WEBVTT

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Hey friends, it's Jeremy. If you're enjoying

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the show and having fun, I'd like to ask for

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a brief moment of your time to leave us a rating

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and review on whatever platform you're listening

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on. And for the latest Fantasy Pants news, updates,

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and other random shit, be sure to check out our

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Instagram at FantasyPantsPod. Pursuit of good

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lady as he faded to night. One wagon stopped

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dead to show a picture most foul. But it corpse

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of her mount in the sound of a howl. Die coyotes

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did come. Malzica for meat. Though the hunt would

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soon end in a bitter defeat. One coyote ran free.

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One horse torn to shreds. And hand ripped from

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stomach of a beast that lay dead. And it strung.

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Oh, it struck. It struck fucking hard. Oh, yeah.

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Good evening, New Hampshire! How you doing? How

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we doing? I'm doing all right. All right. Not

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as great as you're doing, apparently. I'm the

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third rock star. I'm feeling amazing. Uh -oh.

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Uh -oh, I had a second rock star. My wife's listening.

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Second rock star. There was two of them. Get

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God. Ouch. Get God. Uh -oh. Uh -oh. I'm feeling

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great. I'm feeling amazing. I'm feeling absolutely

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terrific. I'm not feeling that great. That's

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a shame, because we're going to have a good night.

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We're going to have a fun, fun night here at

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Fancy Pants Studios. But before we get to that,

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I have a correction I have to make. And maybe,

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just maybe, Jeremy's about to have a little bit

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better of a night, because... Maybe. Is this

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a wedgie? This is a wedgie. It's a wedgie. I

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have a couple wedgies. Let me touch on one real

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fast. It's a small one. Last combat. Basically,

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because you guys have taken a long time, my notes

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had planned for the coyote battle to happen around,

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you know, sort of later in the day. Setting sun,

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all that. It's going to keep full light. The

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fight ended up happening at night under moonlight.

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I kind of forgot to put that in my notes because

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it was sort of an on -the -fly change. And I

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should have rolled for, you know, obscurity.

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What's the fucking word? Dim light. So you had

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a hard time with range attacks and they got sort

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of far away. But hey, no worries. Because there

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wasn't a lot of range attacks. All the ones that

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happened were very close. And we established

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there was very, very solid, strong moonlight

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piercing the fog surrounding you. And I think

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that's just fine. Okay, so that's just a little.

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Little one, little one. Here's the big one. Here's

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a big mama -jama wedgie. It is huge. Yeah, we

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talked about this before, but you've got to let

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the listeners know this shit. This is wild. This

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is absolutely insane. Listeners. Sit down and

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hold on to your panties. Take a seat. Hold on

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to your pants. Jeremy, are you going to give

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us a big wedgie? Yeah, he's got to say it first.

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All right, all right. He's got to say it first,

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and then the wedgie is the reaction. We opened

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the last session on Letterkenny v. Friends, and

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I made a particular quote. Jeremy attributed

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that quote to Ross and I corrected him falsely

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saying it was Chandler. The quote itself was

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actually Ross mimicking Chandler. And so I got

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to give Jeremy a button. Oh my God. If you don't

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want it, fine. I'll keep the button. I'll take

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the button. No, I'll keep it. It's cool. My ass

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just hurts real bad. You dropped it. No, there

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it is. Oh, my God. Hold right to you. Thank you

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for the button. I'm going to use that to buy

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new underwear. Man, I could give less of a fuck.

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Hey, I got a button in dire times now, so I'm

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okay with it. I appreciate the button. I appreciate

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the button. I mean, I do wish we'd get more buttons

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for more relevant things. It's a fair system.

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Basically, you just kind of do something that

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pleases me or that I decide is proper, and then

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they give you a button. Perfectly fair, unbiased.

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Dance, Joker, dance. Yes, yes. Anything else

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to touch on, or do you want to just dive right

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into the death of Jules LaRoche? As long as we

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don't have to talk about friends anymore. Yeah.

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Yeah, well, let's go die. I'm good. I'd rather

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die. I could spend an hour telling you how wrong

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you are. I would rather die. Yeah. All right,

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then. Great. Well, let's get to it, then. Let's

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get right to it. Let me get that sirenscape going.

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Oh, jeez. You stand here amidst corpses. Two

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bloody horse corpses lying around gnawed to the

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bone. Two coyotes cut and torn, dropped. And

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as you stand here, as Chester screams, you see

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one of these stomachs, one of these coyotes'

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stomach starts to writhe. Wet sounds. Sorry,

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listeners. As you see fingers tear through a

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sort of cut, slit part of the stomach of this

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beast. And a hand leaps out, covered in blood

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and ichor, and goes to strike. And I want a quick

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initiative roll. Did you just say ickies? Ichor.

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What's ichor? Ichor, ichor. Ichor. I'm not familiar

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with this term. I think it's like gross, black,

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sticky stuff. Oh, okay. Okay. I mean, I'm not

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Miriam Webster, but... I rolled good. Goddamn.

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You want to go first, Jeremy? No, because I'm

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going last. You can roll for Chester and John

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Franklin as well, by the way. Yeah, I got to

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pull up John Franklin. Zeb got a 22. Okay. Jules

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got a 4. Chester got a 19. 17 for John. So all

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of you kill this thing before it gets to me,

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please. Yeah, I'm sure it'll be a one round.

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Yeah. You see this to make Rip open. He sees

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his hand just immediately, as the fingers come

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free, just launches with a force, slooping out

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of the body right towards Jules. And with my

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21 initiative, only Zebulon is fast enough to

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slide in and have a turn before I land a hit.

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You see this thing flying, but Zebulon, you are

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fast. You've got those instincts. Only issue

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is I don't have my laptop tonight, so I don't

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have roll 20 up. You don't need it. Theater of

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the mind, baby. Okay. We got this. There's a

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stomach, there's a hand, there's a Jules, there's

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a Zebulon. We don't need anything else. Let it

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all fade away. So, I don't know who's next to

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me or if I'm next to anybody. Everyone is basically

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surrounding at this point. I think, like, you're

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staying next to Jules, and the hand is right

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in front of Jules, launching at him. Gotcha.

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So we're talking... Sneak attack. Sean Franklin

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is right beside you. Chester is right beside

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Jules. The four of you are lined up in front

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of this body as it erupts, basically. All right.

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Yeah. Then Zeb's going to take a swing at this

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guy, at this hand. Hopefully land some sneak

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attack damage. All right. Give me that attack.

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First swing is just a nine. Just a nine. Will

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not hit. It's too quick. Go for the other hand.

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That's 21. That will hit. All right. Two swords

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go out. First one misses. Second one connects.

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And since I'm five feet from Jules, I get my

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2d6 for sneak attack. Yeah, you caught this thing

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in the air off guard. Give me that sneak attack.

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This feels weird. Yeah, something's odd. And

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it's just a detached hand? It's literally just

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a hand. Looks like a human hand. And you can't

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see a lot of it because it's so covered in just

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like blood from ripping out. It's not out yet?

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No, it's out. But it's a hand on its own, severed

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at the wrist, launching out. What? Yeah. That's

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a really bad roll. That's a two and a three and

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a one. That's nine. With a nine, this thing's

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launching out towards Jules. Your blade hits

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it and cleanly severs through. Fingers. disappearing.

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Not disappearing. Slingers falling apart. Landing

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in the mud all around. No blood. The sand is...

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How much HP did it have? Because what it meant

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to say was six. Still. Okay. You hit this thing

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with this attack, and even though you feel like

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you didn't connect very strongly, it was enough

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to just obliterate the singular hand. The fuck

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was that? Did you guys just see that? And Zeb's

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standing with one of his swords pointed at the

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body that it came out of. He's not letting his

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guard down yet. You're watching the fingers that

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came off the sort of main part of the hand of

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the ground start twitching. The hand still has

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a thumb on it, and it's like twitching, twitching.

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And then slowly the twitching starts to stop

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and slow, and it settles. I think Jules is still

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on the ground just... And then he's going to

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kick the hand, kick what's left of it. Fuck you.

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Holy shit. Jules, hey, hey, you okay? Hey, hey.

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Chester's grabbing onto you, just kind of trying

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to steady you. The fuck was that? John Franklin's

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poking at it with the back of his polearm, his

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spear, and he's just staring down. Indeed. What

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the fuck? Thompson, did you see that, Thompson?

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At this point, I'll say Thompson's just getting

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the horses under control, jumping off, and...

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Running your way. Just like, I didn't... What

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the hell? I see. It's worse than I thought. Oh,

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hang on a sec. Worse than you thought? What did

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you think? Tungsten, before answering, basically

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reaches over and puts a hand out on Jules. Just

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hold still, alright? And I'm going to cast...

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What are you doing? I'm going to cast Cure Wounds.

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Hey -o. Oh. Thank you, Tungsten. No reason for

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pulling up Sacred Flame instead of Cure Wounds,

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which is not helpful to me at all. Don't cast

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Sacred Flame on Jules. I'm going to cast Sacred

00:11:01.240 --> 00:11:06.100
Flame on Jules. Make a dex save. Well, that's

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six points of healing on you. Okay, that's something.

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Now, I can do two more if anyone needs it. Zab,

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you all right? Yeah, I'm somewhere around halfway.

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I guess I could use a little top off if you don't

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mind. They reach out. Ooh, way better. That is

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actually 10 points. Oh, damn. Damn. That's excellent

00:11:29.870 --> 00:11:32.450
for me. Chester didn't get hit, so Chester doesn't

00:11:32.450 --> 00:11:34.830
need anything. All right. I don't think so. I'd

00:11:34.830 --> 00:11:36.769
have to double -check. If John Franklin doesn't

00:11:36.769 --> 00:11:38.669
need it, I would be happy to take the other one.

00:11:38.950 --> 00:11:41.850
Oh, yeah, that's fine. John's at 13 out of 24.

00:11:41.990 --> 00:11:45.070
What are you at? 7 out of 14. Okay, yeah. Yeah,

00:11:45.210 --> 00:11:46.850
Jules looks worse, so, again, Tungsten reaches

00:11:46.850 --> 00:11:51.450
out. A warm light pulses through you, and that's

00:11:51.450 --> 00:11:54.860
going to be another 7 on Jules. All right, I'm

00:11:54.860 --> 00:11:59.480
full. So, David, should I roll an investigation?

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Should I roll medicine on this weird, creepy,

00:12:04.200 --> 00:12:07.500
dead zombie hand? This would actually fall under

00:12:07.500 --> 00:12:13.200
religion. Huh, just as bad. I'm curious to know

00:12:13.200 --> 00:12:16.919
what Tungsten has to say about this. What's Tungsten's

00:12:16.919 --> 00:12:19.379
religion bonus? You can actually give me a few

00:12:19.379 --> 00:12:21.240
things. Religion will give you information on

00:12:21.240 --> 00:12:23.039
the creature in general. Investigation will give

00:12:23.039 --> 00:12:25.480
you a little extra information on the scene and

00:12:25.480 --> 00:12:29.519
situation. Things like that. Where is sound pukey

00:12:29.519 --> 00:12:32.860
girl when you need her? Little religion joke.

00:12:34.080 --> 00:12:37.799
Jewel's got a 12 on religion. Yeah, I got, like,

00:12:37.860 --> 00:12:43.200
nothing, so. Damn it. Jules, with a 12, and maybe

00:12:43.200 --> 00:12:45.299
this is something that you're somewhat accustomed

00:12:45.299 --> 00:12:48.940
to anyway, because of your upbringing, but you

00:12:48.940 --> 00:12:53.500
do recognize this was an undead creature. Sometimes

00:12:53.500 --> 00:12:55.340
these things can be attributed to necromancers,

00:12:55.419 --> 00:12:58.299
basically sort of a lesser summon to dead, known

00:12:58.299 --> 00:13:01.100
as a crawling claw. The hand is something severed,

00:13:01.100 --> 00:13:04.139
but brought back to life and able to act on its

00:13:04.139 --> 00:13:07.940
own. What the hell is an undead doing here? Tungsten,

00:13:08.059 --> 00:13:12.720
what's going on? Tungsten's just staring down

00:13:12.720 --> 00:13:16.720
at it. What do you know about this? Right. Sorry.

00:13:17.600 --> 00:13:21.360
And sorry I couldn't help back there. I had to

00:13:21.360 --> 00:13:23.220
keep the horses from stampeding. I don't know

00:13:23.220 --> 00:13:25.299
if y 'all know, but horses and check can be very

00:13:25.299 --> 00:13:27.919
dangerous things. Oh, we know. All right, yeah.

00:13:28.519 --> 00:13:32.039
But hey, and they do pull up the diamond again.

00:13:32.299 --> 00:13:37.899
I got it, if that matters. I mean, as long as

00:13:37.899 --> 00:13:41.059
we get out of here, that'll be a great help.

00:13:41.309 --> 00:13:46.750
but no insight as far as what the hell is this

00:13:46.750 --> 00:13:51.330
thing? I got insight. It's nothing concrete,

00:13:51.750 --> 00:13:54.570
nothing to tell us exactly what we're dealing

00:13:54.570 --> 00:13:57.429
with here, but have y 'all ever heard of the

00:13:57.429 --> 00:14:02.710
Shadowfail? V -E -I -L? F -E -L. Shadowfail.

00:14:03.750 --> 00:14:06.789
It's a lot to get into here, but I'll explain

00:14:06.789 --> 00:14:09.330
when we get moving again. First things first.

00:14:09.960 --> 00:14:14.059
And Tungsten looks over at the horse corpse.

00:14:14.419 --> 00:14:17.740
The one laid out against a stone about 30 feet

00:14:17.740 --> 00:14:19.960
off from where you stand off the side of the

00:14:19.960 --> 00:14:23.700
trail. Where blood is splattered black in the

00:14:23.700 --> 00:14:27.759
moonlight. That looks fresh. Probably Lady Drys.

00:14:28.299 --> 00:14:31.799
Well, she couldn't have gotten far then. And

00:14:31.799 --> 00:14:33.840
Tungsten begins to move towards that corpse.

00:14:34.480 --> 00:14:36.960
You guys want to make any checks? Tungsten will

00:14:36.960 --> 00:14:41.080
assist you in any check you make. So one of you

00:14:41.080 --> 00:14:43.799
will have advantage. Survival would be a good

00:14:43.799 --> 00:14:46.419
pick here, or investigation, potentially. Yeah.

00:14:47.139 --> 00:14:50.919
Zebul roll investigation. See if we can find

00:14:50.919 --> 00:14:57.200
anything to actually follow. Jesus. No good for

00:14:57.200 --> 00:14:59.840
Zebulon. So investigation will tell you more

00:14:59.840 --> 00:15:02.299
about what happened to the horse itself. Survival

00:15:02.299 --> 00:15:03.720
will let you see if there's any tracks. You can

00:15:03.720 --> 00:15:05.500
roll survival as well. Okay, perfect. I just

00:15:05.500 --> 00:15:08.019
rolled a nat 20 on investigation. Oh, nice. You

00:15:08.019 --> 00:15:09.879
can take advantage on survival because Thompson's

00:15:09.879 --> 00:15:11.860
looking for tracks as well. That's very generous.

00:15:12.879 --> 00:15:16.240
You only get one. Oh, my God. What's that? Another

00:15:16.240 --> 00:15:19.960
20. Holy crap. So you're not going to say it?

00:15:20.350 --> 00:15:22.210
Yeah, we're both covered in crit. Oh, there you

00:15:22.210 --> 00:15:25.710
go. Thank you. I was waiting. You know I couldn't

00:15:25.710 --> 00:15:28.129
keep going without it. A couple of crit. Yeah,

00:15:28.129 --> 00:15:29.669
that was kind of like when you go in the bathroom

00:15:29.669 --> 00:15:31.789
and you have, like, crit wars. And you, yeah,

00:15:31.830 --> 00:15:34.509
you take a crit with your buddy. Yeah. I regret

00:15:34.509 --> 00:15:37.850
everything. So much regret. One cheek apiece.

00:15:37.970 --> 00:15:41.629
So, so much regret. Start with investigation.

00:15:42.649 --> 00:15:45.029
You can tell that this thing was killed by the

00:15:45.029 --> 00:15:47.870
same coyotes that attacked you. Uh, the horse

00:15:47.870 --> 00:15:51.029
was apparently torn. Looks like it had been traveling

00:15:51.029 --> 00:15:53.690
on the road. Um, when these things attacked,

00:15:53.889 --> 00:15:55.509
it probably, they probably came in from the South,

00:15:55.549 --> 00:15:56.990
which made this thing veer off to the North.

00:15:57.070 --> 00:16:00.450
It got closed in. Um, and you could see basically

00:16:00.450 --> 00:16:02.110
the way the blood splatter was like surrounded

00:16:02.110 --> 00:16:04.490
by these things all kind of jumped on it together

00:16:04.490 --> 00:16:07.509
and ate the corpse down to the point where there's

00:16:07.509 --> 00:16:09.830
mostly bone. There's some meat low, low down,

00:16:09.929 --> 00:16:14.909
but it is, um, fresh kill with your twenties

00:16:14.909 --> 00:16:18.529
at Mulan. You and Tungsten do find tracks, boot

00:16:18.529 --> 00:16:21.289
tracks. It looks like they leapt over the stone

00:16:21.289 --> 00:16:23.730
itself, over the boulder to the other side, and

00:16:23.730 --> 00:16:26.809
very subtly start to move into, like, brush,

00:16:27.029 --> 00:16:29.509
into where tracks can be lost. How high was that

00:16:29.509 --> 00:16:32.009
boulder? It wasn't huge. And, like, whoever did

00:16:32.009 --> 00:16:35.529
it was on horseback when they jumped off. The

00:16:35.529 --> 00:16:38.789
horse went down. The rider basically, like, grabbed

00:16:38.789 --> 00:16:41.210
onto stone, leapt over, landed on the other side,

00:16:41.309 --> 00:16:44.440
and moved away. And you do not see. Dire coyote

00:16:44.440 --> 00:16:47.639
tracks following that path. Looks like they managed

00:16:47.639 --> 00:16:53.500
to basically lose the dire coyotes at the cost

00:16:53.500 --> 00:16:57.559
of the mount. And actually, very quickly, when

00:16:57.559 --> 00:17:02.139
you see that, Tungsten smiles and says, You know,

00:17:02.159 --> 00:17:06.039
I had a hunch. I knew it. Would you know that

00:17:06.039 --> 00:17:08.579
Lady Dre was alive? And Tungsten just looks at

00:17:08.579 --> 00:17:10.319
you with this sort of knowing smile and says,

00:17:11.180 --> 00:17:14.150
Little big for women's feet, ain't they? Well,

00:17:14.170 --> 00:17:19.289
I think that's kind of rude. Yeah. I don't spend

00:17:19.289 --> 00:17:21.589
too much time looking at their feet. I mean,

00:17:21.609 --> 00:17:24.910
my feet are pretty small. People come in all

00:17:24.910 --> 00:17:27.250
shapes and sizes. I think we need to sit down

00:17:27.250 --> 00:17:30.109
and have a conversation. All right. Say what

00:17:30.109 --> 00:17:34.930
you will. Say what you will. We just did. You

00:17:34.930 --> 00:17:36.049
want to say something. What are you going to

00:17:36.049 --> 00:17:41.289
say? I cut you off. So you said these tracks

00:17:41.289 --> 00:17:44.430
continued on. The direction they continued, is

00:17:44.430 --> 00:17:48.569
it a direction that the horse could follow? It

00:17:48.569 --> 00:17:51.569
looks like it is traveling parallel to the road,

00:17:51.589 --> 00:17:54.190
but off the main road where they can stay secret.

00:17:54.750 --> 00:17:58.849
Heading towards Cradle Lace Lake. So Lady Dre

00:17:58.849 --> 00:18:03.069
is continuing on. I mean, at this point, we could

00:18:03.069 --> 00:18:08.890
probably catch him. You say him. I said PM. I

00:18:08.890 --> 00:18:12.630
said PM. Catch them. Catch them. Well, now that

00:18:12.630 --> 00:18:15.430
whole thing has to stay in there. So the listeners

00:18:15.430 --> 00:18:17.369
don't actually think that you said him. You can

00:18:17.369 --> 00:18:18.750
probably catch him. Because it sounded like him

00:18:18.750 --> 00:18:23.269
to me. Say him! Just like glaring at you. Did

00:18:23.269 --> 00:18:28.049
you say it? Gotcha! Real gotcha journalism at

00:18:28.049 --> 00:18:31.730
its finest. Tungsten moves away from there, too,

00:18:31.809 --> 00:18:34.829
and moves over to the fallen horse in front.

00:18:35.890 --> 00:18:41.210
Shit. I'm really sorry, Tungsten. This isn't...

00:18:41.609 --> 00:18:44.890
This isn't what we wanted. Just, like, quiet

00:18:44.890 --> 00:18:50.390
for a moment. Then... What am I... What am I

00:18:50.390 --> 00:18:54.789
doing? I mean, I want this song so bad. But...

00:18:54.789 --> 00:18:59.829
This is bad, isn't it? This is real bad. Um,

00:18:59.849 --> 00:19:03.690
yeah, Tungsten, this is... This isn't safe, what

00:19:03.690 --> 00:19:08.170
we're doing. That's why we're here. And Lady

00:19:08.170 --> 00:19:10.369
Dre, she's in real trouble. And maybe more than

00:19:10.369 --> 00:19:14.250
that. This points the severed hand off behind

00:19:14.250 --> 00:19:17.130
the wagon. This ain't isolated, is it? This is

00:19:17.130 --> 00:19:20.069
something big. Well, I guess we don't really

00:19:20.069 --> 00:19:23.210
know that yet. But, Thompson, we're out here

00:19:23.210 --> 00:19:28.170
risking our lives. This isn't to be taken lightly.

00:19:28.789 --> 00:19:34.349
They just nod. Right. Okay. I'm a proclaimer

00:19:34.349 --> 00:19:37.630
of the Covenant Gods. First and foremost, I need

00:19:37.630 --> 00:19:40.210
to offer aid and succor to those in dire straits.

00:19:40.309 --> 00:19:45.309
I... I want this story, and... No, no. When this

00:19:45.309 --> 00:19:47.549
is over, if y 'all want to tell me everything,

00:19:47.670 --> 00:19:49.289
you can. If y 'all want to tell someone else

00:19:49.289 --> 00:19:53.769
everything, you can. It's fine. But I'm with

00:19:53.769 --> 00:19:57.049
ya. If y 'all have me, I'm with ya, because this

00:19:57.049 --> 00:20:00.549
is my job. You are not obligated to risk your

00:20:00.549 --> 00:20:03.630
life to go with us. I'm afraid we disagree on

00:20:03.630 --> 00:20:07.990
that. We can't guarantee your safety. That's

00:20:07.990 --> 00:20:11.740
fine. Though... Then looks back at the wagon.

00:20:12.140 --> 00:20:15.099
Only one mount. We ain't all riding anymore.

00:20:16.259 --> 00:20:19.539
Percy here can pole on its own, but not a four

00:20:19.539 --> 00:20:23.500
wagon, just empty. Well, I guess we better hurry

00:20:23.500 --> 00:20:28.400
to try to catch up. Um, Tungsten, can you speed

00:20:28.400 --> 00:20:32.059
ahead and try to catch up to Lady Dre and maybe

00:20:32.059 --> 00:20:34.779
slow her down? Honestly, with just one mount,

00:20:34.960 --> 00:20:37.490
I think we're all going the same pace. On these

00:20:37.490 --> 00:20:40.130
roads, you see the roads are rough, just filled

00:20:40.130 --> 00:20:43.910
with holes, filled with water. Even walking is

00:20:43.910 --> 00:20:47.269
not going to be fun. What if we leave the carriage

00:20:47.269 --> 00:20:52.390
here? You just go on horseback. We can. It's

00:20:52.390 --> 00:20:58.390
your call. I just feel like my human side feels

00:20:58.390 --> 00:21:00.329
like the carriage provides some sort of safety.

00:21:00.910 --> 00:21:02.930
some sort of shelter, but... You're not wrong.

00:21:03.150 --> 00:21:04.950
If you want to take a long rest again, you might

00:21:04.950 --> 00:21:06.650
want to keep this carriage. Yeah, that's fair.

00:21:06.849 --> 00:21:10.049
And with Lady Dre being, what, three or four

00:21:10.049 --> 00:21:13.930
hours ahead of us, I'm not sure if just Tungsten

00:21:13.930 --> 00:21:16.470
alone is going to catch up to her, and even then,

00:21:16.509 --> 00:21:19.490
what is Tungsten going to do? It was just an

00:21:19.490 --> 00:21:22.109
option. Yeah, no, no, no. One that I'm still

00:21:22.109 --> 00:21:25.730
wrestling with, but it feels like the smartest

00:21:25.730 --> 00:21:29.009
option is to just travel together with the carriage.

00:21:29.369 --> 00:21:33.769
I think you're right. All right, I can stand

00:21:33.769 --> 00:21:37.950
out front and lead the way, make sure everything's

00:21:37.950 --> 00:21:43.109
safe. Jaune, maybe you can take up the rear.

00:21:44.009 --> 00:21:48.049
Very well, I shall do so. Spins a spear. He's

00:21:48.049 --> 00:21:50.670
in serious mode. He's very happy to get off that

00:21:50.670 --> 00:21:55.190
damn wagon. No more throw -ups or throws -ups?

00:21:55.369 --> 00:21:59.660
Much happier on his two feet. And so? The wagon

00:21:59.660 --> 00:22:02.960
begins to move. Tungsten bids a final goodbye

00:22:02.960 --> 00:22:08.200
to their fallen horse. Just like, sorry, Audrey.

00:22:09.500 --> 00:22:11.559
You're a good mountain, good lady. I'll bury

00:22:11.559 --> 00:22:16.220
you later. I promise. Begins to lead the remaining

00:22:16.220 --> 00:22:20.380
horse. Zebulon scouting ahead. John Franklin

00:22:20.380 --> 00:22:24.259
at the rear. Jules and Chester, I imagine, walking

00:22:24.259 --> 00:22:29.809
side by side with the wagon. Yeah. I think we're

00:22:29.809 --> 00:22:32.730
on the same side. Okay. As each other. Hell yeah.

00:22:33.329 --> 00:22:36.069
As we move tungsten, again, quiet for a moment,

00:22:36.130 --> 00:22:39.690
getting their thoughts together, then, now, this

00:22:39.690 --> 00:22:41.230
ain't something they make mention of on that

00:22:41.230 --> 00:22:44.029
fancy crystal network of yours, right? I think

00:22:44.029 --> 00:22:45.789
it ain't something the speakers for the ancestors

00:22:45.789 --> 00:22:48.490
want in the open. Paints a dangerous lie in all

00:22:48.490 --> 00:22:51.710
the worlds, not just mine, not just God's breath.

00:22:52.170 --> 00:22:55.750
You mean this has been happening and speakers

00:22:55.750 --> 00:22:58.579
know about it? Oh, they know. They gotta know.

00:22:59.299 --> 00:23:03.039
Most of us here know. The rattle ain't just some

00:23:03.039 --> 00:23:06.099
dangerous place just because. Like all things,

00:23:06.240 --> 00:23:10.079
there's a reason for it. Now, I mentioned the

00:23:10.079 --> 00:23:13.460
Shadowfell. This is another plane. It's a plane

00:23:13.460 --> 00:23:16.059
overlaying the material plane we all live on,

00:23:16.160 --> 00:23:18.940
right? Every one of our worlds all exist in a

00:23:18.940 --> 00:23:22.299
plane known as the material plane, where all

00:23:22.299 --> 00:23:25.880
other planes of existence sort of coalesce. You

00:23:25.880 --> 00:23:29.420
have the elemental planes. Fire, water, air,

00:23:29.539 --> 00:23:32.500
and earth. They feed into us. They feed into

00:23:32.500 --> 00:23:36.240
this world here. Give it shape and form. You

00:23:36.240 --> 00:23:39.880
have the higher planes, ideals. Evil, chaos,

00:23:40.099 --> 00:23:43.240
law, and good. And they feed into this world

00:23:43.240 --> 00:23:46.460
as well, into the hearts of all men, women, all

00:23:46.460 --> 00:23:50.980
folk, all monsters. There's other planes too,

00:23:51.059 --> 00:23:55.740
strange ones. Feywild, where... Strange, magical

00:23:55.740 --> 00:24:00.319
whimsy rules all. Brilliant color paints the

00:24:00.319 --> 00:24:05.420
sky. And the opposite. The Shadowfell. The land

00:24:05.420 --> 00:24:09.539
of nightmares. A dark world overlaying our own.

00:24:10.539 --> 00:24:12.680
Normally these planes ain't something you can

00:24:12.680 --> 00:24:15.880
easily reach out and touch, right? Crossing them

00:24:15.880 --> 00:24:18.460
is hard. Especially here in these worlds of ours.

00:24:18.579 --> 00:24:21.880
But for some reason God's breath seems to be

00:24:21.880 --> 00:24:26.690
merging. With the shadow veil slowly overtaken.

00:24:27.269 --> 00:24:30.490
I told you before, the rattle was smaller. This

00:24:30.490 --> 00:24:32.970
farm we're heading to was in the ribbon before.

00:24:34.049 --> 00:24:37.349
But it's spreading out. And you've seen how the

00:24:37.349 --> 00:24:40.410
soil in our lands isn't growing. A lot of people

00:24:40.410 --> 00:24:43.849
say it's because of the shadow veil. The land

00:24:43.849 --> 00:24:47.009
of death seeping into our ground. Even with our

00:24:47.009 --> 00:24:50.009
safest nightwater cove. If you really look at

00:24:50.009 --> 00:24:52.150
those waters, you see how dark they are. You

00:24:52.150 --> 00:24:57.119
see their... Hiding things. Dark things. So if

00:24:57.119 --> 00:24:59.019
this is happening, why isn't anybody doing anything

00:24:59.019 --> 00:25:02.380
about it? Yeah, how come they haven't sent luminaries

00:25:02.380 --> 00:25:06.240
to come deal with this? What's to say this is

00:25:06.240 --> 00:25:10.279
just going to stop with God's breath? Now, I

00:25:10.279 --> 00:25:12.359
can't speak too much for the other worlds, but

00:25:12.359 --> 00:25:17.119
from what I understand, this ain't just a God's

00:25:17.119 --> 00:25:20.319
breath problem. It might not be the Shadowfell,

00:25:20.380 --> 00:25:23.140
but... I've heard word that the other worlds,

00:25:23.319 --> 00:25:27.480
they're getting changed too. By other planes.

00:25:28.619 --> 00:25:31.279
Jules, I want you to make me a history check.

00:25:33.299 --> 00:25:36.220
That's a 14 on the die plus two, 16. I was looking

00:25:36.220 --> 00:25:40.859
for a 15. Oh, nice. Score. This actually rings

00:25:40.859 --> 00:25:43.839
a bell with you. This conversation. And your

00:25:43.839 --> 00:25:46.220
mind wanders back to maybe something you've overheard

00:25:46.220 --> 00:25:51.099
from your parents. How fortunate they were. On

00:25:51.099 --> 00:25:58.980
Tithos. Because Tithos lands were abundant with

00:25:58.980 --> 00:26:02.039
minerals, with gemstones, with mines filled with

00:26:02.039 --> 00:26:05.940
all sorts of gems, diamonds and the like. The

00:26:05.940 --> 00:26:08.180
exact gems that the crystal network is sort of

00:26:08.180 --> 00:26:10.380
based on, what it's founded on. Each world has

00:26:10.380 --> 00:26:12.579
a corresponding gemstone that needs to be mined

00:26:12.579 --> 00:26:15.859
and shipped to that world in massive quantities

00:26:15.859 --> 00:26:18.579
to create the projectors that... gain signal

00:26:18.579 --> 00:26:21.359
from the auroral diamond itself. And recording

00:26:21.359 --> 00:26:24.759
diamonds? You need a good, solid 300 gold at

00:26:24.759 --> 00:26:27.099
least worth diamond to basically transform into

00:26:27.099 --> 00:26:32.019
that. And all this stuff. Tythos was the primary

00:26:32.019 --> 00:26:34.900
supplier for all the worlds. And you remember

00:26:34.900 --> 00:26:37.759
hearing your parents talk about how they were

00:26:37.759 --> 00:26:42.240
gifted all this by a connection to the elemental

00:26:42.240 --> 00:26:45.819
plane of Earth. The supply of gemstones would

00:26:45.819 --> 00:26:49.259
almost like refresh in time. It never stopped.

00:26:49.940 --> 00:26:52.119
While God's breath seems to have gotten the raw

00:26:52.119 --> 00:26:56.180
end of the deal, Tithos maybe also had a similar

00:26:56.180 --> 00:26:59.220
situation, a similar connection to one of these

00:26:59.220 --> 00:27:04.220
outer planes. And Tithos made good on it. I mean,

00:27:04.279 --> 00:27:08.119
you've seen the city of towers. And from what

00:27:08.119 --> 00:27:11.059
you heard, this is what made that economy possible.

00:27:11.799 --> 00:27:15.750
So, if... Typho's had a connection to the Earth

00:27:15.750 --> 00:27:19.390
plane. If God's Breath has a possible connection

00:27:19.390 --> 00:27:23.009
to the Underfell. Uh -huh. Shadowfell. Shadowfell.

00:27:23.150 --> 00:27:29.450
Uh -huh. And we ran into those awful, horrible,

00:27:29.650 --> 00:27:35.289
miserable fey on Subsunko. Uh -huh. That's three

00:27:35.289 --> 00:27:41.150
worlds, three planes. Hey, uh, Steven, take this

00:27:41.150 --> 00:27:45.089
button. Good stuff. The Feywild does have a connection

00:27:45.089 --> 00:27:49.769
to Sapsunko. And actually, I want you to roll

00:27:49.769 --> 00:27:51.410
a history check as well, Zebulon. Oh, this will

00:27:51.410 --> 00:27:54.970
go well. Two on the die, minus two. Never mind.

00:27:55.450 --> 00:28:00.690
Never mind. History what? It's like, it's great,

00:28:00.730 --> 00:28:04.150
because Zebulon himself was essentially told

00:28:04.150 --> 00:28:09.789
something earlier in the show. R -I? History.

00:28:11.789 --> 00:28:15.049
Yeah, so you hear all that. Ward goes quiet for

00:28:15.049 --> 00:28:20.410
a moment. Just nods. I don't know how it stops.

00:28:21.390 --> 00:28:25.730
And we've had occasional undead wandering out

00:28:25.730 --> 00:28:31.470
from the rattle. But those men with bloody eyes,

00:28:31.630 --> 00:28:34.609
that was new. That was something bad. Is it somebody

00:28:34.609 --> 00:28:37.470
doing this, or is this just happening? You know?

00:28:38.490 --> 00:28:41.740
It's hard to say. I mean... I believe there are

00:28:41.740 --> 00:28:44.339
good presences out there watching out for us,

00:28:44.380 --> 00:28:47.200
and maybe there's evil ones too. I mean, the

00:28:47.200 --> 00:28:49.980
Covenant Gods, they brought us here to these

00:28:49.980 --> 00:28:53.240
lands so long ago, and I won't believe that they

00:28:53.240 --> 00:28:56.900
knew this was coming. I think this is something

00:28:56.900 --> 00:28:59.839
they hadn't foreseen. And that's why we make

00:28:59.839 --> 00:29:02.880
our songs and our stories, because we hope to

00:29:02.880 --> 00:29:05.460
bring them back. I'm glad we're here, Julie.

00:29:05.619 --> 00:29:10.410
Maybe we can figure it out. I mean... I'm not

00:29:10.410 --> 00:29:13.150
going to say that we're the cream of the crop,

00:29:13.269 --> 00:29:18.450
but I just don't understand how the other luminaries,

00:29:18.450 --> 00:29:24.210
how Atash, how Sholei, can let this go on if

00:29:24.210 --> 00:29:26.730
they know about it. Feels like we're the only

00:29:26.730 --> 00:29:30.210
ones trying to do something about it. It's not

00:29:30.210 --> 00:29:35.230
fair. It's legitimately very strange because

00:29:35.230 --> 00:29:39.130
something like this should be out there. We have...

00:29:39.450 --> 00:29:41.769
You live in a society with this network that

00:29:41.769 --> 00:29:45.589
connects all worlds, where information can be

00:29:45.589 --> 00:29:49.549
shared freely between all worlds. Why weren't

00:29:49.549 --> 00:29:53.109
you aware of this? Send them all over, for sure.

00:29:53.849 --> 00:29:56.930
I guess we just really have to find Lady Drag,

00:29:57.009 --> 00:30:00.029
because I'd like to know what she has to say

00:30:00.029 --> 00:30:03.890
about all this. Thompson just nods. Gotta find

00:30:03.890 --> 00:30:08.210
her. Some stories, they deserve an ending, and...

00:30:08.809 --> 00:30:12.589
They look at you just right into your eyes and

00:30:12.589 --> 00:30:18.309
say, and good folk, they deserve to move on.

00:30:19.130 --> 00:30:22.150
When you find Lady Dre, y 'all should tell her

00:30:22.150 --> 00:30:24.690
that. Well, that sounded kind of cryptic. What

00:30:24.690 --> 00:30:27.630
did you mean by that? I was trying to sound cool.

00:30:27.710 --> 00:30:30.809
Why do y 'all call it out? It just sounded like

00:30:30.809 --> 00:30:32.089
you knew something more than you were letting

00:30:32.089 --> 00:30:35.930
on. Yeah. I mean, I got my suspicions about Lady

00:30:35.930 --> 00:30:40.089
Dre. Y 'all can keep hiding it. Well, I think

00:30:40.089 --> 00:30:41.990
that was part of the deal that we made a couple

00:30:41.990 --> 00:30:45.410
episodes ago. You still haven't told us what

00:30:45.410 --> 00:30:48.849
you know. You know, people... Sure, people deserve

00:30:48.849 --> 00:30:53.109
to move on. But they... God damn it, now I'm

00:30:53.109 --> 00:30:57.609
trying to be serious. Steven! Damn it, Steven!

00:30:59.210 --> 00:31:03.920
Give me that button back! Hey! Zebulon asked

00:31:03.920 --> 00:31:06.779
them, said, hey, we'll share our story with you

00:31:06.779 --> 00:31:09.900
if you tell us about Kali, Kali Sr. And that

00:31:09.900 --> 00:31:16.740
never happened. So, anyways. Sure, people deserve

00:31:16.740 --> 00:31:20.339
to move on. But it's pretty fucking sad that

00:31:20.339 --> 00:31:25.019
they have to move on. That this life can't be

00:31:25.019 --> 00:31:29.119
a place to stay. But it seems like it's getting

00:31:29.119 --> 00:31:32.970
ruined by something. Or someone. Well, that's

00:31:32.970 --> 00:31:35.670
a metaphysical argument that I am not emotionally

00:31:35.670 --> 00:31:38.029
or mentally prepared to have. Come on, Zeb. Let's

00:31:38.029 --> 00:31:41.650
get super serious. Come on. We have not had a

00:31:41.650 --> 00:31:43.789
deep discussion yet. Let's go get high. I'm going

00:31:43.789 --> 00:31:45.549
to be honest. I'm going to be honest. I think

00:31:45.549 --> 00:31:51.750
that the fleeting life is what makes it all so

00:31:51.750 --> 00:31:55.390
special. You're totally missing what I'm saying,

00:31:55.430 --> 00:31:58.210
though. The fact that if the afterlife is better,

00:31:58.349 --> 00:32:01.730
they deserve to move on to get away from this.

00:32:02.220 --> 00:32:05.740
Oh, okay. I took it differently. Zebulon took

00:32:05.740 --> 00:32:09.220
it differently. This is going to be so much fucking

00:32:09.220 --> 00:32:13.180
fun to edit. God. Jesus Christ. Leave it in.

00:32:13.819 --> 00:32:19.500
Hi, Post. We're just going to turn a two and

00:32:19.500 --> 00:32:21.539
a half hour long episode because we just say,

00:32:21.559 --> 00:32:23.440
fuck it, we're not cutting anything. We're just

00:32:23.440 --> 00:32:27.700
like trying to have like a half -baked philosophical

00:32:27.700 --> 00:32:31.079
argument. Oh, God. I just can't have a philosophical

00:32:31.079 --> 00:32:35.720
argument with six intelligence, so. Okay. I can

00:32:35.720 --> 00:32:38.319
sell you on religion. Y 'all looking for that?

00:32:38.519 --> 00:32:41.619
Higher power to look into. Covenant God, they

00:32:41.619 --> 00:32:45.700
might have found. We'll talk later. And you're

00:32:45.700 --> 00:32:48.660
moving on. No, we're going to sit down. Okay.

00:32:49.900 --> 00:32:54.880
Sit down and talk. We're moving on. Come on,

00:32:54.880 --> 00:32:58.039
Tungsten, preach. And they preach as you move

00:32:58.039 --> 00:33:03.339
on. Dense wood becomes less dense. Trees become

00:33:03.339 --> 00:33:07.440
sparse as grassland once again starts to overtake.

00:33:07.980 --> 00:33:10.779
And that road you're riding on, the farther you

00:33:10.779 --> 00:33:12.460
go, gets less and less maintained. It starts

00:33:12.460 --> 00:33:15.839
getting pretty rough and rugged. And soon you're

00:33:15.839 --> 00:33:17.779
essentially just pulling through like straight

00:33:17.779 --> 00:33:21.779
grassy field. Tungsten just nods. All right.

00:33:22.599 --> 00:33:26.079
This is it. Let's watch that farmland. Keep up

00:33:26.079 --> 00:33:28.740
this rise and when we crest it, you'll see the

00:33:28.740 --> 00:33:31.829
lake. Here's hoping our quarry's still there.

00:33:32.609 --> 00:33:38.289
You guys stay here. What? I can't hear. I'm behind

00:33:38.289 --> 00:33:40.410
the wagon. It looks like you're talking. John.

00:33:40.609 --> 00:33:44.690
John. Oh. John, just come closer if you can't

00:33:44.690 --> 00:33:50.630
hear. Yes, sorry. Here I am. That's the sound

00:33:50.630 --> 00:33:54.430
of turtle feet. I wasn't going to acknowledge

00:33:54.430 --> 00:33:58.720
it, but you acknowledged it. I was hoping that

00:33:58.720 --> 00:34:01.500
Jeremy would just cut that part. I saw you acknowledge

00:34:01.500 --> 00:34:06.980
it with your face. Leave it in. You guys stay

00:34:06.980 --> 00:34:11.480
here. I'll go take a peek over the hilltop. Sure,

00:34:11.559 --> 00:34:14.980
you don't need backup. John, John, John. Zeb's

00:34:14.980 --> 00:34:19.300
got this. He's got it. One word, one scream and

00:34:19.300 --> 00:34:21.099
we'll be there. Well, I mean, you're going to

00:34:21.099 --> 00:34:23.260
be able to see me. I'm going to be like, it's

00:34:23.260 --> 00:34:27.159
like a couple hundred feet, right? Anyway, go.

00:34:27.920 --> 00:34:31.219
All right. I'm going to roll stealth for Zeb.

00:34:31.340 --> 00:34:35.460
Go ahead and roll stealth. Hell yeah. 21. You

00:34:35.460 --> 00:34:38.880
continue up the rise. Let me stop the wagon moving

00:34:38.880 --> 00:34:41.420
noise because we don't need that now. The wagon

00:34:41.420 --> 00:34:45.019
is still. You continue up the rise. All around

00:34:45.019 --> 00:34:49.179
you see the meadow. It seems like it's turned

00:34:49.179 --> 00:34:52.119
into. You can imagine basically where this was

00:34:52.119 --> 00:34:56.340
once filled out farmland. You can see the rows

00:34:56.340 --> 00:34:59.760
and rows of vegetation, of wheat, of corn spread

00:34:59.760 --> 00:35:04.699
out all around you. As you get down low and look

00:35:04.699 --> 00:35:09.199
over the rise, you see the hill slopes downwards.

00:35:10.400 --> 00:35:15.619
And you see this great black pool resting in

00:35:15.619 --> 00:35:19.039
the middle of this land. The road looks like

00:35:19.039 --> 00:35:21.860
it moved right down. The semblance of road you

00:35:21.860 --> 00:35:25.440
can see right down into. this pool. And you remember

00:35:25.440 --> 00:35:28.260
the stories about Cradle East Lake. Once a brilliant

00:35:28.260 --> 00:35:32.300
farmhouse in the land itself opened up and swallowed

00:35:32.300 --> 00:35:35.579
it. Dropped into a sinkhole filled with water.

00:35:35.980 --> 00:35:41.159
A large family inside held back by the matron

00:35:41.159 --> 00:35:45.000
of the family who did not want to be apart. They

00:35:45.000 --> 00:35:50.019
all died there. And as you stare down at this

00:35:50.019 --> 00:35:57.820
cold, At this glassy, still water. As the wind

00:35:57.820 --> 00:36:03.139
blows past you. Maybe it's your imagination,

00:36:03.179 --> 00:36:12.599
but you just hear a hint of a scream. And right

00:36:12.599 --> 00:36:15.880
at the base of the road, where it meets the water

00:36:15.880 --> 00:36:21.340
and vanishes, you see a figure kneeling at water's

00:36:21.340 --> 00:36:29.639
edge. straw hat by their side. Just still staring

00:36:29.639 --> 00:36:35.219
out away from you towards the water. And it's

00:36:35.219 --> 00:36:40.360
still pitch dark around or it would be if it

00:36:40.360 --> 00:36:42.639
wasn't for these great massive moon hanging overhead.

00:36:42.920 --> 00:36:46.139
And that lake actually glows brilliantly in this

00:36:46.139 --> 00:36:48.079
light as it's basically just catching it in the

00:36:48.079 --> 00:36:50.320
middle of the sky. That's what you can make out

00:36:50.320 --> 00:36:52.219
the shape as a silhouette basically against that.

00:36:52.939 --> 00:36:57.099
So Zeb will turn around and hand motion, you

00:36:57.099 --> 00:37:00.300
know, like a follow, and he's going to move as

00:37:00.300 --> 00:37:05.519
quick as he can towards the figure. Move down,

00:37:05.599 --> 00:37:07.159
you wave to them, and you start moving down to

00:37:07.159 --> 00:37:11.539
the figure? Yeah. Cress at the top of the hill.

00:37:12.139 --> 00:37:15.800
John Franklin, Chester, Jules, Tungsten, all

00:37:15.800 --> 00:37:19.099
look down at the sight, Zebulon. You're moving

00:37:19.099 --> 00:37:24.920
down to this figure. What do you do? Um, if Zebulon

00:37:24.920 --> 00:37:29.579
gets close enough, he'll put a hand on their

00:37:29.579 --> 00:37:34.239
shoulder. You can feel, like, a great stiffness

00:37:34.239 --> 00:37:38.679
just melting under your hand. The voice just

00:37:38.679 --> 00:37:44.239
says, You weren't supposed to come. Not here.

00:37:44.940 --> 00:37:51.059
I thought you might just head back home. With

00:37:51.059 --> 00:37:54.789
all due respect, Miss Oren, you don't know us

00:37:54.789 --> 00:38:00.809
very well. Oren. The man turns his head, and

00:38:00.809 --> 00:38:04.750
he's not Storyteller Oren. He looks similar,

00:38:05.030 --> 00:38:08.130
but there's a number of subtle changes that spell

00:38:08.130 --> 00:38:11.110
out the story. This is a different man. There's

00:38:11.110 --> 00:38:13.789
his nose a touch smaller, his cheeks more full,

00:38:13.989 --> 00:38:18.809
his eyes larger, more watery, more weary. He

00:38:18.809 --> 00:38:21.619
looks up at the wagon coming down. As it catches

00:38:21.619 --> 00:38:25.320
the light, squints for a second. Maybe catches

00:38:25.320 --> 00:38:28.739
the sight of a rainbow scarf and nods. Proclaim

00:38:28.739 --> 00:38:31.679
a war, I found you. I take it if you came here,

00:38:31.900 --> 00:38:35.219
they probably told you about this place. Maybe

00:38:35.219 --> 00:38:39.039
told you the songs. Yeah, um, I don't think we

00:38:39.039 --> 00:38:42.699
would have found this place without them. And

00:38:42.699 --> 00:38:47.280
if you know the songs, you know me. The name's

00:38:47.280 --> 00:38:53.579
Coley. Coley Sr. This is where my boy died. It's

00:38:53.579 --> 00:38:57.099
nice to finally really introduce myself to y

00:38:57.099 --> 00:39:03.260
'all. We had some suspicion. The sound of the

00:39:03.260 --> 00:39:07.920
wagon grows louder as you guys are about halfway

00:39:07.920 --> 00:39:09.320
down the hill. Actually, when you get around

00:39:09.320 --> 00:39:12.900
that point, Tungsten pulls the reins, the horse

00:39:12.900 --> 00:39:16.840
stops dead, and Tungsten looks at you. This ain't

00:39:16.840 --> 00:39:20.369
my place. I want this story. Maybe I'll get it,

00:39:20.389 --> 00:39:23.889
but I ain't gonna force it. Y 'all go to the

00:39:23.889 --> 00:39:29.130
man. I'll be here. I give them a nod. I turn

00:39:29.130 --> 00:39:31.550
to Chester and John Franklin. Come on, let's

00:39:31.550 --> 00:39:37.750
go. All right. Let's go. You guys move down the

00:39:37.750 --> 00:39:44.030
hill and join Zebulon and Cully. Nice to meet

00:39:44.030 --> 00:39:51.349
you, Cully. Likewise. Is this a safe place for

00:39:51.349 --> 00:39:56.690
us to talk? No. I don't think anywhere is safe

00:39:56.690 --> 00:39:59.309
for me right now. That's why I didn't want you

00:39:59.309 --> 00:40:02.429
coming. I've got enough people killed in my life.

00:40:02.489 --> 00:40:06.510
I don't need to kill y 'all two. What did you

00:40:06.510 --> 00:40:08.110
really think we were going to do when you wrote

00:40:08.110 --> 00:40:12.250
off? A man can hope, right? Maybe y 'all would

00:40:12.250 --> 00:40:14.949
see reason. Though if you're keeping company

00:40:14.949 --> 00:40:20.139
with Ada, y 'all can't be that reasonable. Just

00:40:20.139 --> 00:40:23.059
like an empty laugh. Do you want to explain to

00:40:23.059 --> 00:40:27.679
us exactly what's going on here and why being

00:40:27.679 --> 00:40:30.940
around you is so dangerous? Well, I can't say

00:40:30.940 --> 00:40:36.000
nothing for sure. Honestly, when I saw that footage

00:40:36.000 --> 00:40:39.860
y 'all fighting, those men screaming my name,

00:40:40.000 --> 00:40:43.719
all I knew to do was to run here because it's

00:40:43.719 --> 00:40:46.400
got to be here. The answers have got to be here.

00:40:46.860 --> 00:40:49.849
I was planning on looking around. Though when

00:40:49.849 --> 00:40:53.849
I got here, I just fell to my knees, frozen.

00:40:54.789 --> 00:40:59.369
But y 'all came after me. Y 'all deserve to know.

00:41:00.170 --> 00:41:03.889
So let me do what I do best. Let me tell y 'all

00:41:03.889 --> 00:41:08.070
a story. When I was a young man, I was a bit

00:41:08.070 --> 00:41:10.690
of an adventurer. I liked stories of heroes,

00:41:10.949 --> 00:41:16.650
travelers. Yeah, I had ambitions of becoming

00:41:16.650 --> 00:41:19.880
a luminary. And I knew my way around, you know,

00:41:19.940 --> 00:41:25.360
the woods, the plains. But I thought I'd change

00:41:25.360 --> 00:41:28.260
when I had a kid. But the wanderlust came back.

00:41:29.039 --> 00:41:33.840
And my Susanna, she was fine with it. Raised

00:41:33.840 --> 00:41:36.619
our boy mostly on her own. And I wasn't there

00:41:36.619 --> 00:41:41.199
when the sickness took her. Or my sister. But

00:41:41.199 --> 00:41:45.039
I came back after. And suddenly I was guardian

00:41:45.039 --> 00:41:48.340
of not just my own boy. But to Lila's girl as

00:41:48.340 --> 00:41:52.019
well, Kiana. And I didn't lie. Those two were

00:41:52.019 --> 00:41:58.940
best friends. Cully. Cully Jr. And Kiana. And

00:41:58.940 --> 00:42:01.920
I tried being a good dad. I did. I tried being

00:42:01.920 --> 00:42:05.000
present. But I wanted to get out there again.

00:42:06.019 --> 00:42:08.920
And I heard tales of this place. Cradle Laced

00:42:08.920 --> 00:42:13.340
Leg. I mean, the songs. How do you not look into

00:42:13.340 --> 00:42:17.789
it? How do you not go? So I took them. Both of

00:42:17.789 --> 00:42:23.250
them here. To this damned cursed place. It was

00:42:23.250 --> 00:42:24.789
supposed to be just a little day trip, right?

00:42:24.909 --> 00:42:27.650
A little fun adventure. I thought I could work

00:42:27.650 --> 00:42:29.889
my way around the wildlife here. I'd been doing

00:42:29.889 --> 00:42:33.110
it for years. And I took my eyes off them for

00:42:33.110 --> 00:42:39.510
a second. Just a fucking second. I swear. Just

00:42:39.510 --> 00:42:42.650
wanted to take in the marvels of this land. And

00:42:42.650 --> 00:42:45.989
then I heard a screaming. Keona screaming bloody

00:42:45.989 --> 00:42:49.840
murder. And my boy was gone at the lake's edge,

00:42:49.900 --> 00:42:54.019
just gone. I dug into that muddy water. I screamed.

00:42:54.300 --> 00:42:58.699
I flailed. I fought. And when Keanu and I, when

00:42:58.699 --> 00:43:00.619
we gave up and we walked on, we didn't speak

00:43:00.619 --> 00:43:03.179
a damn word the entire trip back to Promise.

00:43:04.380 --> 00:43:07.219
I don't think we could have. Our throats were

00:43:07.219 --> 00:43:10.980
just raw, bloody meat. And I left after that.

00:43:11.059 --> 00:43:15.000
I couldn't stand the glass nor the pity and looks.

00:43:15.949 --> 00:43:20.269
The whole pile later, he just opened an inn on

00:43:20.269 --> 00:43:23.250
the Citadel, and I went to stay with him. I tried

00:43:23.250 --> 00:43:25.750
taking Keanu, but she wouldn't have it. She wanted

00:43:25.750 --> 00:43:30.630
nothing to do with the Citadel or with me. And

00:43:30.630 --> 00:43:32.489
I can't blame her, because I was supposed to

00:43:32.489 --> 00:43:36.369
be there. I was supposed to protect them. Instead,

00:43:36.510 --> 00:43:39.030
she had to watch her best friend and her cousin

00:43:39.030 --> 00:43:45.840
die. I never came back as Carly, not here. I

00:43:45.840 --> 00:43:48.780
found out in one of my adventures, and I became

00:43:48.780 --> 00:43:54.840
Orin on the Citadel. And I became Lady Dre once

00:43:54.840 --> 00:43:57.000
a year back here for the Awakening Festival.

00:43:58.219 --> 00:44:03.920
Only Kiana knows about the hat, about my real

00:44:03.920 --> 00:44:10.639
identity. Kiana, I know where she is. I got that

00:44:10.639 --> 00:44:14.280
information, and I've got to go to her. I have

00:44:14.280 --> 00:44:17.780
to. And I understand you guys can leave because

00:44:17.780 --> 00:44:21.340
something is hunting for me. You've seen that.

00:44:22.300 --> 00:44:25.280
I don't know if it's some demon hunting me down

00:44:25.280 --> 00:44:30.000
for the sins of my past or it's my boy. But I

00:44:30.000 --> 00:44:34.579
gotta go. We came with you for a reason. We'll

00:44:34.579 --> 00:44:39.840
follow through. Right, Zeb? What's your reason,

00:44:39.920 --> 00:44:45.179
Jules? You son of a bitch. What's your reason?

00:44:46.420 --> 00:44:52.800
To help him. I make good on my promises. Zip?

00:44:53.880 --> 00:44:57.639
Mr. Oren, this is a lot more than you'd let us

00:44:57.639 --> 00:45:03.320
to believe. Oh no. I'd hoped. I'd hoped Kiana

00:45:03.320 --> 00:45:07.679
was just... God, this sounds awful, but... I'd

00:45:07.679 --> 00:45:11.719
hoped she was just... Going mad. Something I

00:45:11.719 --> 00:45:16.880
could deal with. I'll do my best to keep you

00:45:16.880 --> 00:45:21.480
safe, Mr. Oren, or whatever you'd like to be

00:45:21.480 --> 00:45:28.179
called, but I just want to be paid in kind. He

00:45:28.179 --> 00:45:35.480
looks at you. What do you want? I want a sponsorship.

00:45:52.409 --> 00:45:57.090
I do. That's where you were going. The way that

00:45:57.090 --> 00:46:01.250
you were leading up to it. I got really scared

00:46:01.250 --> 00:46:08.730
for a second. Huh. He just kind of like stares

00:46:08.730 --> 00:46:14.780
you for a moment, then just chuckles. Y 'all

00:46:14.780 --> 00:46:17.980
know we might all die out here, right? Hell yeah,

00:46:18.179 --> 00:46:20.599
yeah. Whatever you need, I can get it. When we

00:46:20.599 --> 00:46:23.500
get back, I swear, I'll get you on the network.

00:46:24.440 --> 00:46:27.699
And if I can get you more money, use my influence,

00:46:27.820 --> 00:46:31.880
I'll do what I can to back you up. It takes real

00:46:31.880 --> 00:46:35.659
stones to do what y 'all doing here. Y 'all are

00:46:35.659 --> 00:46:40.519
real luminaries. Just curious, how did you get

00:46:40.519 --> 00:46:45.960
your influence? Honestly? Look, I spun some tales

00:46:45.960 --> 00:46:50.679
at Ada's pub. Got a little popular. Ada hated

00:46:50.679 --> 00:46:54.280
it. He didn't want people at his pub. He tries

00:46:54.280 --> 00:46:57.739
to keep it as desolate and quiet as he can, but

00:46:57.739 --> 00:47:00.300
started bringing people in. I think we changed

00:47:00.300 --> 00:47:04.199
that for him. Yeah, it surprises me. He must

00:47:04.199 --> 00:47:09.889
like those kids. But, yeah, I got found. They

00:47:09.889 --> 00:47:12.349
brought me into the network, tried me out, and

00:47:12.349 --> 00:47:14.989
folk of the worlds, y 'all know God's breath

00:47:14.989 --> 00:47:17.289
doesn't exactly play kind with all the other

00:47:17.289 --> 00:47:20.150
worlds out there. Sort of a mystique to us, like

00:47:20.150 --> 00:47:24.769
the way we talk. So, it was easy, honestly. I

00:47:24.769 --> 00:47:29.969
told stories. I got hired. I got famous. And

00:47:29.969 --> 00:47:33.630
all this, justice of the lake, fade to the background.

00:47:35.050 --> 00:47:38.320
Well, after this, um... Hopefully you can stay

00:47:38.320 --> 00:47:44.880
famous and we can share in that too. Yeah. He's

00:47:44.880 --> 00:47:50.079
open. He stands up, turns back to you with eyes

00:47:50.079 --> 00:47:55.519
running with tears, wrinkled cheeks, puts out

00:47:55.519 --> 00:48:00.079
a hand. At the same time, Zebulon goes to shake

00:48:00.079 --> 00:48:08.489
his hand. He asks, So, um, where's Kiana? Shakes.

00:48:08.489 --> 00:48:11.929
Not too far, actually. If we cut north from here,

00:48:12.090 --> 00:48:16.630
keep moving up, we'll find the collection of

00:48:16.630 --> 00:48:19.289
farms I know she's working for. I don't know

00:48:19.289 --> 00:48:22.449
which one exactly she's on, but folk there will

00:48:22.449 --> 00:48:26.889
know. The one that she said Cully was at? She

00:48:26.889 --> 00:48:30.130
said he was coming. And if he came from somewhere,

00:48:30.409 --> 00:48:34.130
he must have been here. If y 'all want to take

00:48:34.130 --> 00:48:39.260
a look around, I'd... I meant to once I got distracted.

00:48:40.019 --> 00:48:44.239
Can I roll a check on perception? Yeah, if you

00:48:44.239 --> 00:48:46.780
want to look around. Again, this will be like

00:48:46.780 --> 00:48:48.619
before. You can roll investigation. You can roll

00:48:48.619 --> 00:48:50.900
survival. Both of those will give you some information.

00:48:51.940 --> 00:48:53.559
Here's what's going to happen. Tungsten, I'll

00:48:53.559 --> 00:48:58.659
say, moves down now. And there's no words between

00:48:58.659 --> 00:49:01.719
Tungsten and Oren. Just like a respectful nod

00:49:01.719 --> 00:49:05.500
on both sides. But they will assist you. Both

00:49:05.500 --> 00:49:08.079
of them will assist one of you. So you guys can

00:49:08.079 --> 00:49:10.079
take... Basically how this works is you can also

00:49:10.079 --> 00:49:12.820
roll for your sidekicks in these cases. Only

00:49:12.820 --> 00:49:14.699
two people are going to get advantage from the

00:49:14.699 --> 00:49:16.239
help action that I'm going to give with my two

00:49:16.239 --> 00:49:18.659
NPCs. You can also have your sidekicks potentially

00:49:18.659 --> 00:49:22.119
give the help action to one another or however

00:49:22.119 --> 00:49:25.300
you want to set this out. You can make a total

00:49:25.300 --> 00:49:27.860
of four checks here, two of which will have the

00:49:27.860 --> 00:49:30.619
help action. Survival and investigation will

00:49:30.619 --> 00:49:38.769
both be the ones to try for. Okay. Second natural

00:49:38.769 --> 00:49:41.809
20. What the fuck? On investigation. How are

00:49:41.809 --> 00:49:46.389
you guys so good? Same goddamn check. And Sakura

00:49:46.389 --> 00:49:49.730
Blossom might not be perception, but it's investigation.

00:49:52.590 --> 00:50:00.949
Old men can investigate too. Lots of good old

00:50:00.949 --> 00:50:06.369
investigators. Sherlock Holmes. Yeah, yeah. House.

00:50:06.590 --> 00:50:09.909
Doctor Who sometimes. Doctor Who, depending on

00:50:09.909 --> 00:50:17.050
the season. Sometimes, yeah. House? Yeah. I was

00:50:17.050 --> 00:50:23.070
not expecting that. Oh, fuck. Okay. All right.

00:50:25.230 --> 00:50:30.449
On a natural 20 investigation, I want to give

00:50:30.449 --> 00:50:33.530
you everything. So don't worry about other rolls.

00:50:33.769 --> 00:50:36.969
Oh, yeah. Let's skip some. For real. Fuck, yeah.

00:50:37.349 --> 00:50:39.949
It's a nat 20. Okay, yeah, that's fine. It just

00:50:39.949 --> 00:50:41.829
makes sense. It is a lot of rolls. I'll take

00:50:41.829 --> 00:50:43.409
it. It's a lot of rolls. You're going to make

00:50:43.409 --> 00:50:46.030
those rolls. Hold on. Our audience wants one

00:50:46.030 --> 00:50:49.889
for all the marbles. Go make a roll. Not one

00:50:49.889 --> 00:50:52.650
roll. I just want to get in on it as well. It's

00:50:52.650 --> 00:50:56.190
a 20. Jeremy gets a button. All right. Oh, yeah.

00:50:56.409 --> 00:51:04.739
Three minus two. You dirty one. And I helped.

00:51:06.760 --> 00:51:08.599
I wish it was a one so I could have done horses,

00:51:08.619 --> 00:51:10.280
but it's all right. It's all right. It's fine.

00:51:10.400 --> 00:51:12.000
You guys kept the wagon with you, which means

00:51:12.000 --> 00:51:13.840
you kept the horse around, and that makes me

00:51:13.840 --> 00:51:17.340
delighted. That makes you exceptionally dangerous.

00:51:17.719 --> 00:51:22.840
Oh, so, so dangerous. Yeah. Jules. Yes. You,

00:51:22.920 --> 00:51:25.719
without even having the help of anybody, that

00:51:25.719 --> 00:51:29.260
was your first roll, you start moving along the

00:51:29.260 --> 00:51:34.019
edge of the water. And you see something very

00:51:34.019 --> 00:51:38.699
strange. You see marks where it looks like something

00:51:38.699 --> 00:51:43.300
started to crawl out from the lake, running up

00:51:43.300 --> 00:51:47.199
the muddy shore. And you see there's many somethings.

00:51:48.099 --> 00:51:53.860
Streaks in the mud, like fingers pulling themselves

00:51:53.860 --> 00:52:00.489
quickly up the shore. As they kind of reach just

00:52:00.489 --> 00:52:02.909
maybe like 15 feet or so away from the water,

00:52:03.030 --> 00:52:07.989
these marks, these fingers, disappear into deep

00:52:07.989 --> 00:52:12.309
burrows. Like snake holes or gopher holes going

00:52:12.309 --> 00:52:16.809
deep into the ground. And this is on the northern

00:52:16.809 --> 00:52:22.150
side of the lake, heading north. You also see,

00:52:22.309 --> 00:52:26.250
in the midst of all of these, something large.

00:52:27.199 --> 00:52:30.380
came out of this lake. Must have been the size

00:52:30.380 --> 00:52:34.940
of a man. You see many, many prints like this

00:52:34.940 --> 00:52:38.579
all coming together, dragging something. And

00:52:38.579 --> 00:52:41.460
the way these marks are splayed out around this

00:52:41.460 --> 00:52:44.960
dragged form makes you think that there's many

00:52:44.960 --> 00:52:49.800
hands pulling it. The form itself is unnatural

00:52:49.800 --> 00:52:53.440
from what you can tell. Something shambling,

00:52:53.760 --> 00:52:59.610
writhing. And it, too, vanishes into a burrow

00:52:59.610 --> 00:53:04.349
heading north. And that's what you know. Jules

00:53:04.349 --> 00:53:09.309
is going to call up. Guys? Guys? What is it?

00:53:09.989 --> 00:53:12.570
What do you got over there? Hey, Jules, what's

00:53:12.570 --> 00:53:14.710
up? You're going to want to see this. All right,

00:53:14.710 --> 00:53:19.010
I'm coming. Come on. I'm also coming. Chester's

00:53:19.010 --> 00:53:22.449
running over. Oh, he sounds like John Franklin.

00:53:25.350 --> 00:53:32.130
Turtle feet on the shore. Look. Oren and Tungsten

00:53:32.130 --> 00:53:36.530
both step over. Look down at it. Eyes following

00:53:36.530 --> 00:53:40.329
the line of marks where they disappear into the

00:53:40.329 --> 00:53:45.230
ground. Into burrows. Those eyes flicker to the

00:53:45.230 --> 00:53:50.889
north. Right. Is that where we're going? It's

00:53:50.889 --> 00:53:55.139
where he's waiting for us. Let's go. And Oren

00:53:55.139 --> 00:54:00.480
just, without a word, begins to march solemnly

00:54:00.480 --> 00:54:04.780
under the stars up the coast, across the farmlands

00:54:04.780 --> 00:54:09.619
of Cradolace Lake. I imagine you come too? Yeah,

00:54:09.679 --> 00:54:14.940
Zeb looks down at this pretty large burrow. Whatever

00:54:14.940 --> 00:54:19.559
creature crawled into it must be fairly sizable.

00:54:21.289 --> 00:54:24.349
and he thinks about what's waiting for him back

00:54:24.349 --> 00:54:29.389
home. And he, yeah, he rushes to catch up, and

00:54:29.389 --> 00:54:34.429
he walks right by Oren's side, right by Coley's

00:54:34.429 --> 00:54:38.550
side to protect him. Jules is no stranger to

00:54:38.550 --> 00:54:42.809
the darkness. He pulls right up. Chester, by

00:54:42.809 --> 00:54:45.809
your side. John Franklin hanging in the rear

00:54:45.809 --> 00:54:50.489
as before. Spear out. Nervous look in his eye.

00:54:51.309 --> 00:54:56.170
In Tungsten, with the carriage rattling as it

00:54:56.170 --> 00:55:00.429
goes off -road and across rough farmland. And

00:55:00.429 --> 00:55:05.389
this somber party begins towards the north. Towards

00:55:05.389 --> 00:55:12.349
Cully Jr. And the horrors that await. And we'll

00:55:12.349 --> 00:55:12.769
call it there.
