:09:10,840 --> 00:09:14,640 Okay, tell us about production. 168 00:09:14,640 --> 00:09:23,800 It starts with a bossa nova beat or a samba preset, a beat on an organ, then some friendly 169 00:09:23,800 --> 00:09:27,680 synths come in, including a cute chubby bass. 170 00:09:27,680 --> 00:09:31,400 There's also some kind of reversing tricks in the production. 171 00:09:31,400 --> 00:09:32,640 Yeah, it's really cool. 172 00:09:32,640 --> 00:09:42,320 Which I think is a good cool contrast to the organ, which is so traditional from an electronic 173 00:09:42,320 --> 00:09:43,320 perspective. 174 00:09:43,320 --> 00:09:44,320 Right. 175 00:09:44,320 --> 00:09:50,480 And it reminds me of the Pulsar service or Casiotone for the painfully alone. 176 00:09:50,480 --> 00:09:51,480 Do you know them? 177 00:09:51,480 --> 00:09:52,480 Yeah. 178 00:09:52,480 --> 00:09:53,480 Okay. 179 00:09:53,480 --> 00:09:54,480 You want to play some? 180 00:09:54,480 --> 00:09:55,480 Sure. 181 00:09:55,480 --> 00:10:09,640 That was nice. 182 00:10:09,640 --> 00:10:11,240 What does this song mean? 183 00:10:11,240 --> 00:10:18,400 Heirloom is about a dream Björk often has where her mom and her son Trappis walk above 184 00:10:18,400 --> 00:10:24,440 her and feed her warm glowing oils for her throat. 185 00:10:24,440 --> 00:10:25,440 That's sweet. 186 00:10:25,440 --> 00:10:30,160 But honestly, if I saw that in my dream, I'd be scared. 187 00:10:30,160 --> 00:10:31,640 Why is it oil? 188 00:10:31,640 --> 00:10:36,000 They're trying to kill me. 189 00:10:36,000 --> 00:10:39,560 I like where she says, I swallow little glowing lights. 190 00:10:39,560 --> 00:10:41,160 My mother and son baked for me. 191 00:10:41,160 --> 00:10:42,880 It's just a nice image. 192 00:10:42,880 --> 00:10:43,880 Yeah. 193 00:10:43,880 --> 00:10:54,240 I swallow little glowing lights. 194 00:10:54,240 --> 00:10:57,280 I could see you eating glowing lights. 195 00:10:57,280 --> 00:10:58,280 Yeah. 196 00:10:58,280 --> 00:11:01,280 Get it girl. 197 00:11:01,280 --> 00:11:08,800 And I just realized there's a lot of swallowing references in this album and songs like Cocoon, 198 00:11:08,800 --> 00:11:11,000 Sun in My Mouth and Heirloom. 199 00:11:11,000 --> 00:11:16,080 Okay, do you have any recurring dreams? 200 00:11:16,080 --> 00:11:18,080 I was gonna ask you. 201 00:11:18,080 --> 00:11:25,360 Well, when I was little, I used to have a lot of being able to fly and waffle dreams. 202 00:11:25,360 --> 00:11:26,360 Yeah. 203 00:11:26,360 --> 00:11:28,360 How come we never have waffles? 204 00:11:28,360 --> 00:11:30,360 We don't have a waffle maker. 205 00:11:30,360 --> 00:11:31,360 That's true. 206 00:11:31,360 --> 00:11:33,160 I mean, we could get one. 207 00:11:33,160 --> 00:11:34,160 Yeah. 208 00:11:34,160 --> 00:11:35,160 We could be here by tomorrow. 209 00:11:35,160 --> 00:11:36,160 I like waffles. 210 00:11:36,160 --> 00:11:37,160 You do? 211 00:11:37,160 --> 00:11:38,160 More than pancakes? 212 00:11:38,160 --> 00:11:39,160 Yes. 213 00:11:39,160 --> 00:11:40,160 Really? 214 00:11:40,160 --> 00:11:42,160 Paris waffles were good. 215 00:11:42,160 --> 00:11:43,160 Oh yes. 216 00:11:43,160 --> 00:11:46,160 But we digress. 217 00:11:46,160 --> 00:11:50,440 Yeah, live performances. 218 00:11:50,440 --> 00:12:06,680 The first time she performed Heirloom live was at Coachella in 2002. 219 00:12:06,680 --> 00:12:07,680 Were you there? 220 00:12:07,680 --> 00:12:08,680 Yeah. 221 00:12:08,680 --> 00:12:09,680 Did you see her? 222 00:12:09,680 --> 00:12:10,680 Yeah. 223 00:12:10,680 --> 00:12:11,680 And you saw that? 224 00:12:11,680 --> 00:12:12,680 Tell me about it. 225 00:12:12,680 --> 00:12:13,680 I don't know. 226 00:12:13,680 --> 00:12:19,920 I was walking around all the different tents. 227 00:12:19,920 --> 00:12:24,240 I didn't stay for her whole thing because there's other bands I wanted to see. 228 00:12:24,240 --> 00:12:27,000 How many times have you been to Coachella? 229 00:12:27,000 --> 00:12:28,680 Five. 230 00:12:28,680 --> 00:12:29,680 Six times. 231 00:12:29,680 --> 00:12:31,000 So that's a lot. 232 00:12:31,000 --> 00:12:35,680 So I feel like you're just gonna run them all together and like, tell me about it. 233 00:12:35,680 --> 00:12:38,680 I don't know. 234 00:12:38,680 --> 00:12:39,680 Okay. 235 00:12:39,680 --> 00:12:44,800 Do you have any recurring dreams? 236 00:12:44,800 --> 00:12:55,920 No, but I always have dreams about the house I grew up in. 237 00:12:55,920 --> 00:12:57,320 So it's like recurring settings. 238 00:12:57,320 --> 00:13:01,640 Yeah, it's like I'm in high school still. 239 00:13:01,640 --> 00:13:07,800 So I guess that's like a really special moment I'm trying to hold on to, I guess. 240 00:13:07,800 --> 00:13:12,080 No, you're thinking back and wondering what you could have done differently. 241 00:13:12,080 --> 00:13:13,080 Yeah. 242 00:13:13,080 --> 00:13:16,560 If you could go to high school again, would you? 243 00:13:16,560 --> 00:13:18,160 If you could go to one time in your life. 244 00:13:18,160 --> 00:13:21,960 I asked you the question. 245 00:13:21,960 --> 00:13:22,960 Yeah I'd go back. 246 00:13:22,960 --> 00:13:23,960 Yeah. 247 00:13:23,960 --> 00:13:28,040 Like what, just to like hang out for a day or like go back and have to relive my whole 248 00:13:28,040 --> 00:13:29,280 life from then on? 249 00:13:29,280 --> 00:13:31,400 Yeah relive your whole life. 250 00:13:31,400 --> 00:13:32,400 Oh. 251 00:13:32,400 --> 00:13:33,400 Yeah. 252 00:13:33,400 --> 00:13:34,400 If I knew what I know now. 253 00:13:34,400 --> 00:13:35,800 Or would you rather do one day? 254 00:13:35,800 --> 00:13:40,480 No, if I knew what I knew now, I probably would. 255 00:13:40,480 --> 00:13:41,480 Okay. 256 00:13:41,480 --> 00:13:43,480 Would you? 257 00:13:43,480 --> 00:13:45,480 Yeah. 258 00:13:45,480 --> 00:13:47,480 Okay. 259 00:13:47,480 --> 00:13:55,480 Well, the last time she performed this heirloom song was in 2013. 260 00:13:55,480 --> 00:13:58,280 You sound like you're mad at it. 261 00:13:58,280 --> 00:13:59,280 I am. 262 00:13:59,280 --> 00:14:04,600 At the electric picnic in Ireland. 263 00:14:04,600 --> 00:14:07,320 And what about the critics? 264 00:14:07,320 --> 00:14:13,280 Well, one critic said this song feels like stepping into a surreal dreamy space. 265 00:14:13,280 --> 00:14:18,640 The pulsing electronic beat kind of mirrors a heartbeat, grounding you as Bjork's voice 266 00:14:18,640 --> 00:14:20,600 floats above it all. 267 00:14:20,600 --> 00:14:28,520 It's intimate, introspective, like she's letting you into her personal dreamscape. 268 00:14:28,520 --> 00:14:30,360 I guess. 269 00:14:30,360 --> 00:14:36,600 It's like we're her therapist and she's telling us like where her dream is. 270 00:14:36,600 --> 00:14:39,640 Girl, are you crazy? 271 00:14:39,640 --> 00:14:40,640 Yeah. 272 00:14:40,640 --> 00:14:41,640 All right. 273 00:14:41,640 --> 00:14:48,160 Well, if you want to talk about remixes, I can tell you that my brother did a mashup 274 00:14:48,160 --> 00:14:52,160 with Gabriel and Justin's Arcadia and it's cool. 275 00:14:52,160 --> 00:14:54,920 So people can just deal. 276 00:14:54,920 --> 00:14:59,080 And I think this is my brother's favorite song off the album, if I have to speak for 277 00:14:59,080 --> 00:15:00,080 him. 278 00:15:00,080 --> 00:15:03,240 I'm going to shut up, bro. 279 00:15:03,240 --> 00:15:04,240 And Bup Midler. 280 00:15:04,240 --> 00:15:05,240 Wait, can we hear that? 281 00:15:05,240 --> 00:15:06,240 Yeah. 282 00:15:06,240 --> 00:15:07,240 All right. 283 00:15:07,240 --> 00:15:21,720 Well, Bup Midler can't top that. 284 00:15:21,720 --> 00:15:26,520 But they did a mashup with Ayers, Alone in Kyoto. 285 00:15:26,520 --> 00:15:29,240 Yeah, we talked about that on the Ayre episode. 286 00:15:29,240 --> 00:15:30,240 We did. 287 00:15:30,240 --> 00:15:31,240 Talking Wocky. 288 00:15:31,240 --> 00:15:32,880 So check it out. 289 00:15:32,880 --> 00:15:39,360 And then there's also the Heirloom redo mix, RIDU. 290 00:15:39,360 --> 00:15:44,360 That's good. 291 00:15:44,360 --> 00:15:48,880 Yeah. 292 00:15:48,880 --> 00:15:52,440 Cute. 293 00:15:52,440 --> 00:15:57,280 Well, you know, that's it. 294 00:15:57,280 --> 00:16:02,840 We're going to move on to Harm of Will, 11th track. 295 00:16:02,840 --> 00:16:17,280 This is when Bjork in the movie is in her 20s. 296 00:16:17,280 --> 00:16:18,640 And she's first getting trafficked. 297 00:16:18,640 --> 00:16:23,480 I don't want to hear about this traffic anymore. 298 00:16:23,480 --> 00:16:24,480 Stop. 299 00:16:24,480 --> 00:16:25,480 It's not funny. 300 00:16:25,480 --> 00:16:29,760 Fine, give me your one line. 301 00:16:29,760 --> 00:16:33,360 It would be such an amazing film score for that film. 302 00:16:33,360 --> 00:16:41,120 Yes, this is like the heartwarming dramatic version of In Echoes Stain and a more epic 303 00:16:41,120 --> 00:16:43,440 version of You've Been Flirting Again. 304 00:16:43,440 --> 00:16:44,440 We talked about that. 305 00:16:44,440 --> 00:16:45,440 Yeah. 306 00:16:45,440 --> 00:16:46,440 We did it. 307 00:16:46,440 --> 00:16:47,440 Yeah. 308 00:16:47,440 --> 00:16:50,440 In her post episode. 309 00:16:50,440 --> 00:16:53,440 Check it out. 310 00:16:53,440 --> 00:16:54,440 Yeah. 311 00:16:54,440 --> 00:16:58,640 And W W dot. 312 00:16:58,640 --> 00:17:03,520 What's your first impression? 313 00:17:03,520 --> 00:17:05,520 I even put that there. 314 00:17:05,520 --> 00:17:06,520 I know. 315 00:17:06,520 --> 00:17:13,280 Um, I thought it was a heavy tune when I first heard it, but ever so beautiful. 316 00:17:13,280 --> 00:17:14,280 In filmmakers. 317 00:17:14,280 --> 00:17:17,040 Just like fit in with my teen angst. 318 00:17:17,040 --> 00:17:21,360 I was like, this is what I feel right now. 319 00:17:21,360 --> 00:17:22,360 No one understands. 320 00:17:22,360 --> 00:17:32,120 And speaking of that time filmmaker Harmony Corrine, who did gumbo and Julian, Donkey 321 00:17:32,120 --> 00:17:38,520 Boy and Spring Breakers was hanging out with Bjork in the late nineties and wrote this 322 00:17:38,520 --> 00:17:42,600 song for her called Harm of Will. 323 00:17:42,600 --> 00:17:43,600 Yeah. 324 00:17:43,600 --> 00:17:46,280 Yeah, I don't know about that. 325 00:17:46,280 --> 00:17:48,920 I don't know how they met. 326 00:17:48,920 --> 00:17:56,400 I'm assuming like she just saw gumbo and she was like, this shit slaps. 327 00:17:56,400 --> 00:18:00,560 I have to meet this genius or whatever. 328 00:18:00,560 --> 00:18:08,840 And she was like, she met him. 329 00:18:08,840 --> 00:18:11,960 You know, if you're in with the end crowd, you're in with the end crowd. 330 00:18:11,960 --> 00:18:14,160 Why did you pick this photo? 331 00:18:14,160 --> 00:18:15,960 Because it's from gumbo. 332 00:18:15,960 --> 00:18:18,560 I know, but why did you pick this one? 333 00:18:18,560 --> 00:18:19,920 Because Harmony Corrine. 334 00:18:19,920 --> 00:18:21,360 I know. 335 00:18:21,360 --> 00:18:22,360 You don't know. 336 00:18:22,360 --> 00:18:24,520 Yeah, we saw him on the thing. 337 00:18:24,520 --> 00:18:25,520 On David. 338 00:18:25,520 --> 00:18:27,840 He did a bunch of interviews with David. 339 00:18:27,840 --> 00:18:28,840 Yeah, check them out. 340 00:18:28,840 --> 00:18:29,840 They're good. 341 00:18:29,840 --> 00:18:30,840 They're fun. 342 00:18:30,840 --> 00:18:35,520 How does this fit with the album's flow? 343 00:18:35,520 --> 00:18:43,640 Well, it's like a nice, heavy, gentle confrontation before the big finale. 344 00:18:43,640 --> 00:18:44,800 Right. 345 00:18:44,800 --> 00:18:48,160 Heavy, nice, heavy, gentle confrontation. 346 00:18:48,160 --> 00:18:49,160 Yeah. 347 00:18:49,160 --> 00:18:52,760 You know what that's like? 348 00:18:52,760 --> 00:18:54,560 No. 349 00:18:54,560 --> 00:19:04,280 It's just like, it's like, say my boss and I were like, I fucking hate you. 350 00:19:04,280 --> 00:19:07,520 And it was just like, you know what? 351 00:19:07,520 --> 00:19:08,520 I'm sorry. 352 00:19:08,520 --> 00:19:14,000 It's like I'm sorry too. 353 00:19:14,000 --> 00:19:15,480 You understand now? 354 00:19:15,480 --> 00:19:16,480 I understand. 355 00:19:16,480 --> 00:19:20,720 All right, then let's move on to production. 356 00:19:20,720 --> 00:19:24,240 So there's Strings by Bjork and Vince Mendoza. 357 00:19:24,240 --> 00:19:36,000 There's a choir and good old Celesta by Guy Sigsworth. 358 00:19:36,000 --> 00:19:45,200 Anyway, speaking of Guy Sigsworth, they also have another Celesta song, which is a cover 359 00:19:45,200 --> 00:19:48,760 of Joni Mitchell's The Boho Dance. 360 00:19:48,760 --> 00:19:59,600 Do you like that? 361 00:19:59,600 --> 00:20:01,520 Yeah, I like it. 362 00:20:01,520 --> 00:20:04,240 I like it too. 363 00:20:04,240 --> 00:20:09,400 And there are some interesting chocolate sounds of Bjork breathing in the background and she 364 00:20:09,400 --> 00:20:12,280 did it just for the hell of it. 365 00:20:12,280 --> 00:20:13,280 Why not? 366 00:20:13,280 --> 00:20:16,200 She didn't, but she does it all for the hell of it. 367 00:20:16,200 --> 00:20:28,080 Hey, she could have just like, did something like throughout the whole song and she was 368 00:20:28,080 --> 00:20:33,080 like, why not? 369 00:20:33,080 --> 00:20:35,920 You know what I'm saying? 370 00:20:35,920 --> 00:20:46,280 Well, there's some, Bjork said she spent months writing the strings and she went for a less 371 00:20:46,280 --> 00:20:48,720 melodic abstract approach. 372 00:20:48,720 --> 00:20:57,800 She wanted to be clouds of exaltation, erotic energy and coming and going. 373 00:20:57,800 --> 00:20:59,800 That sounds like where it's at. 374 00:20:59,800 --> 00:21:02,400 Am I right? 375 00:21:02,400 --> 00:21:04,680 You're right. 376 00:21:04,680 --> 00:21:09,320 And it reminds me of All Is Full of Love. 377 00:21:09,320 --> 00:21:15,280 Speaking of, have I told you about my All Is Full of Love mashup that I did with Sigurdurfs? 378 00:21:15,280 --> 00:21:18,480 I mean, Royx, Royx's song? 379 00:21:18,480 --> 00:21:20,680 I think that's how you say it. 380 00:21:20,680 --> 00:21:21,680 No. 381 00:21:21,680 --> 00:21:22,680 Their song. 382 00:21:22,680 --> 00:21:26,440 Tell me about it. 383 00:21:26,440 --> 00:21:27,440 Called Sparks. 384 00:21:27,440 --> 00:21:29,440 Check it out. 385 00:21:29,440 --> 00:21:45,400 I've been wanting to show you for a long time. 386 00:21:45,400 --> 00:21:47,360 Why have you had that locked away? 387 00:21:47,360 --> 00:21:50,080 I don't know. 388 00:21:50,080 --> 00:21:52,880 I forgot. 389 00:21:52,880 --> 00:21:56,240 What does this song mean? 390 00:21:56,240 --> 00:22:09,960 Some have speculated this song is about artist slash singer Will Oldham, aka Bonnie Prince, 391 00:22:09,960 --> 00:22:13,800 since he was affiliated with Homniacorine. 392 00:22:13,800 --> 00:22:15,800 Bonnie Prince Billy? 393 00:22:15,800 --> 00:22:22,000 Sorry, I call him by his first name. 394 00:22:22,000 --> 00:22:26,720 Bonnie Prince Billy, since he was friends with Homniacorine Björk. 395 00:22:26,720 --> 00:22:36,160 Well, someone also said it's about a libertine troubadour who indulges in casual sexual pleasure 396 00:22:36,160 --> 00:22:40,760 with the conquests. 397 00:22:40,760 --> 00:22:43,920 What kind of vibes does it give you? 398 00:22:43,920 --> 00:22:54,760 It gives me Vicomte de Valmont vibes from Dangerous Liaisons, if you know you know. 399 00:22:54,760 --> 00:22:55,760 Would you agree? 400 00:22:55,760 --> 00:22:57,440 Have you seen Dangerous Liaisons? 401 00:22:57,440 --> 00:23:03,560 You know, I didn't see it until kind of recently, like four years ago or something. 402 00:23:03,560 --> 00:23:04,560 Wow. 403 00:23:04,560 --> 00:23:06,600 It's the same as Cruel Intention. 404 00:23:06,600 --> 00:23:07,600 Yeah. 405 00:23:07,600 --> 00:23:09,760 Which one did you like better? 406 00:23:09,760 --> 00:23:15,480 Well, I haven't seen Dangerous Liaisons, but I'm sure I would like Cruel Intentions better. 407 00:23:15,480 --> 00:23:20,840 Just because I don't do period pieces well. 408 00:23:20,840 --> 00:23:21,840 You don't. 409 00:23:21,840 --> 00:23:25,760 That's true. 410 00:23:25,760 --> 00:23:27,120 Unless it's on Pluto. 411 00:23:27,120 --> 00:23:28,120 How would you know? 412 00:23:28,120 --> 00:23:29,120 Shout out Pluto. 413 00:23:29,120 --> 00:23:32,360 What period pieces have we watched together? 414 00:23:32,360 --> 00:23:33,840 Because you never want to. 415 00:23:33,840 --> 00:23:34,840 Okay. 416 00:23:34,840 --> 00:23:37,840 What are we going to talk about? 417 00:23:37,840 --> 00:23:38,840 The lyrics? 418 00:23:38,840 --> 00:23:45,440 Well, I like the lyric where she says, and if he has chosen the point where she is under 419 00:23:45,440 --> 00:24:03,960 him, then leave her coyly placed crouched sucking him for it is I with her on knee. 420 00:24:03,960 --> 00:24:05,840 That's erotic. 421 00:24:05,840 --> 00:24:13,840 This is in the Trafficking movie when she verses with the guy. 422 00:24:13,840 --> 00:24:20,200 Because it feels like the part where the character has an epiphany and takes a break from their 423 00:24:20,200 --> 00:24:27,360 destructive behavior for some self-reflection and evaluation on life choices. 424 00:24:27,360 --> 00:24:31,120 And it also fits with the album's sexual theme. 425 00:24:31,120 --> 00:24:33,120 Yeah. 426 00:24:33,120 --> 00:24:34,320 Yeah. 427 00:24:34,320 --> 00:24:36,080 We love it. 428 00:24:36,080 --> 00:24:40,920 I don't know if there's anywhere that that's not considered disrespectful. 429 00:24:40,920 --> 00:24:41,920 Okay. 430 00:24:41,920 --> 00:24:44,920 Well, we got a critic. 431 00:24:44,920 --> 00:24:49,720 We're going to talk about critics. 432 00:24:49,720 --> 00:24:55,360 One critic said, this track is so sparse yet so powerful. 433 00:24:55,360 --> 00:24:57,280 It's almost like Bjork's voice. 434 00:24:57,280 --> 00:25:02,880 It's suspended in midair with only the faintest sound behind her. 435 00:25:02,880 --> 00:25:04,480 What? 436 00:25:04,480 --> 00:25:09,760 I wanted to bring something out and I forgot. 437 00:25:09,760 --> 00:25:11,240 Well go get it. 438 00:25:11,240 --> 00:25:13,480 Are you sure? 439 00:25:13,480 --> 00:25:14,480 Yeah. 440 00:25:14,480 --> 00:25:15,480 All right. 441 00:25:15,480 --> 00:25:20,480 We're going to take a break. 442 00:25:20,480 --> 00:25:30,240 That's really beautiful. 443 00:25:30,240 --> 00:25:31,240 Thank you. 444 00:25:31,240 --> 00:25:33,240 Thank you everyone. 445 00:25:33,240 --> 00:25:36,240 We're back. 446 00:25:36,240 --> 00:25:39,400 We're back. 447 00:25:39,400 --> 00:25:41,400 All right. 448 00:25:41,400 --> 00:25:45,320 This track is so sparse yet so powerful. 449 00:25:45,320 --> 00:25:51,400 It's almost like Bjork's voice is suspended in midair with only the faintest of sounds 450 00:25:51,400 --> 00:25:52,400 behind her. 451 00:25:52,400 --> 00:25:54,560 There's a haunting beauty to it. 452 00:25:54,560 --> 00:25:58,240 Something hypnotic that pulls you in leaving you wanting more. 453 00:25:58,240 --> 00:26:01,600 I feel like Bjork leaves you wanting more. 454 00:26:01,600 --> 00:26:05,880 Yeah, she does. 455 00:26:05,880 --> 00:26:09,960 And she has a couple of remixes. 456 00:26:09,960 --> 00:26:12,720 These are fan made remixes. 457 00:26:12,720 --> 00:26:20,120 So one of them is the Nebula's Beyond remix. 458 00:26:20,120 --> 00:26:26,200 Yeah. 459 00:26:26,200 --> 00:26:41,800 And the other one is Dark Jedi. 460 00:26:41,800 --> 00:26:42,920 It's actually nice. 461 00:26:42,920 --> 00:26:43,920 You like that? 462 00:26:43,920 --> 00:26:44,920 Yeah. 463 00:26:44,920 --> 00:26:49,840 What's the IP address if they want to go to check that out? 464 00:26:49,840 --> 00:26:51,120 The IP address? 465 00:26:51,120 --> 00:26:54,960 You know, the website, the actual link. 466 00:26:54,960 --> 00:26:59,200 Oh, I don't know. 467 00:26:59,200 --> 00:27:00,200 We can share it. 468 00:27:00,200 --> 00:27:01,200 We don't share links usually. 469 00:27:01,200 --> 00:27:05,120 We just say the other one was the Nebula's remix and there's the Dark Jedi. 470 00:27:05,120 --> 00:27:06,120 All right. 471 00:27:06,120 --> 00:27:07,120 And they just search for it. 472 00:27:07,120 --> 00:27:11,400 Well, you need to stay on top of these things. 473 00:27:11,400 --> 00:27:17,920 I can tell you that Bjork mostly performed Harm of Will in 2001. 474 00:27:17,920 --> 00:27:21,360 And she brought it back in 2015 for her Vulna Kura tour. 475 00:27:21,360 --> 00:27:22,360 With the handpan. 476 00:27:22,360 --> 00:27:37,120 I didn't care for that one too much. 477 00:27:37,120 --> 00:27:42,320 And then she played it once more in 2021. 478 00:27:42,320 --> 00:27:48,320 Harpas as Harva and Reykjavik. 479 00:27:48,320 --> 00:27:52,560 It's like Harpa's like it's a woman that lives down the street. 480 00:27:52,560 --> 00:27:57,200 Well, it belongs to Harpa. 481 00:27:57,200 --> 00:28:02,400 And it was performed for her Oberstrasse shows. 482 00:28:02,400 --> 00:28:05,800 All right. 483 00:28:05,800 --> 00:28:08,840 That's a lovely send off. 484 00:28:08,840 --> 00:28:10,880 Now let's talk about Unison. 485 00:28:10,880 --> 00:28:11,880 Track 12. 486 00:28:11,880 --> 00:28:24,240 I love it. 487 00:28:24,240 --> 00:28:26,560 It's a good song. 488 00:28:26,560 --> 00:28:29,880 It's yeah. 489 00:28:29,880 --> 00:28:34,880 This is the longest song on the album. 490 00:28:34,880 --> 00:28:37,880 How long is it? 491 00:28:37,880 --> 00:28:42,880 In 45 seconds. 492 00:28:42,880 --> 00:28:45,880 Calm down. 493 00:28:45,880 --> 00:28:50,040 Well, it's the most euphoric song on the album. 494 00:28:50,040 --> 00:28:53,320 So how can I be calm? 495 00:28:53,320 --> 00:28:54,720 True that. 496 00:28:54,720 --> 00:28:57,000 All right. 497 00:28:57,000 --> 00:29:05,440 So my first impression was that is this what pop music in heaven sounds like? 498 00:29:05,440 --> 00:29:06,440 You know? 499 00:29:06,440 --> 00:29:15,560 And so Bjork wrote Unison while working on Dancer in the Dark and she was struggling with the 500 00:29:15,560 --> 00:29:20,120 collaborative process of putting her music in the hands of non-music types. 501 00:29:20,120 --> 00:29:21,120 You know what that's like. 502 00:29:21,120 --> 00:29:22,120 Don't I ever? 503 00:29:22,120 --> 00:29:27,120 I've been through it all. 504 00:29:27,120 --> 00:29:31,400 Well, I tried to remix a song of yours and you just like when I heard it, when you heard 505 00:29:31,400 --> 00:29:33,360 it you're like. 506 00:29:33,360 --> 00:29:40,840 Nothing you just like, oh, no, and then we never talked about it again. 507 00:29:40,840 --> 00:29:43,200 I said, well, I like your clothes. 508 00:29:43,200 --> 00:29:45,560 So you're wearing right now. 509 00:29:45,560 --> 00:29:47,880 All right. 510 00:29:47,880 --> 00:29:51,640 How does this fit in with the album's flow? 511 00:29:51,640 --> 00:29:58,400 It makes me it makes the perfect happy ending for an already quite positive album. 512 00:29:58,400 --> 00:30:01,320 It's quite happy ending. 513 00:30:01,320 --> 00:30:02,320 It's quite sugary. 514 00:30:02,320 --> 00:30:05,600 It makes my teeth hurt because it's so sugary. 515 00:30:05,600 --> 00:30:10,880 Did Ariana Grande really? 516 00:30:10,880 --> 00:30:13,880 She did. 517 00:30:13,880 --> 00:30:19,120 OK. 518 00:30:19,120 --> 00:30:24,960 She hurt my little Ariana Grande shirt. 519 00:30:24,960 --> 00:30:28,800 I mean, she's kind of trying to cosplay her as her in that picture. 520 00:30:28,800 --> 00:30:30,920 But yeah, I don't. 521 00:30:30,920 --> 00:30:31,920 Whatever. 522 00:30:31,920 --> 00:30:38,520 I mean, yeah, Bjork didn't invent this. 523 00:30:38,520 --> 00:30:40,280 Hold your hands together by your mouth. 524 00:30:40,280 --> 00:30:41,280 Pray. 525 00:30:41,280 --> 00:30:42,280 That's prayer. 526 00:30:42,280 --> 00:30:43,280 She didn't invent that. 527 00:30:43,280 --> 00:30:46,280 But she thinks she is. 528 00:30:46,280 --> 00:30:49,320 Hating down on all these artists. 529 00:30:49,320 --> 00:30:54,080 She's going to sue you for libel. 530 00:30:54,080 --> 00:30:56,080 She'll sue me for life. 531 00:30:56,080 --> 00:30:57,080 All right. 532 00:30:57,080 --> 00:31:00,280 Tell me about the production. 533 00:31:00,280 --> 00:31:01,880 Definitely. 534 00:31:01,880 --> 00:31:04,400 This song's got everything. 535 00:31:04,400 --> 00:31:07,040 It's got a harp by Zena Parkins. 536 00:31:07,040 --> 00:31:08,040 She's back. 537 00:31:08,040 --> 00:31:13,360 A choir by Guy Sigsoorth. 538 00:31:13,360 --> 00:31:14,640 He's back. 539 00:31:14,640 --> 00:31:17,440 And strings by Vince Mendoza. 540 00:31:17,440 --> 00:31:19,240 The Triple Threat Team. 541 00:31:19,240 --> 00:31:20,440 Yes. 542 00:31:20,440 --> 00:31:28,080 And then it's got all the programming by Matt Moves, Val Gietzigapsson, Matthew Herbert, 543 00:31:28,080 --> 00:31:30,400 Damon Taylor, Guy Sigsoorth, and Bjork. 544 00:31:30,400 --> 00:31:33,920 So it's just like a big family reunion, really. 545 00:31:33,920 --> 00:31:35,280 The Fespertine family. 546 00:31:35,280 --> 00:31:40,960 That's a family I'd like to be a part of. 547 00:31:40,960 --> 00:31:44,200 Speaking of Matt Moves. 548 00:31:44,200 --> 00:31:45,200 Yeah. 549 00:31:45,200 --> 00:31:48,280 Did I mention that when they performed Aurora with Bjork? 550 00:31:48,280 --> 00:31:49,280 No. 551 00:31:49,280 --> 00:31:50,280 You didn't. 552 00:31:50,280 --> 00:31:51,280 Tell me. 553 00:31:51,280 --> 00:32:00,240 When they performed Aurora with Bjork, they would walk in a box filled with rock salt. 554 00:32:00,240 --> 00:32:01,240 Yeah. 555 00:32:01,240 --> 00:32:02,240 And speaking of Aurora. 556 00:32:02,240 --> 00:32:03,240 Wait. 557 00:32:03,240 --> 00:32:04,240 I don't get it. 558 00:32:04,240 --> 00:32:05,960 A box full of rock salt? 559 00:32:05,960 --> 00:32:07,440 I don't know. 560 00:32:07,440 --> 00:32:09,320 You told me. 561 00:32:09,320 --> 00:32:10,320 Oh. 562 00:32:10,320 --> 00:32:13,520 I thought they were inside of a box full of rock salt. 563 00:32:13,520 --> 00:32:14,520 No. 564 00:32:14,520 --> 00:32:16,040 They're walking on it. 565 00:32:16,040 --> 00:32:17,040 Yes. 566 00:32:17,040 --> 00:32:18,040 From the video. 567 00:32:18,040 --> 00:32:19,040 A litter box. 568 00:32:19,040 --> 00:32:20,040 Yeah. 569 00:32:20,040 --> 00:32:21,040 They're making the crunchy sound. 570 00:32:21,040 --> 00:32:22,040 Okay. 571 00:32:22,040 --> 00:32:30,600 Well, speaking of Aurora, they should have, she should have used the sounds that come 572 00:32:30,600 --> 00:32:35,560 from Auroras in the song, in unison. 573 00:32:35,560 --> 00:32:36,560 Like the Aurora Borealis? 574 00:32:36,560 --> 00:32:37,560 Yeah. 575 00:32:37,560 --> 00:32:38,560 Have you heard the sounds? 576 00:32:38,560 --> 00:32:39,560 Yeah. 577 00:32:39,560 --> 00:32:40,560 It's like glassy whistling. 578 00:32:40,560 --> 00:32:41,560 Yeah. 579 00:32:41,560 --> 00:32:54,040 Well, she missed out on that. 580 00:32:54,040 --> 00:32:58,480 I don't know what to tell her. 581 00:32:58,480 --> 00:33:02,160 Is that what you'd tell her if you met her in person? 582 00:33:02,160 --> 00:33:03,160 Yeah. 583 00:33:03,160 --> 00:33:06,680 I'd be like, listen, I have to tell you something. 584 00:33:06,680 --> 00:33:08,160 Just rub her nose in it? 585 00:33:08,160 --> 00:33:09,160 That she missed out? 586 00:33:09,160 --> 00:33:12,960 She'd be like, oh, oh God, what am I doing? 587 00:33:12,960 --> 00:33:15,960 What have I done with my life? 588 00:33:15,960 --> 00:33:16,960 Okay. 589 00:33:16,960 --> 00:33:25,080 This song, unison, though, that we're talking about, it includes a sample of Aerodeck by 590 00:33:25,080 --> 00:33:28,200 Oval from the album Systemish. 591 00:33:28,200 --> 00:33:37,720 And Oval is an electronic artist that makes music by scratching CDs and making them skip. 592 00:33:37,720 --> 00:33:45,080 I like it. 593 00:33:45,080 --> 00:33:55,080 I have this album and if it wasn't for her, I wouldn't have known what this album was. 594 00:33:55,080 --> 00:33:57,240 So thank you for that. 595 00:33:57,240 --> 00:33:58,240 Thank you. 596 00:33:58,240 --> 00:33:59,240 Anyway. 597 00:33:59,240 --> 00:34:02,240 What page are we on? 598 00:34:02,240 --> 00:34:04,240 What section are we in? 599 00:34:04,240 --> 00:34:05,240 Unison. 600 00:34:05,240 --> 00:34:06,480 I know, but we're... 601 00:34:06,480 --> 00:34:07,880 The production of Unison. 602 00:34:07,880 --> 00:34:08,880 Got it. 603 00:34:08,880 --> 00:34:10,320 Okay, I see it. 604 00:34:10,320 --> 00:34:20,520 So I was saying that she played Oval in her DJ set on Live on the Breeze of Block on BBC 605 00:34:20,520 --> 00:34:23,760 Radio in 1998. 606 00:34:23,760 --> 00:34:27,800 See clap that mama. 607 00:34:27,800 --> 00:34:28,800 Do you like it? 608 00:34:28,800 --> 00:34:29,800 Yeah. 609 00:34:29,800 --> 00:34:30,800 It's a good mix. 610 00:34:30,800 --> 00:34:31,800 You should check it out. 611 00:34:31,800 --> 00:34:32,800 Let's check it out now. 612 00:34:32,800 --> 00:34:46,720 Okay. 613 00:34:46,720 --> 00:34:48,800 Tell us about it. 614 00:34:48,800 --> 00:34:52,120 She uses a... 615 00:34:52,120 --> 00:34:58,880 She puts in a song with a Bollywood singer singing, I will always love you. 616 00:34:58,880 --> 00:34:59,880 It's good. 617 00:34:59,880 --> 00:35:05,480 It's got a lot of good music on there if you want to have a wide range. 618 00:35:05,480 --> 00:35:08,440 She has a broad range of music. 619 00:35:08,440 --> 00:35:09,440 She does. 620 00:35:09,440 --> 00:35:13,400 You tell the kids. 621 00:35:13,400 --> 00:35:16,920 All right. 622 00:35:16,920 --> 00:35:21,760 Well, it also has a choral sample. 623 00:35:21,760 --> 00:35:25,840 What's that sample that she uses with the choir in this song? 624 00:35:25,840 --> 00:35:27,800 Where are we? 625 00:35:27,800 --> 00:35:30,160 Tell me about the choir sample. 626 00:35:30,160 --> 00:35:34,600 That's all I want to know about. 627 00:35:34,600 --> 00:35:37,280 Oh, okay. 628 00:35:37,280 --> 00:35:41,880 Why won't you tell me? 629 00:35:41,880 --> 00:35:44,080 You want to know about the choral sample? 630 00:35:44,080 --> 00:35:45,080 Yeah. 631 00:35:45,080 --> 00:35:48,080 It's of VD Galallalallelujah. 632 00:35:48,080 --> 00:35:50,080 All right. 633 00:35:50,080 --> 00:35:57,080 Is that what you wanted to know? 634 00:35:57,080 --> 00:35:58,080 Yeah. 635 00:35:58,080 --> 00:36:11,040 Well, it's comma and while they led steadfastly toward heaven by Patrick Gowers, Andrew Lucas, 636 00:36:11,040 --> 00:36:17,160 St. Paul's Cathedral Choir, and John Gavin Scott, which she did not credit on the album's 637 00:36:17,160 --> 00:36:18,520 booklet. 638 00:36:18,520 --> 00:36:24,360 So maybe because that's a mouthful and she's going to fit it on the album. 639 00:36:24,360 --> 00:36:30,680 She's like, that's too much to type. 640 00:36:30,680 --> 00:36:42,920 Probably what happened. 641 00:36:42,920 --> 00:36:48,720 It's also got ice sculptures, wine-os, germs. 642 00:36:48,720 --> 00:36:51,880 Where are germs? 643 00:36:51,880 --> 00:36:54,160 German Smurfs. 644 00:36:54,160 --> 00:37:01,600 The Teddy Rucks pin wearing mascara, an old lady wearing kid and play hair, and none other 645 00:37:01,600 --> 00:37:03,600 than DJ Baby Bok Choi. 646 00:37:03,600 --> 00:37:07,920 Sounds like our Tuesday night. 647 00:37:07,920 --> 00:37:09,960 Yeah. 648 00:37:09,960 --> 00:37:10,960 That's a lot. 649 00:37:10,960 --> 00:37:11,960 Yeah. 650 00:37:11,960 --> 00:37:14,480 But it sounds like a party I'd want to be at. 651 00:37:14,480 --> 00:37:15,480 Me too. 652 00:37:15,480 --> 00:37:18,960 So what does this song, Unison, mean to you? 653 00:37:18,960 --> 00:37:23,160 I think it's about, well, related to the movie. 654 00:37:23,160 --> 00:37:24,480 Yeah. 655 00:37:24,480 --> 00:37:30,720 This is just where she's like, I give in. 656 00:37:30,720 --> 00:37:31,920 I'm going to accept my life. 657 00:37:31,920 --> 00:37:35,120 And then she realizes that that's okay. 658 00:37:35,120 --> 00:37:37,680 That she's being... 659 00:37:37,680 --> 00:37:38,680 She's been trafficked. 660 00:37:38,680 --> 00:37:40,960 She was sold to someone. 661 00:37:40,960 --> 00:37:41,960 She's stuck in that. 662 00:37:41,960 --> 00:37:44,960 I don't want to talk about trafficking anymore. 663 00:37:44,960 --> 00:37:49,640 And then she's like, okay. 664 00:37:49,640 --> 00:37:53,360 Maybe who knows, but I'm falling for this guy. 665 00:37:53,360 --> 00:37:56,320 I'm just going to make it work for the rest of my life. 666 00:37:56,320 --> 00:37:59,160 Well, I can tell you what I think about Unison. 667 00:37:59,160 --> 00:38:05,760 I think about personal growth through working with others and meeting someone halfway, no 668 00:38:05,760 --> 00:38:09,440 matter how hard it is working with that person. 669 00:38:09,440 --> 00:38:11,360 It's hard for you to meet people halfway. 670 00:38:11,360 --> 00:38:12,360 Yeah. 671 00:38:12,360 --> 00:38:17,760 Like finding the balance between keeping your integrity and willing to see someone else's 672 00:38:17,760 --> 00:38:18,760 viewpoint. 673 00:38:18,760 --> 00:38:19,760 Yeah. 674 00:38:19,760 --> 00:38:22,400 But I'm saying it's hard for you to meet people halfway. 675 00:38:22,400 --> 00:38:23,400 Yeah. 676 00:38:23,400 --> 00:38:27,920 I don't care. 677 00:38:27,920 --> 00:38:34,160 It's a joke said Unison that was inspired by having to compromise her creative vision 678 00:38:34,160 --> 00:38:37,940 while working on the film Dancer in the Dark. 679 00:38:37,940 --> 00:38:42,960 She said, I felt ready to be very collaborative, but I wrote that in the middle of the film 680 00:38:42,960 --> 00:38:51,960 when I was tired of changing my tracks because some Danish person who is Lars von Trier thought 681 00:38:51,960 --> 00:38:55,300 something. 682 00:38:55,300 --> 00:38:59,000 I could see that she does not like to be told what to do. 683 00:38:59,000 --> 00:39:00,000 Yeah. 684 00:39:00,000 --> 00:39:02,240 She doesn't like her vision is so strong authority. 685 00:39:02,240 --> 00:39:05,920 No, I'm saying like her vision, you know, when somebody's vision isn't strong, it's 686 00:39:05,920 --> 00:39:07,440 easy to sway them. 687 00:39:07,440 --> 00:39:08,440 Yeah. 688 00:39:08,440 --> 00:39:12,800 But hers is obviously like, she has a big ego steadfast. 689 00:39:12,800 --> 00:39:14,840 I wasn't saying that. 690 00:39:14,840 --> 00:39:19,440 I was saying she's very, she has a very strong will about her vision. 691 00:39:19,440 --> 00:39:20,760 Yeah. 692 00:39:20,760 --> 00:39:23,520 Or none of the stuff that she does would get made. 693 00:39:23,520 --> 00:39:29,920 You can tell when you're bringing your baby to someone that doesn't respect it. 694 00:39:29,920 --> 00:39:34,640 And when you're bringing it to people that actually do care about it. 695 00:39:34,640 --> 00:39:38,800 When you bring your baby to be stranger, what is the situation? 696 00:39:38,800 --> 00:39:49,520 You know, sometimes you need a babysitter and I don't know. 697 00:39:49,520 --> 00:39:58,040 And sad times you see those nanocams or the babysitters like shaking the baby or like 698 00:39:58,040 --> 00:39:59,520 slapping it too hard. 699 00:39:59,520 --> 00:40:06,440 And I feel like that's what happened to Björk's music here. 700 00:40:06,440 --> 00:40:19,760 Anyway, Björk has said that this conflict might go back to how the Danish colonized 701 00:40:19,760 --> 00:40:23,720 Iceland and how her father was an electrician in a union. 702 00:40:23,720 --> 00:40:27,560 So she's all about coming together and not fighting. 703 00:40:27,560 --> 00:40:28,560 You crazy. 704 00:40:28,560 --> 00:40:31,720 What are you talking about? 705 00:40:31,720 --> 00:40:33,680 Anyway, what's it? 706 00:40:33,680 --> 00:40:36,120 What do you think is a good lyric? 707 00:40:36,120 --> 00:40:37,440 I like the lyric. 708 00:40:37,440 --> 00:40:43,160 I thrive best hermit style with a beard and a pipe and a parrot on each side. 709 00:40:43,160 --> 00:40:50,000 But now I can't do this without you. 710 00:40:50,000 --> 00:40:58,840 It is just funny. 711 00:40:58,840 --> 00:41:00,160 We forgot to. 712 00:41:00,160 --> 00:41:03,520 We were watching a couple of reviews earlier and the guy that said this, that was like 713 00:41:03,520 --> 00:41:06,320 a parrot on each side. 714 00:41:06,320 --> 00:41:10,040 It was like, yeah, that's the lyric. 715 00:41:10,040 --> 00:41:11,040 Yeah. 716 00:41:11,040 --> 00:41:14,960 And then you thought she said with a beer and a pie, beer and a pie. 717 00:41:14,960 --> 00:41:16,680 That would be my preference. 718 00:41:16,680 --> 00:41:17,680 Yeah. 719 00:41:17,680 --> 00:41:22,200 No, and I think that's better, to be honest. 720 00:41:22,200 --> 00:41:25,280 And yeah, so it just reminds me. 721 00:41:25,280 --> 00:41:27,200 So you thrive hermit style. 722 00:41:27,200 --> 00:41:28,200 Me? 723 00:41:28,200 --> 00:41:29,200 Yeah. 724 00:41:29,200 --> 00:41:31,080 For the most part. 725 00:41:31,080 --> 00:41:33,520 I try not to. 726 00:41:33,520 --> 00:41:35,720 It's not good to be a complete hermit. 727 00:41:35,720 --> 00:41:38,480 Or you can't be because I'm always bugging you. 728 00:41:38,480 --> 00:41:39,480 Yeah. 729 00:41:39,480 --> 00:41:40,480 So. 730 00:41:40,480 --> 00:41:41,480 Sorry. 731 00:41:41,480 --> 00:41:50,280 It reminds me of people who are like hardcore and proud to be introverts. 732 00:41:50,280 --> 00:41:52,280 And that's cool and all. 733 00:41:52,280 --> 00:41:56,080 But at the end of the day, humans need social interaction. 734 00:41:56,080 --> 00:41:57,080 Yeah. 735 00:41:57,080 --> 00:41:58,080 It's just how we're programmed. 736 00:41:58,080 --> 00:42:02,200 I don't know what to tell you. 737 00:42:02,200 --> 00:42:09,240 And I say too much of one thing never looks, it's never good. 738 00:42:09,240 --> 00:42:12,480 So if you're introvert, go outside once in a while. 739 00:42:12,480 --> 00:42:17,880 And if you're extrovert, go home and turn the lights out. 740 00:42:17,880 --> 00:42:19,920 Good night. 741 00:42:19,920 --> 00:42:24,200 I think we have a good balance of introversion and extroversion. 742 00:42:24,200 --> 00:42:25,240 Yeah. 743 00:42:25,240 --> 00:42:28,800 We go out pretty much every weekend. 744 00:42:28,800 --> 00:42:29,800 Yeah. 745 00:42:29,800 --> 00:42:30,800 All the time. 746 00:42:30,800 --> 00:42:31,800 All the time. 747 00:42:31,800 --> 00:42:32,800 We refuse to stay in here. 748 00:42:32,800 --> 00:42:34,800 We stay in here all day. 749 00:42:34,800 --> 00:42:37,640 Let me tell you people at home. 750 00:42:37,640 --> 00:42:39,640 Who are we refusing to? 751 00:42:39,640 --> 00:42:41,520 Is somebody telling us to stay in here? 752 00:42:41,520 --> 00:42:42,520 We're like no. 753 00:42:42,520 --> 00:42:45,760 We're not going to stay in here anymore. 754 00:42:45,760 --> 00:42:49,360 Now who is this person telling us to stay in? 755 00:42:49,360 --> 00:42:50,360 Our work. 756 00:42:50,360 --> 00:42:51,360 Our jobs. 757 00:42:51,360 --> 00:42:52,360 Oh I see. 758 00:42:52,360 --> 00:42:53,360 I don't know. 759 00:42:53,360 --> 00:42:55,680 The laziness. 760 00:42:55,680 --> 00:42:57,920 Yeah they suck the energy out of you. 761 00:42:57,920 --> 00:42:58,920 That's true. 762 00:42:58,920 --> 00:42:59,920 By five o'clock. 763 00:42:59,920 --> 00:43:02,440 They're like alright we've got enough. 764 00:43:02,440 --> 00:43:05,240 And then you're just like this empty shell. 765 00:43:05,240 --> 00:43:06,240 Yeah. 766 00:43:06,240 --> 00:43:07,240 So sad. 767 00:43:07,240 --> 00:43:08,240 So sad. 768 00:43:08,240 --> 00:43:13,240 This isn't a Radiohead album. 769 00:43:13,240 --> 00:43:15,240 This is Bjork we're talking about. 770 00:43:15,240 --> 00:43:17,960 How'd I get here? 771 00:43:17,960 --> 00:43:21,680 And so some critics, we're going to talk about critics. 772 00:43:21,680 --> 00:43:22,680 Yeah. 773 00:43:22,680 --> 00:43:25,120 They say it's the perfect finale. 774 00:43:25,120 --> 00:43:30,480 Unison brings together the album's electronic and orchestral layers in uplifting almost cathartic 775 00:43:30,480 --> 00:43:34,120 close. 776 00:43:34,120 --> 00:43:38,480 It feels like Bjork is reaching out celebrating connection and harmony. 777 00:43:38,480 --> 00:43:41,720 A gorgeous powerful moment to end on. 778 00:43:41,720 --> 00:43:46,160 Yeah I never realized it's kind of a hippie song. 779 00:43:46,160 --> 00:43:48,760 But that's cool. 780 00:43:48,760 --> 00:43:51,760 It's like hippie without being hippie. 781 00:43:51,760 --> 00:43:55,680 It's like elegant hippie. 782 00:43:55,680 --> 00:44:01,480 That's kind of a good description of Bjork. 783 00:44:01,480 --> 00:44:09,160 Thank you. 784 00:44:09,160 --> 00:44:13,040 I saw the calculations happening in your brain as you came to that. 785 00:44:13,040 --> 00:44:18,960 Can you tell me about the remixes though? 786 00:44:18,960 --> 00:44:24,320 Well it's been covered by Hayley Williams from Paramore and Mary May. 787 00:44:24,320 --> 00:44:29,400 That brings us to our, what's the next remix? 788 00:44:29,400 --> 00:44:33,560 It's the Unison. 789 00:44:33,560 --> 00:44:36,640 It's the Electric Dandelion remix. 790 00:44:36,640 --> 00:44:39,000 And you can hear that on Soundcloud. 791 00:44:39,000 --> 00:44:40,000 Let's take a listen. 792 00:44:40,000 --> 00:44:42,960 I can already picture how that sounds. 793 00:44:42,960 --> 00:44:43,960 No you don't. 794 00:44:43,960 --> 00:44:44,960 I have no idea. 795 00:44:44,960 --> 00:44:49,960 Alright let's check it out then and see what I think. 796 00:44:49,960 --> 00:45:03,200 Was it what you thought I was going to say? 797 00:45:03,200 --> 00:45:04,200 No. 798 00:45:04,200 --> 00:45:05,200 Okay. 799 00:45:05,200 --> 00:45:08,200 I said my piece. 800 00:45:08,200 --> 00:45:09,200 Cool. 801 00:45:09,200 --> 00:45:13,200 Well what can you tell me about performances and mashups? 802 00:45:13,200 --> 00:45:18,000 Oh Butt Midler did, good old Butt Midler, really like, they're loyal. 803 00:45:18,000 --> 00:45:19,000 Yeah. 804 00:45:19,000 --> 00:45:34,480 Did a mashup of Unison with Madonna's Drowned World, substitute for love. 805 00:45:34,480 --> 00:45:36,240 That's cool. 806 00:45:36,240 --> 00:45:39,120 I listened to that at the gym. 807 00:45:39,120 --> 00:45:43,520 Okay she needs some motivation. 808 00:45:43,520 --> 00:45:50,000 Anyway Bureau performed this for her Vespertine tour, her Volta tour, and once for her Biophilia 809 00:45:50,000 --> 00:45:51,000 tour. 810 00:45:51,000 --> 00:45:52,000 Just once? 811 00:45:52,000 --> 00:45:53,000 Yeah. 812 00:45:53,000 --> 00:45:55,760 And when was the last time she performed it? 813 00:45:55,760 --> 00:46:10,600 It was in 2021 for our orchestral shows in Reykjavik. 814 00:46:10,600 --> 00:46:12,200 Those have been nice to see. 815 00:46:12,200 --> 00:46:13,200 Yeah. 816 00:46:13,200 --> 00:46:14,680 That was COVID though. 817 00:46:14,680 --> 00:46:15,680 Yeah. 818 00:46:15,680 --> 00:46:16,680 Yeah. 819 00:46:16,680 --> 00:46:23,720 So it was just like exclusively Icelandic people or people that lived there. 820 00:46:23,720 --> 00:46:29,520 Okay so this is the end of the song review. 821 00:46:29,520 --> 00:46:30,520 Yeah. 822 00:46:30,520 --> 00:46:31,520 But. 823 00:46:31,520 --> 00:46:35,400 I told you it was going to be a short episode. 824 00:46:35,400 --> 00:46:36,640 But wait. 825 00:46:36,640 --> 00:46:42,360 So you know how when we first start an album we sort of talk about the whole album and 826 00:46:42,360 --> 00:46:43,960 then we go into the first song? 827 00:46:43,960 --> 00:46:48,000 But we never, I realized, do like a wrap up of the album. 828 00:46:48,000 --> 00:46:49,000 No. 829 00:46:49,000 --> 00:46:51,680 So let's do one now. 830 00:46:51,680 --> 00:46:52,680 Okay. 831 00:46:52,680 --> 00:46:58,480 So yeah, what do you think of the album now that we've covered it all? 832 00:46:58,480 --> 00:47:01,040 You've probably learned new things about it. 833 00:47:01,040 --> 00:47:02,040 Yeah. 834 00:47:02,040 --> 00:47:03,040 Still holds up. 835 00:47:03,040 --> 00:47:06,840 I don't know. 836 00:47:06,840 --> 00:47:07,840 Tell you. 837 00:47:07,840 --> 00:47:14,480 Look, now that you've, because you know you'll listen to music, but when we do this podcast 838 00:47:14,480 --> 00:47:20,400 we really like dive into every song and we research it and we listen to it. 839 00:47:20,400 --> 00:47:27,080 So now that you've re-experienced it as part of doing this podcast, like what's new? 840 00:47:27,080 --> 00:47:31,880 What's new about it? 841 00:47:31,880 --> 00:47:34,320 Or what fills your head about it? 842 00:47:34,320 --> 00:47:38,680 You know you always hear new stories along the people you meet. 843 00:47:38,680 --> 00:47:44,480 They've been to this, like that concert for her or they might have known her during that 844 00:47:44,480 --> 00:47:45,480 time. 845 00:47:45,480 --> 00:47:54,240 Like we went to the Midway and there's a guy there who had a story about meeting the guys, 846 00:47:54,240 --> 00:48:01,120 Matt Most, that produced some of the beats on the album and, or yeah, he got to meet 847 00:48:01,120 --> 00:48:02,120 Björk. 848 00:48:02,120 --> 00:48:06,960 You know what I'm saying? 849 00:48:06,960 --> 00:48:09,200 What about you? 850 00:48:09,200 --> 00:48:20,640 You said that you had your first kiss when you heard this album in San Francisco and 851 00:48:20,640 --> 00:48:25,840 then now how does it hold up? 852 00:48:25,840 --> 00:48:27,760 I mean it's still amazing. 853 00:48:27,760 --> 00:48:30,400 I don't know. 854 00:48:30,400 --> 00:48:31,880 How could you not love it? 855 00:48:31,880 --> 00:48:32,880 Yeah. 856 00:48:32,880 --> 00:48:42,000 I think this is a good time to talk about the retired guy that reviews. 857 00:48:42,000 --> 00:48:46,600 I don't know. 858 00:48:46,600 --> 00:48:49,360 He said he was 76 or 77. 859 00:48:49,360 --> 00:48:58,680 And he watched the Unison, he watched your performance in Reykjavik, which was the last 860 00:48:58,680 --> 00:49:07,520 performance of it and he was just like, Oh, I don't know what the hell I just watched. 861 00:49:07,520 --> 00:49:10,720 Not as angry, but you're just like, what? 862 00:49:10,720 --> 00:49:13,720 What the fuck? 863 00:49:13,720 --> 00:49:18,320 It was so, and then, but then he started saying like, bless Jesus Christ. 864 00:49:18,320 --> 00:49:22,200 You're just like, whoever watches this video. 865 00:49:22,200 --> 00:49:25,720 Make sure you know the Lord. 866 00:49:25,720 --> 00:49:26,720 Bye Jesus. 867 00:49:26,720 --> 00:49:27,720 Yeah. 868 00:49:27,720 --> 00:49:28,720 Okay. 869 00:49:28,720 --> 00:49:34,720 So I want to play this thing that's like critic versus critic. 870 00:49:34,720 --> 00:49:39,480 So we're going to hear two critics, different perspectives on the whole album, and then 871 00:49:39,480 --> 00:49:41,280 we're going to talk about them. 872 00:49:41,280 --> 00:49:42,280 All right. 873 00:49:42,280 --> 00:49:43,280 Okay. 874 00:49:43,280 --> 00:49:47,520 The first critic said, we're not for the fact that Bjork had already visited this train 875 00:49:47,520 --> 00:49:50,440 so reliably on previous outings. 876 00:49:50,440 --> 00:49:57,400 It could very well be her landmark achievement, but with the astounding homogenic behind her, 877 00:49:57,400 --> 00:50:02,560 its melodies, timelessly memorable and its production similarly captivating. 878 00:50:02,560 --> 00:50:08,640 Vesper teen stands only as a pleasant journey back through her usual another world. 879 00:50:08,640 --> 00:50:15,440 So my summary is this person's basically saying like, it's nothing new, right? 880 00:50:15,440 --> 00:50:16,440 Yeah. 881 00:50:16,440 --> 00:50:19,360 Like it doesn't innovate in the same ways. 882 00:50:19,360 --> 00:50:20,360 Yeah. 883 00:50:20,360 --> 00:50:21,360 Okay. 884 00:50:21,360 --> 00:50:22,360 Wait, hold on. 885 00:50:22,360 --> 00:50:23,360 Okay. 886 00:50:23,360 --> 00:50:27,480 So the next review says everything about this album is great, but the reason it gets you 887 00:50:27,480 --> 00:50:31,280 a perfect score is because of the way it made me feel. 888 00:50:31,280 --> 00:50:35,960 So many emotions bled through me while listening to this masterpiece. 889 00:50:35,960 --> 00:50:39,720 I want to relisten over and over again, much like a good movie. 890 00:50:39,720 --> 00:50:40,720 Okay. 891 00:50:40,720 --> 00:50:45,720 So this person saying that they loved it. 892 00:50:45,720 --> 00:50:50,320 They didn't care whether it sounded like the past album or it was derivative or whatever. 893 00:50:50,320 --> 00:50:53,600 They just said, this album makes me feel amazing. 894 00:50:53,600 --> 00:50:55,640 Yeah. 895 00:50:55,640 --> 00:51:01,200 So one person's like, what makes it good is if it makes you feel. 896 00:51:01,200 --> 00:51:06,000 And another person's like, what makes it good is if it sounds different. 897 00:51:06,000 --> 00:51:08,360 So one's very technical and the other is very emotional. 898 00:51:08,360 --> 00:51:12,000 Yeah, but sometimes sounds affect feels. 899 00:51:12,000 --> 00:51:13,760 That's what you got to say about this? 900 00:51:13,760 --> 00:51:16,080 Some guys are going to go with the feels one. 901 00:51:16,080 --> 00:51:18,520 Wait, what do you want? 902 00:51:18,520 --> 00:51:21,640 I was asking you to pick a side. 903 00:51:21,640 --> 00:51:32,880 I was saying, it's interesting that some reviews can be like, people love it or hate it because 904 00:51:32,880 --> 00:51:37,520 it makes them feel and other people are like, it doesn't feel like it was innovative enough. 905 00:51:37,520 --> 00:51:42,600 They didn't even think about how did it actually make you feel? 906 00:51:42,600 --> 00:51:45,000 Don't be so bougie about it. 907 00:51:45,000 --> 00:51:46,000 Yeah. 908 00:51:46,000 --> 00:51:50,280 So I don't know. 909 00:51:50,280 --> 00:51:51,280 Okay. 910 00:51:51,280 --> 00:51:52,280 What else about this album? 911 00:51:52,280 --> 00:51:58,000 Like, how do you, what, when you think back on it now, what's, what do you feel? 912 00:51:58,000 --> 00:52:03,320 Just listening to it on my CD player in my room all alone. 913 00:52:03,320 --> 00:52:11,080 Do you know I had a mattress for a bed for a while? 914 00:52:11,080 --> 00:52:12,360 Everybody has a mattress for a bed. 915 00:52:12,360 --> 00:52:15,160 What are you sleeping like a father? 916 00:52:15,160 --> 00:52:16,160 On the floor. 917 00:52:16,160 --> 00:52:19,840 It was just like how an addict. 918 00:52:19,840 --> 00:52:23,520 When you were a little kid? 919 00:52:23,520 --> 00:52:32,560 No, when I was like 12 or something listening to this album. 920 00:52:32,560 --> 00:52:34,360 That was like your aesthetic? 921 00:52:34,360 --> 00:52:35,360 Yeah. 922 00:52:35,360 --> 00:52:36,360 Sure. 923 00:52:36,360 --> 00:52:45,560 I was just like, I'll take whatever I can get handed to me. 924 00:52:45,560 --> 00:52:49,120 So as long as I can escape through this album. 925 00:52:49,120 --> 00:52:50,120 You know. 926 00:52:50,120 --> 00:52:51,120 It's getting dark. 927 00:52:51,120 --> 00:52:52,120 I know. 928 00:52:52,120 --> 00:52:57,120 We know it wasn't an abuse or anything. 929 00:52:57,120 --> 00:53:00,040 I was just depressed. 930 00:53:00,040 --> 00:53:01,040 Oh my. 931 00:53:01,040 --> 00:53:02,040 You know? 932 00:53:02,040 --> 00:53:06,720 I think we've said it all. 933 00:53:06,720 --> 00:53:10,640 Yes, we said it all. 934 00:53:10,640 --> 00:53:12,840 We've seen it all. 935 00:53:12,840 --> 00:53:14,080 We did it all. 936 00:53:14,080 --> 00:53:15,080 We heard it all. 937 00:53:15,080 --> 00:53:16,080 Smelt it all. 938 00:53:16,080 --> 00:53:18,040 We watched it all. 939 00:53:18,040 --> 00:53:19,040 We lived it all. 940 00:53:19,040 --> 00:53:20,040 Yes. 941 00:53:20,040 --> 00:53:22,040 So it's time to say goodbye. 942 00:53:22,040 --> 00:53:23,040 Bye. 943 00:53:23,040 --> 00:53:24,040 Go home. 944 00:53:24,040 --> 00:53:25,040 Bye. 945 00:53:25,040 --> 00:53:26,040 Time to go Mimi's. 946 00:53:26,040 --> 00:53:29,040 Take your husband, take your keys. 947 00:53:29,040 --> 00:53:30,040 Goodbye. 948 00:53:30,040 --> 00:53:32,040 Okay. 949 00:53:32,040 --> 00:53:34,040 Wait. 950 00:53:34,040 --> 00:53:39,040 This is the end of Vespertyne. 951 00:53:39,040 --> 00:53:40,680 Oh, this is the end of Vespertyne. 952 00:53:40,680 --> 00:53:43,080 Thank you for the journey. 953 00:53:43,080 --> 00:53:46,520 How do you feel about that? 954 00:53:46,520 --> 00:53:54,040 Thank you for taking this joy ride with us through the ups and downs, the ins and outs, 955 00:53:54,040 --> 00:54:02,040 the snowy, icy, chilly hills, the foggy, cold moments. 956 00:54:02,040 --> 00:54:03,040 Yeah. 957 00:54:03,040 --> 00:54:04,040 Thank you. 958 00:54:04,040 --> 00:54:05,040 Thank you. 959 00:54:05,040 --> 00:54:06,040 Bye. 960 00:54:06,040 --> 00:54:28,040 Bye.