WEBVTT

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Hey, Pants people, if you love the original music

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we have in the podcast, you can find it all on

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Spotify and I think Apple and like, you know,

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the places you get music. Just search music from

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the Fantasy Pants podcast. I bet if you just

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search Fantasy Pants, it'll probably come up.

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Check it out. In particular, luminescent luminary

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for you folks today. You know who I'm talking

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about, right? You know I'm talking about Sharique

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Holmeson, the Black Lantern. Now, Sharique was

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born in Zinda, a city of bright lights and careful

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shadows. And the plates were influenced by it

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more than truth. High folks were expected to

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intimidate, not investigate. When Sharique proved

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he'd been sued for breaking doors, he was assigned

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to carry evidence instead. Ash, fibers, fractured

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seals, and overlooked details filled his dales.

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Sharique noticed everything. As the investigation

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ended, Sharique uncovered a corruption ring tied

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to powerful families and city officials. The

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facts were complete. The conclusions were undeniable.

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The case was declared closed before it was ever

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opened. Sharique was dismissed quietly, advised

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to forget what he had learned. He declined. Instead,

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he decided to ascend beyond the law of his homeworld

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and become a luminary of the Radiant Citadel.

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When asked why he pledged himself to the Citadel,

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he simply stated that knowledge survives there

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and secrets do not. Now, we don't know the details

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of those sensitive cases, but we do know that

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Shurik has worked closely with the speakers of

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the Ancestors, building case to case against

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some powerful, powerful folks. They say he's

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even partnered up with Sturge Man from time to

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time, combining the words of the two most brilliant

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deductive minds in the world. Now, you may see

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him moving about from time to time. He's a tough

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one to miss. Tall and broad -shouldered, moving

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about in a manner of unnerving calm. The smell

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of lantern oil ever following in his wake. Speaking

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of which, Shriek is known to carry a hooded lantern

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blackened by years of use, as well as a short

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blade and a sap. He thinks there's restraint

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over force and certainty over speed. His true

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weapon is his observational abilities, though.

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He believes darkness persists only when ignored.

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The lantern is, of course, his namesake. I can

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see now that we can't call him the Black Lantern

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because his light did not comfort. It revealed.

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When asked why he carries lantern in places already

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lit, his simple reply is, light is the machine.

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It's for making sure nothing has a place to hide.

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Thank you, Horace! Oh, hell yeah. Mr. Scaly Iguana.

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Nice. I was actually struggling to come up with

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an opener for today. Like... Two hours ago, I

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still hadn't thought of anything. I was kind

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of stood right here staring at it. And then Horace

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hit me right in the nick of time with this one.

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Really? I actually took a lot of that word for

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word. Wow. Yeah, hell yeah. Nice job, Horace.

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The Black Lantern. Yeah, that was great. Yeah,

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super cool, super cool. And so, so timely. Thank

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you again. Thank you, Horace. Gotta love building

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out this cast of luminaries. You know, more detectives

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in our setting, more big heroes. God knows we

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need them. Seriously. Seriously, a lot of bad

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stuff going down. A lot of happening right in

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front of you two right now. I gotta say, last

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episode, I was so stoked at the pacing. I knew

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this sort of mystery was gonna sort of unveil

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itself over time as you went in, but it's all,

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it's weird. The entire arc is made out in this

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map. The notes are all right there. Everything

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is preset, you know, as it should be. You chose

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this one entrance. I didn't think you'd choose

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this entrance, but you chose this perfect entrance

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to have like the best pacing. You find the arm

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and then you learn from that and you find the

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chalkboard more centrally located in the school

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and you learn kind of a big piece of the puzzle

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from that. You find the body and then you find

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yourselves in your first encounter on the inside

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of Anissa Academy. I mean, oh, I'm so pumped.

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I'm a little nervous for this one, but I don't

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know. I might have a cool plan. All right. All

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right. I'm excited to see. TBD. uh before we

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get into this combat i want to bring up a little

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thing to you guys here something i've been kind

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of mulling over and i think it could be fun i

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think you might have resistance to it now but

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if i put it out there maybe it's a tool you will

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utilize i don't know if you're following up on

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on the new stuff going on with uh critical role

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all that good stuff brendan's now running the

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show i know i know that much for anyone that

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lives under a rock brandley mulligan the the

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big dm i don't i don't listen though who uh check

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him out if you haven't he's amazing but he has

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this rule that i kind of want to do a fancy pants

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version of because i heard it and i uh the blood

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rushed it was crazy i got so excited uh uh so

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what he has the rule is essentially uh you can

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spend death failures so when you die you already

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have a preset failure in the bag that you do

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not get back until you long rest. I think that's

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how it works. And for him, he has a number of

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mechanics you can gain by spending these. For

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me, we have a simple mechanic already built into

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our little show. A mechanic called buttons. My,

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what I want to put out there in the world, you

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can choose, take this option if you want. You

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don't have to. You can spend a death failure

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to gain. A button. Dude, this is going to do

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this any time. This is going to throw the button

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economy into even further in the shitter. This

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is like a loan shark coming to you being like,

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I know you can't pre -qualify for this loan,

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but if you want to take a piece of your life

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force. Dude, you poor bastards need what you

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can get. The button economy has never been stable.

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Right. Ever. Ever. Because he just keeps throwing

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shit in it. This is awesome. This is awesome.

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I think it could be awesome. You guys have an

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opportunity. I mean, it's a scary cost. One button?

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Hey, what are the chances that one little death

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fail is going to cause you to meet your makers?

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Two buttons, though? If I'm going to do a really

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big bad thing and you need to make sure I fail

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that big save or whatever attack I'm going to

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make? Maybe you'll spend those two buttons. Maybe

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you're going to feel safer than a counter and

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you'll do it. Maybe I'll throw a lefty punch

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at you. Wham, wham. Who knows? All I know is

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I'm so pumped. Yeah, now David has zero incentive

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to hand out buttons because we can just take

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out buttons with collateral. I'll give you buttons.

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You know what? I'll give you a button right now.

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Jeremy, what was that line you said last time

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that was cool when I was begging for one? Something

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about showtime. It was cool. I don't know. You

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remember the line? I like the line. Take a button

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for that line. Here you go. See? I'm a nice guy.

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Yeah, now everything's safe. Everything's safe

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and fine now. You know what I'm just going to

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do? You're going to kill your character. You

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know what I'm just going to do? I'm going to

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give up a save for a button, and I'm just going

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to use the button for advantage on the next one.

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You can do that. Pointless. Loophole. No, it's

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pointless. It's completely pointless. If you

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go down again, that save is still gone. Let's

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be frank here. These saves, this fail is gone

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until you come back. It just means you have an

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easier chance of dying than reviving. If you

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spend all three, now three buttons is a bartering

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tool. It's already a set, you know, get up on

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that 20. We've used it like that before. But

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you can do a lot of stuff with three buttons.

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You can ask. You want to spell a slot back? I

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might just say yes. I don't care what level.

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You want some big things to happen? Give me three

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buttons. You want three buttons? Take three death

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fails. And if you hit zero... permanent death

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so so then like you said you said it really fuck

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that yeah no you said it reset you said it resets

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on a long rest though so like what's to stop

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us from being like okay i know we're about to

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rest i'm gonna take three buttons and do something

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silly hang on let me just did i just break it

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you may have broken it fuck i'll think of something

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okay fuck that's so it's dumb that's so dumb

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but you're right I mean, I guess what could happen

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is one button could reset per long rest, but

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then I don't even know if we're going to have

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three long rests in the rest of this campaign.

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Honestly, maybe that's a good one. One button

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per long rest. I don't hate that. You might get

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more long rests. You'll get long rests. I like

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that because you can be cheesy, but what if I

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wake you up after the long rest and you don't

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get it back? That could happen. All right. I

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feel like I just broke and fixed your system

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at the same time. I'm going to break the door

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down and just SWAT team you. I've done it before.

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Okay? That is not an alien occurrence. I have

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done it once before in this show. So, don't get

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snarky with me, young man. Not sold yet. You

00:08:48.639 --> 00:08:50.299
got some more work to do, bucko. Comb your fucking

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hair. Oh, gosh. All right. With that all said

00:08:57.019 --> 00:09:00.220
and out there, and probably canonized and in

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the game now, I don't know. We'll make it up

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as we go, as we always do. Because it's fun.

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Let's get zany up in here. Let's make you burn

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some. David, you are not plugged in. I should

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plug my... Hang on. That's not me. That's all

00:09:17.779 --> 00:09:21.100
you. Ooh, I still had it on mute, too. Oh, my

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God. That would have been embarrassing. That

00:09:22.580 --> 00:09:23.799
saved you. That would have been embarrassing.

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That saved you. Oh, man. Okay. Couple of fucking

00:09:27.120 --> 00:09:29.080
idiots up in here. All right, ready for this?

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Here it comes. You are interlopers in a killing

00:09:35.919 --> 00:09:40.840
game. Five young geniuses ensnared in shells

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of magic metal and set to kill one another. Anissa

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Academy, their battleground. One has already

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fallen, and you have come upon their empty shell.

00:09:52.879 --> 00:09:55.899
And very near to this, another has just sprung

00:09:55.899 --> 00:09:59.759
a very carefully concocted trap. You are in the

00:09:59.759 --> 00:10:02.480
Bardic Arts Department, the... band room, let's

00:10:02.480 --> 00:10:05.500
say, of the academy. A solid metal cage had been

00:10:05.500 --> 00:10:07.399
moved into the center of the western wall of

00:10:07.399 --> 00:10:12.919
this room. Inside of it, a waiting AG -6. Turbo

00:10:12.919 --> 00:10:14.759
has seen this looking down through the air holes

00:10:14.759 --> 00:10:17.740
carved into the top of this cage, and he was

00:10:17.740 --> 00:10:21.600
seen in return. A flash of fingers, a somatic

00:10:21.600 --> 00:10:23.759
gesture, and a number of instruments are now

00:10:23.759 --> 00:10:28.580
on the attack. A great gilded piano, two weighty

00:10:28.580 --> 00:10:32.120
tubas, and two koras, their stringed necks pointed

00:10:32.120 --> 00:10:36.340
towards you like spears. You are deafened as

00:10:36.340 --> 00:10:38.820
this room screams with discordant battle cries

00:10:38.820 --> 00:10:43.299
of these sudden foes. Inside the cage, a villain

00:10:43.299 --> 00:10:46.360
forged into a mockery of Oshin Yoshikatsu of

00:10:46.360 --> 00:10:49.799
the storm eye, black steel fingers working, spurring

00:10:49.799 --> 00:10:57.350
on the violent cacophony. More water. I'm a line

00:10:57.350 --> 00:11:00.490
conductor, orchestrating your requiem. Nailed

00:11:00.490 --> 00:11:04.669
it. That completes my readied action as you enter

00:11:04.669 --> 00:11:08.169
this room, as I become aware of you. So let's

00:11:08.169 --> 00:11:11.870
roll for initiative. Unfortunately, the objects

00:11:11.870 --> 00:11:13.629
go on their own turns following mine, so they

00:11:13.629 --> 00:11:16.529
will not be able to strike, you know. on this

00:11:16.529 --> 00:11:18.529
first sort of opening. I was kind of hoping for

00:11:18.529 --> 00:11:20.570
it last turn and I'm kind of sad because I wanted

00:11:20.570 --> 00:11:23.230
to hit you with a million guys at once. I'm turning

00:11:23.230 --> 00:11:26.090
my button. Oh. Oh. You know, we had a little

00:11:26.090 --> 00:11:27.809
talk about this. Initiative is going to be big.

00:11:28.129 --> 00:11:31.950
That is not a bad idea. When I go, all of me

00:11:31.950 --> 00:11:35.950
go. Yeah. I have a cool move and I just, I need

00:11:35.950 --> 00:11:38.470
to go before you. Okay. I got essentially a free

00:11:38.470 --> 00:11:42.840
button. Okay. I mean, up to you, man. No, it's

00:11:42.840 --> 00:11:45.279
a good use of it, I think. Are you doing it too?

00:11:45.419 --> 00:11:48.019
I'm getting right back at you. Shit, bro. Are

00:11:48.019 --> 00:11:49.899
you both rolling advantage initiative? Yes. Holy

00:11:49.899 --> 00:11:53.779
crap. Yes. I mean, you teed us up for it. I'm

00:11:53.779 --> 00:11:58.299
going to roll Blanche's first. Wow, that fucking

00:11:58.299 --> 00:12:02.379
sucks. Oh, no, not good? I mean, it's not great.

00:12:02.500 --> 00:12:04.759
It's probably a little bit better than middling,

00:12:04.759 --> 00:12:10.240
but... Keo definitely goes before Blanche does.

00:12:13.960 --> 00:12:17.320
So, what do we got out there? 15 for Blanche,

00:12:17.440 --> 00:12:24.580
22 for Keo. 22 for Keo, 15 for Blanche. 18 for

00:12:24.580 --> 00:12:28.600
Dresden. 18 for Dresdy, Wessy, Bessy. And John

00:12:28.600 --> 00:12:30.340
Franklin doesn't have a modifier for initiative,

00:12:30.559 --> 00:12:32.279
right? No, he's a slow guy. Alright, so he is

00:12:32.279 --> 00:12:37.590
15. 15 for Johnny Boy. I needed to roll better!

00:12:38.889 --> 00:12:44.450
That is so very tragic. The instruments come

00:12:44.450 --> 00:12:49.590
to life. I don't know what these sounds are making,

00:12:49.629 --> 00:12:52.830
but they're coming at you, charging before they

00:12:52.830 --> 00:12:59.289
can do anything. Akio. snaps to action. The sound,

00:12:59.429 --> 00:13:02.830
boom, blasting his poor doggy ears. What's he

00:13:02.830 --> 00:13:05.629
doing as he slides into this thing? Akio's going

00:13:05.629 --> 00:13:09.330
to jump into the room in the bottom left -hand

00:13:09.330 --> 00:13:11.879
corner. He's going to attack this whatever. String

00:13:11.879 --> 00:13:13.840
does what it says. The Korra. You see one Korra

00:13:13.840 --> 00:13:15.720
just rises up. Oh, yeah, right near the door.

00:13:15.759 --> 00:13:18.740
One snaps awake and sort of turns towards you

00:13:18.740 --> 00:13:20.840
again, spear tip, and Akio just comes flying

00:13:20.840 --> 00:13:24.720
at it. Ichigenka, drawn in his maw. Two sword

00:13:24.720 --> 00:13:34.299
attacks. Hell yeah. Oh, no. 14 and 16. Both hit.

00:13:34.779 --> 00:13:39.059
Wow. Okay. Oh, wait. Okay. I'm sorry. Only 16

00:13:39.059 --> 00:13:40.480
hits. I was looking for the wrong one. Okay.

00:13:40.889 --> 00:13:44.549
yes 16 hits though that's okay let me find my

00:13:44.549 --> 00:13:47.070
they are they're they're these ones are smaller

00:13:47.070 --> 00:13:48.690
than the rest they're quite dexterous so as he

00:13:48.690 --> 00:13:50.629
goes to hit it it kind of like weaves out of

00:13:50.629 --> 00:13:53.289
the way uh but his sort of backslash takes it

00:13:54.190 --> 00:13:57.029
cars right into the wood. Okay. And these, we

00:13:57.029 --> 00:13:59.389
talked about this earlier in the Discord, these

00:13:59.389 --> 00:14:01.909
now qualify as creatures, not objects anymore.

00:14:01.909 --> 00:14:04.289
By rules as written, they should be considered

00:14:04.289 --> 00:14:07.950
as creatures and constructs. Sweet. They would

00:14:07.950 --> 00:14:09.950
not be objects. No, it's bad because Akio can

00:14:09.950 --> 00:14:12.990
do max damage. Oh, no, no, no. But I think it

00:14:12.990 --> 00:14:14.769
has to be unmoving to be an object. It's a whole

00:14:14.769 --> 00:14:17.990
weird thing, but in the spell it says they become

00:14:17.990 --> 00:14:19.990
creatures, which feels weird, right? Because,

00:14:20.049 --> 00:14:21.809
like, this isn't a creature, but it is a creature,

00:14:21.909 --> 00:14:27.610
I guess. Well, this creature takes 11 points

00:14:27.610 --> 00:14:31.309
of slashing damage. Nice. Not bad. Nice. Rips

00:14:31.309 --> 00:14:36.230
in, through strings, plucked, a huge carved sheath

00:14:36.230 --> 00:14:41.129
of wood, sawdust, hits the wall. That's Akio's

00:14:41.129 --> 00:14:44.529
turn? That's Akio's turn. Okay. That's going

00:14:44.529 --> 00:14:50.700
to be Dresden. Okay. Dresden will... Manifest

00:14:50.700 --> 00:14:54.179
his echo near that, right next to the piano there.

00:14:54.720 --> 00:14:57.179
Oh, that's right. The echo. I got to put that

00:14:57.179 --> 00:14:59.600
on the map. Uh -huh. Yeah. So that's the bonus

00:14:59.600 --> 00:15:03.620
action. You see this huge, you know, Mario 64

00:15:03.620 --> 00:15:07.519
piano gilded. The keys are like come at you like

00:15:07.519 --> 00:15:10.259
teeth in a maw. It turns around to you. The top

00:15:10.259 --> 00:15:13.539
wants to slam on you, but you just appear beside

00:15:13.539 --> 00:15:15.639
it. What are you doing? He's just going in with

00:15:15.639 --> 00:15:19.200
his war picks. Hell yeah. Two attacks. Two attacks.

00:15:22.519 --> 00:15:26.419
Twelve? Twelve hits. What? Yep. Twelve, okay.

00:15:26.559 --> 00:15:29.419
It's a piano. It's a big old piano. Alright,

00:15:29.500 --> 00:15:30.840
twelve and twenty -five. I can probably hit that

00:15:30.840 --> 00:15:32.779
thing. Twelve and twenty -five. Oh my gosh, twenty

00:15:32.779 --> 00:15:38.080
-five misses. Alright, take some Warpick damage.

00:15:38.500 --> 00:15:40.740
Let's do it. I love the image of Warpick coming

00:15:40.740 --> 00:15:44.220
down and just like smashing keys. Yeah, keys

00:15:44.220 --> 00:15:49.929
and splinters. It's like screaming in pain. This

00:15:49.929 --> 00:15:53.950
is for only 12. Only 12 damage? Yeah. Two attacks?

00:15:54.230 --> 00:15:56.970
Yeah. Holy moly. You should be leveled up or

00:15:56.970 --> 00:16:00.450
something. I rolled a one and a four. Yeah, that's

00:16:00.450 --> 00:16:05.389
rough, dude. Yeah. Well, be better. After that,

00:16:05.509 --> 00:16:11.120
that's Dresden. Okay. Now. Hang on. What? Oh,

00:16:11.179 --> 00:16:13.860
it's your turn now? Stop. What? Before we move

00:16:13.860 --> 00:16:15.519
on. What? I'm actually going to use piercer.

00:16:15.519 --> 00:16:18.519
I can reroll the damage. Oh, dude. Once per turn

00:16:18.519 --> 00:16:20.139
when I hit a creature with an attack that deals

00:16:20.139 --> 00:16:22.259
piercing damage, I can reroll one of the attack's

00:16:22.259 --> 00:16:23.620
damage die. I must take the new roll. Great,

00:16:23.620 --> 00:16:27.120
great. Hell yeah. Yeah, but with a one. Anything's

00:16:27.120 --> 00:16:28.879
better. Yes. Anything's better. Reroll that one.

00:16:31.419 --> 00:16:34.899
It's a one. Nuh -uh. Fuck. I knew it. I just,

00:16:34.980 --> 00:16:36.759
in the back of my mind, I was like, what the

00:16:36.759 --> 00:16:39.720
hell? That's stupid. It's the sound. You know,

00:16:39.759 --> 00:16:40.940
it's just like, you're trying to go into this,

00:16:40.960 --> 00:16:42.840
and like, I imagine it's just like crushing you.

00:16:43.159 --> 00:16:45.100
Dresden's a man used to silence. This kind of

00:16:45.100 --> 00:16:47.860
cacophony must be like, just brutally deafening.

00:16:48.039 --> 00:16:57.240
I hate Mozart. Mozart, the famous palanoan. Yep.

00:16:58.700 --> 00:17:03.940
Um, hell yeah. And with that. Fuck. We zoom over

00:17:03.940 --> 00:17:07.819
to the cage in the center. No. We zoom to the

00:17:07.819 --> 00:17:10.720
concert inside. That does nothing because it's

00:17:10.720 --> 00:17:12.759
Blanche's turn. Oh, my God. Are you serious?

00:17:13.140 --> 00:17:15.700
I got him. Are you serious? Yeah, you got me.

00:17:15.759 --> 00:17:17.559
Oh, I think I'm going to do something really

00:17:17.559 --> 00:17:20.619
cool. I didn't roll very good. Fuck, yeah. Oh,

00:17:20.779 --> 00:17:22.420
this is awesome. I'm shaking. I didn't roll very

00:17:22.420 --> 00:17:25.779
good. Are you going to do what you texted me

00:17:25.779 --> 00:17:28.119
earlier? Yes. Yes, I am. You can't do this to

00:17:28.119 --> 00:17:32.069
me. What is this? Okay. Okay. Okay. I'm going

00:17:32.069 --> 00:17:33.569
to cage. First, Blanche is going to... You're

00:17:33.569 --> 00:17:35.049
back into that hole. Okay. I'm going to try.

00:17:35.670 --> 00:17:37.930
No, no bat. All right. Blanche is going to...

00:17:37.930 --> 00:17:39.569
Kill that bat. Blanche is going to click her

00:17:39.569 --> 00:17:42.470
heels and activate her boots of speed. What?

00:17:42.990 --> 00:17:46.190
Why? Stop it. I mean, really just for like extra.

00:17:46.509 --> 00:17:49.089
Zoop. All right. So now she has a 60 foot movement

00:17:49.089 --> 00:17:53.829
speed. It's 30 feet exactly to get to this corner

00:17:53.829 --> 00:17:57.609
of the... You're at the corner of the cage. Where

00:17:57.609 --> 00:18:00.509
Turbo is. Okay. So she's going to pick up Turbo

00:18:00.509 --> 00:18:03.250
in her hand. And crush him. And she's going to

00:18:03.250 --> 00:18:05.390
lean on the cage. She puts one hand on the cage.

00:18:05.809 --> 00:18:08.789
And she says into it, you must be one of the

00:18:08.789 --> 00:18:12.509
five. Don't waste your spell slots on us. We're

00:18:12.509 --> 00:18:16.009
not part of the competition. And she activates

00:18:16.009 --> 00:18:19.950
an object on top of the cage. And with Turbo

00:18:19.950 --> 00:18:23.450
in her hand, turns around and uses the rest of

00:18:23.450 --> 00:18:27.190
her speed to... What'd you do? Escape. What'd

00:18:27.190 --> 00:18:30.650
you do? Blanche placed the immovable rod on top

00:18:30.650 --> 00:18:36.890
of the cage. You... That's pretty gnarly. I might...

00:18:36.890 --> 00:18:41.269
I might have... Okay. I suspected you might have

00:18:41.269 --> 00:18:44.109
something weird to do, but... That's... I will

00:18:44.109 --> 00:18:46.670
say this. That's really cool. And I want to give

00:18:46.670 --> 00:18:49.190
you a button back. Hell yeah. That's really cool.

00:18:49.309 --> 00:18:53.450
Hell yeah. That you... cruelly stole from Crispin's

00:18:53.450 --> 00:18:55.569
corpse. And I got Turbo out of there. Actually,

00:18:55.609 --> 00:18:58.349
Turbo gets its own initiative. I forgot about

00:18:58.349 --> 00:19:01.430
that. Let me... I was gonna kill the shit out

00:19:01.430 --> 00:19:06.789
of that bat. 10 for Turbo. Okay. I will try to

00:19:06.789 --> 00:19:10.170
remember that. Turbo goes after Jaune. I just

00:19:10.170 --> 00:19:11.890
want Turbo to get out of the room, so... Okay.

00:19:12.529 --> 00:19:15.490
Speaking of go after Jaune, it's Jaune. So you

00:19:15.490 --> 00:19:18.650
run in, place the rod. I think you just can't...

00:19:18.650 --> 00:19:21.730
As, like, the metal sort of bends around it.

00:19:21.809 --> 00:19:25.349
But, like, the movable rod is immovable. This

00:19:25.349 --> 00:19:28.890
cage is not opening. That's pretty damn cool.

00:19:29.069 --> 00:19:33.630
Hell yeah. And you fly out of the room, or back

00:19:33.630 --> 00:19:36.789
to the front of the room. Jean. I've never been

00:19:36.789 --> 00:19:39.869
a fan of the classics. I never saw the point.

00:19:40.150 --> 00:19:43.470
He points to his spear tip. What? He looks at

00:19:43.470 --> 00:19:55.329
you. new stand -up routine jean anyway yeah okay

00:19:55.329 --> 00:20:01.210
he's going to go to the he's gonna follow dresden

00:20:01.210 --> 00:20:03.549
to the piano okay and he's gonna go into the

00:20:03.549 --> 00:20:06.150
king spear hell yeah how far can you get behind

00:20:06.150 --> 00:20:08.930
it i don't think he can right no he can get next

00:20:08.930 --> 00:20:10.930
to him you can't get flanking but he does fine

00:20:10.930 --> 00:20:12.809
hell yeah i mean he can get close enough so yeah

00:20:13.439 --> 00:20:16.900
Gold meets gold as the golden spear strikes the

00:20:16.900 --> 00:20:19.599
piano. I forgot what hit last time, but I just

00:20:19.599 --> 00:20:24.220
got a 12. I think 12 hits. 12 hits the piano.

00:20:24.859 --> 00:20:28.960
You can burn a smite if you want. Does he generally

00:20:28.960 --> 00:20:31.740
use two hands with this? He usually has a shield.

00:20:31.900 --> 00:20:34.160
No, but his shield, he has the animated shield.

00:20:34.420 --> 00:20:36.579
It hasn't been activated yet. You activate that,

00:20:36.619 --> 00:20:37.920
but you can. If you activate the animated shield,

00:20:37.960 --> 00:20:39.680
then he has two hands, which you can bonus action

00:20:39.680 --> 00:20:42.319
do, I think, right? Okay. So he basically, he

00:20:42.319 --> 00:20:44.819
goes in this room. If you want to do that, suddenly

00:20:44.819 --> 00:20:47.279
his shield releases up from him. These are swirling

00:20:47.279 --> 00:20:49.980
around him, like moving with his mind, essentially.

00:20:50.589 --> 00:20:52.930
It's super cool. Okay, cool. Yeah, it's super

00:20:52.930 --> 00:20:57.789
badass. So, yeah. It's then 1d8 plus 4. It was

00:20:57.789 --> 00:21:00.750
bought by Blanche, so I assume it has the Golden

00:21:00.750 --> 00:21:03.130
Bay banner engraved upon it or something. Hell

00:21:03.130 --> 00:21:07.150
yeah. I love pulling this new shit. This is my

00:21:07.150 --> 00:21:12.890
fourth d8 roll. It's another goddamn one. So

00:21:12.890 --> 00:21:16.529
that's three ones that I've rolled on my d8 for

00:21:16.529 --> 00:21:19.309
damage. That's so tough. What's that? It's 1d8

00:21:19.309 --> 00:21:23.210
plus... Oh, so that's fucking five. Five, okay.

00:21:23.509 --> 00:21:25.970
Oh, no, he has another attack, though. He does.

00:21:26.250 --> 00:21:28.630
He does. Yeah, he's got two. Let's go. He's got

00:21:28.630 --> 00:21:30.450
smites, too, but you did use them already. I

00:21:30.450 --> 00:21:33.630
used three, right? Yeah, I used three. Yep. I'm

00:21:33.630 --> 00:21:35.809
just going to keep going with this for now. Hell

00:21:35.809 --> 00:21:41.529
yeah. Yeah, that's going to be a 24. 24 will

00:21:41.529 --> 00:21:47.650
hit. Uh -huh. For 11. 11 damage. No, no, sorry.

00:21:48.190 --> 00:21:52.630
Seven, sorry. Seven. Yeah. 11. Well, Piano, you're

00:21:52.630 --> 00:21:59.329
off key. And that's going to be Turbo the Bat.

00:22:00.609 --> 00:22:03.589
Okay. Wow, you rolled really bad. I rolled pretty

00:22:03.589 --> 00:22:06.569
bad. All right. Turbo's just going to fly out

00:22:06.569 --> 00:22:09.269
of the room. Okay. Turbo just leaves. You son

00:22:09.269 --> 00:22:11.029
of a... I wanted to kill that bat. Yeah, I know.

00:22:11.049 --> 00:22:13.630
I wanted Turbo to be terminated so badly. Oh,

00:22:13.690 --> 00:22:19.359
my God. I can't stop. I'm sorry. All right. And

00:22:19.359 --> 00:22:26.039
that is going to be my AG6. And she is going

00:22:26.039 --> 00:22:30.140
to do... Let me think about this. This might

00:22:30.140 --> 00:22:32.079
work. I can't do anything until this works, though.

00:22:32.160 --> 00:22:34.619
So it did actually steal my turn, right? Yeah.

00:22:34.720 --> 00:22:37.759
Okay. You don't see anything. She casts a spell.

00:22:38.400 --> 00:22:45.220
Huh. I wonder... Damn. Okay. You emphasized she.

00:22:45.599 --> 00:22:48.710
I did. And gave me a look. did. Could this be

00:22:48.710 --> 00:22:56.509
Z? Who knows? Do we know if Z was in band? I

00:22:56.509 --> 00:22:58.690
don't remember getting that information. I don't

00:22:58.690 --> 00:22:59.990
think you know much about her from what you heard.

00:23:00.849 --> 00:23:02.910
It's just the way that he said she and then he

00:23:02.910 --> 00:23:06.130
looked up at me like, I like to be weird and

00:23:06.130 --> 00:23:11.430
fun. Yeah, you do. Creepy. Alright, that is going

00:23:11.430 --> 00:23:14.829
to be all of my objects now. Let's hit you guys

00:23:14.829 --> 00:23:17.599
with some guys. First of all, These things are

00:23:17.599 --> 00:23:21.279
under the basic command to just attack everyone.

00:23:22.220 --> 00:23:25.599
So, let's start with the piano, who's going to

00:23:25.599 --> 00:23:31.380
make a slam attack on Jean. Natural one. Hell

00:23:31.380 --> 00:23:35.500
yeah. It just goes to move, and I think Jean

00:23:35.500 --> 00:23:37.160
just got sort of pinned with the spear, and it's

00:23:37.160 --> 00:23:38.519
sort of fighting against him, the two of you

00:23:38.519 --> 00:23:40.160
kind of holding it back, and the piano kind of...

00:23:41.660 --> 00:23:44.460
You hear like a galloping horse -like tune from

00:23:44.460 --> 00:23:49.859
the keys. And that is that. Time for the tubas

00:23:49.859 --> 00:23:52.299
to make their move. One of them is coming at

00:23:52.299 --> 00:23:55.220
you, Blanche. I think the other one can just

00:23:55.220 --> 00:23:58.440
reach you if I'm correct. Oh, yeah, yeah. Two

00:23:58.440 --> 00:24:00.299
tubas on Blanche. Great, great, great, great.

00:24:00.339 --> 00:24:02.539
Or I can go behind John. Hang on. Do you want

00:24:02.539 --> 00:24:04.839
to get that switch to be flank -a -rooney? Tubas

00:24:04.839 --> 00:24:08.009
are pretty smart, right? Yeah, and notoriously

00:24:08.009 --> 00:24:09.990
intelligent. Notoriously tactical instruments.

00:24:10.589 --> 00:24:12.250
We're going to go behind Jaune and get that sweet

00:24:12.250 --> 00:24:16.250
flake. Oh, fuck. Oh, the other two was going

00:24:16.250 --> 00:24:17.769
to go on the other side of the other thing that

00:24:17.769 --> 00:24:19.589
is kind of near Blanche, and then we get flaking

00:24:19.589 --> 00:24:22.890
on you, too. I don't care. So stupid. They're

00:24:22.890 --> 00:24:25.130
working in tandem. They're a band. Yeah, yeah,

00:24:25.150 --> 00:24:27.309
of course. You can't say this couldn't happen.

00:24:27.549 --> 00:24:30.650
All right, tuba time. Natural 20 on Jaune. Dude,

00:24:30.710 --> 00:24:33.410
no way. Oh, come on. Oh, baby. I was just about

00:24:33.410 --> 00:24:34.650
to make a joke, but I don't want to make it now.

00:24:34.990 --> 00:24:37.509
The battle of the bands. Okay, I said it. Let

00:24:37.509 --> 00:24:44.349
me roll my sexy Andrew D6 here. Fuck. Yeah, that

00:24:44.349 --> 00:24:51.109
is... Unfortunately, that's only going to be

00:24:51.109 --> 00:24:53.970
12 points of bludgeoning damage on Joe Franklin.

00:24:54.589 --> 00:24:56.630
That is not nothing. This tuba flies over and

00:24:56.630 --> 00:25:00.910
just smashes into him. Other one going on Blanche.

00:25:03.940 --> 00:25:07.720
Oh, wait, you didn't even roll to hit. Yeah,

00:25:07.779 --> 00:25:10.460
it actually misses. Okay, great. I was thinking

00:25:10.460 --> 00:25:13.700
flanking was advantage, and no, it's not. So,

00:25:13.759 --> 00:25:16.400
yeah, six on the die. Misses you. So this tuba

00:25:16.400 --> 00:25:18.299
comes at you, and even kind of between two things,

00:25:18.440 --> 00:25:20.759
you just easily, I mean, you got haste on you

00:25:20.759 --> 00:25:23.119
with your shoes. Not haste, you speed up with

00:25:23.119 --> 00:25:25.140
your shoes. You kind of just easily, zoom, behind

00:25:25.140 --> 00:25:30.000
it. Tuba flies over your head and cleaves a keo

00:25:30.000 --> 00:25:33.750
in half. This is tough. All right now aside from

00:25:33.750 --> 00:25:36.069
my last little guys here one's funny Akio and

00:25:36.069 --> 00:25:37.869
the other one is pretty far away So I have to

00:25:37.869 --> 00:25:42.670
make its way into the fray here Yeah, not quite

00:25:42.670 --> 00:25:44.630
enough to reach Jean, but it's going to head

00:25:44.630 --> 00:25:47.730
in the zone direction and get it's gonna double

00:25:47.730 --> 00:25:51.349
move and get right on Okay Only one attack on

00:25:51.349 --> 00:25:55.960
Akio here make it count buddy No. Three on the

00:25:55.960 --> 00:25:59.180
die. Akio easily wheezes under it. And that is

00:25:59.180 --> 00:26:01.980
all my guys. And that is top of the round with

00:26:01.980 --> 00:26:07.619
Akio. Okay. Akio is going to stay focused on

00:26:07.619 --> 00:26:11.180
this little stringed instrument. Going for more

00:26:11.180 --> 00:26:18.619
Ichigenka attacks. Hell yeah. Oh, 18 and 19 on

00:26:18.619 --> 00:26:22.000
the die. Nice. It's pretty slick. Let's see.

00:26:22.670 --> 00:26:25.950
We need some good news, Steven. Ten on the first.

00:26:27.349 --> 00:26:31.369
Seven on the second. Akio, I describe his kill.

00:26:31.569 --> 00:26:34.769
Hell yeah. Nice. Gotta use his voice, though.

00:26:36.130 --> 00:26:41.230
Akio! Oh no, is that what it sounds like? Cuts

00:26:41.230 --> 00:26:44.650
straight through the fret and board thing and

00:26:44.650 --> 00:26:51.670
the head of the whatever falls right off. I don't

00:26:51.670 --> 00:26:54.930
know, instant terms. It falls apart. Ping! All

00:26:54.930 --> 00:26:59.130
strings plucked. And it falls, not quite dead,

00:26:59.130 --> 00:27:01.789
but certainly not alive. Ping! To the floor.

00:27:02.029 --> 00:27:06.269
And then Akio is going to move into flanking

00:27:06.269 --> 00:27:10.829
with Blanche against the tuba. Okay. Oh god,

00:27:10.910 --> 00:27:16.529
makes me so happy! Oh god, flanking against the

00:27:16.529 --> 00:27:19.880
tuba. Flanking against the tuba. I love D &D

00:27:19.880 --> 00:27:23.680
so much. Dresden, that's you. So the Echo will

00:27:23.680 --> 00:27:27.779
get into flanking position now. Oh, that's right.

00:27:28.039 --> 00:27:32.160
Yeah. Yep. And he's going for his attacks. You'll

00:27:32.160 --> 00:27:33.900
have to move a little bit into the room to be

00:27:33.900 --> 00:27:37.539
within 30 feet, but that's pretty doable. Cool.

00:27:39.299 --> 00:27:44.579
Attack number one is a 17. A 17 will hit. Four.

00:27:46.960 --> 00:27:50.150
Fuck. Only eight. That was a two. Dude, you need

00:27:50.150 --> 00:27:52.829
a new D8. What in the hell? Do you want my D8s?

00:27:52.829 --> 00:27:55.589
What in the hell? I will say, they're light chip

00:27:55.589 --> 00:27:59.029
hits, but you're spraying pieces of piano all

00:27:59.029 --> 00:28:00.869
over the place. That's right. No, we have flanking,

00:28:00.910 --> 00:28:03.829
so it's ten. No, it's to hit, not to damage.

00:28:04.029 --> 00:28:10.230
Oh, fuck. Nice try. All right, hit number two.

00:28:12.369 --> 00:28:18.660
Natural one. Oh, my God. Fuck me. Fuck me. Oh

00:28:18.660 --> 00:28:22.880
my gosh. God damn it. That damn galloping tune.

00:28:23.099 --> 00:28:29.000
A horse jumps out of the piano. Stand by. They

00:28:29.000 --> 00:28:34.259
have a barn on campus. Oh. What? Yeah, okay,

00:28:34.339 --> 00:28:38.220
cool. It's once per turn that I can reroll a

00:28:38.220 --> 00:28:42.140
damage. Die. Oh, so you can reroll the two. Yeah,

00:28:42.160 --> 00:28:43.940
I can reroll the two. Hell yeah, okay. Let's

00:28:43.940 --> 00:28:47.930
give it a shot. Might as well. Two. That's so

00:28:47.930 --> 00:28:52.690
funny. That's so funny. I'm swapping out that

00:28:52.690 --> 00:28:56.569
d8. Yeah, for real. Let me find my other one

00:28:56.569 --> 00:28:59.930
here. You can keep talking. I'm done. Blanche,

00:28:59.930 --> 00:29:03.390
that's you then. Get over here. Blanche will

00:29:03.390 --> 00:29:09.940
use her bonus action to now... Let me find it.

00:29:10.440 --> 00:29:14.720
Activate blade song. Okay. So all the good stuff

00:29:14.720 --> 00:29:17.720
happens. You guys are burning a lot in this fight.

00:29:17.799 --> 00:29:21.140
I like it. Yeah, I think she kind of needs it.

00:29:22.819 --> 00:29:25.940
And I think that's going to be it for burning.

00:29:25.960 --> 00:29:27.759
I think we're going to go for two attacks on

00:29:27.759 --> 00:29:33.880
the tuba with... See, that's the tricky part.

00:29:34.119 --> 00:29:37.519
I think I'm just going to use Paloma's short

00:29:37.519 --> 00:29:41.380
sword. Okay. Oh, Paloma Short. We even talked

00:29:41.380 --> 00:29:44.420
about this, I don't think. That you had Paloma

00:29:44.420 --> 00:29:49.920
before the unfortunate sort of arrest that she

00:29:49.920 --> 00:29:53.900
suffered. You had her, you sent her your longsword,

00:29:54.059 --> 00:29:56.640
your prior plus one Marfil longsword. It was

00:29:56.640 --> 00:29:59.380
reforged in the same forge as it was made initially

00:29:59.380 --> 00:30:03.700
into a plus one short sword. So it's still got

00:30:03.700 --> 00:30:08.319
a great plus nine to hit. Damage is less than

00:30:08.319 --> 00:30:12.380
Ichigenka, but most of the time Blanche will

00:30:12.380 --> 00:30:15.779
be using Shadowblade. I don't know that it's

00:30:15.779 --> 00:30:17.859
worth burning the spell slot for it right now.

00:30:19.119 --> 00:30:26.799
So let's see. 17 and 11. 17 will hit, 11 will

00:30:26.799 --> 00:30:33.420
miss. Okay, I figured as much. 10. 10 for the

00:30:33.420 --> 00:30:38.220
short sword. Okay. resounding boom from inside

00:30:38.220 --> 00:30:43.720
the tuna tuba. We're suddenly under the sea.

00:30:44.859 --> 00:30:48.619
These things happen. And before she ends her

00:30:48.619 --> 00:30:52.519
turn, she'll free action, say to the cage, we

00:30:52.519 --> 00:30:55.380
don't want to fight you. We just want to talk.

00:30:56.119 --> 00:30:59.259
Let's work this out. You don't have to die here.

00:31:00.019 --> 00:31:04.079
And that's Jean. Okay, he's going to go in with...

00:31:04.809 --> 00:31:08.809
His spear again. On that there panner? On the

00:31:08.809 --> 00:31:14.130
panner. On the panner. So, yeah, first one's

00:31:14.130 --> 00:31:19.430
going to hit with a 27. 27 will hit. Second one

00:31:19.430 --> 00:31:22.690
probably won't hit with an 11. 11 will hit. Oh,

00:31:22.690 --> 00:31:24.950
fuck. That piano's pretty hittable. Holy fuck.

00:31:25.509 --> 00:31:28.450
It's a big, it's pretty tough. I had flanking

00:31:28.450 --> 00:31:30.369
anyway, so it would have been a 13. Oh, sure.

00:31:30.509 --> 00:31:36.309
Yeah. Cool. All right. New d8. Yay. Let's see

00:31:36.309 --> 00:31:39.809
what happens. Actually, no, hold on. He's going

00:31:39.809 --> 00:31:44.690
to use a smite point. Hell yeah. On this. Hell

00:31:44.690 --> 00:31:47.990
yeah. You have, in that case, five left. Didn't

00:31:47.990 --> 00:31:49.609
he have nine? Yep, he used three. I used three.

00:31:49.690 --> 00:31:52.890
Oh, yeah. Yeah, math. Cool. So it's going to

00:31:52.890 --> 00:32:00.700
be 2d8 plus four. Gnarly. All right. Ten. It's

00:32:00.700 --> 00:32:02.240
getting better, his threes. That's better. They

00:32:02.240 --> 00:32:04.960
were both threes. He's looking really, really

00:32:04.960 --> 00:32:07.859
bad. He strikes, and again, just that light burst

00:32:07.859 --> 00:32:09.900
through all the keys, all the fractures in the

00:32:09.900 --> 00:32:14.500
wood. Zing! Fuck. Oh, wait, you have two. Oh,

00:32:14.519 --> 00:32:16.380
sorry, because you had two attacks. I did the

00:32:16.380 --> 00:32:17.759
two attacks, yeah. Okay, and you had one smite.

00:32:17.759 --> 00:32:19.099
Oh, yeah, no, that was one smite, yeah, yeah.

00:32:19.180 --> 00:32:22.380
So I have another attack. One more DA. Oh, baby.

00:32:23.130 --> 00:32:25.750
I went back to the original D8. Because I was

00:32:25.750 --> 00:32:27.869
like, it just needed the rest. That's going to

00:32:27.869 --> 00:32:29.690
be a 6 plus 4, so that's another 10. Another

00:32:29.690 --> 00:32:33.250
10. Describe Jean's kill, but use his voice.

00:32:35.630 --> 00:32:40.569
Sir! What's this? And he jumps up on top of the

00:32:40.569 --> 00:32:45.130
piano and takes his spear and rams it inside

00:32:45.130 --> 00:32:49.660
the piano and then runs it along all the... Are

00:32:49.660 --> 00:32:51.319
they strings? I don't know. Yeah, there's strings

00:32:51.319 --> 00:32:54.519
in there. I don't know if they're strings or

00:32:54.519 --> 00:32:58.000
cables or wires or strings. I don't know. Somebody

00:32:58.000 --> 00:33:03.859
that knows a piano, correct me. He just takes

00:33:03.859 --> 00:33:07.279
his spear and just takes it all along those and

00:33:07.279 --> 00:33:08.680
they just snap, snap, snap, snap, snap, snap,

00:33:08.680 --> 00:33:12.460
snap. And then he just jumps up in the air and

00:33:12.460 --> 00:33:19.039
just like fucking suplexes. He does a wrestling

00:33:19.039 --> 00:33:22.539
move. He turns to the camera and says, Ha! You

00:33:22.539 --> 00:33:26.539
had piano chance. No, he didn't. Stop. No. No.

00:33:28.240 --> 00:33:36.839
And the piano dies. One last... As it falls,

00:33:37.019 --> 00:33:38.660
the legs cut the strings. Actually, there is

00:33:38.660 --> 00:33:41.289
no sound. The strings are cut. It just... falls

00:33:41.289 --> 00:33:44.369
sad and silently. Yeah, I just embarrassed myself

00:33:44.369 --> 00:33:47.809
twice with suplex and strings. So two things

00:33:47.809 --> 00:33:50.150
I apparently know nothing about. And somebody

00:33:50.150 --> 00:33:51.390
out there is going to be like, what the fuck

00:33:51.390 --> 00:33:52.809
is wrong with you? And then Jeremy's going to

00:33:52.809 --> 00:33:57.589
cut in right here. No, no, I won't because you

00:33:57.589 --> 00:34:03.109
just said that. I ruined it. Okay, good move

00:34:03.109 --> 00:34:06.269
on Jean. Okay, piano's gone. And that's going

00:34:06.269 --> 00:34:09.730
to be me. And I need something to happen this

00:34:09.730 --> 00:34:16.699
turn or I'm going to be very sad. Very sad. Okay.

00:34:16.920 --> 00:34:19.739
The thing doesn't happen. I like it when you

00:34:19.739 --> 00:34:23.880
do. All you hear is like, like, ring, bam, bam.

00:34:24.079 --> 00:34:27.159
Almost like a response to your words. The crate

00:34:27.159 --> 00:34:29.900
is like shifting and moving, but it can't really,

00:34:29.980 --> 00:34:32.679
it's like stuck against that rod. I can't get

00:34:32.679 --> 00:34:35.980
out. Bam, bam. You see like, like dents in the

00:34:35.980 --> 00:34:39.500
cage. This thing is strong, metal, punching metal,

00:34:39.619 --> 00:34:42.920
joining the cacophony, but I cannot get out.

00:34:43.629 --> 00:34:45.389
Actually, everyone's deafened, so Sean's been

00:34:45.389 --> 00:34:47.449
saying all these one -liners and no one can hear

00:34:47.449 --> 00:34:54.269
anything. It's so much more stupid. Okay, object's

00:34:54.269 --> 00:34:58.610
time. Piano's gone. Two tubas are coming at...

00:34:58.610 --> 00:35:00.789
Ooh, you know what? They're both pretty close

00:35:00.789 --> 00:35:03.469
to Akio here. I'm going to have this one slide

00:35:03.469 --> 00:35:05.989
up a little bit, not leaving Sean's range, and

00:35:05.989 --> 00:35:09.190
they're both going to attack Akio with the flanking.

00:35:10.510 --> 00:35:14.599
First misses. Second dude, a one and a two. Second

00:35:14.599 --> 00:35:16.940
miss is two. Oh, wow. Akio just fully, like,

00:35:17.000 --> 00:35:19.320
I think he just draws a sword in a circle. The

00:35:19.320 --> 00:35:21.420
dude has come at him, and he just, like, bam,

00:35:21.500 --> 00:35:23.920
bam, parries both of them. And they go kind of,

00:35:23.940 --> 00:35:26.679
whoo, knocked back a short bit. This is so sad.

00:35:27.400 --> 00:35:31.579
My last guy here is going to attack Jean with

00:35:31.579 --> 00:35:34.860
a three. A one, two, and a three. Nothing happens

00:35:34.860 --> 00:35:37.760
this turn. Top of the round. It's Akio. Dude,

00:35:37.880 --> 00:35:42.739
fuck my dice. Is betraying me. He's at a high

00:35:42.739 --> 00:35:45.159
level tonight. All right, I'm hoping that Akio

00:35:45.159 --> 00:35:48.559
can finish off the tuba between himself and Blanche.

00:35:48.659 --> 00:35:50.920
So I'm going to roll these one at a time, just

00:35:50.920 --> 00:35:55.119
in case. You finish off that tuba. Oh, sweet.

00:35:55.219 --> 00:36:00.219
Yeah, it's 18 to hit the tuba. Cannot believe.

00:36:02.500 --> 00:36:07.380
10 on the tuba. 10 on the tuba. Still up? Still

00:36:07.380 --> 00:36:11.179
up. Looking a little rough now. Okay. All right.

00:36:11.239 --> 00:36:12.679
I think it's probably best to just go after that

00:36:12.679 --> 00:36:15.920
one still. Sorry, Jean. We'll come for you later.

00:36:16.159 --> 00:36:21.920
Ooh, 17 on the die, baby. So that's... Oh, my

00:36:21.920 --> 00:36:26.500
God. 10 again. 10 again. Okay. Still up, but

00:36:26.500 --> 00:36:29.900
looking real bad. Ah, the bastard. All right.

00:36:29.900 --> 00:36:32.460
The bastard of the instrumentation. Yeah. That's

00:36:32.460 --> 00:36:38.980
it for Kyo. You bastard! Hell yeah, and that

00:36:38.980 --> 00:36:42.199
is going to be Dresden. Cool. Dresden is going

00:36:42.199 --> 00:36:44.619
to move down here next to Jaune. I'm assuming

00:36:44.619 --> 00:36:46.920
he can climb over the rubble. Yeah, he just climbs

00:36:46.920 --> 00:36:49.800
over the piano pieces. Perfect, perfect. And

00:36:49.800 --> 00:36:51.780
he's going to attack this thing. Okay. I mean,

00:36:51.820 --> 00:36:54.260
his echo's still there, so it's technically his

00:36:54.260 --> 00:36:58.980
echo. Side by side, the shadow and the turtle.

00:36:59.400 --> 00:37:02.000
That's going to be a 19 for the first. 19 hits.

00:37:04.329 --> 00:37:10.050
16 for the second. 16 also hits. Oh, yeah. Cracked

00:37:10.050 --> 00:37:15.230
on a 7. Are you kidding me? Oh, no. Give me that

00:37:15.230 --> 00:37:17.550
sweet, sweet 1. I'm going to re -roll the first

00:37:17.550 --> 00:37:20.409
one. Okay. First one was a 2. Second one was

00:37:20.409 --> 00:37:23.989
a 6. Damn it. That feat coming in. Yeah, for

00:37:23.989 --> 00:37:30.949
real. Ooh. So that's 11 plus 12. What? Nice.

00:37:31.530 --> 00:37:39.639
23. 23. Damn. This thing looks so bad in one...

00:37:39.639 --> 00:37:40.739
Wait, you're talking about the little thing.

00:37:40.800 --> 00:37:42.659
Yeah, next to it. Yeah, this thing looks so bad

00:37:42.659 --> 00:37:45.820
in one hit. You literally cleave off the entire

00:37:45.820 --> 00:37:50.239
spear point on it. Just... Strings cut, and you

00:37:50.239 --> 00:37:52.820
just have this sort of bulbous bottom part still

00:37:52.820 --> 00:37:55.579
floating there, looking real, real, real, real,

00:37:55.579 --> 00:37:59.900
real sad. Okay, cool. That's it for now. That's

00:37:59.900 --> 00:38:03.750
it for now. Okay. Hell yeah. In that case, Blanche,

00:38:03.809 --> 00:38:06.190
that's you. All right. Blanche is going to try

00:38:06.190 --> 00:38:11.389
to take out this tuba, hopefully. You take that

00:38:11.389 --> 00:38:14.849
tuba out. I'm going to go one roll at a time.

00:38:14.989 --> 00:38:17.250
Barry specifically chose this instrument because

00:38:17.250 --> 00:38:23.150
it's the funniest sounding word. 17 for the first

00:38:23.150 --> 00:38:30.659
hit. Two hit, not damage. Oh, baby. 11. Nice.

00:38:30.659 --> 00:38:34.619
Describe your kill. Oh, yeah. That's great. The

00:38:34.619 --> 00:38:38.360
bell of this tuba is all beaten and battered,

00:38:38.360 --> 00:38:41.480
and Blanche just slices right through it vertically

00:38:41.480 --> 00:38:45.139
and splits the bell sort of in two as it falls.

00:38:46.269 --> 00:38:49.210
Good old Marfil Steel. Sorry, good old Freedom

00:38:49.210 --> 00:38:52.710
Ironworks Steel. Paloma's master craftsmanship,

00:38:52.730 --> 00:38:55.730
slicing through the brass like it's butter. Nice.

00:38:55.889 --> 00:38:59.489
Then is there, there's not really a spot where

00:38:59.489 --> 00:39:03.650
Blanche can flank with Jaune, is there? Oh, you

00:39:03.650 --> 00:39:07.050
can right there. Okay, sweet. So for her second

00:39:07.050 --> 00:39:10.630
attack, she'll flank on the other tuba. That's

00:39:10.630 --> 00:39:15.349
a 24. That'll hit. So another Paloma's short

00:39:15.349 --> 00:39:20.469
sword damage. Oh, my God. Max again, 11. Oh,

00:39:20.489 --> 00:39:24.329
my God. Hell, yeah. Things looking bad. And she'll

00:39:24.329 --> 00:39:29.349
say to the cage, still, bam, bam. This fight's

00:39:29.349 --> 00:39:33.889
almost over. You're like any rusty blade found

00:39:33.889 --> 00:39:36.489
in the bottom of a drawer with enough cleaning

00:39:36.489 --> 00:39:39.039
and sharpening. You could be quite strong and

00:39:39.039 --> 00:39:42.760
dangerous, but as you are now, you're more danger

00:39:42.760 --> 00:39:46.239
to yourself than to those you're fighting against.

00:39:46.880 --> 00:39:50.159
Stand down. There's a positive outcome for you

00:39:50.159 --> 00:39:54.039
here. When you appeared to place that thing,

00:39:54.119 --> 00:39:58.219
I imagined you were seen. Because of that, and

00:39:58.219 --> 00:40:01.039
because of something you do not know. I'd like

00:40:01.039 --> 00:40:03.300
you to roll persuasion with disadvantage here.

00:40:03.539 --> 00:40:05.300
I'll give you this for free. You've had a few

00:40:05.300 --> 00:40:06.980
turns now. You've been trying this. I want to

00:40:06.980 --> 00:40:08.880
give you this free persuasion check. All right.

00:40:09.340 --> 00:40:12.099
Plus zero to persuasion. Disadvantage. Because

00:40:12.099 --> 00:40:17.360
something you don't know. Ten. The banging gets

00:40:17.360 --> 00:40:26.360
louder. Okay. That is going to be Jean. Jean

00:40:26.360 --> 00:40:29.119
is going to go after this little thing. Little

00:40:29.119 --> 00:40:31.940
thing? Little Thing. Little Thing is barely,

00:40:32.000 --> 00:40:33.840
barely a thing anymore. Yeah, he's gonna go in

00:40:33.840 --> 00:40:35.440
with the Kingspear. It's a very little thing

00:40:35.440 --> 00:40:44.260
now. Yeah. 10. 10 does not hit. Um, fuck. Second

00:40:44.260 --> 00:40:52.780
attack. Natural fucking 20. You! It has 2 HP.

00:40:52.900 --> 00:40:55.480
Don't even roll the damage. Describe the gnarliest

00:40:55.480 --> 00:41:02.079
kill on a Korra. Jean just steps over to it.

00:41:03.420 --> 00:41:10.239
Fuck you! And then just steps on it. Holy shit!

00:41:10.340 --> 00:41:16.760
And squishes it. I don't know what a Korra is,

00:41:16.900 --> 00:41:19.159
so I don't know if that actually works. That's

00:41:19.159 --> 00:41:21.739
so funny. Alright, yeah, no, it works. Okay,

00:41:21.760 --> 00:41:25.739
cool. He smashes it. It's gone. The thing is,

00:41:25.860 --> 00:41:31.469
very dead, leaving old Lee. A single tuba. Okay,

00:41:31.550 --> 00:41:33.269
I was going to say, I don't want to say this.

00:41:33.449 --> 00:41:35.949
I don't want to jinx anything because David knows

00:41:35.949 --> 00:41:37.989
what's happening, but this feels way too fucking

00:41:37.989 --> 00:41:40.849
easy. Well, it's because the... Yeah. Everything

00:41:40.849 --> 00:41:44.070
has gone against me. That's very true. In so

00:41:44.070 --> 00:41:46.289
many ways. That's very true. Okay, continue.

00:41:47.630 --> 00:41:51.849
That's my turn. Come on. Come on. Come on. Come

00:41:51.849 --> 00:41:54.150
on. I need this. Even if this works, though.

00:41:55.610 --> 00:41:57.409
Let me... Is there anything else I can do here?

00:41:58.019 --> 00:42:03.980
No. It has to be this. Because I literally can't

00:42:03.980 --> 00:42:06.519
see him. It's cracked. I can't see anything outside.

00:42:06.820 --> 00:42:10.000
So I can't do anything. Because all you see is

00:42:10.000 --> 00:42:14.539
up. Right? Yeah. Finally. Fuck. Something happens.

00:42:14.940 --> 00:42:20.139
And you don't see it. It might be too late. But

00:42:20.139 --> 00:42:25.039
something happens. And that is going to be the

00:42:25.039 --> 00:42:30.190
tuba. The last tuba. The last soldier standing

00:42:30.190 --> 00:42:33.610
against an onslaught. I'm going to hit one of

00:42:33.610 --> 00:42:36.130
you. I'm going to hit... It's stupid, but I'm

00:42:36.130 --> 00:42:37.750
going to try to hit Blanche. Because this thing

00:42:37.750 --> 00:42:39.429
just knows that Blanche is taking all these things

00:42:39.429 --> 00:42:46.630
down. It's going to be a 16 to hit. No. It tries

00:42:46.630 --> 00:42:48.650
to get you. You parry it. I can't always not

00:42:48.650 --> 00:42:54.460
hit you. In the tuba. Very dejectedly kind of

00:42:54.460 --> 00:42:57.639
looks down towards the floor. And that's going

00:42:57.639 --> 00:43:04.539
to be Akio. Take a button. Take a button. That

00:43:04.539 --> 00:43:06.300
cracked me up. Hell yeah. This is good shit.

00:43:06.579 --> 00:43:08.880
All right. Oh, gosh. You know what? Take a button

00:43:08.880 --> 00:43:11.280
for the Jean voice, too. I don't care. It's a

00:43:11.280 --> 00:43:13.559
button party. All right. Burn a death save for

00:43:13.559 --> 00:43:17.139
me. Yeah, exactly. Okay. Akio's going in with

00:43:17.139 --> 00:43:23.550
Ichigenka twice. Oh, baby. Ooh. Does a 13 hit?

00:43:23.769 --> 00:43:27.050
13 does hit. Okay, then both hit because the

00:43:27.050 --> 00:43:32.190
other one was a 15. Hell yeah. So that's a D8

00:43:32.190 --> 00:43:43.050
for Ichigenka. Nine and six. Nine and six. So

00:43:43.050 --> 00:43:46.750
15. 15, still up, looking bad. Ding, dang, dong.

00:43:47.769 --> 00:43:51.030
That's Dresden. Yeah, cool. Same thing. Echo's

00:43:51.030 --> 00:43:56.650
going to flank him. Okay. Two shots. First one

00:43:56.650 --> 00:44:01.090
is a 26. 26 will hit. All right, sorry. Flank

00:44:01.090 --> 00:44:05.710
you, so 28. Thanks for that. Next one was a natural

00:44:05.710 --> 00:44:08.530
one. Yeah, that doesn't work. Flanks up to three.

00:44:09.349 --> 00:44:19.650
Yeah, got him. I crit. All right. Fucking Christ,

00:44:19.750 --> 00:44:22.840
another one on my D8. You can reroll it. Fuck.

00:44:22.960 --> 00:44:28.099
Oh, I can't. Getting some real mileage out of

00:44:28.099 --> 00:44:31.679
that feet today. Eight. Hell yeah. So that's

00:44:31.679 --> 00:44:35.980
fucking 14. I had 14 HP exactly. Wow. Describe

00:44:35.980 --> 00:44:40.079
your kill. Wow. No, it's dead. I'm sick of this.

00:44:40.079 --> 00:44:43.000
It's fucking dead. Fucking dead. Tuba falls.

00:44:43.880 --> 00:44:50.920
Gone. God. Okay. All right. Hang on. Real Dresden

00:44:50.920 --> 00:44:54.420
will move up more into the pack. Okay. Cool.

00:44:54.559 --> 00:44:58.780
That's Blanche. Okay. I think Blanche is going

00:44:58.780 --> 00:45:03.940
to look into the cage. You look into the cage

00:45:03.940 --> 00:45:11.099
and see nothing. It's empty. Okay. Can I investigate

00:45:11.099 --> 00:45:14.639
the room? Yeah. That'll be your action. You're

00:45:14.639 --> 00:45:17.099
kind of looking around. Yeah. I'm not sure what

00:45:17.099 --> 00:45:23.360
better to do. do is the trouble. I feel like

00:45:23.360 --> 00:45:31.460
I'm going to waste it, but... 21. 21. You don't

00:45:31.460 --> 00:45:35.119
see any indicator around you of where this figure

00:45:35.119 --> 00:45:38.139
could have gone. The cage is very much, you can

00:45:38.139 --> 00:45:40.059
look in there, it's very much solid. There's

00:45:40.059 --> 00:45:44.260
no other way out. The instruments have all fallen.

00:45:44.340 --> 00:45:47.059
Nothing is moving. Nothing else seems to be animated.

00:45:48.239 --> 00:45:52.940
It seems like this trap perhaps has been dismantled.

00:45:53.739 --> 00:45:58.219
Okay, so maybe they escaped rather than... Maybe.

00:45:58.320 --> 00:46:03.119
Are we out of initiative? No. Fuck. So Blanche

00:46:03.119 --> 00:46:06.300
will say to the room, We don't want to hurt you.

00:46:06.960 --> 00:46:10.139
We're here to help you. I'm sorry for the way

00:46:10.139 --> 00:46:14.199
you've been treated, but that's over now. I'm

00:46:14.199 --> 00:46:18.369
here to help. Does Jean want to take a turn?

00:46:19.050 --> 00:46:21.389
Don't look at me. I'm not Jean. Oh, right. Does

00:46:21.389 --> 00:46:23.949
Jean want to take a turn? Turn my eyes to the...

00:46:23.949 --> 00:46:28.929
Yeah, say something backing up Blanche. I mean,

00:46:28.949 --> 00:46:31.849
he could take the dodge action, right? No, I

00:46:31.849 --> 00:46:34.130
think, actually, yeah. He hears you speaking

00:46:34.130 --> 00:46:37.829
out. Yeah. Listen to me. I saw what was on that

00:46:37.829 --> 00:46:42.070
board. This, what Kato's doing is, it's wrong.

00:46:42.929 --> 00:46:49.159
He's not a good mentor. Sir. Blanche, she can

00:46:49.159 --> 00:46:51.739
forge you into something better, like she did

00:46:51.739 --> 00:46:56.199
with me and the dog. Please, give her a chance.

00:46:57.639 --> 00:47:00.679
That's my turn. One combatant left, one that

00:47:00.679 --> 00:47:03.500
you cannot see, and I have to roll a very, very

00:47:03.500 --> 00:47:09.079
important d8. Fuck. I've been rolling shit d8s

00:47:09.079 --> 00:47:11.159
all night. I swear to God, if he gets a good

00:47:11.159 --> 00:47:17.719
d8... I did get a good d8. The figure. does not

00:47:17.719 --> 00:47:24.420
reappear. I don't know what happens now. So on

00:47:24.420 --> 00:47:27.340
the fence. Party wants to tell you so badly what

00:47:27.340 --> 00:47:28.800
actually was happening there, because it feels

00:47:28.800 --> 00:47:30.639
like such a dropped thing to not know what was

00:47:30.639 --> 00:47:34.119
going on this whole time. What was the prince's

00:47:34.119 --> 00:47:39.719
name? Simbone. Simbone? Yes, Simbone. Can Dresden

00:47:39.719 --> 00:47:43.820
say something? Sure. Say what you want, because

00:47:43.820 --> 00:47:46.710
we are out of initiative. This combat is. Then

00:47:46.710 --> 00:47:50.849
it might be just a Dresden realizes that it's

00:47:50.849 --> 00:47:54.030
all lost and he might just give out one little

00:47:54.030 --> 00:48:00.309
Simone is outside in hopes that maybe she's still

00:48:00.309 --> 00:48:07.289
there. But it's probably for not. These words

00:48:07.289 --> 00:48:12.050
ring out and suddenly you feel just how silent

00:48:12.050 --> 00:48:16.219
this room has become. The instruments destroyed.

00:48:17.340 --> 00:48:20.519
Your voices, your footsteps, your movements,

00:48:20.579 --> 00:48:25.480
echoing strangely in a chamber built to have

00:48:25.480 --> 00:48:30.420
good acoustics. You're just standing in silence,

00:48:30.679 --> 00:48:37.480
hearing nothing, seeing nothing. So let me tell

00:48:37.480 --> 00:48:42.780
you, the players, what you do not see. When my

00:48:42.780 --> 00:48:46.949
blink spell... Finally activates over an 11,

00:48:47.110 --> 00:48:50.650
which means when I finally was able to transport

00:48:50.650 --> 00:48:54.710
to the ethereal plane, I could not see anything

00:48:54.710 --> 00:48:59.929
around, which means the direction I would go

00:48:59.929 --> 00:49:03.150
into is random, 10 foot in a random direction.

00:49:03.889 --> 00:49:09.670
What you do not see is the wind picking up, the

00:49:09.670 --> 00:49:15.929
swirling ethereal mist. against the sandy, gilded

00:49:15.929 --> 00:49:21.929
walls of the outside of Anissa Academy, as Ozen

00:49:21.929 --> 00:49:26.809
Yoshikatsu, or a being that looks just like him,

00:49:27.369 --> 00:49:33.730
suddenly appears outside the school, and we hear

00:49:33.730 --> 00:49:40.969
guards begin to scream. And we'll call it there.
