1 00:00:00,000 --> 00:00:07,000 What kind of sound like cereal? 2 00:00:07,000 --> 00:00:10,000 Who are you? 3 00:00:10,000 --> 00:00:11,000 I'm Jesse. 4 00:00:11,000 --> 00:00:13,000 Hello Mark. 5 00:00:13,000 --> 00:00:23,000 In this podcast we take a deep dive into albums from some of our favorite artists track by track. 6 00:00:23,000 --> 00:00:31,000 And today we're continuing with New York's Vaspertine and we're halfway through it. 7 00:00:31,000 --> 00:00:32,000 See you. 8 00:00:32,000 --> 00:00:41,320 And today we're doing songs 6, 7, 8, 9 which are Frosty, Aurora, and Echo of Stain and Son of 9 00:00:41,320 --> 00:00:42,320 My Mouth. 10 00:00:42,320 --> 00:00:46,320 It sounds like a good time. 11 00:00:46,320 --> 00:00:47,320 Yeah. 12 00:00:47,320 --> 00:00:52,480 Alright so let's start off with track number 6 Frosty. 13 00:00:52,480 --> 00:01:09,320 Yeah, is this short instrumental that features music box? 14 00:01:09,320 --> 00:01:13,760 Did you ever have a music box? 15 00:01:13,760 --> 00:01:16,960 I made fun of kids that had music boxes. 16 00:01:16,960 --> 00:01:17,960 Why? 17 00:01:17,960 --> 00:01:18,960 Did you have one? 18 00:01:18,960 --> 00:01:19,960 Yeah. 19 00:01:19,960 --> 00:01:23,960 Like with a ballerina, it came out. 20 00:01:23,960 --> 00:01:26,960 It was my mom's. 21 00:01:26,960 --> 00:01:30,960 And I took it from her. 22 00:01:30,960 --> 00:01:34,960 What track did you have today? 23 00:01:34,960 --> 00:01:37,960 It was for pop free. 24 00:01:37,960 --> 00:01:42,960 But that's a uterker for her. 25 00:01:42,960 --> 00:01:49,960 It was originally for that. 26 00:01:49,960 --> 00:01:56,960 And I made it in my own and I would put, I don't know, little jewelry. 27 00:01:56,960 --> 00:01:57,960 I don't know. 28 00:01:57,960 --> 00:01:59,960 Like doll jewelry. 29 00:01:59,960 --> 00:02:01,960 It's true. 30 00:02:01,960 --> 00:02:03,960 Oh, okay. 31 00:02:03,960 --> 00:02:07,960 I made a song with my brother. 32 00:02:07,960 --> 00:02:14,960 A structure and melody. 33 00:02:14,960 --> 00:02:17,960 What's the music box? 34 00:02:17,960 --> 00:02:22,960 Can we hear it? 35 00:02:22,960 --> 00:02:27,960 Yeah. 36 00:02:27,960 --> 00:02:32,960 That's very fort looking for two young people. 37 00:02:32,960 --> 00:02:33,960 Yeah. 38 00:02:33,960 --> 00:02:35,960 I would like a music box. 39 00:02:35,960 --> 00:02:42,960 I like going into a store and winding them all up at the same time and they make crazy scary music. 40 00:02:42,960 --> 00:02:58,960 If you could have any song of yours put into a music box, like one of those things created for your song which one would be. 41 00:02:58,960 --> 00:03:00,960 I don't any song. 42 00:03:00,960 --> 00:03:01,960 Okay. 43 00:03:01,960 --> 00:03:07,960 What's your first impression of this song? 44 00:03:07,960 --> 00:03:11,960 It feels like getting lost in a magical giant crystal cave. 45 00:03:11,960 --> 00:03:14,960 It sparkly ice goals and snowflakes. 46 00:03:14,960 --> 00:03:16,960 What do you think? 47 00:03:16,960 --> 00:03:20,960 Okay, Elsa. 48 00:03:20,960 --> 00:03:22,960 Okay. 49 00:03:22,960 --> 00:03:27,960 Oh, the oak. 50 00:03:27,960 --> 00:03:34,960 Yeah, composed of all the music boxes from Best�or team in the music software. 51 00:03:34,960 --> 00:03:37,960 Sidebally is every use of the list. 52 00:03:37,960 --> 00:03:38,960 No. 53 00:03:38,960 --> 00:03:40,960 Seems cool though. 54 00:03:40,960 --> 00:03:56,960 Then brought them to Jack Perron who worked with Porter music box company in Vermont to make her three music boxes of different sizes and 12-inch copper disc plates with the songs carved into them. 55 00:03:56,960 --> 00:03:58,960 Everything else? 56 00:03:58,960 --> 00:04:00,960 What does it look like? 57 00:04:00,960 --> 00:04:01,960 Yeah. 58 00:04:01,960 --> 00:04:03,960 Pickle. 59 00:04:03,960 --> 00:04:04,960 Yeah. 60 00:04:04,960 --> 00:04:06,960 Okay. 61 00:04:18,960 --> 00:04:23,960 Also, Tina, who said Sebelus was. 62 00:04:23,960 --> 00:04:28,960 No. 63 00:04:28,960 --> 00:04:30,960 It was from Johan Julius Christian Sebelus. 64 00:04:30,960 --> 00:04:35,960 And he was a finished composer of the late romantic and early modern periods. 65 00:04:35,960 --> 00:04:39,960 And he's widely regarded as his country's greatest composer. 66 00:04:39,960 --> 00:04:41,960 Are you going to check me on this? 67 00:04:41,960 --> 00:04:42,960 Yes. 68 00:04:42,960 --> 00:04:44,960 Just believe you. 69 00:04:44,960 --> 00:04:48,960 Yeah. 70 00:04:48,960 --> 00:04:52,960 He was the greatest in Finland, right? 71 00:04:52,960 --> 00:04:53,960 Yeah. 72 00:04:53,960 --> 00:04:54,960 Yeah. 73 00:04:54,960 --> 00:04:57,960 Well, did you find it? 74 00:04:57,960 --> 00:04:58,960 Yeah. 75 00:04:58,960 --> 00:04:59,960 Okay. 76 00:04:59,960 --> 00:05:07,960 Well, Jack Perron said that Frosty was originally had vocals over it. 77 00:05:07,960 --> 00:05:11,960 And it was longer than the album's one minute and 40 seconds. 78 00:05:11,960 --> 00:05:14,960 I'm curious to know what that sounds like. 79 00:05:14,960 --> 00:05:16,960 Drop a girl. 80 00:05:16,960 --> 00:05:19,960 Let us hear it. 81 00:05:19,960 --> 00:05:24,960 If you had to write lyrics to this song, what would they be like? 82 00:05:24,960 --> 00:05:25,960 Just rap something. 83 00:05:25,960 --> 00:05:31,960 Like, slat them cheap steady. 84 00:05:31,960 --> 00:05:34,960 His fame in the clerk says slat my cheap steady. 85 00:05:34,960 --> 00:05:37,960 Please make that make sure. 86 00:05:37,960 --> 00:05:40,960 How does it fit within the album's flow? 87 00:05:40,960 --> 00:05:44,960 Well, it's like an intermission where you can reflect on where the album is gone. 88 00:05:44,960 --> 00:05:47,960 And Ponderrault, it will go next. 89 00:05:47,960 --> 00:05:49,960 And where will it go next? 90 00:05:49,960 --> 00:05:53,960 Um, just like, it gets more magical. 91 00:05:53,960 --> 00:05:55,960 More abstract things. 92 00:05:55,960 --> 00:06:02,960 Speaking of magicwebstract, it's a random, tells about random magicweb abstract productions. 93 00:06:02,960 --> 00:06:08,960 Well, it's unique rhythm can note it's come from the music box. 94 00:06:08,960 --> 00:06:11,960 Okay. 95 00:06:11,960 --> 00:06:13,960 What? 96 00:06:13,960 --> 00:06:18,960 I was gonna say it's icy like you're hard. 97 00:06:18,960 --> 00:06:19,960 Sure. 98 00:06:19,960 --> 00:06:21,960 You know, yoga, remember the song yoga? 99 00:06:21,960 --> 00:06:22,960 Yeah. 100 00:06:22,960 --> 00:06:23,960 Yeah. 101 00:06:23,960 --> 00:06:25,960 So that's her son. 102 00:06:25,960 --> 00:06:26,960 Okay. 103 00:06:26,960 --> 00:06:27,960 Okay. 104 00:06:27,960 --> 00:06:29,960 Sit down. 105 00:06:29,960 --> 00:06:33,960 I was in bad at it. 106 00:06:33,960 --> 00:06:36,960 I would've got live performances. 107 00:06:36,960 --> 00:06:41,960 Even though she had open her shows in 2001 with the music box version of 108 00:06:41,960 --> 00:06:46,960 Peyton Poetry or Aurora, she would still call it frosty. 109 00:06:46,960 --> 00:06:47,960 Whatever. 110 00:06:47,960 --> 00:06:49,960 She's so shady. 111 00:06:49,960 --> 00:06:53,960 Hey. 112 00:06:53,960 --> 00:06:56,960 One time, you told me that, oh, do you hear it? 113 00:06:56,960 --> 00:07:02,960 When you first listened to this album, it was in your loft in San Francisco. 114 00:07:02,960 --> 00:07:03,960 Yeah. 115 00:07:03,960 --> 00:07:05,960 Tell me about that. 116 00:07:05,960 --> 00:07:07,960 Oh, no. 117 00:07:07,960 --> 00:07:12,960 It was a good time. 118 00:07:12,960 --> 00:07:14,960 You said you listened to it in the speakers? 119 00:07:14,960 --> 00:07:17,960 Yeah. 120 00:07:17,960 --> 00:07:19,960 You know? 121 00:07:19,960 --> 00:07:21,960 How does it make you feel? 122 00:07:21,960 --> 00:07:24,960 It was a good time in my life. 123 00:07:24,960 --> 00:07:29,960 And I felt like this sort of echo that. 124 00:07:29,960 --> 00:07:32,960 Was it, you like put the lights out? 125 00:07:32,960 --> 00:07:33,960 Yeah. 126 00:07:33,960 --> 00:07:36,960 But you know that a candle or something? 127 00:07:36,960 --> 00:07:41,960 No, just so I listened to it in a big empty loft that I just got. 128 00:07:41,960 --> 00:07:44,960 And I was just in a good space. 129 00:07:44,960 --> 00:07:45,960 That's cool. 130 00:07:45,960 --> 00:07:48,960 And it was like the soundtrack to that situation. 131 00:07:48,960 --> 00:07:49,960 Yeah. 132 00:07:49,960 --> 00:07:52,960 And you know it, because this album actually has roots in San Francisco. 133 00:07:52,960 --> 00:07:53,960 Tell me about it. 134 00:07:53,960 --> 00:07:56,960 Because she collaborated with Matt most. 135 00:07:56,960 --> 00:07:59,960 And they were living in San Francisco at the time. 136 00:07:59,960 --> 00:08:01,960 And the tenderloin. 137 00:08:01,960 --> 00:08:04,960 But they had just to remember they were talking about that when we saw them. 138 00:08:04,960 --> 00:08:07,960 And they had a studio in the show Hill. 139 00:08:07,960 --> 00:08:09,960 Oh, I'm so happy. 140 00:08:09,960 --> 00:08:13,960 So shout out to those neighborhoods. 141 00:08:13,960 --> 00:08:16,960 Tell me about the critics. 142 00:08:21,960 --> 00:08:22,960 What's happening? 143 00:08:22,960 --> 00:08:24,960 It's a good song. 144 00:08:24,960 --> 00:08:28,960 I wouldn't say this is a critic. 145 00:08:28,960 --> 00:08:33,960 But a lot of people on Reddit were upset that people hate on frosty. 146 00:08:33,960 --> 00:08:36,960 I definitely do not hate on frosty. 147 00:08:36,960 --> 00:08:37,960 I like this song. 148 00:08:37,960 --> 00:08:41,960 Um, yeah. 149 00:08:41,960 --> 00:08:42,960 I don't know. 150 00:08:42,960 --> 00:08:45,960 I guess there's a lot of frosty hate. 151 00:08:45,960 --> 00:08:48,960 Okay. 152 00:08:48,960 --> 00:08:51,960 Well, then I'm going to tell you about some remix. 153 00:08:51,960 --> 00:08:54,960 Wait if those are children in frosty, it would feel like like... 154 00:08:54,960 --> 00:08:56,960 Two joke profit I rose. 155 00:08:56,960 --> 00:09:00,960 Would they really pay off my wife? 156 00:09:00,960 --> 00:09:05,960 And she's always been still all the time. 157 00:09:05,960 --> 00:09:06,960 She doesn't move. 158 00:09:06,960 --> 00:09:07,960 Why? 159 00:09:07,960 --> 00:09:09,960 Because she's so frozen. 160 00:09:09,960 --> 00:09:10,960 You know. 161 00:09:10,960 --> 00:09:12,960 Anyway. 162 00:09:12,960 --> 00:09:18,960 And she'd have short hair and spiky with frosted tips. 163 00:09:18,960 --> 00:09:23,960 So she looked like in San Clump I see a joke aloud. 164 00:09:23,960 --> 00:09:26,960 Let's move on to remix this then. 165 00:09:26,960 --> 00:09:27,960 All right. 166 00:09:27,960 --> 00:09:29,960 Um, um, you gotta watch this. 167 00:09:29,960 --> 00:09:32,960 Are you watching it? 168 00:09:32,960 --> 00:09:34,960 I can't see where she's under the screen. 169 00:09:34,960 --> 00:09:35,960 Oh my god. 170 00:09:35,960 --> 00:09:36,960 Oh. 171 00:09:36,960 --> 00:09:38,960 Click on the screen recording. 172 00:09:38,960 --> 00:09:39,960 Wait. 173 00:09:39,960 --> 00:09:40,960 Play it. 174 00:09:40,960 --> 00:09:42,960 I hate it. 175 00:09:42,960 --> 00:09:43,960 What is that? 176 00:09:43,960 --> 00:09:44,960 She's... 177 00:09:44,960 --> 00:09:47,960 She's like popping a pussy to this one. 178 00:09:47,960 --> 00:09:48,960 Yeah. 179 00:09:48,960 --> 00:09:49,960 Is that's no way. 180 00:09:49,960 --> 00:09:50,960 Oh no. 181 00:09:50,960 --> 00:09:51,960 It's Elsa. 182 00:09:51,960 --> 00:09:53,960 Remix. 183 00:09:53,960 --> 00:09:55,960 Okay. 184 00:09:55,960 --> 00:09:56,960 Okay. 185 00:09:56,960 --> 00:10:06,960 There's a cover by Robbie Swadays on Viberphone and Glockenspiel on it's quite good. 186 00:10:06,960 --> 00:10:14,960 Yeah. 187 00:10:14,960 --> 00:10:21,960 Um, and then there's one, uh, I'm ex-called the reinterpretation. 188 00:10:21,960 --> 00:10:22,960 And it's really good. 189 00:10:22,960 --> 00:10:23,960 Listen to it. 190 00:10:23,960 --> 00:10:24,960 It's not fair. 191 00:10:24,960 --> 00:10:39,960 Um, and then there's also, um, yeah, that's it. 192 00:10:39,960 --> 00:10:40,960 I guess. 193 00:10:40,960 --> 00:10:41,960 Okay. 194 00:10:41,960 --> 00:10:44,960 Frosty was included in Alexander McQueen's fall winter. 195 00:10:44,960 --> 00:10:48,960 To those in one fashion show called Wood America Around. 196 00:10:48,960 --> 00:10:52,960 And it was also a show called Wood America Around. 197 00:10:52,960 --> 00:11:00,960 And it was also in, um, trees then no ends spring summer, 2002 fashion show. 198 00:11:00,960 --> 00:11:03,960 So it's just a very fashionable song. 199 00:11:03,960 --> 00:11:04,960 It is. 200 00:11:04,960 --> 00:11:06,960 Very avant-garde. 201 00:11:06,960 --> 00:11:07,960 Yeah. 202 00:11:07,960 --> 00:11:08,960 In. 203 00:11:08,960 --> 00:11:12,960 I could see how it's set that mode on the runway. 204 00:11:12,960 --> 00:11:17,960 She's probably said, can you play my song from one of my new albums? 205 00:11:17,960 --> 00:11:19,960 Like, show your girl, don't want to have that your voice. 206 00:11:19,960 --> 00:11:20,960 Okay. 207 00:11:20,960 --> 00:11:24,960 Did I mention I could play pagan poetry on piano? 208 00:11:24,960 --> 00:11:27,960 We're not talking about pagan poetry. 209 00:11:27,960 --> 00:11:31,960 And yes, you said that every fucking day. 210 00:11:31,960 --> 00:11:33,960 Oh my god. 211 00:11:33,960 --> 00:11:35,960 This is mother fuck up. 212 00:11:35,960 --> 00:11:37,960 What's every day? 213 00:11:37,960 --> 00:11:40,960 No, it's like, I've, which is random moment. 214 00:11:40,960 --> 00:11:45,960 You obviously like starting to do dishes and you'll be like. 215 00:11:45,960 --> 00:11:50,960 Did I tell you we could play pagan poetry? 216 00:11:50,960 --> 00:11:53,960 You're not picking up on my hints. 217 00:11:53,960 --> 00:11:54,960 Sorry. 218 00:11:54,960 --> 00:11:55,960 All right. 219 00:11:55,960 --> 00:11:58,960 Let's move on to the next song, Aurora. 220 00:11:58,960 --> 00:12:00,960 Let's play a song. 221 00:12:00,960 --> 00:12:02,960 Let's play a song. 222 00:12:02,960 --> 00:12:03,960 Let's play a song. 223 00:12:03,960 --> 00:12:06,960 Let's play a song. 224 00:12:06,960 --> 00:12:07,960 Let's play a song. 225 00:12:07,960 --> 00:12:08,960 All right. 226 00:12:08,960 --> 00:12:15,960 It's like, Borks are consenetious pictures. 227 00:12:15,960 --> 00:12:16,960 Yeah. 228 00:12:16,960 --> 00:12:17,960 Who is that? 229 00:12:17,960 --> 00:12:18,960 The share. 230 00:12:18,960 --> 00:12:21,960 Oh, I thought it was like Queen Elizabeth or something. 231 00:12:21,960 --> 00:12:22,960 No. 232 00:12:22,960 --> 00:12:23,960 Okay. 233 00:12:23,960 --> 00:12:25,960 That's a really disturbing thing. 234 00:12:25,960 --> 00:12:29,960 Anyway, this is an ode to snow and there's beautiful beautiful Northern lights. 235 00:12:29,960 --> 00:12:32,960 Have you ever seen Aurora and person? 236 00:12:32,960 --> 00:12:33,960 No. 237 00:12:33,960 --> 00:12:34,960 No. 238 00:12:34,960 --> 00:12:35,960 Have you? 239 00:12:35,960 --> 00:12:36,960 No. 240 00:12:36,960 --> 00:12:39,960 I just saw you seen everything. 241 00:12:39,960 --> 00:12:40,960 No. 242 00:12:40,960 --> 00:12:42,960 I don't see that. 243 00:12:42,960 --> 00:12:44,960 Well, that's why it's going to be special. 244 00:12:44,960 --> 00:12:46,960 There were seven together. 245 00:12:46,960 --> 00:12:48,960 Iceland just tonight. 246 00:12:48,960 --> 00:12:56,960 And then, you know, I saw there's an article that said you can see some 247 00:12:56,960 --> 00:13:04,960 Aurora's in the Northern part of the country like Maine and Washington was consenetious. 248 00:13:04,960 --> 00:13:07,960 So, just saying that. 249 00:13:07,960 --> 00:13:08,960 All right. 250 00:13:08,960 --> 00:13:11,960 I've never even seen a person named Aurora and person. 251 00:13:11,960 --> 00:13:13,960 Yeah, I mean either. 252 00:13:13,960 --> 00:13:14,960 I don't know any. 253 00:13:14,960 --> 00:13:16,960 Sleeping Beauty. 254 00:13:16,960 --> 00:13:18,960 First impressions. 255 00:13:18,960 --> 00:13:25,960 In 2000, I was then McQueen and Nick Knight created an installation of a model's face. 256 00:13:25,960 --> 00:13:28,960 And then they didn't paint the flies. 257 00:13:28,960 --> 00:13:29,960 There's a maggots. 258 00:13:29,960 --> 00:13:30,960 There's maggots. 259 00:13:30,960 --> 00:13:31,960 I know. 260 00:13:31,960 --> 00:13:32,960 They fed them. 261 00:13:32,960 --> 00:13:34,960 They put a food color in there. 262 00:13:34,960 --> 00:13:35,960 Food color in there. 263 00:13:35,960 --> 00:13:36,960 Yeah. 264 00:13:36,960 --> 00:13:37,960 Still crawl. 265 00:13:37,960 --> 00:13:38,960 Bird. 266 00:13:38,960 --> 00:13:39,960 Right. 267 00:13:39,960 --> 00:13:42,960 Oh, because you said there's so many chemicals in food color. 268 00:13:42,960 --> 00:13:44,960 It's a maggot. 269 00:13:44,960 --> 00:13:47,960 They're part of the world too. 270 00:13:47,960 --> 00:13:50,960 That could be your moment after life. 271 00:13:50,960 --> 00:13:52,960 Are you? 272 00:13:52,960 --> 00:13:53,960 I'm not one. 273 00:13:53,960 --> 00:13:55,960 Oh, you're a grail. 274 00:13:55,960 --> 00:13:56,960 Oh. 275 00:13:56,960 --> 00:13:58,960 Okay. 276 00:13:58,960 --> 00:14:01,960 Anyway, the all the maggots were squirming around. 277 00:14:01,960 --> 00:14:07,960 And because of how they were colored, it was replicating the face. 278 00:14:07,960 --> 00:14:10,960 Contours in the face of the model. 279 00:14:10,960 --> 00:14:14,960 Who said he wanted to be a modern day? 280 00:14:14,960 --> 00:14:16,960 Business time. 281 00:14:16,960 --> 00:14:17,960 Engine lighting. 282 00:14:17,960 --> 00:14:18,960 Conductor. 283 00:14:18,960 --> 00:14:19,960 Yeah. 284 00:14:19,960 --> 00:14:20,960 Yeah. 285 00:14:20,960 --> 00:14:21,960 Byzantine Queen. 286 00:14:21,960 --> 00:14:22,960 Yes. 287 00:14:22,960 --> 00:14:27,960 And then they asked Björk to create music for the piece that they did. 288 00:14:27,960 --> 00:14:32,960 And she composed an instrumental harp and music box piece. 289 00:14:32,960 --> 00:14:35,960 Which would later become Aurora. 290 00:14:35,960 --> 00:14:36,960 Yeah. 291 00:14:36,960 --> 00:14:37,960 Yeah. 292 00:14:45,960 --> 00:14:50,960 And she said that she wrote this in the Cibelius software, which she got in 1989. 293 00:14:50,960 --> 00:14:52,960 You tried that. 294 00:14:52,960 --> 00:14:54,960 I never used Cibelius. 295 00:14:54,960 --> 00:14:55,960 They said it would complicated. 296 00:14:55,960 --> 00:14:56,960 Yeah. 297 00:14:56,960 --> 00:14:59,960 And the UI is like, yeah, weird stuff. 298 00:14:59,960 --> 00:15:04,960 And all that software so hard. 299 00:15:04,960 --> 00:15:05,960 Yeah. 300 00:15:05,960 --> 00:15:06,960 Okay. 301 00:15:06,960 --> 00:15:11,960 Sorry, Valious. 302 00:15:11,960 --> 00:15:12,960 Come for you. 303 00:15:12,960 --> 00:15:21,960 So Björk wrote some of it during winter in the cabin in Borg. 304 00:15:21,960 --> 00:15:26,960 Yeah. 305 00:15:26,960 --> 00:15:29,960 You have an instrument. 306 00:15:29,960 --> 00:15:31,960 It's all you see, Borg. 307 00:15:31,960 --> 00:15:32,960 Yeah. 308 00:15:32,960 --> 00:15:33,960 Yes. 309 00:15:33,960 --> 00:15:36,960 So she had a cabin there. 310 00:15:36,960 --> 00:15:41,960 And it's on the west coast of Iceland. 311 00:15:41,960 --> 00:15:45,960 Do you ever hear Björk being called mother? 312 00:15:45,960 --> 00:15:47,960 Yeah. 313 00:15:47,960 --> 00:15:48,960 All the time. 314 00:15:48,960 --> 00:15:51,960 It's the one. 315 00:15:51,960 --> 00:15:54,960 Why is that? 316 00:15:54,960 --> 00:15:58,960 Because she has some motherly qualities. 317 00:15:58,960 --> 00:16:00,960 She has some mother. 318 00:16:00,960 --> 00:16:04,960 And no, why do people use the word mother? 319 00:16:04,960 --> 00:16:07,960 Like, I don't know, like, oh, mother. 320 00:16:07,960 --> 00:16:12,960 Because maybe there are real mothers. 321 00:16:12,960 --> 00:16:19,960 And then they want new mothers. 322 00:16:19,960 --> 00:16:22,960 So they adopt these pop stars to mother them. 323 00:16:22,960 --> 00:16:23,960 That surgery mother. 324 00:16:23,960 --> 00:16:24,960 Okay. 325 00:16:24,960 --> 00:16:28,960 Well, how does it, um, you would know outlums flow. 326 00:16:28,960 --> 00:16:29,960 Just keeps the story going. 327 00:16:29,960 --> 00:16:30,960 It's chill. 328 00:16:30,960 --> 00:16:31,960 It's beautiful. 329 00:16:31,960 --> 00:16:32,960 It's magical. 330 00:16:32,960 --> 00:16:33,960 It's good. 331 00:16:33,960 --> 00:16:34,960 It's a good midway song. 332 00:16:34,960 --> 00:16:37,960 Just nothing too big about it. 333 00:16:37,960 --> 00:16:43,960 Um, and what about production? 334 00:16:43,960 --> 00:16:47,960 It's crunchy and it's chilly. 335 00:16:47,960 --> 00:16:51,960 And you know how frosty fades into a roar. 336 00:16:51,960 --> 00:16:52,960 Yeah. 337 00:16:52,960 --> 00:16:54,960 And then you start to hear these footsteps. 338 00:16:54,960 --> 00:16:55,960 And this now. 339 00:16:55,960 --> 00:16:58,960 Oh, that's when the guy was crunching on the stage. 340 00:16:58,960 --> 00:16:59,960 Yeah. 341 00:16:59,960 --> 00:17:00,960 Yeah. 342 00:17:00,960 --> 00:17:01,960 Something like that. 343 00:17:01,960 --> 00:17:02,960 No, in the video. 344 00:17:02,960 --> 00:17:03,960 Yeah. 345 00:17:03,960 --> 00:17:04,960 Yeah. 346 00:17:04,960 --> 00:17:06,960 Okay. 347 00:17:06,960 --> 00:17:10,960 Um, it also has a prominent harp with the music box. 348 00:17:10,960 --> 00:17:13,960 And the microbeats by Mary's Diffy. 349 00:17:13,960 --> 00:17:14,960 Moist. 350 00:17:14,960 --> 00:17:15,960 Moist. 351 00:17:15,960 --> 00:17:16,960 Diffy. 352 00:17:16,960 --> 00:17:17,960 And Matt Moose. 353 00:17:27,960 --> 00:17:28,960 Yeah. 354 00:17:28,960 --> 00:17:30,960 So Drew Daniel from Matt Moose said, 355 00:17:30,960 --> 00:17:32,960 some of the sounds were made from sampling. 356 00:17:32,960 --> 00:17:34,960 Bjork spit while she was singing. 357 00:17:34,960 --> 00:17:35,960 That's weird. 358 00:17:35,960 --> 00:17:37,960 They probably aren't going to it after. 359 00:17:37,960 --> 00:17:39,960 Oh, sick. 360 00:17:39,960 --> 00:17:43,960 And then also Bjork did the bass line. 361 00:17:43,960 --> 00:17:44,960 We stand up. 362 00:17:44,960 --> 00:17:45,960 Yeah. 363 00:17:45,960 --> 00:17:46,960 We stand up. 364 00:17:46,960 --> 00:17:47,960 Pace line. 365 00:17:47,960 --> 00:17:48,960 Clean. 366 00:17:48,960 --> 00:17:51,960 Oh, it's sad again. 367 00:17:51,960 --> 00:17:52,960 We stand up. 368 00:17:52,960 --> 00:17:53,960 It's like clean. 369 00:17:53,960 --> 00:17:57,960 We're in a sample that for our next song. 370 00:17:57,960 --> 00:18:00,960 Maybe that's the title of it. 371 00:18:00,960 --> 00:18:01,960 Anyway. 372 00:18:01,960 --> 00:18:02,960 Okay. 373 00:18:02,960 --> 00:18:04,960 What is this song mean to you? 374 00:18:04,960 --> 00:18:09,960 It's about worshiping nature and becoming one with the tenetrale phenomenon. 375 00:18:09,960 --> 00:18:10,960 Aurora. 376 00:18:10,960 --> 00:18:11,960 Okay. 377 00:18:11,960 --> 00:18:15,960 The second delic experience. 378 00:18:15,960 --> 00:18:17,960 All of the above. 379 00:18:17,960 --> 00:18:19,960 And then she has a lyric that goes like, 380 00:18:19,960 --> 00:18:23,960 I tumble down on my knees, fill my mouth with snow. 381 00:18:23,960 --> 00:18:27,960 It reminds me of playing the snow as a child. 382 00:18:27,960 --> 00:18:34,960 I feel so bad. 383 00:18:34,960 --> 00:18:37,960 Oh, it's snow. 384 00:18:37,960 --> 00:18:39,960 Did you enjoy that? 385 00:18:39,960 --> 00:18:40,960 Yes. 386 00:18:40,960 --> 00:18:44,960 I don't know because this is just a film on my mouth. 387 00:18:44,960 --> 00:18:45,960 It's snow. 388 00:18:45,960 --> 00:18:46,960 It's like when you're beating somewhere up. 389 00:18:46,960 --> 00:18:48,960 You just like cramming snow in your mouth. 390 00:18:48,960 --> 00:18:52,960 No, because you eat it by yourself on your awful mission. 391 00:18:52,960 --> 00:18:56,960 Well, this is a visual and emotional impact of the noise lights. 392 00:18:56,960 --> 00:19:02,960 Or an unnatural wonder capturing the feeling of how beautiful and emotional nature can be. 393 00:19:02,960 --> 00:19:05,960 Like, it doesn't seem real. 394 00:19:05,960 --> 00:19:07,960 It doesn't seem real. 395 00:19:07,960 --> 00:19:14,960 And I think people can be beautiful in a natural. 396 00:19:14,960 --> 00:19:16,960 But who knows? 397 00:19:16,960 --> 00:19:22,960 What are you talking about? 398 00:19:22,960 --> 00:19:26,960 Like, the Northern Lights are beautiful, but they almost seem like surreal. 399 00:19:26,960 --> 00:19:27,960 You know what I mean? 400 00:19:27,960 --> 00:19:28,960 Yeah. 401 00:19:28,960 --> 00:19:33,960 Like, they're almost, like, they're almost so, even though they're nature, they just seem like. 402 00:19:33,960 --> 00:19:36,960 What's the most surrealist thing about nature you've seen? 403 00:19:36,960 --> 00:19:39,960 I like eating on the ground for a bit. 404 00:19:39,960 --> 00:19:41,960 I don't know. 405 00:19:41,960 --> 00:19:43,960 There's so many. 406 00:19:43,960 --> 00:19:44,960 So many. 407 00:19:44,960 --> 00:19:47,960 Everything about nature is surreal. 408 00:19:47,960 --> 00:19:48,960 Yeah. 409 00:19:48,960 --> 00:19:49,960 Okay. 410 00:19:49,960 --> 00:19:52,960 So, what's the most important thing about nature? 411 00:19:52,960 --> 00:19:53,960 Yeah. 412 00:19:53,960 --> 00:19:54,960 Okay. 413 00:19:54,960 --> 00:19:57,960 So, it's pretty. 414 00:19:57,960 --> 00:20:04,960 Anyway, one of the critics said to say about this song. 415 00:20:04,960 --> 00:20:06,960 Hold on. 416 00:20:06,960 --> 00:20:08,960 My computer. 417 00:20:08,960 --> 00:20:09,960 All right. 418 00:20:09,960 --> 00:20:13,960 Well, one critic said this is for pagan poetry, 419 00:20:13,960 --> 00:20:17,960 but I think it applies here at features. 420 00:20:17,960 --> 00:20:33,960 If features of flutty music, flutty music, flutty music, 421 00:20:33,960 --> 00:20:40,960 flutty music boxes within Asian teahouse touch. 422 00:20:40,960 --> 00:20:43,960 The Rolling Stones and that. 423 00:20:43,960 --> 00:20:45,960 Okay. 424 00:20:45,960 --> 00:20:48,960 I really doubt it, but okay. 425 00:20:48,960 --> 00:20:58,960 What I read the Rolling Stones said was that it's just one of the songs that you can put on and play loudly, 426 00:20:58,960 --> 00:21:00,960 and you just let go. 427 00:21:00,960 --> 00:21:04,960 And before you know, your body moves violently from side to side. 428 00:21:04,960 --> 00:21:05,960 Hey. 429 00:21:05,960 --> 00:21:09,960 But at the same time, you can put it on with your headphones and my embed, 430 00:21:09,960 --> 00:21:13,960 and feel like your soul is relaxing. 431 00:21:13,960 --> 00:21:14,960 Okay. 432 00:21:14,960 --> 00:21:19,960 All the dream mixes and opiate did a dream mix, and I like it. 433 00:21:19,960 --> 00:21:21,960 Check it out. 434 00:21:21,960 --> 00:21:38,960 Music box version and anything else. 435 00:21:38,960 --> 00:21:43,960 And I did a cover on Garage Band. 436 00:21:43,960 --> 00:21:46,960 Please tell me where we can take a look into that. 437 00:21:46,960 --> 00:21:47,960 Yeah. 438 00:21:47,960 --> 00:21:49,960 Oh, I'm not singing. 439 00:21:58,960 --> 00:22:01,960 It's just the instrumental. 440 00:22:01,960 --> 00:22:05,960 I like the stuff that you sing on and don't sing on. 441 00:22:05,960 --> 00:22:09,960 I'm curious, let me hear. 442 00:22:09,960 --> 00:22:17,960 There's also one called traces of ghosts, remix. 443 00:22:17,960 --> 00:22:19,960 That's cool. 444 00:22:19,960 --> 00:22:24,960 And it's in SoundCloud, it's under the Witchhouse category. 445 00:22:24,960 --> 00:22:36,960 I like what you're singing. 446 00:22:36,960 --> 00:22:37,960 Dude, I hate it. 447 00:22:37,960 --> 00:22:38,960 In 2011. 448 00:22:38,960 --> 00:22:39,960 You have to be ashamed. 449 00:22:39,960 --> 00:22:45,960 In 2011, pure performed Aurora and Reykjavik, which on a sin. 450 00:22:45,960 --> 00:22:48,960 An Olaf or an Olt. 451 00:22:48,960 --> 00:22:49,960 Yeah. 452 00:22:49,960 --> 00:22:52,960 And a girl's choir that included her daughter. 453 00:22:52,960 --> 00:22:54,960 I was at the moment where we were watching her. 454 00:22:54,960 --> 00:22:55,960 Yeah. 455 00:22:55,960 --> 00:22:56,960 Standing around. 456 00:22:56,960 --> 00:22:57,960 Yeah. 457 00:22:57,960 --> 00:22:58,960 The little girl's. 458 00:22:58,960 --> 00:22:59,960 Okay. 459 00:22:59,960 --> 00:23:03,960 In the end, in 2011, she performed again in Reykjavik with the Depronutsack 460 00:23:03,960 --> 00:23:04,960 correctly for you. 461 00:23:04,960 --> 00:23:05,960 Yeah. 462 00:23:05,960 --> 00:23:06,960 Okay. 463 00:23:06,960 --> 00:23:12,960 With this string orchestra and a harp, what do you think about it? 464 00:23:12,960 --> 00:23:25,960 The S-Sounds Garage. 465 00:23:25,960 --> 00:23:26,960 Yeah. 466 00:23:26,960 --> 00:23:29,960 I think I've seen her perform that live. 467 00:23:29,960 --> 00:23:37,960 Greg performed 2017 at the Waltz's Neconsare Hall in LA. 468 00:23:37,960 --> 00:23:42,960 Yeah. 469 00:23:42,960 --> 00:23:43,960 Yeah. 470 00:23:43,960 --> 00:23:47,960 Let's talk about it first. 471 00:23:59,960 --> 00:24:04,960 This isn't one of the previous Jörg Songs. 472 00:24:04,960 --> 00:24:08,960 I feel like you would be a good song for, you know, like, there's heaven held within 473 00:24:08,960 --> 00:24:09,960 those limbo. 474 00:24:09,960 --> 00:24:12,960 Like that place you go and you can't go to either one. 475 00:24:12,960 --> 00:24:13,960 Yeah. 476 00:24:13,960 --> 00:24:14,960 Of work or toy. 477 00:24:14,960 --> 00:24:15,960 Yeah. 478 00:24:15,960 --> 00:24:16,960 Purgatory. 479 00:24:16,960 --> 00:24:17,960 Yeah. 480 00:24:17,960 --> 00:24:18,960 That's the same thing as limbo. 481 00:24:18,960 --> 00:24:19,960 Right. 482 00:24:19,960 --> 00:24:21,960 Oh, isn't this thing? 483 00:24:21,960 --> 00:24:22,960 Yeah. 484 00:24:22,960 --> 00:24:25,960 Ding one of the fun. 485 00:24:25,960 --> 00:24:26,960 Yeah. 486 00:24:26,960 --> 00:24:27,960 Yeah. 487 00:24:27,960 --> 00:24:28,960 Yeah. 488 00:24:28,960 --> 00:24:32,960 What do you mean? 489 00:24:32,960 --> 00:24:33,960 Yeah. 490 00:24:33,960 --> 00:24:34,960 What do you mean? 491 00:24:34,960 --> 00:24:36,960 It gives me rose married babies. 492 00:24:36,960 --> 00:24:37,960 Hives. 493 00:24:37,960 --> 00:24:41,960 Or didn't a call can I have to film the others? 494 00:24:41,960 --> 00:24:42,960 Have you seen that? 495 00:24:42,960 --> 00:24:43,960 Yeah. 496 00:24:43,960 --> 00:24:44,960 I like that film. 497 00:24:44,960 --> 00:24:45,960 Yeah. 498 00:24:45,960 --> 00:24:46,960 Both of those films. 499 00:24:46,960 --> 00:24:47,960 Yeah. 500 00:24:47,960 --> 00:24:49,960 It was originally called Crave. 501 00:24:49,960 --> 00:24:50,960 Yeah. 502 00:24:50,960 --> 00:24:51,960 Why? 503 00:24:51,960 --> 00:24:53,960 Because the lyrics are from a 1998 play. 504 00:24:53,960 --> 00:25:00,960 If I controversial playwright, Sarah Kane, and it was called Crave. 505 00:25:00,960 --> 00:25:01,960 Have you seen any of it? 506 00:25:01,960 --> 00:25:02,960 I tried it. 507 00:25:02,960 --> 00:25:05,960 I saw some videos of it on YouTube. 508 00:25:05,960 --> 00:25:08,960 Very disturbing. 509 00:25:08,960 --> 00:25:11,960 And what tells about the play. 510 00:25:11,960 --> 00:25:16,960 It touches on dark topics such as rape and incest. 511 00:25:16,960 --> 00:25:19,960 It shows everything. 512 00:25:19,960 --> 00:25:21,960 Great incest. 513 00:25:21,960 --> 00:25:23,960 That is failure. 514 00:25:23,960 --> 00:25:24,960 Interacts here. 515 00:25:24,960 --> 00:25:25,960 Drug addiction. 516 00:25:25,960 --> 00:25:27,960 Mental instability. 517 00:25:27,960 --> 00:25:28,960 Murder. 518 00:25:28,960 --> 00:25:29,960 And suicide. 519 00:25:29,960 --> 00:25:32,960 It's not like a good time. 520 00:25:32,960 --> 00:25:36,960 No, we have to do the hotline number. 521 00:25:36,960 --> 00:25:44,960 What do you want to talk about it? 522 00:25:44,960 --> 00:25:47,960 I don't know. 523 00:25:47,960 --> 00:25:48,960 Okay. 524 00:25:48,960 --> 00:25:50,960 All right. 525 00:25:50,960 --> 00:25:53,960 How does it fit within the album's flow? 526 00:25:53,960 --> 00:25:56,960 Well, it's like a dark and stormy night. 527 00:25:56,960 --> 00:26:00,960 And then suddenly it comes in passes into the winter. 528 00:26:00,960 --> 00:26:01,960 That's not what I asked. 529 00:26:01,960 --> 00:26:02,960 Who do you ask? 530 00:26:02,960 --> 00:26:05,960 How is it fit within the flow? 531 00:26:05,960 --> 00:26:10,960 You know, like, what a story. 532 00:26:10,960 --> 00:26:15,960 It's like, you know, everything is going good in the story. 533 00:26:15,960 --> 00:26:19,960 And then you need like a little bit of the darkness. 534 00:26:19,960 --> 00:26:23,960 You know, it's like the story arc. 535 00:26:23,960 --> 00:26:29,960 You need like, it needs like conflict or need something that has to be resolved. 536 00:26:29,960 --> 00:26:30,960 Yeah. 537 00:26:30,960 --> 00:26:32,960 Comes in passes. 538 00:26:32,960 --> 00:26:35,960 That's life. 539 00:26:35,960 --> 00:26:37,960 Most of the time. 540 00:26:37,960 --> 00:26:40,960 What can you tell me about the production? 541 00:26:40,960 --> 00:26:44,960 Well, it's got glitchy samples. 542 00:26:44,960 --> 00:26:49,960 Which, I don't know, when you sample something that's glitchy, it just gets more glitchy. 543 00:26:49,960 --> 00:26:53,960 Like it's something at some point you just run into like maximum glitchiness. 544 00:26:53,960 --> 00:26:54,960 Yeah. 545 00:26:54,960 --> 00:26:56,960 Okay. 546 00:26:56,960 --> 00:27:00,960 And a haunting choral hum. 547 00:27:00,960 --> 00:27:01,960 Yeah. 548 00:27:01,960 --> 00:27:02,960 What does that sound like? 549 00:27:02,960 --> 00:27:04,960 Now it's just where you hold the note. 550 00:27:04,960 --> 00:27:08,960 It's like, you know, I'm not going to do it again. 551 00:27:08,960 --> 00:27:09,960 Okay. 552 00:27:09,960 --> 00:27:11,960 I did it. 553 00:27:11,960 --> 00:27:12,960 Yeah. 554 00:27:12,960 --> 00:27:18,960 There's a lot of interesting electronic percussion that sounds like a fix for me. 555 00:27:18,960 --> 00:27:19,960 Yes. 556 00:27:19,960 --> 00:27:20,960 On coiludes. 557 00:27:20,960 --> 00:27:21,960 Yes. 558 00:27:21,960 --> 00:27:22,960 Yeah. 559 00:27:22,960 --> 00:27:23,960 Include. 560 00:27:23,960 --> 00:27:25,960 Or like when we listen to a motor water. 561 00:27:25,960 --> 00:27:26,960 Oh, yeah. 562 00:27:26,960 --> 00:27:27,960 That was cool. 563 00:27:27,960 --> 00:27:30,960 It kind of had like that. 564 00:27:30,960 --> 00:27:31,960 Yeah. 565 00:27:31,960 --> 00:27:38,960 And then it including some wobbled speech samples swarming throughout the song backed by haunting 566 00:27:38,960 --> 00:27:41,960 choir and strings by Vince Mendoza. 567 00:27:41,960 --> 00:27:46,960 Did he, did she work with him a lot after this? 568 00:27:46,960 --> 00:27:48,960 No. 569 00:27:48,960 --> 00:27:49,960 Okay. 570 00:27:49,960 --> 00:27:52,960 She's like, yeah, I employed it. 571 00:27:52,960 --> 00:27:54,960 Thank you. 572 00:27:54,960 --> 00:28:03,960 There's also some Celesta by Guy Sigsworth and harp by Zina Parkens. 573 00:28:03,960 --> 00:28:05,960 That's awesome. 574 00:28:05,960 --> 00:28:10,960 In Guy Sigsworth wrote some of the music on this one too. 575 00:28:10,960 --> 00:28:15,960 And the beats include contributions from Matt Mous. 576 00:28:15,960 --> 00:28:21,960 Guy Sigsworth, Damian Taylor, and more Morious to Fry. 577 00:28:21,960 --> 00:28:23,960 Yeah. 578 00:28:23,960 --> 00:28:25,960 Right a team. 579 00:28:25,960 --> 00:28:27,960 Does like a whole team. 580 00:28:27,960 --> 00:28:28,960 You know what I mean? 581 00:28:28,960 --> 00:28:29,960 Yeah. 582 00:28:29,960 --> 00:28:31,960 It's like her collaborators all together. 583 00:28:31,960 --> 00:28:32,960 Yeah. 584 00:28:32,960 --> 00:28:36,960 So, what does it mean? 585 00:28:36,960 --> 00:28:41,960 The lyrics are quite cryptic and because the play, because of the play of the lyrics, 586 00:28:41,960 --> 00:28:50,960 are derived from doesn't have a linear meeting, meaning only one can only infer what the meaning 587 00:28:50,960 --> 00:28:51,960 of the lyrics are. 588 00:28:51,960 --> 00:28:53,960 What does that mean? 589 00:28:53,960 --> 00:28:56,960 It's like you're running in circles. 590 00:28:56,960 --> 00:29:04,960 Well, it's just all very avant-garde, trickling down to avant-garde. 591 00:29:04,960 --> 00:29:08,960 What did you think it was about? 592 00:29:08,960 --> 00:29:13,960 When I first heard it, I used to think it was about encountering a ghost or something 593 00:29:13,960 --> 00:29:18,960 to do with death, meaning the grim reaper, especially in the last lines, or she says, 594 00:29:18,960 --> 00:29:20,960 free falling complete. 595 00:29:20,960 --> 00:29:22,960 So, what about you? 596 00:29:22,960 --> 00:29:30,960 I think it's about like when you're in a relationship and you get some bad behavior 597 00:29:30,960 --> 00:29:34,960 that becomes part of who you are in that relationship. 598 00:29:34,960 --> 00:29:35,960 Yeah. 599 00:29:35,960 --> 00:29:39,960 And then in your next relationship, you keep doing that. 600 00:29:39,960 --> 00:29:40,960 Yeah. 601 00:29:40,960 --> 00:29:41,960 I don't know. 602 00:29:41,960 --> 00:29:43,960 That's what I thought. 603 00:29:43,960 --> 00:29:45,960 All right. 604 00:29:45,960 --> 00:29:50,960 I'm sorry you saw that. 605 00:29:50,960 --> 00:29:54,960 Yeah, like she didn't mean to show that ugly side. 606 00:29:54,960 --> 00:29:56,960 To the new person, you know? 607 00:29:56,960 --> 00:29:57,960 No. 608 00:29:57,960 --> 00:29:59,960 I feel like it's bad. 609 00:29:59,960 --> 00:30:03,960 No, you get into new relationship and you want to start fresh. 610 00:30:03,960 --> 00:30:05,960 You're like, all those bad habits I had. 611 00:30:05,960 --> 00:30:08,960 I'm going to like, yeah, not bring into this relationship. 612 00:30:08,960 --> 00:30:09,960 I'm sorry you saw that. 613 00:30:09,960 --> 00:30:12,960 I'm sorry he did it in echo. 614 00:30:12,960 --> 00:30:13,960 A stain. 615 00:30:13,960 --> 00:30:15,960 I hit it and quit it. 616 00:30:15,960 --> 00:30:16,960 What? 617 00:30:16,960 --> 00:30:18,960 It makes you wonder. 618 00:30:18,960 --> 00:30:19,960 What did you see? 619 00:30:19,960 --> 00:30:21,960 What did he do? 620 00:30:21,960 --> 00:30:24,960 I'm sorry. 621 00:30:24,960 --> 00:30:27,960 I'm sorry. 622 00:30:27,960 --> 00:30:29,960 I'm sorry. 623 00:30:29,960 --> 00:30:31,960 I'm sorry. 624 00:30:31,960 --> 00:30:33,960 You know what I'm saying? 625 00:30:33,960 --> 00:30:34,960 I don't know. 626 00:30:34,960 --> 00:30:38,960 And you can find the play online and my clear some things up. 627 00:30:38,960 --> 00:30:39,960 Yeah. 628 00:30:39,960 --> 00:30:41,960 Um. 629 00:30:41,960 --> 00:30:43,960 Like, is it? 630 00:30:43,960 --> 00:30:46,960 This green move had to have a deal. 631 00:30:46,960 --> 00:30:48,960 The stain of the screen. 632 00:30:48,960 --> 00:30:50,960 Are you doing this in like a country? 633 00:30:50,960 --> 00:30:56,960 Oh, watch my father beat my mother with a walking stick. 634 00:30:56,960 --> 00:30:57,960 A stain. 635 00:30:57,960 --> 00:30:58,960 An echo. 636 00:30:58,960 --> 00:30:59,960 A stain. 637 00:30:59,960 --> 00:31:00,960 I'm sorry you saw that. 638 00:31:00,960 --> 00:31:01,960 I'm sorry he did it. 639 00:31:01,960 --> 00:31:02,960 I just spare. 640 00:31:02,960 --> 00:31:03,960 I'm just spare. 641 00:31:03,960 --> 00:31:04,960 No regrets. 642 00:31:04,960 --> 00:31:06,960 I swear I can't hear it. 643 00:31:06,960 --> 00:31:08,960 I'm looking at you. 644 00:31:08,960 --> 00:31:09,960 I did nothing. 645 00:31:09,960 --> 00:31:11,960 I did nothing. 646 00:31:11,960 --> 00:31:12,960 I did nothing. 647 00:31:12,960 --> 00:31:13,960 I did nothing. 648 00:31:13,960 --> 00:31:14,960 Okay. 649 00:31:14,960 --> 00:31:19,960 My father beat my mother with a walking stick. 650 00:31:19,960 --> 00:31:20,960 A stain. 651 00:31:20,960 --> 00:31:21,960 A stain. 652 00:31:21,960 --> 00:31:23,960 I'm sorry you saw that. 653 00:31:23,960 --> 00:31:24,960 I'm sorry you did it. 654 00:31:24,960 --> 00:31:25,960 I just spare. 655 00:31:25,960 --> 00:31:26,960 I just spare. 656 00:31:26,960 --> 00:31:27,960 No regrets. 657 00:31:27,960 --> 00:31:28,960 I just spare. 658 00:31:28,960 --> 00:31:29,960 I'm not bad. 659 00:31:29,960 --> 00:31:32,960 What did the critics say? 660 00:31:32,960 --> 00:31:36,960 The critic from enemies said, I get instant chills. 661 00:31:36,960 --> 00:31:40,960 Duke has done quite a few scary sounding songs in her discography. 662 00:31:40,960 --> 00:31:43,960 You know, like vertebrae, vertebrae, vertebrae. 663 00:31:43,960 --> 00:31:44,960 Hullo. 664 00:31:44,960 --> 00:31:45,960 Where's the line? 665 00:31:45,960 --> 00:31:46,960 Victim hood. 666 00:31:46,960 --> 00:31:47,960 etc. 667 00:31:47,960 --> 00:31:53,960 But I don't think any of them shape up to a neco stain in terms of pure scaring. 668 00:31:53,960 --> 00:31:54,960 It's the same. 669 00:31:54,960 --> 00:31:55,960 I agree. 670 00:31:55,960 --> 00:31:56,960 You. 671 00:31:56,960 --> 00:31:57,960 Yes. 672 00:31:57,960 --> 00:31:59,960 And from you. 673 00:31:59,960 --> 00:32:04,960 No, she's done some scary songs on the her side project drawing. 674 00:32:04,960 --> 00:32:05,960 We're straight in nine. 675 00:32:05,960 --> 00:32:08,960 Some creepy songs in there. 676 00:32:08,960 --> 00:32:10,960 If you can. 677 00:32:10,960 --> 00:32:11,960 If you know, you know. 678 00:32:11,960 --> 00:32:13,960 It will go around in the dark. 679 00:32:13,960 --> 00:32:16,960 There's no to that. 680 00:32:16,960 --> 00:32:17,960 Okay. 681 00:32:17,960 --> 00:32:20,960 I'm from Reddit. 682 00:32:20,960 --> 00:32:25,960 Someone said the songs production is enough to keep it on the album. 683 00:32:25,960 --> 00:32:30,960 But you add your arcs and say and whispered in ear delivery. 684 00:32:30,960 --> 00:32:33,960 And the strings that play back and forth. 685 00:32:33,960 --> 00:32:37,960 And then result is so gene-like. 686 00:32:37,960 --> 00:32:40,960 It's just not melody-heavy. 687 00:32:40,960 --> 00:32:42,960 Drawing more on towards ambient. 688 00:32:42,960 --> 00:32:43,960 Yeah. 689 00:32:43,960 --> 00:32:49,960 So do you think that puts people off the spritzine? 690 00:32:49,960 --> 00:32:50,960 No. 691 00:32:50,960 --> 00:32:56,960 Is this like like these ghosty kind of tracks? 692 00:32:56,960 --> 00:33:04,960 They like create a cool feeling for the album. 693 00:33:04,960 --> 00:33:05,960 Yeah. 694 00:33:05,960 --> 00:33:08,960 Who are you texting? 695 00:33:08,960 --> 00:33:09,960 No. 696 00:33:09,960 --> 00:33:12,960 Well, I'll need a little bit of tension every now and then. 697 00:33:12,960 --> 00:33:13,960 Yeah. 698 00:33:13,960 --> 00:33:18,960 It's like, how can you know what happiness is unless you've been tired? 699 00:33:18,960 --> 00:33:19,960 Yeah. 700 00:33:19,960 --> 00:33:22,960 That's what I've been saying. 701 00:33:22,960 --> 00:33:25,960 What about remixes? 702 00:33:25,960 --> 00:33:32,960 Well, ma'am, I'm literally mixed called I-Duck Mix. 703 00:33:32,960 --> 00:33:42,960 And, okay, must go in. 704 00:33:42,960 --> 00:33:43,960 Yeah. 705 00:33:43,960 --> 00:33:48,960 Then there's the electro cast remixes, which I really like. 706 00:33:48,960 --> 00:33:50,960 And then there's the lyrics. 707 00:33:50,960 --> 00:33:53,960 Stable, a crisp. 708 00:33:53,960 --> 00:33:56,960 Gainer remixes from 2003. 709 00:33:56,960 --> 00:33:58,960 That's better recognized. 710 00:33:58,960 --> 00:34:02,960 Lood, jable, and crisp gainer. 711 00:34:02,960 --> 00:34:13,960 Because we have people to find it. 712 00:34:13,960 --> 00:34:16,960 Yeah. 713 00:34:16,960 --> 00:34:24,960 And as far as performances and mashups, you're only performed it on the best 714 00:34:24,960 --> 00:34:27,960 Virginia tour and the greatest hit store. 715 00:34:27,960 --> 00:34:30,960 She sure did. 716 00:34:30,960 --> 00:34:37,960 I'm cold. 717 00:34:37,960 --> 00:34:39,960 I'm scared. 718 00:34:39,960 --> 00:34:43,960 You know, at some point you have so many songs. 719 00:34:43,960 --> 00:34:45,960 Hey, but you know what? 720 00:34:45,960 --> 00:34:54,960 I just imagine of the Neko-A-Stain with massive attacks, version of nature boy from the 721 00:34:54,960 --> 00:34:56,960 Mulan Rouge song. 722 00:34:56,960 --> 00:34:57,960 It's less. 723 00:34:57,960 --> 00:35:00,960 What's so funny? 724 00:35:00,960 --> 00:35:02,960 Hey. 725 00:35:02,960 --> 00:35:03,960 I'm laughing at me. 726 00:35:03,960 --> 00:35:05,960 I'm not a Rusevank track. 727 00:35:05,960 --> 00:35:06,960 This is so gangster. 728 00:35:06,960 --> 00:35:07,960 It's you. 729 00:35:07,960 --> 00:35:11,960 You don't even know. 730 00:35:11,960 --> 00:35:13,960 Can we listen to it? 731 00:35:13,960 --> 00:35:14,960 Okay. 732 00:35:14,960 --> 00:35:18,960 Alright, you're all right. 733 00:35:18,960 --> 00:35:19,960 Yeah. 734 00:35:19,960 --> 00:35:35,960 I'm going to talk about Son of my mouth now. 735 00:35:35,960 --> 00:35:37,960 Okay, just. 736 00:35:37,960 --> 00:35:41,960 So lucky. 737 00:35:41,960 --> 00:35:47,640 Well yeah this is a short and sweet tune that's giving Bambi 738 00:35:47,640 --> 00:35:53,300 printing in the woods. I have to put description. Yeah it's like your 739 00:35:53,300 --> 00:35:59,760 spare animal. Yeah to when you're in first encountering your spare animal. So my 740 00:35:59,760 --> 00:36:05,140 first impression was it's so Disney or Disney on eyes if you nasty. 741 00:36:05,140 --> 00:36:12,460 This is the next sentence. The lyrics are taken from a 1923 poem by E. 742 00:36:12,460 --> 00:36:19,860 Coming called I won't wait out and she also recorded another song based on E. 743 00:36:19,860 --> 00:36:37,620 Coming's poem called Mother Harrowic. What did she say about E. Coming? 744 00:36:37,620 --> 00:36:47,940 She said his poetry and the right combination of being humble and new folk and 745 00:36:47,940 --> 00:36:53,740 his words were just screaming to be sung. She's the right person for it then. 746 00:36:53,740 --> 00:37:00,060 Yeah and she said the music was written on a day of improvisations and 747 00:37:00,060 --> 00:37:05,220 improvisations with guys 6 were. What does that mean? Like they were just kind of 748 00:37:05,220 --> 00:37:09,740 damn dadding. Yeah music leads speaking. 749 00:37:09,740 --> 00:37:18,140 Jim. Jim style. That's a joke. Jim. And she said when I heard the song I hear the 750 00:37:18,140 --> 00:37:28,380 connection between me and guy at this moment. Well yeah. She said this 751 00:37:28,380 --> 00:37:35,060 so yeah she hears that. That's a Blomini of E. Coming's words but also me 752 00:37:35,060 --> 00:37:40,540 storming out of a certain film studio regaining the right to my music. It was the 753 00:37:40,540 --> 00:37:47,900 moment I got in power to stand by myself. The me too clock was got wound up to be 754 00:37:47,900 --> 00:37:57,700 running, run again, run 18 years later. What? I think she's saying they 755 00:37:57,700 --> 00:38:04,700 should have gotten powered in this moment. They get all locked in her and then locked her again, 756 00:38:04,700 --> 00:38:10,100 17 years later. Interesting. It's just about empowerment. What happened 17 years later? 757 00:38:10,100 --> 00:38:19,260 The uh need to. Oh she was me too. Yeah she said the director of dancer in the 758 00:38:19,260 --> 00:38:26,700 hood. That's right. Her assing her and that's right. Yeah. Okay. How does it fit with the 759 00:38:26,700 --> 00:38:30,780 obbombs flow? It lights the mood after the previous tracks. Center 760 00:38:30,780 --> 00:38:38,700 soutoon. It's like a beautiful morning sunrise after a dark storm. That's 761 00:38:38,700 --> 00:38:44,660 what? It's like son of my man. What about production? If he just a 762 00:38:44,660 --> 00:38:49,100 prominent solicitor played by guys six worth and what's the solicitor? It's a 763 00:38:49,100 --> 00:38:55,100 wooden. It's a small wooden piano made popular by Tracoske's dance of the 764 00:38:55,100 --> 00:39:01,420 little baby piano. Like do you play with toothpicks? Say it's half the size of this 765 00:39:01,420 --> 00:39:10,460 island. Oh okay. No you can play it like you know it only goes so many 766 00:39:10,460 --> 00:39:17,660 octaves. That's why it's small anyway. It's like a portion of a piano. I see 767 00:39:17,660 --> 00:39:22,820 that's a third minute driving it so that it was just all tiny. Maybe they might 768 00:39:22,820 --> 00:39:26,780 have minute drives to it a little bit but you can still play it with your fingers. 769 00:39:26,780 --> 00:39:42,580 Okay. How do you play it on? No. Maybe I can. Yeah. Where was I? 770 00:39:43,860 --> 00:39:50,780 There's also some harp by Zina Parkens and strings by Vince Minders and some 771 00:39:50,780 --> 00:39:57,940 beats by Bjork and Val Gear Citizen. Yeah how would you say it? 772 00:39:57,940 --> 00:40:06,820 Val get it, Sikerson. Okay. And the song starts off quiet and it rises up to 773 00:40:06,820 --> 00:40:13,900 the居 before finally coming down. Yeah that's cool. Did you know Sikov 774 00:40:13,900 --> 00:40:20,780 wrote this last from Get the fuck out? They borrowed it from Bjork for their 775 00:40:20,780 --> 00:40:25,700 amazing gear back. Yeah for the 2005 album tack. 776 00:40:25,700 --> 00:40:45,780 Do you like that album? Yeah I like it a lot. What is this song about? 777 00:40:45,780 --> 00:40:53,940 Some of the songs stands for Awakening and that is an expression of unity 778 00:40:53,940 --> 00:41:00,340 between body and spirit. What are you interpreted as? I interpret as some kind of 779 00:41:00,340 --> 00:41:06,420 self discovery through adventures, restaking and being one with nature and the wild. 780 00:41:06,420 --> 00:41:16,220 That sounds like a daily hiking for us. Yeah it really is. How it's that 781 00:41:16,220 --> 00:41:29,780 uncomfortable? Yeah no idea. What is in here? Two lyrics. What do you understand 782 00:41:29,780 --> 00:41:34,500 out to you? I like what are you saying? I shall interfere. I'll smooth 783 00:41:34,500 --> 00:41:53,340 mastery with chasiness of Seagulls. Okay critics generally consider some of my 784 00:41:53,340 --> 00:41:58,660 mouth as one of us routines most intimate and poetic tracks. Do you think it's both 785 00:41:58,660 --> 00:42:07,620 of those things? Yeah. And Rolling Stone praised the songs, Lyrical Beauty and 786 00:42:07,620 --> 00:42:17,180 Cinematic Production. While the wire noted that it's it's all about 787 00:42:17,180 --> 00:42:22,660 aching vulnerability. I didn't say it. And there's a room 788 00:42:22,660 --> 00:42:28,860 expire in Thumball. A.K. Love you at Allery. And you need to remix called 789 00:42:28,860 --> 00:42:33,780 recompose by on Thumball. And it feels like watching the sun flickery through all 790 00:42:33,780 --> 00:42:37,260 the trees. That's a really nice picture. Yeah. 791 00:42:37,260 --> 00:42:57,500 There's an Averics Demix Mix Averics Demix. 792 00:43:08,260 --> 00:43:17,060 Yeah. That's all. Well, she has performed this song, Son of my mouth, only five 793 00:43:17,060 --> 00:43:23,580 times. In the first time was in 2011 in Rikyvik with Jonas Sen. 794 00:43:23,580 --> 00:43:39,660 Yeah. And the second time wasn't 2015 with Molder Joe. What? 795 00:43:39,660 --> 00:43:46,620 My new that logo on the handpan. What's the handpan? That's a handpan? 796 00:43:46,620 --> 00:43:50,180 It's kind of like that, but do that again. It's bigger. 797 00:43:50,180 --> 00:43:55,180 I think it's harder. Okay. 798 00:44:06,180 --> 00:44:12,180 And the last time Bjork performed, Son of my mouth was in 2011. 799 00:44:12,180 --> 00:44:22,180 A lot of him was on the string. Okay. Well, the last time Bjork performed Son of my mouth 800 00:44:22,180 --> 00:44:30,180 wasn't in 2011 in Rikyvik with a harp and string orchestra. 801 00:44:30,180 --> 00:44:37,180 Were you there? Was I there now? Always not there. One hour was. Yeah. 802 00:44:37,180 --> 00:44:42,180 I didn't see at all. I don't know. 803 00:44:44,180 --> 00:44:51,180 Well, said something about it. There's no. Was it an entire set about working with Bjork? 804 00:44:51,180 --> 00:44:57,180 Who's Ellen Paris? Did you guys did their her graphics? Oh, yeah. 805 00:44:57,180 --> 00:45:02,180 I heard them. They find me on the screen. They're really nice. 806 00:45:02,180 --> 00:45:10,180 They said she cooks good pasta with cream and caviar and sing along. 807 00:45:10,180 --> 00:45:16,180 Bonnie ever tunes. You don't know Bonnie and Tons? No. 808 00:45:16,180 --> 00:45:21,180 Okay. Well, Halsey, let's talk about her. Okay. Tell me about Halsey. 809 00:45:21,180 --> 00:45:29,180 She just put on an album I think yesterday. And you know, she calls it the great impersonator. 810 00:45:29,180 --> 00:45:43,180 She's been promoting it while by taking pictures of herself as different singers. 811 00:45:43,180 --> 00:45:47,180 And so she did Bjork. 812 00:45:47,180 --> 00:45:52,180 You got a super for copyright infringement. 813 00:45:52,180 --> 00:46:00,180 And then she said, this is because the last song on my album is influenced by her. 814 00:46:00,180 --> 00:46:05,180 And it sounds like eight. I'll play a clip. You can decide for yourself. 815 00:46:05,180 --> 00:46:08,180 What do you think about it? 816 00:46:08,180 --> 00:46:15,180 And here lies the great impersonator. 817 00:46:18,180 --> 00:46:21,180 It's like I ain't. Okay. 818 00:46:21,180 --> 00:46:23,180 Eat dried. 819 00:46:23,180 --> 00:46:25,180 Eat dried. 820 00:46:25,180 --> 00:46:28,180 No shame. 821 00:46:31,180 --> 00:46:34,180 See, like, Bonnie's not yours. Yeah. 822 00:46:34,180 --> 00:46:38,180 Does it? That's it. Is this the end of the album? 823 00:46:38,180 --> 00:46:42,180 No. We got one more to go. And then we're done with this album. 824 00:46:42,180 --> 00:46:45,180 So what's on the next podcast? 825 00:46:45,180 --> 00:46:46,180 What? 826 00:46:46,180 --> 00:46:49,180 What? 827 00:46:50,180 --> 00:46:53,180 The next one is... 828 00:46:53,180 --> 00:46:55,180 Are we done with this one? 829 00:46:55,180 --> 00:46:57,180 Error room. 830 00:46:57,180 --> 00:46:59,180 Dush. 831 00:46:59,180 --> 00:47:04,180 Oh, horrible. And unison. 832 00:47:04,180 --> 00:47:06,180 Do you like them? 833 00:47:06,180 --> 00:47:08,180 You got to look unison. 834 00:47:08,180 --> 00:47:09,180 What do you like about it? 835 00:47:09,180 --> 00:47:11,180 Give people a taste. 836 00:47:11,180 --> 00:47:12,180 It's gonna come. 837 00:47:12,180 --> 00:47:15,180 It's out here to give a moment. 838 00:47:15,180 --> 00:47:17,180 It's epic. 839 00:47:17,180 --> 00:47:20,180 It's just going to wait around the album. 840 00:47:20,180 --> 00:47:22,180 It's got some good lyrics. 841 00:47:22,180 --> 00:47:23,180 And it's got everything you want. 842 00:47:23,180 --> 00:47:25,180 Just like rap, this album. 843 00:47:25,180 --> 00:47:27,180 29, 29, you know what? 844 00:47:27,180 --> 00:47:29,180 It's a key, we see. 845 00:47:32,180 --> 00:47:34,180 I'm gonna sign this again. Bye. 846 00:47:34,180 --> 00:48:01,180 Goodbye.