WEBVTT

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Hello, Pants people. We've got another special

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guest to talk to you about some exciting things

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going on in our fun, nerdy world. So let me introduce

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you to our friend, Sean, a .k .a. Odin Knight.

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An actual real -life knight! A real -life knight.

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Come on! It's the coolest thing! Ladies and gentlemen,

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how are you all doing today? Really happy to

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hear from you, man. Appreciate it. Thanks for

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bringing me on over on the podcast and telling

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everybody about this. And they've been listening

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in and listening to a lot of what you guys have

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been putting out there. So thank you very much

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for doing what you guys do. And a lot of us are

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actually excited to, well, I don't know if I

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want to give away all this. You got to save something

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for next week. Yes, yes, exactly. Well, that's

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great. I really appreciate to hear that you've

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been listening. Thank you, man. So we brought

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you here because you. practice a pretty unique

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sport that we think our fans might be interested

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in hearing about. Yes. So the sport is called

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Buhart, which is French for wallop. In the United

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States, we probably say a lot more of armored

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combat just for other people who are, for whatever

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reason, not fluent in French or don't understand

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how much of a beating that they can actually

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take. That sounds a little bit more threatening

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to them. People associate it with LARPing because

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that's the easiest thing for people to recognize

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because they see a lot of that in the movies.

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But this is actual medieval tournament fighting

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with modernized rules. Just like in the Knight's

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Tale, there are, well, in the Knight's Tale,

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I had two different divisions. With what we have

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now, we have three different divisions. First

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one is the duels, where just like in the Knight's

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Tale, you will go around and start. Swinging

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on people with either a long sword or a sword

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and shield or sword and buckler, and you go through

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on the point system for one minute, and based

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off of the amount of significant strikes that

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you land on your opponent, whether the head or

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the torso or legs, you'll get a certain number

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of points. You win that, and then you advance

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on. In the pro fights, which the AMMA group is

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primarily running right now, thanks to them,

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and shout out to those guys over in Nashville,

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Tennessee. The pro fights are pretty much UFC

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and armor, and they do it to the 11th level.

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This is serious hounding, whacking on everybody.

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This is hardcore hitting. Hardcore. Hardcore

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boo -hard. Hardcore boo -hard. Hardcore boo -hard.

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Yes. And the more traditional side of it, which

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I compete in the most. is the melee or grand

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mealies so cool anywhere from like 3v3 all the

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way up to the largest one i've actually seen

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on youtube because you actually see this there

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150 versus 150. massive battles you know, capture

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the flag style, but it's, you know, Halberders

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going up against Halberders and shielders and

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people coming in trying to disrupt the Halberders

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and getting whacked and all of this stuff. It's

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mayhem. It's awesome mayhem. You must learn so

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much about actual, like, melee combat. Like,

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telling a story like this, I imagine you get

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so much out of these encounters, these fights

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that you wouldn't normally understand because

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you're just kind of thinking about, like, oh,

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fantasy fights, space fights. But, like, when

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it's real, you know, it's incredible. Yes, I

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mean, I've had a background in Muay Thai and

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amateur boxing. I've done tough man competition

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beforehand. I've done some sport taekwondo a

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little bit. This is next level. This is like

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you're actually going out and smashing as hard

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as you can. You don't have to worry about actually

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hurting the other guy. Damn. So you can just

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go all out. rage as much as you want. You know,

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there's nothing to hold you back. You know, just,

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you know, obviously we're not trying to cripple

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each other because we want the losers to go and

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buy the drinks, but we go all out on this and

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we love it. And it teaches you how the medieval

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combat actually went because it's grueling in

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that armor when you're really fighting all out,

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that heat builds up. And if you're not in a cold

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environment. That heat will kill you before your

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opponent can kill you. If anyone's following

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us on social media, I'll share the Flora Armored

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Combat stuff and your stuff, Odin, on your page

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as well. I appreciate that. Flora Armored Combat,

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because we'll be growing. We'll be doing a whole

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bunch of other stuff in the near future. Pay

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attention to Flora Armored Combat. If somebody's

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not following our Instagram page to see that

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cool stuff, they should go to Florida Armored

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Combat. They should look that up on Instagram

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to find you and follow you. And is there anywhere

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else that they should look to get your info?

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The website will have everything up to date as

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well as all the team socials, including our affiliates.

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And your stuff will be up on there too as well.

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So Google Florida Armored Combat. You'll see

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us. You can't miss us. It'll be there. And then

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we're all on the InstaTalk MetaTube. So you'll

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be able to find us everywhere and whatever your

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favorite social media platform is. And just enjoy,

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enjoy the content. Awesome. And there's lots

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more to come because we're just starting this

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organization. And we are, as much as we are just

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getting the ball rolling, we have a bunch of

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people who are been fighting for a lot longer

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than your organization has existed, but we decided

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to all come together and work together and build

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something bigger than just ourselves and leave

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a good legacy behind, not just for us in steel

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fighting. but for the people in HEMA, for the

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people who are doing a lot of LARP and fantasy

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LARPers, and even the D &D folks and the gamers

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who want to be able to program a good video game

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based off of fantasy and real -life armored fighting.

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Yeah. And from what you've told me, it sounds

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like you're ready to take it to the next level.

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Do you mind telling us about that next level

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next week? Oh, you know, if you really want to

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start doing that, yeah, we can do that. Hell

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yeah. We'll definitely do that. All right. So

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we will see you pants people next week. And we've

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got some more info from, from Sean Oden Knight.

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And we'll get to the episode. Hell yeah. All

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right, too. That's right. It's a twofer. And

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I just couldn't help bringing a song about it.

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And speaking of songs, we have a rather musical

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duo to talk about today. You know them. You love

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one of them. It's the talented, that's a pun,

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Owlin Twins, Ulrich Songweaver, the Song of the

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Night, and Vesper Songweaver, the Midnight Rhymer.

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Now, this story begins with a world of dialogue,

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where the two boys are born and raised with a

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love. music. This talent and passion led the

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twins to the world of Omizu, where Ulrich swiftly

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mastered the shamisen, and the world of God's

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Breath, where Vesper picked up the good ol' banjo.

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God's Breath was a particularly important world

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for the duo, and they spent a long time working

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with reclaimers and studying the awakening song.

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They also learned to fight furiously, having

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been exposed to the horrors of the rattle. They

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had specialized hand crossbows created to fit

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the talents of their feet, allowing them both

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to keep making marvelous music, all while modeling

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murderous malefactors. The following time on

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God's breath, different callings polled at the

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twins, and they set off towards very different

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horizons. Lord became the song of the night,

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a luminary known for the sound of his stalking

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villainous prey and dropping them in the dark

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of the night. Before their souls are claimed

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by the sky prison, he grants them the respite

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of recording their stories in his music. You

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see, he is his own version of the awakening song,

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the song of the night for which he is named.

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Truly a shining example of the luminary path.

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Meanwhile, Vesper did something. Someone else.

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He became the Midnight Rhymer, a notorious scluminary

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that crazily challenges his hoes with lyrics

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so shitty it has to be on purpose. I mean, it

00:08:32.019 --> 00:08:34.039
has to, right? Honestly, it's just an absolute

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disgrace to the noble banjo. How dare he? Anywho,

00:08:38.080 --> 00:08:42.779
another pun. The twins now stand at odds with

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each other, and it ain't hard to see why. Despite

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Warwick's poetic turn of phrase and careful,

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stoic demeanor, he's often mistaken for his fool

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brother by those... many folks that can't tell

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the difference between the stringed instruments.

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It's gotten bad enough that Ork uses a series

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of passwords when working with other luminaries,

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just to be sure they don't get confused. One

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interesting note, though. While the twins aren't

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aligned in most regards, the names of their instruments

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seem to tell another story. You see, Ork is named

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as Shamus in his quest, the Instrument of Justice.

00:09:11.210 --> 00:09:14.509
Meanwhile, Vespa is named as Banjo, the Instrument

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of Undying. Thank you. DJ Donnie. It's actually,

00:09:32.120 --> 00:09:34.960
no, that's the most name. Uh, dubs with a discord.

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I was like, do you want to go with dogs? You

00:09:36.539 --> 00:09:37.980
want to go down in the shadow? And he was like,

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this actually came from my days in college where.

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Oh, my God. It's always called DJ Donnie Dubs.

00:09:44.200 --> 00:09:46.620
Oh, okay. For real. We're using that, and it's

00:09:46.620 --> 00:09:49.039
non -negotiable. Nice, nice. I like it a lot.

00:09:49.059 --> 00:09:52.480
So good. Well, thank you, DJ Donnie Dubs. Check

00:09:52.480 --> 00:09:56.460
him out in the Discord. Spinning fresh tracks.

00:09:59.820 --> 00:10:01.700
You guys want to know what else is fresh? Well,

00:10:01.759 --> 00:10:04.799
it's fresh. Nice fresh cup of coffee. Oh, yeah.

00:10:05.360 --> 00:10:07.419
A nice fresh cup of coffee from our friends at

00:10:07.419 --> 00:10:09.860
Treasure Grounds. Give me like one quick second,

00:10:09.899 --> 00:10:12.940
because in every bag of Treasure Grounds coffee,

00:10:13.259 --> 00:10:16.879
there is a artist -made D20. Okay. These are

00:10:16.879 --> 00:10:20.120
all small batch coffees of single origin. You

00:10:20.120 --> 00:10:22.559
can trace them. They're great. They're lovely.

00:10:22.700 --> 00:10:25.539
They're delicious. And if you go to treasuregrounds

00:10:25.539 --> 00:10:28.240
.com, let me say it one more time, treasuregrounds

00:10:28.240 --> 00:10:31.360
.com. One more time. Use code fantasypants. Say

00:10:31.360 --> 00:10:33.460
it again. One more time. The treasured grounds

00:10:33.460 --> 00:10:35.580
.com. I only wanted to say it twice because I

00:10:35.580 --> 00:10:36.799
messed it up the first time. I wasn't trying

00:10:36.799 --> 00:10:38.919
to do the, if you repeat the website three times,

00:10:38.919 --> 00:10:41.299
people will remember it thing. No, I just wanted

00:10:41.299 --> 00:10:42.740
to make you repeat it three times. Oh, okay.

00:10:44.039 --> 00:10:46.840
So, so if you do that, if you do that once, twice

00:10:46.840 --> 00:10:50.139
or thrice, use code fantasy pants, you save 10

00:10:50.139 --> 00:10:52.799
% on your order and you get great coffee and

00:10:52.799 --> 00:10:55.500
a D 20. Nice. Nice. That was one of my favorite

00:10:55.500 --> 00:10:58.440
bands of my youth. What was thrice? Oh, thrice.

00:10:58.440 --> 00:11:05.980
Yeah. Yeah. So that's it for me. Hell yeah. That's

00:11:05.980 --> 00:11:07.259
how I wanted to start out. I thought you were

00:11:07.259 --> 00:11:08.779
going to open it up and look at the D20. Oh,

00:11:08.779 --> 00:11:10.379
no. I have the D20. Remember we opened it the

00:11:10.379 --> 00:11:11.559
other day. Oh, right, right, right. Yeah, that's

00:11:11.559 --> 00:11:16.679
right. The silver. Yeah. Yeah, from Paradox Dice.

00:11:16.860 --> 00:11:18.840
Nice. We're a smoothly sealed bag. I didn't realize

00:11:18.840 --> 00:11:22.519
it had already been opened. Yes. I opened it

00:11:22.519 --> 00:11:25.779
and I had some at home because I wanted some.

00:11:26.600 --> 00:11:28.929
Hell yeah. Yeah. Hell yeah. It's a great reason

00:11:28.929 --> 00:11:33.029
to have some. I just wanted it. And yeah, so

00:11:33.029 --> 00:11:35.250
I'm going to get some more soon. All right. Well,

00:11:35.330 --> 00:11:37.629
welcome everyone to Unzip Part 3. Steven, what

00:11:37.629 --> 00:11:40.450
color are your socks? No, they're white. White

00:11:40.450 --> 00:11:43.529
tube socks. Hell yeah, Jeremy. This rip -roaring,

00:11:43.549 --> 00:11:45.289
this exciting stuff. Black ankle socks. Hey.

00:11:45.389 --> 00:11:53.450
With gray sole. Damn. Yeah. Yeah. And also, there's

00:11:53.450 --> 00:11:55.370
an inscription on the bottom that says Hanes.

00:11:56.309 --> 00:12:01.269
Yeah. Sponsor us. Sponsor us. Next fantasy pants

00:12:01.269 --> 00:12:04.570
sponsor. Yeah, exactly. It makes sense. Boxers.

00:12:05.409 --> 00:12:10.370
Briefs. Uh -huh. Yeah. Somebody out there, hook

00:12:10.370 --> 00:12:12.830
us up with Hayne. Oh, speaking of sponsors, we

00:12:12.830 --> 00:12:15.330
are a sponsor. Oh, yeah, we are. We are going

00:12:15.330 --> 00:12:16.690
to be a sponsor. You know what we actually are

00:12:16.690 --> 00:12:19.250
going to be? What? We are going to be called

00:12:19.250 --> 00:12:23.019
a VIP sponsor. Ooh. What? Yeah. We're getting

00:12:23.019 --> 00:12:25.120
VIP badges. Oh, yeah. You can go into the green

00:12:25.120 --> 00:12:27.740
room with like the talent and shit. You're like

00:12:27.740 --> 00:12:30.679
the voice actors. What? Like the lady from Arcane.

00:12:30.679 --> 00:12:31.919
Are you talking about the Vermont Anime and Gaming

00:12:31.919 --> 00:12:33.659
Expo? Yes, the Vermont Anime and Gaming Expo

00:12:33.659 --> 00:12:38.860
on October 5th. Yeah. Can you say it again? So

00:12:38.860 --> 00:12:42.759
if you're not going, if you're not going, nana

00:12:42.759 --> 00:12:45.080
nana boo boo, if you are going, you might not

00:12:45.080 --> 00:12:47.179
even see us because we might be bumping elbows

00:12:47.179 --> 00:12:53.440
with the talent. Hell yeah. All right. I love

00:12:53.440 --> 00:12:59.980
it. This is a two -episode night and we're already

00:12:59.980 --> 00:13:03.500
insane. I know, dude. Yeah. Get ready for a very

00:13:03.500 --> 00:13:07.509
silly night. If all else is done, do you guys

00:13:07.509 --> 00:13:09.690
want to get into it? Because we've got a lot

00:13:09.690 --> 00:13:12.830
to get into. It's been a while. I am like building

00:13:12.830 --> 00:13:14.990
up this sort of story. I just need to, I don't

00:13:14.990 --> 00:13:16.789
want to vomit it, right? Because it's been building

00:13:16.789 --> 00:13:18.950
for so long. Sorry for taking over the banter.

00:13:19.090 --> 00:13:20.909
Just got diarrhea some story out. It's going

00:13:20.909 --> 00:13:32.370
to be awful. And awesome. The gemstone. The amethyst.

00:13:33.469 --> 00:13:37.210
appears above the Radiant Citadel. Let's zoom

00:13:37.210 --> 00:13:42.269
inside of it as you are finally safe. Safe from

00:13:42.269 --> 00:13:45.909
the forces of the mist. Safe from the forces

00:13:45.909 --> 00:13:53.850
of the Queen. Safe, but for how long? Because

00:13:53.850 --> 00:13:55.629
you know you are returning to a very different

00:13:55.629 --> 00:13:58.649
Radiant Citadel, to a very different Concord

00:13:58.649 --> 00:14:03.730
Worlds. Worlds have changed so profoundly, and

00:14:03.730 --> 00:14:07.350
probably not in a good way. I don't know why

00:14:07.350 --> 00:14:09.350
this whiskey's hitting me, like, weirdly tonight.

00:14:09.429 --> 00:14:19.090
I miss Sholay, too. It's burning. As you are

00:14:19.090 --> 00:14:23.769
feeling the gemstone descend, I think Arhalon,

00:14:23.850 --> 00:14:25.809
who's been very quiet, everyone's been very quiet,

00:14:25.830 --> 00:14:29.009
finally kind of turns, not to you, but to Xena,

00:14:29.029 --> 00:14:35.330
and speaks, Mother, are you okay? What I felt,

00:14:35.350 --> 00:14:39.330
I know you felt it too. He was in our minds.

00:14:39.769 --> 00:14:46.750
Are you okay? Xena's kind of just staring forward,

00:14:46.970 --> 00:14:51.809
her eyes looking somewhat blank. She blinks a

00:14:51.809 --> 00:14:56.070
few times. R, R, it's good. Everything's good.

00:14:56.769 --> 00:15:02.399
I, uh, I don't remember. You don't... How...

00:15:02.399 --> 00:15:06.080
But that... What you did to the queen. I mean,

00:15:06.100 --> 00:15:12.440
are you... Are you still... You? Of course, yes.

00:15:12.559 --> 00:15:15.559
I just did what I needed to do. It didn't make

00:15:15.559 --> 00:15:19.259
me happy. Oh, to smash such a nice vase. Oh.

00:15:19.980 --> 00:15:21.879
I'll need to find another to replace it. I already

00:15:21.879 --> 00:15:26.190
had a place picked and everything. And Arlon

00:15:26.190 --> 00:15:29.330
almost releases the sigh of relief, his shoulders

00:15:29.330 --> 00:15:32.590
sort of drop a little bit, and he kind of, yes,

00:15:32.889 --> 00:15:38.090
I will find you one, I promise. And then he turns

00:15:38.090 --> 00:15:43.309
to the two of you. Still, I can't believe it.

00:15:44.029 --> 00:15:46.450
I fought for them, for the injured, and they

00:15:46.450 --> 00:15:48.610
turned on me while I was weakened from the battle.

00:15:49.330 --> 00:15:53.230
But how can I blame them? Grandmother, what she

00:15:53.230 --> 00:15:56.860
did. I knew she could never be trusted. And he

00:15:56.860 --> 00:15:59.440
kind of reaches down again, that bandana wrapped

00:15:59.440 --> 00:16:02.700
around his wrist. He feels it with one claw.

00:16:04.399 --> 00:16:08.519
To change our minds. To erase such a piece of

00:16:08.519 --> 00:16:11.620
us, of our lives. I don't care what her reasons

00:16:11.620 --> 00:16:17.399
were. She was just wrong. Whatever justice is

00:16:17.399 --> 00:16:23.279
coming for her, it is deserved. But thank you.

00:16:24.539 --> 00:16:28.539
You all risked your lives for us. You faced down

00:16:28.539 --> 00:16:32.340
my father and sent him to his final rest. I could

00:16:32.340 --> 00:16:37.580
feel him go. He spoke to me in my head in a twisted

00:16:37.580 --> 00:16:41.159
way. I think he thought he was doing the right

00:16:41.159 --> 00:16:46.759
thing, dragging us with him. Thank you. You've

00:16:46.759 --> 00:16:52.929
done a great honor to me and to my brother. His

00:16:52.929 --> 00:16:55.929
eyes just fall right on you, Jules. I don't think

00:16:55.929 --> 00:16:58.850
Jules says anything in response. I only hope

00:16:58.850 --> 00:17:03.350
we can push forward without her help. I agree

00:17:03.350 --> 00:17:10.250
that what she did was unjust. I am sorry that

00:17:10.250 --> 00:17:14.390
I wavered. You just kind of feel a presence push

00:17:14.390 --> 00:17:19.329
up beside you. Akio kind of pushing a snoot into

00:17:19.329 --> 00:17:23.150
your thigh, looking up with... Proud dog eyes.

00:17:23.950 --> 00:17:27.210
You get a little snort from Jean beside you as

00:17:27.210 --> 00:17:29.710
he kind of sees this display. Turns his head

00:17:29.710 --> 00:17:37.190
away. And the gem begins to descend. Docs. You

00:17:37.190 --> 00:17:42.089
see it slides open. And the second the doorway

00:17:42.089 --> 00:17:44.910
to the gem opens up and people begin to start

00:17:44.910 --> 00:17:47.470
filing out, the second it becomes exposed to

00:17:47.470 --> 00:17:51.779
the air of the Citadel. You can hear a cacophony

00:17:51.779 --> 00:18:00.079
outside. Flashes of light. And you know, a horde

00:18:00.079 --> 00:18:03.440
of paparazzi guild members are waiting outside.

00:18:03.539 --> 00:18:07.099
A whole crowd waiting to see the long -awaited

00:18:07.099 --> 00:18:09.640
amethyst from Yanito. The last time this thing

00:18:09.640 --> 00:18:14.039
arrived, Shole came on it. And was very quickly

00:18:14.039 --> 00:18:16.380
arrested following the release of these memories

00:18:16.380 --> 00:18:20.480
to everyone. This is, I mean... Like I said,

00:18:20.519 --> 00:18:25.380
the worlds have changed. Do you get in line and

00:18:25.380 --> 00:18:28.660
move outside? It's quite a crowd. Wagons and

00:18:28.660 --> 00:18:34.279
such. Horses! Terrifying. Blanche is trying to

00:18:34.279 --> 00:18:38.619
stay in front and shield, less so Arhan, but

00:18:38.619 --> 00:18:42.940
more so Xena. Blanche was a little curious about

00:18:42.940 --> 00:18:46.420
Xena saying she doesn't remember. Is that...

00:18:46.420 --> 00:18:50.220
Does Blanche think that's like a... A magic that's

00:18:50.220 --> 00:18:54.259
keeping her from remembering? Or is that a Xena's

00:18:54.259 --> 00:18:56.819
weird brain thing? Is that like a defense mechanism?

00:18:57.619 --> 00:19:00.440
You could roll an insight check. Okay. That might

00:19:00.440 --> 00:19:04.619
help. Roll psychology. Roll psychology. I'm going

00:19:04.619 --> 00:19:12.839
to roll my paradox d20. Ooh. Nice. Just 11. 11.

00:19:14.660 --> 00:19:18.539
You don't know. Something seemed off about it.

00:19:19.190 --> 00:19:22.710
But you get a weird feeling at those words, but

00:19:22.710 --> 00:19:25.109
you're not sure if there's some weird magic here

00:19:25.109 --> 00:19:28.029
feeling, weirdness feeling, or something else.

00:19:28.089 --> 00:19:30.089
Something to ponder over, maybe something to

00:19:30.089 --> 00:19:33.650
read about later in the night. I think Jules

00:19:33.650 --> 00:19:37.829
will follow Blanche's lead. I think he kind of

00:19:37.829 --> 00:19:41.230
gets what's going on. And behind Blanche and

00:19:41.230 --> 00:19:44.769
Xena, he will take his lute and make it shine

00:19:44.769 --> 00:19:47.539
really, really, really bright. and just kind

00:19:47.539 --> 00:19:49.940
of hold it over Xena so nobody can see. Oh my

00:19:49.940 --> 00:19:52.480
gosh. I love that counter photography. It's so

00:19:52.480 --> 00:19:54.140
good. Or take pictures or anything. That's good.

00:19:54.480 --> 00:19:56.519
Oh, I'm going to piss off so many paparazzi.

00:19:56.519 --> 00:20:01.380
I love it. And back lip of this brilliant light,

00:20:01.440 --> 00:20:05.039
you all step off into the crowd. And as you go,

00:20:05.160 --> 00:20:11.769
the crowd gets even louder outside. You just

00:20:11.769 --> 00:20:13.269
hear what's going on. You hear the name Shole

00:20:13.269 --> 00:20:14.730
getting thrown around a lot, but you can barely

00:20:14.730 --> 00:20:17.450
make out any of the questions in this cacophony,

00:20:17.450 --> 00:20:23.029
this manic, frantic screaming. There are shield

00:20:23.029 --> 00:20:25.950
bearers that are keeping that bay enough, sort

00:20:25.950 --> 00:20:27.769
of opening up a way so they can't block your

00:20:27.769 --> 00:20:31.630
path as you go to move. Do you want to just push

00:20:31.630 --> 00:20:35.859
on by? Xena and Arholon seem to go move. Akio's

00:20:35.859 --> 00:20:42.039
just looking around like terrified. Jaune's smiling,

00:20:42.140 --> 00:20:46.640
posing a little bit. Yeah, Blanche is going to

00:20:46.640 --> 00:20:48.339
try to push through and try to lead everybody

00:20:48.339 --> 00:20:53.140
through. Hell yeah. Take some time as you enter

00:20:53.140 --> 00:20:56.089
the... belly of the beast as they're just screaming

00:20:56.089 --> 00:20:59.009
all around you. And given what you've been through

00:20:59.009 --> 00:21:00.509
this day, I imagine it's like you're somewhat

00:21:00.509 --> 00:21:02.509
shell -shocked, too. You only recently came out

00:21:02.509 --> 00:21:04.910
of this horrible fight and had to run to escape

00:21:04.910 --> 00:21:09.769
imprisonment in the city. But eventually you

00:21:09.769 --> 00:21:13.450
do get through. Shieldbearers keep them from

00:21:13.450 --> 00:21:16.190
following you. There are obviously looks on the

00:21:16.190 --> 00:21:18.470
streets, but the common populace don't move in

00:21:18.470 --> 00:21:22.369
to bother you. It's generally not done. Let the

00:21:22.369 --> 00:21:27.990
luminaries be. And so you move, and things get

00:21:27.990 --> 00:21:32.690
quieter. When you reach the midpoint of the trade

00:21:32.690 --> 00:21:36.549
discal, where the great sort of doors into the

00:21:36.549 --> 00:21:40.849
auroral diamond are, where Xena's manor stands,

00:21:41.170 --> 00:21:47.430
she turns away from you guys wordlessly. Again,

00:21:47.490 --> 00:21:50.779
just kind of... Eyes distant, begins to move

00:21:50.779 --> 00:21:53.220
towards it, and Arhalon goes to follow her, and

00:21:53.220 --> 00:21:57.359
she stops. No, no, um, you should go with him.

00:21:57.720 --> 00:22:01.559
Check on the kids, and the coyote, okay? I'll

00:22:01.559 --> 00:22:04.839
make it go. Fire rusted. Really, really well

00:22:04.839 --> 00:22:12.460
done. Very well. I'm sure you will, Mother. You

00:22:12.460 --> 00:22:22.309
are okay. Mm -hmm. Yeah. I'm okay. I suppose

00:22:22.309 --> 00:22:26.130
Fibro should... He's probably missing me by now.

00:22:26.210 --> 00:22:28.069
I should make sure he's doing okay and keep up

00:22:28.069 --> 00:22:31.210
with his studies. And he kind of turns to face

00:22:31.210 --> 00:22:35.289
you guys. Xena gives you a last look and a nod,

00:22:35.329 --> 00:22:39.529
and she turns to go into her home. I'm worried

00:22:39.529 --> 00:22:43.549
about her, Jules. Me too. I think she's trying

00:22:43.549 --> 00:22:47.789
to protect Ahalan. Fear is a crazy thing, huh?

00:22:49.049 --> 00:22:52.829
I don't know how to help her. We'll figure it

00:22:52.829 --> 00:22:55.769
out. But she's right. We should get to the kids

00:22:55.769 --> 00:23:02.289
for now. Yeah. And you move again. Down the trade

00:23:02.289 --> 00:23:05.890
disc, Al. Down the, at this point, pretty busy

00:23:05.890 --> 00:23:08.990
streets. I believe this is all happening kind

00:23:08.990 --> 00:23:11.890
of like late afternoon, early evening, given

00:23:11.890 --> 00:23:15.609
the timeline of events. So kind of, you know,

00:23:15.630 --> 00:23:17.890
a hot time for her shopping. And so you push

00:23:17.890 --> 00:23:21.950
and push. past all the good shops and the good

00:23:21.950 --> 00:23:24.950
ends and the good places to be, and towards the

00:23:24.950 --> 00:23:30.150
bad ones, towards the ugly coyote. And you find

00:23:30.150 --> 00:23:34.789
yourselves outside. A familiar scene. Our heroes

00:23:34.789 --> 00:23:37.309
returning home. In this case, you've only gone

00:23:37.309 --> 00:23:41.410
for a day and a night, and yet it sounds like

00:23:41.410 --> 00:23:42.869
so much has happened. From what you've heard

00:23:42.869 --> 00:23:44.829
from Dresden, there was an attack last night

00:23:44.829 --> 00:23:47.349
while you were away. He repelled it, but you

00:23:47.349 --> 00:23:50.680
don't know anything about this yet. There's so

00:23:50.680 --> 00:23:53.420
much to know. I mean, you asked Sholay to send

00:23:53.420 --> 00:23:55.700
Jordan a message before it all went down. Maybe

00:23:55.700 --> 00:24:00.700
she did. Maybe he has news. You guys going in?

00:24:00.940 --> 00:24:02.880
Or do you want to just walk on by? Go somewhere

00:24:02.880 --> 00:24:04.720
else? We're going to go see Penny. Hit the casino.

00:24:08.339 --> 00:24:14.039
I love that. Pull up the soundboard. Now that

00:24:14.039 --> 00:24:16.980
we're at the Coyote, Blanche is following Jules'

00:24:17.119 --> 00:24:22.119
lead. Yeah, I mean, in typical Jules fashion,

00:24:22.279 --> 00:24:27.839
a familiar sight of walking in and going straight

00:24:27.839 --> 00:24:32.519
to the bar, sitting down, and he just reaches

00:24:32.519 --> 00:24:37.319
over the bar and grabs a bottle of bourbon, grabs

00:24:37.319 --> 00:24:42.279
two glasses, fills them to the brim, and slides

00:24:42.279 --> 00:24:45.390
one over to Blanche. Is Dresden at the bar, too?

00:24:45.609 --> 00:24:46.930
He's probably just chilling there. Oh, shit,

00:24:47.049 --> 00:24:50.349
yeah. Okay, so yeah, he's sitting there. Jules

00:24:50.349 --> 00:24:53.869
will sit next to him. And he'll grab three glasses.

00:24:54.589 --> 00:24:58.289
They know. They know. And he just spreads them

00:24:58.289 --> 00:25:02.950
out. And the three of them start drinking. I

00:25:02.950 --> 00:25:05.269
almost wonder, do you think there's a moment

00:25:05.269 --> 00:25:07.869
where Jules almost grabs a fourth glass? Because

00:25:07.869 --> 00:25:13.420
in previous adventures, your best buddy. Signs

00:25:13.420 --> 00:25:16.039
how I drink with you. Because it's legal in the

00:25:16.039 --> 00:25:20.539
Radiant Citadel. Because it's like Germany or

00:25:20.539 --> 00:25:29.180
whatever. No, but... I think he will look over

00:25:29.180 --> 00:25:34.259
at the fireplace. It's still above it, right?

00:25:34.579 --> 00:25:38.900
It is. Memorial sits. And he'll just kind of

00:25:38.900 --> 00:25:42.079
gaze at that a little bit. As you walk in very

00:25:42.079 --> 00:25:43.859
quietly, all the trigger lights are all kind

00:25:43.859 --> 00:25:47.359
of pushing it around. It's not as animated as

00:25:47.359 --> 00:25:49.119
usual because it's only been one day, and yet

00:25:49.119 --> 00:25:51.160
a lot of stuff has happened, so they're very

00:25:51.160 --> 00:25:54.220
excited. Arhalon steps in, immediately Fibro,

00:25:54.259 --> 00:25:56.400
who's in a book. He sees you guys, he's kind

00:25:56.400 --> 00:25:57.839
of waving, he's excited, and he sees Arhalon,

00:25:57.859 --> 00:25:59.579
he puts the book down, runs over, and just full

00:25:59.579 --> 00:26:03.900
-on wraps his arms around him. Arhalon, I'm so

00:26:03.900 --> 00:26:09.339
sorry. I've heard about... I'm so sorry. And

00:26:09.339 --> 00:26:11.259
Arlo just kind of takes him in a hug. He's like,

00:26:11.319 --> 00:26:17.039
it's fine. Jules and Blanche made sure of it.

00:26:17.039 --> 00:26:22.559
It's fine. I think like as they're all moving

00:26:22.559 --> 00:26:24.140
in, the chariot of light sort of gathering around

00:26:24.140 --> 00:26:26.759
you, you kind of see Jean and Akio maybe like

00:26:26.759 --> 00:26:28.700
towards the fireplace, kind of more towards the

00:26:28.700 --> 00:26:31.079
entrance. Jean seems like he's still awkward

00:26:31.079 --> 00:26:32.660
around them all. He kind of just doesn't, he's

00:26:32.660 --> 00:26:33.859
not great with kids. He's kind of standing there

00:26:33.859 --> 00:26:37.059
awkwardly. Akio sort of sees him stand back and

00:26:37.059 --> 00:26:40.220
looks back at him just, Roof, I have been a bad

00:26:40.220 --> 00:26:42.519
dog to you, brave turtle. I did not introduce

00:26:42.519 --> 00:26:46.900
myself. My name is Akio the Akita, last disciple

00:26:46.900 --> 00:26:49.819
of the Storm Eye. I am also Blanche's sidekick

00:26:49.819 --> 00:26:54.640
and best friend. Roof, who are you? And Sean

00:26:54.640 --> 00:26:56.500
just kind of... Now I feel super awkward that

00:26:56.500 --> 00:26:58.579
we never introduced them this whole time. You

00:26:58.579 --> 00:27:02.799
don't know who I am. Jean -Francois Montelio,

00:27:02.960 --> 00:27:05.359
the Fisher King. I'm sure sir has mentioned me

00:27:05.359 --> 00:27:09.500
loads of times. I... She might have called me...

00:27:09.500 --> 00:27:18.960
Tadpole. Nope. What? But... I'm sir's best friend.

00:27:19.079 --> 00:27:20.660
I have been trained by her since I was a mere

00:27:20.660 --> 00:27:22.759
child. Should I prove it? Do you want to take

00:27:22.759 --> 00:27:26.579
this outside, dog? Oh, yes. I would just love

00:27:26.579 --> 00:27:30.269
a walk. You're just hearing that from the doorway

00:27:30.269 --> 00:27:32.569
as you're all... As they walk out. As you move

00:27:32.569 --> 00:27:36.349
into the bar. Bring the sparring blades. And

00:27:36.349 --> 00:27:40.809
they all just go outside. Saludos. They'll keep

00:27:40.809 --> 00:27:48.369
each other busy. I like to picture Blanche sitting

00:27:48.369 --> 00:27:52.210
in between Jules and Dresden at the bar. And

00:27:52.210 --> 00:27:55.650
maybe there's a moment before the kids all...

00:27:57.769 --> 00:28:02.390
swell around us, and Blanche asks, Now, I know

00:28:02.390 --> 00:28:06.829
you two have a uncanny sort of way of communicating

00:28:06.829 --> 00:28:13.150
that I just can't read, but what is your plan

00:28:13.150 --> 00:28:16.910
for the children? It doesn't seem like the coyote

00:28:16.910 --> 00:28:28.930
is safe any longer. No, it's not. Blanche, for

00:28:28.930 --> 00:28:34.769
the first time, I don't know what to do. I don't

00:28:34.769 --> 00:28:40.289
know. Well, we have fewer friends now than we

00:28:40.289 --> 00:28:47.289
used to, but we still have allies. Jean, of course.

00:28:47.910 --> 00:28:52.369
Maybe, I know he's not a fan of the children,

00:28:52.549 --> 00:28:57.000
per se, but... It's a big castle there in Zinda.

00:28:59.400 --> 00:29:02.660
Ahalan still has a good relationship with the

00:29:02.660 --> 00:29:09.079
Warren on God's Breath. I mean, dare I say, Zina

00:29:09.079 --> 00:29:12.880
even, although I am a little concerned for her

00:29:12.880 --> 00:29:17.839
current state. Also, as you're saying, these

00:29:17.839 --> 00:29:20.380
options like places to take the kids away from

00:29:20.380 --> 00:29:23.880
here, Aether... Was at the bar, just cleaning

00:29:23.880 --> 00:29:25.319
the glass. I think when you walked over, he just

00:29:25.319 --> 00:29:27.619
kind of nodded, passed you some drinks, and is

00:29:27.619 --> 00:29:31.859
like, as you begin to speak, he just sort of

00:29:31.859 --> 00:29:34.799
eyes trail down, and you see he just kind of

00:29:34.799 --> 00:29:38.660
retreats into the back room. Just something about

00:29:38.660 --> 00:29:47.960
his posture. He knows you're right, but... The

00:29:47.960 --> 00:29:50.720
door closes behind him. It's not his fault, though.

00:29:52.240 --> 00:29:54.400
You just know he loves these kids. He's come

00:29:54.400 --> 00:29:56.960
to, but what's he going to do? He knows you're

00:29:56.960 --> 00:29:59.420
right. He was paralyzed in bed when they were

00:29:59.420 --> 00:30:02.319
all attacked. I mean, intentions are so high

00:30:02.319 --> 00:30:06.099
here. Is he safe either, though? Well, I mean,

00:30:06.140 --> 00:30:09.359
Jules is not going to leave with everybody without

00:30:09.359 --> 00:30:11.720
offering Ader to come. Sure, of course. Yeah,

00:30:11.880 --> 00:30:16.740
and I don't know if he would. I hope he would.

00:30:16.940 --> 00:30:20.319
Yeah. I mean, if we go to God's breath, he might.

00:30:20.929 --> 00:30:23.430
That's true. Back home. I think as you're having

00:30:23.430 --> 00:30:27.309
this conversation, I will say this. The Cherry

00:30:27.309 --> 00:30:30.750
Delights all kind of move in. And there's something

00:30:30.750 --> 00:30:33.630
in their smiles, really round stuff, who has

00:30:33.630 --> 00:30:36.470
this big mischievous kind of grin, like she's

00:30:36.470 --> 00:30:38.069
hiding something. And a lot of them kind of like

00:30:38.069 --> 00:30:39.670
looking around. Miskin's kind of looking both

00:30:39.670 --> 00:30:43.660
ways, like he's being a little suspicious. I

00:30:43.660 --> 00:30:45.460
think it's, you know, obviously you wouldn't

00:30:45.460 --> 00:30:47.779
read it, but I think even Dresden knows something

00:30:47.779 --> 00:30:50.160
that hasn't quite come up yet that you don't

00:30:50.160 --> 00:30:52.579
know. Jules, it's kind of a weird spot to put

00:30:52.579 --> 00:30:55.779
you in. I should tell you now the message Sholay

00:30:55.779 --> 00:30:59.220
sent him. I was just about to ask that. If you

00:30:59.220 --> 00:31:01.839
do, I'll tell you right now. You can relay it.

00:31:02.000 --> 00:31:04.279
So I'll tell Dresden, you can't, so Jules' part

00:31:04.279 --> 00:31:06.420
of Jeremy, don't listen to this. This is for

00:31:06.420 --> 00:31:08.019
the Dresden half of Jeremy who can then relay

00:31:08.019 --> 00:31:10.400
it to the Jules half. Does that make sense? Good,

00:31:10.480 --> 00:31:15.759
okay. We're on it. Yeah, sure. Hell yeah. Okay,

00:31:15.920 --> 00:31:20.519
so after a moment of silence, Jules will kind

00:31:20.519 --> 00:31:22.160
of turn his head a little bit, not looking at

00:31:22.160 --> 00:31:23.740
Dresden, just kind of turning his head in his

00:31:23.740 --> 00:31:30.799
direction. What did Shorley say? And as if in

00:31:30.799 --> 00:31:34.759
a memory, we hear her words through the whispers

00:31:34.759 --> 00:31:39.380
of a stone. You are to lay low and await further

00:31:39.380 --> 00:31:44.829
instruction. we can still stop them. Tell Jules

00:31:44.829 --> 00:31:54.549
a gift is coming for saving me from myself. Dresden

00:31:54.549 --> 00:31:59.130
knows what this gift is. Ooh. Because it's already

00:31:59.130 --> 00:32:03.029
here. Oh. Is it a puppy? Oh, it's a puppy. It's

00:32:03.029 --> 00:32:04.710
a puppy, isn't it? It's a puppy. Do you want

00:32:04.710 --> 00:32:06.049
to know what it is? You want to know what it

00:32:06.049 --> 00:32:07.690
is? We already know what it is. You know what

00:32:07.690 --> 00:32:15.099
it is? Yeah, well, and... Jules will ask. You

00:32:15.099 --> 00:32:18.380
know what that's all about? Before I answer your

00:32:18.380 --> 00:32:22.880
question, can I ask you one? Sure. I imagine

00:32:22.880 --> 00:32:25.700
Jules, because he's not a cartoon character,

00:32:25.839 --> 00:32:29.859
has multiple sets of clothes. Describe for me

00:32:29.859 --> 00:32:31.579
what maybe a back -up outfit of Jules would look

00:32:31.579 --> 00:32:43.099
like. Oh. God, I don't know. The kind of casual

00:32:43.099 --> 00:32:45.259
wear he might have kicking around. The Where's

00:32:45.259 --> 00:32:49.000
Waldo shirt? Yeah, exactly. I was thinking the

00:32:49.000 --> 00:32:52.200
exact opposite. I was thinking it might be, you

00:32:52.200 --> 00:32:56.980
know, like a solid black suit. Okay. Or jumpsuit,

00:32:57.039 --> 00:32:59.680
or I don't know. Something really just really,

00:32:59.799 --> 00:33:04.339
really dark. Okay. Like a dark tunic. Sort of

00:33:04.339 --> 00:33:07.259
similar, like, what do you call old style pants?

00:33:07.440 --> 00:33:11.539
Pants? Knickers? Pantaloons? Pantaloons? Knickers.

00:33:11.880 --> 00:33:13.819
Knickers, there you go. Dark tunics and some

00:33:13.819 --> 00:33:17.680
knickers. I love that. I think black is a great

00:33:17.680 --> 00:33:21.779
choice. And that's purely as he's just like,

00:33:21.859 --> 00:33:25.859
you know, he's the midnight prince. So if he's

00:33:25.859 --> 00:33:27.920
in the dark, it kind of helps him get in and

00:33:27.920 --> 00:33:30.359
out of spaces. The dog hair is going to show.

00:33:31.380 --> 00:33:35.400
The pangolin hair is really going to show. But

00:33:35.400 --> 00:33:38.799
yeah, no, I imagine, you know. You ask Dresden

00:33:38.799 --> 00:33:40.920
that question, and before he can form an answer,

00:33:41.019 --> 00:33:44.900
you hear a step at the top of the stairs behind

00:33:44.900 --> 00:33:48.200
you. At first, you almost don't recognize the

00:33:48.200 --> 00:33:50.079
young woman coming down the stairs, dressed in

00:33:50.079 --> 00:33:54.079
these black clothes, this dark tunic. Her general

00:33:54.079 --> 00:33:56.279
figure is smaller than yours, and so it runs

00:33:56.279 --> 00:33:59.839
pretty long on her. The pants, the knickers,

00:33:59.940 --> 00:34:01.859
while rolled up to make for a difference in size,

00:34:01.940 --> 00:34:04.059
are also tight on the thick muscles of her legs.

00:34:04.680 --> 00:34:07.759
Her sleek black hair is down and damp, dropping

00:34:07.759 --> 00:34:09.820
down to her waist, and her dark eyes are filled

00:34:09.820 --> 00:34:15.480
with humor. As dance macabre. Wow. Finally, you're

00:34:15.480 --> 00:34:17.940
back. What? You have a lot of work to do, Jules

00:34:17.940 --> 00:34:21.739
LaRoche, to get this place ready for me. Oh.

00:34:21.940 --> 00:34:25.139
Jules has just a bewildered look on him, and

00:34:25.139 --> 00:34:27.760
he'll kind of look her up and down. The children

00:34:27.760 --> 00:34:30.920
start giggling. He writes them just personally

00:34:30.920 --> 00:34:33.400
laughter, and Miskin kind of just pulls her aside.

00:34:39.440 --> 00:34:42.480
She slides on the stairs, that absolute grace

00:34:42.480 --> 00:34:45.320
in her step. She just seems to dance down to

00:34:45.320 --> 00:34:49.019
the floor. The Orcish woman, Ming Kong, that

00:34:49.019 --> 00:34:51.440
currently commands the Shieldbearers. She just

00:34:51.440 --> 00:34:54.360
told me to thank Sholay. There was some talk

00:34:54.360 --> 00:34:56.239
around the holding cells, Shieldbearers speaking,

00:34:56.400 --> 00:34:58.800
saying that Sholay is admitting to everything

00:34:58.800 --> 00:35:01.239
Atash has charged her with. Not putting up any

00:35:01.239 --> 00:35:09.929
kind of fight. I wonder if... And she... moves

00:35:09.929 --> 00:35:15.530
up to you. Your clothes do not fit me, but do

00:35:15.530 --> 00:35:18.309
you like the new look? It's been a long time

00:35:18.309 --> 00:35:23.130
since I have not worn uniform. And there's something

00:35:23.130 --> 00:35:28.230
in her eyes so sad. Jules will look at her for

00:35:28.230 --> 00:35:32.469
a brief moment and then pull her in for a really,

00:35:32.489 --> 00:35:42.690
really tight embrace. I can't do this. I can't.

00:35:43.090 --> 00:35:48.769
You can. How? You can. You're not alone, Jules.

00:35:49.469 --> 00:35:54.710
Shirley has made sure of it. I'm here now. All

00:35:54.710 --> 00:35:57.269
of your friends are here. And I'm not going anywhere.

00:35:58.449 --> 00:36:02.409
I can't. I was released from civil custody until

00:36:02.409 --> 00:36:05.260
the Sky Prison would not have me, but... Art

00:36:05.260 --> 00:36:07.179
of art, it speaks for my world. I am no longer

00:36:07.179 --> 00:36:10.300
a luchadora of San Satyan. I am no longer a resident

00:36:10.300 --> 00:36:14.500
of San Satyan. I have no home, no possessions,

00:36:14.619 --> 00:36:18.300
no money, but it's fine. Because we're going

00:36:18.300 --> 00:36:23.800
to help each other. But what do we do now? Where

00:36:23.800 --> 00:36:35.099
do we go from here? Step by step. First, You

00:36:35.099 --> 00:36:38.920
need to help me move things in. Because I have

00:36:38.920 --> 00:36:40.719
moved in with you, whether you're not just a

00:36:40.719 --> 00:36:51.400
rush. And then, step by step, I think you're

00:36:51.400 --> 00:36:54.639
looking into each other's eyes. You see that

00:36:54.639 --> 00:36:58.619
resilience in her dark eyes. Someone who has

00:36:58.619 --> 00:37:02.840
also just lost everything. I mean... And maybe

00:37:02.840 --> 00:37:04.840
for a moment things feel all right, and then

00:37:04.840 --> 00:37:10.699
what you dread most happens. Where's Chester?

00:37:11.199 --> 00:37:18.280
Yeah. Roundstuff's voice. Where's Chester? Jules?

00:37:19.199 --> 00:37:22.820
Jules pulls back from the embrace and turns around.

00:37:23.420 --> 00:37:28.320
Everyone, dance, everyone is looking to you now,

00:37:28.340 --> 00:37:31.519
and there's a new concern. You notice one Cherry

00:37:31.519 --> 00:37:34.380
Delight is not down here. Yeah. Jeans is not

00:37:34.380 --> 00:37:40.539
here. Yep. Chester had to go do something. But

00:37:40.539 --> 00:37:46.500
he'll be back. Oh, okay. And just like that round

00:37:46.500 --> 00:37:51.360
stuff looks so, like, totally down with it. And

00:37:51.360 --> 00:37:56.539
nobody else has that reaction. Mulligan shares

00:37:56.539 --> 00:37:59.280
a look with Fibro across the room. I sort of...

00:37:59.469 --> 00:38:03.349
Wide and concerned. Jules clocks that and looks

00:38:03.349 --> 00:38:08.489
over. I will get him back. And they, not wanting

00:38:08.489 --> 00:38:10.909
to make a scene, not wanting to sit around, they

00:38:10.909 --> 00:38:14.530
just kind of both nod towards you. And they do

00:38:14.530 --> 00:38:20.849
look better. Because they trust you, Jules. Because

00:38:20.849 --> 00:38:22.530
they know you will always see things through.

00:38:23.250 --> 00:38:28.030
And where's the girl? That'll kind of snap Jules

00:38:28.030 --> 00:38:32.010
out of it. Yeah, guys, where's Jeans? Oh, she's

00:38:32.010 --> 00:38:35.769
in her room. She's working on, she's making the,

00:38:35.889 --> 00:38:39.090
she runs up, like, leans up towards you on tippy

00:38:39.090 --> 00:38:41.650
toes. Disguise, kids, so we can go hide around

00:38:41.650 --> 00:38:47.550
anywhere. It's pretty cool. Nice. Well, kids,

00:38:47.710 --> 00:38:50.769
why don't you come this way? I've got some fun

00:38:50.769 --> 00:38:54.309
stories to tell you about our journey. Oh! Ooh,

00:38:54.349 --> 00:38:56.289
ooh, ooh, ooh, ooh. Come on, miskin. Miskin's

00:38:56.289 --> 00:38:58.630
kind of like trying to stand close to Dresden,

00:38:58.769 --> 00:39:01.110
arms folded, trying to look cool. And she just

00:39:01.110 --> 00:39:02.809
grabs him, pulls him, yanks him along, and they

00:39:02.809 --> 00:39:05.190
kind of all rush around you, Blanche. So Blanche

00:39:05.190 --> 00:39:10.449
wrangles the kids to do story time so Jules can

00:39:10.449 --> 00:39:12.809
do more important things. She's like fucking

00:39:12.809 --> 00:39:17.110
Mother Goose. Do you want me to go upstairs?

00:39:17.510 --> 00:39:19.190
Do you want to go upstairs? That's your call.

00:39:19.769 --> 00:39:21.289
Blanche gave you the opportunity to go upstairs.

00:39:21.329 --> 00:39:27.599
He's got to go upstairs. Okay. You go up. Yeah,

00:39:27.679 --> 00:39:29.440
but as he goes up, he's going to grab Dance's

00:39:29.440 --> 00:39:36.659
hand. I can't do this alone. She smiles big at

00:39:36.659 --> 00:39:38.440
that. One of those rare smiles where you see

00:39:38.440 --> 00:39:42.239
her teeth. And nods and goes along with you.

00:39:43.739 --> 00:39:45.500
Essentially pulling you up the stairs. She does

00:39:45.500 --> 00:39:47.519
not like to go up. She likes to go first. She's

00:39:47.519 --> 00:39:51.760
just like... You reach the top of the stairs,

00:39:51.860 --> 00:39:55.010
look down the hall, you see... One closed door.

00:39:56.530 --> 00:39:59.710
I believe Jean shares a room with a few other

00:39:59.710 --> 00:40:01.429
kids, but you know none of them are there now.

00:40:01.489 --> 00:40:05.670
It's just her. You say the door's closed? Yes.

00:40:05.969 --> 00:40:10.670
Okay. Jules will give a light knock and then

00:40:10.670 --> 00:40:14.389
crack the door open. You crack the door open.

00:40:14.429 --> 00:40:18.210
You see there are a number of... You heard her

00:40:18.210 --> 00:40:20.110
announce a disguise kit. You see all these sort

00:40:20.110 --> 00:40:21.730
of implements that might be a part of that. Pieces

00:40:21.730 --> 00:40:24.570
of cloth and like... You know, buttons are sewn

00:40:24.570 --> 00:40:26.389
onto shirts, and it looks like some fake hair

00:40:26.389 --> 00:40:29.150
and stuff kind of on the floor, as if they were

00:40:29.150 --> 00:40:32.409
being worked on, kind of like a mess. But she

00:40:32.409 --> 00:40:35.809
has abandoned those. You just see jeans looking

00:40:35.809 --> 00:40:41.949
small, sitting on the edge of her bed, and crying.

00:40:43.329 --> 00:40:45.289
And you see the window into the room is open.

00:40:46.929 --> 00:40:56.530
Oh. And she looks at you, and... You know that

00:40:56.530 --> 00:40:59.849
he was here. That he had left some time ago.

00:41:00.610 --> 00:41:05.030
But he beat you here. Yeah. She doesn't say a

00:41:05.030 --> 00:41:08.329
word. She just... Jules will go over and sit

00:41:08.329 --> 00:41:14.309
next to her. I told you. He worships you, Jules.

00:41:17.710 --> 00:41:22.590
He loves you with everything he's got. He's broken.

00:41:24.750 --> 00:41:28.489
He told me he wasn't coming back. Why would he

00:41:28.489 --> 00:41:33.650
say that? What's wrong with him? Something's

00:41:33.650 --> 00:41:40.530
got a hold of him. Look at me. I will get him

00:41:40.530 --> 00:41:49.570
back. I will get him back. I think on those words,

00:41:49.570 --> 00:41:54.800
echoing softly through the room, we fade. To

00:41:54.800 --> 00:42:02.039
black. We let a short time pass. Perhaps we see

00:42:02.039 --> 00:42:05.679
everyone now gathered downstairs. Everyone in

00:42:05.679 --> 00:42:11.179
one place. Together. Your stories I'm sure somewhat

00:42:11.179 --> 00:42:14.800
toned down for the kids have inspired some excitement

00:42:14.800 --> 00:42:17.079
around stuff is just running around like they're

00:42:17.079 --> 00:42:19.940
trying to use like a play sword to beat on the

00:42:19.940 --> 00:42:22.880
echo which is kind of. you know, parrying her

00:42:22.880 --> 00:42:26.980
easily as President sits at the bar. It's the

00:42:26.980 --> 00:42:30.579
ultimate babysitter. It's so good. And that's

00:42:30.579 --> 00:42:35.000
when the tigers showed up. No! Wow, real tigers?

00:42:35.739 --> 00:42:42.320
Wow! I think... Those really random tigers? When

00:42:42.320 --> 00:42:46.179
Jules and Dance get back downstairs, I'm assuming

00:42:46.179 --> 00:42:48.809
Jules left at that point. Yeah, let's say everyone.

00:42:48.869 --> 00:42:50.730
I think Gene also even slowly comes down with

00:42:50.730 --> 00:42:54.610
you. All of you kind of. I think in some way

00:42:54.610 --> 00:42:58.449
kind of seeming like he wants to just feel some

00:42:58.449 --> 00:43:04.030
sort of innocence. He'll go over to where the

00:43:04.030 --> 00:43:07.289
kids are crowded on Blanche and he'll grab Dance's

00:43:07.289 --> 00:43:11.550
hand and pull her down to the floor and sit crisscross

00:43:11.550 --> 00:43:17.059
and just listen to Blanche with the kids. And

00:43:17.059 --> 00:43:20.199
Blanche's words ring out for a while until her

00:43:20.199 --> 00:43:24.179
story comes to an end. How do you end your story,

00:43:24.219 --> 00:43:27.659
Blanche? Is this a, and they lived happily ever

00:43:27.659 --> 00:43:32.260
after situation? It's the people of the world

00:43:32.260 --> 00:43:36.739
were saved. And your friend Jules was so brave

00:43:36.739 --> 00:43:38.539
in making that happen. You know what I mean?

00:43:39.559 --> 00:43:42.789
Everyone's. At this point, Jean's also back,

00:43:42.829 --> 00:43:44.150
and he's been listening to this too, because

00:43:44.150 --> 00:43:45.289
he had no idea what was going on, so he's just

00:43:45.289 --> 00:43:46.989
kind of watching. I think you can see him shed

00:43:46.989 --> 00:43:51.210
a little tear. Are you crying, Roof? Shut up,

00:43:51.289 --> 00:43:58.849
dog! Do you need assistance, Roof? Still in the

00:43:58.849 --> 00:44:02.170
back corner. There's a long period of silence,

00:44:02.389 --> 00:44:05.239
and then dance. Seems to kind of like get very

00:44:05.239 --> 00:44:07.320
animated. She's like crisscross and she just

00:44:07.320 --> 00:44:10.099
in like a fluid single motion is just like on

00:44:10.099 --> 00:44:14.619
her feet. Again, just that perfect athleticism.

00:44:15.739 --> 00:44:17.739
And she's kind of like claps her hands together

00:44:17.739 --> 00:44:20.760
and almost like she's just put on some facade.

00:44:21.280 --> 00:44:23.579
Well, you will not do them up around any longer.

00:44:24.519 --> 00:44:26.659
I'm going to buy some clothes and things to move

00:44:26.659 --> 00:44:30.559
in Jules. So you are taking me out to shop. It

00:44:30.559 --> 00:44:33.900
will be a date. And she stops and thinks. And

00:44:33.900 --> 00:44:37.059
looks down. Bunny girl, round stuff. How long

00:44:37.059 --> 00:44:38.920
has it been since Jules has taken you on a date?

00:44:39.639 --> 00:44:41.480
And I just kind of looks up at her and kind of

00:44:41.480 --> 00:44:44.639
like, eyes wide, and just kind of giggles. I

00:44:44.639 --> 00:44:47.440
don't think Jules has ever taken me on a date.

00:44:47.840 --> 00:44:51.380
What? Jules, Mateo always used to take me on

00:44:51.380 --> 00:44:53.639
dates. Big brothers can't always just stay cooped

00:44:53.639 --> 00:44:56.039
up all the time. Young ladies are not caged birds.

00:44:56.579 --> 00:44:58.780
This is an outrage. Jules, you will have to fix

00:44:58.780 --> 00:45:01.260
this now. You will be taking round stuff and

00:45:01.260 --> 00:45:04.409
I on a date immediately. Jeans too. And she points

00:45:04.409 --> 00:45:06.510
over to Jeans and kind of looks up like kind

00:45:06.510 --> 00:45:11.289
of surprised. No, no, I don't. Jeans too. Folds

00:45:11.289 --> 00:45:13.550
her arm kind of like this very, very firm gesture.

00:45:13.630 --> 00:45:16.190
And see Jeans kind of smiles a little bit. And

00:45:16.190 --> 00:45:18.530
yeah, and Jules will look over to Jeans. And

00:45:18.530 --> 00:45:20.349
for the first time since he's been back, he'll

00:45:20.349 --> 00:45:24.429
crack a little smile and he'll say, Jeans too.

00:45:29.050 --> 00:45:33.679
And she'll look. Dangerous kind of look. Then

00:45:33.679 --> 00:45:36.539
turns over. Blanche, do you also want to go on

00:45:36.539 --> 00:45:40.340
a date with Jules? Well, hey, hold on, hold on,

00:45:40.340 --> 00:45:43.719
hold on, hold on. Hold on. We need some fucking

00:45:43.719 --> 00:45:47.099
security to stay back. Actually, honestly, I

00:45:47.099 --> 00:45:49.119
think you're saying this and, like, Ader steps

00:45:49.119 --> 00:45:50.780
out of the back room. He's been, like, probably

00:45:50.780 --> 00:45:52.619
listening to the whole story. The door bursts

00:45:52.619 --> 00:45:54.739
open. Whoa, whoa, whoa, whoa. Hey, hey. I held

00:45:54.739 --> 00:45:56.300
my tongue when you waltzed in here and moved

00:45:56.300 --> 00:45:58.480
on in, but there's no way you're taking these

00:45:58.480 --> 00:46:00.420
kids out in the streets. It's dangerous out there.

00:46:00.460 --> 00:46:02.219
You don't know what I'm facing. They'll be with

00:46:02.219 --> 00:46:05.500
me. They'll be safe. How can you be sure of that?

00:46:05.800 --> 00:46:08.840
Jules, the people after us are dangerous. I could

00:46:08.840 --> 00:46:10.360
prove my strength to you right now if you'd like.

00:46:10.599 --> 00:46:12.480
Should I chokeslam you into your own bar? Would

00:46:12.480 --> 00:46:17.800
that be impressive? And he's... Just like a heated

00:46:17.800 --> 00:46:20.420
tension there. She kind of stands towards him.

00:46:20.760 --> 00:46:25.980
Ada. What? We're sitting ducks anywhere we go.

00:46:28.320 --> 00:46:34.940
I mean, yeah. Might as well at least take the

00:46:34.940 --> 00:46:38.360
fish out of the barrel. Did that make sense?

00:46:38.840 --> 00:46:41.239
No, I like that. That's good. It was great. Put

00:46:41.239 --> 00:46:43.579
on a t -shirt. Episode title, Fish Out of the

00:46:43.579 --> 00:46:49.039
Barrel. I've been out quite enough of late. I

00:46:49.039 --> 00:46:51.760
think if it's all the same to you, Jules, I'll

00:46:51.760 --> 00:46:55.539
stay behind. I'd like to catch up on a little

00:46:55.539 --> 00:46:59.960
reading. Yeah, of course. Is Dresden hanging

00:46:59.960 --> 00:47:03.130
out? He sticking around? Yeah, yeah. Yeah, Dresden

00:47:03.130 --> 00:47:06.170
is posted at the Coyote. You can give an update

00:47:06.170 --> 00:47:08.130
to Soldier Boy. Soldier Boy and I will make sure

00:47:08.130 --> 00:47:13.070
things are okay, yeah? Let's go do some shopping

00:47:13.070 --> 00:47:15.809
therapy. Hell yeah. What stores are we going

00:47:15.809 --> 00:47:19.329
to, David? We want to go deep into it. Where's

00:47:19.329 --> 00:47:21.489
the Radiant Citadel mall? Whoops, I punched the

00:47:21.489 --> 00:47:24.469
mic. Jesus Christ. He can't help but talk with

00:47:24.469 --> 00:47:25.849
his hands. He can't help. My hands are going

00:47:25.849 --> 00:47:30.210
crazy. What's the mall called on the Radiant

00:47:30.210 --> 00:47:32.739
Citadel? Would there be a mall? It would be one

00:47:32.739 --> 00:47:35.059
of those outdoor malls. It would be called...

00:47:35.059 --> 00:47:41.480
Like a bazaar. The... Hang on. I got this. Hang

00:47:41.480 --> 00:47:47.260
on. Something with a diamond. The... Hang on.

00:47:47.679 --> 00:47:53.619
Shimmer shops. That sucks. I love it. The shimmer...

00:47:53.619 --> 00:47:56.599
We're going to the shimmer shops. Where every

00:47:56.599 --> 00:48:02.570
booze sparkles. Wow, the shimmer shops? Or I'll

00:48:02.570 --> 00:48:13.769
just, mother loves that place. Oh my gosh. And

00:48:13.769 --> 00:48:17.650
you leave the shimmer shops. For the shimmer

00:48:17.650 --> 00:48:20.010
shops? Buy some toys. We're not going to go star

00:48:20.010 --> 00:48:21.889
by star, one by one. No, that would be terrible.

00:48:22.389 --> 00:48:24.670
Let's role play this out. Let's do it. I know

00:48:24.670 --> 00:48:26.530
for a fact Jules doesn't have much gold. I'll

00:48:26.530 --> 00:48:28.510
ask you one question. I got a lot of gold. I

00:48:28.510 --> 00:48:30.449
got a lot of gold. Really? Yeah. How much gold?

00:48:30.570 --> 00:48:32.630
I've barely spent like, I don't know. I'll check

00:48:32.630 --> 00:48:34.210
my sheet, David. I don't have my computer open.

00:48:34.309 --> 00:48:37.050
Like 115, something like that? That's not a lot

00:48:37.050 --> 00:48:39.429
for... I don't know. That's a lot for gold. That's

00:48:39.429 --> 00:48:43.130
a lot for gold, yeah. It's not for level 7. Yeah,

00:48:43.190 --> 00:48:49.289
no. Yeah, yeah. No, it's not level 7. I have

00:48:49.289 --> 00:48:50.809
one last question, though, before we head to

00:48:50.809 --> 00:48:52.090
the Shimmer Shops, because I just bring this

00:48:52.090 --> 00:48:52.989
up and it's kind of a funny thing. Head away

00:48:52.989 --> 00:48:53.849
from the Shimmer Shops or to the Shimmer Shops?

00:48:53.849 --> 00:48:56.150
Head towards the Shimmer Shops. Didn't we just

00:48:56.150 --> 00:48:57.329
leave the... We just left the Shimmer Shops.

00:48:57.329 --> 00:48:59.409
We've said Shimmer Shops so much that it's losing

00:48:59.409 --> 00:49:03.800
all meaning. As you lead the coyote towards the

00:49:03.800 --> 00:49:06.559
shimmer shops, Arlan does mention that Xena loves

00:49:06.559 --> 00:49:08.079
the shimmer shops. Do you want to bring her along?

00:49:08.539 --> 00:49:09.739
It's been a little time since you dropped her

00:49:09.739 --> 00:49:12.840
off. Or bring her some flowers or something.

00:49:12.920 --> 00:49:15.880
Yeah, I was just thinking that. Maybe we'll get

00:49:15.880 --> 00:49:19.000
some flowers and then maybe a nice espresso.

00:49:19.579 --> 00:49:24.219
And a fresh goat. Yeah. They have a goat shop,

00:49:24.280 --> 00:49:27.179
right? Yeah, of course you bring a goat. There's

00:49:27.179 --> 00:49:30.360
a fire sale going on tonight. wow we're bringing

00:49:30.360 --> 00:49:34.500
a pet goat i can't wait to see it again after

00:49:34.500 --> 00:49:40.059
today um arlan leaves with you as you guys head

00:49:40.059 --> 00:49:41.579
out to the shops and i imagine there's just a

00:49:41.579 --> 00:49:44.820
little montage of fun you know a fun sort of

00:49:45.239 --> 00:49:47.500
couple hours perhaps spent in this evening out

00:49:47.500 --> 00:49:50.320
at the shops maybe grabbing some some food grabbing

00:49:50.320 --> 00:49:52.719
that espresso around stuff bouncing around a

00:49:52.719 --> 00:49:56.059
toy shop uh dance is just trying on it's one

00:49:56.059 --> 00:49:57.139
of those like montage girls she's like trying

00:49:57.139 --> 00:49:59.219
all these new outfits she's uh she doesn't have

00:49:59.219 --> 00:50:01.400
her uniform anymore she's gotta find a new style

00:50:01.400 --> 00:50:02.900
i think she's trying out different things i think

00:50:02.900 --> 00:50:04.500
she eventually sells on like maybe like just

00:50:04.500 --> 00:50:07.119
a very plain looking white dress you know she

00:50:07.119 --> 00:50:08.559
likes to fight in a dress it's kind of been her

00:50:08.559 --> 00:50:10.619
get -go for a while now she's had the flakorgo

00:50:10.619 --> 00:50:12.019
dress that she always fought in so that gets

00:50:12.019 --> 00:50:13.760
more comfortable for her doing her like you know

00:50:13.760 --> 00:50:16.139
martial arts so I think she grabs a few more

00:50:16.139 --> 00:50:21.300
similar items, just minus the mask. I actually

00:50:21.300 --> 00:50:23.599
had a question about that. Without the mask,

00:50:23.880 --> 00:50:30.039
is she recognized? Honestly, no. No. Good thought.

00:50:30.719 --> 00:50:33.039
She's not a person. She's known as Dance Macabre,

00:50:33.159 --> 00:50:35.840
but now she is not Dance Macabre. In fact, she

00:50:35.840 --> 00:50:37.739
probably tells you at one point if she was referred

00:50:37.739 --> 00:50:40.139
to as Dance. She even just says, like, please,

00:50:40.320 --> 00:50:46.710
Gabriella now, Dance Macabre is. Go on. Side

00:50:46.710 --> 00:50:48.210
note, I just checked my sheet. I got the one

00:50:48.210 --> 00:50:50.909
in the five right. I have 1568 for gold. That's

00:50:50.909 --> 00:50:51.989
pretty good. Oh, nice, that's good. Ain't bad.

00:50:52.170 --> 00:50:56.769
That's good. You spend all of it. I was going

00:50:56.769 --> 00:51:01.030
to say. You don't dictate how I spend my money.

00:51:01.250 --> 00:51:03.809
Those espresso prices on the Iranian sandal.

00:51:04.090 --> 00:51:06.210
Yeah, no, I'm going to buy an espresso machine

00:51:06.210 --> 00:51:11.570
at that rate. Yeah, right, for real. Arhalon

00:51:11.570 --> 00:51:14.610
leaves with you, and I think he... Basically

00:51:14.610 --> 00:51:16.989
just leaves so he's heading back in that direction

00:51:16.989 --> 00:51:19.489
to head home. You pass by Xena's Manor on your

00:51:19.489 --> 00:51:22.409
way and he breaks off to go there. We see your

00:51:22.409 --> 00:51:24.510
montage so you have your fun. Perhaps afterwards

00:51:24.510 --> 00:51:28.969
we see you leaving the Shimmer Shops with some

00:51:28.969 --> 00:51:33.489
flowers and an espresso in hand heading up the

00:51:33.489 --> 00:51:37.389
drive towards Xena's Manor. And you see a very

00:51:37.389 --> 00:51:40.409
panicked Lunar Halon standing outside. Fuck.

00:51:40.510 --> 00:51:46.099
I had a feeling. I think as you move in towards

00:51:46.099 --> 00:51:51.940
him, he just looks up towards you. And our hammer

00:51:51.940 --> 00:51:54.260
sort of pans away again as he just speaks a few

00:51:54.260 --> 00:52:00.960
words to you. She's gone, Jules. The house is

00:52:00.960 --> 00:52:08.820
empty. She's just gone. We fade to black. We

00:52:08.820 --> 00:52:12.280
open once again inside the coyote. Now it is.

00:52:13.139 --> 00:52:16.679
Later that evening, the diamond has gone fully

00:52:16.679 --> 00:52:20.059
that dark blue. The streets are, little diamond

00:52:20.059 --> 00:52:22.280
-lipped lamps are lining them, but the streets

00:52:22.280 --> 00:52:26.300
are dark. I think inside, there is no business.

00:52:26.360 --> 00:52:28.820
There almost never is, thankfully, for you guys.

00:52:29.960 --> 00:52:34.179
Hater has set up the projection, and the crystal

00:52:34.179 --> 00:52:36.900
projector is shooting out towards the wall. There

00:52:36.900 --> 00:52:42.400
is a very important speech. about to be made.

00:52:43.179 --> 00:52:47.300
One that I'm sure Dresden has been eagerly anticipating

00:52:47.300 --> 00:52:52.119
given the events of last night and the hero,

00:52:52.300 --> 00:52:56.519
very sudden hero of the night that came to his

00:52:56.519 --> 00:53:00.519
rescue. I think before we see anything, there's

00:53:00.519 --> 00:53:06.460
a commercial in the fuzz of the screen. We see

00:53:06.460 --> 00:53:08.579
Sagan to the backdrop of a rustic marine bar,

00:53:08.860 --> 00:53:11.219
a rough -and -tumble dwarf with a gruff scowl

00:53:11.219 --> 00:53:13.099
wearing black and white leathers with an eye

00:53:13.099 --> 00:53:18.820
patch, and you hear... This is Helen Logash,

00:53:19.019 --> 00:53:23.559
the Chiripor Badger. I'm the best there is at

00:53:23.559 --> 00:53:29.340
what I do, and what I do is serve drinks at the

00:53:29.340 --> 00:53:33.059
Empress Bar. If you're in the wharf district

00:53:33.059 --> 00:53:41.860
of Chiripor, Come in, and if you say Harlan One

00:53:41.860 --> 00:53:48.920
-Eye sent you, first round's on me, bub. The

00:53:48.920 --> 00:53:51.239
commercial breaks down in static. I love the

00:53:51.239 --> 00:53:54.059
Wolverine reference. It's so good. That commercial's

00:53:54.059 --> 00:53:57.900
really working. I'm feeling thirsty. Slides you

00:53:57.900 --> 00:54:02.909
a drink. Hell yeah. Thank you, Matthew. Matthew's

00:54:02.909 --> 00:54:04.730
Nerdy Nation. Yeah, I think we mentioned it in

00:54:04.730 --> 00:54:07.050
the Unzipped. No, no, we haven't played this

00:54:07.050 --> 00:54:08.610
in the Unzipped. I saved it. No, but didn't we

00:54:08.610 --> 00:54:10.190
talk about it? I don't think so. Did we? No,

00:54:10.190 --> 00:54:11.789
okay. Oh, we did. Surprise! No, I don't remember.

00:54:11.929 --> 00:54:13.130
Yeah, I don't remember talking about it. No,

00:54:13.170 --> 00:54:14.769
we had this commercial. I was like, oh, I'll

00:54:14.769 --> 00:54:15.849
put this in the episode. Okay, yeah, yeah. I

00:54:15.849 --> 00:54:18.650
love just the idea of the cheesy luminary commercials

00:54:18.650 --> 00:54:21.429
being such constant things. Anyway, fun time's

00:54:21.429 --> 00:54:29.159
over. No more fun. No more fun. The... Commercial

00:54:29.159 --> 00:54:31.619
transitions into a pattern of colorful static.

00:54:32.440 --> 00:54:34.699
And a new scene lights up the projector screen.

00:54:35.599 --> 00:54:38.139
A stage set on the trade disc, Al, near to where

00:54:38.139 --> 00:54:40.260
the entrance into the Royal Diamond is. I think

00:54:40.260 --> 00:54:41.880
you probably passed it when you went to the Shimmer

00:54:41.880 --> 00:54:44.639
Shops. And you saw it being set up. You saw people

00:54:44.639 --> 00:54:47.500
gathering at that point. We see paparazzi guild

00:54:47.500 --> 00:54:49.320
members gathered once again, likely exhausted

00:54:49.320 --> 00:54:51.539
from the constant stream of news and drama just

00:54:51.539 --> 00:54:54.670
flooding the network in these recent days. Yet

00:54:54.670 --> 00:54:56.949
they are as animated as ever, hurling question,

00:54:57.070 --> 00:54:58.829
flashing their diamonds. We see them crowding

00:54:58.829 --> 00:55:02.349
on a single, solitary figure, one with wings

00:55:02.349 --> 00:55:05.929
unfurled and a band of light shining around her.

00:55:06.389 --> 00:55:09.710
We see Salome the Sight Weaver, about to give

00:55:09.710 --> 00:55:14.530
a public statement. And all the worlds are listening.

00:55:16.469 --> 00:55:20.309
Salome. Perhaps you are tucking away a scroll

00:55:20.309 --> 00:55:23.989
as you stand before this... cacophony once again

00:55:23.989 --> 00:55:26.429
all these people screaming hurling their questions

00:55:26.429 --> 00:55:30.309
hurling their words you've had one hell of a

00:55:30.309 --> 00:55:32.690
day too i didn't mention this but you and dresden

00:55:32.690 --> 00:55:35.230
both have like received sudden memories of a

00:55:35.230 --> 00:55:37.789
person that didn't exist that now does it was

00:55:37.789 --> 00:55:39.949
much less dramatic for you salome dresden knew

00:55:40.409 --> 00:55:42.869
uh, Arathlon, by the way, Jules, he would know

00:55:42.869 --> 00:55:45.730
him. He was a guard at the, uh, the pillar of

00:55:45.730 --> 00:55:48.349
authority and Arathlon was often there, uh, speaking

00:55:48.349 --> 00:55:51.429
with Cerise and quiet conversations. So for,

00:55:51.510 --> 00:55:53.309
for Dresden, he was like, holy shit, a person

00:55:53.309 --> 00:55:55.010
just existed that I didn't know existed. For

00:55:55.010 --> 00:55:56.449
Salome, it's a little less dramatic. You wouldn't

00:55:56.449 --> 00:55:58.150
know him personally. You were, I think until

00:55:58.150 --> 00:56:00.530
recently you spent your time on anchor in Sengar.

00:56:00.670 --> 00:56:03.369
It wasn't, uh, as common for the Celeste chills

00:56:03.369 --> 00:56:07.110
to be out and about. Uh, you know, they are always

00:56:07.110 --> 00:56:10.030
have been, uh, Something that made the world's

00:56:10.030 --> 00:56:13.650
nervous. You hold a lot of power. You have great

00:56:13.650 --> 00:56:16.570
numbers. You have great divine power behind you.

00:56:16.630 --> 00:56:20.309
And so it's only now that you're really out in

00:56:20.309 --> 00:56:22.690
public. Yeah. I guess Salome is kind of used

00:56:22.690 --> 00:56:26.050
to at least visions being inserted into her brain.

00:56:26.369 --> 00:56:29.250
Yeah. Yeah. That's a good point. What's a whole

00:56:29.250 --> 00:56:31.469
other luminary? I like that. I like that a lot.

00:56:31.570 --> 00:56:33.409
You're probably just like, oh, how funny. Yeah,

00:56:33.409 --> 00:56:35.789
right. Exactly. I didn't know that could happen

00:56:35.789 --> 00:56:42.309
here. We cut back for... A moment to a scene

00:56:42.309 --> 00:56:45.929
earlier today. Perhaps there's a nearby sort

00:56:45.929 --> 00:56:48.690
of staging house like set up for, you know, just

00:56:48.690 --> 00:56:52.230
for this where Rune led you following your meeting

00:56:52.230 --> 00:56:58.289
with Atash. With the Sapphire. They had one request

00:56:58.289 --> 00:57:02.469
for you. Fix the damage you unwittingly did.

00:57:03.829 --> 00:57:07.559
Just a speech. Simple press conference. You don't

00:57:07.559 --> 00:57:11.440
even need to think of anything to say. Rune's

00:57:11.440 --> 00:57:15.099
going to write it for you. And so as you're waiting

00:57:15.099 --> 00:57:17.920
nervously in this room, waiting for what's to

00:57:17.920 --> 00:57:20.780
come later on, eventually there is a rap on the

00:57:20.780 --> 00:57:23.920
door and opens and a goblin sporting pristine

00:57:23.920 --> 00:57:28.679
white armor comes in, carrying a scroll. This

00:57:28.679 --> 00:57:33.400
is Rune's instruction. He says to read it exactly.

00:57:33.900 --> 00:57:39.489
All right. You got it. You don't know Trace the

00:57:39.489 --> 00:57:43.269
Goblin, Salome. To him, or to you, he's just

00:57:43.269 --> 00:57:47.250
probably another stooge of rude. And yet, as

00:57:47.250 --> 00:57:51.530
he proffers his scroll towards you, I believe

00:57:51.530 --> 00:57:53.829
you have very high passive insight, correct?

00:57:54.989 --> 00:57:57.110
Probably correct. Clerics are kind of ridiculous,

00:57:57.309 --> 00:58:01.510
I imagine. Yeah. 17, if you want it. 17's good

00:58:01.510 --> 00:58:04.760
enough. There's a certain hesitance in him as

00:58:04.760 --> 00:58:07.820
he reaches out to hand this to you. A trepidation.

00:58:07.940 --> 00:58:16.480
He's worried. Great. Okay. Salome will reach

00:58:16.480 --> 00:58:22.820
out and respond. Got it. All right. And he looks

00:58:22.820 --> 00:58:25.500
like he wants to say something to you. His large

00:58:25.500 --> 00:58:28.179
goblin eyes kind of like sizing you up and he...

00:58:29.280 --> 00:58:31.980
Shrinks before your celestial light shrinks away.

00:58:33.320 --> 00:58:38.000
And he leaves the room. Closes the door behind

00:58:38.000 --> 00:58:41.619
him. And you unfurl the scroll and you read the

00:58:41.619 --> 00:58:45.360
speech. Should I bother reading this speech,

00:58:45.460 --> 00:58:50.619
do you think? No. My hope is that you will read

00:58:50.619 --> 00:58:56.280
it. For me. Perhaps I'm wrong. An impossible

00:58:56.280 --> 00:59:00.340
situation, Salome. This expectation put on you.

00:59:00.380 --> 00:59:02.659
I mean, if you do this, you will be trusted by

00:59:02.659 --> 00:59:06.119
those you might consider your greatest foes now.

00:59:06.219 --> 00:59:10.239
Those who want to threaten the freedom of every

00:59:10.239 --> 00:59:15.960
living being in the conquered worlds. But you

00:59:15.960 --> 00:59:21.360
know the damage this speech will do. How long

00:59:21.360 --> 00:59:24.260
will you play into their hand before you reveal

00:59:24.260 --> 00:59:27.239
the ace of your sleeve that you are not among

00:59:27.239 --> 00:59:31.139
them? How long is too long to play the double

00:59:31.139 --> 00:59:34.760
agent? All questions I imagine swirl through

00:59:34.760 --> 00:59:38.980
your mind. I have no idea what Steven is going

00:59:38.980 --> 00:59:48.780
to do as we flash back into the scene. screaming

00:59:48.780 --> 00:59:54.360
words, and eventually, do you make a gesture

00:59:54.360 --> 00:59:58.239
to quiet them? Yeah, she's walking up to this

00:59:58.239 --> 01:00:02.900
podium, wherever it's set, totally deadpan. And

01:00:02.900 --> 01:00:07.960
she stands for a moment, and if the questions

01:00:07.960 --> 01:00:13.800
don't stop, then she'll... Raise both hands above

01:00:13.800 --> 01:00:19.449
her head. To ask for silence. The silence that

01:00:19.449 --> 01:00:22.389
follows is almost more terrifying than the noise.

01:00:23.070 --> 01:00:25.010
Because you now know that every one of these

01:00:25.010 --> 01:00:27.750
eyes and the eyes that follow them through the

01:00:27.750 --> 01:00:33.210
lenses of their diamonds are on you. And Salome

01:00:33.210 --> 01:00:36.809
begins to speak. Wait, wait, wait, wait. We'll

01:00:36.809 --> 01:00:37.269
call it there.
